best biographies 2023 guardian

Best memoirs and biographies to read in 2024

Dive into some of the most compelling life stories – from Britney Spears to Keir Starmer

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Byron: A Life in Ten Letters by Andrew Stauffer

Keir starmer: the biography by tom baldwin, hardy women by paula byrne, the woman in me by britney spears, marcia williams by linda mcdougall, lou reed: the king of new york by will hermes, dinner with joseph johnson by daisy hay, original sins by matt rowland hill.

"Mad, bad and dangerous to know" was how Lady Caroline Lamb famously characterised Lord Byron. It's a fair description, in many ways, said John Banville in The Guardian . But George Gordon, the 6th Baron Byron, "must also have been, at the simplest level, wonderful company". He didn't take himself too seriously, and his lust for life was immense: "I shall not live long," he wrote to his publisher John Murray in 1819, "& for that reason I must live while I can." In Byron: A Life in Ten Letters, Andrew Stauffer uses Bryon's "vivid and hugely entertaining letters" as a series of entry points into his tempestuous life. Each chapter begins with an extract from a letter; Stauffer then discusses the context that inspired it. It is an impressively "rounded portrait, venereal scars and all, of one of the prime movers of the Romantic movement".

Stauffer concedes that his approach is not particularly original, said D.J. Taylor in The Wall Street Journal : fragmented biographies are in vogue. "But there is something about Byron's headlong scamper about the world of his day that lends itself to this miniaturist treatment". We first see him as a Cambridge undergraduate, "planning endless bachelor parties"; then en route to Greece in 1810, where he swims the Hellespont with his friend Lt William Ekenhead; and later writing ghost stories on Lake Geneva with Percy and Mary Shelley. "The letters are practically Messianic in their intensity, aflame with relish for the incidental scenery or the women Byron is pursuing." It's a wonder, given the pace at which he lived his 36 years, that Byron had any time for serious writing.

The poet depicted in these pages often emerges as a "cold-hearted shit", said John Walsh in The Sunday Times . During his short-lived marriage to Annabella Milbanke – a "brilliant mathematician with a strong moral centre" – he installed his half-sister Augusta Leigh at their Piccadilly home, and "made the women compete with each other in caressing him". The night his wife gave birth, he "sat in the empty drawing room below, throwing empty bottles at the ceiling". In time, polite opinion turned against him, and he left England, never to return. Stauffer sometimes brings an incongruously "21st century perspective to 19th century behaviour": he describes Byron as a "sex tourist in Italy", and talks of Shelley's bisexual experiences as "polyamory". But no matter. This is a "devilishly readable book", which brings Regency England to "howling life", and its "disgraceful but irresistible subject into dazzling focus".

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CUP 300pp; £25 (£19.99)  

Although Keir Starmer is almost certain to be our next prime minister, he remains an "oddly elusive" figure, said Gaby Hinsliff in The Guardian . People often complain that they don't really know what he stands for, and he talks about personal matters somewhat stiffly, as if holding something back. All this makes a book such as Keir Starmer: The Biography feel long overdue. Tom Baldwin is a former journalist who worked for five years as a Labour spin doctor; he was originally recruited to ghostwrite Starmer's own memoir, but Starmer backed out of the project last year, agreeing instead to cooperate on this biography. The result, while not exactly revelatory – Baldwin warns that his pages won't be "spattered with blood" – does a job that "very precisely mirrors its subject": it is careful, nuanced and eminently capable. "It is, in short, as intimate an insight into Britain's likely next prime minister as readers are probably going to get." 

The most interesting chapters concern Starmer's "difficult early life", said Robert Shrimsley in the FT . Starmer grew up in a cramped semi in Surrey with a "seriously ill mother", Jo (she had Still's disease); a "cold, difficult" father, Rodney (a toolmaker); and three siblings (one of whom, Nick, has learning difficulties). Television was banned in the Starmer household, the "radio played only Beethoven or Shostakovich", and Rodney "barracked and bullied" visiting schoolfriends, said Patrick Maguire in The Times . Although Starmer was the only one of the siblings to go to grammar school and university, and then became a leading barrister, his dad never once told him he made him proud. Only after his death in 2018 did Starmer find out this wasn't "the full story": hidden in his father's wardrobe was a "scrapbook of every newspaper story about his son".

Many politicians pose as regular people, but Starmer emerges from this as someone who really is quite ordinary, said Matthew d'Ancona in the Evening Standard . He is happiest spending time with his family, or organising weekend eight-a-side football games. As his deputy, Angela Rayner, puts it: he is "the least political person I know in politics". The "one nagging question" is how much Baldwin's political sympathies have coloured his portrait, said Ben Riley-Smith in The Daily Telegraph . Had he discovered "less laudable aspects of Sir Keir's story", would he have "forensically interrogated" them? This may not, then, quite be a definitive biography – but it is engaging and "skilfully done".

The fame of the novelist and poet Thomas Hardy rested largely on the heroines he created, said Norma Clarke in Literary Review. With the likes of Tess Durbeyfield (Tess of the d'Urbervilles) and Sue Bridehead (Jude the Obscure), he displayed, as one young reader wrote to him, a "complete understanding of a woman's soul". But as Paula Byrne shows in this fascinating book, the women Hardy knew in real life were less fortunate. Byrne doggedly details them all, from Hardy's "strong-minded" mother, Jemima, to the "pretty girls" who "turned his head" in his youth, to his wives, Emma Gifford and Florence Dugdale (pictured, with Hardy). Hardy's women, she concludes, "paid a large price" for the "magnificent fictional women he invented". "In a sign of trouble to come, young Hardy fell in love violently and often," said Susie Goldsbrough in The Times . His first serious entanglement, says Byrne, "was with a Dorset maidservant called Eliza Nicholls, whom he dumped for her young sister". 

In his mid-30s, Hardy married Emma, a solicitor's daughter. Although initially happy, the marriage soured as "Emma gained weight" and became increasingly eccentric. By the time of her death, aged 72, in 1912, she was living in the attic of their Dorset home – and the much younger Florence was living with them, having been employed as Hardy's typist. After Hardy married Florence in 1914, she had to put up with him "enthusiastically mourning the wife he had spent years complaining about" – and who now became the subject of an "astonishing" series of love poems. Although Byrne is sometimes hampered by a lack of evidence (Hardy destroyed most of Emma's letters, together with the journal she wrote about him), this is still an "absorbing" portrait of the women who suffered for Hardy's art.

William Collins 656pp; £25 ( £19.99 )

In January 2008 – 11 months after the notorious occasion when she shaved off her own hair in a Los Angeles salon – Britney Spears was asked by her parents to meet them at their beach house, said Anna Leszkiewicz in The New Statesman . "There she was ambushed by police and taken to hospital against her will." A month later, the state of California placed the pop star under a "conservatorship" – a legal arrangement giving her father, Jamie, full control of her finances and personal life. For the next 13 years, Spears was "told what to eat, what medication to take, when she could see her children", even when she could and couldn't use the lavatory. Meanwhile, her father "paid himself a $6m salary" from the proceeds of her endless concerts and recordings. It's no surprise, in the circumstances, that Spears's memoir reads "like a dark fairy tale". Powerful and compellingly candid, it tells of how a "young girl, both adored and vilified for her beauty, talent and fame", was effectively "imprisoned" by her jealous and avaricious family.

The truth, of course, is that Spears had always been controlled and infantilised, said Neil McCormick in The Daily Telegraph . She became a "people-pleasing child performer" at a young age, supporting her family by appearing in theatrical musicals. Aged 16, male music executives moulded her into "America's teen pop princess" – and soon she was being taken advantage of by "narcissistic self-serving boyfriends", and "hounded by paparazzi". When she rebelled against her "powerlessness", her sanity was called into question – a process she "specifically likens to a witch trial". Her memoir, written without self-pity, is gripping and "forensically convincing". Finally, we know what it feels like to be the "madwoman in the attic of pop".

Gallery 288pp £25, ( £19.99 )

"Imagine a story of sex, drugs and secrets inside Downing Street. A story of a political wife accused of meddling, and a resignation honours list mired in scandal," said Gaby Hinsliff in The Guardian . But no, it's not the one you're imagining: this biography by Linda McDougall tells the "irresistible tale" of Marcia Williams, political secretary and "office wife" to Labour PM Harold Wilson. Baroness Falkender, as she became in 1974, was one of the most controversial and vilified political figures of the 1960s and 1970s. According to many, she was a "hysterical tyrant" with a "dark hold" over Wilson. McDougall offers a more nuanced portrait. Without ignoring Williams's flaws, she outlines the strains she must have been under, as a high-achieving woman with a troubled personal life living in rampantly sexist times. Her Williams, while "no heroine", is "fascinating". 

Williams, the daughter of a Northamptonshire builder, first met Wilson in the mid-1950s, when she became a secretary at Labour HQ, said Frances Wilson in The Daily Telegraph . She began sending the then-shadow chancellor anonymous letters, alerting him to machinations within the party. She soon became Wilson's private secretary – at which point, McDougall admits, they probably had a brief affair. (She later allegedly told Wilson's wife, Mary: "I went to bed with your husband six times in 1956 and it wasn't satisfactory.") In 1964, when Wilson became PM, he appointed Williams his political secretary, a newly created role that made her one of Britain's first unelected political advisers. She stayed in it when Wilson lost power in 1970, and went with him back to Downing Street when he regained it in 1974.

It was then that Private Eye revealed that "Lady Forkbender" had a shocking secret, said Anne de Courcy in The Spectator . In 1968 and 1969, Williams had given birth to two children – the result of an affair with political journalist Walter Terry. The births had been hushed up; Williams concealed her pregnancies by wearing a baggy coat at work. Amid a public outcry, McDougall suggests, Williams resorted to taking amphetamine pills and Valium, "prescribed by Wilson's doctor", which contributed to the "hysterical outbursts" for which she became known. Further scandal followed in 1976, when it was revealed that Williams had hand-written Wilson's controversial resignation honours list (dubbed the "Lavender List") on a sheet of lilac paper. McDougall's sympathetic book is a "gripping" portrait both of an "extraordinary woman", and of the "emotional dynamics of Downing Street".

Biteback 304pp; £25 ( £19.99 )

Lou Reed, the lead vocalist of the Velvet Underground, who died in 2013, already has a longish shelf of biographies. This one is the first to make use of his personal archive, "and it shows", said David Keenan in Literary Review . "It feels more like a coolly researched biography than one written by a passionate fan." What's more, Will Hermes tries to repackage the "violently aggressive, drug-huffing", gender-bending, "sexually unhinged" rock star to make him acceptable to the modern world: Reed and his circle were "nonbinary", Hermes informs us; he suggests that Reed was a troubled person who tried to become "someone good" (as he wrote in one of his best-loved songs, Perfect Day), not the sociopath that his behaviour suggested. The result is an "awkward love letter to the 20th century", but "the perfect biography of Lou Reed for 2023": a defensive depiction of a man whose stock in trade was "all that was difficult and dark and destructive in what it is to be human".

It's "the only Lou Reed bio you need to read", said Stephen Metcalf in The Washington Post . It's really two biographies: one of Lewis Allan Reed, the sensitive, middle-class, midcentury music fan; and one of the louche, sardonic, drug-addled persona he invented and inhabited. From Reed's early days with Andy Warhol to his  breakthrough as a solo star, with a little help from David Bowie, it's all there, written up with a judicious blend of "love and scepticism". Hermes doesn't conceal the evidence that Reed became a pampered celeb who could be as obnoxious to waiters as he was to journalists. But he's good on Reed's "musically confrontational" yet "unabashedly romantic" songwriting. The book gets the balance between the person and the poseur "exactly right".

Viking 560pp £25; (£19.99)

The radical publisher Joseph Johnson was a "key figure" in late 18th century London, said the FT . Many of the great minds of the age – Mary Wollstonecraft, Thomas Paine, William Blake – attended his weekly salons. A biography of Johnson has long been overdue – and this one is "meticulous". It’s altogether a "delightful book", said The Times – one that gives its readers the "feeling of being at a rather elevated party".

Vintage £10.99; (£8.99)

This "devastatingly good" memoir recounts how its author "swapped a love of Jesus for a love of Class-A drugs", said The Daily Telegraph . Following his strict evangelical upbringing in Swansea, Hill won a scholarship to Harrow and then went to Oxford – where he became addicted to heroin. The themes of this book are not exactly original, said The Guardian . But it proves "propulsive" and "brilliant" – thanks to Hill's black humour and his "lacerating candour".

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The best biographies to read in 2023.

• Nik Rawlinson

Discover what inspired some of history’s most familiar names with these comprehensive biographies

The best biographies can be inspirational, can provide important life lessons – and can warn us off a dangerous path. They’re also a great way to learn more about important figures in history, politics, business and entertainment. That’s because the best biographies not only reveal what a person did with their life, but what effect it had and, perhaps most importantly, what inspired them to act as they did.

Where both a biography and an autobiography exist, you might be tempted to plump for the latter, assuming you’d get a more accurate and in-depth telling of the subject’s life story. While that may be true, it isn’t always the case. It’s human nature to be vain, and who could blame a celebrity or politician if they covered up their embarrassments and failures when committing their lives to paper? A biographer, so long as they have the proof to back up their claims, may have less incentive to spare their subject’s blushes, and thus produce a more honest account – warts and all.

That said, we’ve steered clear of the sensational in selecting the best biographies for you. Rather, we’ve focused on authoritative accounts of notable names, in each case written some time after their death, when a measured, sober assessment of their actions and impact can be given.

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Best biographies: At a glance

• Best literary biography: Agatha Christie: A Very Elusive Woman by Lucy Worsley | £20
• Best showbiz biography: Let’s Do It: The Authorised Biography of Victoria Wood | £6.78
• Best political biography: Hitler by Ian Kershaw | £14

How to choose the best biography for you

There are so many biographies to choose from that it can be difficult knowing which to choose. This is especially true when there are several competing titles focused on the same subject. Try asking yourself these questions.

Is the author qualified?

Wikipedia contains potted biographies of every notable figure you could ever want to read about. So, if you’re going to spend several hours with a novel-sized profile it must go beyond the basics – and you want to be sure that the author knows what they’re talking about.

That doesn’t mean they need to have been personally acquainted with the subject, as Jasper Rees was with Victoria Wood. Ian Kershaw never met Adolf Hitler (he was, after all, just two years old when Hitler killed himself), but he published his first works on the subject in the late 1980s, has advised on BBC documentaries about the Second World War, and is an acknowledged expert on the Nazi era. It’s no surprise, then, that his biography of the dictator is extensive, comprehensive and acclaimed.

Is there anything new to say?

What inspires someone to write a biography – particularly of someone whose life has already been documented? Sometimes it can be the discovery of new facts, perhaps through the uncovering of previously lost material or the release of papers that had been suppressed on the grounds of national security. But equally, it may be because times have changed so much that the context of previous biographies is no longer relevant. Attitudes, in particular, evolve with time, and what might have been considered appropriate behaviour in the 1950s would today seem discriminatory or shocking. So, an up-to-date biography that places the subject’s actions and motivations within a modern context can make it a worthwhile read, even if you’ve read an earlier work already.

Does it look beyond the subject?

The most comprehensive biographies place their subject in context – and show how that context affected their outlook and actions or is reflected in their work. Lucy Worsley’s new biography of Agatha Christie is a case in point, referencing Christie’s works to show how real life influenced her fiction. Mathew Parker’s Goldeneye does the same for Bond author Ian Fleming – and in doing so, both books enlarge considerably on the biography’s core subject.

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1. Let’s Do It: The Authorised Biography of Victoria Wood by Jasper Rees: Best showbiz biography

Price: £6.78 | Buy now from Amazon

It’s hardly surprising Victoria Wood never got around to writing her own autobiography. Originator of countless sketches, songs, comedy series, films, plays, documentaries and a sitcom, she kept pushing back the mammoth job of chronicling her life until it was too late. Wood’s death in 2016 came as a surprise to many, with the entertainer taking her final bow in private at the end of a battle with cancer she had fought away from the public eye.

