character description essay example

How to Write a Character Analysis Essay

A character analysis essay is a challenging type of essay students usually write for literature or English courses. In this article, we will explain the definition of character analysis and how to approach it. We will also touch on how to analyze characters and guide you through writing character analysis essays.

Typically, this kind of writing requires students to describe the character in the story's context. This can be fulfilled by analyzing the relationship between the character in question and other personas. Although, sometimes, giving your personal opinion and analysis of a specific character is also appropriate.

Let's explain the specifics of how to do a character analysis by getting straight to defining what is a character analysis. Our term paper writers will have you covered with a thorough guide!

What Is a Character Analysis Essay?

The character analysis definition explains the in-depth personality traits and analyzes characteristics of a certain hero. Mostly, the characters are from literature, but sometimes other art forms, such as cinematography. In a character analysis essay, your main job is to tell the reader who the character is and what role they play in the story. Therefore, despite your personal opinion and preferences, it is really important to use your critical thinking skills and be objective toward the character you are analyzing. A character analysis essay usually involves the character's relationship with others, their behavior, manner of speaking, how they look, and many other characteristics.

Although it's not a section about your job experience or education on a resume, sometimes it is appropriate to give your personal opinion and analysis of a particular character.

What Is the Purpose of a Character Analysis Essay

More than fulfilling a requirement, this type of essay mainly helps the reader understand the character and their world. One of the essential purposes of a character analysis essay is to look at the anatomy of a character in the story and dissect who they are. We must be able to study how the character was shaped and then learn from their life.

A good example of a character for a character analysis essay is Daisy Buchanan from 'The Great Gatsby.' The essay starts off by explaining who Daisy is and how she relates to the main character, Jay Gatsby. Depending on your audience, you need to decide how much of the plot should be included. If the entire class writes an essay on Daisy Buchanan, it is logical to assume everyone has read the book. Although, if you know for certain that your audience has little to no knowledge of who she is, it is crucial to include as much background information as possible.

After that, you must explain the character through certain situations involving her and what she said or did. Make sure to explain to the reader why you included certain episodes and how they have showcased the character. Finally, summarize everything by clearly stating the character's purpose and role in the story.

We also highly recommend reading how to write a hook for an essay .

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Different types of characters.

To make it clear how a reader learns about a character in the story, you should note that several characters are based on their behaviors, traits, and roles within a story. We have gathered some of them, along with vivid examples from famous literature and cinema pieces:

Types of Characters

Major : These are the main characters; they run the story. Regularly, there are only one or two major characters. Major characters are usually of two types: the protagonist – the good guy, and the antagonist: the bad guy or the villain.
Protagonist (s) (heroes): The main character around whom most of the plot revolves.

For example, Othello from Shakespeare's play, Frodo from The Lord of the Rings by J.R.R. Tolkien, Harry Potter from the Harry Potter series by J.K. Rowling, and Elizabeth Bennet from 'Pride and Prejudice' by Jane Austen.

Antagonist (s): This is the person that is in opposition to the protagonist. This is usually the villain, but it could also be a natural power, set of circumstances, majestic being, etc.

For example, Darth Vader from the Star Wars series by George Lucas, King Joffrey from Game of Thrones, or the Wicked Queen from 'Snow White and Seven Dwarfs.'

Minor : These characters help tell the major character's tale by letting them interact and reveal their personalities, situations, and/or stories. They are commonly static (unchanging). The minor characters in The Lord of the Rings by J.R.R. Tolkien would be the whole Fellowship of the ring. In their own way, each member of the Fellowship helps Frodo get the ring to Mordor; without them, the protagonist would not be a protagonist and would not be able to succeed. In the Harry Potter series by J.K. Rowling, minor characters are Ronald Weasley and Hermione Granger. They consistently help Harry Potter on his quests against Voldemort, and, like Frodo, he wouldn't have succeeded without them.

On top of being categorized as a protagonist, antagonist, or minor character, a character can also be dynamic, static, or foil.

Dynamic (changing): Very often, the main character is dynamic.

An example would also be Harry Potter from the book series by J.K. Rowling. Throughout the series, we see Harry Potter noticing his likeness to Voldemort. Nevertheless, Harry resists these traits because, unlike Voldemort, he is a good person and resists any desire to become a dark wizard.

Static (unchanging): Someone who does not change throughout the story is static.

A good example of a static character is Atticus Finch from “How to Kill a Mockingbird” by Harper Lee. His character and views do not change throughout the book. He is firm and steady in his beliefs despite controversial circumstances.

Foils : These characters' job is to draw attention to the main character(s) to enhance the protagonist's role.

‍ A great example of a foil charact e r is Dr. Watson from the Sherlock Holmes series by Arthur Conan Doyle.

How to Analyze a Character

While preparing to analyze your character, make sure to read the story carefully.

Pay attention to the situations where the character is involved, their dialogues, and their role in the plot.
Make sure you include information about what your character achieves on a big scale and how they influence other characters.
Despite the categories above, try thinking outside the box and explore your character from around.
Avoid general statements and being too basic. Instead, focus on exploring the complexities and details of your character(s).

How to Write a Character Analysis Essay?

To learn how to write a character analysis essay and gather a more profound sense of truly understanding these characters, one must completely immerse themself in the story or literary piece.

Take note of the setting, climax, and other important academic parts.
You must be able to feel and see through the characters. Observe how analysis essay writer shaped these characters into life.
Notice how little or how vast the character identities were described.
Look at the characters' morals and behaviors and how they have affected situations and other characters throughout the story.
Finally, observe the characters whom you find interesting.

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How Do You Start a Character Analysis Essay

When writing a character analysis essay, first, you have to choose a character you'd like to write about. Sometimes a character will be readily assigned to you. It's wise to consider characters who play a dynamic role in the story. This will captivate the reader as there will be much information about these personas.

Read the Story

You might think that if you already have read the book, there is no need to do so again; however, now that you know the character you would like to focus on, reading it again will have plenty of benefits. It will give you an opportunity to be more precise while reading the scenes that relate directly to your character and are important for his/her analysis. While reading the book, pay attention to every tiny detail to make sure you grasp the whole array of your character's traits.

Consider the following things:

What specific descriptions does the author provide for each character?

For example, when J.K. Rowling describes Harry Potter for the first time, she describes his clothes as old and oversized, his hair untidy, and his glasses as broken. It might seem just like a simple description, but she expresses compassion and pity for an orphan neglected by his only relatives.

What kinds of relationships does your character have with others?

Think about how Harry builds up his friendships with others. First, he and Ron do not like Hermione because she acts like a know-it-all, but when she gets stuck in the dungeons with a horrendous troll, he rushes to save her regardless.

How do the actions of the character move the plot forward?

In 'The Philosopher's Stone,' Harry is very observant of any events taking place at school. He analyzes people's actions, which builds up the plot around the stone and its importance for the magical world.

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Choose a Dynamic Character

Choosing a dynamic character is a great idea. This does not necessarily have to be the protagonist, but a character that undergoes many changes has grown throughout the story and is not boring and/or static. This gives you a perfect advantage to fully show the character and make your paper entertaining and engaging for the reader. If you choose a character that is not very dynamic, your essay might seem monotonous because your character will not end up doing much and will not be very involved in the story.

While you are reading, it is useful to take notes or highlight/underline any of the critical elements of the story. This will add depth to your character description(s). By providing vivid and specific examples, you connect your reader to the character, and the character comes alive in their eyes. Review your notes and formulate the main idea about your character when you're finished reading with your character in mind.

Make an initial draft while taking note of the character analysis essay outline provided by your instructor. You may follow the recommended character analysis essay format if you have not been provided with a sample.

Choose a Main Idea

While reading the story, make sure you keep track of your notes. It is a good idea to look at them, choose the ones that are the most representative of your character and find patterns. This will be your thesis. Then, you must support this idea with examples and situations involving your character.

If your character were Jem Finch from 'To Kill a Mockingbird' by Harper Lee, the main idea would be how his personal character is shaped through racial conflicts, social inequalities, and internal struggles between public opinion, his own views, and what is actually right. Essaypro offers you history essay help. Leave us a notice if you need to proofread, edit, or write your essay.

Character Analysis Questions

Now that you have jotted down some main concepts about your character, here is a list of questions that can help you fill in the blanks you might still have:

Where do the events involving your character take place?
What are the relationships between your character and other significant characters?
What is the primary change your character has gone through throughout the story?
What is your character's background?
What is your character's occupation?
What kind of emotions does your character go through?
What are your character's values?
What is your character's value?
Does your character have friends?
Is there a lesson your character has learned by the end of the story?
Does the character achieve the goals he/she has set for himself/herself?

Make a Character Analysis Essay Outline

When you're unsure how to write a character synopsis, remember that creating a literary analysis outline is one of the most critical steps. A well-constructed character analysis outline will keep your thoughts and ideas organized.

Character Analysis Essay Introduction:

Make the introduction to your paper brief and meaningful. It should hold together your entire essay and spark your audience's interest. Write a short description of the character in question. Don't forget to include a character analysis thesis statement which should make a case for the character's relevance within the narrative context.

Character Analysis Essay Body:

Subdivide your body paragraphs into different ideas or areas regarding the character. Look at your professor's rubric and ensure you'll be able to tackle all the requirements. You should also be provided with questions to be answered to formulate your analysis better. The body should answer the following questions:

What is the character's physical appearance, personality, and background?
What are the conflicts the character experiences, and how did he/she overcome them?
What can we learn from this character?
What is the meaning behind the character's actions? What motivates him/her?
What does the character do? How does he/she treat others? Is he/she fair or unjust?
What does the character say? What is his/her choice of words? Does he/she have a rich vocabulary?
How does the character describe themself? How do others describe him/her?
What words do you associate with the character? Perhaps a word like 'hope,' 'bravery,' or maybe even 'freedom'?

Character Analysis Essay Conclusion:

It's time to master the secrets of how to write character analysis essay conclusions. Your ending should also hold your ideas together and shape a final analysis statement. Mention things about the character's conflicts that we could experience in real life. Additionally, you can write about how a character should've reacted to a certain situation.

Character Analysis Essay Example

Read our blogs ‘Character Analysis of Jem Finch', 'The Great Gatsby Book Through Daisy Buchanan Character,' 'Analysis of Characters in Beowulf,' or simply use these character analysis essay examples to reference your paper. You might also be interested in a synthesis essay example .

Now that you know what is character analysis, it might be time to choose a character to write about. If you find yourself in a situation where you need to type ' do my homework for me ,' you should contact our writers. You also get a free plagiarism report, formatting, and citing when buying an essay from us!

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How To Write A Character Analysis Essay?

How to start a character analysis essay, how to write an introduction for a character analysis essay, related articles.

Writing a Character Analysis Essay | Step-by-Step Guide

I’m also going to give you a ton of examples.

This post is split into four parts for easy navigation:

What is a Character Analysis Essay?
What is the best Format to Use?
11 Character Analysis Example Ideas
Template, Checklist and Outline for Your own Piece

In this post, I’m going to explain to you clearly and in a step-by-step way how to conduct a character analysis.

1. What is a Character Analysis Essay?

Let’s get you started with some really simple details about what a character analysis is:

A Quick Definition: A character analysis essay zooms-in on a character in a book, movie or even real life. It provides what we sometimes call a ‘sketch’ of a character.
The Purpose of a Character Analysis: The purpose of a character analysis is to reveal interesting details about the character that might contain a broader moral message about the human condition. For example, Atticus Finch is not just a lawyer in To Kill a Mockingbird. Rather, he provides us with a moral message about the importance of doing what you believe is right even though you know you will likely fail.

2. What is the best Character Analysis Essay Format?

Character analysis essays do not have just one format.

However, let me offer some advice that might act as a character analysis essay outline or ‘checklist’ of possible things you could discuss:

1. Start with the Simple Details.

You can start a character analysis by providing a simple, clear description of who your character is. Look at some basic identity traits such as:

Race (if relevant)
Social class (if relevant)
Protagonist or Antagonist? A protagonist is the character who is our central character in the plot; the antagonist is often the protagonist’s opponent or challenger.
Major or minor character?

2. What are the character’s distinctive personality features?

Your character might have some really clearly identifiable character traits. It’s best to highlight in your character analysis the exact traits that this character possesses. Some common character traits include:

I recommend you take a moment to write down what you think the top 3 to 5 words are that you’d use to explain your character’s personality traits. These will be important to discuss throughout your character analysis.

Sometimes a character may start out with some personality traits, but change over the course of the text. This is quite common; and one clear example of this is Lady Macbeth she deteriorates from a cutthroat power player to a guilt ridden shell of a person roaming the halls of the castle. This dramatic character change is something that makes her very interesting, and is worthy of discussion!

3. What are the character’s key relationships?

Does your character have a close relationship with a certain person in the storyline?

You might want to discuss the character’s relationships as a part of your character analysis. These relationships may reveal some key personality traits of your character.

For example, in Shakespeare’s play Hamlet, Horatio is the loyal offsider to Hamlet. Through his actions in staying by Hamlet through thick and thin, we learn that he is a deeply loyal character.

Examining the character’s relationships with their friends and foes therefore is very useful for digging deeper into who this character actually is, and what personality traits they have when they are put to the test within the narrative.

4. What are the character’s motivations?

Another thing you might want to examine are the character’s motivations . What do they desire most in the world? Some common motivations for characters in stories are:

A simple life
To serve others

This list really could be endless, but I hope the above examples give you a bit of an idea of the sorts of traits to look out for. By mentioning and examining the motivations of the character, we will come closer and closer to learning exactly what moral message this character might be able to tell us.

5. What are the character’s key conflicts?

Stories tend to have a beginning, a complication, and a resolution.

The complication involves conflicts and challenges that need to be overcome. For Edmund in Narnia, it’s cowardice. For Romeo and Juliet, it’s the conflict between love and family loyalty. Here’s some other common conflicts for characters:

Whether to stay loyal to a friend;
To overcome obstacles to love;
To seek a way out of a challenging situation;
To escape war or poverty;
To persevere through imprisonment;
To overcome personal fear

Again, this list is endless.

Knowing the character’s core conflict gets us even closer to knowing the moral that the character is trying to teach us.

For example, in Romeo and Juliet, the challenge of Romeo and Juliet being together despite their families’ objections teaches us something. Personally, I believe it teaches us the importance of letting go of old grudges in order to let love bloom.

This moral lesson was taught to us through conflict: namely, the conflict that Romeo and Juliet were right in the center of.

6. What are the character’s epiphanies?

Sometimes a character has an epiphany. This often happens towards the end of the story and helps the character overcome the challenge or conflict that we discussed in the point above.

Here’s an example of an epiphany:

In the Lion King, Simba runs away from his tribe to live in exile. After a chance encounter with his childhood friend Nala, he has an epiphany that he has a duty to his tribe. This leads him back home to fight Scar and return freedom to Pride Rock.

Not all characters have an epiphany. But, if they do, I strongly encourage you to write about it in your character analysis.

7. Examine the moral message the character teaches us.

Finally, conclude by examining the moral message behind the character. Nearly every character has something to teach the reader. Authors put a lot of thought into creating complex characters with whom we can relate. We relate to the character and say “wow, they taught me a lesson about something!”

The lesson might be something like:

Money doesn’t buy happiness;
Loyalty to family comes above all else;
Love gives life meaning;
Honesty is always the best policy

This is the core of your character analysis essay. If you can pick out exactly what moral message the character teaches you, you’ll be well on your way to writing a strong character analysis.

Below I’m going to give you some examples to help you out. I know it can be hard to really get your head around a character, so sometimes the best thing is to look at some samples!

3. Here’s 13 Example Character Analysis Essay Ideas.

Most times when we create a character analysis, we’re exploring the deeper moral stories / aspects of humanity. Here’s some example ideas. I’ve tried to outline in less than a paragraph exactly what your key point will be about each character:

Atticus Finch from To Kill a Mockingbird: A character who teaches us a lesson about standing up for what’s right, even if you know you’re likely to lose.
Huckleberry Finn from Huckleberry Finn: A character who reveals our inner desire for freedom from the elements of society that constrain us.
Dudley from Harry Potter: A character whose personality tells us a cautionary tale of the perils of middle-class narcissism, parents’ desire to wrap their children in cotton wool, and the lack of discipline we perceive in contemporary childhoods.
Jack from Lord of the Flies: A character who represents the innate desire for power that seems to lurk not too far from the surface of the human condition. When social structures are stripped away, he quickly reverts to violence and superstition to assert control over his peers.
Lady Macbeth from Macbeth: Lady Macbeth teaches us a valuable lesson about the perils of contravening our own morality. She starts out a cutthroat killer but is increasingly consumed by the guilt of her own actions. While we may be able to escape full punishment from outside forces, it is the inner guilt that might eat us away to our last.
The Boy who Cried Wolf: The boy who cried wolf is a character whose fatal flaw is his desire for attention and adulation. His repeated attempts at gaining the attention of others leads the townspeople to no longer take him seriously, which causes him harm when he actually needs the villagers to take him seriously to save his life. He teaches us the virtue of honest and humility.
Nick Carraway from the Great Gatsby: Nick shows us all the inner conflict between the trappings of wealth, glamor and spectacle; and the desire for simplicity, honesty and community. He is drawn by the dazzling world of East Egg, New York, but by the end of the novel sees live in East Egg as shallow and lacking the moral depth of his former life in small town Minnesota.
Alice from Alice in Wonderland: In many ways, Alice represents the child within all of us. She is a character of goodwill to all and who looks upon the world (or, rather, Wonderland) with awe. Travelling with a cadre of flawed characters, she learns with them the importance of seeking strength from within.
The Nurse in Romeo and Juliet: Like many Shakespearian characters, the nurse’s role is both as loyal confidante to a central character and comic relief. Shakespeare uses minor characters to regale his crowd and sustain viewer interest between scenes.
Lucy in The Lion, the Witch and the Wardrobe: Lucy represents a surprising character whose youthfulness and small stature make her an underrated character by all around her. Nonetheless, she possesses within the bravery and loyalty necessary to carry out the quest for Aslan. Lucy represents the goodness in children and, by extension, all of mankind.
Anne in Anne of Green Gables: Anne occupies the typical literary role of young girls in many classical novels: she represents innocence and wonder, and her contraventions of rules are seen through a prism of childhood innocence. This frames Anne not as a deviant but as a precious soul.
Simba from The Lion King: Simba’s story follows his struggle with growing up, embracing his destiny and duty to his family, or fleeing towards freedom and a ‘no worries’ lifestyle. Simba flees Pride Rock and goes through an existential crisis with his existentialist friends Timon and Pumba. When he runs into an old childhood friend, he realizes how shallow his new carefree life has become and reflects upon his obligation to his community back home.
Woody from Toy Story: Woody starts out Andy’s favorite toy, but when Andy gets a new flashier toy, Woody’s status amongst the toys falls apart. Woody’s key character challenge is to learn to be humble and inclusive living within the group. By the end of the movie, Woody realizes his duty to love and serve Andy is more important than his own status within the group.

4. Here’s an Example Template for your own Character Analysis Essay

Feel free to use this brainstorming template to get you started with your character analysis essay. I recommend filling out as many of these key points as you can, but remember sometimes you might have to skip some of these points if they’re not relevant to your character.

Once you’ve brainstormed the ideas in Table 1, follow the character analysis essay outline in Table 2 to stay on track for your character analysis essay. Do remember though that each assignment will be different and you should adjust it based on your teacher’s requirements.

Here’s Table 1, which is a brainstorming template for your character analysis essay:

And here’s Table 2, which is an example character analysis essay outline. This is for a 1500 word character analysis essay. Change the word count according to how long your essay should be:

Read Also: 39 Better Ways to Write ‘In Conclusion’ in an Essay

Character analyses can be really tough. You need to know your character really well. You might even need to re-read (or watch) your book or movie a few times over to get to know the character really well.

I recommend when you re-read or re-watch the text before you write your character analysis, have the checklist I provided above handy and take notes. Then, use the essay outline I provided above to put all of those notes together into a clear and thorough final character analysis essay.

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How to Write a Character Analysis Essay: Examples & Outline

A character analysis is an examination of the personalities and actions of protagonists and antagonists that make up a story. It discusses their role in the story, evaluates their traits, and looks at their conflicts and experiences. You might need to write this assignment in school or college. Like any other essay, your character analysis should contain an introduction, a conclusion, and a thesis.

