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Understanding Writing Assignments

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How to Decipher the Paper Assignment

Many instructors write their assignment prompts differently. By following a few steps, you can better understand the requirements for the assignment. The best way, as always, is to ask the instructor about anything confusing.

• Read the prompt the entire way through once. This gives you an overall view of what is going on.
• Underline or circle the portions that you absolutely must know. This information may include due date, research (source) requirements, page length, and format (MLA, APA, CMS).
• Underline or circle important phrases. You should know your instructor at least a little by now - what phrases do they use in class? Does he repeatedly say a specific word? If these are in the prompt, you know the instructor wants you to use them in the assignment.
• Think about how you will address the prompt. The prompt contains clues on how to write the assignment. Your instructor will often describe the ideas they want discussed either in questions, in bullet points, or in the text of the prompt. Think about each of these sentences and number them so that you can write a paragraph or section of your essay on that portion if necessary.
• Rank ideas in descending order, from most important to least important. Instructors may include more questions or talking points than you can cover in your assignment, so rank them in the order you think is more important. One area of the prompt may be more interesting to you than another.
• Ask your instructor questions if you have any.

After you are finished with these steps, ask yourself the following:

• What is the purpose of this assignment? Is my purpose to provide information without forming an argument, to construct an argument based on research, or analyze a poem and discuss its imagery?
• Who is my audience? Is my instructor my only audience? Who else might read this? Will it be posted online? What are my readers' needs and expectations?
• What resources do I need to begin work? Do I need to conduct literature (hermeneutic or historical) research, or do I need to review important literature on the topic and then conduct empirical research, such as a survey or an observation? How many sources are required?
• Who - beyond my instructor - can I contact to help me if I have questions? Do you have a writing lab or student service center that offers tutorials in writing?

(Notes on prompts made in blue )

Poster or Song Analysis: Poster or Song? Poster!

Goals : To systematically consider the rhetorical choices made in either a poster or a song. She says that all the time.

Things to Consider: ah- talking points

• how the poster addresses its audience and is affected by context I'll do this first - 1.
• general layout, use of color, contours of light and shade, etc.
• use of contrast, alignment, repetition, and proximity C.A.R.P. They say that, too. I'll do this third - 3.
• the point of view the viewer is invited to take, poses of figures in the poster, etc. any text that may be present
• possible cultural ramifications or social issues that have bearing I'll cover this second - 2.
• ethical implications
• how the poster affects us emotionally, or what mood it evokes
• the poster's implicit argument and its effectiveness said that was important in class, so I'll discuss this last - 4.
• how the song addresses its audience
• lyrics: how they rhyme, repeat, what they say
• use of music, tempo, different instruments
• possible cultural ramifications or social issues that have bearing
• emotional effects
• the implicit argument and its effectiveness

These thinking points are not a step-by-step guideline on how to write your paper; instead, they are various means through which you can approach the subject. I do expect to see at least a few of them addressed, and there are other aspects that may be pertinent to your choice that have not been included in these lists. You will want to find a central idea and base your argument around that. Additionally, you must include a copy of the poster or song that you are working with. Really important!

I will be your audience. This is a formal paper, and you should use academic conventions throughout.

Length: 4 pages Format: Typed, double-spaced, 10-12 point Times New Roman, 1 inch margins I need to remember the format stuff. I messed this up last time =(

Academic Argument Essay

5-7 pages, Times New Roman 12 pt. font, 1 inch margins.

Minimum of five cited sources: 3 must be from academic journals or books

• Design Plan due: Thurs. 10/19
• Rough Draft due: Monday 10/30
• Final Draft due: Thurs. 11/9

Remember this! I missed the deadline last time

The design plan is simply a statement of purpose, as described on pages 40-41 of the book, and an outline. The outline may be formal, as we discussed in class, or a printout of an Open Mind project. It must be a minimum of 1 page typed information, plus 1 page outline.

This project is an expansion of your opinion editorial. While you should avoid repeating any of your exact phrases from Project 2, you may reuse some of the same ideas. Your topic should be similar. You must use research to support your position, and you must also demonstrate a fairly thorough knowledge of any opposing position(s). 2 things to do - my position and the opposite.

Your essay should begin with an introduction that encapsulates your topic and indicates 1 the general trajectory of your argument. You need to have a discernable thesis that appears early in your paper. Your conclusion should restate the thesis in different words, 2 and then draw some additional meaningful analysis out of the developments of your argument. Think of this as a "so what" factor. What are some implications for the future, relating to your topic? What does all this (what you have argued) mean for society, or for the section of it to which your argument pertains? A good conclusion moves outside the topic in the paper and deals with a larger issue.

You should spend at least one paragraph acknowledging and describing the opposing position in a manner that is respectful and honestly representative of the opposition’s 3 views. The counterargument does not need to occur in a certain area, but generally begins or ends your argument. Asserting and attempting to prove each aspect of your argument’s structure should comprise the majority of your paper. Ask yourself what your argument assumes and what must be proven in order to validate your claims. Then go step-by-step, paragraph-by-paragraph, addressing each facet of your position. Most important part!

Finally, pay attention to readability . Just because this is a research paper does not mean that it has to be boring. Use examples and allow your opinion to show through word choice and tone. Proofread before you turn in the paper. Your audience is generally the academic community and specifically me, as a representative of that community. Ok, They want this to be easy to read, to contain examples I find, and they want it to be grammatically correct. I can visit the tutoring center if I get stuck, or I can email the OWL Email Tutors short questions if I have any more problems.

MILESTONE REACHED | We've moved in!

• Progress Overview
• Library Addition
• Community Rooms
• Library Renovations
• Video Gallery
• About Annville Free Library
• About the Campaign: Writing the Next Chapter
• Campaign Leadership
• Campaign Progress

On September 5, 2023, the Annville Free Library completed the first phase of its once-in-a-generation expansion project and opened its new addition and Community Rooms.

On november 11th we hosted our grand opening and open house. our addition is officially open to the public. visit us.

Writing The Next Chapter

A message from carol christ, honorary campaign co-chair.

In 1949, Gideon and Alice Kreider responded to the need for a permanent home for Annville’s Library. I was just a young child, but their gift to our town inspired me. As an avid reader, I used the Library to fill my every need for books, children’s programs, and community services. Throughout the years, I proudly transitioned from patron to volunteer, Children’s Librarian, and, ultimately, Library Director. Over time, the Library has continued to change and adapt, as needed, to serve the broader community while retaining a culture of friendliness and helpfulness among the staff and volunteers.

After seventy years, the Library has again outgrown its home. The proposed expansion is lovely and is appropriate to the streetscape within Annville’s historic district. Bill and I are pleased to continue the Kreiders’ generous spirit by making a financial gift to the Library’s expansion project. We are honored to serve as honorary co-chairs and hope you will be inspired, too, to extend the opportunities for learning and growth within our community.

The story of the Annville Free Library has always featured the close association of the Library with its community. We invite you to join us in investing in this vital capital campaign. Please help us write the next chapter in Annville Free Library’s mission to serve current and future generations.

Your Gift Makes A Difference

A growing community.

• A-C school district the 11 th fastest growing in the state.
• Lebanon County 2 nd fastest in growth 2010 – 2018.
• Seniors up by 25%.

Meeting Patron Needs

• Wish for additional programs.
• Access to media and technology.
• Requests for public meeting space.
• Safe area for youth to gather.
• Ease of access for all.

A Design for Growth

• 3380 ft 2 addition connects to renovated Main Street duplex.
• Youth now upstairs with patio access.
• Entire basement dedicated to children’s collection and programming.
• Both Main Street and parking area entrances now ADA compliant.
• New family restrooms, two on the main floor, two in the lower level.

Construction Progress

Help write our next chapter today!

The times are changing and our library must also change to meet community needs. The library moved into its first permanent home in 1950. In 1990 an addition provided more space for an increasing number of users.

More than 30 years have passed since then, and needs continue to change. The community now asks for increased programming for all ages in addition to the ever-popular programs for children and youth. Besides being a place to find information, computer access, and to check out books and other materials, the library provides a community center for folks to meet and work without requiring any purchase or affiliation.

This website illustrates the library’s response to these needs. Now the first part of the master plan is done – the addition with its ADA-accessible entries and restrooms, expanded help desk, bright new space for Youth and the new Community Rooms. Renovations near completion in the 1990 section and will provide study rooms, a Library Friends’ bookstore, and a workroom for staff to tend to library materials plus a seating/meeting area called Lillie’s Place after Library founder Lillie Struble.

But to complete the entire vision for the Library, we still need your help – to construct the Creativity Center, to install outside signage and landscaping, to finish the second floor of the library-owned duplex for library use, and finally to repoint brick facades to preserve them for the future. Take time now to pick up a pen and help boost us to the finish! With your support, the renewed Annville Free Library will serve to help the community and future generations to connect, create, and discover!

Understanding Assignments

What this handout is about.

The first step in any successful college writing venture is reading the assignment. While this sounds like a simple task, it can be a tough one. This handout will help you unravel your assignment and begin to craft an effective response. Much of the following advice will involve translating typical assignment terms and practices into meaningful clues to the type of writing your instructor expects. See our short video for more tips.

Basic beginnings

Regardless of the assignment, department, or instructor, adopting these two habits will serve you well :

• Read the assignment carefully as soon as you receive it. Do not put this task off—reading the assignment at the beginning will save you time, stress, and problems later. An assignment can look pretty straightforward at first, particularly if the instructor has provided lots of information. That does not mean it will not take time and effort to complete; you may even have to learn a new skill to complete the assignment.
• Ask the instructor about anything you do not understand. Do not hesitate to approach your instructor. Instructors would prefer to set you straight before you hand the paper in. That’s also when you will find their feedback most useful.

Assignment formats

Many assignments follow a basic format. Assignments often begin with an overview of the topic, include a central verb or verbs that describe the task, and offer some additional suggestions, questions, or prompts to get you started.

An Overview of Some Kind

The instructor might set the stage with some general discussion of the subject of the assignment, introduce the topic, or remind you of something pertinent that you have discussed in class. For example:

“Throughout history, gerbils have played a key role in politics,” or “In the last few weeks of class, we have focused on the evening wear of the housefly …”

The Task of the Assignment

Pay attention; this part tells you what to do when you write the paper. Look for the key verb or verbs in the sentence. Words like analyze, summarize, or compare direct you to think about your topic in a certain way. Also pay attention to words such as how, what, when, where, and why; these words guide your attention toward specific information. (See the section in this handout titled “Key Terms” for more information.)

“Analyze the effect that gerbils had on the Russian Revolution”, or “Suggest an interpretation of housefly undergarments that differs from Darwin’s.”

Additional Material to Think about

Here you will find some questions to use as springboards as you begin to think about the topic. Instructors usually include these questions as suggestions rather than requirements. Do not feel compelled to answer every question unless the instructor asks you to do so. Pay attention to the order of the questions. Sometimes they suggest the thinking process your instructor imagines you will need to follow to begin thinking about the topic.

“You may wish to consider the differing views held by Communist gerbils vs. Monarchist gerbils, or Can there be such a thing as ‘the housefly garment industry’ or is it just a home-based craft?”

These are the instructor’s comments about writing expectations:

“Be concise”, “Write effectively”, or “Argue furiously.”

Technical Details

These instructions usually indicate format rules or guidelines.

“Your paper must be typed in Palatino font on gray paper and must not exceed 600 pages. It is due on the anniversary of Mao Tse-tung’s death.”

The assignment’s parts may not appear in exactly this order, and each part may be very long or really short. Nonetheless, being aware of this standard pattern can help you understand what your instructor wants you to do.

Interpreting the assignment

Ask yourself a few basic questions as you read and jot down the answers on the assignment sheet:

Why did your instructor ask you to do this particular task?

Who is your audience.

• What kind of evidence do you need to support your ideas?

What kind of writing style is acceptable?

• What are the absolute rules of the paper?

Try to look at the question from the point of view of the instructor. Recognize that your instructor has a reason for giving you this assignment and for giving it to you at a particular point in the semester. In every assignment, the instructor has a challenge for you. This challenge could be anything from demonstrating an ability to think clearly to demonstrating an ability to use the library. See the assignment not as a vague suggestion of what to do but as an opportunity to show that you can handle the course material as directed. Paper assignments give you more than a topic to discuss—they ask you to do something with the topic. Keep reminding yourself of that. Be careful to avoid the other extreme as well: do not read more into the assignment than what is there.

Of course, your instructor has given you an assignment so that he or she will be able to assess your understanding of the course material and give you an appropriate grade. But there is more to it than that. Your instructor has tried to design a learning experience of some kind. Your instructor wants you to think about something in a particular way for a particular reason. If you read the course description at the beginning of your syllabus, review the assigned readings, and consider the assignment itself, you may begin to see the plan, purpose, or approach to the subject matter that your instructor has created for you. If you still aren’t sure of the assignment’s goals, try asking the instructor. For help with this, see our handout on getting feedback .

Given your instructor’s efforts, it helps to answer the question: What is my purpose in completing this assignment? Is it to gather research from a variety of outside sources and present a coherent picture? Is it to take material I have been learning in class and apply it to a new situation? Is it to prove a point one way or another? Key words from the assignment can help you figure this out. Look for key terms in the form of active verbs that tell you what to do.

Key Terms: Finding Those Active Verbs

Here are some common key words and definitions to help you think about assignment terms:

Information words Ask you to demonstrate what you know about the subject, such as who, what, when, where, how, and why.

• define —give the subject’s meaning (according to someone or something). Sometimes you have to give more than one view on the subject’s meaning
• describe —provide details about the subject by answering question words (such as who, what, when, where, how, and why); you might also give details related to the five senses (what you see, hear, feel, taste, and smell)
• explain —give reasons why or examples of how something happened
• illustrate —give descriptive examples of the subject and show how each is connected with the subject
• summarize —briefly list the important ideas you learned about the subject
• trace —outline how something has changed or developed from an earlier time to its current form
• research —gather material from outside sources about the subject, often with the implication or requirement that you will analyze what you have found

Relation words Ask you to demonstrate how things are connected.