In the wake of her death, her estate approached journalist Jasper Rees, who had interviewed her on many occasions, with the idea of writing the story that Wood had not got around to writing herself. With their backing, Rees’ own encounters with Wood, and the comic’s tape-recorded notes to go on, the result is a chunky, in-depth, authoritative account of her life. It seems unlikely that Wood could have written it more accurately – nor more fully – herself.

Looking back, it’s easy to forget that Wood wasn’t a constant feature on British TV screens, that whole years went by when her focus would be on writing or performing on stage, or even that her career had a surprisingly slow start after a lonely childhood in which television was a constant companion. This book reminds us of those facts – and that Wood wasn’t just a talented performer, but a hard worker, too, who put in the hours required to deliver the results.

Let’s Do It, which takes its title from a lyric in one of Wood’s best-known songs, The Ballad of Barry & Freda, is a timely reminder that there are two sides to every famous character: one public and one private. It introduces us to the person behind the personality, and shows how the character behind the characters for which she is best remembered came to be.

Key specs – Length: 592 pages; Publisher: Trapeze; ISBN: 978-1409184119

Let's Do It: The Authorised Biography of Victoria Wood

2. the chief: the life of lord northcliffe, britain’s greatest press baron by andrew roberts: best business biography.

Lord Northcliffe wasn’t afraid of taking risks – many of which paid off handsomely. He founded a small paper called Answers to Correspondents, branched out into comics, and bought a handful of newspapers. Then he founded the Daily Mail, and applied what he’d learned in running his smaller papers on a far grander scale. The world of publishing – in Britain and beyond – was never the same again. The Daily Mail was a huge success, which led to the founding of the Daily Mirror, primarily for women, and his acquisition of the Observer, Times and Sunday Times.

By then, Northcliffe controlled almost half of Britain’s daily newspaper circulation. Nobody before him had ever enjoyed such reach – or such influence over the British public – as he did through his titles. This gave him sufficient political clout to sway the direction of government in such fundamental areas as the establishment of the Irish Free State and conscription in the run-up to the First World War. He was appointed to head up Britain’s propaganda operation during the conflict, and in this position he became a target for assassination, with a German warship shelling his home in Broadstairs. Beyond publishing, he was ahead of many contemporaries in understanding the potential of aviation as a force for good, as a result of which he funded several highly valuable prizes for pioneers in the field.

He achieved much in his 57 years, as evidenced by this biography, but suffered both physical and mental ill health towards the end. The empire that he built may have fragmented since his passing, with the Daily Mirror, Observer, Times and Sunday Times having left the group that he founded, but his influence can still be felt. For anyone who wants to understand how and why titles like the Daily Mail became so successful, The Chief is an essential read.

Key specs – Length: 556 pages; Publisher: Simon & Schuster; ISBN: 978-1398508712

The Chief: The Life of Lord Northcliffe Britain's Greatest Press Baron

3. goldeneye by matthew parker: best biography for cinema fans.

The name Goldeneye is synonymous with James Bond. It was the title of both a film and a video game, a fictional super weapon, a real-life Second World War plan devised by author Ian Fleming, and the name of the Jamaican estate where he wrote one Bond book every year between 1952 and his death in 1964. The Bond film makers acknowledged this in 2021’s No Time To Die, making that estate the home to which James Bond retired, just as his creator had done at the end of the war, 75 years earlier.

Fleming had often talked of his plan to write the spy novel to end all spy novels once the conflict was over, and it’s at Goldeneye that he fulfilled that ambition. Unsurprisingly, many of his experiences there found their way into his prose and the subsequent films, making this biography as much a history of Bond itself as it is a focused retelling of Fleming’s life in Jamaica. It’s here, we learn, that Fleming first drinks a Vesper at a neighbour’s house. Vesper later became a character in Casino Royale and, in the story, Bond devises a drink to fit the name. Fleming frequently ate Ackee fish while in residence; the phonetically identical Aki was an important character in You Only Live Twice.

Parker finds more subtle references, too, observing that anyone who kills a bird or owl in any of the Bond stories suffers the spy’s wrath. This could easily be overlooked, but it’s notable, and logical: Fleming had a love of birds, and Bond himself was named after the ornithologist James Bond, whose book was on Fleming’s shelves at Goldeneye.

So this is as much the biography of a famous fictional character as it is of an author, and of the house that he occupied for several weeks every year. So much of Fleming’s life at Goldeneye influenced his work that this is an essential read for any Bond fan – even if you’ve already read widely on the subject and consider yourself an aficionado. Parker’s approach is unusual, but hugely successful, and the result is an authoritative, wide-ranging biography about one of this country’s best-known authors, his central character, an iconic location and a country in the run-up to – and immediately following – its independence from Britain.

Key specs – Length: 416 pages; Publisher: Windmill Books; ISBN: 978-0099591740

Goldeneye: Where Bond was Born: Ian Fleming's Jamaica

4. hitler by ian kershaw: best political biography.

The latter portion of Adolf Hitler’s life, from his coming to power in 1933 to his suicide in 1945, is minutely documented, and known to a greater or lesser degree by anyone who has passed through secondary education. But what of his earlier years? How did this overlooked art student become one of the most powerful and destructive humans ever to have existed? What were his influences? What was he like?

Kershaw has the answers. This door stopper, which runs to more than 1,000 pages, is an abridged compilation of two earlier works: Hitler 1889 – 1936: Hubris, and Hitler 1936 – 1946: Nemesis. Yet, abridged though it may be, it remains extraordinarily detailed, and the research shines through. Kershaw spends no time warming his engines: Hitler is born by page three, to a social-climbing father who had changed the family name to something less rustic than it had been. As Kershaw points out, “Adolf can be believed when he said that nothing his father had done pleased him so much as to drop the coarsely rustic name of Schicklgruber. ‘Heil Schicklgruber’ would have sounded an unlikely salutation to a national hero.”

There’s no skimping on context, either, with each chapter given space to explore the political, economic and social influences on Hitler’s development and eventual emergence as leader. Kershaw pinpoints 1924 as the year that “can be seen as the time when, like a phoenix arising from the ashes, Hitler could begin his emergence from the ruins of the broken and fragmented volkisch movement to become eventually the absolute leader with total mastery over a reformed, organisationally far stronger, and internally more cohesive Nazi Party”. For much of 1924, Hitler was in jail, working on Mein Kampf and, by the point of his release, the movement to which he had attached himself had been marginalised. Few could have believed that it – and he – would rise again and take over first Germany, then much of Europe. Here, you’ll find out how it happened.

If you’re looking for an authoritative, in-depth biography of one of the most significant figures in modern world history, this is it. Don’t be put off by its length: it’s highly readable, and also available as an audiobook which, although it runs to 44 hours, can be sped up to trim the overall running time.

Key specs – Length: 1,072 pages; Publisher: Penguin; ISBN: 978-0141035888

5. Stalin’s Architect: Power and Survival in Moscow by Deyan Sudjic: Best historical biography

Boris Iofan died in 1976, but his influence can still be felt today – in particular, through the architectural influences evident in many mid-century buildings across Eastern Europe. Born in Odessa in 1891, he trained in architecture and, upon returning to Russia after time spent in Western Europe, gained notoriety for designing the House on the Embankment, a monumental block-wide building containing more than 500 flats, plus the shops and other facilities required to service them.

“Iofan’s early success was based on a sought-after combination of characteristics: he was a member of the Communist Party who was also an accomplished architect capable of winning international attention,” writes biographer Deyan Sudjic. “He occupied a unique position as a bridge between the pre-revolutionary academicians… and the constructivist radicals whom the party saw as bringing much-needed international attention and prestige but never entirely trusted. His biggest role was to give the party leadership a sense of what Soviet architecture could be – not in a theoretical sense or as a drawing, which they would be unlikely to understand, but as a range of built options that they could actually see.”

Having established himself, much of the rest of his life was spent working on his designs for the Palace of the Soviets, which became grander and less practical with every iteration. This wasn’t entirely Iofan’s fault. He had become a favourite of the party elite, and of Stalin himself, who added to the size and ambition of the intended building over the years. Eventually, the statue of Lenin that was destined to stand atop its central tower would have been over 300ft tall, and would have had an outstretched index finger 14ft long. There was a risk that this would freeze in the winter, and the icicles that dropped from it would have been a significant danger to those going into and out of the building below it.

Although construction work began, the Palace of the Soviets was never completed. Many of Iofan’s other buildings remain, though, and his pavilions for the World Expos in Paris and New York are well documented – in this book as well as elsewhere. Lavishly illustrated, it recounts Iofan’s life and examines his work in various stages, from rough outline, through technical drawing, to photographs of completed buildings – where they exist.

Key specs – Length: 320 pages; Publisher: Thames and Hudson; ISBN: 978-0500343555

Stalin's Architect: Power and Survival in Moscow

6. agatha christie: a very elusive woman by lucy worsley: best literary biography.

Agatha Christie died in 1976 but, with more than 70 novels and 150 short stories to her name, she remains one of the best-selling authors of all time. A new biography from historian Lucy Worsley is therefore undoubtedly of interest. It’s comprehensive and highly readable – and opinionated – with short chapters that make it easy to dip into and out of on a break.

Worsley resists the temptation to skip straight to the books. Poirot doesn’t appear until chapter 11 with publication of The Mysterious Affair at Styles, which Christie wrote while working in a Torquay hospital. Today, Poirot is so well known, not only from the books but from depictions in film and television, that it’s easy to overlook how groundbreaking the character was upon his arrival.

As Worsley explains, “by choosing to make Hercule Poirot a foreigner, and a refugee as well, Agatha created the perfect detective for an age when everyone was growing surfeited with soldiers and action heroes. He’s so physically unimpressive that no-one expects Poirot to steal the show. Rather like a stereotypical woman, Poirot cannot rely upon brawn to solve problems, for he has none. He has to use brains instead… There’s even a joke in his name. Hercules, of course, is a muscular classical hero, but Hercule Poirot has a name like himself: diminutive, fussy, camp, and Agatha would show Poirot working in a different way to [Sherlock] Holmes.” Indeed, where Holmes rolls around on the floor picking up cigar ash in his first published case, Poirot, explains Worsley, does not stoop to gather clues: he needs only his little grey cells. Worsley’s approach is thorough and opinionated, and has resulted not only in a biography of Christie herself, but also her greatest creations, which will appeal all the more to the author’s fans.

As with Matthew Parker’s Goldeneye, there’s great insight here into what influenced Christie’s work, and Worsley frequently draws parallels between real life events and episodes, characters or locations in her novels. As a result of her experiences as a medical volunteer during the First World War, for example, during which a rigid hierarchy persisted and the medics behaved shockingly, doctors became the most common culprit in her books; the names of real people found their way into her fiction; and on one occasion Christie assembled what today might be called a focus group to underpin a particular plot point.

Worsley is refreshingly opinionated and, where events in the author’s life take centre stage, doesn’t merely re-state the facts, but investigates Christie’s motivations to draw her own conclusions. This is particularly the case in the chapters examining Christie’s disappearance in 1926, which many previous biographers have portrayed as an attempt to frame her husband for murder. Worsley’s own investigation leads to alternative conclusions, which seem all the more plausible today, when society has a better understanding of – and is more sympathetic towards – the effects of psychological distress.

Key specs – Length: 432 pages; Publisher: Hodder & Stoughton; ISBN: 978-1529303889

Buy now from Waterstones

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The Best Reviewed Memoirs and Biographies of 2022

Featuring buster keaton, jean rhys, bernardine evaristo, kate beaton, and more.

We’ve come to the end of another bountiful literary year, and for all of us review rabbits here at Book Marks, that can mean only one thing: basic math, and lots of it.

Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be calculating and revealing the most critically-acclaimed books of 2022, in the categories of (deep breath): Fiction ; Nonfiction ; Memoir and Biography; Sci-Fi, Fantasy, and Horror; Short Story Collections; Essay Collections; Poetry; Mystery and Crime; Graphic Literature ; and Literature in Translation .

Today’s installment: Memoir and Biography .

Brought to you by Book Marks , Lit Hub’s “Rotten Tomatoes for books.”

1. We Don’t Know Ourselves by Fintan O’Toole (Liveright) 17 Rave • 4 Positive • 1 Mixed • 1 Pan

“One of the many triumphs of Fintan O’Toole’s We Don’t Know Ourselves is that he manages to find a form that accommodates the spectacular changes that have occurred in Ireland over the past six decades, which happens to be his life span … it is not a memoir, nor is it an absolute history, nor is it entirely a personal reflection or a crepuscular credo. It is, in fact, all of these things helixed together: his life, his country, his thoughts, his misgivings, his anger, his pride, his doubt, all of them belonging, eventually, to us … O’Toole, an agile cultural commentator, considers himself to be a representative of the blank slate on which the experiment of change was undertaken, but it’s a tribute to him that he maintains his humility, his sharpness and his enlightened distrust …

O’Toole writes brilliantly and compellingly of the dark times, but he is graceful enough to know that there is humor and light in the cracks. There is a touch of Eduardo Galeano in the way he can settle on a telling phrase … But the real accomplishment of this book is that it achieves a conscious form of history-telling, a personal hybrid that feels distinctly honest and humble at the same time. O’Toole has not invented the form, but he comes close to perfecting it. He embraces the contradictions and the confusion. In the process, he weaves the flag rather than waving it.”

–Colum McCann ( The New York Times Book Review )

2. Thin Places: A Natural History of Healing and Home by Kerri Ní Dochartaigh (Milkweed)

12 Rave • 7 Positive • 2 Mixed

“Assured and affecting … A powerful and bracing memoir … This is a book that will make you see the world differently: it asks you to reconsider the animals and insects we often view as pests – the rat, for example, and the moth. It asks you to look at the sea and the sky and the trees anew; to wonder, when you are somewhere beautiful, whether you might be in a thin place, and what your responsibilities are to your location.It asks you to show compassion for people you think are difficult, to cultivate empathy, to try to understand the trauma that made them the way they are.”

–Lynn Enright ( The Irish Times )

3. Ducks: Two Years in the Oil Sands by Kate Beaton (Drawn & Quarterly)

14 Rave • 4 Positive

“It could hardly be more different in tone from [Beaton’s] popular larky strip Hark! A Vagrant … Yes, it’s funny at moments; Beaton’s low-key wryness is present and correct, and her drawings of people are as charming and as expressive as ever. But its mood overall is deeply melancholic. Her story, which runs to more than 400 pages, encompasses not only such thorny matters as social class and environmental destruction; it may be the best book I have ever read about sexual harassment …

There are some gorgeous drawings in Ducks of the snow and the starry sky at night. But the human terrain, in her hands, is never only black and white … And it’s this that gives her story not only its richness and depth, but also its astonishing grace. Life is complex, she tell us, quietly, and we are all in it together; each one of us is only trying to survive. What a difficult, gorgeous and abidingly humane book. It really does deserve to win all the prizes.”

–Rachel Cooke ( The Guardian )

4. Stay True by Hua Hsu (Doubleday)

14 Rave • 3 Positive

“… quietly wrenching … To say that this book is about grief or coming-of-age doesn’t quite do it justice; nor is it mainly about being Asian American, even though there are glimmers of that too. Hsu captures the past by conveying both its mood and specificity … This is a memoir that gathers power through accretion—all those moments and gestures that constitute experience, the bits and pieces that coalesce into a life … Hsu is a subtle writer, not a showy one; the joy of Stay True sneaks up on you, and the wry jokes are threaded seamlessly throughout.”