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Want to know how to write a character analysis essay? Not sure how to start? We understand. Whichever piece you choose – Lady Macbeth, A Rose for Emily, or something else, – analyzing a character for the first time might be challenging. No worries, we are here to help! In this guide by our custom writing experts, you will find a step-by-step guide, outlining and writing tips, as well as a number of character analysis examples.

📔 Character Analysis Definition
🧙 Types of Characters
📝 Writing Guide
🖥️ Formatting Tips

📑 Character Analysis Essay Examples

📔 what is a character analysis essay.

A character analysis essay is an assignment where you evaluate a character’s traits, behaviors, and motivations. It requires critical thinking and attention to detail. Unlike descriptions, analyses focus on a character’s personality and internal drives. It explains how those factors shape the narrated events.

The picture shows the definition of character analysis.

So, what you need to do is to see the characters as if they were real people who feel and act just as we do. Ensure there are no baseless assumptions and interpretations: the ideas you present should be supported by quotes from the text.

Character: Definition (Literature)

How do you define a character? It is a person, a creature, or an animal that makes up the story’s world. A character can be based on a real-life person, or it can be entirely fictional. It is someone who thinks, feels, and acts.

We use the word “character” in many different contexts. For instance, it can denote someone eccentric or worthy of our admiration. In both contexts, the term “character” means a distinctive personality. Similarly, in an analysis, your task is to show what makes a character stand out.

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Characterization: Literary Definition & Examples

Characterization is the process by which a character’s personality is revealed. It presents characters’ traits, feelings, and motives to the reader. For this reason, characterization is closely connected to character analysis. It helps us to understand the characters better throughout the reading process.

Characterization can be direct and indirect .

Direct characterization is when the narrator directly tells the audience what the personality of a character is.
In contrast, indirect characterization shows things that hint at a character’s nature.

Here are some examples of direct characterization taken from Patti Smith’s Just Kids :

“But he always suppressed his real feelings, mimicking the stoic nature of his father.”

Here we see a direct description of a character. The author straightforwardly talks about Robert’s feelings. In comparison, look at the description of a woman taken from John Steinbeck’s The Snake :

“He looked around at her again. Her dark eyes seemed veiled with dust. She looked without expression at the cat’s open throat.”

These lines don’t directly reveal anything about the woman, but the reader can understand that she is cold and dangerous. It’s an indirect characterization that focuses on looks and actions to convey the message to the reader.

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🧙 Types of Characters for Your Essay

When it comes to characters, they can be divided into several groups. For example, characters can be:

Protagonists or antagonists,
Static or dynamic,
Flat or round.

These types define how much the characters change through the course of the story and their role in it.

Character Type: Definition

In psychology, a character type is defined by a combination of personality traits that coexist in an individual. Authors incorporate different types of characters into their works to convey the message and make the story more exciting or relatable to the reader.

There are three ways to categorize a character type:

by archetypes,
by their role in the narrative,
by their ability to change throughout the story.

If you are about to write a character analysis essay, being familiar with character archetypes is essential. They have been categorized by a generation of writers, including the Swiss psychologist Carl Jung and the American literary theorist Joseph Campbell. A lot of characters we see in today’s literary works are rooted in them.

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Archetypes include the Trickster, the Ruler, the Lover, the Sage, and others. The Hero is one of the most notable archetypes. Hercules or Achilles can be good examples of heroic protagonists. They are strong and courageous; they meet challenges and save the day by helping others.

Main Character: Definition & Examples

The main character and the protagonist often get mixed up. Most narratives also have the figure of the antagonist , whose actions affect the plot and stimulate change. Let’s have a look at the similarities and differences between these types.

The main character is central in the narrative. We experience the story through their eyes. They don’t necessarily have to be protagonists, though it happens in many cases.

The crucial difference between the main character and the protagonist is that the protagonist goes through changes throughout the story. The main character, however, is there to guide the reader through the experience. Often they help to show a different, darker side of the protagonist.

To understand the difference better, let’s turn to some examples.

What’s a Static Character?

Now that we’ve learned about the main character and the protagonist, we will closely look at other types of character classifications. One of the ways to categorize a character is by their ability to change throughout the story.

A static or simple character is someone who undergoes little or no significant changes. They often exist for comedic purposes. Here are some examples:

Complex Character: Definition & Examples

Complex or dynamic characters are the opposite of static characters. Characters of this type change as the book progresses. They display different qualities, emotions, and motives. They become more complicated and interesting to the reader as the story unfolds.

Check out these examples of dynamic characters:

Other Kinds of Characters

You already know about several ways to define a type of character. Now, let’s go over some other types, starting with flat and round characters.

Similar to dynamic and static ones, round and flat characters represent two different ends of a spectrum. Round characters usually come with an in-depth background. They are traditionally protagonists, antagonists, or those close to them. In contrast, flat characters are two-dimensional, and there is not much depth to them.

For the examples, we will turn to the novel Pride and Prejudice by Jane Austen.

Finally, here are some bonus character types for you:

Stock characters have a fixed set of traits and are flat. Most of the time, they exist for comical relief.
Symbolic characters represent a concept or a theme that goes beyond them. They can be round and flat as long as they symbolize a particular notion or phenomena.
Sidekick is a secondary character who supports the protagonist.
The love interest is someone with whom the main character is infatuated.
Foil is someone who’s set in contrast with the protagonist, thus putting more emphasis on the latter’s qualities.

Characterization Essay: Which Character Type to Choose

Before you start writing a paper, it essential to decide on the character you’re going to analyze. There are different types of characters in every story, so you need to choose which one suits your essay topic the best.

Usually, it’s best to choose a dynamic and round character . With static and flat ones, there may not be enough substance for you to analyze. However, some such personalities can be interesting to work with. For instance, a flat character such as Mr. Collins can be symbolic of something. Then, you can talk about how it embodies a specific idea or notion. You can also look at how they affect other characters in the story.

📝 How to Write a Character Analysis Step by Step

Now, we’re going to discuss how to write your paper step-by-step. But first, here are some pre-writing steps for you to consider:

Choose a character for analysis.
Take notes while reading;
Define the type of the character and their role in the story;
Pay attention to their descriptions and actions.

How to Analyze a Character: Description Examples

Knowing how to organize your work is an essential skill. Certain things need special attention if you are describing a character:

physical appearance,
emotional state,
how the character speaks,
behavior and personality traits,
relationships with other characters.

When you analyze a character, try to look at them as if they were a real-life person. You want to know their motive, learn about how they feel, and understand why they think in a certain way. Ask yourself:

How did the character change throughout the story (if at all)?
What do other characters say about them? Can their words be trusted?
Where is the character physically and emotionally? What brought them here?
What is the character ready to do to achieve their goal?

Now, let’s look at the character of Franklin from the short story Just Before the War with the Eskimos by J.D. Salinger:

Character Profile Template for Writing

When writing your essay, use this character analysis template:

The picture shows the main steps in writing a character analysis essay.

In the following sections, we’ll discuss each step in detail.

Character Analysis Outline: How to Start a Character Analysis

The beginning of your essay is its crucial part. It sets the mood and grabs the reader’s attention. There are many different ways to write a character analysis introduction, but here are the most effective ones:

Use a quotation. It’s a great way to make a catchy hook. If it relates to the character and reflects their nature, it can also help to set the tone for analysis. In case you are using a quotation from somewhere else, mention the source in parentheses.
Talk about the book or story. Mention the author, the name of the story, and the genre. Briefly describe the main events that are taking place in the story.
Introduce the character. State their role in the story (define whether they are a protagonist, an antagonist, etc.) Then, explain whether the character is static or dynamic. Finally, describe them in 2-3 sentences.

The final part of an introduction is a thesis statement.Read on to learn how to write one!

Character Analysis Thesis Statement & Examples

A thesis is the key component of every essay, and character analysis is not an exception. It’s crucial to develop a good and clear thesis statement that includes all the aspects of your paper. For instance, if you plan to write a 4-paragraph body, including 4 points in your thesis.

What should a character analysis thesis include? Well, try to think of any trait that the character possesses that has to do with their downfall or somehow influences the story. Think about how this trait affects the character’s relationship with others or how it contributes to their motive or aspiration.

Take a look at the following examples:

How to Write Character Analysis Paragraphs for the Main Body

The main body of your essay can include as many paragraphs as you need. In this part, you introduce the character and analyze them. We have already talked in this article about what kind of questions should be answered in these paragraphs. The most important points are:

Describe the character and their role within the story.
Give the audience an explanation of the character’s motives.
Show what message the author wanted to convey through this character.

Keep in mind that every paragraph should have a topic sentence that captures its main idea.

Tsukuru Tazaki’s spiritual rebirth also affects his physical appearance.

Character Analysis Conclusion: How to Write

The conclusion part of your essay summarizes all the information you have mentioned and restates the thesis. Here is some advice for your conclusion paragraph:

🖥️ Character Analysis Essay Format

Most college assignments and essays are written according to the APA or MLA format. Both styles have the same formatting, which requires:

a double-spaced paper with 1-inch margins,
a page header with page numbers flush right,
an 11-12-point font.

While writing an essay on characters, pay special attention to quotations. Here are some tips for APA in-text citations:

When you summarize or paraphrase the information, mention the author’s name and publication date in brackets. Example: According to Collins (1997.)
When you quote directly from the source, add the number of the page, as well. Example: “There is a view that…” (Collins, 1997, pp. 134-135.)
If the source includes three or more authors, use the abbreviation “et al.” after the first author’s name. Example: (Collins et al., 1997)

As for MLA format:

You can write the author’s name in the sentence. Example: As Collins mentions in his essay<…>.
You can mention the author’s name in the parentheses at the end of the sentence. Example: (Collins, J.K.)
The last option is to use either footnotes or endnotes.

Below you’ll find a collection of character analysis essay examples and a downloadable sample to inspire you even more.

The Grandmother in A Good Man Is Hard to Find: Character Analysis
Willy Loman in Death of a Salesman: Character Analysis
Jay Gatsby and Nick Carraway: Character Analysis
Prospero in The Tempest: Character Analysis
Agamemnon in the Iliad: Character Analysis
Lord Pococurante in Candide: Character Analysis
Andromache in the Iliad: Character Analysis
Character Analysis of the Knight from The Canterbury Tales
Essay on Soldier’s Home: Analysis of the Characters

Character Analysis Example (Downloadable)

Roald Dahl’s Matilda is one of the most famous children’s novels of the 20th century. The protagonist of this tale is Matilda Wormwood, a five and a half-year-old girl with a brilliant and lively mind that distances her from the rest of the family. Matilda’s character is particularly interesting as she has a powerful personality with extraordinary mental abilities, and she manages to overcome all the obstacles that surround her.

Character Analysis Essay Topics

Character analysis of Abbas from A.D.: New Orleans After the Deluge .
Jay Gatsby in The Great Gatsby by F. Scott Fitzgerald.
Beowulf and Hamlet : similarity and diversity of the characters.
Personal and social failures of Willy Loman in Death of a Salesman by Arthur Miller.
Character analysis of Othello .
Analyze the characters of Stanley and Blanche from A Streetcar Named Desire .
The tragedy of Mathilde Loisel from The Necklace by Guy de Maupassant.
Character analysis of Huck Finn from Mark Twain’s The Adventures of Huckleberry Finn .
Moral force of Kate Lipton from Double Helix by Nancy Parker.
Character analysis of Thorvald and Nora in Henrik Ibsen’s A Doll’s House .
Discuss the character of king Creon in Antigone .
Analyze the personality of Lydia from Jane Austen’s Pride and Prejudice .
Compare Nick Carraway and Tom Buchanan from The Great Gatsby by F. Scott Fitzgerald.
Describe the peculiarities of Lord Pococurante in Candide .
Sarty Snopes in William Faulkner’s Barn Burning : character analysis.
Analyze the character of Biff Loman in Death of a Salesman.
Personality of Nora in A Doll House by Henrik Ibsen.
Examine the main characters of The Yellow Paper by Charlotte Perkins Gilman.
Personality change of the main character in Edgar Alan Poe’s The Black Cat .
Analyze the characters of E. Hemingway’s A Clean, Well-Lighted Place .
Describe the main characters of the novel The Overstory by Richard Powers.
Controversial personality of Vladek in Maus: A Survivor’s Tale by Art Spiegelman.
Character analysis of Victor Frankenstein in Frankenstein by Mary Shelley.
Discuss the character of Creon in Oedipus the King .
The manipulative character of Iago in Willian Shakespeare’s Othello .
Analyze the characters of Nil and Kristine in A Doll’s House .
Eccentricity of Grendel’s character in Beowulf .
Describe the main characters of Four Summers by Joyce Carol Oates.
Examine the characters of Harold Krebs and his mother in Ernest Hemingway’s Soldier’s Home .
Analyze common and different traits of the characters in The Monkey’s Paw .
Character peculiarities of Rostam and Sohrab in Shahnameh by Ferdowsi Tousi.
How does the character of Elizabeth Bennet in Pride and Prejudice by Jane Austen differ from the rest of her family?
The behavior and meaning of the characters in Nicholas Rowe’s The Tragedy of Jane Shore.
Compare the characters of Victor Frankenstein and the monster in Frankenstein or the Modern Prometheus by Mary Shelley.
Discuss the differences of main characters in Everyday Use by Alice Walker.
Examine the character of Connie in Where Are You Going, Where Have You Been by Joyce Carol Oates.
The influence of social pressure on the characters of Chopin’s Desirée’s Baby and Sedaris’ A Modest Proposal .
Dynamic feminist characters of Delia and Jig in Sweat by Z. Hurston and Hills Like White Elephants by E. Hemingway.
Analyze the personality traits of Emily in William Faulkner’s A Rose for Emily .
Examine the characters of The Quiet American by Graham Greene.
Henry ΙV by William Shakespeare : analysis of main characters.

Now you know everything necessary for writing an excellent character analysis. What character would you like to analyze? Let us know in the comments!

❓ Character Analysis FAQ

A character analysis involves:

1. description of a character; 2. explanation of how they change throughout the story; 3. their role in the narrative; 4. relationships with other characters; 5. what idea the author wanted to convey through the character.

A character analysis creates a description that contains their most important qualities. It provides a new perspective of a character that reveals more about what it’s like to be human. It can also point to a moral or a lesson.

Literary analysis uses the technique of tracing the character development. This technique is usually used to understand the theme of the work better. Through tracing a character’s development, we can learn more about the story’s message and how it’s conveyed.

A summary paragraph in a character study should include answers to the questions “what,” “who,” “where,” and “why.” You should mention who narrates the story, where the story is set, its theme, and the message it conveys.

Critical Concepts: Character and Characterization: Kansas State University
Analyzing Novels & Short Stories: Texas A&M University
Guidelines for Writing a Character Analysis Essay: Tidewater Communite College
Literary Criticism: Thesis Examples: The University of Texas at Arlington
Writing a Literary Analysis Paper: Germanna Community College
Flat and Round Characters: Encyclopedia Britannica
Literature: University of North Carolina at Chapel Hill
How to Write a Book Analysis: Kean University
Elements of Literary Analysis: Alamo Colleges District
Defining Characterization: Read Write Think
APA Style: General Format: Purdue University
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How to Write a Character Analysis Essay?

14 August, 2020

14 minutes read

Author: Kate Smith

A character analysis essay is one of the most complicated academic assignments that students usually write for Literature or English classes. Generally, this kind of essay writing requires you to describe the character in the context of the story. This can be done through the analysis of the relationship between the major and secondary characters or through your personal opinion of a particular character.

So, there is something you should learn before getting down to work. What is a character analysis and how to approach it? Let’s try to find the answers in the information below.

What is a Character Analysis?

A character analysis is a kind of essay where you examine behaviors, motivations, and actions of characters. Also, a character analysis is an in-depth assignment that makes you think critically about one or more characters and make judgements after analyzing the text. In most cases, it is used for the analysis of literary works. This form of academic writing involves personalities’ descriptions and conflicts with others they experience throughout a story. This analysis aims to provide a critical assessment of characters and build up conclusions based on the storyline. You may analyze a personality through his or her behavioral patterns or internal and external conflicts.

When you’re asked to write a character analysis, you must look at that story from a different angle. How? This is not your average reading for fun. Your task is to focus on the character synopsis and everything that’s associated with the people involved in the story.

Aim of a Character Analysis

A character analysis aims to evaluate a character’s traits, their functions, and the conflicts they have to deal with throughout the story. During the analysis, you will need to think critically, ask questions, and make conclusions about the character. To make your analysis informative, you will have to go beyond available descriptions that are written by the author. To understand the meaning of every event, phrase, and action, you will have to read between the lines. Don’t be afraid of using some additional resources if you feel like knowing more about the epoch a character lives in. If you want to gain an alternative opinion about a character, do not hesitate to find out your friends’ or internet users’ thoughts. Thus, thorough research may help you develop some creative ideas that will add great value to your future paper.

General Types of Characters

You should have a deep understanding of a character before starting an in-depth analysis. While a good character has many sides, there are some standard features to be considered:

Protagonist: Being the main figure in a story, this character has the whole plot based on their life, actions, events, and feelings.
Antagonist: Being a villain in a story, this character is positioned as the opposite figure to the major hero. Their basic nature remains negative, which makes them even more interesting than the main character. An antagonist plays a significant role even in short stories.
Major: This character dominates the story. While they are not the main one in the story, they are involved in all the events.
Minor: This character appears in a story from time to time. Their role may be significant for the plot development, but then they may disappear for some time and pop up again.
Dynamic and static characters: The existence of these two opposite characters is determined by their reflection of each other’s specifications. While one character of a story goes through an internal or external transformation, another one may have their basic characteristics unchanged. There is a common idea that an evolving character tends to be more interesting than a static one. However, you can also analyze a static character from the perspective that they are not sympathetic, smart, or deep enough to learn their lessons. Or on the contrary, they remain strong enough and can resist the system without going under it.
Stereotypical: If you are familiar with stereotypes, you will know what type of character is meant here. Generally, this particular character serves as the representation of the social, national, as well as demographic background of the story.
Foils: The main goal of this hero in the story is to stay in contrast with main characters and a protagonist in order to highlight the features of the main character.
Multi-dimensional characters: This group of characters involves an unlimited number of personalities. They are one-dimensional characters in the story who usually are not particularly interesting for the reader or viewer and do not play a crucial role in the storyline.

How Do You Start a Character Analysis Essay?

Before you start writing, you may wonder how to do a character analysis. Of course, you need to select a character to describe. In some cases, your professor will give you a character to talk about. By reading a story several times, you may notice the tiniest details. Ideally, you can use a highlighter or marker to mark each spot where your character is mentioned. Here are some more details of how to start with a character analysis:

Take notes while reading. Take notes by highlighting every significant element of the story.
Introduce your character. Introduce your character by providing their detailed description.
Describe your character. Provide a smooth transition from the general description of your character to the point of convergence of the story.
Build up a thesis statement. Finish the presentation with your paper’s proposal.

Main Points of a Character Analysis

When you need to analyze one character, you can make it from the perspective of several types at once. The character’s ability to change can create an additional source of analysis. At the same time, the complex and changing personality will be more interesting for the detailed analysis. To make it easier to work with such characters, you should focus on their characteristics, namely their importance for a story, actions, events, and so on. In most cases, you have to cover three major points:

Personality

Reveal the main features of a character to provide the reader with a portrait. By adding some facts and descriptions of actions, you will enable a deeper understanding of the analyzed hero. There is no need to use some words with broad meanings like “bad,” “nice,” “honest,” etc.

Role in a story

Describe the importance of the particular character in the context of the general story. Also, you should pay attention to their actions and their ability to move the events forward.

Character development

Analyze the changes the character has gone through and what features they have now. You should focus on the progress of a person, even if it is regressive.

Character Analysis Outline

In the character analysis essay outline, you should describe two or maybe even three specific character categories. Your mission is to describe the personality of the character, their function in the story, and the value they have.