• compare —show how two or more things are similar (and, sometimes, different)
• contrast —show how two or more things are dissimilar
• apply—use details that you’ve been given to demonstrate how an idea, theory, or concept works in a particular situation
• cause —show how one event or series of events made something else happen
• relate —show or describe the connections between things

Interpretation words Ask you to defend ideas of your own about the subject. Do not see these words as requesting opinion alone (unless the assignment specifically says so), but as requiring opinion that is supported by concrete evidence. Remember examples, principles, definitions, or concepts from class or research and use them in your interpretation.

• assess —summarize your opinion of the subject and measure it against something
• prove, justify —give reasons or examples to demonstrate how or why something is the truth
• evaluate, respond —state your opinion of the subject as good, bad, or some combination of the two, with examples and reasons
• support —give reasons or evidence for something you believe (be sure to state clearly what it is that you believe)
• synthesize —put two or more things together that have not been put together in class or in your readings before; do not just summarize one and then the other and say that they are similar or different—you must provide a reason for putting them together that runs all the way through the paper
• analyze —determine how individual parts create or relate to the whole, figure out how something works, what it might mean, or why it is important
• argue —take a side and defend it with evidence against the other side

More Clues to Your Purpose As you read the assignment, think about what the teacher does in class:

• What kinds of textbooks or coursepack did your instructor choose for the course—ones that provide background information, explain theories or perspectives, or argue a point of view?
• In lecture, does your instructor ask your opinion, try to prove her point of view, or use keywords that show up again in the assignment?
• What kinds of assignments are typical in this discipline? Social science classes often expect more research. Humanities classes thrive on interpretation and analysis.
• How do the assignments, readings, and lectures work together in the course? Instructors spend time designing courses, sometimes even arguing with their peers about the most effective course materials. Figuring out the overall design to the course will help you understand what each assignment is meant to achieve.

Now, what about your reader? Most undergraduates think of their audience as the instructor. True, your instructor is a good person to keep in mind as you write. But for the purposes of a good paper, think of your audience as someone like your roommate: smart enough to understand a clear, logical argument, but not someone who already knows exactly what is going on in your particular paper. Remember, even if the instructor knows everything there is to know about your paper topic, he or she still has to read your paper and assess your understanding. In other words, teach the material to your reader.

Aiming a paper at your audience happens in two ways: you make decisions about the tone and the level of information you want to convey.

• Tone means the “voice” of your paper. Should you be chatty, formal, or objective? Usually you will find some happy medium—you do not want to alienate your reader by sounding condescending or superior, but you do not want to, um, like, totally wig on the man, you know? Eschew ostentatious erudition: some students think the way to sound academic is to use big words. Be careful—you can sound ridiculous, especially if you use the wrong big words.
• The level of information you use depends on who you think your audience is. If you imagine your audience as your instructor and she already knows everything you have to say, you may find yourself leaving out key information that can cause your argument to be unconvincing and illogical. But you do not have to explain every single word or issue. If you are telling your roommate what happened on your favorite science fiction TV show last night, you do not say, “First a dark-haired white man of average height, wearing a suit and carrying a flashlight, walked into the room. Then a purple alien with fifteen arms and at least three eyes turned around. Then the man smiled slightly. In the background, you could hear a clock ticking. The room was fairly dark and had at least two windows that I saw.” You also do not say, “This guy found some aliens. The end.” Find some balance of useful details that support your main point.

You’ll find a much more detailed discussion of these concepts in our handout on audience .

The Grim Truth

With a few exceptions (including some lab and ethnography reports), you are probably being asked to make an argument. You must convince your audience. It is easy to forget this aim when you are researching and writing; as you become involved in your subject matter, you may become enmeshed in the details and focus on learning or simply telling the information you have found. You need to do more than just repeat what you have read. Your writing should have a point, and you should be able to say it in a sentence. Sometimes instructors call this sentence a “thesis” or a “claim.”

So, if your instructor tells you to write about some aspect of oral hygiene, you do not want to just list: “First, you brush your teeth with a soft brush and some peanut butter. Then, you floss with unwaxed, bologna-flavored string. Finally, gargle with bourbon.” Instead, you could say, “Of all the oral cleaning methods, sandblasting removes the most plaque. Therefore it should be recommended by the American Dental Association.” Or, “From an aesthetic perspective, moldy teeth can be quite charming. However, their joys are short-lived.”

Convincing the reader of your argument is the goal of academic writing. It doesn’t have to say “argument” anywhere in the assignment for you to need one. Look at the assignment and think about what kind of argument you could make about it instead of just seeing it as a checklist of information you have to present. For help with understanding the role of argument in academic writing, see our handout on argument .

What kind of evidence do you need?

There are many kinds of evidence, and what type of evidence will work for your assignment can depend on several factors–the discipline, the parameters of the assignment, and your instructor’s preference. Should you use statistics? Historical examples? Do you need to conduct your own experiment? Can you rely on personal experience? See our handout on evidence for suggestions on how to use evidence appropriately.

Make sure you are clear about this part of the assignment, because your use of evidence will be crucial in writing a successful paper. You are not just learning how to argue; you are learning how to argue with specific types of materials and ideas. Ask your instructor what counts as acceptable evidence. You can also ask a librarian for help. No matter what kind of evidence you use, be sure to cite it correctly—see the UNC Libraries citation tutorial .

You cannot always tell from the assignment just what sort of writing style your instructor expects. The instructor may be really laid back in class but still expect you to sound formal in writing. Or the instructor may be fairly formal in class and ask you to write a reflection paper where you need to use “I” and speak from your own experience.

Try to avoid false associations of a particular field with a style (“art historians like wacky creativity,” or “political scientists are boring and just give facts”) and look instead to the types of readings you have been given in class. No one expects you to write like Plato—just use the readings as a guide for what is standard or preferable to your instructor. When in doubt, ask your instructor about the level of formality she or he expects.

No matter what field you are writing for or what facts you are including, if you do not write so that your reader can understand your main idea, you have wasted your time. So make clarity your main goal. For specific help with style, see our handout on style .

Technical details about the assignment

The technical information you are given in an assignment always seems like the easy part. This section can actually give you lots of little hints about approaching the task. Find out if elements such as page length and citation format (see the UNC Libraries citation tutorial ) are negotiable. Some professors do not have strong preferences as long as you are consistent and fully answer the assignment. Some professors are very specific and will deduct big points for deviations.

Usually, the page length tells you something important: The instructor thinks the size of the paper is appropriate to the assignment’s parameters. In plain English, your instructor is telling you how many pages it should take for you to answer the question as fully as you are expected to. So if an assignment is two pages long, you cannot pad your paper with examples or reword your main idea several times. Hit your one point early, defend it with the clearest example, and finish quickly. If an assignment is ten pages long, you can be more complex in your main points and examples—and if you can only produce five pages for that assignment, you need to see someone for help—as soon as possible.

Tricks that don’t work

Your instructors are not fooled when you:

• spend more time on the cover page than the essay —graphics, cool binders, and cute titles are no replacement for a well-written paper.
• use huge fonts, wide margins, or extra spacing to pad the page length —these tricks are immediately obvious to the eye. Most instructors use the same word processor you do. They know what’s possible. Such tactics are especially damning when the instructor has a stack of 60 papers to grade and yours is the only one that low-flying airplane pilots could read.
• use a paper from another class that covered “sort of similar” material . Again, the instructor has a particular task for you to fulfill in the assignment that usually relates to course material and lectures. Your other paper may not cover this material, and turning in the same paper for more than one course may constitute an Honor Code violation . Ask the instructor—it can’t hurt.
• get all wacky and “creative” before you answer the question . Showing that you are able to think beyond the boundaries of a simple assignment can be good, but you must do what the assignment calls for first. Again, check with your instructor. A humorous tone can be refreshing for someone grading a stack of papers, but it will not get you a good grade if you have not fulfilled the task.

Critical reading of assignments leads to skills in other types of reading and writing. If you get good at figuring out what the real goals of assignments are, you are going to be better at understanding the goals of all of your classes and fields of study.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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How to Write a Good First Chapter: A Checklist

by Joe Bunting | 2 comments

Free Book Planning Course!  Sign up for our 3-part book planning course and make your book writing easy . It expires soon, though, so don’t wait.  Sign up here before the deadline!

For the writer, there’s nothing harder than writing the first chapter and final chapter of a book. It is here that all of your perfectionism rears its ugly head calling for a full halt to your progress. Here's a checklist on how to write a good first chapter to help you write an opening that grabs the reader and doesn't let go.

I’ve written and rewritten my first chapter dozens of times, and I’m not alone. Most writers struggle to figure out how to start their novel, and it makes sense. Your first chapter can make or break your book: with readers, agents, and publishers.

So then how do you do it? How do you write a good first chapter? In this post, I’m going to walk you through the seven things you need to accomplish in your first chapter, and give you a checklist that you can use in your novel.

Why Does It Matter So Much that a First Chapter Be Good?

My dad recently finished a new book and wants to submit it to agents. Dutiful son that I am, I helped him find a short list of agents on querytracker.com and talked him through their submission requirements.

Each of these literary agents’ submission requirements varied, but nearly all of them asked for the first few pages. Some wanted the first ten pages, while others asked for the first three chapters.

Agents, who often get thousands of submissions per month, will tell you how much those first pages matter. 

If those first pages don’t hook them, if the writing doesn't instantly capture their attention and make them want to read more, they’ll move on to the next submission.

That means if you want your book to be picked up by an agent and then a publisher, your first chapter needs to be good w hich means this chapter has a lot of heavy lifting to do, story-wise.

And that leads to a big question: What exactly do writers need to accomplish in their first chapter?

What is your First Chapter Checklist? 

7 Steps to Write a Good First Chapter: Checklist

How do you write a good first chapter? If you touch each of these things, you’re sure to hook the reader and create a strong foundation for your entire  book.

1. Set the scene through physical movement

Before you can get into the action and drama of a scene, the reader needs to know when and where they are. Publishers, agents, and readers alike don’t enjoy being thrown into the middle of a disorienting action scene. Instead, they prefer to let the scene build up to a climactic moment using the six elements of storytelling (see #6), beginning with a brief amount of exposition.

The best way to set the scene is not through description, which readers, agents, and publishers alike find off-putting in the first sentences of the first scene. It's also not through dialogue, which leaves readers confused—“wait, who’s talking?”

Instead, begin with a character making some kind of physical action through the space that reveals the broader context of the scene.

2. Introduce the protagonist

Your protagonist is the lens through which you tell your story, so introduce them to the reader in the very first scene.

But it’s not enough for the reader to simply see the protagonist. We have to like  them enough to want to follow them for the rest of the story. 

That doesn’t mean you can’t have a protagonist who is flawed or even evil. It does mean we have to sympathize with them.

Here are seven tried-and-true ways to get your reader to sympathize with your characters. I recommend picking at least one to use in your first chapter, and three in your first few chapters.

The 7 Characteristics of Sympathetic Characters

• Takes action. Show your protagonist being proactive. Show them making a hard choice when faced with a dilemma and taking action to get what they want. 
• Treated unjustly . Show your character being bullied, persecuted, treated unfairly, or the victim of injustice. 
• Shows competence . Readers are interested in people who are really good at things. Don’t hide your protagonist’s light under a bushel. Let it shine!
• Has friends . We’re attracted to people who show that they already have other people who like them. Show your protagonist is likeable by surrounding them with other interesting characters from the beginning.
• Does a good deed . “Save the cat,” as Blake Snyder says. By helping someone in need, your protagonist establishes themselves as “the good guy,” despite any other negative qualities.
• Has a quirk . Quirks are memorable things that let us create an instant visualization of someone, like Harry Potter’s scar on his forehead, Ron Weasley’s bright red hair, or Hermione’s frizzy hair. Quirks are especially important for side characters, but a simple quirk helps us quickly get to know a protagonist.
• Secret vulnerability . Everyone has a secret, whether it’s a phobia like Bruce Wayne’s fear of bats, or Superman’s kryptonite, or Inspector Gamache’s terror of heights. By letting the reader in on your protagonist’s secret vulnerability, you create a bond that can last the entire story.

You can use these seven characteristics of sympathetic characters at any point in your story for any character, even your villains. They are like candy for readers, and will always yield compelling characters. 

However, these characteristics are most important to use in the first chapter when you need to quickly create a connection with your protagonist. In fact, you could argue that this is the whole goal of the first chapter.

3. Establish the Point of View (POV)

What is your story's point of view ? Are you going to choose third person limited, third person omniscient, first person, or some other POV?

Establish that strong voice in the first chapter and don't  change it!

Not sure? Read our ultimate point of view guide .

4. Set the genre 

Establish the type of story you’re writing from the beginning. From the first scene, your reader should know whether this is a science fiction story, a crime novel, a horror novel, or a love story . Research the genre and know the conventions you'll need. 

5. Set the value scale

In the same way, establish the value scale that your novel will move on. There are traditionally six value scales in story, and each of these relates to a particular type of story .

• Life vs. Death : Action, Adventure
• Life vs. a Fate Worse than Death : Thriller, Horror, Mystery
• Love vs. Hate : Love Story, Romance
• Accomplishment vs. Failure : Performance, Sports
• Maturity vs. Naivete : Coming of Age
• Right vs. Wrong : Temptation, Morality

Depending on which story type you’re telling, make sure your first scene is set on that scale.

For example, in a love story, make sure the story event occurring in the very first scene deals either with love or hate. Or in a coming of age story , set it in a moment of great immaturity. 

Read our full article on all nine types of stories if you need more help with this step. 

6. Set the stakes

Once your value scale is set, create some kind of movement, ideally moving to either the very bottom or very top of that scale.

For example, in an action story, have a moment where your protagonist is almost sure to die.

Or in a love story, begin in a place of complete hatred between the principle characters.

By setting the stakes early, you let the reader know what to expect (and how you’re going to play with those expectations). 