–Jennifer Szalai ( The New York Times )

5.  Manifesto: On Never Giving Up by Bernardine Evaristo (Grove)

13 Rave • 4 Positive

“Part coming-of-age story and part how-to manual, the book is, above all, one of the most down-to-earth and least self-aggrandizing works of self-reflection you could hope to read. Evaristo’s guilelessness is refreshing, even unsettling … With ribald humour and admirable candour, Evaristo takes us on a tour of her sexual history … Characterized by the resilience of its author, it is replete with stories about the communities and connections Evaristo has cultivated over forty years … Invigoratingly disruptive as an artist, Evaristo is a bridge-builder as a human being.”

–Emily Bernard ( The Times Literary Supplement )

1. Super-Infinite: The Transformations of John Donne by Katherine Rundell (Farrar, Straus and Giroux)

14 Rave • 4 Positive • 1 Mixed

“Rundell is right that Donne…must never be forgotten, and she is the ideal person to evangelise him for our age. She shares his linguistic dexterity, his pleasure in what TS Eliot called ‘felt thought’, his ability to bestow physicality on the abstract … It’s a biography filled with gaps and Rundell brings a zest for imaginative speculation to these. We know so little about Donne’s wife, but Rundell brings her alive as never before … Rundell confronts the difficult issue of Donne’s misogyny head-on … This is a determinedly deft book, and I would have liked it to billow a little more, making room for more extensive readings of the poems and larger arguments about the Renaissance. But if there is an overarching argument, then it’s about Donne as an ‘infinity merchant’ … To read Donne is to grapple with a vision of the eternal that is startlingly reinvented in the here and now, and Rundell captures this vision alive in all its power, eloquence and strangeness”

–Laura Feigel ( The Guardian )

2. The Escape Artist: The Man Who Broke Out of Auschwitz to Warn the World by Jonathan Freedland (Harper)

12 Rave • 3 Positive

“Compelling … We know about Auschwitz. We know what happened there. But Freedland, with his strong, clear prose and vivid details, makes us feel it, and the first half of this book is not an easy read. The chillingly efficient mass murder of thousands of people is harrowing enough, but Freedland tells us stories of individual evils as well that are almost harder to take … His matter-of-fact tone makes it bearable for us to continue to read … The Escape Artist is riveting history, eloquently written and scrupulously researched. Rosenberg’s brilliance, courage and fortitude are nothing short of amazing.”

–Laurie Hertzel ( The Star Tribune )

3. I Used to Live Here Once: The Haunted Life of Jean Rhys by Miranda Seymour (W. W. Norton & Company)

11 Rave • 4 Positive • 1 Pan

“…illuminating and meticulously researched … paints a deft portrait of a flawed, complex, yet endlessly fascinating woman who, though repeatedly bowed, refused to be broken … Following dismal reviews of her fourth novel, Rhys drifted into obscurity. Ms. Seymour’s book could have lost momentum here. Instead, it compellingly charts turbulent, drink-fueled years of wild moods and reckless acts before building to a cathartic climax with Rhys’s rescue, renewed lease on life and late-career triumph … is at its most powerful when Ms. Seymour, clear-eyed but also with empathy, elaborates on Rhys’s woes …

Ms. Seymour is less convincing with her bold claim that Rhys was ‘perhaps the finest English woman novelist of the twentieth century.’ However, she does expertly demonstrate that Rhys led a challenging yet remarkable life and that her slim but substantial novels about beleaguered women were ahead of their time … This insightful biography brilliantly shows how her many battles were lost and won.”

–Malcolm Forbes ( The Wall Street Journal )

4. The Facemaker: A Visionary Surgeon’s Battle to Mend the Disfigured Soldiers of World War I by Lindsey Fitzharris (Farrar, Straus and Giroux)

9 Rave • 5 Positive • 1 Mixed

“Grisly yet inspiring … Fitzharris depicts her hero as irrepressibly dedicated and unfailingly likable. The suspense of her narrative comes not from any interpersonal drama but from the formidable challenges posed by the physical world … The Facemaker is mostly a story of medical progress and extraordinary achievement, but as Gillies himself well knew—grappling daily with the unbearable suffering that people willingly inflicted on one another—failure was never far behind.”

5. Buster Keaton: A Filmmaker’s Life by James Curtis (Knopf)

8 Rave • 6 Positive • 1 Mixed

“Keaton fans have often complained that nearly all biographies of him suffer from a questionable slant or a cursory treatment of key events. With Buster Keaton: A Filmmaker’s Life —at more than 800 pages dense with research and facts—Mr. Curtis rectifies that situation, and how. He digs deep into Keaton’s process and shows how something like the brilliant two-reeler Cops went from a storyline conceived from necessity—construction on the movie lot encouraged shooting outdoors—to a masterpiece … This will doubtless be the primary reference on Keaton’s life for a long time to come … the worse Keaton’s life gets, the more engrossing Mr. Curtis’s book becomes.”

–Farran Smith Nehme ( The Wall Street Journal )

Our System:

RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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Meet the 10 best new novelists for 2023

Our annual pick of the best debut authors has previously included Sally Rooney and Douglas Stuart. Here we talk to this year’s hottest prospects

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For the 10th year running, here’s the Observer New Review ’s annual pick of debut novels we reckon you won’t want to miss. No one could accuse us of failing to read the runes last time out , when our selection included Bonnie Garmus’s gazillion-selling Lessons in Chemistry , Louise Kennedy’s Trespasses – the title most frequently cited as the best book of 2022, according to industry magazine The Bookseller – and Sheena Patel’s I’m a Fan , another favourite, proclaimed “book of the summer” by the Evening Standard and “the summer’s slow-burning must-read” by the Sunday Times . Far be it from us to say you saw it here first. Patel, who signed with the tiny indie press Rough Trade Books when “no one else was listening”, now says: “I was coming from so far outside the publishing world; the industry felt very remote and extremely closed. No one knew about I’m a Fan , which was basically DIY; that list, which everyone pays attention to, legitimised a book that didn’t have the machine behind it.” That’s one job of lists like this, and it’s part of why we spend every autumn hawk-eyed over publishing schedules and trade announcements, buried in bind-up copies and PDFs in our quest for literary gold. But the only thing that ever counts is what is on the page: outsider or insider, if we think you’re bringing out a great first novel (and you’re in the UK or Ireland), a place on the list is yours. The class of 2023 includes a writer on an Emmy-winning Netflix show and a book publicist with a 20-year career at the heart of the trade. We’ve ushered nearly 80 authors into the spotlight since 2014, from Sally Rooney to Douglas Stuart – one of only 20 men ever to have made the cut, incidentally. (We’ve got five more men this year – for anyone wondering “where are the new male hotshot novelists?”, as one newspaper asked a couple of years ago, you can call off the search.) In 2017 we questioned the scarcity of eligible black and minority ethnic writers; that’s changed, yet you may still wish to consider – as one of our current picks does – whether class limits opportunity (it would hardly be a shock if it did, given a recent Glasgow University study found that median author income has sunk to £7,000 ). But while arguments can and should rage, let’s toast the craft and graft of another 10 outstanding new writers whose subjects and styles are as diverse as their paths into print, which happen to involve Stormzy in one case and the renowned London Review of Books editor Mary-Kay Wilmers in another. From the turmoil of same-sex desire in Victorian England to the funny side of getting divorced in your 20s; from the trials of manhood in recession-hit Belfast to a genre-bending coming-of-age saga from Nigeria by way of Norwich: all are among the sundry riches to be found here. Whether historical or autobiographical, intimate or epic, comic or tragic or all of the above – not least in the case of one frankly uncategorisable novel about nothing less than the end of the world – here’s to yet another year of excellent reading. Anthony Cummins

Stephen Buoro

The Five Sorrowful Mysteries of Andy Africa (Bloomsbury, 13 April)

We are going through a very difficult time in Nigerian history. Everything is crumbling

Stephen Buoro, 29, was born in Ososo, Nigeria, the fourth of six children. His father was a photographer, so their home was an artistic one, though the only books were religious texts. It wasn’t until Buoro won a scholarship to a missionary school, where children were caned for speaking any language other than English, that he learned to read. After earning a maths degree, he came to the UK to join the UEA’s creative writing MA as the recipient of the Booker prize foundation scholarship.

One evening in June 2018, just as it was getting dark, a voice came to him. “It wanted to confess all this internalised rage and angst. I started writing, writing, writing, and when I went back and read what I’d written, it was the most truthful, powerful thing I’d ever written in my life.”

Typed into his phone, it became the opening of The Five Sorrowful Mysteries of Andy Africa , an exhilarating, tragicomic novel that questions what it means to come of age in Nigeria today; a place where western culture abounds but opportunity is scarce. It’s narrated by Andy himself, a fatherless 15-year-old with a thing for blondes and a voice unlike any other.

When did you first start writing? In 2005, the summer after my father died. I couldn’t even cry – writing was a way of bringing all those feelings out and examining them.

What did you write about? A war in the animal kingdom. I showed it to a schoolfriend and he couldn’t believe that I wrote it. I think in some ways, all the writing I’ve done afterwards is a form of proof that I could do this.

Where did Andy come from? From my community, from the conversations I’d have with my friends. He’s just this chimera, this device for looking at the African self and how the African and western selves interact. He uses maths, poetry, religion to confront his experience.

Were you influenced by any other teen narrators in literature? I remember reading The Catcher in the Rye . I was at university and I was like, “Wow, so you can write a book like this. You can be so irreverent, so much more free and colloquial and still tell the story and explore these very important issues.” Salinger really unlocked that for me.

How much of Andy’s exasperation do you share? We are going through a very difficult time in Nigerian history. It’s just so sad, everything is crumbling. For a writer, it’s wonderful because you have something to write about, but you wish you weren’t writing about these things.

You’re currently studying for a PhD in creative- critical writing . Has that changed how you go about your fiction? I’ve learned a lot about theory, but when I go to my room I just want to tell a story.

What’s the best thing about being a writer? Writing, of course.

And the worst? It’s a vocation, so there are difficult days when the magic isn’t coming.

Do you still write on your phone? Yes, when I want it to be more immediate. Phones are our most personal objects – they are with us everywhere. When I pick mine up the crazy editors in my head all calm down. It’s interesting thinking how Shakespeare would react to all these technologies. Interview by Hephzibah Anderson

The New Life (Chatto & Windus, 12 January)

I was desperate to get this book out of my head

Tom Crewe recalls the “pressure cooker feeling” he had in the buildup to getting his boldly brilliant debut finished. He had the idea a decade ago, it was four years in the writing – around his job at the London Review of Books (LRB ) – and he says he was “just desperate to get it out of my head… I felt like it was so much to be carrying around all day long.” Reaction to the book has also been strong, with Anne Enright declaring it “electrifying”.

The New Life is based, in part, on real people and revolves around a group of radical free thinkers in Victorian England who wish to live and love as they choose, without fear or shame. John Addington is married to Catherine, but falls for Frank, a working-class printer, while Henry Ellis’s wife desires women. Addington and Ellis decide to write a book together; a revolutionary text that will challenge convention and the law.

Crewe, 33, was born in Middlesbrough and studied history at Cambridge University, where he also did his PhD. His speciality is the 1880s and 1890s.

Where did the idea come from? I was reading a biography of Oscar Wilde and came across John Addington Symonds. I was amazed that I didn’t know his name and I started trying to consider how one could write [a novel] about gay experiences in the late 19th century without Wilde. I do think that his story is such an omnipresent one and defines our whole sense of that period for gay men, and I was just delighted to discover this gay man who was making far more modern arguments than prevailed in the 1960s.

Symonds was writing a book before he died with [a man called] Ellis. He was a gay man married to a straight woman, Ellis was a straight man married to a gay woman and I just suddenly saw that symmetry and mirroring of the two marriages. I thought: “That’s my novel.”

The book opens with a strikingly sensual experience… It was an experiment, really, inspired by a story one of my best friends had told me. He had been at a gig and someone was sort of pressing up behind him, and it was so crowded he couldn’t turn around, he couldn’t see who it was and he just thought it was wonderfully sexy. I was so struck by his story and thought: “What if I just try to stretch that moment out as long as possible – be bold.” I am wary of invoking the name of Alan Hollinghurst , which I’m sure is going to follow me around, but I think he offers a model of candour and a sort of a willingness to describe, to show, and I’m sure it liberates his successors.

How did it come to be published? I wrote a piece on local government for the LRB [Crewe worked as an intern for former Labour government minister Margaret Hodge for six months] – it got a lot of attention and an agent wrote to me out of the blue.

Did you always want to be a writer? I have school exercise books from when I was six that say: “When I grow up I want to be an author.” I knew that was what I was going to do with my life.

Which books and authors do you admire? Well, you’re going to show me up to be a very bad literary citizen because I hardly ever read any new fiction. I have just been on a huge binge of the writer Margaret Oliphant, who I am evangelical about because I think she is the most underappreciated Victorian novelist there is. Interview by Ursula Kenny

Jacqueline Crooks

Fire Rush (Jonathan Cape, 2 March)

This has taken me 16 years to write

Jacqueline Crooks is 59 and was born in Jamaica but grew up in Southall, west London. Her first novel, Fire Rush , began life as entries in her diary and is essentially a fictional portrait of her early years. “It’s very much based on my experience of being a young woman in a male-dominated world. Experiencing oppression. Dancing with wonderful people. The dark side and the light side as well.”

The book – a bustling and lively story of black womanhood and dub music in the late 1970s – follows Yamaye and her friends as they frequent an underground club, the Crypt. There, she meets and falls in love with the charming Moose, but things quickly unravel. Yamaye then embarks on a life-changing journey across London, Bristol and Jamaica as she gets swept up in race riots, violence, revolution and retribution.

Although Fire Rush is her debut, Crooks has already published a short story collection, The Ice Migration , which was longlisted for the 2019 Orwell prize in the political fiction category. One of her tales, Silver Fish in the Midnight Sea, was shortlisted for the BBC national short story award the same year. Writing Fire Rush was more of a challenge than The Ice Migration , she admits. “I’m a very fast writer. When writing a novel, you have to slow down a lot. But I’m on novel number two now, so I understand the process a lot better.”

How long have you been working on Fire Rush ? This has taken me 16 years to write. It has gone through many transformations. Lots of edits and different workshops. I had to do the subject matter justice. It’s about black women, rage, oppression, sound revolution and police violence. I had to do a lot of research.

What were the early responses to the book? I sent the first chapter out years ago to lots of publishers and agents. No one was interested, except for Bernardine Evaristo and Maggie Gee, who were editing Granta’s Anthology of New Writing : Volume 15 . They published the first chapter. Then an agent approached me and I thought: This is it. It’s going to get published. But the agent dropped me because she wanted me to write less patois. It was the best thing that could have happened, because now I could write the book the way I wanted to. So I put more patois in it.

What musicians did you listen to during the writing process? Lee “Scratch” Perry, Gregory Isaacs, Dennis Brown, Coxsone sound system .

What are some of your favourite books? Marlon James’s A Brief History of Seven Killings ; The Water Dancer by Ta-Nehisi Coates; Colson Whitehead’s The Underground Railroad . I really enjoy Jacob Ross, Olive Senior and Leone Ross’s short stories.