Describe the personality of the character. The reader gets familiar with the characters of the story through the words the characters use, the emotions they express, and the actions they take. It is quite easy to build up an opinion about the personality of a character through the prism of their outward behaviors. Eventually, you will understand that the character fits into one of the character categories mentioned above.
Explore the character’s role . While writing a character analysis, it is important to describe the role of that character in detail. Apart from expressing unique character traits, the character will also perform a specific function in the story. Whether it will be the major or minor role, the analysis should address all the aspects of the performed role.
Outline the growth and development of the character . In order to write a professional analysis, you will explain how the character matures and transforms as the plot progresses.

The majority of characters will have to go through particular transformations until the end of the story. You should pay special attention to whether the character becomes better or worse, stronger or weaker, rich or poor. Mention any areas or scenes where these transformations occur. In the story, you will recognize them from the cues like “it was then that she understood…” or “for the first time in months, he…”

Do you need a more detailed analysis of your character?

To make your analysis essay correct, you need to explore your character deeply. If you set some points you will follow in your work, you will manage to be consequential in your analysis. So here are some crucial nuances you should remember to describe the character:

You should focus on the reasons that make the character in a story to make a particular decision or take a specific action. You have an opportunity to explore the rightfulness of those actions as well as their reasonability. While you are asked to express your thoughts about certain events and feelings, you should be objective by looking beyond the cover.

Every action taken by a character can say a lot about his/her personality. You should not skip any events because it can be important for the general story and reveal some info about the character, his/her attitude to things, etc.

You should pay attention to the words the person uses because they can say a lot about their personality. Their accents and phrases may provide you with valuable information about nationality, social status, education, or even age of a character.

Descriptions

There are two major sources of the description: from other people in a story and the author. The author can provide the reader with one attitude and description of the major character, while secondary heroes in a story may describe them from their own perspective. At that point, their conclusions may be totally different, yet they’ll provide you with an understanding of the person’s nature.

The way people refer to a person also determines the features of a character. They may have nicknames or other names that will demonstrate their background and the attitude of other characters toward them. You can also define the origin as well as other important nuances.

Character Analysis Examples

By using a readymade character analysis example, you can concentrate on the creative process itself. Here are some nice examples of written character analysis based on a couple of popular stories:

https://literatureessaysamples.com/joe-gargerys-character-analysis/

http://jmendelis.blogspot.com/p/sample-character-analysis-essay.html

Tips on Writing a Character Analysis from Handmadewriting Experts

Whether you follow a character analysis template yourself or ask a professional essay writer to complete this paper for you, you should not forget the common principles of work. Luckily, Handmadewriting’s specialists always follow the standard rules for character analysis writing:

Support all your statements with evidence. Y ou should incorporate evidence for every single point you make, although it must be relevant to the story. By means of quotes taken from the story, you can easily support your ideas and increase your credibility.
Point, illustrate, and explain. The so-called PIE method is a must for character analysis writing. Make sure to make a point, integrate quotations to support it, and explain how every quote creates the point.
Use your own words to anchor the quote. A quotation should not be left alone in the sentence. You need to explain the eligibility of this quote and its meaning.
Do not overuse quotes. You are allowed to use up to 10% of quotations in an academic paper, so remember this number. If you overuse quotes, you can hardly hope for a good grade.

Are you ready to proceed with your character analysis paper? Once you learn all writing rules and tips, you will be able to finish an excellent paper before the set deadline.

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How to Write a Character Analysis Essay: Step-by-Step Guide

Table of contents

1 What Is a Character Analysis Essay?
2.1 Protagonist
2.2 Antagonist
2.5 Dynamic
3.1 Introduction
3.3 Summary
4.1 Read up on the story
4.2 Decide on what character to choose
4.3 Outline your essay
4.4 Define the main idea
4.5 Make notes while reading
4.6 Compose a list of questions
5 Character Analysis Essay Example

Writing can be as interesting as communicating. You can provide your thoughts and in-depth analysis of a character you like. That’s why you can come across various writing assignments in high school or college, including an analysis essay . Preparing such a work enables you to reveal your creativity and develop your ability to analyze and systemize information.

Like any other essay types , a character analysis paper sticks to a particular structure and has a certain purpose. It also discloses a range of specific points you should take into account when putting words on paper. So, if you need help starting to write, you landed in the right place. Here, we uncover all you need to know on how to write a good character analysis article.

What Is a Character Analysis Essay?

A character analysis essay is worthy of putting effort into writing. This assignment involves a versatile description of a central character from a book, novel, or whatever storytelling. In such an essay, you must open the main personality traits you choose to write about.

Writing about a character, you should describe their inner world as well as their behavior, actions, and lifestyle. This is detailed work about a person you should study well. To be able to explain their particular behavioral line in the context of a story, you must turn on your imagination and thorough examination.

With this in mind, it is easy to understand the purpose of a character analysis essay. It involves evaluating a character’s pack of traits reflected in the context of the primary source. You might choose whether to disclose the positive or negative side of a character. This depends on the topics and the approach used for composing an analysis paper.

Also, it is possible to call this type of writing a process analysis essay because you are to disclose the character’s emotions along with how actions occur and change during the plot.

Common Types of Characters in Your Essay

When encountering characters’ analysis and defining an objective of your essay, you must know what types of characters exist. This might help you direct your analysis into the correct flow.

Protagonist

The protagonist is the story’s central figure on which the main focus is fixed. Not only one character can be a hero. You can find several of them through the narrative, expressing their experience and engaging scenes.

This character represents an opposite role to a protagonist in the context, bringing some worse experiences to the story. They always create an obstacle for a protagonist to reach a goal.

A major person in a story plays an important role, yet not the central one. These can be characters who are close in relationship with the main hero and accompany them throughout the book.

Minor characters, accordingly, play a minor role in the story. They can show up occasionally in a plot for a while and then disappear.

A dynamic character shows growth and brings some modifications throughout the story. Typically, a protagonist is dynamic, accepting challenges and learning to become better and stronger.

An opposite message to dynamic persons brings a static character. They don’t reflect any story changes and remain with the same traits and behaviors. Minor persons are usually static.

This type of character is specific as they draw a reader’s attention to crucial persons in a story. Their mission is to strengthen a protagonist’s role.

Understanding the role of your character is crucial. You will know how to explain particular actions and scene changes. If you still find it challenging to start writing a character analysis essay, contact our PapersOwl writing service and let professional writers bring you an excellent piece of copy.

Character Analysis Essay Format

In addition to the context you must provide, an essay should look elegant and meaningfully ordered. For this purpose, you should adhere to a particular character analysis paper format. Here is a sample of what compositional elements your work should include.

Introduction

As you deal with a literary composition in different volumes, you should provide a background of what a story is about. Also, you need to mention the author and the title of a book or novel you will describe characters from.

Furthermore, if you put on a character analysis thesis statement, it will be a brilliant idea to make your introductory part more enticing. So think about how to compose a meaningful statement in one or two phrases.

This main component in an essay’s format is the biggest one. You must write all you want to reveal about your characters at this stage. But keep in mind to order your train of thought and present it in a comprehensive way.

An overall description of your personality, specific traits, and influencing factors should be carefully covered in your body section. To confirm some unique characteristics or actions, you must cite a dialogue inside essays as an original reference. Information can be voluminous, so make sure you separate it into several meaningful paragraphs.

Concluding your main points about your protagonist is the final stage of your writing. Highlight the experience your character has gone through in the story.

Whatever question you have about character analysis writing, you can always address our helpful platform. We will help you do your essays in the best way to improve your academic performance.

How to Write a Character Analysis Essay?

There needs to be more than just knowing how to arrange your essay. So, we’ve outlined some helpful steps you should take before getting started.

Read up on the story

If you want to demonstrate good knowledge of the characters and all episodes they were in, you should read the entire story more than once. Thus, you will be able to note some crucial details and cite them. Rereading a story will enhance your knowledge about each scene.

Decide on what character to choose

Your choice might depend on your preferences and the type of narrative you read. Think of whose personality you can easily reveal and build rich judgment around them. It’s up to you to write about a protagonist, major or static characters.

Outline your essay

This is one of the most important strategies in writing. You should create an outline of what you are going to uncover in your article. It is a good idea to draft a structure for your composition and note down the insights in each structural element. This will help you follow the presentation of the material and, at the same time, remind you of the next step.

Define the main idea

Once you select a character you want to analyze in your character analysis essay, you decide what part of a personality you will focus on.

Make notes while reading

To create a comprehensive picture of a character, you should know as much as possible about their traits and behavior. Your outline helps you follow the structure while referring to quotes and dialogues, allowing you to confirm specific situations that best show personalities.

Compose a list of questions

To make your character analysis less challenging, we recommend you make a list of lead-in questions. You can even create those questions for each structural part of your composition. This enables you to be precise in providing relevant information about a character.

In addition to general steps on how to write a character analysis essay, we’ve prepared a range of insightful tips. By following them, we believe you will bring up solid work. Here they are:

Provide a catchy hook in the introductory part;
Keep short and simple sentences;
Split into paragraphs each idea you want to mention about a character;
Use examples right from the primary source;
Be concise and clear when estimating your characters.

One of the literary analysis papers is writing a poetry essay and describing a character analysis in poetry. Writing such an essay can be more challenging as students need help understanding this style. No worries. There is always a way out, and you can buy essays online from the best writers as an option.

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Character Analysis Essay Example

Lady Macbeth is one of the most influential female characters in literature. She conveyed an entirely different figure of how a woman doesn’t need to look. Shakespeare created a sick-ambitious character burning to be queen.

Lady Macbeth was pretty rude to her husband. She judged him for not being as brave as she expected from him. We know about his bloody deeds on the battlefields, though. But in public, she acted like a real actress, conveying her best traits to respect her king.

In the scene when she loses consciousness after Duncan’s murder, the audience wonders whether she was playing another role at that very moment. Eventually, she fails each test coming into her life. After the follow-up blaming her husband during the banquet (Act III, Scene 4), the worst turns back into her life. She becomes nervous and unable to control her emotions. We can notice her strange behavior when murmuring in Act V, Scene 1, as she “confesses” her participation in the murder.

Her death became an event that made Macbeth contemplate deeper on the time of nature and mortality in the speech “Tomorrow and tomorrow and tomorrow” (Act V, Scene 5).

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How to Write a Character Analysis Essay With Examples and Tips

11 December 2023
21 min read

Essay writing is an exciting and valuable academic exercise for students at all levels of learning. Basically, the practice helps in developing students’ critical thinking skills. For example, when writing a character analysis essay, students use these skills to cover a specific character’s personality and mannerisms objectively. Moreover, this type of essay aims to analyze a character in a story in such a way that readers can develop a mental picture of them. In this case, the secret of writing a good character analysis essay involves choosing a dynamic character, such as a protagonist or an antagonist. Then, another tip is to write the first draft and read it at least twice to identify and correct errors and mistakes. In turn, the final draft should reflect a perfect document. Hence, students need to learn how to write a good character analysis essay with its features.

Definition of a Character Analysis Essay

Among many different types of essays is a character analysis essay, a text that describes a particular character in a story. When writing this essay, students analyze relationships between characters in question and other characters, paying particular attention to their mannerisms. Also, these mannerisms are exemplified by their behaviors, styles of speaking, physical appearances, and many other characteristics. Even though students may offer their personal opinions when analyzing specific characters, they must employ critical thinking and be objective. In essence, what matters in a character analysis essay is factual information about a character in question. In this case, the writer’s opinion should support rather than challenge the specific traits and characteristics of a character. Hence, a student writes this type of essay when instructions require them to discuss how a particular character is shaped in a story.

Types of Characters

When analyzing a character in a story, writers must first understand what kinds of characters are their subjects. Typically, there are different types of characters whose distinctions are based on particular behaviors, traits, and roles that they exemplify within a story. In turn, the main character types fall under five categories: major, minor, dynamic, static, and stoic.

1. Major Characters

In a story, major characters run a storyline, and they define a plot of this story. For example, there are two types of major characters: protagonists and antagonists. In this case, the former represents typical heroes, those characters that the audience is likely to admire. Then, the latter represents characters that take the role of a villain. Basically, the audience is likely to despise this type of character. Moreover, it is easier to spot protagonists because a story’s plot revolves around them. In literature, examples of protagonists include Harry Potter from the Harry Potter series by J.K. Rowling, Othello from the tragedy Othello by William Shakespeare, Elizabeth Bennet from “Pride and Prejudice” by Jane Austen, and Frodo from The Lord of the Rings by J.R.R. Tolkien. On the other hand, examples of antagonists from the literature include King Joffrey from Game of Thrones , Darth Vader from the Star Wars series by George Lucas, and the Wicked Queen from “Snow White and Seven Dwarfs.”

2. Minor Characters

As opposed to major characters, minor characters do not run stories. However, they are ones that help major characters to shine through storylines. In other words, minor characters in the course of their activities help main characters to create situations and circumstances that reveal the central characters’ personalities. As explained, this personality is defined by mannerism. Then, examples of minor characters in the literature include the whole Fellowship of the Ring in J.R.R Tolkien’s The Lord of the Rings. Individually, these characters help Frodo, a protagonist, to deliver the Ring to Mordor. In turn, another example of minor characters in literature is the duo Ronald Weasley and Hermione Granger in J.K. Rowling’s Harry Potter series. On several occasions, they help Harry Potter, a protagonist, in his battle against Voldemort.

3. Dynamic, Static, and Stoic Characters

Dynamic characters are those characters that change the course of a story in certain respects. In many cases, a protagonist is a dynamic character. Moreover, an example in the literature is Harry Potter from J.K. Rowling’s book series, who notices that he is similar to Voldemort in many ways throughout a storyline. Nevertheless, he resists “dark” traits that define Voldemort because he is a good person. As such, he resists any temptation to become a dark wizard. On the other hand, static characters never change in a story. Also, an excellent example in the literature is Atticus Finch from “How to Kill a Mockingbird” by Harper Lee. Despite finding himself in controversial circumstances, he remains firm in character and worldview throughout a story. Further on, stoic characters draw attention to the main character(s), and their role in a story is to fortify the protagonist’s role and image. In turn, a great example of a stoic character in literature is Dr. Watson from Sherlock Holmes by Arthur Conan Doyle.

Step 1: Preparation

Preparation is the starting step in writing a critical analysis essay. In essence, this step involves planning how to go about writing. Basically, a student reads a story, chooses a character, defines a topic, prepares ideas, and considers the audience and its needs. In this case, the essence of preparation is that it enables students to “get it right” from the beginning. Moreover, it is by preparing that students take into consideration requirements and seek clarification as necessary.

A. Reading a Story

In most instances, instructors guide students on which story to read and a character to analyze. However, if such guidance is not provided, a student should – as a matter of priority – choose a story and a character in this story to write about. About a story, writers should read it at least twice to have a good understanding of a plot and each character’s role.

B. Choosing a Character

The standard practice is that a character analysis essay focuses on major characters (protagonist and antagonist) as subjects of analysis. However, as indicated, an instructor may require students to analyze a specific character. In this case, instructions can require students to explore how a minor character enhances a major character’s image in a story. Also, the writer’s issue is to identify characters for analysis and read all about them in an assigned story.

C. Defining a Topic

Like any essay, a character analysis essay should have a topic. Basically, even though the goal is to analyze a specific character, writers must have a topic that underscores their work. When defining a topic, students may follow the instructor’s prompt or develop their own approach. Ultimately, a character analysis essay topic should align with the paper’s goal, which is to analyze a specific character.

D. Preparing Ideas

Typically, students get ideas about their work as soon as they read prompt requirements given by their instructors. When writing a character analysis essay, a student should generate ideas after reading instructions and reading through them. However, it is the latter exercise that serves as the foundation of ideas for writing a text. Indeed, this aspect exemplifies the essence of a character analysis essay, focusing on how a character emerges from a story. As discussed, a character can only be a protagonist, antagonist, minor, dynamic, or stoic. Understanding where characters fit helps a writer to generate ideas about effects of their roles in a story. Here, students should apply critical thinking to dissect characters objectively.

E. Considering an Audience

Every form of writing has an audience – readers that writers have in mind when writing their texts. In essay writing, the main audience is the instructor. However, in an application essay for college , the audience is the admission board of a college or university. Since instructors determine the quality of a character analysis essay, students should consider their requirements. Ideally, these requirements reflect what instructors, as the audience, need regarding a character analysis essay.

Step 2: Setting Up the Stage

The second step in writing a character analysis essay is setting the stage for the actual writing of a text. Here, students engage in several activities, including finding credible sources , making notes, creating an essay outline , and creating an annotated bibliography. As an academic text, a character analysis essay should satisfy all academic writing conventions, including backing up claims and arguments with evidence. Although a learner can write about a character in a story by simply reading a story, a character analysis reflects an in-depth discussion about a specific character. Hence, students should write about what others (scholars) have said about a story and a character.

A. Finding Sources

Reliable sources are external texts that writers rely on to find evidence supporting what they intend to write. Basically, when writers make claims or observations when composing a text, they must back it up with evidence to avoid making what they write seems like a personal opinion. Notably, subjective opinion is not encouraged in academic writing, unless writers are using it objectively. Moreover, the only way that students can demonstrate that their essays are free of bias is by providing evidence for their claims, arguments, opinions, and observations. In turn, this evidence comes from external academic sources – books and journal articles.

B. Making Notes

After finding sources, a student should read through them while making notes. Basically, these notes should be relevant to a task at hand. Therefore, when authors of a character analysis essay find sources pertinent to their mission, they should make notes as they read through them and write down what they find interesting about their characters. Given that the task at hand involves analyzing a character in question, students’ notes should reflect a deeper understanding of this character, such as what others say about their manner of speaking or effect in a story.

C. Creating an Outline and an Annotated Bibliography

Like any other academic text, such as a research paper , a term paper , a Master’s thesis , or a dissertation , essays have outlines that provide a structure. Typically, this outline involves having three main sections: introduction, body, and conclusion. When writing a character analysis essay, a student should stick to this essay structure . Then, an annotated bibliography summarizes study sources that writers intend to use to get evidence that backs up their claims and arguments. Although it is not needed in an essay, students who write a character analysis essay can develop one based on credible sources that they identified in the second step of essay writing. In this case, annotated bibliographies would provide quick access to evidence that learners need to strengthen their papers.

Step 3: Actual Writing of a Character Analysis Essay

After preparing and setting the stage, authors of a character analysis essay begin the actual writing of a paper. Here, students begin with the first draft, which provides an opportunity to organize thoughts, make mistakes, come up with new ideas, find new sources that back them up, and alter a critical analysis essay outline. Basically, this stage is about putting everything together to develop an essay that addresses the instructor’s requirements.

A. Writing a First Draft of a Character Analysis Essay

When writing a character analysis essay, students are likely to make numerous spelling and grammatical errors and other mistakes, such as inconsistent arguments and illogical conclusions. As such, writing the first draft provides writers with this allowance since they would have an opportunity to perfect their work. Nonetheless, the first draft’s content should mirror the expected work, which is dissecting a character’s personality.

Step 4: Wrapping Up

After writing the first draft of a character analysis essay, students must read and reread their work to identify all mistakes and errors. As discussed above, the chances of the first draft having spelling and grammatical errors, illogical conclusions, and inconsistent arguments are high. In turn, this fourth step in writing a character analysis essay provides students with an opportunity to perfect their work. Here, learners revise and edit the first draft to eliminate all errors and mistakes and ensure that their papers reflect a format of an academic text in all aspects. Also, body paragraphs should have topic and concluding sentences, transitions, and right formatting. Additionally, writers should subject their work to peer review and then write the final draft.

A. Revising and Editing the First Draft

The purpose of reading the first draft at least twice is to identify all errors and mistakes, as explained above. Basically, once writers note them down, they should revise their papers accordingly, ensuring that all inconsistencies are corrected. Moreover, students should edit all spelling and grammatical mistakes to give a written document to look like a professional appeal.

B. Topic Sentences.

The first statement that a student writes in every paragraph in the main text (body) should reflect a topic sentence. Basically, this sentence aims to introduce a single idea that a writer intends to develop in a paragraph. By considering a character analysis essay, this idea can be a claim or an observation about a subject under analysis. In this case, the standard practice is that a single idea that a writer expresses in a topic sentence should align with a paper’s thesis statement , as it is developed in the introduction part of a character analysis essay.