7. Follow the 6 Elements of Storytelling

Every successful scene, act, and story has six elements that make it work. They are:

• Inciting Incident
• Rising Action/Progressive Complications

The most important of these six is the dilemma, when a character is faced with a difficult choice between two equally good or equally bad options. 

This dilemma is what causes the movement of the scene along your value scale and what creates the essential drama.

All that’s to say, make sure your first chapter has each of these, but especially the dilemma!

What About Books With Prologues?

For books that have a prologue, they may not achieve all of these things below in the first chapter.

The prologue might be set in a different location or time period from the main story. They might introduce a different character than your protagonist, or introduce the protagonist but at a different time in their life. They might be written in a different point of view than the rest of the story (but remember to be consistent throughout your book once the story starts!).

That said, the prologue should still introduce the reader to the journey ahead, and these seven elements. are effective ways to do that. Consider using each of them as you can.

The Essentials of a Good First Chapter

Don’t be a perfectionist with your first chapter, especially if you’re in the first draft of your writing process.

First drafts are hard. First drafts of first chapters are really hard.

Don’t try to write a publishable, award-winning, NY Times-bestselling first chapter the first time you sit down to work on your new story.

Instead, just do the work.

Set the scene with action.

Introduce your protagonist in a sympathetic way so your readers can fall in love with them.

Set the genre and value scale.

Hit each of the six elements.

If you do that, you’ll have a strong first chapter that you can make even better in revision. Before you know it, you'll be on your way to an irresistible chapter!

Does your first chapter meet all of these steps to writing a first chapter? Let us know in the comments .

Put the first chapter checklist to use with your story.

Go back and review a first chapter that you’ve written. Or if you haven’t written a first chapter yet, outline a new one!

Does it hit all seven steps of the checklist? Which of the seven characteristics of sympathetic characters does it touch on? What is it missing? What can you change to make sure you hit all of the steps?

Take fifteen minutes to write, then share your work in the Pro Practice Workshop (and if you’re not a member yet, you can join ). And don't forget to leave feedback for your fellow writers!

Joe Bunting

Joe Bunting is an author and the leader of The Write Practice community. He is also the author of the new book Crowdsourcing Paris , a real life adventure story set in France. It was a #1 New Release on Amazon. Follow him on Instagram (@jhbunting).

Want best-seller coaching? Book Joe here.

Work with Joe Bunting?

WSJ Bestselling author, founder of The Write Practice, and book coach with 14+ years experience. Joe Bunting specializes in working with Action, Adventure, Fantasy, Historical Fiction, How To, Literary Fiction, Memoir, Mystery, Nonfiction, Science Fiction, and Self Help books. Sound like a good fit for you?

Joe, I love this post – thanks for publishing it! Just a little glitch for me, I’m struggling to understand this bit from Step 1, the last part of the last paragraph: . . . “through the space that reveals the broader context of the scene.” I don’t get what you’re saying here, Joe; can you describe your meaning differently so I understand it? Thanks!!

Excellent and well written article for an aspiring writer. Thank you for sharing your knowledge.

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H 1 . Introduction

This handbook is a brief yet comprehensive reference for you to consult as you write papers and other assignments for a college course. You can refer to it as you draft paragraphs and polish sentences for clarity, conciseness, and point of view. You can read it to learn how to identify and revise common sentence errors and confused words. You can use it to help you edit your writing and fine-tune your use of verbs, pronouns, punctuation, and mechanics. And you can have it open as you integrate and cite quotations as well as other source material in your papers in MLA or APA style.

Designed as a reference tool, the handbook is organized to help you get answers to your questions. You do not need to read the entire handbook to get helpful information from it. For example, if your instructor has noted that you need to work on comma splices, you can refer to Sentence Errors , before you turn in a final draft of your writing. If you know you frequently misuse commas, refer to Punctuation , and check your sentences against the advice there. And if you, like many writers, can’t remember which punctuation marks go inside and outside quotation marks, refer to Quotations . Becoming familiar with the handbook and the various topics will allow you to use it efficiently.

H 2 . Paragraphs and Transitions

Paragraphs help readers make their way through prose writing by presenting it in manageable chunks. Transitions link sentences and paragraphs so that readers can clearly understand how the points you are making relate to one another. (See Editing Focus: Paragraph and Transitions for a related discussion of paragraphs and transitions. See Evaluation: Transitions for a related discussion of transitions in multimodal compositions.)

Effective Paragraphs

Paragraphs are guides for readers. Each new paragraph signals either a new idea, further development of an existing idea, or a new direction. An effective paragraph has a main point supported by evidence, is organized in a sensible way, and is neither too short nor too long. When a paragraph is too short, it often lacks enough evidence and examples to back up your claims. When a paragraph is too long, readers can lose the point you are making.

Developing a Main Point

A paragraph is easier to write and easier to read when it centers on a main point. The main point of the paragraph is usually expressed in a topic sentence . The topic sentence frequently comes at the start of the paragraph, but not always. No matter the position, however, the other sentences in the paragraph support the main point.

Supporting Evidence and Analysis

All the sentences that develop the paragraph should support or expand on the main point given in the topic sentence. Depending on the type of writing you are doing, support may include evidence from sources—such as facts, statistics, and expert opinions—as well as examples from your own experience. Paragraphs also may include an analysis of your evidence written in your own words. The analysis explains the significance of the evidence to the reader and reinforces the main point of the paragraph.

In the following example, the topic sentence is underlined. The supporting evidence discussed through cause-and-effect reasoning comes in the next three sentences. The paragraph concludes with two sentences of analysis in the writer’s own words.

underline Millions of retired Americans rely on Social Security benefits to make ends meet after they turn 65. end underline According to the Social Security Administration, about 46 million retired workers receive benefits, a number that reflects about 90 percent of retired people. Although experts disagree on the exact numbers, somewhere between 12 percent and 40 percent of retirees count on social security for all of their income, making these benefits especially important (Konish). These benefits become more important as people age. According to Eisenberg, people who reach the age of 85 become more financially vulnerable because their health care and long-term care costs increase at the same time their savings have been drawn down. It should therefore come as no surprise that people worry about changes to the program. Social Security keeps millions of retired Americans out of poverty.

Opening Paragraphs

Readers pay attention to the opening of a piece of writing, so make it work for you. After starting with a descriptive title, write an opening paragraph that grabs readers’ attention and alerts them to what’s coming. A strong opening paragraph provides the first clues about your subject and your stance. In academic writing, whether argumentative, interpretative, or informative, the introduction often ends with a clear thesis statement , a declarative sentence that states the topic, the angle you are taking, and the aspects of the topic the rest of the paper will support.

Depending on the type of writing you’re doing, you can open in a variety of ways.

• Open with a conflict or an action. If you’re writing about conflict, a good opening may be to spell out what the conflict is. This way of opening captures attention by creating a kind of suspense: Will the conflict be resolved? How will it be resolved?
• Open with a specific detail, statistic, or quotation. Specific information shows that you know a lot about your subject and piques readers’ curiosity. The more dramatic your information, the more it will draw in readers, as long as what you provide is credible.
• Open with an anecdote. Readers enjoy stories. Particularly for reflective or personal narrative writing, beginning with a story sets the scene and draws in readers. You may also begin the anecdote with dialogue or reflection.

The following introduction opens with an anecdote and ends with the thesis statement, which is underlined.

Betty stood outside the salon, wondering how to get in. It was June of 2020, and the door was locked. A sign posted on the door provided a phone number for her to call to be let in, but at 81, Betty had lived her life without a cell phone. Betty’s day-to-day life had been hard during the pandemic, but she had planned for this haircut and was looking forward to it: she had a mask on and hand sanitizer in her car. Now she couldn’t get in the door, and she was discouraged. In that moment, Betty realized how much Americans’ dependence on cell phones had grown in the months she and millions of others had been forced to stay at home. underline Betty and thousands of other senior citizens who could not afford cell phones or did not have the technological skills and support they needed were being left behind in a society that was increasingly reliant on technology end underline .

Closing Paragraphs

The conclusion is your final chance to make the point of your writing stick in readers’ minds by reinforcing what they have read. Depending on the purpose for your writing and your audience, you can summarize your main points and restate your thesis, draw a logical conclusion, speculate about the issues you have raised, or recommend a course of action, as shown in the following conclusion:

Although many senior citizens purchased and learned new technologies during the COVID-19 pandemic, a significant number of older people like Betty were unable to buy and/or learn the technology they needed to keep them connected to the people and services they needed. As society becomes increasingly dependent on technology, social service agencies, religious institutions, medical providers, senior centers, and other organizations that serve the elderly need to be equipped to help them access and become proficient in the technologies essential to their daily lives.

Transitions

Transitional words and phrases show the connections or relationships between sentences and paragraphs and help your writing flow smoothly from one idea to the next.

A paragraph flows when ideas are organized logically and sentences move smoothly from one to the next. Transitional words and phrases help your writing flow by signaling to readers what’s coming in the next sentence. In the paragraph below, the topic sentence and transitional words and phrases are underlined.

underline Some companies court the public by mentioning environmental problems and pointing out that they do not contribute to these problems. end underline underline For example end underline , the natural gas industry often presents natural gas as a good alternative to coal. underline However end underline , according to the Union of Concerned Scientists, the drilling and extraction of natural gas from wells and transporting it through pipelines leaks methane, a major cause of global warming (“Environmental Impacts”). underline Yet end underline leaks are rarely mentioned by the industry. By taking credit for problems they don’t cause and being silent on the ones they do, companies present a favorable environmental image that often obscures the truth.

Transitional Words and Phrases

Following are some transitional words and phrases and their functions in paragraphs. Use this list when drafting or revising to help guide readers through your writing. (See Editing Focus: Paragraphs and Transitions for another discussion on transitions.)

H 3 . Clear and Effective Sentences

This section will help you write strong sentences that convey your meaning clearly and concisely. See Editing Focus: Sentence Structure for a related discussion and practice on effective sentences.

The most emphatic place in a sentence is the end. To achieve the strongest emphasis, end with the idea you want readers to remember. Place introductory, less important, or contextual information earlier in the sentence. Consider the differences in these two sentences.

Less Emphatic Angel underline needs to start now end underline if he wants to have an impact on his sister’s life. More Emphatic If Angel wants to have an impact on his sister’s life, he underline needs to start now end underline .

Concrete Nouns

General nouns name broad classes or categories of things ( man, dog, city ); concrete nouns refer to particular things ( Michael, collie, Chicago ). Concrete nouns provide a more vivid and lively reading experience because they create stronger images that activate readers’ senses. The examples below show how concrete nouns, combined with specific details, can make writing more engaging.

All General Nouns Approaching the library, I see underline people end underline and underline dogs end underline milling about underline outside end underline , but no subjects to write about. I’m tired from my underline walk end underline and go inside. Revised with Concrete Nouns Approaching underline Brandon Library end underline , I see underline skateboarders end underline and underline bikers end underline weaving through underline students end underline who talk in underline clusters end underline on the underline library steps end underline . A friendly underline collie end underline waits for its owner to return. Subjects to write about? Nothing strikes me as especially interesting. Besides, my heart is still pounding from the walk up the hill. I wipe my sweaty underline forehead end underline and go inside.

Active Voice

Active voice refers to the way a writer uses verbs in a sentence. Verbs have two “voices”: active and passive. In the active voice , the subject of the sentence acts—the subject performs the action of the verb. In the passive voice , the subject receives the action, and the object actually becomes the subject. Although some passive sentences are necessary and clear, a paper full of passive-voice constructions lacks vitality and becomes wordy.

Active-voice verbs make something happen. By using active verbs wherever possible, you will create stronger, clearer, and more concise sentences.

Passive Voice On the post-training survey, the anti-harassment tutorial underline was rated end underline highly informative underline by end underline employees. Revised in Active Voice On the post-training survey, underline employees end underline underline rated end underline the anti-harassment tutorial highly informative.

Conciseness

Concise writing considers the importance of every word. Editing sentences for emphasis, concrete nouns, and active voice will help you write clearly and precisely, as will the following strategies. To be concise, eliminate wasted words and filler— not ideas, information, description, or details that will interest readers or help them follow your thoughts. (For more on conciseness, see Editing Focus: Sentence Structure .)

Use Action Verbs

Using action verbs is one of the most direct ways to cut unneeded words. Whenever you find a phrase like the ones below, consider substituting an action verb.

Cut Unnecessary Words and Phrases

Eliminate words and phrases that do not add meaning. Consider the following sentences, which say essentially the same thing.

Wordy In almost every situation that I can think of, with few exceptions, it will make good sense for you to look for as many places as possible to cut out needless, redundant, and repetitive words and phrases from the papers, reports, paragraphs, and sentences you write for college assignments. (49 words) Concise Whenever possible, cut needless words and phrases from your college writing. (11 words)

The wordy sentence is full of early-draft language in three chunks. The first chunk comes at the beginning of the sentence. Notice how In almost every situation that I can think of, with few exceptions, it will make good sense for you to look for as many places as possible is reduced to Whenever possible in the concise sentence.

The second chunk of the wordy sentence is needless, redundant, and repetitive. The concise version reduces those four words to needless because the words have the same meaning. The third chunk of the wordy sentence comes at the end. Notice how papers, reports, paragraphs, and sentences you write for college assignments is reduced to your college writing. The meaning, although expanded to all writing, remains the same.

The following phrases are common fillers that add nothing to meaning. They should be avoided.

• a person by the name of
• for all intents and purposes
• in a manner of speaking
• more or less

Some common filler phrases have single-word alternatives, which are preferable.

Avoid there is/there are and it is

Starting a sentence with there is, there are, or it is can be useful to draw attention to a change in direction. However, starting a sentence with one of these phrases often forces you into a wordy construction. Wordiness means the presence of verbal filler; it does not mean the number of words, the amount of description, or the length of a composition. (For more on these constructions, see Editing Focus: Sentence Structure .)