What advice do you have for writers on finding their voice? If you’re writing a book like this, which is really embedded in a culture, you’ve got to trust yourself. Trust the editors on structure, but when it comes to the voice, and the cultural nuance, you’ve got to be brave. Interview by Kadish Morris

Aidan Cottrell-Boyce

The End of Nightwork (Granta, 5 January)

The desire to be good all the time can be a destructive thing

“It isn’t as depressing as it sounds!” says Aidan Cottrell-Boyce , 35, with a laugh, explaining why a devastating lockdown break-up led him to write The End of Nightwork , a debut novel about nothing less than apocalypse. “When you’re going through a hard time, there’s that narcissistic feeling: how can everybody else not see that this is a catastrophe? How is everybody else just getting on with their daily lives? But that’s the experience of ‘apocalypse’ that we’re all having right now,” he says. “Everybody kind of knows the world is ending but most people aren’t engaged in strident climate denial or Extinction Rebellion. Most people think, ‘We’ll probably be incinerated soon, but I dunno.’” Sold in a three-way auction, the novel grew out of the “30,000 words of madness” he sent an agent who saw his short fiction in the avant garde quarterly the White Review and asked what else he was writing after they played football together. Coupling labyrinthine intricacy with crystalline economy, the story involves a global youth revolt, a 17th-century prophet of doom and a rare hormonal syndrome that prematurely ages its victims; inventions all slyly sewn into a snapshot of pre-Brexit London as seen by a new dad in a faltering marriage. Cottrell-Boyce is a Cambridge-educated theologian who once stood for the Green party and works as an academic in his day job. While he knows The End of Nightwork is likely to be seen as a novel of ideas, for him it’s viscerally personal. “I hadn’t read that many books about relationships of care and love and intimacy between two people ruining each other through that care. The desire to be good all the time can be a destructive thing.” Your father is the celebrated screenwriter and novelist Frank Cottrell-Boyce . Did that help or hinder your writing? It was helpful in some ways and difficult to live up to in others. It’s complicated. For his generation of working-class lads who went to grammar school, social capital was linked to their being very clever and that’s definitely a big part of my experience of our relationship. What inspired the subplot about left wing radicals? I’m on board with a lot of what they’re saying; I didn’t want the reader to feel they were cranks. The narrator’s intrigued by their views but he’s banished from them – I wanted to capture the sense I’ve sometimes had of feeling excluded from causes like that. Having empathy is one thing but there’s a gift of righteous anger that comes from being brutalised by your political enemies. If you’re middle class, white and male, it’s just not available to you. Why did you give George Saunders a cameo in the novel? There’s a slightly S&M feeling to writing in academia, where the premium on accuracy is just so high. Maybe it was a rebellion against that: I was like, am I allowed to do this?! And I thought, yeah, why not? His work means so much to me. One of the things he does really well is make you feel sorry for everybody. Everybody’s struggling, everybody’s messing everybody else up and punishing each other all the time. It’s part of being human. AC

Jyoti Patel

The Things That We Lost (Merky Books, 12 January)

There were a lot of tears, disbelief and a great deal of quiet pride

Jyoti Patel ’s first novel was a prize winner not only before it was published but also before it was fully written. The Things That We Lost won the Merky Books (the imprint created by Stormzy) New Writers’ prize in 2021 on the strength of its first chapter. Patel, 30, was working in digital marketing when she submitted her work for the prize, which awards a publishing contract to an unpublished writer from an under-represented background, aged 16-30. “There were a lot of tears, disbelief and a great deal of quiet pride. I really had to fight hard to study English at university,” says Patel, who found out she had won the prize during the pandemic. “I celebrated in lots of groups of six.”

Born in Paris to British Indian parents and raised in north-west London, she wrote the book because she grew up never seeing a story about a British Gujarati family living in London. It was a stop-start process: she wrote a rough draft in 2018, left it for six months, did a master’s in creative writing at the University of East Anglia, looked at the draft again and then paused for another six months. “Even [when I wasn’t writing], the characters were living with me. Once in a while, I’d think, ‘I wonder what they’re up to today.’”

At the centre of The Things That We Lost – a delicate and empathetic debut - is Nik, an 18-year-old who is struggling to navigate university life in a rural town, and his mother, Avani, who has long been grieving the tragic death of her husband, Elliot. When Nik’s grandfather dies, he is left a key that unlocks uncomfortable secrets about his father’s life and his family’s shame. The novel also jumps back in time to the 1980s and explores Avani and Elliot’s relationship and their experiences as a couple from Indian and white British backgrounds respectively. Essentially it’s a story about family secrets, love, belonging, diaspora and the way that immigrants perform their dual identity.

How did it feel to win the Merky prize? When I was longlisted, I spoke to the commissioning editor at Merky and she said: “This is good. Keep writing.” That one conversation gave me so much faith in myself. It was the first time that a gatekeeper in the publishing industry, from a minority background, read my work and truly understood what I was trying to do. It’s really easy to be performative and to have a little scheme here and there, but Merky lives and breathes this idea of bringing different voices and untold stories to the mainstream. It feels so special to come into the world with my debut with them.

What is your writing routine? I can’t write in the mornings. During the day, I collect lots of energy and thoughts and [by] the evening I know what I want to write. My whole day is a warm-up act.

What are some of your favourite debuts? Ocean Vuong’s On Earth We’re Briefly Gorgeous , Shuggie Bain by Douglas Stuart and Open Water by Caleb Azumah Nelson. We’ve got a poet, a designer and a photographer. I always find that when you are a successful artist in another form, the pressure is off and that frees the writer to really bring their authentic self to the page. To not overthink or overcook. KM

Michael Magee

Close to Home (Hamish Hamilton, 6 April)

Most books from Belfast are by people who aren’t working class

Michael Magee, 33, always knew he wanted to write about his native west Belfast, yet found himself inhibited by a “weird idea of what a novel had to be about – it wasn’t west Belfast, you know? Most books from Belfast are by people who aren’t working class; to them, west Belfast is a ghetto, a no-go zone. But the history of this place is the only history I know.” That understanding paved the way for Close to Home , a poignant exploration of masculinity amid the latterday wreckage of the Troubles. The narrator, Sean, is the first in his family to go to university, only to graduate in a post-crash wasteland shorn of prospects; assaulting someone at a party doesn’t help. Magee couldn’t find a way into his partly autobiographical material until a whiskey-fuelled heart to heart with the author Thomas Morris , who was then editing the influential Dublin literary magazine the Stinging Fly . Morris suggested Magee write him a letter “starting off at any point in my life and go from there”. After two weeks, the letter was 20,000 words long; after three months, Magee had the germ of Close to Home . Further inspiration came from studying French authors Édouard Louis and Annie Ernaux , whose autobiographical writing on class pointed a way forward and fuelled Magee’s scepticism about the social mobility implicit in literary success. “What part of yourself are you losing in that process?” he says. “What does it do to your relationships? And how do you reconcile these things with the books you’ll write?” One way, he reckons, is to go back in time, not forward; his next novel will be about boyhood and the one after that will follow a single woman raising two children during the Troubles, as his mother did. “That’s kind of where I’m at, because this place is obsessed with the past,” Magee says. “People born either side of the Good Friday agreement, like Sean, were promised they’d reap the spoils of peace. But the working-class people who were disproportionately affected by the conflict still have incredible levels of poverty. People look around and think, well, what was it all about? We’re still poor as fuck.” Do you think literary fiction is too middle class? I don’t think – I know! I’m not pissing on anybody else’s success; there are a lot of really good novelists, regardless of background, whose work I really admire. But I think it’s valid to observe a lack of voices from working-class backgrounds, regardless of ethnicity or gender. Can small magazines help? They create communities and build relationships; when a Stinging Fly launch happens, everyone descends on Dublin from all over. Tom was particularly instrumental. Around 2014, he put me and Nicole Flattery , Sally Rooney and John Patrick McHugh in a group and said “away you go”. We were learning from one another in all sorts of ways. How did your family react to Close to Home ? Without sounding a bit of a dickhead, I think they felt it was cathartic. The stories of people in this place have been overlooked or suppressed for so long; you see it now with legislation being put through to suppress appeals by families who suffered losses during the Troubles because of British state violence. It’s important to articulate the experience of what living here was and is. AC

Monica Heisey

Really Good, Actually (Fourth Estate, 17 January)

I’m very drawn to the kind of witty repartee you get in good romcoms

Marian Keyes, Rob Delaney, Nina Stibbe, Paula Hawkins, Dolly Alderton, Aisling Bea: these are some of the names queueing up to praise Monica Heisey ’s painfully funny first novel, Really Good, Actually . Naturally, she is pinching herself. “It’s way beyond what I could have hoped for, to be supported by writers I have admired for so long – I just feel lucky that they read it in the first place,” she says.

Set in the author’s native Toronto, the book documents the fallout from a young couple’s divorce during the year between narrator Maggie’s 29th and 30th birthdays. This sounds bleak, yet it is anything but. In hilarious detail – including Google search histories, unanswered emails, “selected Tinder correspondence” and fantasy scenarios – she chronicles the messy process of becoming a “reverse Havisham”, from compulsive internet shopping to late-night Pot Noodle binges. “I wanted to depict the absurdity in the heartbreak,” says Heisey.

When her own marriage fell apart in her late 20s, she struggled to find an accurate reflection of her predicament in books and films: “I was looking to read or watch something that acknowledges it feels like the end of the world but it’s actually not; it’s bad but it’s going to be better. There was nothing out there, so I decided to write it myself.”

Now 34, Heisey first moved to London in 2010 for an MA in early modern literature at King’s College, supporting her first steps into writing and comedy by bartending for Secret Cinema. Visa problems sent her back to Toronto, where a spoof newspaper advice column, I Can’t Believe It’s Not Better , became a book. This launched her screenwriting career on shows such as Schitt’s Creek . She also got married, “instantly” got divorced and gravitated back to the UK.

Today she is a fully fledged Londoner and full-time writer, midway through her second novel. She is also filming a romantic-comedy series for Sky and is about to begin adapting Really Good, Actually for television.

Did being a screenwriter influence the way you wrote your novel? I think it maybe helped keep the dialogue tight. I’m very drawn to the kind of witty repartee you get in good romcoms. I’m a big Richard Curtis fan and I adore Nora Ephron . I watch When Harry Met Sally basically monthly. It’s like part of my menstrual cycle.

Was writing Really Good, Actually therapeutic? It wasn’t just therapy. I started writing it at the beginning of 2020 and my actual divorce was in 2017, so I’d had three years to figure out what I felt about it, what I wanted to say about the experience and to think about ways to fictionalise it and get creative with it.

How much of Maggie is you? I would say Maggie is her own person, and I think I have the same kind of relationship to her as a creator that I hope the reader will have. Sometimes I’m a bit like, Girl, what are you doing? Other times, I’m like, Oh, I get it.

How important was it to explore female friendships in the book? It was a big thing for me because for every messy person like Maggie out there, there are four or five friends running themselves ragged to support her. During my own divorce I felt so lucky to have the friend group that I had. And it was really important to me to acknowledge that people don’t just have these breakdowns on their own. They have real knock-on effects in their community and in their lives. And if you’re really lucky, you have people there to help you pick up the pieces. Interview by Lisa O’Kelly

Georgina Moore

The Garnett Girls (HQ/HarperCollins, 16 February)

I was living vicariously through all those negronis

Books publicist Georgina Moore, 50, has worked with some of the biggest names in the business, including Adele Parks, Maggie O’Farrell and Patrick Gale. Books are in her heritage – her father ran a small academic publishing business and would take her along to the London Book Fair as a child. But her insider’s view of the industry as an adult, what it requires of authors and how hard they have to work to promote their books, put her off trying to write her own.

Then she spotted the perfect setting for a novel: a rambling beach house on the Isle of Wight, near where she and her partner keep a houseboat. The result is a character-led family saga about a journalist, Margo Garnett, her three thirtysomething daughters, their absent, alcoholic father and a home that draws them back no matter how far they run. The Garnett’s Isle of Wight is more Hamptons than bucket and spade and with Moore’s evocative prose it’s easy to see why The Garnett Girls is being likened to works by commercial fiction queens Penny Vincenzi and Maeve Binchy.

Moore and her family’s main home is a houseboat in London. She celebrated selling her book by buying Betsy, a little canal boat, to moor alongside, where she is now writing her second novel. “What’s so great about it is my family really think twice about interrupting me,” she says.

What was the impetus for writing The Garnett Girls ? Lockdown. It was full on having everyone at home and so I started getting up at about 5am to write. The book became this happy place where I was doing something for myself, creating a world I could escape into.

There are some pretty epic parties in the novel. We weren’t going anywhere, and I couldn’t get to the Isle of Wight, so I was living vicariously through all those negronis. There’s a lot of longing in there and I think you feel that.

Who was your first reader? My partner. He’s a psychotherapist and he was really helpful in talking to me about what it meant for these girls not to have a father. He’s not an overpraiser and he doesn’t read commercial fiction – he’ll reread Heart of Darkness on holiday – but he said: “I think you’ve got something here.”

The novel veers thrillingly close to domestic noir at one point. People have been surprised. It is escapist because of the setting but it’s not sentimental and it is quite hard-hitting.

Your matriarch, Margo , is wonderfully flawed. It was really important to me that Margo be vibrant and sexy and still getting into chaos. A lot of commercial fiction portrays older women as sitting in the corner wearing a cardigan. I wanted someone who was definitely not in the corner. In my heart and spirit, I feel very much a thirtysomething, but I’m closer to Margo than the girls in age.

How do you feel about “commercial fiction” as a label? I’m not snobby about that – I want as many people to read my book as possible.

What’s the most important lesson you’ve learned from working with other authors? Do the work, whether it’s an interview like this or a small podcast, because sometimes niche PR is really important. Support other authors and remember that it’s all about the readers. HA

Mrs S (Fourth Estate, 8 June)

I just had this impulse to write a horny lesbian novel

As a child, K Patrick repeatedly tried keeping a journal but impatience with the daily practice meant they’d sit down and start making things up instead. Now 36 and a recent graduate of Glasgow University’s master’s in creative writing programme, former greengrocer Patrick lives on the Isle of Lewis and wrote the bulk of the first draft of Mrs S in just three months.

Its protagonist is a young Australian woman who travels to England to take up a role at an elite girls’ boarding school, where over the course of a torrid summer she embarks on an affair with the headteacher’s wife, the eponymous Mrs S. The intense physicality of the novel’s emotions and its stylish, stripped-back prose make for an arresting pairing as Patrick’s butch protagonist grapples with a nascent trans identity.

“The trans part is harder to write about because I’m still too close to it in a way,” Patrick explains. “You also don’t want to become a spokesperson for something that’s so huge. I’m no expert – I’m trying to figure it all out as well.”

Patrick also writes poetry and picture books and enjoys the distillation of both forms. “Every time you write something, it’s practice,” they say.

How did Mrs S originate? I didn’t come at it with any lofty themes – I just had this impulse to write a horny lesbian novel. Sapphic literature sometimes has this chasteness to it and I wanted something that felt a bit more true to my experiences. That sexuality can also be expressed in really intense and sudden and electrifying ways – it’s not all long, long letters. That’s why I started using the word “horny” instead of “erotic” – everyone hates it but it does the job.

Is there any character you particularly identify with? The biggest surprise of all was the housemistress. She wasn’t there at the start and she ended up being my favourite character. That queer mentorship is so crucial to the protagonist and I really enjoyed paying homage to the kind of relationship you don’t read much about. I aspire to be like the housemistress but emotionally I’m more like the protagonist.

When are you most productive? I do a lot on my phone at four or five in the morning. You can do stuff in the dark, which sounds really creepy but it’s very noncommittal and low-stakes. That’s when I think of the best plot and metaphors, when I’m not trying.

Do you ever get stuck? There’s a 10,000-word block that seems to happen with me each time. The book will seem so straightforward and then I’ll get to word 9,999 and I’ll be like: “What am I going to say next?” You just have to leave it for a month and then come back to it. That’s the thing that I’ve had to learn most – patience.

What’s the best writing advice you’ve received? To relentlessly copy out passages that you love.

What have you copied passages from lately? O Caledonia by Elspeth Barker. It’s so funny and so brutal, which is my favourite combination.