C. Concluding Sentences

While a topic sentence introduces a paragraph, a concluding sentence brings it to a close. For example, a reason why a student writes a concluding sentence is to finalize an intended message captured in a section. As such, it provides the writer’s concluding thoughts about a topic sentence and how it advances a thesis statement. Also, the content that comes between topic sentences and concluding sentences reinforces a sandwich rule: making a claim, backing it up with supporting facts, elaborating on it, and indicating its relevance in a context of a thesis.

D. Transitions

In writing a character analysis essay, students need to create a document with a natural flow from a beginning to an end. Basically, the aspect that enhances this flow is the use of transitions, which involve words and phrases, like “consequently,” “hence,” “thus,” “nonetheless,” “as such,” and “put differently.” In this case, a writer can use these words and phrases in any part of a text. However, using them in the main text is more appropriate as it is where writers need to create linkages between claims, evidence, and elaborations. Hence, transitions make such connections flawless and logical.

E. Formatting

When writing an academic text, it is critical for students to observe all academic writing rules. For example, one of these rules is writing a character analysis essay according to assigned rules that guide a paper format that learners are using to write their work. In this case, the main paper formats are APA 7, MLA 8, Harvard, and Chicago/Turabian, all of which differ in certain ways. For instance, they all have different requirements for citations and paragraph formation. Therefore, when writing a character analysis essay, a student should format a paper according to the appropriate writing format. Although learners may observe this rule when writing the first draft, they should certainly do so when creating the final draft.

F. Peer Reviewing

When writing a character analysis essay, students should ensure that their work is of high quality. Basically, what makes an academic text of high quality is peer review, which means subjecting a written work to a critical review by a friend, tutor, or mentor. For example, journal articles are regarded as peer-reviewed scholarly sources for a simple reason that they have been reviewed and made perfect. In turn, this perfection entails ensuring the absence of errors and mistakes and the use of credible and reliable sources.

Step 5: Writing a Final Draft of a Character Analysis Essay

The final draft represents the final work of a student in writing a character analysis essay. Basically, it is a document that students hand over to the audience by way of submission or publication. As such, writers must ensure that their texts are of the highest standard to eliminate the possibility of attracting penalties, such as a low grade or lousy review, in case they publish their work on online platforms. Also, to be clear that what students have is of the highest quality, they should read and reread their papers. In turn, it is the only way in which they can be sure that there are no errors or mistakes.

Simple Outline Example of a Character Analysis Essay

As indicated in the previous section, students should take time and create an outline for their work when writing an essay. This outline comprises three main sections: introduction, body, and conclusion as below.

I. Introduction Paragraph II. Body Section (this part may include several paragraphs) III. Conclusion Paragraph

While most academic texts follow this outline, some papers differ on features that writers address in each section. Basically, when writing a character analysis essay, students should ensure that the introduction section highlights its thesis. In turn, this statement guides the entire writing, meaning that it is the central claim or idea in a paper. In body paragraphs, writers should ensure that topic sentences open each paragraph while concluding sentences end them. Moreover, learners should ensure sufficient and appropriate use of transitions and observance of a sandwich rule. In the conclusion section, students should restate the thesis and summarize the paper’s main points.

How Students Know That They Write a Character Analysis Essay

Generally, the purpose of a character analysis essay is to provide an in-depth analysis of a specific character. As such, writers know that they write a character analysis essay if their texts describe a given character’s personality and mannerisms. In turn, the latter entails how a character in question behaves, speaks, looks like (physical features), and their familial and social relationships, as it is covered in a story.

How a Character Analysis Essay Differs From Other Papers

When it comes to an outline, a character analysis essay is similar to other types of papers . However, regarding the content, this type of essay differs from other papers significantly. For example, an argumentative essay focuses on making the writer’s argument acceptable to the audience, meaning that the content revolves around the writer’s perspective regarding an issue. In contrast, a character analysis essay focuses on providing the audience with a detailed picture of a specific character in a story, meaning that the content revolves around a subject (character). In an informative essay , the writer’s goal is to educate the audience about a topic or an issue, meaning that the content revolves around explaining concepts relating to a specific theme in question. Therefore, the point of difference between a character analysis essay and other essay types is content more than structure.

Easy Strategies for Writing Each Section of a Character Analysis Essay

When it comes to the introduction, authors of a character analysis essay should provide a hook, which can be a statement, quote, or a joke. Basically, a hook sentence aims to grab the reader’s attention and make them interested in reading the entire paper. Then, if students know how to write a hook , they provide a brief background of a text after it. Also, it is where they introduce a story and a character under investigation. In turn, writers should conclude this section with a thesis, thus outlining the purpose of writing. About the main text (body), if learners are familiar with the rules of how to write a topic sentence , they begin each paragraph with it, which establishes a claim. Further on, the feature that follows is evidence (supporting facts) and then an explanation. As a result, the last element is a concluding sentence.

1. Paying an Attention

Based on the above information, it is evident that authors of a character analysis essay must pay attention to several things. In the introduction, writers should pay attention to the thesis, and, in the body paragraphs, they should follow a sandwich rule. Basically, this rule reinforces the claim-evidence-explanation approach. In the conclusion section, students should pay attention to the main points’ summary to make sure no new information is captured in this paragraph. Additionally, learners should ensure that they provide closing remarks, which emphasize their objective opinions about subjects matter.

2. Major Mistakes and How to Avoid Them

Besides spelling, grammatical and other mistakes, writers of essays make other mistakes, leading to the fact that their work becomes less than high-quality. In writing a character analysis essay, one mistake that students make is to focus on a single aspect, such as personality, thereby undermining the subject’s full image. In this case, the solution to this mistake for a writer is to focus on the character’s mannerisms – behavior, speaking style, and appearance. Then, another mistake that learners make is to focus on aspects that do not advance an in-depth analysis of a subject, such as a story’s plot. In turn, the solution to this mistake for students is to focus on the subject’s roles in a plot’s context.

An Example of Writing a Character Analysis Essay

Topic: Frodo and His Heroic Weakness

I. Sample Introduction of a Character Analysis Essay

In literature, characters play an essential role in enhancing the plot of a story. Basically, they do this through their actions, behaviors, relationships, and other aspects of personality. Moreover, their mannerisms define who they are within the context of a story. In The Lord of the Ring , J.R.R. Tolkien captures a heroic conscience that characterizes human existence. Then, the author reveals the destructive power of greed and envy, mainly where promises are concerned. Nonetheless, Tolkien shows how friendship and courage overcome these vices. At the center of a story , The Lord of the Ring, is Frodo Baggins, a protagonist, who, despite undergoing a series of challenging adventures, emerges as a hero.

II. Example of a Body in a Character Analysis Essay

A. frodo as a hero.

Tolkien develops Frodo as a young hobbit with a remarkable character. As a ring-bearer of a fellowship, Frodo has the Ring that belongs to Sauron, the Lord of the Rings. As such, Sauron is an antagonist in a story. For example, he is “a dark lord who lost the one Ring that held much of his power” (Tolkien, 2003, p. 54). Then, the author describes the Ring as precious and powerful enough to enslave Middle Earth. While everybody is scared of the Ring and no one wants to lead its destruction, Frodo courageously overcomes such fear. Despite a myth that absolute evil and frightening dark forces are likely to victimize anyone who attempts to destroy the Ring, the young hobbit is keen to prove everybody wrong. In turn, it is the anger toward myths and oppressions that they seemed to cause people that motivate Frodo to act to restore safety in Middle Earth.

B. Frodo’s Weakness

The first indication of Frodo’s inexperience comes when he faces his initial challenges in his quest. Basically, how he deals with them reveals his weak points. For example, when Frodo delays his departure from the Shire, in spite of the urgency of the task ahead, he comes out as an indecisive character (Tolkien, 2003). Although a protagonist has common sense, he lacks wisdom, which is evident when he chooses to face the Old Forest’s dangers. Besides getting himself into harm’s way, Frodo also endangers the lives of his friends. In this case, he comes out as a fool in Bree when he draws unnecessary attention to himself. At Weathertop, the main character gives in to the temptation of putting on the Ring, thus exposing himself to an attack by the Ringwraiths (Tolkien, 2003). Despite all these shortcomings, Frodo survives the dangers of his own mistakes and those of his quest. Moreover, the novel attributes this success to the fact that hobbits are tougher than they look and can endure hardships. More importantly, Frodo himself is not interested in possessing the Ring, which makes him avoid the dark forces it represents. In this respect, he emerges as a hero in the end.

III. Conclusion Example of a Character Analysis Essay

Frodo’s adventure in The Lord of the Ring is a selfless quest to bring good to society despite powerful myths that undermine people’s courage to act when needed. In this case, Tolkien describes specific events that characterize the protagonist’s quest to destroy Sauron’s Ring. Moreover, what is clear is that Frodo is a courageous hobbit who refuses to be defined by his weaknesses. Eventually, his actions display his heroic character, one that defies all odds against him. In turn, a lesson from a story is that people do not need to be perfect to be heroes, but they need to aspire to do what is right.

Arthur, S. (2003). Walking with Frodo: A devotional journey through the Lord of the Rings . Carol Stream, IL: Tyndale House Publishers, Inc.

Summing Up on How to Write a Good Character Analysis Essay

When writing a character analysis essay, students must understand that this type of paper is different from all others. While an argumentative essay focuses on convincing the audience about an issue, a character analysis essay covers telling the audience about a specific character’s personality and mannerisms within the context of a story’s plot. As such, it also differs from an informative essay that focuses on educating the audience about a topic or an issue. Nonetheless, all these essays assume the same outline, which entails three main sections: introduction, body, and conclusion. In turn, when writing a character analysis essay, a student must note the following tips:

Read the instructions carefully.
Read a story.
If there is no instruction about a character, choose a dynamic character, who is either a protagonist or antagonist.
Reread a story and make notes that are specific to a chosen character.
Develop a thesis statement.
Draft an outline.
Write the first draft.
Read and reread the first draft to identify and correct errors and mistakes.
Subject the first draft to a peer review.
Write the final draft.
Read and reread the final draft.

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How To Write A Character Description (101 Examples)

February 15, 2024

Learn what character description is and how to describe a character. Jump into OC description writing with one of the iconic character description examples from our list.

Developing a description of a character can be a challenge for OC creators. How much do you give away as someone who knows the character innately versus trying to generate interest and get an audience to invest in the character’s journey? We’re going to dive into writing character descriptions that stand out.

Why Character Descriptions Matter

Character descriptions, at heart, serve as a marker for the reader to determine if they wish to know more about the character. They are creators' attempts to signal that an individual they are writing about is worth becoming invested in. This is why a boring character description can be fatal to first impressions - why bother exploring a project if the character's description generates no spark?

Character descriptions are also influenced by purpose. A character description in a screenplay occupies a different purpose than a character description on a profile page. A description in a screenplay is lean, whereas a profile has more room to explore. These descriptions we’re talking about are too large for a character reference sheet .

While focusing on writing character descriptions for profiles, we will look at examples from literature, screenplays, and existing character profiles on CharacterHub.

The Five Key Questions

When it comes to description in a general sense, there are five questions to consider: Who, What, Where, Why, and When? These questions are also beneficial in writing original character descriptions because you can use as many as you wish or even omit some to generate interest.

It is rather complicated to omit the who in a description, as a description is usually tied to an identifiable figure. Even if you may not want to give away a character’s identity, there is usually some marker that identifies them. For example, in the script for the horror classic Halloween (1978) by John Carpenter and Deborah Hill, the lurking presence of Michael Myers is simply referred to as “The Shape.” It is a name as evocative as it is practical. In most cases, a creator will probably just include the OC’s name.

The what in a character description can be interpreted as a marker for their identity. This could be their ethnicity, role, or species, for example. It is, again, reasonably complex to avoid this when developing a description, as a character without a perceived role may not feel like a character. A great example of “the what” in a character description comes from the character Tiberius Skärvas IV from the webcomic The Fourth .

From the character's description on the cast page: “Ever since the First and his rather unethical business practices, the Tiberius Skärvas have been accursed by the gods. While technically still human, they possess the appearance and certain traits of sharks.” A cursed human with shark-like traits is undoubtedly a bold answer for “the what.”

When it comes to where , you are likely answering who the character is to their setting. It is less about a physical location and how that character connects to or runs counter to a location or society. Essentially, you are positioning them against civilization in whatever form that takes. A great example of this can be found in the codex entry of Agrippa Varus from the webcomic Terra Incognita .

Case in point: “Agrippa Varus was raised in a well respected family in the Asurian capital of Sokai. His father Argo Varus, served as a consul and the main liaison between Asura and other sentient worlds. Due to his exposure to other species from a young age, Agrippa has an open mind and is much less prejudiced than the average Asurian citizen.”

As we can see in this description, Agrippa is given a physical “where” regarding a space civilization while also being described of their societal “where” - as a figure that runs outside their culture.

The when of a character in their description is all about position. Whether the setting is based on natural history or set in an entirely fictional timeline, a character occupies temporal space, which can factor into how they are seen. Are they of their time, or do they feel apart from it? Descriptions that hint at such things are great at generating interest.

A great example of this can be found in the script of Warm Bodies (2013), in a description of the character R. “Blank face, sunken eyes. Blueish lips. If we didn’t know any better we’d think he was a junkie, a runaway from the set of My Own Private Idaho . Then we might notice a few thin gashes cutting across his cheeks. And then we might hear a soft groan humming from his frozen lips. And then we might start to wonder…

In this example, we see the deliberate usage of a contemporary reference to another film, positioning R and their relationship to a contemporary setting. The reference also does double duty, saying a lot about how R can be perceived by those familiar with the reference.

The why of a character description is most easily omitted to generate interest and intrigue. However, it can also be incredibly influential in generating interest in an original character. Knowing what drives a character can be a descriptive hook.

A great example of the “why” in a character description comes from Miguel de Cervantes Saavedra’s Don Quixote in this rather brilliant moment: “In short, his wits being quite gone, he hit upon the strangest notion that ever madman in this world hit upon, and that was that he fancied it was right and requisite, as well for the support of his own honour as for the service of his country, that he should make a knight-errant of himself, roaming the world over in full armour and on horseback in quest of adventures, and putting in practice himself all that he had read of as being the usual practices of knights-errant[...]”

Don Quixote’s mad notion of being a knight proves a compelling hook to the character, especially in how that motivation is presented. A reader can’t help but be intrigued by the description of the thin, elderly man who wants to be a knight.

Other Descriptive Traits and Tips

Much descriptive writing can come from things you probably already learned in school but are worth repeating. For example, utilizing sensory details in a character description can be particularly useful. Writing about how a character may smell like motor oil or freshly baked bread can suggest different things.

Contrast is another powerful tool in the character description, as when we are introduced to someone, we cannot help but size them up compared to people we know. This is especially true of original characters. How does one protagonist compare to another? How might you set a character apart from others? Using contrast is especially helpful here. For example, describing how a lead character differs from others in a similar position of their setting.

Of course, there are also things to avoid when developing character descriptions. Writing a description that is a laundry list of traits is something you may want to avoid. It can lack personality and feel a little boring. A solid character organizer can help you visually track if you rely on listing too often.

In any case, referring to some classic descriptive writing techniques can be helpful, especially when punching up a first draft of a character description.

Ways of Establishing Character Through Description

Well-written, informative descriptions greatly help establish interest in an original character. Consider them a teaser to what you hope to be a more significant journey you want to take readers on. Your goal is to connect an audience and a character through intrigue an interest - your aim can be to use description as a hook. Here are some different ways to use description to create that hook.

Using Description to Create a Presence

One of the most essential uses of description is to establish the presence of a character in their respective story. How about who is heroic or villainous? Who merits us following their story and becoming invested in them? This is particularly useful in writing an OC profile because you want to establish how we should feel about them without the burden of a ton of backstory to provide context.

Consider this like trying to convey everything about a person possible at a glance. How can you give us what we need about an OC in a descriptive passage? Well, let’s look at some examples.

In this sample from Margaret Atwood’s The Blind Assassin , we see presence established by tying description to color and costuming details. Note that the presence established here is not a flattering one.

I could picture the smooth oval of Laura’s face, her neatly pinned chignon, the dress she would have been wearing: a shirtwaist with a small rounded collar, in a sober colour – navy blue or steel grey or hospital-corridor green. Penitential colours – less like something she’d chosen to put on than like something she’d been locked up in.

Margaret Atwood, The Blind Assassin (2000)

Another great way to establish a character’s presence through description is to tie it to a metaphor. Let’s look at an example of Arudhati Roy’s The God of Small Things, where we have a character consumed by quietude.

Once the quietness arrived, it stayed and spread in Estha. It reached out of his head and enfolded him in its swampy arms…sent its stealthy, suckered tentacles inching along the insides of his skull, hoovering the knolls and dells of his memory, dislodging old sentences, whisking them off the tip of his tongue.

Arudhati Roy, The God of Small Things (1997)

In these examples, we see how descriptive language can imply something about the character's presence, such as their authority or lack of authority. In the Atwood example, the character is effectively rendered blank or meek. Meanwhile, in the Roy example, the description paints a picture of a character consumed by their awkwardness and silence. Noting and working with such traits is key to building a good character profile.

Let’s look at how the presence of Gandalf is established through description in J.R.R. Tolkien’s The Fellowship of the Ring .

“Gandalf was shorter in stature than the other two; but his long white hair, his sweeping beard, and his broad shoulders, made him look like some wise king of ancient legend. In his aged face under great snowy brows his eyes were set like coals that could suddenly burst into fire.”

J.R.R. Tolkien, The Fellowship of the Ring (1954)

Gandalf’s physical presence is a fun juxtaposition with him appearing larger than life. He may be shorter, but he has an aura about him - something noticeably distinguished. I recommend reading Tolkien for character description, not just because I am a fan.

Using a History to Create Significance

Character description that depicts an established history can go a long way to informing a reader about what makes the character tick. A character can sometimes be seen as a record of their experiences, and knowing those experiences can tell us a lot about a character, how they view the world, and how the author wishes for us to view them. There is no shortage of character ideas , but a character is more than an idea: they are a story.

In Charles Dickens’ Hard Times , the character of Bounderby is pernicious and self-centered, motivated by the pursuit of their wants and desires having come up from poverty. We can see Dickens establish much of that in his description of Bounderby by including history in the character’s description.

“A big, loud man, with a stare, and a metallic laugh. A man made out of coarse material, which seemed to have been stretched to make so much of him […] always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty.”

Charles Dickens, Hard Times (1854)

Let’s look at a character with an established history and how that history plays into their description in the present. If you are a fan of Star Trek , then the film Star Trek II: The Wrath of Khan should be pretty familiar. The film was a culmination of a storyline that began in the 1960s featuring characters who have aged decades for the 1980s film. In particular, let’s look at a description of Captain Kirk from the script.

“Kirk reads the novel, trying to focus. His flat befits an Admiral and a loner with few possessions, except a collection of antiques.”

Harve Bennett, Star Trek II: The Wrath of Khan (1982)

In this example, we have a little bit of environmental storytelling that plays against what audiences would know of Captain James T. Kirk. Kirk, from the original series, was quite the heroic figure, not mainly seen as an elder statesman. However, the depiction of his apartment, filled with antiques belonging to a man who is alone, shows that much time has passed for the figure. He is different in many ways - almost startlingly so.

So, what can we draw from these examples when developing descriptions of our original characters? A character with a lot of history is undoubtedly colored by it, so if your description can evoke a journey, you’ve gone a long way to informing us about what makes them tick. This is seen in the example from Hard Times, where the character’s journey through the classes of 19th-century London colors how we see their outward-facing personality.

Further, if you are playing with time, descriptions of a character at different stages in their life or respective journey can highlight their growth, such as in the example from Star Trek . Contrast through history is a particularly effective strategy when writing a character description.

Using Perspective to Create Interpretation

In some cases, describing a character from another person's perspective can yield beautiful results. First impressions can say a lot, and stepping away from an omniscient narrator’s view of a character, filled with insight about them and their past, can be a valuable technique. It also can create a narrative journey for an OC later on, as our initial impressions, through a more limited outsider perspective, do not usually represent the whole character.

Here is an example of Virginia Woolf establishing a character’s description from another character's perspective.