Wordy underline There is often uncertainty about whether or not employees end underline are required to turn on their cameras during online meetings, and underline there are end underline some employees underline who end underline don’t. However, underline it is the expectation of employers end underline that cameras underline be end underline turned on. Concise underline Employees are often uncertain whether they end underline must turn on their cameras during online meetings, and underline some don’t end underline . However, underline employers expect end underline cameras to be turned on.

Parallelism

Within a sentence, parallelism —the repetition of a word or grammatical construction— creates symmetry and balance, makes an idea easier to remember, and sounds pleasing to the ear. In the first example below, the parallelism is established by the repetition of the phrase beginning with who . In the second example, the parallelism is created by the underlined nouns.

Unparallel After 25 years, the battle over the reintroduction of wolves continues between environmental activists, underline who support it end underline , and underline hunters and people who own cattle ranches and are opposed end underline . Parallel After 25 years, the battle over the reintroduction of wolves continues between environmental activists, underline who support it end underline , and cattle ranchers and hunters, underline who oppose it end underline . Unparallel Exercises that improve core strength include underline crunches end underline , underline leg lifts end underline , and underline when you do push-ups and planks end underline . Parallel Exercises that improve core strength include underline crunches end underline , underline leg lifts end underline , underline push-ups end underline , and underline planks end underline .

Varying the length and structure of sentences makes your writing more interesting to read.

Simple Sentences

A simple sentence has one idea expressed in a single main clause (also known as an independent clause). A main clause contains a subject and a predicate and can stand alone as a sentence. A simple sentence can be short or long, as shown in the examples below. The phrases in the long sentence add information, but the sentence remains a simple sentence nonetheless because it has only one clause.

The underline coronavirus end underline double underline spread end double underline around in the world in 2020. School-age underline children end underline and college underline students end underline double underline were pushed end double underline into virtual learning environments in March 2020, with schools closing for unspecified lengths of time.

Compound Sentences

A compound sentence contains two or more main clauses that are equally important to the meaning of the sentence. (A main clause contains a subject and a predicate and can stand alone as a sentence.) You can create compound sentences in the following ways:

Compound Sentence Using a Coordinating Conjunction

Create a compound sentence by using a coordinating conjunction — for, and, nor, but, or, yet, or so (fanboys)— to join main clauses . To remember the coordinating conjunctions, use the mnemonic device fanboys.

underline Restaurants end underline and small underline retailers end underline double underline experienced end double underline steep drops in revenue during the pandemic, and underline many end underline double underline were forced end double underline to close. underline Restaurants end underline and small underline retailers end underline double underline experienced end double underline steep drops in revenue during the pandemic, yet underline many end underline double underline survived end double underline the downturn.

Compound Sentence Using a Semicolon

A semicolon can join two main clauses that are closely related in meaning. When using a semicolon, you must have a complete sentence before and after it.

underline Restaurants end underline and small underline retailers end underline double underline experienced end double underline steep drops in revenue during the pandemic ; underline many end underline double underline were forced end double underline to close.

Compound Sentence Using a Semicolon and Transitional Word or Phrase

A transitional words or phrases such as however, in fact, meanwhile, therefore, consequently, as a result, instead, or furthermore indicates the relation of two or more equally important ideas in the main clauses.

underline Restaurants end underline and small underline retailers end underline double underline experienced end double underline steep drops in revenue during the pandemic ; however , underline many end underline double underline survived end double underline the downturn.

Complex Sentences

A complex sentence contains one main clause (a clause that contains a subject and a predicate and can stand alone as a sentence) and one or more subordinate clauses (also known as dependent clauses). Subordinate clauses begin with a subordinating word or phrase such as although, because, even if, when, whenever, since, as though, whether, as long as, until, or while. The main clause expresses the main idea of the sentence, and the subordinate clause expresses the less important idea. Like a main clause, a subordinate clause has a subject and verb; however, unlike a main clause, it cannot stand alone as a sentence. A subordinate clause punctuated as a sentence is a type of sentence fragment. The subordinate clauses in the following sentences are underlined.

underline Although the federal government provided financial assistance end underline , the money came too late for many businesses. underline When schools and universities shut down in March of 2020 end underline , students had to learn at home, underline a situation that proved challenging for many households end underline .

Compound-Complex Sentences

A compound-complex sentence contains two or more main clauses (clauses that contain subjects and predicates and can stand alone as sentences) and one or more subordinate clauses (clauses that begin with a subordinating word such as although, because, even if, when, whenever, since, as though, whether, as long as, until, and while ). A compound-complex sentence is an effective structure to use when you want to express three or more ideas in a single sentence. The example sentence has two main clauses (double underline) and three subordinate clauses (single underline).

underline When school districts reopened end underline , double underline parents had to decide end double underline underline whether they wanted their children to attend classes in person end underline , double underline and they had to be ready for classes to move online end double underline underline if there were outbreaks of the coronavirus in their community. end underline

H 4 . Sentence Errors

These four common sentence errors can make your writing hard to read: fragments, comma splices, run-on sentences, and mixed constructions.

Sentence Fragments

A sentence fragment is a group of words that lacks a subject, a verb, or both, or it is a subordinate clause (a clause that begins with a subordinating word such as although, because, since, and so on) punctuated as though it were a sentence by itself. Although most are grammatical errors, sentence fragments can be used judiciously in conventional writing so long as the purpose is clear to readers and the fragment is clearly intended.

Unintentional Sentence Fragments

Often a sentence fragment follows a complete sentence and expands on it, as illustrated in the examples below (fragments are underlined). You can correct most fragment errors by attaching the fragment to the sentence to which it belongs or by rewriting the fragment as a complete sentence.

Sentence Fragment People think that they will be happy if they are well off. underline That money will make everything better. end underline Revised by Attaching the Fragment to a Complete Sentence People think that they will be happy if they are well off underline and end underline that money will make everything better. Sentence Fragment Psychologist David Myers explains how students have increasingly chosen to attend college to make more money. Thus underline further explaining his point of people’s desire to use money to gain happiness. end underline Revised by Attaching the Fragment to a Complete Sentence Psychologist David Myers explains how students have increasingly chosen to attend college to make more money, underline thus further explaining his point of people’s desire to use money to gain happiness. end underline Sentence Fragment Although income grew, people’s happiness did not. underline With rich people reporting that even though they had plenty of money, their happiness had not changed much. end underline Revised by Adding a Verb Although income grew, people’s happiness did not. underline Rich people reported end underline that even though they had plenty of money, their happiness had not changed much. Sentence Fragment For many people, increased income is being spent on the things that people are unable to pay less for. underline Things like taxes, childcare, transportation, and housing. end underline Revised by Adding a Subject and a Verb For many people, increased income is being spent on things that people are unable to pay less for. underline These include end underline taxes, childcare, transportation, and housing.

Intentional Sentence Fragments

Intentional sentence fragments force quick reading, inviting readers to stitch meaning to together. Intentional fragments are most common in creative writing and advertising.

The rabbit darted out of the shadows. underline A flash of movement. end underline The dog lunged and strained at the leash.

Comma Splices

A comma splice is a common error that occurs when two complete sentences are joined by a comma. You can correct a comma splice by adding a coordinating conjunction ( for, and, nor, but, or, yet, or so), adding a period and creating two sentences, adding a coordinating conjunction and creating a compound sentence, or subordinating one clause and creating a complex sentence.

Comma Splice The author sheds light on the financial sacrifice many mothers make , they take care of their children without compensation and often lose professional status. Revised with a Coordinating Conjunction The author sheds light on the financial sacrifice many mothers make, underline for end underline they take care of their children without compensation and often lose professional status.

Comma Splice Many college students see their education as the way to become wealthy , some are sacrificing happiness to pursue high-paying careers. Revised with a Period Many college students see their education as the way to become wealthy . S ome are sacrificing happiness to pursue high-paying careers.

Comma Splice Psychologist David Myers conducted multiple surveys asking people about their attitudes about money , the results revealed that people felt they needed more regardless of how much they had. Revised with a Semicolon Psychologist David Myers conducted multiple surveys asking people about their attitudes about money ; the results revealed that people felt they needed more regardless of how much they had.

Comma Splice Love cannot be paid for , it is a gift that parents give because they love their children. Revised with a Semicolon and Transitional Word or Phrase Love cannot be paid for ; underline indeed end underline , it is a gift that parents give because they love their children.

Comma Splice Students are choosing majors to enable them to earn more money , they are under the misconception that earning money guarantees happiness. Revised with a Subordinate Clause Students are choosing majors to enable them to earn more money underline because end underline they are under the misconception that earning money guarantees happiness.

Run-on Sentences

In a run-on sentence , two or more complete sentences are not separated by any punctuation. Like comma splices, most run-on sentences can be revised in one or more of the following ways: adding a coordinating conjunction ( for, and, nor, but, or, yet, or so ), adding a period and creating two sentences, separating the sentences with a semicolon, separating the sentences with a semicolon and transitional word or phrase (such as on the other hand, however, consequently, and so on), or turning the less important sentence into a subordinate clause starting with a subordinating word such as although, because, if, when, since , and so on.

Run-on Sentence The DNR eventually designated the area as crucial habitat the protection came too late to save the nesting birds. Revised with a Comma and a Coordinating Conjunction The DNR eventually designated the area as crucial habitat , underline but end underline the protection came too late to save the nesting birds. Run-on Sentence Most people realize that being wealthy won’t just happen many college students choose a major that will ensure they make money. Revised with a Period Most people realize that being wealthy won’t just happen . Many college students choose a major that will ensure they make money. Run-on Sentence Parents do not expect any financial reward they care for their children out of love and responsibility. Revised with a Semicolon Parents do not expect any financial reward ; they care for their children out of love and responsibility. Run-on Sentence The average American family’s expenses have risen faster than incomes they have saved less than prior generations. Revised with a Semicolon and Transitional Word or Phrase The average American family’s expenses have risen faster than incomes ; underline as a result end underline , they have saved less than prior generations. Run-on Sentence College students have the opportunity to choose any major they tend to choose those that offer immediate opportunities to earn money when they graduate. Revised with a Subordinate Clause underline Although end underline college students have the opportunity to choose any major underline , end underline they tend to choose those that offer immediate opportunities to earn money when they graduate.

Mixed Sentence Constructions

A mixed sentence contains parts that do not fit together because of grammar or meaning. In the following example, the writer needs to revise either the second part to fit with the first part or the first part to fit with the second. (See Editing Focus: Mixed Sentence Constructions for more on mixed sentence constructions.)

Mixed Sentence underline By starting my general studies classes last semester end underline underline gave me the opportunity to take classes in my major this fall end underline . Second Part Revised By starting my general studies classes last spring, underline I had end underline the opportunity to take classes in my major this fall. First Part Revised underline Starting end underline my general studies classes last spring gave me the opportunity to take classes in my major this fall.

Just because . . . doesn’t mean Constructions. Just because . . . doesn’t mean constructions are common in speech but should be avoided in writing.

Just because underline Just because end underline I want to be a doctor underline doesn’t mean end underline I will get into medical school. Revised Simply wanting to be a doctor doesn’t guarantee admission to medical school. Revised Although I want to be a doctor, I will need to work hard to get into medical school.

H 5 . Words and Language

The English language is rich and always evolving, offering you many ways and words to express yourself in writing and speech.

Language Varieties

English is not one language but many, made up of regional and social dialects. In addition, groups speak using specialized language among themselves that can be difficult for outsiders to understand. As a writer, be aware of the audience for your writing. Use language that your readers will understand directly or from context.

English dialects are distinctive versions of the language used in geographical regions and/or by particular social or ethnic groups. Standard American English, the English spoken by newscasters, is one such dialect, as are African American Vernacular English, Creole, Appalachian English, and others. English dialects have many features in common, but each has particulars of grammar, vocabulary, and pronunciation. (For an in-depth discussion of dialects and academic writing, see Spotlight on … Variations of English .)

Groups of people with similar skills and interests often develop slang that allows them to express ideas quickly and vividly. Slang also signals knowledge about a particular topic, such as meme culture, music, sports, and more. Slang is generally considered too casual for most academic writing, but it may be appropriate for personal essays. In your papers, be aware of your purpose and audience when choosing to use slang. Avoid using slang that your readers are unlikely to understand.

Technical Expressions

Experts in many professional fields use specialized and technical expressions that allow them to communicate efficiently and clearly with each other. Such language is often incomprehensible for nonexperts and should be avoided in writing for general readers. (For tips on writing about a technical topic for an audience of nonspecialists, see Spotlight on … Discipline-Specific and Technical Language .)

Biased Language

Biased words and expressions exclude or demean people on the basis of gender, sex, sexual orientation, age, ethnicity, social class, or physical or mental traits.

Biased Language Based on Sex and Gender

English includes words and expressions that are considered biased based on sex and gender, such as mankind, businessman, chairman, fireman, and so on. These are commonly replaced by gender-neutral words such as humanity, businessperson, chair or chairperson, and firefighter. (See Spotlight on … Bias in Language and Research for more on language bias.)

In addition, the English pronoun he has traditionally been used as the gender-neutral pronoun. For example, the construction A underline doctor end underline should have a caring attitude toward underline his end underline patients was once common but is now widely viewed as gender biased because many doctors are not men. For a discussion of the pronoun he used as the gender-neutral pronoun, see Pronouns .

Labels and Stereotypes

Be sensitive to labels and stereotypes that may insult a group of people you are writing about. Avoid labels that don’t put people first, such as cancer victim and wheelchair-bound. Don’t make assumptions about entire groups of people that promote stereotypes, such as teenagers are rebellious, elderly people don’t hear well, conservatives are rich, or women are more emotional than men . (See Spotlight on … Bias in Language and Research for more on language bias.)

Exact Words

As a general rule, use plain, direct words in your writing. Avoid reaching for a word that sounds fancy or impressive, especially if you are unsure about the meaning. If you use a word that is only vaguely familiar to you, look it up in a dictionary to ensure you are using it correctly. (You can type the word and “def” to get a definition.) Doing so has the added benefit of building your vocabulary.