Which authors write sex best for you? For Mrs S I read James Baldwin, Giovanni’s Room , over and over again. Garth Greenwell is amazing to me and Robert Glück’s Margery Kempe has the best sex writing of all time. HA

Santanu Bhattacharya

One Small Voice (Fig Tree, 23 February)

I felt like there was a place for stories from our parts of the world

Reading Elena Ferrante’s My Brilliant Friend quartet, Santanu Bhattacharya felt reassured. He had written a number of drafts of his beautiful coming-of-age novel and was encouraged by the Italian author’s cast of characters and their lives. “Because literature in the past few years has gone in a direction that is a little different from what I have [done],” he says, “stories [can be] quite simplistic, short, message heavy.”

One Small Voice , set in modern India, sprawls over three decades and several cities and offers, as author Max Porter puts it, “a whole universe of feeling”. (Bhattacharya was mentored by Porter as part of a prize he won.) The book starts in 1992 and describes an era of rising nationalism and a country ablaze with rioting. Its central character, Shubhankar Trivedi, is a 10-year-old living with his family in the northern city of Lucknow who one day witnesses a horrific act of violence that will change him for ever, shadowing and shaping his messy and traumatic journey to adulthood.

Bhattacharya is 41, grew up in India and moved to the UK seven years ago to do an MA in public policy at Oxford. He now lives in London and works as an education consultant. He has already won several prizes for his writing including, in 2021, the Mo Siewcharran prize and the Life Writing prize.

Your characters are complex and nuanced… When I started the book I was more interested in the themes, the wider perspective, but as I went along these characters kept growing inside my head. I became so invested in them and I hope that when people read the book they see it as stories about people. Real people. I am always fascinated by authors who write characters that are very stereotypical because it actually takes a lot of effort! It’s the opposite of what you might think – it’s not easy to write stereotypes because that just means you are boxing them in when they’re actually flailing arms and saying “no”. I let the characters take me wherever they were going.

Are you worried about the reaction of people in India to the subject matter? I was and am nervous about the current administration in India because the book is very critical of them and their ideology and what it is doing to artists and journalists, activists. I am curious to see how it is received. I hope that it gets its space and that it is allowed to be read and no one faces any kind of trouble for supporting it. My family and friends, my publisher. Penguin India. It impacts everyone… bookstores that carry books that are controversial.

Who are your favourite authors? I was inspired to write when I started reading books in the early 2000s by Mohsin Hamid – Moth Smoke , The Reluctant Fundamentalist – and Khaled Hosseini’s The Kite Runner . In school we had read the classics, mostly by authors who were white and male and writing about subjects that were very alien to us. It was only when I started reading fiction by authors from the south of Asia that I felt like there was a place for stories from our parts of the world and maybe I could write something. These were deeply personal stories against a backdrop of sociopolitical change in these countries. They were my foundational reading.

What is your second novel about? It’s different. I wanted to look at immigration from a fresh perspective and it’s about a new arrival in the UK. Fortunately this novel has come out a lot more easily, flown out of me! UK

• This article was amended on 8 January 2023 to remove some personal information.

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100 Notable Books of 2023

Each year, we pore over thousands of new books, seeking out the best novels, memoirs, biographies, poetry collections, stories and more. Here are the standouts, selected by the staff of The New York Times Book Review.

Chosen by the staff of The New York Times Book Review Nov. 21, 2023

After Sappho by Selby Wynn Schwartz

Inspired by Sappho’s work, Schwartz’s debut novel offers an alternate history of creativity at the turn of the 20th century, one that centers queer women artists, writers and intellectuals who refused to accept society’s boundaries.

All the Sinners Bleed by S.A. Cosby

In his earlier thrillers, Cosby worked the outlaw side of the crime genre. In his new one — about a Black sheriff in a rural Southern town, searching for a serial killer who tortures Black children — he’s written a crackling good police procedural.

The Bee Sting by Paul Murray

In Murray’s boisterous tragicomic novel, a once wealthy Irish family struggles with both the aftermath of the 2008 financial crash and their own inner demons.

Biography of X by Catherine Lacey

Lacey rewrites 20th-century U.S. history through the audacious fictional life story of X, a polarizing female performance artist who made her way from the South to New York City’s downtown art scene.

Birnam Wood by Eleanor Catton

In this action-packed novel from a Booker Prize winner, a collective of activist gardeners crosses paths with a billionaire doomsday prepper on land they each want for different purposes.

Blackouts by Justin Torres

This lyrical, genre-defying novel — winner of the 2023 National Book Award — explores what it means to be erased and how to persist after being wiped away.

Bright Young Women by Jessica Knoll

In her third and most assured novel, Knoll shifts readers’ attention away from a notorious serial killer, Ted Bundy, and onto the lives — and deaths — of the women he killed. Perhaps for the first time in fiction, Knoll pooh-poohs Bundy's much ballyhooed intelligence, celebrating the promise and perspicacity of his victims instead.

Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah

This satire — in which prison inmates duel on TV for a chance at freedom — makes readers complicit with the bloodthirsty fans sitting ringside. The fight scenes are so well written they demonstrate how easy it might be to accept a world this sick.

The Covenant of Water by Abraham Verghese

Verghese’s first novel since “Cutting for Stone” follows generations of a family across 77 years in southwestern India as they contend with political strife and other troubles — capped by a shocking discovery made by the matriarch’s granddaughter, a doctor.

Crook Manifesto by Colson Whitehead

Returning to the world of his novel “Harlem Shuffle,” Whitehead again uses a crime story to illuminate a singular neighborhood at a tipping point — here, Harlem in the 1970s.

The Deluge by Stephen Markley

Markley’s second novel confronts the scale and gravity of climate change, tracking a cadre of scientists and activists from the gathering storm of the Obama years to the super-typhoons of future decades. Immersive and ambitious, the book shows the range of its author’s gifts: polyphonic narration, silken sentences and elaborate world-building.

Eastbound by Maylis de Kerangal

In de Kerangal’s brief, lyrical novel, translated by Jessica Moore, a young Russian soldier on a trans-Siberian train decides to desert and turns to a civilian passenger, a Frenchwoman, for help.

Emily Wilde’s Encyclopaedia of Faeries by Heather Fawcett

The world-building in this tale of a woman documenting a new kind of faerie is exquisite, and the characters are just as textured and richly drawn. This is the kind of folkloric fantasy that remembers the old, blood-ribboned source material about sacrifices and stolen children, but adds a modern gloss.

Enter Ghost by Isabella Hammad

In Hammad’s second novel, a British Palestinian actor returns to her hometown in Israel to recover from a breakup and spend time with her family. Instead, she’s talked into joining a staging of “Hamlet” in the West Bank, where she has a political awakening.

Forbidden Notebook by Alba de Céspedes

A best-selling novelist and prominent anti-Fascist in her native Italy, de Céspedes has lately fallen into unjust obscurity. Translated by Ann Goldstein, this elegant novel from the 1950s tells the story of a married mother, Valeria, whose life is transformed when she begins keeping a secret diary.

The Fraud by Zadie Smith

Based on a celebrated 19th-century trial in which the defendant was accused of impersonating a nobleman, Smith’s novel offers a vast panoply of London and the English countryside, and successfully locates the social controversies of an era in a handful of characters.

From From by Monica Youn

In her fourth book of verse, a svelte, intrepid foray into American racism, Youn turns a knowing eye on society’s love-hate relationship with what it sees as the “other.”

A Guest in the House by Emily Carroll

After a lonely young woman marries a mild-mannered widower and moves into his home, she begins to wonder how his first wife actually died. This graphic novel alternates between black-and-white and overwhelming colors as it explores the mundane and the horrific.

The Heaven & Earth Grocery Store by James McBride

McBride’s latest, an intimate, big-hearted tale of community, opens with a human skeleton found in a well in the 1970s, and then flashes back to the past, to the ’20s and ’30s, to explore the town’s Black, Jewish and immigrant history.

Hello Beautiful by Ann Napolitano

In her radiant fourth novel, Napolitano puts a fresh spin on the classic tale of four sisters and the man who joins their family. Take “Little Women,” move it to modern-day Chicago, add more intrigue, lots of basketball and a different kind of boy next door and you’ve got the bones of this thoroughly original story.

A History of Burning by Janika Oza

This remarkable debut novel tells the story of an extended Indo-Ugandan family that is displaced, settled and displaced again.

Holly by Stephen King

The scrappy private detective Holly Gibney (who appeared in “The Outsider” and several other novels) returns, this time taking on a missing-persons case that — in typical King fashion — unfolds into a tale of Dickensian proportions.

A House for Alice by Diana Evans

This polyphonic novel traces one family’s reckoning after the patriarch dies in a fire, as his widow, a Nigerian immigrant, considers returning to her home country and the entire family re-examines the circumstances of their lives.

The Iliad by Homer

Emily Wilson’s propulsive new translation of the “Iliad” is buoyant and expressive; she wants this version to be read aloud, and it would certainly be fun to perform.

Ink Blood Sister Scribe by Emma Törzs

The sisters in Törzs's delightful debut have been raised to protect a collection of magic books that allow their keepers to do incredible things. Their story accelerates like a fugue, ably conducted to a tender conclusion.

Kairos by Jenny Erpenbeck

This tale of a torrid, yearslong relationship between a young woman and a much older married man — translated from the German by Michael Hofmann — is both profound and moving.

Kantika by Elizabeth Graver

Inspired by the life of Graver’s maternal grandmother, this exquisitely imagined family saga spans cultures and continents as it traces the migrations of a Sephardic Jewish girl from turn-of-the-20th-century Constantinople to Barcelona, Havana and, finally, Queens, N.Y.

Land of Milk and Honey by C Pam Zhang

Zhang’s lush, keenly intelligent novel follows a chef who’s hired to cook for an “elite research community” in the Italian Alps, in a not-so-distant future where industrial-agricultural experiments in America’s heartland have blanketed the globe in a crop-smothering smog.

Lone Women by Victor LaValle

The year is 1915, and the narrator of LaValle’s horror-tinged western has arrived in Montana to cultivate an unforgiving homestead. She’s looking for a fresh start as a single Black woman in a sparsely populated state, but the locked trunk she has in stow holds a terrifying secret.

Monica by Daniel Clowes

In Clowes’s luminous new work, the titular character, abandoned by her mother as a child, endures a life of calamities before resolving to learn about her origins and track down her parents.

The Most Secret Memory of Men by Mohamed Mbougar Sarr

Based on a true story and translated by Lara Vergnaud, Sarr’s novel — about a Senegalese writer brought low by a plagiarism scandal — asks sharp questions about the state of African literature in the West.

The New Naturals by Gabriel Bump

In Bump’s engrossing new novel, a young Black couple, mourning the loss of their newborn daughter and disillusioned with the world, start a utopian society — but tensions both internal and external soon threaten their dreams.

North Woods by Daniel Mason

Mason’s novel looks at the occupants of a single house in Massachusetts over several centuries, from colonial times to present day. An apple farmer, an abolitionist, a wealthy manufacturer: The book follows these lives and many others, with detours into natural history and crime reportage.

Not Even the Dead by Juan Gómez Bárcena

An ex-conquistador in Spanish-ruled, 16th-century Mexico is asked to hunt down an Indigenous prophet in this novel by a leading writer in Spain, splendidly translated by Katie Whittemore. The epic search stretches across much of the continent and, as the author bends time and history, lasts centuries.

The Nursery by Szilvia Molnar

“I used to be a translator and now I am a milk bar.” So begins Molnar’s brilliant novel about a new mother falling apart within the four walls of her apartment.

Our Share of Night by Mariana Enriquez

This dazzling, epic narrative, translated from the Spanish by Megan McDowell, is a bewitching brew of mystery and myth, peopled by mediums who can summon “the Darkness” for a secret society of wealthy occultists seeking to preserve consciousness after death.

Pineapple Street by Jenny Jackson

Jackson’s smart, dishy debut novel embeds readers in an upper-crust Brooklyn Heights family — its real estate, its secrets, its just-like-you-and-me problems. Does money buy happiness? “Pineapple Street” asks a better question: Does it buy honesty?

The Reformatory by Tananarive Due

Due’s latest — about a Black boy, Robert, who is wrongfully sentenced to a fictionalized version of Florida’s infamous and brutal Dozier School — is both an incisive examination of the lingering traumas of racism and a gripping, ghost-filled horror novel. “The novel’s extended, layered denouement is so heart-smashingly good, it made me late for work,” Randy Boyagoda wrote in his review. “I couldn’t stop reading.”

The Saint of Bright Doors by Vajra Chandrasekera

Trained to kill by his mother and able to see demons, the protagonist of Chandrasekera’s stunning and lyrical novel flees his destiny as an assassin and winds up in a politically volatile metropolis.

Same Bed Different Dreams by Ed Park

Double agents, sinister corporations, slasher films, U.F.O.s — Park’s long-awaited second novel is packed to the gills with creative elements that enliven his acerbic, comedic and lyrical odyssey into Korean history and American paranoia.

Take What You Need by Idra Novey

This elegant novel resonates with implication beyond the taut contours of its central story line. In Novey’s deft hands, the complex relationship between a young woman and her former stepmother hints at the manifold divisions within America itself.

This Other Eden by Paul Harding

In his latest novel, inspired by the true story of a devastating 1912 eviction in Maine that displaced an entire mixed-race fishing community, Harding turns that history into a lyrical tale about the fictional Apple Island on the cusp of destruction.

Tom Lake by Ann Patchett

Locked down on the family’s northern Michigan cherry orchard, three sisters and their mother, a former actress whose long-ago summer fling went on to become a movie star, reflect on love and regret in Patchett’s quiet and reassuring Chekhovian novel.

The Unsettled by Ayana Mathis

This novel follows three generations across time and place: a young mother trying to create a home for herself and her son in 1980s Philadelphia, and her mother, who is trying to save their Alabama hometown from white supremacists seeking to displace her from her land.

Victory City by Salman Rushdie

Rushdie’s new novel recounts the long life of Pampa Kampana, who creates an empire from magic seeds in 14th-century India. Her world is one of peace, where men and women are equal and all faiths welcome, but the story Rushdie tells is of a state that forever fails to live up to its ideals.

We Could Be So Good by Cat Sebastian

This queer midcentury romance — about reporters who meet at work, become friends, move in together and fall in love — lingers on small, everyday acts like bringing home flowers with the groceries, things that loom large because they’re how we connect with others.

Western Lane by Chetna Maroo

In this polished and disciplined debut novel, an 11-year-old Jain girl in London who has just lost her mother turns her attention to the game of squash — which in Maroo’s graceful telling becomes a way into the girl’s grief.

Witness by Jamel Brinkley

Set in Brooklyn, and featuring animal rescue workers, florists, volunteers, ghosts and UPS workers, Brinkley’s new collection meditates on what it means to see and be seen.

Y/N by Esther Yi

In this weird and wondrous novel, a bored young woman in thrall to a boy band buys a one-way ticket to Seoul.

Yellowface by R.F. Kuang

Kuang’s first foray outside of the fantasy genre is a breezy and propulsive tale about a white woman who achieves tremendous literary success by stealing a manuscript from a recently deceased Asian friend and passing it off as her own.

The 272 by Rachel L. Swarns

Building on her groundbreaking work for The Times, Swarns fashions a complex portrait of 19th-century American Catholicism through the story of the nearly 300 people enslaved on Jesuit plantations who were sold in 1838 to save Georgetown University from ruin.

Anansi’s Gold by Yepoka Yeebo

Yeebo, a journalist, tracks down the elusive story of John Ackah Blay-Miezah, who revolutionized the “advance fee” scam (say, a Nigerian prince wants to wire you money), and contextualizes it within a Ghana — and a world — that allowed him to thrive.

Battle of Ink and Ice by Darrell Hartman

This fast paced, true-life adventure revives the headline-grabbing debate over which explorer reached the North Pole first — and which newspaper broke the news.