“He was such a miserable specimen, the children said, all humps and hollows. He couldn’t play cricket; he poked; he shuffled. He was a sarcastic brute, Andrew said. They knew what he liked best – to be for ever walking up and down, up and down, with Mr. Ramsay, saying who had won this, who had won that …”

Virginia Woolf, To The Lighthouse (1927)

Here is an example of a character description written from another character's perspective. In this case, we have Ripley from Aliens , who first encounters Burke as she recovers in a hospital room. Notice the usage of traits in the following passage. This is taken from the film's shooting script.

“The visitor sits beside the bed and Ripley finally notices him. He is thirtyish and handsome, in a suit that looks executive or legal, the tie loosened with studied casualness. A smile referred to as ‘winning.’”

James Cameron, Aliens (1985)

Specifically, this is a friendly, somewhat charming face for a recovering from intensive trauma. However, we also get a sense of Burke's nature through the description, such as emphasizing the fakery of a “winning” smile.

If we want another great example of perspective coloring the description of a character, we can look toward another sci-fi franchise with Star Wars . In particular, the 4th draft script from A New Hope introduces Darth Vader in a fantastic way that tells us everything we need to know about the character from the perspective of the terrified Rebels.

“The awesome, seven-foot-tall Dark Lord of the Sith makes his way into the blinding light of the main passageway. This is Darth Vader, right hand of the Emperor. His face is obscured by his flowing black robes and grotesque breath mask, which stands out next to the fascist white armored suits of the Imperial stormtroopers. Everyone instinctively backs away from the imposing warrior and a deathly quiet sweeps through the Rebel troops. Several of the Rebel troops break and run in a frenzied panic.”

George Lucas, Star Wars: A New Hope (1976)

That Darth Vader cuts an imposing presence in this description is an understatement. The key here is that we are seeing him through the eyes of those terrified Rebel troops.

Character Descriptions from Some Friends of Mine

There are many great examples of strong character descriptions out there. I turned to a few writer friends who are particularly good at creating characters, and I want to look at examples from two of them.

Robert Livingston: Tom n’ Artie and Kaiju Dayz

First up, we have my friend Robert Livingston, who was gracious enough to provide some examples from his in-depth pitch documents for two of his projects. First, look at some examples featuring the two leads of his comic Tom n’ Artie .

Tommy ‘Tom’ Sunshine Bliss

“Our stoic, disciplined Unicorn with the sparkly hair! Tom is the straight man of the duo usually doing the talking when they're with clients or when a deal needs to be made. Straight-laced with a dry sense of humor, he approaches situations with a strategic mindset preferring to have all the information before diving in. Due to his friendship with Artie, he commonly has to just 'wing it' with his little wildcard friend as he changes strategies on the fly.”

As we can see, Tom is the comedic straight man of the pair, but given the nature of the project, he still has his quirks. In particular, I want to note the contrast between his character and the description of his appearance. It does a lot to sell the inherent comedy of the character.

Artie Artillery

“The cartoon wildcard! Artie is zany and a rabbit/cat of action preferring to let his fists, teeth, legs, bats, guns, bombs and whatever he's got do the talking for him. He's spontaneous with a short fuse willing to crack jokes then skulls seconds apart from each other. Tom usually is the one who has to hold him back but during the events of the arc, he's more willing to let his little toon buddy cut loose more.”

Because the project revolves around a comedic pairing, we can see how essential contrasting the two leads can be in establishing their characters. There is some great description here, especially the emphasis on Artie’s improvised armory. Artie has enough of a hook from his description, but the depth is substantial when paired with his co-lead, Tom.

Next, we have an example from Robert’s other series, Kaiju Dayz . This project is like a sitcom set on an island of giant monsters. Let’s look at the series lead, Big Mama.

“A well-known Kaiju on Monster Island for her several successful attacks on human cities and other locations for many years. She’s gained a large reputation that gives her a lot of respect from others. It’s also forced her to put up a constant face of intimidation to keep that respect, she feels force is the only way to keep others in line. The only ones she’s softer on are her own children, Junior and Pestania, but now seeing that she’s growing estranged from them she’s trying to change that. She isn’t of this world (or possibly reality) and has no love for it but wants to keep anything she does love (her children and late husband) as close to her as possible.”

This character description does a great job of pitching the whole character. While I only used some segments for Tom and Artie earlier, I wanted to share the entire character description for Big Mama because it is so thorough without being overly long. This is an excellent example of a character description meant to sell the original character to an audience. This is what you’d want to see on a character profile .

Ben Paddon: Jump Leads

Ben Paddon sent me pitch documents for their audio drama, Jump Leads . You should give it a listen. Let’s look at the character descriptions for Meaney and Llewellyn, the dual protagonists of the story.

Thomas Meaney

The following is transcribed from the Jump Leads character breakdown about the character of Thomas Meaney.

Meaney is excitable, enthusiastic, and young. She has wanted to be a Lead her entire life, and now she’s finally in training. This is her dream come true. Such a pity it’s about to be absolutely derailed by Misadventure.
Meaney is a hopeful idealist. She always wants to see the best in people, and always tries to do good, even when the odds - and, indeed, her own skill set - are not in her favor. She’s also driven by a desire to get back home to complete her Lead training, though her adventurous, helpful nature, coupled with a desire to explore, often get the better of her.
Meaney is excitable, in every sense of the word - her enthusiasm runs just as deeply as her fear, though she tries not to let being scared of a situation prevent the right decision from being made.
Meaney is a brilliant problem-solver. She doesn't quite know this yet. She’ll discover that soon enough.

This is a wonderfully written character description that gives us everything we wish to know about a character while giving us the suggestion of a larger arc. When you think about this profile in terms of the questions who, what, where, why, and when, you’ll see they are all there.

Richard Llewellyn

Llewellyn is in his mid-to-late 20s - still young enough to be bitter and cynical without having any of the real-world experience to justify it. He’s indifferent, snide, at times cruel, and he keeps people at an arm's length. Unfortunately, he’s been utterly unsuccessful in doing this with Meaney, in part because the alphabetical arrangement of the training classes has stuck them together.
Llewellyn is smart, but lazy; brilliant, but apathetic. He joined the Lead Service because the alternative involved being in the real world, and that isn't something he's willing to do just yet. Of course, he'd never admit this.
Underneath it all, there's something else. Maybe he's ready to let someone in. Or maybe he's hiding something else entirely…

Again, we have a dual protagonist situation; contrast is essential to define each. Each character can stand independently, but their descriptions are tailored to work best when read together. Yes, we get a fully rounded character in Llewellyn thanks to the description, but we also get a further hook because of the emphasis on personality clash. How might their journey go down, given their radically different perspectives?

Character Description from CharacterHub

While writing this article, I wanted to look at examples of character descriptions written by CharacterHub users. I’ve found some great examples to share, so why don’t we dive in and see what OC creators have been sharing with the community?

I’ve taken snippets from each profile of something I found to be particularly evocative or inspirational. Be sure to visit the complete profiles for even more great examples.

Euronym by genderkiller - “driven to be the least evil thing around her, euronym chooses to use her manipulation and intelligence for what she believes is the betterment of others. but does it really know what's best for others, so blinded by its own trauma?”
Valentine Adelaide by DEADRKGK - “Personality wise, Valentine is a man with many facets to him, and all are generally expressed and felt in extremes. To call him unpredictable would be both correct and incorrect. For those around him often, he can be much more easily predictable of a person. He’s open with his thoughts and feelings and expresses them freely with a poor social filter– good or bad, he’ll speak his mind regardless of if people want to hear it or not.”
Tessa Verisey by LuminaLyric - “Standing at 5'8" with chestnut brown hair cascading in loose waves to her shoulders, her hazel eyes conceal a depth of intelligence and charisma.”
Seth Salem by Paracosmic - “If looks could kill, Seth's would be the firing squad.”
Aries by AFishWithAGun - “Aries is not a good person. At least, not anymore. Greif is a funny thing, pushed by a whirlwind of emotions. Anger, regret, betrayal. It spins its way into a palpable rage. His jagged psyche knows how best it can ruin a man.”
Sidney Ignacio by soupysoupster - “Throughout his days, Sidney can’t seem to get past his own thoughts and anxieties. As a result, he comes off as withdrawn and uninterested to most. Despite what people may think though, Sidney is nothing short of a caring and compassionate person and will do anything he can do to help others. He’s a great listener, and will often catch onto things others don’t. ‘The devil is in the details’ as their father would say.”
Adem Petrovic by lysesander - “Athletic enough to make a quick escape over a side wall if the situation calls for it. Face is unmemorable, and hard to spot in the crowd.”
The Depths by celestrian - “A mysterious and enigmatic traveling merchant of the depths, a man whose past is shrouded in secrecy and his appearance completely hidden beneath a strange fox mask as well as a hooded cloak, wrapped in layers of cloth that cover his entire body. He claims to have knowledge of the entire kingdom and forbidden secrets, despite seeming quite young.”
Clawfoot by Sunckeys - “Naivete is not a word known to poor Clawfoot, yet it may just be the best word to describe him. Unknown to him are the ways of man, of conversing with another and sharing pleasantries. No, for Clawfoot's expertise lies in savagry, ravaging, of ripping and tearing. Yet he hungers not for prey- though he much enjoys a meal or four- but for connection.”
Soffice Pluvia by bunnymacaron - “Recently, he's found himself in an...unusual situation. Almost as soon as he entered the country he went through the Magical Girl transformation process. Immediately after, he got roped into the schemes of a sadistic Magical Girl and is stuck unraveling the tangled web of Kannazen City's Magical Girls to hopefully finally have some peace and quiet...or die trying.”
Joshua Vox by ThaLizardWizard - “In terms of appearance, he is very skinny, pale, and sickly looking, with wild black hair that stands on end, and freckles all over his body and face. He has intense eye bags under enormous pale gray eyes, and to be completely honest, has frequently been mistaken for a ghost.”

Further fantastic examples of evocative character descriptions can be found all over CharacterHub . Browsing the thousands of existing character descriptions will inspire anyone to create character descriptions for their OCs. In particular, searching tags to find the kind of characters that inspire you most is super easy.

Further Examples of Character Descriptions

We’ll leave you here now with the following massive list. This list features different examples of character descriptions from various stories. Try to match the selections to some of our established principles. The descriptions here are very inspiring for any OC creator.

Denis Lehane’s A Drink Before the War : “He had a shock of stiff white hair you could land a DC-10 on and a handshake that stopped just short of inducing paralysis.”
Amber Dawn’s Sub Rosa : “When he did appear his eyes were as brown as I remembered, pupils flecked with gold like beach pebbles.”
Sherman Alexie’s The Lone Ranger and Tonto Fistfight in Heaven : “I thought she was so beautiful. I figured she was the kind of woman who could make buffalo walk on up to her and give up their lives.”
Louisa M. Alcott’s Little Women : “Amy, though the youngest, was a most important person,—in her own opinion at least. A regular snow-maiden, with blue eyes, and yellow hair, curling on her shoulders, pale and slender, and always carrying herself like a young lady mindful of her manners.”
Frank Herbert’s Dune : "Through the door came two Sardukar herding a girl-child who appeared to be about four years old. She wore a black aba, the hood thrown back to reveal the attachments of a stillsuit hanging free at her throat. Her eyes were Fremen blue, staring out of a soft, round face. She appeared completely unafraid and there was a look to her stare that made the Baron feel uneasy for no reason he could explain."
Kury Vonnegut’s Slaughterhouse-Five : "He was a funny-looking child who became a funny-looking youth — tall and weak, and shaped like a bottle of Coca-Cola."
Philip K. Dick’s Do Androids Dream of Electric Sheep? : "Black-haired and slender, wearing the huge new dust-filtering glasses, she approached his car, her hands deep in the pockets of her brightly striped long coat. She had, on her sharply defined small face, an expression of sullen distaste."
John Kennedy Toole’s A Confederacy of Dunces : “Full, pursed lips protruded beneath the bushy black moustache and, at their corners, sank into little folds filled with disapproval and potato chip crumbs.”
Ralph Ellson’s Invisible Man : “I am a man of substance, of flesh and bone, fiber and liquids — and I might even be said to possess a mind. I am invisible, simply because people refuse to see me.”
George Eliot’s Middlemarch : “The rural opinion about the new young ladies, even among the cottagers, was generally in favour of Celia, as being so amiable and innocent-looking, while Miss Brooke’s large eyes seemed, like her religion, too unusual and striking. Poor Dorothea! Compared with her, the innocent-looking Celia was knowing and worldly-wise.”
Joseph Conrad’s Heart of Darkness : “He was commonplace in complexion, in feature, in manners, and in voice. He was of middle size and of ordinary build. His eyes, of the usual blue, were perhaps remarkably cold, and he certainly could make his glance fall on one as trenchant and heavy as an axe…”
Rudyard Kipling’s The Jungle Books : “But he had a voice as soft as wild honey dripping from a tree, and a skin softer than down.”
Jane Austen’s Pride and Prejudice : “…your manners, impressing me with the fullest belief of your arrogance, your conceit, and your selfish disdain of the feelings of others, were such as to form the groundwork of disapprobation on which succeeding events have built so immovable a dislike; and I had not known you a month before I felt that you were the last man in the world whom I could ever be prevailed on to marry.”
Mark Twain’s The Adventures of Huckleberry Finn : “He was most fifty, and he looked it. His hair was long and tangled and greasy, and hung down, and you could see his eyes shining through like he was behind vines.”
Lindsay Faye’s Dust and Shadow: An Account of the Ripper Killings by Dr. John H. Watson : “The door flew open, revealing a wrinkled, forward-thrusting face wreathed with a nimbus of wispy white hair, a face resembling nothing so much as a mole emerging from its burrow. Her spectacles were so dirty that I could hardly see the use of them.”
Adlous Huxley’s Brave New World : "Tall and rather thin but upright, the Director advanced into the room. He had a long chin and big rather prominent teeth, just covered, when he was not talking, by his full, floridly curved lips. Old, young? Thirty? Fifty? Fifty-five? It was hard to say."
F. Scott Fitzgerald’s The Great Gatsby : “He smiled understandingly — much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life.”
J.R.R. Tolkien’s The Fellowship of the Ring : "The face of Elrond was ageless, neither old nor young, though in it was written the memory of many things both glad and sorrowful. His hair was dark as the shadows of twilight, and upon it was set a circlet of silver; his eyes were grey as a clear evening, and in them was a light like the light of stars."
Stephenie Meyer’s Twilight : “I vividly remembered the flat black color of his eyes the last time he glared at me – the color was striking against the background of his pale skin and his auburn hair. Today, his eyes were a completely different color: a strange ocher, darker than butterscotch, but with the same golden tone.”
Joan Johnston’s No Longer A Stranger : “Her straight, boyishly cut hair fell onto her brow haphazardly and hid beautiful arched brows that framed her large, expressive eyes.”
Anne Rice’s The Vampire Armand : “I saw my Master had adorned himself in a thick tunic and beautiful dark blue doublet which I’d hardly noticed before. He wore soft sleek dark blue gloves over his hands, gloves which perfectly cleaved to his fingers, and legs were covered by thick soft cashmere stockings all the way to his beautiful pointed shoes.”
Charles Dickens’ Great Expectations : “Though every vestige of her dress was burnt, as they told me, she still had something of her old ghastly bridal appearance; for, they had covered her to the throat with white cotton-wool, and as she lay with a white sheet loosely overlying that, the phantom air of something that had been and was changed, was still upon her.”
Mark Twain’s The Adventures of Huckleberry Finn : “He was sunshine most always-I mean he made it seem like good weather.”
N. K. Jemisin’s The Hundred Thousand Kingdoms : “His long, long hair wafted around him like black smoke, its tendrils curling and moving of their own volition. His cloak — or perhaps that was his hair too — shifted as if in an unfelt wind.”
Maya Angelou’s I Know Why the Caged Bird Sings : “Her skin was a rich black that would have peeled like a plum if snagged, but then no one would have thought of getting close enough to Mrs. Flowers to ruffle her dress, let alone snag her skin. She didn’t encourage familiarity.”
China Miéville’s The Census-Taker : “His hand was over his eyes. He looked like a failed soldier. Dirt seemed so worked into him that the lines of his face were like writing.”
Louisa M. Alcott’s Little Women : “Fifteen-year-old Jo was very tall, thin, and brown, and reminded one of a colt; for she never seemed to know what to do with her long limbs, which were very much in her way. She had a decided mouth, a comical nose, and sharp, gray eyes, which appeared to see everything, and were by turns fierce, funny, or thoughtful.”
Henry James’ The Aspern Papers : “Her face was not young, but it was simple; it was not fresh, but it was mild. She had large eyes which were not bright, and a great deal of hair which was not ‘dressed,’ and long fine hands which were–possibly–not clean.”
Edgar Allan Poe’s “The Masque of the Red Death”: “The tastes of the duke were peculiar. He had a fine eye for colors and effects. He disregarded the decora of mere fashion. His plans were bold and fiery, and his conceptions glowed with barbaric lustre. There are some who would have thought him mad. His followers felt that he was not.”
Becca Fitzpatrick’s Hush, Hush : “He was abominable…and the most alluring, tortured soul I’d ever met.”
William Golding’s Lord of the Flies : “Inside the floating cloak he was tall, thin, and bony; and his hair was red beneath the black cap. His face was crumpled and freckled, and ugly without silliness.”
Maggie Stiefvater’s The Raven Boys : “As always, there was an all-American war hero look to him, coded in his tousled brown hair, his summer-narrowed hazel eyes, the straight nose that ancient Anglo-Saxons had graciously passed on to him. Everything about him suggested valor and power and a firm handshake.”
John Safran Foer’s Everything Is Illuminated : “He did not look like anything special at all.”
J.R.R. Tolkien’s The Fellowship of the Ring : “He wore a tall pointed blue hat, a long grey cloak, and a silver scarf. He had a long white beard and bushy eyebrows that stuck out beyond the brim of his hat.”
Andrew Lang’s The Crimson Fairy Book : “When the old king saw this he foamed with rage, stared wildly about, flung himself on the ground and died.”
Rudyard Kipling’s Many Inventions : “He wrapped himself in quotations – as a beggar would enfold himself in the purple of Emperors.”
Bram Stoker’s Dracula : “The Count smiled, and as his lips ran back over his gums, the long, sharp, canine teeth showed out strangely.”
Hugh Lofting’s The Story of Doctor Dolittle : “For a long time he said nothing. He kept as still as a stone. He hardly seemed to be breathing at all. When at last he began to speak, it sounded almost as though he were singing, sadly, in a dream.”
M.L Legette’s The Orphan and the Thief : “Its gray, slippery skin was stretched taut upon its face. Its mouth was wide and full of needle teeth.”
Julia Stuart’s The Tower, The Zoo, and The Tortoise : “Blooms of acne highlighted his vampire-white skin.
James Lee Burke’s The Neon Rain : “His khaki sleeves were rolled over his sunburned arms, and he had the flat green eyes and heavy facial features of north Louisiana hill people. He smelled faintly of dried sweat, Red Man, and talcum powder.”
Becca Fitzpatrick’s Black Ice : “His brown hair was cropped, and it showed off the striking symmetry of his face. With the sun at his back, shadows marked the depressions beneath his cheekbones.”
Mary Wollstonecraft Shelley’s Frankenstein : “His limbs were in proportion, and I had selected his features as beautiful. Beautiful! Great God! His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun-white sockets in which they were set, his shrivelled complexion and straight black lips.”
Edgar Allan Poe’s “The Cask of Amontillado”: “He accosted me with excessive warmth, for he had been drinking much. The man wore motley. He had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells.”
E.C. Sheedy’s Killing Bliss : “He stood, which put him eye to eye with the dark-haired woman whose brilliant, burning gaze poured into his worthless soul like boiling tar, whose mouth frothed with fury–and whose hand now curled, knuckles white, around a steak knife.”
Suzanne Collins’ The Hunger Games : “She has bright, dark eyes and satiny brown skin and stands tilted up on her toes with arms slightly extended to her sides, as if ready to take wing at the slightest sound.”
J.K. Rowling’s Harry Potter and the Sorcerer’s Stone : “A giant of a man was standing in the doorway. His face was almost completely hidden by a long, shaggy mane of hair and a wild, tangled beard, but you could make out his eyes, glinting like black beetles under all the hair.”
Louisa M. Alcott’s Little Women : “Elizabeth—or Beth, as every one called her—was a rosy, smooth-haired, bright-eyed girl of thirteen, with a shy manner, a timid voice, and a peaceful expression, which was seldom disturbed.”
Anne Rice’s Violin : “What a well-formed mouth he had, and how the narrow eyes, the detailed deepened lids gave him such a range of expression, to open his gaze wide, or sink in cunning street.”
Kevin Brooks’ Lucas : “An easygoing lope. Nice and steady. Not too fast and not too slow, Fast enough to get somewhere, but not too fast to miss anything.”
Iris Johansen’s The Face of Deception : “Kinky tousled curls, only a minimum of makeup, large brown eyes behind round wire-rimmed glasses. There was a world of character in that face, more than enough to make her fascinating-looking instead of just attractive.”
Herman Meilville’s Moby Dick : “There seemed no sign of common bodily illness about him, nor of the recovery from any. He looked like a man cut away from the stake, when the fire has overrunningly wasted all the limbs without consuming them, or taking away one particle from their compacted aged robustness. His whole high, broad form, seemed made of solid bronze, and shaped in an unalterable mould, like Cellini’s cast Perseus.”
Gena Showalter’s The Darkest Night : “Pale hair fell in waves to his shoulders, framing a face mortal females considered a sensual feast. They didn’t know the man was actually a devil in angel’s skin.”
Orson Scott Card’s Ender’s Game : “Ender did not see Peter as the beautiful ten-year-old boy that grown-ups saw, with dark, tousled hair and a face that could have belonged to Alexander the Great. Ender looked at Peter only to detect anger or boredom, the dangerous moods that almost always led to pain.”
Caitlin Moran’s How To Build A Girl : “He had his head in his hands, and his tie looked like it had been put on by an enemy, and was strangling him.”
Philip Pullman’s The Golden Compass : “Lord Asriel was a tall man with powerful shoulders, a fierce dark face, and eyes that seemed to flash and glitter with savage laughter. It was a face to be dominated by, or to fight: never a face to patronize or pity.”
J.D. Salinger’s Franny and Zooey : “She found herself looking at Lane as if he were a stranger, or a poster advertising a brand of linoleum, across the aisle of a subway car.”
L. Frank Baum’s The Wonderful Wizard of Oz : “They wore round hats that rose to a small point a foot above their heads, with little bells around the brims that tinkled sweetly as they moved. The hats of the men were blue; the little woman’s hat was white, and she wore a white gown that hung in pleats from her shoulders. Over it were sprinkled little stars that glistened in the sun like diamonds.”
Bram Stoker’s Dracula : “Within, stood a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot, without a single speck of colour about him anywhere.”
Algernon Blackwood’s Ten Minute Stories : “Then, by a green field that shone like a thought of daylight amid the darkness of the moor, he saw a figure lying in the grass. It was a blot upon the landscape, a mere huddled patch of dirty rags, yet with a certain horrid picturesqueness too; and his mind—though his German was of the schoolroom order—at once picked out the German equivalents as against the English. Lump and Lumpen flashed across his brain most oddly.”
John Rhode’s The Murders in Praed Street : “He was tall and thin, with a pronounced stoop and a deep but not unpleasant voice. But it was his head that you looked at instinctively. Above the massive forehead and powerfully-chiselled features was a wealth of long, snow-white hair, balanced by a flowing beard of the same colour.”
Edgar Allan Poe’s “The Telltale Heart”: “He had the eye of a vulture—a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold.”
Mary Wollstonecraft Shelley’s Frankenstein : “His limbs were nearly frozen, and his body dreadfully emaciated by fatigue and suffering. I never saw a man in so wretched a condition.”
Washington Irving’s The Legend of Sleepy Hollow : “He was tall, but exceedingly lank, with narrow shoulders, long arms and legs, hands that dangled a mile out of his sleeves, feet that might have served for shovels, and his whole frame most loosely hung together.”
Louisa M. Alcott’s Little Women : “Margaret, the eldest of the four, was sixteen, and very pretty, being plump and fair, with large eyes, plenty of soft, brown hair, a sweet mouth, and white hands, of which she was rather vain.”
Lewis Carroll’s Alice in Wonderland : “It was the White Rabbit returning, splendidly dressed, with a pair of white kid gloves in one hand and a large fan in the other: he came trotting along in a great hurry, muttering to himself as he came…”
J.M. Barrie’s Peter Pan : “He was a lovely boy, clad in skeleton leaves and the juices that ooze out of trees but the most entrancing thing about him was that he had all his first teeth.”
Franz Kafka’s The Metamorphosis : “He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked.”
Charlotte Perkins Gilman’s The Yellow Wallpaper : “John is practical in the extreme. He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures.”
L. Frank Baum’s The Wonderful Wizard of Oz : “When Aunt Em came there to live she was a young, pretty wife. The sun and wind had changed her, too. They had taken the sparkle from her eyes and left them a sober gray; they had taken the red from her cheeks and lips, and they were gray also. She was thin and gaunt, and never smiled now.”
Fyodor Dostoevsky’s Crime and Punishment : “This was not because he was cowardly and abject, quite the contrary; but for some time past he had been in an overstrained irritable condition, verging on hypochondria. He had become so completely absorbed in himself, and isolated from his fellows that he dreaded meeting, not only his landlady, but anyone at all. He was crushed by poverty, but the anxieties of his position had of late ceased to weigh upon him. He had given up attending to matters of practical importance; he had lost all desire to do so.”
Nathaniel Hawthorne’s The Scarlet Letter : “The young woman was tall, with a figure of perfect elegance on a large scale. She had dark and abundant hair, so glossy that it threw off the sunshine with a gleam, and a face which, besides being beautiful from regularity of feature and richness of complexion, had the impressiveness belonging to a marked brow and deep black eyes.”
Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde : “This was a hearty, healthy, dapper, red-faced gentleman, with a shock of hair prematurely white, and a boisterous and decided manner.”
Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde : “Mr. Hyde was pale and dwarfish, he gave an impression of deformity without any nameable malformation, he had a displeasing smile, he had borne himself to the lawyer with a sort of murderous mixture of timidity and boldness, and he spoke with a husky, whispering and somewhat broken voice; all these were points against him, but not all of these together could explain the hitherto unknown disgust, loathing and fear with which Mr. Utterson regarded him.”
Charles Dickens’ A Christmas Carol : “Oh! But he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster.”
Leo Tolstoy’s War and Peace : “Anna Pávlovna Schérer on the contrary, despite her forty years, overflowed with animation and impulsiveness. To be an enthusiast had become her social vocation and, sometimes even when she did not feel like it, she became enthusiastic in order not to disappoint the expectations of those who knew her. The subdued smile which, though it did not suit her faded features, always played round her lips expressed, as in a spoiled child, a continual consciousness of her charming defect, which she neither wished, nor could, nor considered it necessary, to correct.”
Arthur Conan Doyle’s “A Scandal in Bohemia”: “His rooms were brilliantly lit, and, even as I looked up, I saw his tall, spare figure pass twice in a dark silhouette against the blind. He was pacing the room swiftly, eagerly, with his head sunk upon his chest and his hands clasped behind him. To me, who knew his every mood and habit, his attitude and manner told their own story. He was at work again.”
J.M. Barrie’s Peter Pan : “In person he was cadaverous and blackavized, and his hair was dressed in long curls, which at a little distance looked like black candles, and gave a singularly threatening expression to his handsome countenance. His eyes were of the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly.”