Words Commonly Confused

The words in the following list are commonly confused or misused by writers. As you write, consult this list or use a reliable online tool, such as Merriam-Webster , to check the meanings and usage of words you’re unsure of. Keep a list of words that cause you trouble as you become aware of them. Then, after you draft a document, do a search for the words on your list. (For a discussion of homonyms, homographs, and homophones, see Editing Focus: Words Often Confused .)

H 6 . Point of View

Point of view refers to the vantage point from which a story, event, report, or other written work is told. The point of view in which you write depends on the genre in which you are writing. For example, you will likely use first person in personal narrative writing. For most academic writing, you’ll use third person. (See Editing Focus: Characterization and Point of View for a related discussion of point of view in narrative writing.)

First Person

In the first-person point of view, the writer or narrator ( I, we ) is present in the writing. First person is commonly used in personal writing genres, such as literacy narratives, memoirs, and profiles, as well as in fiction.

After midnight—my paper started, my exam studied for—I leave the library and head back to my apartment. In the dark, I listen closely when I hear footsteps behind me, and I step to the edge of the sidewalk to let a man pass. At my door, I fumble for my key, open the door, turn on the light, and step inside. I am safe, ready to eat, read a bit, and return to my paper.

Second Person

Second-person point of view is used occasionally when an outsider ( you ) becomes part of a story. It should not be confused with a writer or speaker using “you” when directly addressing an audience ( you ). Nor should it be confused with giving instructions ( drive forward, add one cup of brown sugar, close the door ) or with its similar use in textbooks such as this one. However, second person is not considered appropriate in most academic writing.

Writers often slip into second person when they intend to write in third person. In the example below, the writer starts in third person and shifts by accident to second person. To check your sentences for second person, search your documents for you , and revise as needed.

Shift from Third Person to Second Person The federal government should raise the minimum wage because it has the responsibility to ensure underline people end underline earn a wage underline you end underline can live on. The current minimum wage, $7.25 per hour, is not enough to pay underline rent end underline , let alone support a family. Many people cannot lift themselves out of poverty. A higher minimum wage can help you. Revised The federal government should raise the minimum wage because it has the responsibility to ensure underline workers end underline earn a wage underline they end underline can live on. The current minimum wage, $7.25 per hour, is not enough to pay underline a single person’s end underline rent, let alone support a family. Many people cannot lift themselves out of poverty. A higher minimum wage can help them.

Third Person

The third-person point of view ( he, she, it, they ) is customary for fiction and for academic writing, such as research papers, reports, visual and textual analysis papers, argumentative essays, and the like. Third-person point of view emphasizes the information instead of the writer.

The hikers and other passive trail users argue that mountain bikes should not be allowed on narrow trails traditionally traveled by foot and horse. underline They end underline point out that the bikes’ wide, treaded tires cause erosion, that the bikers’ high speeds startle hikers and horses, and that underline their end underline presence on trails disrupts the tranquility that hikers and bird watchers seek.

H 7 . Verbs

In a sentence, a verb expresses an action, an occurrence, or a state of being.

Subject-Verb Agreement

In many sentences, making the verb agree with the subject is straightforward: underline I end underline underline run end underline every day. My underline sister end underline underline runs end underline every other day. Sometimes our underline brother end underline underline joins end underline us, and underline all end underline of us underline run end underline together. However, subject-verb agreement gets tricky in the following circumstances. (See Editing Focus: Subject-Verb Agreement for more on subject-verb agreement.)

Agreement with Compound Subjects

Two or more subjects joined by and take a plural verb in most sentences:

underline Yoga and meditation end underline double underline are end double underline effective activities for relieving stress.

However, when the parts of the subject form a single idea or unit, the verb is singular:

underline Macaroni and cheese end underline double underline is end double underline my favorite meal.

When compound subjects are joined by or or nor, the verb agrees with the word closest to it:

Either your aunts or your underline mother end underline double underline remembers end double underline where your great-grandmother’s grave is located. Neither the image nor the underline words end underline double underline convey end double underline the message of the advertisement clearly.

Agreement When Words Come between Subject and Verb

The verb must agree with the subject even when words and phrases come between them:

The underline cost end underline of the flights double underline is end double underline prohibitive. A underline box end underline of invitations with stamps and return addresses double underline was end double underline on the desk.

Agreement When the Verb Comes Before the Subject

The verb must agree with the subject, even when it comes before the subject:

double underline Are end double underline underline James and Tamara end underline at the front of the line? There double underline were end double underline three underline people end underline ahead of us in line. Under the table double underline are end double underline a underline newspaper end underline and a underline magazine end underline .

Agreement with Everyone and Other Indefinite Pronouns

An indefinite pronoun is general; it does not refer to a specific person, place, or thing. Most indefinite pronouns take a singular verb, but not all. Those that take a singular verb include anybody, anyone, anything, each, everybody, everyone, everything, nobody, no one, nothing, one, somebody, someone, and something .

underline Everyone end underline in the class double underline has prepared end double underline a research proposal. underline Nobody end underline among the accused suspects double underline admits end double underline to the crime.

The following indefinite pronouns take a plural verb: both, few many, others, and several.

underline Several end underline of the students in the class double underline have proposed end double underline researching hurricanes. underline Both end underline of the suspects double underline deny end double underline committing the crime.

Several indefinite pronouns take a singular or plural verb depending on whether the word they refer to is singular or plural. These include all, any, enough, more, most, neither, none, and some.

underline Most end underline of the class double underline has proposed end double underline researching a topic related to climate change. ( Most refers to class. ) underline Most end underline of the students in the class double underline have proposed end double underline researching a topic related to climate change. ( Most refers to students. ) underline Neither end underline the students underline nor end underline the teachers double underline have proposed end double underline a field trip. ( Neither/nor refers to students and teachers .)

Agreement with Collective Nouns

Collective nouns such as audience, band, class, crowd, family, group, or team can take a singular or a plural verb depending on the context. When the group acts as a single unit, which is the most common construction, use a singular verb:

The underline band end underline double underline rehearses end double underline every day.

When the group acts individually, use a plural verb, or to avoid confusion, add the word members and use a plural verb.

The underline jury end underline double underline do not agree end double underline on a verdict. The underline jury end underline members double underline do not agree end double underline on a verdict.

Agreement with Words Such as News and Statistics

Some nouns that end in -s , such as athletics, economics, measles, news, physics, politics, and statistics seem plural but are usually regarded as singular in meaning. In most situations, these words take a singular verb:

Day after day, the underline news end underline double underline was end double underline bad. underline Statistics end underline double underline fulfills end double underline a math requirement for many college majors.

When a word like economics, politics, or statistics refers to a specific situation, use a plural verb:

The underline economics end underline of the situation double underline are end double underline hard to comprehend.

Agreement with Titles and Words Used as Words

Whether singular or plural in form, titles and words used as words take singular verbs:

Directed by Spike Lee, underline Da 5 Bloods end underline double underline centers end double underline around four veterans returning to Vietnam to find the remains of their squad leader and the fortune they hid together. underline Children end underline double underline is end double underline the plural form of child .

Tense expresses the time of a verb’s action—the past, present, or future. Tense comes naturally in speech, but it can be tricky to control in writing. The following guidelines will help you choose the appropriate tense for your writing and use it consistently. (See Editing Focus: Verb Tense Consistency for a related discussion of consistent verb tense.)

Verb Tense in Narrative Writing

Personal experience stories, such as literacy narratives, memoirs, personal essays, or profiles, can be written in either the past or the present tense. Although the most natural way to tell a story about a past experience is to write in the past tense, the present tense can draw readers into the story and give the illusion that the experience is happening as they are reading it. In the following examples, the writer describes driving with her Native American grandfather to a tribal conference. Notice the difference between the past and present tense.

Narrative Writing Using Past Tense I double underline sat end double underline silently next to Grandfather and double underline watched end double underline him slowly tear the thin white paper from the tip of the cigarette. He double underline gathered end double underline the tobacco in one hand and double underline drove end double underline the van with the other. I double underline memorized end double underline his every move as he double underline went end double underline through the motions of the prayer, which double underline ended end double underline when he double underline blew end double underline the tobacco out the window and into the wind. Narrative Writing Using Present Tense I double underline sit end double underline silently next to Grandfather and double underline watch end double underline him slowly tear the thin white paper from the tip of the cigarette. He double underline gathers end double underline the tobacco in one hand and double underline drives end double underline the van with the other. I double underline memorize end double underline his every move as he double underline goes end double underline through the motions of the prayer, which double underline ends end double underline when he double underline blows end double underline the tobacco out the window and into the wind.

Verb Tense in Academic Writing

Academic disciplines differ in their tense preferences for signal phrases used in formal essays and reports to introduce and discuss evidence. A signal phrase is a verb that tells readers the words or ideas that follow come from another source. Signal phrases include words such as argues, asserts, claims, comments, denies, discusses, implies, proposes, says, shows, states, and suggests. (For more discussion and a more extensive list of signal phrases, see Editing Focus: Integrating Sources and Quotations .)

If you are writing for a course in English, a foreign language, or a related discipline and using MLA documentation style, you generally will use the present tense or the present perfect tense in signal phrases.

Present Tense The film critic Manohla Dargis double underline claims end double underline that . . . Present Perfect Tense The film critic Manohla Dargis double underline has claimed end double underline that . . .

When you are analyzing a work of literature, common practice is to use the literary present tense in discussing both the work of the author and the action that occurs in the work:

Being cool double underline is end double underline key to the lives of the speakers in “We Real Cool,” a poem by Gwendolyn Brooks. Brooks double underline uses end double underline short lines and stanzas in which speakers double underline list end double underline what it means to be cool: dropping out of school, staying out late, playing pool, drinking, carousing, and so on. Being cool double underline unites end double underline the speakers, and they double underline celebrate end double underline their lifestyle, even as they double underline acknowledge end double underline in the final line of the poem that their coolness double underline may cause end double underline them to die young.

(For more on literary present tense, see Editing Focus: Literary Works Live in the Present .)

If you are writing for a course in history, art history, philosophy, religion, or a related discipline in the humanities, you generally will use the present tense or the present perfect tense in signal phrases.

Present Tense The historian Eduardo Galeano double underline argues end double underline that . . . Present Perfect Tense The historian Eduardo Galeano double underline has argued end double underline that . . .

On the other hand, if you are writing for a course in the social sciences, such as psychology, political science, or economics; a course in the natural sciences, such as biology, chemistry, or physics; or a technical field such as engineering, you will generally use past tense or present perfect tense for most signal phrases.

Past Tense The study double underline found end double underline that individuals who identify as transgender . . . (past tense) Present Perfect Tense: Several recent studies double underline have found end double underline that individuals who identify as transgender . . .

Verb Tense Consistency

Whichever tense you choose, be consistent throughout a piece of writing. You may need to shift tenses to indicate actual changes in time, but the governing tense should remain constant. (See Editing Focus: Verb Tense Consistency for a related discussion of consistent verb tense.)

Inconsistent Blinking back tears, I double underline clutched end double underline my two-year-old son to my chest, double underline kiss end double underline his forehead, and double underline will gather end double underline my things. It double underline is end double underline 2003, and I double underline was end double underline headed to active duty in Iraq with the National Guard. I double underline hug end double underline my spouse, my mom, my dad, my brothers, and my grandma. Then I double underline turn end double underline and double underline climbed end double underline on the bus that double underline takes end double underline me to a future that, in all honesty, double underline was end double underline terrifying to me. Consistent Blinking back tears, I double underline clutched end double underline my two-year-old son to my chest, double underline kissed end double underline his forehead, and double underline gathered end double underline my things. It double underline was end double underline 2003, and I double underline was end double underline headed to active duty in Iraq with the National Guard. I double underline hugged end double underline my spouse, my mom, my dad, my brothers, and my grandma. Then I double underline turned end double underline and double underline climbed end double underline on the bus that double underline would take end double underline me to a future that, in all honesty, double underline was end double underline terrifying to me.

Irregular Verbs

Most verbs are regular and form the past tense and past participle forms by adding -d or -ed.

• I bake/I baked/I have baked
• She discovers/she discovered/she has discovered
• They shovel/they shoveled/they have shoveled

Some verbs, however, are irregular and form the past tense and participle in another way. Below are a few of the approximately 200 irregular verbs in English. For a comprehensive list of irregular verbs, see this list .

• begin/began/begun
• bring/brought/brought
• buy/bought/bought
• do/did/done
• drive/drove/driven
• fall/fell/fallen
• go/went/gone
• have/had/had
• is/was/been
• lead/led/led
• hide/hid/hidden
• ring/rang/rung
• run/ran/run
• see/saw/seen
• sing/sang/sung
• sit/sat/sat
• shake/shook/shaken
• speak/spoke/spoken
• take/took/taken
• wear/wore/worn
• write/wrote/written

Verbs have three moods: indicative, imperative, and subjunctive. Mood can be said to indicate a speaker’s attitude or intention.

Indicative Mood

Use the indicative mood to state a fact or an opinion or to ask a question:

Thousands of women currently double underline serve end double underline in the military. I double underline think end double underline college tuition double underline is end double underline expensive. The weather double underline was end double underline awful for much of the winter but double underline will improve end double underline soon. double underline Have end double underline you double underline submitted end double underline your request for time off?

Imperative Mood

Use the imperative mood to give instructions and commands. The subject, you , is often implied but not stated:

double underline (You) Use end double underline the online form to request time off. double underline (You) Submit end double underline your request for time off by Friday. double underline You must submit end double underline your request on time.

Subjunctive Mood

Use the subjunctive mood to express wishes, suggestions, or requirements or to state hypothetical or unlikely conditions:

The rules state that every member double underline be end double underline present for the vote. I wish you double underline were end double underline here to see the exhibition. The governing board could be more effective if all members double underline were end double underline active. Students who failed the class would have passed double underline had end double underline they double underline completed end double underline all assignments.

H 8 . Pronouns

A Pronouns is a word used in place of a noun. Some pronouns are I, you, he, she, we, they, who, and everyone . The noun a pronoun replaces or refers to is its antecedent . (See Editing Focus: Pronouns for a related discussion of pronouns.)