The Best Minds by Jonathan Rosen

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Bottoms Up and the Devil Laughs by Kerry Howley

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Built From the Fire by Victor Luckerson

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Cobalt Red by Siddharth Kara

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Crossings by Ben Goldfarb

Goldfarb, an environmental journalist, crafts a fascinating and sensitive look at the costs of roads, both for wild animals and for the humans whose cities are divided by highways along racial lines.

Daughter of the Dragon by Yunte Huang

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Doppelganger by Naomi Klein

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Easily Slip Into Another World by Henry Threadgill and Brent Hayes Edwards

The jazz artist Henry Threadgill’s ardent memoir ranges from his maddening wartime experiences in Vietnam to his boundary-pushing musical career.

The Exceptions by Kate Zernike

Zernike’s excellent and infuriating tale of the fight for fairness at M.I.T. and beyond is not merely a fast-paced account of one woman’s accomplishments but a larger history of women in STEM (or lack thereof).

Fire Weather by John Vaillant

This timely and riveting account of the 2016 McMurray wildfire explores not just that Canadian inferno but what it bodes for the future. Vaillant has a chillingly serious message: This is the inevitable result of climate change, and it will happen again and again.

The Great Escape by Saket Soni

In this gripping account, Soni, a labor organizer, details the story of several hundred Indian men lured to this country on promises of work and green cards, who ended up in semi-captivity in Mississippi until his efforts to free them.

The Half Known Life by Pico Iyer

In talking to people the world over about what paradise means to them, Iyer provides hours of thought-provoking meditations. “Paradise becomes something different in every neighbor’s head,” he says.

How to Say Babylon by Safiya Sinclair

In this breathless, scorching memoir of a girlhood spent becoming the perfect Rasta daughter and an adolescence spent becoming one of Jamaica’s most promising young poets, Montego Bay drips with as much tender sensuality and complexity as the buoyant patois of Sinclair’s parents’ banter.

Humanly Possible by Sarah Bakewell

In earlier books, Bakewell has written about Montaigne and the existentialists; here, she manages to wrangle seven centuries of humanist thought into a brisk narrative with characteristic wit and clarity, resisting the traps of windy abstraction and glib oversimplification.

Judgment at Tokyo by Gary J. Bass

This comprehensive treatment of the prosecution of Japanese war crimes after World War II is an elegantly written and immersive account of a moment that shaped not just the politics of the region, but of the Cold War to come.

King by Jonathan Eig

The first comprehensive biography of Martin Luther King Jr. in decades, Eig’s book draws on a landslide of recently released government documents as well as letters and interviews. This is a book worthy of its subject: both an intimate study of a complex and flawed human being and a journalistic account of a civil rights titan.

The Kingdom, the Power, and the Glory by Tim Alberta

Having detailed how President Trump's rise to power occurred amid a years-long civil war within the Republican party in his 2019 book "American Carnage," Alberta, a staff writer for The Atlantic, turns his eye on another institution that has become split in two as a result of the former president: the American evangelical movement.

The Land of Hope and Fear by Isabel Kershner

Published months before the Israel-Hamas war, this book by a longtime correspondent in Jerusalem presents a complicated portrait of the many communities and faiths that constitute Israel three-quarters of a century into its existence.

Liliana’s Invincible Summer by Cristina Rivera Garza

In 1990, Rivera Garza’s 20-year-old sister was murdered in Mexico. That case is the inspiration and launching point for this memoir, a personal and cultural look at femicide in Mexico.

Lives of the Wives by Carmela Ciuraru

The relationships at the center of Ciuraru’s lively and absorbing new literary history vary widely, but are united by questions of ego and agency, competition and resentment.

A Living Remedy by Nicole Chung

Chung’s powerful second memoir is a look at family, illness and grief, and the way systemic issues like access to health care, capitalism and racism exacerbate loss.

Master Slave Husband Wife by Ilyon Woo

Woo’s book recounts a daring feat: the successful flight north from Georgia in 1848 by an enslaved couple disguised as a sickly young white planter and his male slave. But her meticulous retelling is equally a feat — of research, storytelling, sympathy and insight.

Monsters by Claire Dederer

“Everyone alive is either canceled or about to be canceled,” writes the author of this sometimes maddening, always challenging meditation on polarizing cultural figures (Nabokov, Polanski, et al.) and the struggle to reconcile great art with the misdeeds of its creators.

My Name is Barbra by Barbra Streisand

“I’m the greatest star!” the 21-year-old actress defiantly sang in Broadway’s 1964 hit “Funny Girl.” Nearly six decades later, over 992 pages, Streisand chronicles how she delivered on that promise, a rocket ride from Brooklyn to Malibu.

The Odyssey of Phillis Wheatley by David Waldstreicher

A beautiful and cogently argued biography offers a radical new vision of the life and work of colonial America’s brilliant Black female poet.

Ordinary Notes by Christina Sharpe

In this volume of 248 numbered notes, Sharpe assembles memories and insights, artifacts and artworks, balancing the persistence of racism and brutality with a rich variety of Black life.

Oscar Wars by Michael Schulman

A deeply researched and compulsively readable history digs into the scandal-soaked history of the Academy Awards.

Our Migrant Souls by Héctor Tobar

Tobar, a longtime journalist, delivers a kaleidoscopic account of Latino American experience, dispelling stereotypes and underscoring diversity in prose that is by turns lyrical, outraged, scholarly and affectingly personal.

Pageboy by Elliot Page

The Oscar-nominated actor offers a brutally honest account of child stardom, the pressure to conform in Hollywood and, ultimately, the announcement of his gender transition in 2020.

Poverty, by America by Matthew Desmond

The central claim of this manifesto by the Princeton sociologist is that poverty in the United States is the product not only of larger economic shifts, but of choices and actions by more fortunate Americans.

The Rediscovery of America by Ned Blackhawk

This ambitious retelling of the American story, by a historian who is also a Native American, places Indigenous populations at the center, a shift in perspective that yields fresh insights and thought-provoking questions.

The Rigor of Angels by William Egginton

Challenging, ambitious and elegant, this mind-expanding book explores nothing less than “the ultimate nature of reality” through the work of three figures: the Argentine writer Jorge Luis Borges, the German quantum physicist Werner Heisenberg and the 18th-century German philosopher Immanuel Kant.

Schoenberg by Harvey Sachs

Sachs has written well for decades about conventional classical music. This impassioned defense of Arnold Schoenberg — creator of some of the most challenging music ever — might seem surprising from him, but Schoenberg’s life was one of the 20th century’s great narratives.

Sink by Joseph Earl Thomas

The lush prose of this memoir perfectly suits the author’s tender, teeming boyhood imagination, in which video-game and manga characters offered more guidance than volatile adults did. Most remarkable is Thomas’s matter-of-fact depiction of the daily depredations he faced without losing his spirit or his abundant creative gifts.

The Slip by Prudence Peiffer

From Ellsworth Kelly to Agnes Martin to Robert Indiana, a group of scrappy artists gathered in illegal studios at the tip of Lower Manhattan in the 1950s, trying to provide an answer to Abstract Expressionism. This group biography reflects the excitement of those years — and our debt to them.

Some People Need Killing by Patricia Evangelista

In powerful, gripping prose, a Philippine journalist recounts her investigation into the campaign of extrajudicial murders under former President Rodrigo Duterte.

Spoken Word by Joshua Bennett

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A Thread of Violence by Mark O’Connell

O’Connell brings literary flourish and a philosophical bent to this investigation of an infamous and confounding Irish murder case.

Time’s Echo by Jeremy Eichler

This cultural history takes up works by Schoenberg, Britten, Shostakovich and Richard Strauss that reflect on World War II and the Holocaust, urging listeners to consider the link between music and remembrance.

The Undertow by Jeff Sharlet

Anxious about America’s political divides, and fearful that they presage the end of the union, Sharlet spent a year speaking with conservative pastors, gun fanatics and QAnon adherents, among others. The result is an eloquent cri de coeur by a writer struggling to meet political and moral unreason with compassion and grace.

Unscripted by James B. Stewart and Rachel Abrams

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Up Home by Ruth J. Simmons

Simmons’s evocative account of her remarkable trajectory from Jim Crow Texas, where she was the youngest of 12 children in a sharecropping family, to the presidencies of Smith College and Brown University shines with tenderness and dignity.

The Wager by David Grann

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Waiting to Be Arrested at Night by Tahir Hamut Izgil

Offering a rare glimpse into the life and culture of China’s brutally persecuted Muslim Uyghur minority, this eloquent memoir by a poet who escaped with his family to the United States (and translated by Joshua L. Freeman) unfolds a horror story with calm restraint.

What An Owl Knows by Jennifer Ackerman

There are some 260 species of owls spread across every continent except Antarctica, and in this fascinating book, Ackerman explains why the birds are both naturally wondrous and culturally significant.

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Best Biographies » New Biography

The best biographies of 2023: the national book critics circle shortlist, recommended by elizabeth taylor.

Winner of the 2023 NBCC biography prize

G-Man: J. Edgar Hoover and the Making of the American Century by Beverly Gage

Talented biographers examine the interplay between individual qualities and greater social forces, explains Elizabeth Taylor —chair of the judges for the 2023 National Book Critics Circle award for biography. Here, she offers us an overview of their five-book shortlist, including a garlanded account of the life of J. Edgar Hoover and a group biography of post-war female philosophers.

Interview by Cal Flyn , Deputy Editor

The Grimkés: The Legacy of Slavery in an American Family by Kerri K. Greenidge

Mr. B: George Balanchine’s Twentieth Century by Jennifer Homans

Metaphysical Animals: How Four Women Brought Philosophy Back to Life by Clare Mac Cumhaill & Rachael Wiseman

Up from the Depths: Herman Melville, Lewis Mumford, and Rediscovery in Dark Times by Aaron Sachs

1 G-Man: J. Edgar Hoover and the Making of the American Century by Beverly Gage

2 the grimkés: the legacy of slavery in an american family by kerri k. greenidge, 3 mr. b: george balanchine’s twentieth century by jennifer homans, 4 metaphysical animals: how four women brought philosophy back to life by clare mac cumhaill & rachael wiseman, 5 up from the depths: herman melville, lewis mumford, and rediscovery in dark times by aaron sachs.

I t’s a pleasure to have you back , Elizabeth—this time to discuss the National Book Critics Circle’s 2023 biography shortlist. You’ve been chair of the judging panel for a while, so you’re in a great position to tell us whether it has been a good year for biography.

I’m also optimistic about the future.  As the world opens and libraries, archives and places where history happened are becoming more accessible. Figures—or groups—once regarded marginal are now being discovered or reappraised with new evidence and interpretation. Biographies are ambitious in structure and form, and focus beyond the pale, stale, and male.

That comes through in the shortlist, I think. There’s a real range here. I think any reader is bound to find something to appeal to their tastes.

Shaping a shortlist seems quite like arranging a bouquet. A clutch of peony, begonia, or orchid stems…each may be lovely, an exemplar in its own way. We aspire to assemble a glorious arrangement—a quintet of blooms that reflect the wildly varied human experiences represented in the verdant garden of biography.

Let’s talk about G-Man: J. Edgar Hoover and the Making of the American Century first, then, shall we? It is your 2023 winner of the NBCC’s prize for best biography; it also won a Pulitzer Prize . It’s also, and correct me if I’m wrong, the most traditional of the biographies that made the list.

G-Man is traditional in as much as Beverly Gage captures the full sweep of Hoover’s life, cradle to grave: 1895 to 1972. In that way, structurally G-Man sits aside the epics of David McCullough ( Truman , John Adams ) and Ron Chernow ( Grant , Alexander Hamilton ).

Unlike those valorized national leaders, Hoover answered to no voters. The quintessential ‘Government Man,’ a counselor and advisor to eight U.S. presidents , of both political parties, he was one of the most powerful, unelected government officials in history. He reigned over the Federal Bureau of Investigations from 1924 to 1972. Hoover began as a young reformer and—as he accrued power—was simultaneously loathed and admired. Through Hoover, Gage skilfully guides readers through the full arc of 20th-century America, and contends: “We cannot know our own story without understanding his.”

In G-Man , Yale University professor Gage untangles the contradictions in Hoover’s aspirations and cruelty, and locates the paradoxical American story of tensions and anxieties over security, masculinity, and race.

“This year, many biographies were deeply rooted in American soil that required years of research to till”

Hoover lived his entire life in Washington D.C., and Gage entwines his story in the city’s evolution into a global power center and delves deeply into the dark childhood that led him to remain there for college. Critical to understanding Hoover, Gage demonstrates, was his embrace of the Kappa Alpha fraternity; its worldview was informed by Robert E. Lee and the ‘Lost Cause’ of the South , in which racial equality was unacceptable. He shaped the F.B.I. in his image and recruited Kappa Alpha men to the Bureau.

For Hoover, Gage writes, Kappa Alpha was a way to measure character, political sympathies, and, of course, loyalty. One of those men was Clyde Tolson, and Gage documents their trips to nightclubs, the racetrack, vacations, and White House receptions. Hoover did not acknowledge that he and Tolson were a couple, but in the end their separate burial plots were a few yards from one another.

While Hoover feels very much alive on the page, Gage captures the full sweep of American history, chronicling events from the hyper-nationalism of the early part of the century, moving into the assassinations of John F. Kennedy and Martin Luther King Jr., making use of newly unclassified documents. When Hoover’s F.B.I. targeted Nazis and gangsters, there was clarity about good guys and bad guys. But by the mid-century, as the nation began to fracture, he regarded calls for peace and justice as threats to national security. Among the abuses of power committed by Hoover’s F.B.I., for instance, was the wiretapping and harassment of King.

Beyond Hoover’s malfeasance, Gage emphasizes that Hoover was no maverick. He tapped into a dark part of the national psyche and had public opinion on his side. Through Hoover, Americans could see themselves, and, as Gage argues, “what we valued and refused to see.”

A biography like this does make you realize how deeply world events might be impacted or even partially predicted by the family background or the personalities of a small number of key individuals.

We should step through the rest of the books on your 2023 biography shortlist. Let’s start with Kerri K. Greenidge’s The Grimkés: The Legacy of Slavery in an American Family , which is the story not only of the Grimké Sisters Sarah and Angelina, two well-known abolitionists, but Black members of their family as well.

I was eager to read The Grimkés as I had admired Greenidge’s earlier biography, Black Radical , about Boston civil rights leader and abolitionist newspaper editor William Monroe Trotter. Greenidge, a professor at Tufts University, brings her unique, perceptive eye to African American civil rights in the North.

Now Greenidge’s The Grimkés sits on my bookshelf next to The Hemingses of Monticello , the Pulitzer Prize-winning book by Annette Gordon-Reed who exposed the contradictions of one of the most venerated figures in American history, Thomas Jefferson. In the Grimke family, Greenidge has found a gnarled family tree, deeply rooted in generations of trauma.

Sisters Sarah and Angelina Grimke have been exalted as brave heroines who defied antebellum Southern piety and headed northward to embrace abolition. Greenridge makes the powerful case that, in clinging to this mythology, a more troubling story is obscured. In the North, as the Grimké sisters lived comfortably and agitated for change, they enjoyed the financial benefits of their slaveholding family in South Carolina.

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After the Civil War, they learned that their brute of a brother had fathered at least two sons with a woman whom he had enslaved. The sisters provided some financial assistance in the education of these two young men, one attended Harvard Law School and the other Princeton Divinity School—and did not let their nephews forget it.

Not only does Greenidge provide a revisionist history of the Grimke sisters, but she also takes account of the full Grimké family and extends their story beyond the 19th century. She delves into the dynamics of racial subordination and how free white men who conceive children — whether from rape or a relationship spanning decades with enslaved women—destroy families. Generations of children are haunted by this history.  Poignantly, Greenidge evokes the life and work of the sisters’ grandniece Angelina (‘Nana’) Weld Grimké , a talented—and troubled—queer playwright and poet, who carried the heavy weight of the generational trauma she inherited.