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David Davis

David Davis is a cartoonist with around twenty years of experience in comics, including independent work and established IPs such as SpongeBob Squarepants. He also works as a college composition instructor and records weekly podcasts. Find out more about him at his website!

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Home / Book Writing / How to Write Amazing Character Descriptions (with Examples)

How to Write Amazing Character Descriptions (with Examples)

A good character description is walking a fine line between too much and too little information. Not only that, it's how you deliver the information to the reader that can make or break a good description. So whether you already have a vivid picture of your characters in mind or you don't know where to start, you've come to the right place. Read on to explore character description.

What is a Good Character Description?
Descriptions for Character Profiles
Descriptions in Prose
Character Description Examples
Tips for Writing Character Descriptions for Profiles

Description in Prose
1. Start With a List
2. Edit it Down
3. Get Creative With Surroundings and Movement
4. What Is and What Isn't
5. Adjectives Can Help or Hinder
6. Practice Makes Perfect
7. Description Can Help Reveal the Narrator

A good character description isn't just about describing how a given character looks. It's also about describing the character through the world around them and through their actions. When these factors come together, you can create a vivid description that not only tells the reader a lot about your character's personality but also sparks the reader's imagination. That, after all, is what reading is all about.

And while we'll mostly be discussing character description in prose, we'll also be discussing how character description is important when writing your character profiles. Since character profiles are best utilized before you write your novel, we'll start there.

Creating a character profile can help you when it comes time to write. It can ensure that you know your major characters intimately before you start writing. These profiles are about more than just character description, but for the purposes of this article, we'll focus on the physical attributes, as they're the building blocks for writing descriptive prose.

Think of a profile as a character sketch. You're not trying to get every single detail down, as it's always good to leave room for spontaneity when you're writing your novel . But when it comes to the basics of how the character looks, it can help to nail down the details.

This includes things like eye color, facial expression, height, weight, build, hair color, skin color, any disfigurements or scars, and things like tattoos or birthmarks. This should also include clothing and any other accessories, such as hats, watches, necklaces, and piercings.

You don't have to get fancy with the profile. Just get the information down so you can refer to it later. If you want to go the extra mile, you can write down some varying descriptions of your character as if you're writing the novel. It's often easiest to focus on one physical attribute at a time until you're comfortable. These practice descriptions can lend inspiration when you start writing in earnest.

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Description in your book is a bit different than in your profile. A good description can give the reader a glimpse at the character's personality traits as well as their appearance. There are many different ways to write a great character description, but they all have one thing in common: they're creative and anything but boilerplate.

Many new writers opt for the list-style of description, thinking that less is more. They often look like this:

“He had piercing green eyes, sandy blond hair, and stood a stocky and solid six-foot-two. He had a slight limp and the musculature of a man who works hard for his living.”

While this may be fine for a minor character, it falls a little flat for a major character that you want the audience to know intimately. So for ideas on how to write character descriptions, let's look at some examples from some masters of the craft.

“His present dog was a huge white brute, a mountain dog from the South. He had named it Halina, after his second wife, with whom it shared some personality traits. . . It weighed almost as much as he did and its coat was matted and filthy; it lifted its massive head and watched him with lunatic eyes.”

This description, from Dave Hutchinson's Europe in Autumn , is a great example of how to describe physical appearance. Neither the man nor his dog is a major character in the story, but the description tells you a little about the K9 and its owner in a few concise sentences.

“He did not look like anything special at all.”

This one-sentence description in Jonathan Safran Foer's Everything is Illuminated is an excellent example of “less is more.”

“When he did appear his eyes were as brown as I remembered, pupils flecked with gold like beach pebbles.”

This description is from Sub Rosa by Amber Dawn. It's a compelling use of simile to create a picture of a character's appearance in the reader's mind. Note that she doesn't use tired and worn-out similes such as “eyes as blue as the summer sky” or “hair as red as autumn leaves. Getting creative with figurative language can work out very well.

“He smiled understandingly — much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced — or seemed to face — the whole eternal world for an instant, and then concentrated on you with an irresistible prejudice in your favor.”

This description, from The Great Gatsby by F. Scott Fitzgerald, focuses on the character's actions to tell the reader about him. Or, rather, on a single action: a smile. At the same time, the writer is telling the reader something about the POV character, giving insights into how the narrator sees the character while describing him.

Tips for Writing Character Descriptions in Prose

Most writing teachers and authors will tell you that if you want to write, you need to read. And the descriptions above should be shining examples of why that is sage advice. Reading how the authors you love write character description is key. But I've included some tips you can use when it comes time to write your own masterpiece!

This is where the character profile comes in handy. Not only does it keep you on track (there's nothing worse than realizing you switched a character's eye color halfway through a book) but it also allows you to keep a picture of your character fresh in your mind's eye.

So keep a list handy. Even if it's just the basics, like “black hair” or “brown eyes” and the like, it helps.

One of the most oft-quoted pieces of advice from Strunk & White's The Elements of Style is “Omit needless words.” For writers old and new, this advice is sound indeed for writing character descriptions. We've all read a book where the description of a character goes on for pages and pages and we find ourselves asking, “When will we get back to the story?”

This is something to avoid at all costs. So edit your descriptions down as much as possible. Don't use flowery language for its own sake. Instead, try to get your point across to the reader in as concise a manner as possible. You don't have to get into a character's backstory with the description if it will interrupt the flow of the story.

Remember that you want to create a vivid character in the reader's mind, but that doesn't mean that you want to take all of their imagination out of it. Leave something for the reader to interpret, if at all possible.

Description isn't all about a character's physicality. It's also about how the character interacts with the world around them. The way a man sits on a couch or a woman drives a car or a child eats an ice cream cone can all add to the character's description. A sentence about what a couple does while waiting in line at the movies can tell the reader more than a paragraph of straight description.

The way a character walks, the way they gesture when they talk, the way they squint when they're thinking. These are all great ways to add to a character's vividness and depth through description.

Describing a person, fictional or otherwise, can be done by looking at what is there and what isn't there. In fact, sharing what isn't there — what's missing — can be a great way of describing a person. As a writer, this can also help you develop your craft and keep your prose fresh. Whether this is a missing limb, a shirt pocket that has been torn off, or the lack of seeming intelligence on a vacant face, the absence of things can say a lot about a character.

As a rule in fiction, it's best to limit your use of adverbs. And the use of adjectives in character descriptions is no exception. Like adverbs, adjectives can become a crutch that holds back more concise and creative writing. This is not to say that you shouldn't use them on occasion. Sometimes an adjective is just the right kind of word for character description. Just keep in mind that overusing them can lead to reader fatigue and overly flowery language.

This should go without saying, but practicing your description will go a long way to becoming a better writer. When you consciously sit down to write a compelling character description, you can really think about what you want to say and how best to say it.

To do this, choose a character archetype and flesh that archetype out into a full-fledged person through descriptive language. Try writing several descriptions of the same character type, focusing on a few different tributes each time. You can try writing one where you focus on appearance. One on movement. One on how she/he interacts with the world around them. One on clothing. And one on what's missing (if anything). These practices can help you get your head around how best to describe a character in any given situation.

Description can also tell the reader about the POV character or narrator. And if your narrator is also your protagonist, this can be very important. This is because, short of having your character stand in front of a mirror and describe herself, there aren't many easy ways to describe your POV character without taking the reader out of the story. So, a great way to enlighten the reader is to use the way your narrator sees other characters. This can often be in the form of physical comparisons that the narrator makes or insights that they glean from watching/interacting with another character.

Not only does this add to the main character's believability, but it also provides an opportunity for character development as the story progresses. Perhaps your POV character has a bad habit of comparing himself to others he learns to break. Or perhaps he focuses too much on physical attributes to the detriment of seeing who other characters really are.

Whether you're writing a short story , novella, or a 1,000-page tome, you'll want to get familiar with character descriptions. The best way to start this is with a character profile. This will help you with your character analysis, which is great for fleshing out your main character, villain, and even secondary characters that need brief but compelling descriptions.

Once you have the basics of your character down, you can start experimenting with description. By focusing on one major character trait at first, you can develop your own style of description. Then you can incorporate more attributes, sharing only a couple at a time as your novel progresses.

Be concise, creative, and don't forget to look for what is and what isn't there. Use movement, interactions, and gestures to make vivid and crisp character descriptions.

Dave Chesson

When I’m not sipping tea with princesses or lightsaber dueling with little Jedi, I’m a book marketing nut. Having consulted multiple publishing companies and NYT best-selling authors, I created Kindlepreneur to help authors sell more books. I’ve even been called “The Kindlepreneur” by Amazon publicly, and I’m here to help you with your author journey.

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Posted on Dec 21, 2018

Character Descriptions: How To Write Them (in 3 Steps)

Character descriptions — those key passages that describe what a character actually looks like — are almost as crucial to a written story as the characters themselves. If you’re writing a novel, you’ve probably created an awesome, vivid protagonist in your head: motivated , quirky , maybe even memorably named . But how do you convey all that to a reader without depleting the magic?

Writing strong character descriptions actually requires quite a bit of finesse. If you skimp on descriptive passages, you run the risk of leaving your readers with forgettable characters. But if you get too descriptive, you wind up leaving no room for the reader’s own imagination.

So what does it take to strike the right balance? We’ll tell you! Here are three cardinal rules on how to write character descriptions without falling off that tightrope.

1. Choose your words carefully

When writing character descriptions, it’s easy to get ahead of yourself. After all, this is the first time you’re introducing a character you’ve created from the ground up .

But just because you know everything about them, doesn’t mean the reader needs to. Character descriptions aren’t about doling out every detail in lavish language — they’re about succinct characterization. Here are a few tips on how to achieve just that.

Be descriptive in your language

We’re talking about character descriptions, after all — it’s quite literally in the name. When describing a character that you see clearly in your mind, it’s easy to simply give a laundry list of attributes: she had black hair, brown eyes, and freckles. But that tells us nothing about the character and is frankly a waste of words.

Sure, your protagonist might have brown eyes. But so does half the world’s population! And characterization is all about showing what makes a character unique.

Sometimes, this can be done through word choice alone. Take this example from Huckleberry Finn :

“There warn’t no color in his face, where his face showed; it was white; not like another man’s white, but a white to make a body sick, a white to make a body’s flesh crawl – a tree-toad white, a fish-belly white.”

From this passage, we clearly understand how Huck’s father looks, as surely as if Twain had simply written, “He was white.” But through the use of figurative language and excellent word choice, another image sticks in our head: that of a sickly, grotesque drunk. Bonus points for the use of “tree-toad” and “fish-belly” — descriptors that match the tone of the adventure novel.

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Use adjectives sparingly

Jonathan Safran Foer Everything Is Illuminated Character Descriptions

Another problem with a sentence like “She had brown eyes” is that brown simply isn’t a very interesting word. When it comes to describing something, the same is true for many adjectives; which are to descriptions as adverbs are to verbs . In other words, they may appear to be more descriptive, but they often just bog down your sentences.

Same goes for verbs. Much has been made about the banality of the verb “to be” in literature. Which would you prefer: “She had brown eyes,” or, “Her brown eyes pierced through my own”? Use forceful verbs to illuminate more about your character. When it comes to character descriptions, every word counts.

However, keep in mind that overly descriptive words like these can easily turn cliché. Ultimately, a phrase like, “He had a prosaic, pedestrian face” may pale in comparison to a more simply but potent description, like this one from Jonathan Safran Foer’s Everything Is Illuminated :

“He did not look like anything special at all.”

Use descriptions themselves sparingly

When introducing a character, it’s best not to dedicate three whole chapters to an exhaustive physical explanation and backstory. After all, this isn’t Moby-Dick .

So as you’re painting a picture of your character, do two important things: 1) focus on a few key characteristics at a time , and 2) make sure to spread your descriptions out across the book . If we’re told every detail of every character’s face all at once, they’ll all end up blending together. But if we’re distinctly told about the woman with ears like a rabbit or the man with a slightly larger left nostril? We’ll remember them for the whole novel.

Also keep in mind that word choice is important, but so are the things you’re describing with those words. Hair, skin, and eye color — these are all characteristics that, ironically, don’t really say anything about what characters are like. That’s why, next up, we’ll discuss what characteristics you should be covering in your character descriptions.

2. Be specific

Remember, we don’t need to know every single physical detail of every person in a book. In fact, since reading is a non-visual medium, many readers prefer to fill in the blanks themselves.

Good descriptions tend to be brief but evocative. So choose two or three distinct, specific attributes to describe and leave the rest to the reader’s imagination. Here are some ideas on what those attributes might be.

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Facial expressions

Facial attributes are one thing: anyone can have a big nose, so that tells us nothing substantial about a character. On the other hand, facial expressions speak volumes. Like this example from Lord of the Flies :

“His face was crumpled and freckled, and ugly without silliness.”