Pronoun Reference

A pronoun should refer to a clear and specific antecedent.

Clear Antecedent All nine underline members end underline of the school board voted in favor of changing the district’s mascot. underline They end underline explained their reasoning during the meeting. ( They refers clearly to members. ) Unclear Antecedent In Smith’s essay, underline she end underline explains why many American families have less money saved and more debt than families in the 1970s. Revised In underline her end underline essay, underline Smith end underline explains why many American families have less money saved and more debt than families in the 1970s.

Problems with pronoun reference occur in the following situations:

Vague this, that, which, or it . The pronouns this, that, which, and it should not refer to words expressing an idea, an event, or a situation.

Vague Reference The school board voted to change the district’s mascot without holding special meetings with the public. underline This end underline made some community members angry. ( Are community members angry about the vote or about the lack of special meetings? ) Revised The school board voted to change the district’s mascot without holding special meetings with the public. underline Their decision to avoid public discussion before the vote end underline made some community members angry.

Indefinite it, they, or you . The pronouns it, they, and you should have a definite antecedent in a sentence.

Indefinite it Crittenden explains that mothers are taken for granted and disrespected, even though our society calls underline it end underline the most important job in the world. Revised Crittenden explains that mothers are taken for granted and disrespected, even though our society calls underline motherhood end underline the most important job in the world. Indefinite they Japan has considerable wealth compared to Ireland, but underline they end underline have a low subjective well-being index. Revised Japan has considerable wealth compared to Ireland, but underline Japanese citizens end underline have a low subjective well-being index. Indefinite you The federal government should raise the minimum wage to ensure underline you end underline earn a wage underline you end underline can live on. Revised The federal government should raise the minimum wage to ensure underline workers end underline earn a wage underline they end underline can live on.

Pronoun-Antecedent Agreement

In many sentences, making a pronoun agree with its antecedent is straightforward: My underline neighbors end underline gave me the keys to underline their end underline apartment. However, pronoun-antecedent agreement gets tricky in the following circumstances.

Agreement with Generic Nouns and Indefinite Pronouns

Generic nouns refer to a type of person or job someone performs, such as athlete, child, scientist, doctor, or hairdresser. Indefinite pronouns include words such as anyone, each, everyone, everything, many, most, and none.

All generic nouns and most indefinite pronouns are singular in meaning. Traditionally, these words took the singular pronouns he/him/his because English does not have a gender-neutral third-person pronoun that refers to people: Everyone has his own opinion or A doctor needs to show that he cares about his patients.

More recently, writers have been replacing he/him/his or his/her with they/them/their when the person’s gender is unknown or unimportant or when the person has indicated a preference for non-gendered pronouns:

Everyone has underline their end underline own opinion. A doctor needs to show that underline they end underline care about underline their end underline patients.

These plural pronouns are increasingly accepted and intentionally used by writers, teachers, and editors. Many prominent publications and style guides indicate that the plural pronoun should replace binary or singular ones in most cases. If using a plural pronoun does not fit the situation (such as in a paragraph where the pronoun they is also used several times to indicate a group), try rewriting the sentence in either of these ways:

Remove the pronoun. Everyone has underline an end underline opinion. Make the antecedent plural. underline People end underline have their own opinions. underline Doctors end underline need to show that they care about their patients.

Collective nouns such as audience, band, class, crowd, family, group, or team can take a singular or plural pronoun depending on the context. When the group acts as a single unit, which is the most common construction, use a singular pronoun. When the group members act individually, use a plural pronoun. If using the plural sounds awkward, add the word members so that the plural is clear.

The band went through underline its end underline complete playlist. The band loaded underline their end underline instruments on the bus. The band underline members end underline loaded underline their end underline instruments on the bus.

Pronoun Case

Pronouns have three cases: subjective, objective, and possessive. Pronouns change case according to their function in a sentence.

Subjective case pronouns function as subjects: I, we, you, he/she/it, they, who/whoever :

Antonio and underline I end underline share an apartment downtown in a neighborhood underline we end underline like.

Objective case pronouns function as objects: me, us, you, him/her/it, them, whom/whomever :

The manager gave underline us end underline a tour of the building.

Possessive case pronouns show ownership: my/mine, our/ours, your/yours, his/her/hers/its, their/theirs, whose :

underline Our end underline friends live in the building too.

Pronoun case gets tricky in the circumstances explained below.

Case in Compound Structures

Compound subjects use subjective case pronouns. Compound objects use objective case pronouns.

Subjective Case underline Antonio end underline and underline I end underline have occasional disagreements about the dishes. Objective Case Occasional disagreements about the dishes come up between underline Antonio end underline and underline me end underline .

Case After than or as

In a comparison, the case of the pronoun indicates which words have been left out:

Antonio cares more about having a clean kitchen than underline I end underline [do]. Sometimes I think Antonio cares more about a clean kitchen than [he cares about] underline me end underline .

Who or Whom

Use the subjective case who in place of a subject—whether it is the subject of the sentence or the subject of a clause:

underline Who end underline is going to the concert? (subject of sentence) Give the tickets to underline whoever end underline can use them. (subject of clause) She is the person underline who end underline is best qualified for the job. (subject of clause) She is the person underline who end underline I think is best qualified for the job. (subject of clause; the intervening words “I think” don’t change the subject or verb of the clause)

Use the objective case whom in place of an object, whether it is the object of a verb, preposition, or clause:

I don’t know underline whom end underline to ask. (object of verb) To underline whom end underline should I give the extra concert tickets? (object of preposition) Give the tickets to underline whomever end underline you choose. (object of clause)

We or us with a Noun

Use we with a subject. Use us with an object.

underline We end underline citizens must vote in order to make our voices heard. (subject) Legislators need to hear from underline us end underline citizens. (object)

Case Before or After an Infinitive

Use the objective case before and after an infinitive (the to form of a verb: to run, to walk, to eat ):

The agent asked Antonio and underline me end underline to write a review. We agreed to give underline him end underline a positive review.

Case Before a Gerund

Generally, use the possessive case of a pronoun before a gerund (the -ing form of a verb used as a noun: gentle underline snoring end underline , elegant underline dining end underline ):

He grew tired of underline their end underline partying late into the night. The rental agreement depends on underline your end underline approving the lease terms.

H 9 . Punctuation

This section covers the major marks of punctuation: commas, apostrophes, semicolons, colons, periods, question marks, exclamation points, dashes, and parentheses. (For using brackets and ellipses, see Quotations .)

Commas alert readers to brief pauses within sentences.

Commas with Main Clauses

Use a comma before a coordinating conjunction ( for, and, nor, but, or, yet, or so) joining main clauses:

Businesses in the metropolitan area are growing underline , and end underline unemployment is down. Many job seekers use online sites like Indeed.com underline , but end underline a few still send traditional cover letters and résumés through the mail. A solution must be determined soon underline , or end underline the problem will continue.

Commas with Introductory Information

Use a comma after an introductory element at the start of a sentence:

underline After class is over , end underline we should get lunch and review our notes. underline Shuffling his feet nervously , end underline he waited for the train. underline However end underline , the circumstances have not changed.

Commas with Nonessential and Essential Information

(See Editing Focus: Commas with Nonessential and Essential Information for a related discussion of commas.)

Nonessential information refers to information that is usually not necessary to the basic meaning of a sentence. Nonessential information is set off by commas. In the following sentence, the word original tells readers which labs no longer meet the needs of the teachers and students. The underlined information adds information but does not change the meaning of the sentence and thus is nonessential to the basic meaning:

The original technical education labs underline , which were installed 50 years ago , end underline no longer meet the needs of the teachers and students.

Essential information , on the other hand, is necessary to the meaning of the sentence. In following example, the word original is no longer part of the sentence; the underlined words convey necessary information about the labs:

The technical education labs underline that were installed 50 years end underline ago no longer meet the needs of the teachers and students.

You can test whether information is nonessential by removing the information. If the meaning of the sentence is unchanged, the information is nonessential. If the meaning becomes too general or changes, the information is essential. In the sentence above, only the labs installed 50 years ago, as opposed to other labs, no longer meet the needs of teachers and students. Note, also, the use of which with nonessential information and that with essential information.

Commas Around Nonessential Information

Place commas around information that is not essential to the meaning of a sentence:

The entire technology department underline , which consists of nine teachers and five staff members , end underline has contributed to a report on the needed updates to the technical education labs. The technology department chair underline , who teaches welding , end underline wrote the final report. Updates to the labs will begin in June underline , when school is not in session end underline .

No Commas Around Essential Information

Do not place commas around essential information:

According to the technical education teachers, the labs need equipment underline that students are likely to encounter in the workplace end underline . Faculty underline who teach auto mechanics end underline have requested updates to their lab. The teachers are concerned about the labs underline because students are not learning the skills they need end underline . The amount of lab space underline that needs to be updated end underline is substantial. The department has consulted the industry expert underline Stacy James end underline .

Serial (Oxford or Harvard) Commas

For clarity, use a comma between items in a series:

He studied all the notes , emails , memos , and reports related to the data breach.

Be aware, however, that certain style manuals, such as the AP Stylebook, do not use the serial comma, also called the Oxford or Harvard comma.

Commas with Numbers, Dates, Titles with Names, and Addresses

The sign gave the city’s population as 122 , 887. Nobel Prize winner Toni Morrison died on August 5 , 2019. Diana Wong , M.D. , is a practicing obstetrician. The mailing address for the Smithsonian Institution is 600 Maryland Avenue SW , Washington , D.C. , 20002.

Common Comma Errors

Misplaced commas can make sentences choppy and obscure the intended meaning.

No Comma after a Subject or a Verb

Anyone who was still at the party underline , end underline left when the band stopped playing. The party ended underline , end underline after the band stopped playing.

No Comma after a Conjunction Connecting Parts of a Compound Subject, Verb, or Object

Some musicians in the band underline , end underline and many of the guests danced until midnight. (compound subject) The band stopped after two hours underline , end underline and took a well-deserved break. (compound verb) Guests enjoyed the music underline , end underline and the dancing. (compound object)

No Comma after a Series

The band played 80s rock underline , end underline punk , and new wave , all night long.

No Comma before an Indirect Quotation

Online reviews say underline , end underline that the band is the best in the area.

Apostrophes

An apostrophe has two functions. It indicates possession, and it forms contractions.

Apostrophes to Show Possession

Use an apostrophe and -s to indicate possession with a singular noun or an indefinite pronoun:

underline Jack ’ s end underline brother is my underline sister ’ s end underline coworker. In their family, underline everyone ’ s end underline favorite dessert is ice cream.

If the ’s in a singular noun is pronounced, add apostrophe -s :

The underline business ’ s end underline inconsistent hours caused customers to go elsewhere. Los underline Angeles ’ s end underline airport, LAX, is one of the busiest in the United States.

If the ’s is not pronounced in a singular noun, some writers choose to add an apostrophe alone; however, MLA, APA, and Chicago use the apostrophe and s in these cases:

David underline Myers ’ end underline book, The Pursuit of Happiness , was published in 1992. David underline Myers ’s end underline book, The Pursuit of Happiness , was published in 1992.

When the noun is plural and ends in -s , place the apostrophe after the final -s :

American underline households ’ end underline incomes have grown since the 1970s because more women have entered the workforce. These underline families ’ end underline expenses have risen too.

When the noun is plural and does not end in -s, add an apostrophe and -s:

Social underline media ’ s end underline effect on contemporary life cannot be underestimated. During the pandemic, parents’ stress grew as they helped with their underline children ’ s end underline schooling.

Apostrophes to Form Contractions

Contractions are common in speech and in informal writing. Use an apostrophe in contractions:

When I say I underline can ’ t end underline , I mean I underline won ’ t end underline . underline It ’ s end underline the best option under the circumstances. “ underline You ’ re end underline the best friend anyone can have,” Mikayla said. underline They ’ re end underline driving to their favorite hangout spot.

Common Apostrophe Errors

Apostrophes are not used to form plural nouns, singular verbs, or personal or relative pronouns.

Not in Plural Nouns

How many hotel underline rooms end underline [not room’s ] should be reserved for the wedding? The Lewises and the Riveras [not Lewis’s and Rivera’s or Lewis’ and Riveras’ ] have confirmed their reservations.

Not with Verbs Ending in -s

Nikki underline runs end underline [not run’s ] every day. Jamal underline walks end underline [not walk’s ] to work.

Not with Possessive Personal Pronouns or Relative Pronouns

The book is underline yours end underline [not your’s ]. The dog was barking and wagging underline its end underline [not it’s ] tail. underline Whose end underline [not who’s ] apartment is this?

Other Punctuation

The semicolon joins main clauses (a clause that contains a subject and a predicate and can stand alone as a sentence). A semicolon is also used to separate items in a series that contain commas.

Use a semicolon to join main clauses that are closely related in meaning and that are not joined by a coordinating conjunction ( for, and, nor, but, or, yet, or so ).

Originally built in 1928, the school had been remodeled multiple times underline ; end underline the result was an architectural mashup.

Use a semicolon to join main clauses that are connected by a transitional word or phrase such as for example, however, therefore, indeed, or after all :

The governor has proposed increased funding to K-12 public schools underline ; however, end underline the legislature must approve the budget.

Use a semicolon between items in a series that contain internal commas:

The candidates for the award are Michael, who won the essay competition ; Sasha, the top debater; and Giselle, who directed several student productions.

A colon introduces lists, summaries, and quotations. A colon also separates titles from subtitles.

A colon can introduce a list:

Successful athletes have the following qualities underline : physical ability, mental toughness, commitment, and optimism end underline .

A colon can also introduce a summary or an explanation, which may or may not be a main clause (a clause that contains a subject and a predicate and can stand alone as a sentence):

The team had one goal left before the end of the season underline : to win the state championship end underline .

Book titles often include a subtitle. A colon separates the subtitle from the title:

Forcing the Spring : Inside the Fight for Marriage Equality

End Punctuation

A sentence ends with a period, a question mark, or an exclamation point.

A period ends declarative (statement) and imperative (command) sentences:

The administration canceled classes . Do not attempt to drive to school this morning .