This sounds like a family saga of the kind you might be more likely to find in fiction.

Let’s turn to Mr B . : George Balanchine’s 20th Century by Jennifer Homans, the story of the noted choreographer. Why did this make your shortlist of the best biographies of 2023?

The perfect match of biographer and subject! A dancer who trained with Balanchine’s School of American Ballet in New York and is now dance critic for The New Yorker, Homans has written a biography of the man known as ‘the Shakespeare of Dance.’ In felicitous prose, Homans channels the dancer’s experience onto the page, from the body movements that can produce such beauty to the aching tendons and ligaments. Training is transformation, Homan writes, and working with Balanchine was a kind of metamorphosis tangled with pain. She evokes the dances so vividly that one can almost hear the music.

“At the heart of biography is the quest to understand the interplay between individual and social forces”

Homans captures Balanchine in a constant state of reinvention, tracing his life from Czarist Russia to Weimar Berlin , finally making his way to post-war New York where he revitalized the world of ballet by embracing modernish, founding New York City Ballet in 1948. Balanchine was genius whose personal history shape-shifted over the years. Homans grounds Mr. B in more than a hundred interviews, and draws from archives around the world.

Homans captures Balanchine’s charisma and cultural importance, but Mr. B. is no hagiography. Homans grasps the knot of sex and power over women used in his work. He married four times, always to dancers. They were all the same kind of swan-necked, long-waisted, long-limbed women, and although Homans does not write this, his company often sounds more like a cult than art.

And, of course, there is the matter of weight, which Homans dealt with directly, as did Balanchine. He posted a sign: ‘BEFORE YOU GET YOUR PAY—YOU MUST WEIGH.’

I don’t think I’ve ever considered reading a ballet biography before, but it sounds fascinating.

The next book on the NBCC’s 2023 biography shortlist brings us to Oxford, England. This is Metaphysical Animals: How Four Women Brought Philosophy Back to Life by Clare Mac Cumhaill and Rachael Wiseman.

At the outset of World War II , a quartet of young women, Oxford students—Elizabeth Anscombe, Iris Murdoch, Philippa Foot, and Mary Midgley—were “bored of listening to men talk about books by men about men,” as Mac Cumhaill, a Durham University professor, and Wiseman, a lecturer at the University of Liverpool, write. In their marvelous group biography, MacCumhaill and Wiseman vivify how the friendships of these women congealed to bring “philosophy back to life.”

As their male counterparts departed for the front lines, this brilliant group of women came together in their dining halls and shared lodging quarters to challenge the thinking of their male colleagues. In the shadows of the Holocaust and Hiroshima, these friends rejected the logical positivists who favoured empirical scientific questions. They didn’t really create a distinct philosophical approach as much as they shared an interest in the metaphysics of morals.

Brilliant. A book that is ostensibly ‘improving’ but which turns out to be absolutely chock-full of gossip sounds perfect to me. Let’s move on to the fourth book on the NBCC’s 2023 biography shortlist, which is Up from the Depths: Herman Melville, Lewis Mumford, and Rediscovery in Dark Times by Aaron Sachs.

A biography about writing biography ! Very meta, and very much in the interdisciplinary tradition of American Studies. In his gorgeous braid of cultural history, Cornell University professor Sachs   entwines the lives and work of poet and fiction writer Herman Melville (1819-1891) and the philosopher and literary critic Lewis Mumford (1895-1990), illuminating their coextending concerns about their worlds in crisis.

While Melville is now firmly ensconced in the American canon, most appreciation and respect for him was posthumous. The 20th-century Melville revival was largely sparked by a now overlooked Mumford, once so prominent that he appeared on a 1936 Time  magazine cover.

Sachs brilliantly provides the connective tissue between Melville and his biographer Mumford so that these writers seem to be in conversation with one another, both deeply affected by their dark times.

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As Mumford grappled with tragedies wrought by World War I, the 1918 flu pandemic and urban decay, Melville had dealt with the bloody Civil War , slavery , and industrialization. In a certain way, this book is about the art of biography itself, two writers wrestling with modernity in a bleak world. In delving into Melville’s angst, Mumford was thrust into great turmoil. Sachs evokes so clearly and painfully this bond that almost did Mumford in, and writes that “Melville, it turns out, was Mumford’s white whale.”

There’s a real sense of range in this shortlist. But do you get a sense of there being certain trends in biography as a genre in 2023?

In many ways, this is a golden era for biography. There are fewer dull but worthy books, more capacious and improvisational ones. More series of short biographies that pack a big punch. We see more group biographies and illustrated biographies. But just as figures and groups once considered marginal are being centered, records that document those lives are vanishing.

The crisis in local news and the homogenization of national and international news will soon be a crisis for biographers and historians. Where would historians be without the ‘slave narratives’ from the Federal Writers Project , or the Federal Theatre Project ? Reconstruction of public events—federal elections, national tragedies, and so on—may be possible, but we lose that wide spectrum of human experience. We need to preserve these artifacts and responses to events as they happen. Biographies are time-consuming labors of love and passion, and are often expensive to produce. We need to ensure that we are generating and saving the emails, the records, the to-do lists of ordinary life.

The affluent among us will always be able to commission histories of their companies or families, but are those the only ones that will endure?

June 30, 2023

Five Books aims to keep its book recommendations and interviews up to date. If you are the interviewee and would like to update your choice of books (or even just what you say about them) please email us at [email protected]

Elizabeth Taylor

Elizabeth Taylor is a co-author of American Pharaoh: Mayor Richard J. Daley; His Battle for Chicago and the Nation with Adam Cohen, with whom she also cofounded The National Book Review. She has chaired four Pulitzer Prize juries, served as president of the National Book Critics Circle, and presided over the Harold Washington Literary Award selection committee three times. Former Time magazine correspondent in New York and Chicago and long-time literary editor of the Chicago Tribune, she is working on a biography of women in the Civil War and Reconstruction eras for Liveright/W.W. Norton.

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The Best New Biographies of 2023

CJ Connor is a cozy mystery and romance writer whose main goal in life is to make their dog proud. They are a Pitch Wars alumnus and an Author Mentor Match R9 mentor. Their debut mystery novel BOARD TO DEATH is forthcoming from Kensington Books. Twitter: @cjconnorwrites | cjconnorwrites.com

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Read on to discover nine of the best biographies published within the last year. Included are life stories of singular people, including celebrated artists and significant historical figures, as well as collective biographies.

The books included in this list have all been released as of writing, but biography lovers still have plenty to look forward to before the year is out. A few to keep your eye out for in the coming months:

• The World According to Joan Didion by Evelyn McDonnell (HarperOne, September 26)
• Einstein in Time and Space by Samuel Graydon (Scribner, November 14)
• Overlooked: A Celebration of Remarkable, Underappreciated People Who Broke the Rules and Changed the World by Amisha Padnani (Penguin Random House, November 14).

Without further ado, here are the best biographies of 2023 so far!

Master Slave Husband Wife: An Epic Journey from Slavery to Freedom by Ilyon Woo

Ellen and William Craft were a Black married couple who freed themselves from slavery in 1848 by disguising themselves as a traveling white man and an enslaved person. Author Ilyon Woo recounts their thousand-mile journey to seek safety in the North and their escape from the United States in the months following the passage of the Fugitive Slave Act.

The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession by Michael Finkel

Written over a period of 11 years with exclusive journalistic access to the subject, author Michael Finkel explores the motivations, heists, and repercussions faced by the notorious and prolific art thief Stéphane Breitwieser. Of special focus is his relationship with his girlfriend and accomplice, Anne-Catherine Kleinklaus.

King: A Life by Jonathan Eig

While recently published, King: A Life is already considered to be the most well-researched biography of Civil Rights activist Martin Luther King Jr. published in decades. New York Times bestselling journalist Jonathan Eig explores the life and legacy of Dr. King through thousands of historical records, including recently declassified FBI documents.

Why Willie Mae Thornton Matters by Lynnée Denise

This biography is part of the Why Music Matters series from the University of Texas. It reflects on the legendary blues singer’s life through an essay collection in which the author (also an accomplished musician) seeks to recreate the feeling of browsing through a box of records.

Young Queens: Three Renaissance Women and the Price of Power by Leah Redmond Chang

Historian Leah Redmond Chang’s latest book release focuses on three aristocratic women in Renaissance Europe: Catherine de’ Medici, Elizabeth de Valois, and Mary, Queen of Scots. As a specific focus, she examines the juxtaposition between the immense power they wielded and yet the ways they remained vulnerable to the patriarchal, misogynistic societies in which they existed.

Daughter of the Dragon: Anna May Wong’s Rendezvous with American History by Yunte Huang

Anna May Wong was a 20th-century actress who found great acclaim while still facing discrimination and typecasting as a Chinese woman. University of California professor Yunte Huang explores her life and impact on the American film industry and challenges racist depictions of her in accounts of Hollywood history in this thought-provoking biography.

Twice as Hard: The Stories of Black Women Who Fought to Become Physicians, from the Civil War to the 21st Century by Jasmine Brown

Written by Rhodes Scholar and University of Pennsylvania medical student Jasmine Brown, this collective biography shares the experiences and accomplishments of nine Black women physicians in U.S. history — including Rebecca Lee Crumpler, the first Black American woman to earn a medical degree in the 1860s, and Surgeon General Joycelyn Elders.

Larry McMurtry: A Life by Tracy Daugherty

Two years after the Pulitzer Prize-winning author’s death, this biography presents a comprehensive history of Larry McMurtry’s life and legacy as one of the most acclaimed Western writers of all time.

The Kneeling Man: My Father’s Life as a Black Spy Who Witnessed the Assassination of Martin Luther King Jr. by Leta McCollough Seletzky

Journalist Leta McCollough Seletzky examines her father, Marrell “Mac” McCollough’s complicated legacy as a Black undercover cop and later a member of the CIA. In particular, she shares his account as a witness of the assassination of Martin Luther King Jr. at the Lorraine Motel.

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The Best Memoirs of 2023

These ten books explore what it means to be a person..

The beauty of memoir is its resistance to confinement: We contain multitudes, so our methods of introspection must, too. This year’s best memoirs perfectly showcase such variety. Some are sparse, slippery — whole lives pieced together through fragmented memories, letters to loved ones, recipes, mythology, scripture. Some tease the boundary between truth and fiction. Others elevate straightforward narratives by incorporating political theory, philosophy, and history. The authors of each understand that one’s life — and more significantly, one’s self — can’t be contained in facts. After all, the facts as we remember them aren’t really facts. It’s their openness and experimentation that allow, at once, intimacy and universality, provoking some of our biggest questions: How does a person become who they are? What makes up an identity? What are the stories we tell ourselves, and why do they matter? These books might not spell out the answers for you, but they’ll certainly push you toward them.

10. Hijab Butch Blues , by Lamya H

NYC-based organizer Lamya H (a pseudonym) has described her memoir as “unapologetically queer and unapologetically Muslim .” What this looks like is a book that isn’t so much grappling with or reconciling two conflicting identities, but rather lovingly examining the ways each has supported and strengthened the other. Lamya provides close, queer readings of the Quran, drawing connections between its stories and her own experiences of persecution as a brown girl growing up in an (unnamed) Arab country with strict colorist hierarchies. Beginning with her study of the prophet Maryam — whose virgin pregnancy and general rejection of men brings a confused 14-year-old Lamya real relief during Quran class — Lamya draws on various religious figures to track her political, spiritual, and sexual coming of age, jumping back and forth in time as she grows from a struggling child into a vital artist and activist.

9. Better Living Through Birding , by Christian Cooper

On May 25, 2020, birder Christian Cooper was walking the Central Park Ramble when he asked a white woman on the same path to leash her dog. She refused, he started recording, and after both he and his sister posted the video on social media , the whole world saw her call 911 and falsely claim that an African American man was threatening both her and her dog. Cooper quickly found himself at the center of an urgent conversation about weaponized whiteness and police brutality against Black men in the U.S., amplified by another devastating video circulating that same day: George Floyd’s murder by Minneapolis police. Many will pick up Cooper’s memoir for his account of the interaction that captured international attention and forever changed his life — and it is a powerful, damning examination — but it is far from the main event. By the time it shows up, Cooper has already given us poignant recollections of growing up Black and gay (and in the closet) in 1970s Long Island, a loving analysis of science fiction, a behind-the-scenes look at the comic-book industry as it broke through to the mainstream, and most significantly, an impassioned ode to and accessible education on recreational birding. (The audiobook comes with interstitial birdsong!) Recalling his time at Harvard, Cooper turns repeatedly to his love of his English classes, and this background comes through in his masterful writing. An already prolific writer in the comic-book space, his memoir marks his first (and hopefully not last) foray into the long-form territory.

8. Love and Sex, Death and Money , by McKenzie Wark

McKenzie Wark is one of the sharpest, most exciting voices writing at the intersections of capitalism, community, gender, and sex — more broadly, everything in this title — and she is also criminally underread. In her epistolary memoir Love and Sex … , she looks at a lifetime of transitions — journeys not only through her gender, but also politics, art, relationships, and aging — and reflects on all the ways she has become the woman she is today, in letters to the people who helped shape her. Wark’s first letter is, fittingly, directed to her younger self. She acknowledges their infinite possible futures and that, in this way, this younger Wark on the brink of independence is the one most responsible for setting her on the path to this specific future. In theory, it’s a letter to offer clarity, even guidance, to this younger self, but really it’s a means of listening to and learning from her. Her letters to mothers, lovers, and others are as much, if not more, about Wark as they are about the recipients, but that self-reflection doubles as a testament to the recipients’ power. What comes across most strongly is Wark’s belief in ongoing evolution and education, and it’s hard not to leave inspired by that possibility.

7. A Man of Two Faces , by Viet Thanh Nguyen

Pulitzer Prize winner Viet Thanh Nguyen’s memoir maintains the singular voice of his fiction: audacious, poetic, self-aware. Written in nonlinear second-person stream of consciousness — its disjointedness represented on the page by paragraphs volleying from left to right alignment across the page — A Man of Two Faces recounts his life as a Vietnamese refugee in the U.S. When his family moves from wartime Vietnam to San Jose, California, 4-year-old Nguyen is placed in a different sponsor home than the rest of his family. The separation is brief, but it sets a tone of alienation that continues throughout his life — both from his parents, who left their home in pursuit of safety but landed in a place with its own brand of violence, and from his new home. As he describes his journey into adulthood and academia, Nguyen incorporates literary and cultural criticism, penetrating analyses of political history and propaganda, and poignant insights about memory and trauma.

6. Sure, I’ll Join Your Cult: A Memoir of Mental Illness and the Quest to Belong Anywhere , by Maria Bamford

It’s safe to say alt-comedian Maria Bamford’s voice isn’t for everyone. Those who get her anti-stand-up stand-up get it and those who don’t, don’t. Her absurdist, meta series Lady Dynamite revealed the work of a woman learning to recognize and love her brilliant weirdness, and in Sure, I’ll Join Your Cult , she channels that weirdness into a disarmingly earnest, more accessible account of both fame and mental illness. Centered on Bamford’s desperate pursuit of belonging, and the many, often questionable places it’s led her — church, the comedy scene, self-actualization conferences, 12-step groups, each of which she puts under the umbrella of the titular “cults” — Sure, I’ll Join Your Cult is egoless, eye-opening, uncomfortable, and laugh-out-loud funny. These are among the best qualities — maybe even prerequisites — of an effective mental-illness memoir, and Bamford’s has earned its keep in the top tier. If you’re thinking of skipping it because you haven’t connected with Bamford’s work before: don’t.