The way they carry themselves

Body language is key to understanding other people, so it stands to reason that it’s key to understanding characters, too. Take this description from Barbara Kingsolver’s The Poisonwood Bible , which describes a character through posture and mannerisms alone:

“Mama BekwaTataba stood watching us — a little jet-black woman. Her elbows stuck out like wings, and a huge white enameled tub occupied the space above her head, somewhat miraculously holding steady while her head moved in quick jerks to the right and left.”

Their stuff

Bret Eaton Ellis American Psycho Character Descriptions

In his popular novel American Psycho , Bret Eaton Ellis showcases Patrick Bateman's vapidity and narcissism through descriptions of the titular character's designer clothing. You can tell a lot about a person from their possessions — whether it’s clothing, cars, houses, or merely the contents of their purse. “He was a superficial sociopath” succinctly describes the extent of Patrick Bateman’s character development in the novel, but a passage like this shows it so much better:

“But there are also things that the average person would think are nice that I've done to celebrate the holiday, items I've bought Jean and had delivered to her apartment this morning: Castellini cotton napkins from Bendel's, a wicker chair from Jenny B. Goode, a taffeta table throw from Barney's, a vintage chain-mail-vent purse and a vintage sterling silver dresser set from Macy's, a white pine whatnot from Conran's, an Edwardian nine-carat-gold "gate" bracelet from Bergdorfs and hundreds upon hundreds of pink and white roses.”

Just be sure extensive descriptions of clothing don’t fall into the bad fanfiction category . (Although, there is good fanfiction too.)

Their actions

You know how actions speak louder than words? That’s truer than ever when it comes to describing your novel’s cast.

In one sense, actions can illustrate physical characteristics in a pretty basic way: “She ran her hand through her hair, accidentally revealing the mole on her forehead she’d always kept hidden behind her bangs.”

But you can also learn as much about fictional characters from their actions as you can about real people. Toni Morrison displays clear knowledge of this in her novel Jazz , introducing the character Violet by recounting a story about her, rather than simply telling what she looks like.

“I know that woman. She used to live with a flock of birds on Lenox Avenue. Know her husband, too. He fell for an eighteen-year-old girl with one of those deepdown, spooky loves that made him so sad and happy he shot her just to keep the feeling going. When the woman, her name is Violet, went to the funeral to see the girl and to cut her dead face they threw her to the floor and out of the church. She ran, then, through all that snow, and when she got back to her apartment she took the birds from their cages and set them out the windows to freeze or fly, including the parrot that said, ‘I love you.’”

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3. Don’t always be specific

Yeah, okay — the irony here isn’t lost on us . But while giving distinct details is important to character descriptions, so is knowing when concrete descriptions aren’t needed. Words, after all, are not limited to describing physical things. So don’t limit your prose, either.

Be abstract

Neil Gaiman Neverwhere Character Descriptions

Feel free to stretch the boundaries of what you’re describing and how you’re describing it. Rather than simply pointing out concrete characteristics or actions, feel free to describe abstractions, like this passage from Neil Gaiman’s Neverwhere :

“Mr. Croup likes words, while Mr. Vandemar is always hungry. Also, they look nothing alike.”

Or, describe physical characteristics in an abstract way — that is, use similes and metaphors. In Charles Dickens' A Christmas Carol , Dickens does not describe Scrooge as a Christmas-hating miser. Instead, Scrooge in this Christmas book is:

“Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster.”

Whether you’re describing yourself to a friend or a friend is describing you to someone else, it’s very unlikely either of you would give a painstaking, perfectly objective account. Biases exist in every aspect of life, so it’s okay to be biased in character descriptions, too.

If a first person narrator is describing themselves, they might comment on their own attractiveness, like Humbert Humbert in Lolita :

“I was, and still am, despite mes malheurs, an exceptionally handsome male; slow-moving, tall, with soft dark hair and a gloomy but all the more seductive cast of demeanor.”

Or you could have one character describe another, which illuminates the attributes of the latter and the perception of the former. Take, for example, this particularly scathing description of one person by another from Jodi Taylor’s The Nothing Girl :

“The only talents he possessed were delusions of adequacy.”

This sentence succinctly describes a not-quite-self-aware underachiever. But it also illustrates a narrator with a not-so-objective opinion of him.

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Show, don’t tell

Yup. The golden rule of writing applies here as well. At the end of the day, no matter what you decide to reveal to your audience, the most important aspect of character descriptions is how you reveal it. Regardless of how special, unique, or honest-to-god awesome your protagonist is, a reader forced to trudge through page after page of intensive description will find any character boring.

Instead, think of how we learn things about other people in real life. Very rarely does the color of our eyes or the shape of our nose describe who we are. We don’t tell everything there is to know about each other — we show it, through our expressions, perceptions, actions, preferences, and even our stuff. Apply that same rule to your character descriptions, and your characters (and readers) will thank you for it.

Are there any character descriptions that stand out to you? Leave any thoughts or questions in the comments below!

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Characterization

Characterization Definition

What is characterization? Here’s a quick and simple definition:

Characterization is the representation of the traits, motives, and psychology of a character in a narrative. Characterization may occur through direct description, in which the character's qualities are described by a narrator, another character, or by the character him or herself. It may also occur indirectly, in which the character's qualities are revealed by his or her actions, thoughts, or dialogue.

Some additional key details about characterization:

Early studies of literature, such as those by the ancient Greek philosopher Aristotle, saw plot as more important than character. It wasn't until the 15th century that characters, and therefore characterization, became more crucial parts of narratives.
Characterization became particularly important in the 19th century, with the rise of realist novels that sought to accurately portray people.

Characterization Pronunciation

Here's how to pronounce characterization: kar-ack-ter-ih- zey -shun

Direct and Indirect Characterization

Authors can develop characterization in two ways: directly and indirectly. It's important to note that these two methods are not mutually exclusive. Most authors can and do use both direct and indirect methods of characterization to develop their characters.

Direct Characterization

In direct characterization, the author directly describes a character's qualities. Such direct description may come from a narrator, from another character, or through self-description by the character in question. For instance, imagine the following dialogue between two characters:

"That guy Sam seems nice." "Oh, no. Sam's the worst. He acts nice when you first meet him, but then he'll ask you for money and never return it, and eat all your food without any offering anything in return, and I once saw him throw a rock at a puppy. Thank God he missed."

Here the second speaker is directly characterizing Sam as being selfish and cruel. Direct characterization is also sometimes called "explicit characterization."

Indirect Characterization

In indirect characterization, rather than explicitly describe a character's qualities, an author shows the character as he or she moves through the world, allowing the reader to infer the character's qualities from his or her behavior. Details that might contribute to the indirect characterization of a character are:

The character's thoughts.
The character's actions.
What a character says (their choice of words)
How a character talks (their tone, dialect, and manner of speaking)
The character's appearance
The character's movements and mannerisms
How the character interacts with others (and how others react to the character)

Indirect characterization is sometimes called "implicit characterization."

Indirect Characterization in Drama

It's worth noting that indirect characterization has an additional layer in any art form that involves actors, including film, theater, and television. Actors don't just say the words on the script. They make choices about how to say those words, how to move their own bodies and in relation to other character. In other words, actors make choices about how to communicate all sorts of indirect details. As a result, different actors can portray the same characters in vastly different ways.

For instance, compare the way that the the actor Alan Bates plays King Claudius in this play-within-a-play scene from the 1990 movie of Hamlet, versus how Patrick Stewart plays the role in the same scene from a 2010 version. While Bates plays the scene with growing alarm and an outburst of terror that reveals his guilt, Stewart plays his Claudius as ice cold and offended, but by no means tricked by Hamlet's little play-within-a-play into revealing anything.

Round and Flat Characters

Characters are often described as being either round or flat.

Round characters : Are complex, realistic, unique characters.
Flat characters : Are one-dimensional characters, with a single overarching trait and otherwise limited personality or individuality.

Whether a character is round or flat depends on their characterization. In some cases, an author may purposely create flat characters, particularly if those characters will appear only briefly and only for a specific purpose. A bully who appears in a single scene of a television show, for instance, might never get or need more characterization than the fact that they act like a bully.

But other times authors may create flat characters unintentionally when round characters were necessary, and such characters can render a narrative dull, tensionless, and unrealistic.

Character Archetypes

Some types of characters appear so often in narratives that they come to seen as archetypes —an original, universal model of which each particular instance is a kind of copy. The idea of the archetype was first proposed by the psychologist Carl Jung, who proposed that there were twelve fundamental "patterns" that define the human psyche. He defined these twelve archetypes as the:

While many have disagreed with the idea that any such twelve patterns actually psychologically define people, the idea of archetypes does hold a lot of sway among both those who develop and analyze fictional characters. In fact, another way to define round and flat character is to think about them as they relate to archetypes:

Flat characters are easy to define by a single archetype, and they do not have unique personal backgrounds, traits, or psychology that differentiates them from that archetype in a meaningful way.
Round characters may have primary aspects that fit with a certain archetype, but they also may be the combination of several archetypes and also have unique personal backgrounds, behaviors, and psychologies that make them seem like individuals even as they may be identifiable as belonging to certain archetypes.

Good characterization often doesn't involve an effort to avoid archetype altogether—archetypes are archetypes, after all, because over human history they've proved to be excellent subjects for stories. But successful authors will find ways to make their characters not just archetypes. They might do so by playing with or subverting archetypes in order to create characters who are unexpected or new, or more generally create characters whose characterization makes them feel so unique and individual that their archetype feels more like a framework or background rather than the entirety of who that character is.

Characterization Examples

The characters of nearly every story—whether in literature, film, or any other narrative—have some characterization. Here are some examples of different types of characterization.

Characterization in Hamlet

The famous literary critic Harold Bloom has argued in his book The Invention of the Human that "Personality, in our sense, is a Shakespearean invention." Whether or not you agree with that, there's no doubting that Shakespeare was a master of characterization. One way he achieved such characterization was through his characters delivering soliloquies . The excerpt of a soliloquy below is from Hamlet , in which Hamlet considers suicide:

To be, or not to be? That is the question— Whether ’tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And, by opposing, end them? To die, to sleep— No more—and by a sleep to say we end The heartache and the thousand natural shocks That flesh is heir to—’tis a consummation Devoutly to be wished! To die, to sleep. To sleep, perchance to dream—ay, there’s the rub, For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause.

Hamlet's soliloquy is not simply him saying what he thinks. As he delivers the soliloquy, he discovers what he thinks. When he says "To die, to sleep. To sleep," he is all-in on the idea that suicide is the right course. His words "perchance to dream" flow directly out of his thoughts about death as being like "sleep." And with his positive thoughts of death as sleep, when he first says "perchance to dream" he's thinking about having good dreams. But as he says the words he realizes they are deeper than he originally thought, because in that moment he realizes that he doesn't actually know what sort of dreams he might experience in death—they might be terrible, never-ending nightmares. And suddenly the flow of his logic leaves him stuck.

In showing a character experiencing his own thoughts the way that real people experience their thoughts, not as a smooth flow but as ideas that spark new and different and unexpected ideas, Shakespeare gives Hamlet a powerful humanity as a character. By giving Hamlet a soliloquy on the possible joy of suicide he further captures Hamlet's current misery and melancholy. And in showing how much attention Hamlet pays to the detail of his logic, he captures Hamlet's rather obsessive nature. In other words, in just these 13 lines Shakespeare achieves a great deal of characterization.

Characterization in The Duchess of Malfi

In his play the The Duchess of Malfi , John Webster includes an excellent example of direct characterization. In this speech, the character Antonio tells his friend about Duke Ferdinand:

The Duke there? A most perverse and turbulent nature; What appears in him mirth is merely outside. If he laugh heartily, it is to laugh All honesty out of fashion. … He speaks with others' tongues, and hears men's suits With others' ears; will seem to sleep o’th' bench Only to entrap offenders in their answers; Dooms men to death by information, Rewards by hearsay.

Ferdinand directly describes the Duke as deceitful, perverse, and wild, and as a kind of hollow person who only ever laughs for show. It is a devastating description, and one that turns out to be largely accurate.

Characterization in The Great Gatsby

Here's another example of direct characterization, this time from The Great Gatsby . Here, Nick Carraway, the narrator of the novel, describes Tom and Daisy Buchanan near the end of the novel.

They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made.

But The Great Gatsby, like essentially all other literature, doesn't solely rely on direct characterization. Here is Nick, earlier in the novel, describing Gatsby:

He stretched out his arms toward the dark water in a curious way, and, far as I was from him, I could have sworn he was trembling. Involuntarily I glanced seaward—and distinguished nothing except a single green light, minute and far away, that might have been the end of a dock.

This is an example of indirect characterization. Nick isn't describing Gatsby character directly, instead he's describing how Gatsby is behaving, what Gatsby is doing. But that physical description—Gatsby reaching out with trembling arms toward a distant and mysterious green light—communicates fundamental aspects of Gatsby's character: his overwhelming yearning and desire, and perhaps also the fragility inherent such yearning.

Why Do Writers Use Characterization?

Characterization is a crucial aspect of any narrative literature, for the simple reason that complex, interesting characters are vital to narrative literature. Writers therefore use the techniques of characterization to develop and describe characters':

Motivations
History and background
Interests and desires
Skills and talents
Self-conception, quirks, and neuroses

Such characteristics in turn make characters seem realistic and also help to drive the action of the plot, as a plot is often defined by the clash of actions and desires of its various characters.

Other Helpful Characterization Resources

Wikipedia entry on characterization: A brief but thorough entry.
Archetypal characters: The website TV tropes has built a vast compendium of different archetypal characters that appear in film and television (and by extension to books).
Encyclopedia Britannica on characters: A short entry on flat and round characters.

The printed PDF version of the LitCharts literary term guide on Characterization

PDFs for all 136 Lit Terms we cover
Downloads of 1924 LitCharts Lit Guides
Teacher Editions for every Lit Guide
Explanations and citation info for 40,556 quotes across 1924 books
Downloadable (PDF) line-by-line translations of every Shakespeare play
Flat Character
Round Character
Foreshadowing
Rhyme Scheme
Slant Rhyme
Juxtaposition
Bildungsroman
Antimetabole
Figurative Language
Pathetic Fallacy
Parallelism
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Character Description Examples: How to Hook the Reader.

And make writing character descriptions 10x easier by comparing amateur and pro samples..

Character description examples: how to hook the reader.

In this post, we’re going to show you how to get the reader to emotionally connect with your characters—particularly your protagonist—by comparing amateur and pro character description examples.

Far too often aspiring writers’ character descriptions involve mundane activities, unrelated to who they’re introducing.

Often this is accompanied by a list of personality traits and/or physical attributes, like so:

These character description examples aren’t bad, but they’re not great either.

But why not?

Take a moment to consider just how much you know about each of these protagonists from their character description examples.

• Do you get a sense of Caitlyn’s personality?

• Do you have any idea what Roger’s fundamental character flaw is?

• Do you get a feeling for who each of these characters are deep down?

Not really.

In fact, it’s probably pretty hard to say you know anything about who these characters really are when we first meet them.

In this post, we’re going to show you the exact steps you need to take in order to go from writing pedestrian character descriptions like these to great character descriptions that immediately hook the reader .

We’re going to do this is by using “before and after” sample character descriptions. So let’s get started.

Click to tweet this post.

Amateur vs. pro character description examples.

Here’s a quick character description template of what makes these ones that much better and really hook the reader:

• Interesting Action . The pro character description examples show them in action. It’s just more interesting to be introduced to a character doing something active—preferably something interesting or unusual—rather than something we all do every day.

• Show Don’t Tell . The pro descriptions utilize the “show don’t tell” principle. The writers show the reader who each character is as a person through their actions, rather than simply tell them.

• The Flaw . They show us a moment that perfectly sums up where each character is at in this particular stage in life. These character description examples show us their flaw in action: their “want” rather than “need.” The bad behavior that’s keeping them down at the start of the film.

Overall, you want to show the reader the heart of each character right off the bat when we first meet them.

This usually means showing us their flaw in the most visual, unusual and interesting way possible. (Although not always, but more on this later.)

So let’s jump on in with the first description.

Amateur c haracter description example #1.

Like many character description examples from spec screenplays, this one’s perfectly serviceable.

It puts an image in our mind of a young guy who’s probably single. He’s engaged in an action of sorts—eating a TV dinner—and the car’s arrival adds some interest to the scene.

But you don’t want to write a “serviceable” character description. You want to blow the reader away with the quality of your writing, right?

Professional c haracter description example #1.

Here’s how Dan Gilroy introduces the same character in Nightcrawler :

Ignore the somewhat idiosyncratic formatting for a moment and just focus on how this character description kicks ass .

Focus on how much more you now know and feel about Lou than in the first example.

But how does Gilroy achieve this?

He could have chosen to introduce Lou scouring CraigsList for a job. Or asking a scrap yard manager if he has any vacancies.

While either of these would have told us more about Lou than in Example #1 and made him more active than sitting watching TV, they wouldn’t have been particularly unusual or revealing actions .

Showing him stealing fencing at night, on the other hand, tells us everything we need to know. Our interest is immediately piqued. Who is this weird guy? What’s he doing? Why is he doing it?

Most importantly, Gilroy’s character description shows us Lou’s many flaws in action.

He’s in the middle of a theft and is about to beat up an interfering security guard. He’s “pure primal id” possibly mentally disturbed and insanely driven.

This is the essence of who Lou is at the start of the film and Gilroy captures it all perfectly in this character description.

Here’s another one, this time from a comedy.

Amateur c haracter description example #2.

This character description is clear and succinct and gives us a good idea of what we’re seeing here: two friends having a great time catching up over lunch.

We get the feeling Annie is the protagonist as her name comes first and includes her surname. But what else do we learn about her from this character description?

Not much. We learn nothing about what her personality’s like, where’s she at in life, or what her flaw is.

Professional c haracter description example #2.

Here’s how Annie Mumolo and Kristen Wiig introduce the same protagonist in Bridesmaids .

This is the character description we get after some brief Off-Screen dialogue that sets up the fact this is just a casual fling. (From Ted’s perspective at least.)

This character description is tight and sparse—all we get is Annie’s age. But that’s okay because what she’s doing here is so much more important:

She’s showing us her flaw in action : trying to get together with a guy who has zero romantic interest in her.

One of the key reasons why studio script readers pass on spec screenplays is a lack of empathy for the characters.

This is often because the writer hasn’t fully communicated who the characters really are and what their flaws are right off the bat.

Readers empathize with flaws: the characters (and our) relatable problems that they want to see solved by the movie’s end.

It should be pretty clear that out of these two character description examples it’s Example #4 that better gives you a sense of who Annie is, what her flaw is and where she’s at in this stage of her life.

Amateur c haracter description example #3.

Let’s move on to an example from a recently nominated best-adapted screenplay.

It’s true that Jack’s active here, but how engaging is it? And how much do we learn about him?

We learn that he’s a musician in a hotel room, which could suggest he’s on tour and semi or very successful.

We learn that he likes gin, which could suggest he has a drinking problem, but neither of these is stated explicitly.

Professional c haracter description example #3.

Here’s the same character introduction from A Star Is Born by Eric Roth, Bradley Cooper and Will Fetters.

Now we’re hit in the gut with a character description that shows rather than tells us so much more about him.

Jack is not just involved in an action here that vaguely tells us something about who he is. He’s doing something that shows us explicitly who he is and what his problem is.

He famous enough to draw a large crowd and have roadies. He pops pills before going on stage, drinks deeply from a bottle of gin—some of it “spilling down his beard…”

Note how much more interesting and exciting Example #6 is compared to Example #5. And how it’s now so much clearer that Jack’s a famous musician with a drink and drugs problem. It’s 100 times more engaging, revealing and visual in every possible way.

Character description examples that break “the rules.”

Of course, not all good character descriptions in professional screenplays abide by the “rules” we’ve discussed so far.

• Sometimes in professional screenplays we’re introduced to characters involved in the most mundane activities imaginable.

• Sometimes when writing character descriptions, pro writers don’t give any indication of a flaw.

• Sometimes great character descriptions are so sparse we learn nothing at all about what they look like.

• Sometimes professional screenwriters describe their characters as “handsome” or “a natural beauty.”

Here are a few more character description examples—the ones that seemingly break the “rules” discussed in this post.