A question mark ends a direct question and indicates uncertainty in dates:

Where is Times Square ? She asked, “What time is it ? ”

An exclamation point ends an emphatic or emotional sentence:

“What a mess ! ” she blurted out. “Stop ! That hurts ! ” he shouted.

Dashes and Parentheses

Dashes and parentheses enclose nonessential information in a sentence.

Use a dash or dashes to set off nonessential information, to indicate a contrast or a pause, or to mark a change of direction.

We did not notice the rain at first — it began so softly — but soon we were soaked. Nothing is as exciting as seeing a snowy owl in a winter farm field — except maybe seeing two snowy owls.

Use parentheses to enclose nonessential information such as explanations, asides, examples, and dates.

He graduated with high honors ( magna cum laude ) and found a job immediately. The city of Madison ( home of the University of Wisconsin ) is the state capital of Wisconsin.

H 10 . Mechanics

Capital letters.

Use capital letters in the following situations.

• Capitalize the first word of a sentence: The weather is rainy today.
• Capitalize proper nouns and proper adjectives: Monday, New Orleans, Mexico, Florida, Halloween, United States Constitution, Department of Education, University of Texas, Native American, Islam, Italian, Freudian.
• Capitalize titles that precede a person’s name: Dr. Atul Gawande, Senator Tammy Baldwin. [But: Atul Gawande, a doctor; Tammy Baldwin, a senator]

Many online resources, such as this one , list words that should be capitalized. You can also consult a dictionary, such as Merriam-Webster , to determine whether to capitalize a word.

Titles of Works

Titles of books, articles, stories, plays, poems, films, and other works are handled differently depending on the documentation style you are using. The guidelines here follow MLA style.

Capitalization in Titles and Subtitles

Capitalize the first and last words in a title and subtitle and other important words. Do not capitalize articles ( a, an, the ), coordinating conjunctions ( for, and, nor, but, or, yet, or so ), or prepositions ( above, with, of, in, through, beyond, under ) unless they are the first or last words in the title or subtitle.

• Forcing the Spring: Inside the Fight for Marriage Equality (book)
• Judas and the Black Messiah (film)
• “American Military Performance in Vietnam: Background and Analysis” (article)

Italics for Titles of Long Works

Use italics for long works that are published, produced, or released separately from other works. These include books, long poems, plays, movies, videos, published speeches, periodicals (newspapers, magazines, and academic and professional journals), websites, long musical works, works of visual art, computer software, TV or radio programs and series, and pamphlets.

• Four Fish: The Future of the Last Wild Food (book)
• The New Yorker (periodical)
• The Los Angeles Times (newspaper)
• American Idiot (album)
• Parasite (film)
• Saturday Night Live (TV program)

Quotation Marks for Titles of Shorter Works

Put quotation marks around the titles and subtitles of individual shorter works or those that are published or released within larger works. These include articles in periodicals (newspapers, magazines, and academic and professional journals), pages or works on a website, short stories, short poems, essays, songs, episodes of TV or radio programs and series, book chapters, and unpublished speeches.

• “Living with a Visionary” (article in a magazine)
• “A World of Fields and Fences” (work on a website)
• “New York Day Women” (short story)
• “Corson’s Inlet” (short poem)
• “Return from ISIS” (TV episode)

H 11 . Quotations

A quotation reproduces the exact written or spoken words of a person or an author, which may include a group. (See Editing Focus: Quotations for a related discussion of direct quotations and Editing Focus: Integrating Sources and Quotations for help with integrating quotations from sources.)

Quotations from Written or Spoken Sources

Put quotation marks around quotations from a written or spoken source.

Quoting a Source

When quoting the words of a source, introduce quoted material with a signal phrase so that readers know the source and purpose of the quotation. Place the quotation inside double quotation marks. When using parenthetical citations, note that the sentence period comes after the parentheses. If you include the author’s name in your signal phrase, give only the page number in parentheses (first example). If you do not give the author’s name in your signal phrase, give the name in parentheses (second example):

In Walden , Thoreau sets forth one individual’s antidote against the “ lives of quiet desperation ” led by the working class in mid-nineteenth-century America (5).

Walden sets forth one individual’s antidote against the “ lives of quiet desperation ” led by the working class in mid-nineteenth-century America (Thoreau 5).

Abraham Lincoln wrote “ that government of the people, by the people, for the people, shall not perish from the earth ” in his Gettysburg Address.

Quoting or Writing Dialogue

When quoting or writing dialogue between speakers, including characters in a fictional work, place their words in double quotation marks, and start a new paragraph for each speaker:

“ It’s good to see you—I guess, ” Brayden said, as Christopher walked up to the door. “ I thought you were gone for good. ” “ I missed you too much, ” Christopher said, looking down at his feet.

Single and Double Quotation Marks

Put single quotation marks around a quotation within a quotation, using double quotation marks around the full quotation:

Kennedy writes that after a year of teambuilding work, including improvements in communication, evaluation, and small-group quarterly meetings, morale among staff members “ improved from ‘ average ’ to ‘ excellent ’ ” (17).

Long Quotations

Introduce a long quotation (four typed lines in MLA style; 40 or more words in APA style) with a signal phrase that names the author and ends with a colon. Indent this entire block quotation one-half inch. If you quote more than one paragraph, indent the first line of each subsequent paragraph one-half inch. Do not use quotation marks. Note that the sentence period comes before the parenthetical citation:

In her memoir, Twenty Years at Hull-House , reformer Jane Addams recounts vivid stories of child labor:

public domain text The visits we made in the neighborhood constantly discovered women sewing upon sweatshop work, and often they were assisted by incredibly small children. I remember a little girl of four who pulled out basting threads hour after hour, sitting on a stool at the feet of her Bohemian mother, a little bunch of human misery. For even for that there was no legal redress, for the only child labor law in Illinois, with any provision for enforcement, had been secured by the coal miners’ unions, and was confined to the children employed in the mines. (199) end public domain text

Poetry Quotations

When you quote one, two, or three lines from a poem, use the following format, putting quotation marks around the line or group of lines and separating the lines with a slash:

The 17th-century writer Aphra Behn (1640–1689) wrote humorous poems about love and heartbreak, including “Love’s Power,” which opens with “ Love when he Shoots abroad his Darts / Regards not where they light ” (1-2).

When you quote more than three lines from a poem, set them off from your text. Indent the quotation one-half inch, and do not use quotation marks. Note that the sentence period comes before the parenthetical citation.

In the poem “The Character,” Aphra Behn (1640–1689) uses the familiar alternate rhyme scheme, also known as ABAB: Such Charms of Youth, such Ravishment Through all her Form appear’d, As if in her Creation Nature meant, She shou’d a-lone be ador’d and fear’d. (1-4)

Altering Quotations

When you alter a quotation to fit into your sentence, you must indicate the change you made.

An ellipsis [. . .] indicates that you have omitted words from a quotation. In the example below, the writer omitted words from the middle of the sentence.

In her memoir, Twenty Years at Hull-House , reformer Jane Addams explains that there were no enforceable laws against small children helping their mothers with sweatshop sewing work, and that “the only child labor law in Illinois . . . had been secured by the coal miners’ unions, and was confined to the children employed in the mines” (199).

If you omit the end of a sentence or a complete sentence, include the sentence period:

The author explains as follows: “Damage to the Broca’s area of the brain can affect a person’s ability to comprehend spoken language . . . . A person may understand speech relatively well when the sentence grammar is simple and the content familiar but may struggle when the grammar and content are more complex” (Hollar-Zwick 45).

Use brackets [ ] to indicate a change you have made to a quotation:

Abruzzi cited the study, noting that “ [ t ] he results provide hope to patients [ with muscular dystrophy ] .”

Punctuating Quotations

Place the period inside quotation marks if no source is cited:

The meteorologist said, “ Today’s weather will be sunny and mild .”

If you are citing a source in parentheses, place the quotation marks at the end of the quotation, followed by the citation and the sentence period:

In Twenty Years at Hull-House , Jane Addams recalls vivid images of child labor: “ I remember a little girl of four who pulled out basting threads hour after hour, sitting on a stool at the feet of her Bohemian mother, a little bunch of human misery ” (199) .

(See Long Quotations and Poetry Quotations above for exceptions to this rule.)

Commas go inside quotation marks:

“ Tomorrow’s weather will be cool and rainy ,” the meteorologist said.

Colons and Semicolons

Colons and semicolons go outside quotation marks:

The sign read “ Closed ”: No more films would be shown at the theater. (Note: Use a capital letter if a complete sentence follows the colon.)

Question Marks and Exclamation Points

Question marks and exclamation points go inside quotation marks if they are part of the quotation:

“ Would you like a sandwich ?” asked Adelaide.

Question marks and exclamation points go outside quotation marks if they are not part of the quotation:

“I can’t believe you haven’t read “ The Lottery ”!

H 12 . Index and Guide to Documentation

Although formal differences exist among the conventions for documenting sources, the underlying principle of all documentation systems is the same: When borrowing words, facts, or ideas from someone else, writers must indicate that the material is borrowed. They do this by providing a citation in the text of their paper that points readers to detailed publication information about the source of the material, usually at the end of the paper but sometimes in footnotes. The following examples are in MLA style:

Citation in the Text Describing Martin Luther King, Jr.’s visit to India, underline Isabel Wilkerson end underline notes that King was taken aback by the suggestion that Black Americans were the equivalent of the Dalits in the Indian caste system underline (22) end underline . Works-Cited Entry Wilkerson, Isabel. Caste: The Origins of Our Discontents. Penguin, 2020.

Documentation Styles by Discipline

Each discipline has its own authority or authorities that provide rules about issues such as spelling of technical terms, preferred punctuation, and editing mechanics, as well as documentation style. In addition, if you write for publication in a magazine, professional journal, book, or website, the publisher will have a “house” style, which may vary in some details from the conventions listed in the authoritative guidelines for the discipline in which you are writing. Below are the sources of style manuals for various disciplines. Always check with your instructor about which style to use in a class.

Index to MLA Documentation Models

The models, listed numerically, provide examples of in-text citations and works-cited entries (MLA). The models themselves are located in Handbook Section 13 (H13).

In-Text Citation Models

• Two or more works by the same author
• Two authors
• Three or more authors
• Authors with the same last name
• Organization, government, corporation, or association as author
• Unknown author
• Work in more than one volume
• Work with no page or other reference numbers
• One-page or entire work
• Source quoted in another source (indirect quotation)

Poetry and verse plays

Fiction and prose plays

• Two or more works in the same citation
• Sacred text

Endnotes and Footnotes (MLA)

Format of the list of works cited (mla), authors and contributors (mla).

• Book: one author
• Book: two authors
• Book: three or more authors
• Book: two or more works by the same author
• Author and editor
• Author and translator
• Author and illustrator
• Work by an organization, a government, a corporation, or an association

Articles in Journals, Magazines, and Newspapers (MLA)

• Basic format for a journal article in a database
• Editorial or letter to the editor

Books and Parts of Books (MLA)

• Basic entry for a book
• Book, anthology, or collection with an editor
• Work in an anthology or chapter in an edited collection
• Two or more works in an anthology or edited collection
• Revised or later edition
• Multivolume work
• One volume of a multivolume work
• Book in a series
• Republished work
• Introduction, preface, foreword, or afterword
• Published letter
• Conference paper

Websites and Parts of Websites (MLA)

• Basic format for a short work or page on a website
• Short work or page on a website
• Entire website

Social Media (MLA)

• Basic format for a social media post
• Social media post
• Online forum post
• Online comment

Personal Communication (MLA)

• Text message
• Personal letter

Video, Audio, and Other Media Sources (MLA)

• Online video

Original work

Reproduction

Personal interview

• Video game, software, or app

Other Sources (MLA)

• Live lecture, speech, address, or reading
• Live performance
• Letter in an archive
• Dissertation

Index to APA Documentation Models

The models, listed numerically, provide examples of in-text citations and reference entries (APA). The models themselves are located in Handbook Section 14 (H14).

In-Text Citation Models (APA)

• Work with no page numbers
• Entire work
• Personal communication

Format of the References List (APA)

Authors (apa).

• Three to twenty authors

Articles in Journals, Magazines, and Newspapers (APA)

• Basic format for an article in an academic journal

Without DOI or URL

Database or print

• Published interview

Books and Parts of Books (APA)

• Print book or e-book
• Article in an edited book, anthology, or collection
• Translated or reprinted book
• Revised edition
• Report or publication by a government agency or other organization

Web Sources (APA)

• Basic format for a page or work on a website
• Page or work on a website

Social Media (APA)

Video, audio, and other media sources (apa).

• Music recording
• Painting or other visual artwork
• Map, photograph, or other visual

H 13 . MLA Documentation and Format

MLA style is the preferred form for documenting research sources in English and other humanities disciplines. The following are general features of MLA style:

• All material borrowed from sources is cited in the text of a paper by the author’s name and page number (if available).
• A works-cited list at the end of a paper provides full publication data for each source cited in the text of the paper.
• Additional explanatory information provided by the writer (but not from external sources) goes in either footnotes or endnotes. These notes are optional.

The instruction in this section follows the MLA Handbook , 8th edition (2016). For more information on MLA style, see this site . For examples of student papers in the textbook using MLA documentation style, see Section 4 in Chapters 5, 7, 9, 12, and 16.

MLA In-Text Citations

In-text citations feature author names, page numbers, and sometimes titles, depending on what information is available. The Index located in H12 provides a listing of the models that are included below.

1. One author

When you quote, paraphrase, or summarize a source, include the last name of the source’s author, if known, in a signal phrase or in parentheses at the end of your sentence. Provide the page or pages on which the original material appeared. Do not include the word page or the abbreviations p. or pp. Use a hyphen [-] to indicate a number range (See Spotlight on … Citation for more on quoting, paraphrasing, and summarizing sources):

Becker points out that Joe Biden’s views on same-sex marriage changed during a personal visit to a family while he was vice president (285-86). While he was vice president, Joe Biden’s views on same-sex marriage changed during a personal visit with a family (Becker 285-86).