5. In Vitro: On Longing and Transformation , by Isabel Zapata

In Isabel Zapata’s intimate, entrancing memoir In Vitro , the Mexican poet brazenly breaks what she calls “the first rule of in vitro fertilization”: never talk about it. Originally published in Spanish in 2021, and with original drawings woven throughout, In Vitro is a slim collection of short, discrete pieces. Its fragments not only describe the invasive process and its effects on her mind and body, but also contextualize its lineage, locating the deep-seated draw of motherhood and conception, analyzing the inheritances of womanhood, and speaking directly to her potential child. All together, it becomes something expansive — an insightful personal history but also a brilliant philosophical text about the very nature of sacrifice and autonomy.

4. The Night Parade , by Jami Nakamura Lin

When Jami Nakamura Lin was 17 years old, she checked herself into a psych ward and was diagnosed bipolar. After years experiencing disorienting periods of rage, the diagnosis offers validation — especially for her historically dismissive parents — but it doesn’t provide the closure that mainstream depictions of mental illness promise. In The Night Parade , intriguingly categorized as a speculative memoir, Lin explains that if a story is good, it “collapses time”; in other words, it has no beginning or end. Chasing this idea, Lin turns to the stories of her Japanese, Taiwanese, and Okinawan heritage, using their demons, spirits, and monsters to challenge ideas of recovery and resituate her feelings of otherness. Intertwined in this pursuit is her grappling with the young death of her father and the birth of her daughter after a traumatic miscarriage. Extensively researched — citing not only folklore but also scholars of history, literary, and mythology — and elevated by her sister Cori Nakamura Lin’s lush illustrations, The Night Parade is both an entirely new perspective on bipolar disorder and a fascinating education in mythology by an expert who so clearly loves the material. It might be Lin’s first book, but it possesses the self-assurance, courage, and mastery of a seasoned writer.

3. Doppelganger , by Naomi Klein

After the onset of the COVID pandemic, as the U.S. devolved into frenzied factions, sociopolitical analyst Naomi Klein found herself in the middle of her own bewildering drama: A substantial population, especially online, began to either confuse or merge her with Naomi Wolf, a writer who’d gone from feminist intellectual to anti-vaxx conspiracy theorist. Klein’s initial bemusement becomes real concern verging on obsession as she fixates on her sort-of doppelgänger and starts questioning the stability of her identity. Klein becomes entangled in the world of her opposite, tracing the possible pipelines from leftism to alt-right and poking at the cracks in our convictions. Throughout, she nails the uncanniness of our digital existence, the ways constant performance of life both splinters and constrains the self. What happens when we sacrifice our humanity in the pursuit of a cohesive personal brand? And when we’re this far gone, is there any turning back?

2. The Woman in Me , by Britney Spears

Throughout the yearslong campaign to release Britney Spears from a predatory conservatorship , the lingering conspiracy theories questioning its success , and the ongoing cultural discourse about the ways public scrutiny has harmed her, what has largely been missing is Spears’s own voice. In her highly anticipated memoir, she lays it all out: her upbringing in a family grappling with multiple generations of abuse, the promise and betrayal of stardom, her exploitation and manipulation by loved ones, and the harrowing, dehumanizing realities of her conservatorship . These revelations are tempered by moments of genuine joy she’s found in love, motherhood, and singing, though it’s impossible to read these recollections without anticipating the loss — or at least the complication — of these joys. Most touching are her descriptions of her relationships with her sons; her tone is conversational, but it resonates with deep, undying devotion. It’s an intimate story, and one that forces questions about our treatment of mental illness, the ethics of psychiatric practices, the relationships between public figures and their fans, and the effects of fame — especially on young women. Justice for Britney, forever.

1. Pulling the Chariot of the Sun , by Shane McCrae

When Shane McCrae was 3 years old, his white maternal grandparents told his Black father they were taking Shane on a camping trip. It wasn’t the first time they’d done so, but this time, they never returned. What followed was a life full of instability, abuse, and manipulation, while his grandparents — including a grandfather who had, more than once, trawled cities for Black men to attack — convinced McCrae his father had abandoned him and that his Blackness was a handicap. It’s clear McCrae is first and foremost a poet; the rhythm of his prose and his hypnotic evocation of sensory memory reveals the way a lifetime of lies affected his grasp on his past. Maybe he can’t trust the facts of his past, but he certainly knows what it felt like, what it looked like. As he excavates and untangles muddied memories, contends with ambivalent feelings about his grandmother and mother, and ultimately comes to terms with their unforgivable robbery of a relationship with both his father and his true, full self, McCrae’s pain bleeds through his words — but so too does a gentle sense of acceptance. We are lucky to bear witness.

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Best Biographies of 2023

MAY 16, 2023

by Jonathan Eig

An extraordinary achievement and an essential life of the iconic warrior for social justice. Full review >

SEPT. 12, 2023

by Tracy Daugherty

A definitive life of the novelist/bookseller/scriptwriter/curmudgeon of interest to any McMurtry fan. Full review >

APRIL 11, 2023

by Robert Greenfield

A masterful look at the wild life of an enigmatic artist that shows how captivating the truth can be. Full review >

AUG. 15, 2023

by Patti Hartigan

An authoritative portrait of a defiant champion of Black theater. Full review >

OCT. 3, 2023

by Will Hermes

An engrossing, fully dimensional portrait of an influential yet elusive performer. Full review >

by Walter Isaacson

Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator. Full review >

by Sally H. Jacobs

An essential book about an incomparably authentic American pioneer and the times in which she lived. Full review >

APRIL 4, 2023

by Robert "Mack" McCormick ; edited by John W. Troutman

A worthwhile investigation into a true legend of the blues. Full review >

MAY 2, 2023

by Jonny Steinberg

A magnificent portrait of two people joined in the throes of making South African history. Full review >

DEC. 5, 2023

by Judith Tick

As masterful and wonderful as its subject. Full review >

OCT. 31, 2023

by Ronald C. White

A revealing portrait of an American hero who deserves even wider recognition. Full review >

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Powerful Memoirs to Read This Summer

Propulsive plots? Check. Unforgettably real stories? Check. Hard-won insights about love, grief, resilience, and self-discovery? Check, check, check.

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Through the Groves, by Anne Hull

In her nearly two decades as a national reporter for The Washington Post, Anne Hull earned a reputation (and a Pulitzer!) for rigor and artistry in capturing some of the most urgent stories of our time. In her debut book, she directs her characteristically incisive gaze at her own history, weaving an atmospheric and aching account of her childhood in the sweltering heat of Central Florida and the tumult of the ’60s. Hull grew up riding shotgun in her father’s Ford truck through orange groves her family had worked—without competition or disturbance—for generations. But in 1967, change was in the air; Walt Disney had just broken ground on a new park, Californian “seedless clementines” had recently hit the market, and her father’s drinking was destabilizing her home. Hull captures a richly ambivalent portrait of a world on the brink of disappearing and a family in the midst of radical transformation: afternoons spent chasing the “marshmallow fluff of DDT,” springtime orange blossoms so pungent they burned their scent into clothes, men’s bodies ravaged by pesticide inhalation, and women bucking convention. Hypnotic and tender, this book reminds us that even if we leave our homes, our homes never leave us.

The Wreck, by Cassandra Jackson

Long before Cassandra Jackson was born, her name was already on a tombstone. In the 1960s, a car accident took the lives of her father’s first wife, his mother, his brother-in-law, his sister, and his three-year-old niece, after whom she was named. Growing up, Jackson was taught to never ask questions about “the wreck” or about the dead family her father only spoke about in his sleep. Only as an adult, facing the possibility of her own infertility, does Jackson finally go in search of definitive answers. In archives and fertility clinics alike, she encounters the specter of generational trauma and medical racism, wondering if her body, like her name, is a “haunted thing.” With mesmerizing lyricism and cutting insight, the author of The Toni Morrison Book Club teaches us that any hope for the future requires an honest confrontation with the past.

Losing Music, by John Cotter

At age 30, John Cotter began to notice a ringing noise, over time, escalated to a deafening roar and a daunting diagnosis: Ménière’s disease, an inner ear disorder for which there is “no reliable treatment and no consensus on its cause.” Over time, Cotter will lose the crisp edges of music, the sound of the ocean, his ability to fully communicate, his sense of balance, and his job as an adjunct professor. Like Anne Boyer’s The Undying and Meghan O’Rourke’s The Invisible Kingdom, Losing Music explodes an individual experience of illness into a cultural and medical reckoning; with a sociologist’s rigor and a poet’s lyricism, Cotter takes readers on an odyssey through the social history of disability, the brutal bureaucracy of the American healthcare system, and the intimate violence of living in a volatile body. But this memoir is just as much a love letter to sound itself as it is a chronicle of loss; your world will sound different after reading it.

Lesbian Love Story, by Amelia Possanza

“Are you a lesbian or something?” a male teammate asked Amelia Possanza on her explicitly queer adult recreational swim team. She was furious at his lack of recognition, but couldn’t really blame him: “If I had yet to find role models who could show me how to live, where would he have seen a lesbian?” Thus began Possanza’s rabid quest to uncover and animate lesbian stories; lesbians, she suspected, “would have something to teach us all about love.” Drawing from intensive archival research, interviews, and her own whimsical imagination, Possanza brings seven lesbians to life on the page; there are the historical heavy-hitters (hello, Sappho!) and the hidden heroes like Rusty Brown, the World War II hero and drag king renegade. At once a yearning search for a mirror in the fogged glass of history and an uproariously funny skewering of modern queer stereotypes, Lesbian Love Story will radically expand your understanding of lesbianism—and of love itself.

Women We Buried, Women We Burned by Rachel Louise Snyder

Today, Rachel Louise Snyder is an award-winning journalist, author, professor, and Guggenheim fellow best known for No Visible Bruises , her groundbreaking exploration of the domestic violence epidemic. But in 1985, she was a homeless high school dropout, surviving off of the scraps of food left by customers, and partying recklessly to keep the ghosts of her past and the gloom of her future at bay. With startling nuance and unexpected bursts of humor, Snyder lays bare the brutalities of her childhood: her mother’s death when she was 8, her father’s turn toward tyrannical evangelisms and abuse, her experimentations with drugs, and her emerging sense of herself as a woman in a violently patriarchal world. As an adult, survival becomes an international investigation rather than a personal struggle as she travels the globe reporting on child marriage, genocide, and gendered violence. For fans of Tara Westover’s Educated , Snyder provides a triumphant story of beating the odds and of radical self-definition—with a punk rock backdrop to boot!

Guinevere Turner When the World Didn’t End, by Guinevere Turner

On January 5, 1975, Guinevere Turner was 6 and the world was going to end. “All of us had been told to choose our favorite toy and put on our favorite clothes and then wait for the spaceship to come,” she writes. The “World People” were to be wiped off the earth, and Melvin Lyman’s loyal followers would be transported to Venus. When that spaceship didn’t come, the explanation was simple and the repercussions, immediate; some of the members’ souls weren’t ready, and daylight saving time must be abolished. Such was life in the Lyman family. Change was constant and arbitrary. Unworthiness was a given. Drawing from years of meticulously kept diaries, Turner resists the urge to let her “adult hindsight interfere or comment,” and allows us to see life inside the cult as she saw it: through the devastatingly innocent eyes of a child. The result is gripping, raw, and deeply human. It will leave you haunted.

Irma, by Terry McDonell

“After Bob goes down, it is just Irma and me.” So begins Terry McDonell’s tender account of his 1950s boyhood as the only son of a single mother. McDonell’s father, Bob, died serving as a fighter pilot in 1945 — before his son could know him. In his father’s absence, McDonell attempts to define his own manhood in opposition to the narrow example presented by his mother’s second husband: “A son hating his stepfather, searching for the character of his true father, is an old story. The center of the story, though, is not one of the fathers or even the son. It is the mother, Irma.” Through compulsively readable vignettes, McDonell assembles a kaleidoscopic view of his mother, his childhood, and his own reckoning with American masculinity.

Charley Burlock is the Associate Books Editor at Oprah Daily where she writes, edits, and assigns stories on all things literary. She holds an MFA in creative nonfiction from NYU, where she also taught undergraduate creative writing. Her work has been featured in the Atlanti c , the Los Angeles Review , Agni , the Apple News Today podcast, and elsewhere. She is currently working on a book about collective grief (but she promises she's really fun at parties). 

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Northern lights predicted in US and UK on Monday night in wake of solar storms

Spectacular aurora borealis caused by geomagnetic storms on sun’s surface may be visible in North America as far south as the midwest

• Northern and southern lights: share your pictures

Solar eruptions are sending a stream of particles towards Earth, creating spectacular auroras in both hemispheres.

The aurora borealis – in the northern hemisphere – will be potentially visible on Monday night in the US as far south as the midwest. The northern lights, more commonly seen within the Arctic Circle, could also be visible in Scotland.

In the southern hemisphere, the aurora australis could be visible in southern Australia, from Victoria to Western Australia.

The shimmering spectacle comes on the same night as a penumbral lunar eclipse, which will be visible around the world.

Australia’s Bureau of Meteorology’s space weather forecasting centre issued an aurora alert on Monday morning, saying a severe solar storm was in progress and the southern lights could be visible.

The storms are caused by coronal mass ejections, when clouds of plasma erupt from the sun’s outer atmosphere. Particles stream towards Earth, creating the spectacular display as they strike the Earth’s magnetic field.

In Australia, the storm peaked at 6 on the Kaus Index, a scale of one to eight measuring geomagnetic activity, meaning auroras will potentially be visible across Tasmania, along Victoria’s coastline and even on Western Australia’s south-west coast.

Both types of aurora are more commonly seen near the magnetic poles, in northern Canada and off the coast of Antarctica. Magnetic poles drift, and are not the same as the geographic poles.

The more severe the storm, the further away from the poles the auroras appear.

Severe storms can disrupt power networks and the satellites that provide navigation, surveillance and communication services. They can also pose a radiation risk to astronauts and people in high-flying aircraft.

A BoM spokesperson said significant space weather had “the potential to impact technology and critical infrastructure assets on Earth and in the near-Earth space environment”.

The BoM advises people hoping to see the aurora australis to find somewhere dark, like a beach or a hill with an unobstructed view south. Dark, moonless, cloudless skies away from city lights are ideal, and the best viewing time is between 10pm and 2am.

Last year, there were reports of shimmering night skies from Busselton in WA, to Ballarat and Canberra.

Macquarie University astronomer Dr Stuart Ryder said the 11-year solar cycle was likely nearing its peak this year.

“It goes from a relatively benign, calm state with very few sunspots on the surface to a very active phase about five or six years later, with a maximum number of sun spots,” he said.

“It’s much more likely to release huge flares of energy, enormous quantities of charged particles radiating away from the sun … their characteristic colours are green or red but people report blues, yellows, even purples.

“The more powerful the flare and the more it puts out, the greater the chance that people who live more towards the equator might get to see them.”

The BoM spokesperson said the current cycle began in 2019.

“The original prediction … was that solar maximum for this cycle would be reached in 2025, however, recent consensus amongst space weather researchers is that this cycle is likely to peak earlier, potentially in 2024,” the spokesperson said.

“This implies a higher level of solar activity over the next few years, but significant space weather can occur at other times in the cycle too.”

Meanwhile, at about 7pm tonight in Sydney and 7.30pm in Melbourne, the Earth’s shadow, or penumbra, will dim the moon.

The eclipse will be visible in spots including parts of Europe, North and South America, as well as parts of Asia and Africa. The details for people hoping to catch it are published on timeanddate.com .

Ryder said the eclipse will be half over by the time the moon clears the horizon. “Even when it does, the moon won’t pass through the deepest part of the Earth’s shadow,” he said. “It will be a full moon, and the upper part could appear a bit darker, because it’s deeper into the Earth’s shadow.

“Then the moon will move out of the shadow that it’s in and will be restored to full brightness … which unfortunately could ruin people’s chances of seeing the aurora.”

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