Mundane actions in the character description.

Writers Nicole Holofcener and Jeff Whitty introduce the protagonist of Can You Ever Forgive Me? like this:

Here, the writers introduce Lee Isreal in the middle of one of the most everyday situations imaginable: asleep on a couch .

As familiar and uninteresting this situation is, it perfectly sums up where she is at this point in her life: lonely . They even give her a pet cat to really drive the point home.

We don’t know why she’s alone yet but we can guess it’s got something to do with her flaw.

In other words, writing character descriptions doesn’t mean you always have to introduce performing a bizarre or exciting action. It means writing a description that serves the character —whether that’s exciting or mundane.

No flaw in the character description.

In some cases, professional writers choose not to highlight a character’s flaw in their opening character description.

For example, here’s how we first meet Jaime at the start of It Follows :

When writing character descriptions like this, genre comes into play.

The reason why writer David Robert Mitchell doesn’t show us his protagonist acting out their flaw here is that in horror movies they often don’t have one. At least not in a traditional sense.

The theme in horror movies often revolves around the collective “sins” of society rather than an individual flaw of the central character.

The protagonist is a representation of this sin, but because of this, we don’t need to know nearly as much about them as the protagonist in other genres.

Hence we’re not introduced to a protagonist with a flaw in the usual overt way. Rather, the flaw is hidden beneath the surface on a thematic societal level.

No details in the character description.

You may have heard that describing a character’s clothes, hair and makeup is a great way to help give us a sense of who they are as a person. Sometimes professional writers do this, sometimes they don’t.

Occasionally they choose to skip over giving us any specific details at all about a character when we first meet them.

Here’s how Max and Annie are introduced in the Game Night screenplay:

And further down the page:

The writers could have added details about Max’s hair or Annie’s makeup, but they chose not to. All we get are their approximate ages and the fact they’re wearing “matching shirts.”

That’s because it’s the characters’ actions that are important here, not their appearance. We get a sense of who Max and Annie and, in a way, it doesn’t matter whether Max has brown hair or what kind of dress Annie’s wearing.

By all means add clothes, hair and makeup details to your screenplay character descriptions. But remember they’re not as important as showing us those characters in action—usually something that highlights their flaws.

As always when it comes to screenwriting there are very few things you “must not” do. The advice in this post deals with generalities —the best way to introduce most characters most of the time.

At the end of the day, go with what feels right for the character you want to write .

Character description practical exercises.

Here are a number of practical exercises you can do in order to begin writing better screenplay character descriptions.

1. Study great character descriptions.

Take a look at the screenplay character descriptions in these 50 Best Screenplays to Download and Read in Every Genre . Study the first times we’re introduced to any character, not just the protagonist.

Ask yourself questions like:

• Why has the writer chosen to introduce the character this way?

• Why are they doing what they’re doing?

• Are they actively doing something that highlights their current flawed state of mind?

• Or don’t they have an obvious flaw because of the film’s genre?

2. Compare to your own script.

Go through your script and compare your own screenwriting character descriptions. Take a look again at each characters’ introduction, not just the protagonist. Do they stand up to the professional versions?

• Who is this character at this specific moment in time?

• What’s their flaw and how do they obviously need to change?

• Are these things clearly shown through actions rather than told through adjectives?

3. Practice writing character descriptions.

Go back into your script and rewrite any mediocre introductions into great character descriptions.

If you’re not clear on the answers to the questions above, go back in and show them acting in a way that clearly communicates the answers to the reader.

Remember in most cases when writing character descriptions it’s a good idea to display their flaw in action.

• First, it’s just more interesting to be introduced to a character doing something active—preferably something unusual—rather than something we all do every day.

• Second, it gives you an opportunity to show not tell . You can show the reader who the character is as a person rather than simply tell them.

Conclusion.

By working through the character description template you’ll learn how to introduce your protagonist in a more powerful way.

Your script overall will subsequently begin in a more powerful way.

Genre and tone will become clearer and the reader will be able to more easily emotionally connect with the protagonist and therefore the story.

In closing, keep in mind Truman peering into a camera in his apartment at the start of The Truman Show .

This seemingly static and unremarkable image actually reveals who he is at the beginning of the film: completely hoodwinked about the circumstances of his own life.

And this is how the writer chose to show us Truman’s essence in a way that’s as visually and thematically as clear and strong as possible.

We hope you found these character description examples helpful and feel free to leave any questions you may have in the comments section below. How do you approach writing character descriptions? How seriously do you take each one? Let us know in the comments!

Liked this post? Learn more about writing character descriptions and more writing style hacks…

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26 comments.

I am writing my first script, based n my published book. The concept is unique but my characters aren’t. This article has given me insight into how poorly I have introduced my characters, particularly the main one(s). Thank you

That’s great to hear, glad it helped, Carol!

I enjoyed this. My characters tend to start out with a Holy C… moment. Before I started this method I though apperance was more important. Not sure what changed my view, but I’m glad I was listening.

Thanks for the comment, Ron – glad you enjoyed it!

On the off chance that you need to understand what a man resembles, investigate how he treats his inferiors, not his equivalents. Have a visit on my blog on The Value of Developing a Fictional Character I hope this will help.

Thank so much for sharing this information! It’s abig help.

Hey, I’m a passionate screenwriter from Africa, but my question is, what if the antagonists are more than one, do i need to add their characters in detail? Thank you

It can Derick, but in most cases when the writer is challenged by a mentor to justify two main antagonists the result is blending them back into one. Even Star Wars has one main antagonist with supporting antagonists. All the best.

Do character descriptions follow trends? Meaning is there a difference between today and 10 years ago?

Thank you very much for this great article1 🙂 I am not a screenwriter – but still it’s really helpful!

Great, thanks, Philippe!

Is it overdoing it to create a detailed description for even minor characters? or, generally, just stick to the major characters?

Great question. If minor characters have descriptions that are as detailed as major characters then it’s harder to differentiate the two when we first meet them. You’re kind of telling the reader “this is an important character so look out for them” but then they only serve a drink and aren’t seen again in the script.

Thanks and thanks for a great article.

Thank you for sharing i learn a lot about how to write better character descriptions

Thanks for reaching out 🙂

DL STICKLER Aspiring screenwriter with an idea, series bible, and pilot in his Google Drive reading some excellent advice on a website he just found while trying to figure out a way to get his work in front of some eyes that may be able to actually send him a check. His sense of cynicism and extreme frugality may prevent him from ever realizing his dream. Yet with gratitude in his heart, he comments sincerely that this post was exceptional in its value to him.

Keep at it, DL!

THANK SO MUCH for your new clear and concise lecture, supported by so many valuable examples and exercises! Adding a little: Such a description: short, specific, and arresting – three lines for one scene; just a thumb-nail description. Its content: the age, appearance, clothing, profession, activity, a state of mind etc.. Usually, in the USA, we identify people by their names/nick names and professions/working places. The core of character is a serious matter. It is point #3 in LINDA SEGER’s (LS) receipt of creating character as follows: 1. Getting the first idea (observation/experience). 2. Creating the first broad strokes. 3. Finding the core of the character (for consistency!). 4. Finding the paradoxes – read: the famous SRP-theory of flaws! 5. Adding emotions, attitudes, and values. 6. Adding details (for the specific and unique character). Source: LS, “Creating Unforgettable Characters,” Henry Hold & Co., NY 1990, p. 23.

Thanks for this, William – it’ll help our readers even more.

Thanks for the article, admittedly, I struggle with character introduction, but reading this post actually made me realize something, that I oftentimes introduce a character not considering the actual action that is currently taking place. The example you gave for Night Crawler was a real eye opener for me. For example, I had a character that I introduced as: “being both intelligent and powerful, the guy that could out wit you in chess and hand you your ass in the ring”, yet my following action did not show either of these qualities, so I realize that my introduction written like that is just hear-say, which can not be seen, where as the character needs to be visualized and then seen as described. Thanks for the help.

Thanks for the comment, Rachael – glad the post helped. You’re right – you want to always consider if what you’re describing in the description would be better served by showing us that characteristic in action.

Hi, I am a screenwriter as well and sorry but Greg is right: What is #4 really telling us about the protagonist? That she has passionate sex. Not much else. And shooting directions are supposed to be in shooting scripts. Directors will be turned off pretty quick when finding those in a spec script.

We’re simply saying that many aspiring writers introduce their characters in obvious, uninteresting situations unrelated to their flaw – as in the made-up Example #3. In the actual script, in Example #4, the description is doing much more than just showing Annie have passionate sex. As we say in the post, along with her Off-Screen dialogue with Ted, it reveals her flaw, where she’s at in life and a sense of the problem she needs to solve. It also hooks the reader in a much more interesting way than if we’d just opened on her in a restaurant chatting to Lillian. Do you mean “shooting directions are ‘not’ supposed to be in shooting scripts.”? It’s true you maybe shouldn’t overdo them but there’s no rule out there says you “must never” include shooting directions.

I’m afraid I must take exception to your article. First, are we writing a book or a screenplay? In a book, the writer must be very descriptive. In a screenplay, the writer does not have to be descriptive. So how much detail goes into a script? As much detail is necessary. But, the writer must be careful not to over describe and cross into directorial discretion.

Your example of Bridesmaids is terrible. First, most of the example is action, not character description. Second, use of closeups and jump cuts is directorial, not writing. Leave that to the director to decide how he will shoot the scene. Name me one Shakespeare play where he uses “close up”. Name me one book where they use jump cut. The writer is suppose to write the story. Not direct the film. Eventually, the screenplay will be turned into a shooting script; but, that is after a director is attached.

Third, how much detail do you put in to the script? As much detail is needed. Does it matter if the girl is wearing her hair in a pony tail or just pulled back? If the villain grabs the girl her pony tail as she tries to run away then it is important. But, does it matter if she wears a blue dress or a red dress? No, then it does not go into the screenplay. The director may have a color palette in mind. We recently shot a poster using blue – as in blue sky. So calling for the guy to wear a red shirt would not work for the director.

Now the problem is that most readers can not envision a story without lots of color. They need a book like Crazy Rich Asians or Harry Potter to help them visualize. But, what was written in the book is usually far from what makes it to the screen. A good producer or director can read a script and visual the movie without being encumbered with the writers vision.

Of course, most readers don’t have that vision; otherwise, they would be directing.

We’re a screenplay consultancy not a novel consultancy so the post is most definitely about screenplays. Examples #1, #3, and #5 are made-up character description examples by us from made-up spec screenplays. Examples #2, #4, and #6 are the real character descriptions by professional screenwriters.

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How to Write a Character Analysis: Outline, Examples
One of the essential purposes of a character analysis essay is to look at the anatomy of a character in the story and dissect who they are. We must be able to study how the character was shaped and then learn from their life. A good example of a character for a character analysis essay is Daisy Buchanan from 'The Great Gatsby.'.
Writing a Character Analysis Essay
Character analysis essays do not have just one format. However, let me offer some advice that might act as a character analysis essay outline or 'checklist' of possible things you could discuss: 1. Start with the Simple Details. You can start a character analysis by providing a simple, clear description of who your character is.
How to Write a Character Analysis Essay: Examples & Outline
If the source includes three or more authors, use the abbreviation "et al." after the first author's name. Example: (Collins et al., 1997) As for MLA format: You can write the author's name in the sentence. Example: As Collins mentions in his essay<…>.
15 Examples of Character Descriptions by Great Authors
Shug Avery is a great example of a flawed character, complex, believable, and memorable. 10. Raymond Chandler: "Carmen Sternwood" (from "The Big Sleep") In Raymond Chandler's "The Big Sleep", private detective Philip Marlowe has been called to the mansion of General Sternwood.
How to Write a Character Analysis: Tips and Examples from Literature
Introduction: Introduce the character you are writing about using a good hook to get your reader curious. Body: In this section, use a few paragraphs to describe the character's traits, their role, and the transformation they undergo (you could write one paragraph for each of the sections outlined above). Conclusion: Summarize your essay in ...
Character Analysis Essay: Outline, Topics and Writing Tips
A character analysis is a kind of essay where you examine behaviors, motivations, and actions of characters. Also, a character analysis is an in-depth assignment that makes you think critically about one or more characters and make judgements after analyzing the text. In most cases, it is used for the analysis of literary works.
How to Write a Character Analysis Essay: Step-by-Step Guide
4.2 Decide on what character to choose. 4.3 Outline your essay. 4.4 Define the main idea. 4.5 Make notes while reading. 4.6 Compose a list of questions. 5 Character Analysis Essay Example. Writing can be as interesting as communicating. You can provide your thoughts and in-depth analysis of a character you like.
How to Write a Character Analysis Essay With Examples and Tips
Step 2: Setting Up the Stage. The second step in writing a character analysis essay is setting the stage for the actual writing of a text. Here, students engage in several activities, including finding credible sources, making notes, creating an essay outline, and creating an annotated bibliography.
How to Write a Character Analysis Essay in Simple Steps
If you're wondering how to get started writing a character analysis essay, look no further. Follow our simple steps to create an in-depth character analysis! ... Examples of a character study of Romeo from the William Shakespeare classic Romeo and Juliet help illustrate each step. Step One: Choose a Dynamic Character ... Now it's time to have ...
How to Write a Character Analysis Essay: A Comprehensive Guide
Step 1: Choose Your Individual for Analysis. Character evaluation is the first step to a great analysis. The role or persona you choose for your analysis is crucial to its success. Primary characters are sometimes easier to write since they have well-defined personalities, and their motivations may be evident.
How To Write A Character Description (101 Examples)
Margaret Atwood, The Blind Assassin (2000) Another great way to establish a character's presence through description is to tie it to a metaphor. Let's look at an example of Arudhati Roy's The God of Small Things, where we have a character consumed by quietude. Once the quietness arrived, it stayed and spread in Estha.
2 Character Analysis Essay Examples With Character
Character analysis essay example #1: Character Analysis of Anders in Bullet in the Brain, a Book by Tobias Wolff. The first essay is a brief analysis. It focuses on how readers see the character of Anders in the short story "Bullet in the Brain" develops. *Click images below to enlarge. In the above character analysis essay example, I noted ...
PDF Writing Center Tidewater Community College
Guidelines for Writing a Character Analysis Essay. Characters are the essence of a work of fiction. Fictional characters are portrayed through the characters' actions and reactions as well as other characters' actions and reactions to them. You develop a character by telling the reader about that character, what he is doing or thinking.
11 Secrets to Writing an Effective Character Description
4. Select physical details carefully, choosing only those that create the strongest, most revealing impression. One well-chosen physical trait, item of clothing, or idiosyncratic mannerism can reveal character more effectively than a dozen random images. This applies to characters in nonfiction as well as fiction.
How to Write Amazing Character Descriptions (with Examples)
1. Start With a List. This is where the character profile comes in handy. Not only does it keep you on track (there's nothing worse than realizing you switched a character's eye color halfway through a book) but it also allows you to keep a picture of your character fresh in your mind's eye. So keep a list handy.
Character Descriptions: How To Write Them (in 3 Steps)
1. Choose your words carefully. When writing character descriptions, it's easy to get ahead of yourself. After all, this is the first time you're introducing a character you've created from the ground up. But just because you know everything about them, doesn't mean the reader needs to.
How to Write a Descriptive Essay
An example of a short descriptive essay, written in response to the prompt "Describe a place you love to spend time in," is shown below. Hover over different parts of the text to see how a descriptive essay works. Descriptive essay example. On Sunday afternoons I like to spend my time in the garden behind my house.
Characterization
Characterization is the representation of the traits, motives, and psychology of a character in a narrative. Characterization may occur through direct description, in which the character's qualities are described by a narrator, another character, or by the character him or herself. It may also occur indirectly, in which the character's ...
Essays About Character: Top 5 Examples And 9 Prompts
1. How 5 CEOs Hire For Character by Chris Fields. "You have to be a good person with a good heart. Of course, you have to be qualified, educated and skilled, that goes without saying - or it should - but your next candidate can't be a bad person because CEOs are looking for character.".
PDF Sample Character Descriptions
Sample Character Descriptions From Harry Potter and the Sorcerer's Stone by J. K. Rowling (Scholastic, 1998) • He was a big, beefy man with hardly any neck, although he did have a very large mustache. Mrs. Dursley was thin and blonde and had nearly twice the usual amount of neck, which
Character Description Examples: How to Hook the Reader
Amateur character description example #1. Like many character description examples from spec screenplays, this one's perfectly serviceable. It puts an image in our mind of a young guy who's probably single. He's engaged in an action of sorts—eating a TV dinner—and the car's arrival adds some interest to the scene.
Master List of Physical Description for Writers
Eyes - General. For all the words about describing facial features, I'm focusing more on physical descriptions rather than emotional expressions, though there's a little crossover! You can also check out my long list of facial expressions. close-set. glittering. rheumy. red-rimmed.
The Gigantic List of Character Descriptions (70+ examples)
23. Joseph Conrad, Heart of Darkness. "He was commonplace in complexion, in feature, in manners, and in voice. He was of middle size and of ordinary build. His eyes, of the usual blue, were perhaps remarkably cold, and he certainly could make his glance fall on one as trenchant and heavy as an axe….
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Mission. The Purdue On-Campus Writing Lab and Purdue Online Writing Lab assist clients in their development as writers—no matter what their skill level—with on-campus consultations, online participation, and community engagement. The Purdue Writing Lab serves the Purdue, West Lafayette, campus and coordinates with local literacy initiatives.

How to Write a Character Analysis Essay

What Is a Character Analysis Essay?

What Is the Purpose of a Character Analysis Essay

Still Need Help with Your Character Analysis Essay?

How to Analyze a Character

How to Write a Character Analysis Essay?

How Do You Start a Character Analysis Essay

Read the Story

Choose a Dynamic Character

Choose a Main Idea

Character Analysis Questions

Make a Character Analysis Essay Outline

Character Analysis Essay Introduction:

Character Analysis Essay Body:

Character Analysis Essay Conclusion:

Character Analysis Essay Example

STRUGGLE with Writing an Essay?

How To Write A Character Analysis Essay?

Writing a Character Analysis Essay | Step-by-Step Guide

1. What is a Character Analysis Essay?

2. What is the best Character Analysis Essay Format?

1. Start with the Simple Details.

2. What are the character’s distinctive personality features?

3. What are the character’s key relationships?

4. What are the character’s motivations?

5. What are the character’s key conflicts?

6. What are the character’s epiphanies?

7. Examine the moral message the character teaches us.

3. Here’s 13 Example Character Analysis Essay Ideas.

4. Here’s an Example Template for your own Character Analysis Essay

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How to Write a Character Analysis Essay: Examples & Outline

📑 Character Analysis Essay Examples

Character: Definition (Literature)

Characterization: Literary Definition & Examples

🧙 Types of Characters for Your Essay

Character Type: Definition

Main Character: Definition & Examples

What’s a Static Character?

Complex Character: Definition & Examples

Other Kinds of Characters

Characterization Essay: Which Character Type to Choose

📝 How to Write a Character Analysis Step by Step

How to Analyze a Character: Description Examples

Character Profile Template for Writing

Character Analysis Outline: How to Start a Character Analysis

Character Analysis Thesis Statement & Examples

How to Write Character Analysis Paragraphs for the Main Body

Character Analysis Conclusion: How to Write

🖥️ Character Analysis Essay Format

Character Analysis Example (Downloadable)

Character Analysis Essay Topics

❓ Character Analysis FAQ

How to Write a Character Analysis Essay?

What is a Character Analysis?

Aim of a Character Analysis

General Types of Characters

How Do You Start a Character Analysis Essay?

Main Points of a Character Analysis

Personality

Role in a story

Character development

Character Analysis Outline

Do you need a more detailed analysis of your character?

Descriptions

Character Analysis Examples

Popular Topics for Character Analysis

Tips on Writing a Character Analysis from Handmadewriting Experts

A life lesson in Romeo and Juliet taught by death

Ethical Research Paper Topics

Art Research Paper Topics

How to Write a Character Analysis Essay: Step-by-Step Guide

What Is a Character Analysis Essay?

Common Types of Characters in Your Essay

Protagonist

Character Analysis Essay Format

Introduction

How to Write a Character Analysis Essay?

Read up on the story

Decide on what character to choose