2. Two or more works by the same author

If you cite two or more works by the same author in your paper, give the title of the specific work in your sentence or a short version of the title in parentheses:

According to Lewis Thomas in Lives of a Cell , many bacteria become dangerous only if they manufacture exotoxins (76). According to Lewis Thomas, many bacteria become dangerous only if they manufacture exotoxins ( Lives 76). Many bacteria become dangerous only if they manufacture exotoxins (Thomas, Lives 76).

See Model 18 for how to cite two works by the same author in the works-cited list.

3. Two authors

If you cite a work with two authors, include both authors’ names in a signal phrase or in parentheses:

In the preface to Half the Sky , Kristof and WuDunn explain their focus on the issues of sex trafficking and sex work, violence against women, and maternal mortality (xxi). In the preface to Half the Sky , the authors explain their focus on the issues of sex trafficking and sex work, violence against women, and maternal mortality (Kristof and WuDunn xxi).

4. Three or more authors

For works with more than two authors, give the last name of the first author followed by “et al.”:

Of the survey respondents, twenty-two percent described themselves as concerned about future job prospects (Pronkowski et al. 9).

5. Authors with the same last name

When authors of different sources have the same last name, include their initials:

Since the legalization of marijuana for recreational use, frequent use among adults has risen (J. T. Greene 21; M. Greene 30).

6. Organization, government, corporation, or association as author

When no author is given for a work published by a corporation, a government, an organization, or an association, indicate the group’s name in a signal phrase or in parentheses:

The United States Forest Service describes its mission as “sustain[ing] the health, diversity, and productivity of the nation’s forests and grasslands to meet the needs of present and future generations” (8).

7. Unknown author

When the author of a work is unknown, use the work’s title in a signal phrase or a shortened version of the title in parentheses and a page number if available. Put quotation marks around article titles, and put book or journal titles in italics:

In a pointed 2020 editorial, “Don’t Let the Games Begin,” The New York Times argued that college athletic departments should support public health by canceling sports seasons until athletes and the public were vaccinated. In a pointed 2020 editorial, The New York Times argued that college athletic departments should support public health by canceling sports seasons until athletes and the public were vaccinated (“Don’t Let”).

8. Work in more than one volume

If you cite only one volume of a multivolume work, give the page number in parentheses. If you cite more than one volume of a multivolume work, give the volume number for each citation before the page number, and follow it with a colon and one space:

Hill notes that Sir Arthur Conan Doyle’s The Adventure of the Dancing Men was first published in the Strand Magazine and later in Collier’s Weekly (1: 332).

9. Work with no page or other reference numbers

When the work has no page numbers, give the author’s name in a signal phrase or in parentheses. If the source has paragraph, chapter, or section numbers, use them with the abbreviations par., ch., or sec. :

Chen reports that the number of Americans seeking help with mental health rose during the pandemic that began in 2020. (ch. 2) The number of Americans seeking help with mental health rose during the pandemic that began in 2020 (Chen, ch. 2).

For an audio or a video recording, give the start and stop times for the segment you are citing shown on the player in hours (if available), minutes, and seconds:

It is well known that maternity leave is available in countries around the world, including Norway, which popularized its policy in a comic YouTube video showing a pregnant woman on skis announcing the start of her one-year paid leave (01:48-02:07).

10. One-page work or entire work

When you cite a work that is one page long or an entire work, such as a book, website, single-page article, tweet, video, or film, you do not need to cite a page or give a reference number:

In Da 5 Bloods, director Spike Lee connects the Civil Rights movement to the war in Vietnam through the music, montages of the era, and characters’ stories.

11. Source quoted in another source (indirect quotation)

When a quotation or any information in your source is originally from another source, try to track down the original source. If you cannot find it, use the abbreviation “qtd. in”:

The group, which has researched global health including access to food, sounded the alarm about a potential “worldwide food crisis” in the early 2000s (qtd. in Sing 32).

12. Literary works

For poems, provide line numbers for reference, and include line or lines in the first reference:

In “The Character,” Aphra Behn describes a lovely young woman, starting with her eyes: “Her Eyes all sweet, and languishingly move” (line 4).

Cite verse plays using act, scene, and line numbers, separated by periods: ( Hamlet 4.4.31-39)

When citing a prose literary work available in various editions, provide additional information after the page number, such as the chapter, act, or scene number, for readers who may be consulting a different edition. Use a semicolon to separate the page number from this additional information: (331; ch. 5) or (78; act 2).

13. Two or more works in the same citation

When you cite more than one work in parentheses, use a semicolon between them:

Americans who resisted or ignored civil defense are often portrayed as heroic people who chose not to build fallout shelters or as marginalized people who could not afford them (Garrison 57; Mechling and Mechling 109).

14. Sacred text

When you cite passages from the Bible or another sacred text such as the Qur’an, give the title of the edition you are consulting the first time you refer to it. Then give the book (abbreviate the title if it is longer than four letters), chapter, and verse, separated by periods:

Several times in the New Testament of the Bible, Jesus comments on wealth, telling his disciples, “And again I say unto you, It is easier for a camel to go through the eye of a needle, than for a rich man to enter into the kingdom of God” ( King James Version, Matt. 19.24).

Endnotes and Footnotes

Writers use notes to offer comments, explanations, or additional information that cannot easily be integrated into the rest of a paper. Use notes to cite several sources within a single context if a series of in-text citations will detract from the readability of the text.

Text with Superscript

The standard ingredients for guacamole include avocados, lemon juice, onion, tomatoes, coriander, salt, and pepper. 1 Hurtado’s poem, however, gives this traditional dish a whole new twist.

1. For variations see Beard 314, Egerton 197, Eckhardt 92, and Kafka 26. Beard’s version, which includes olives and green peppers, is the most unusual.

A note may be placed as a footnote at the bottom of the page on which the in-text citation appears or on a separate page of endnotes at the end of the paper. This should be titled “Notes” or “Endnotes” and appear between the last page of the paper and the works-cited list. Include all sources given in notes in the works-cited list.

MLA Works Cited

Each source cited in the text of your paper refers readers to the list of works cited, a complete list of all the sources you quoted, paraphrased, or summarized. Every source cited in the text of your paper must be included in the works-cited list, and every source in the works-cited list must be cited in the text of your paper.

After the last page of the paper, start a new page with the centered title “Works Cited” at the top. Create an entry for each source using the following guidelines and examples:

• Begin each entry at the left margin, and indent subsequent lines one-half inch. (In Microsoft Word, you can also highlight the entire page when you are finished and select “Hanging” from the Special options on the Indentation section of the Paragraph menu.)
• Alphabetize the entries according to authors’ last names. If two or more authors have the same last name, alphabetize by first name or initial. Alphabetize sources with unknown authors by the first word of the title, excluding a, an, or the.
• Double-space the entire page.

Core Elements (MLA)

Each entry in the list of works cited consists of core elements:

• Author. Who is responsible for the work?
• Title. What is the work called?

Publication information. Where can the work be found so that others can consult it? Publication information includes the date of publication and any larger work, which MLA calls a “container,” in which a shorter work is published, such as a journal, magazine, newspaper, database, streaming service, and so on.

A note on access dates. Although access dates for online sources are not required, MLA acknowledges that an access date can indicate the version of a source you consulted. If you add an access date, place it at the end of the works-cited entry in this format: “Accessed 4 Apr. 2020.” Ask your instructors whether they require access dates.

Authors and Contributors for Books and Articles (MLA)

• Authors. Give the author’s last name, a comma, the author’s first name and any middle name or middle initial, and then a period. For works with more than one author, an organization as an author, or an unknown author, see the models below.
• Contributors. People who contributed to the work in addition to the author are called contributors. Refer to them by their role in a phrase such as “adapted by,” “directed by,” “edited by,” “illustrated by,” “introduction by,” “narrated by,” “performance by,” and “translated by.” (See Models 19, 20, 21, 30, and 58 for examples.)

15. Book: one author

Sotomayor, Sonia. My Beloved World. Vintage Books, 2013.

16. Book: two authors

Kristoff, Nicholas D., and Sheryl WuDunn. Half the Sky: Turning Oppression into Opportunity for Women Worldwide. Alfred A. Knopf, 2009.

17. Book: three or more authors

Barlow, David H., et al. Abnormal Psychology: An Integrative Approach. 8th ed., Cengage Learning, 2017.

18. Book: two or more works by the same author

When you cite two works by the same author, use three hyphens in place of the author’s name, and alphabetize the works by title:

Trethewey, Natasha. Memorial Drive: A Daughter’s Memoir. Ecco, 2020.

---. Native Guard: Poems. Mariner Books, 2007.

19. Book author and editor

Add the editor’s name after the title:

Hemingway, Ernest. Conversations with Ernest Hemingway , edited by Matthew J. Bruccoli, UP of Mississippi, 1986.

20. Book author and translator

Add the translator’s name after the title:

Ferrante, Elena. My Brilliant Friend. Translated by Ann Goldstein, Europa Editions, 2012.

If you are citing the work of the translator, place the translator’s name in the author position:

Goldstein, Ann, translator. My Brilliant Friend. By Elena Ferrante, Europa Editions, 2012.

21. Book author and illustrator

Add the illustrator’s name after the title. If you are citing the work of the illustrator, place the illustrator’s name in the author position, as shown in the preceding example:

Fasler, Joe. Light in the Dark: Writers on Creativity, Inspiration, and the Artistic Process. Illustrated by Doug McLean, Penguin Books, 2017.

22. Work by an organization, a government, a corporation, or an association

If the author and publisher are not the same, start with the author:

United States Department of Veterans Affairs, Veterans Health Administration. Healthy Living Resource Guide. Government Printing Office, 2020.

If the author and the publisher are the same, give the title of the work in place of the author, and list the organization as the publisher:

MLA Handbook. 8th ed., Modern Language Association of America, 2016.

“This Is Who We Are.” U.S. Forest Service, United States Department of Agriculture, Mar. 2019, www.fs.usda.gov/sites/default/files/This-is-Who-We-Are.pdf.

23. Unknown author

If no author is given, start with the title.

“The Most Beautiful Battalion in the Army.” Grunt Magazine , 1968, pp. 12-15.

Articles, reviews, editorials, and other short works are published in journals, newspapers, and magazines. They appear in print, on databases, and on websites (though often through a paywall). As a student, you are likely to access many articles and other short research sources primarily through databases available through your library.

24. Basic format for a journal article in a database

Author’s Last Name, First Name. “Title of Article.” Title of Journal , volume number, issue number, Date of Publication, page numbers. Title of Database , DOI or URL.

• Author. Give the last name, a comma, the first name, and any middle name or initial. Do not list an author’s professional title, such as Dr . or PhD . End with a period.
• Title of the article. Give the full title and any subtitle, separating them with a colon. Capitalize all significant words in the title. Put the title of the article in quotation marks. End with a period inside the closing quotation mark.
• Title of the journal. Put the title of the journal in italics. Capitalize all significant words in the title. End the title with a comma.
• Volume and issue numbers. Use the abbreviations vol. and no. followed by the number and a comma.
• Publication date. Give the month or season and the year of publication, if available. Use the following abbreviations for months: Jan., Feb., Mar., Apr., Aug., Sept., Oct., Nov., and Dec. Do not abbreviate May, June, or July.
• Page numbers. Give p . (singular) or pp. (plural) and the page number or numbers of the article, followed by a period.
• Title of the database. Put the database title in italics, followed by a comma.
• Location. Give a DOI if available, and end with a period. If there is no DOI, give a URL, preferably a permalink, without http://.

25. Article in an academic journal

Daddis, Gregory A. “Out of Balance: Evaluating American Strategy in Vietnam, 1968–72.” War & Society, vol. 32, no. 3, Oct. 2013, pp. 252-70. EBSCOhost, doi:10.1179/0729247313Z.00000000026.

Daddis, Gregory A. “Out of Balance: Evaluating American Strategy in Vietnam, 1968–72.” War & Society, vol. 32, no. 3, Oct. 2013, pp. 252-70.

Squires, Scot. “Do Generations Differ When It Comes to Green Values and Products?” Electronic Green Journal, no. 42, 2019, escholarship.org/uc/item/6f91213q.

The journal in the example numbers issues only, so no volume number is given.

26. Article in a weekly or biweekly magazine

To cite an article in a weekly or biweekly magazine, give the author, title of the article, title of the magazine, publication date (day, month, year), and page numbers. If you found the article through a database, add the title of the database and a DOI or URL. If you found the article online, add the URL.

Sanneh, Kelefa. “The Color of Money.” The New Yorker, 8 Feb. 2021, pp. 26-31. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&AuthType=aph&AN=148411685&site=ehost-live&scope=site.

Sanneh, Kelefa. “The Color of Money.” The New Yorker, 8 Feb. 2021, pp. 26-31.

Ferrer, Ada. “My Brother’s Keeper.” The New Yorker, 22 Feb. 2021, www.newyorker.com/magazine/2021/03/01/my-brothers-keeper.

27. Article in a monthly or bimonthly magazine

To cite an article in a monthly or bimonthly magazine, give the author, title of the article, title of the magazine, publication month and year, and page numbers. If you found the article through a database, add the title of the database and a DOI or URL. If you found the article online, add the URL.

Sneed, Annie. “Giant Shape-Shifters.” Scientific American, Sept. 2017, pp. 20-22. EBSCOhost, doi:10.1038/scientificamerican1017-20.

Sneed, Annie. “Giant Shape-Shifters.” Scientific American, Sept. 2017, pp. 20-22.

Stewart, Jamila. “A Look Inside the Black Designers of Canada Initiative.” Essence, July 2020, www.essence.com/fashion/black-designers-of-canada-digital-index/.

To cite a comment on an article, see Model 54.

28. Article in a newspaper

To cite an article in a newspaper, give the author, title of the article, title of the newspaper, publication date (day, month, year), and the page numbers. If you found the article through a database, add the title of the database and a DOI or a URL. If you found the article online, add the URL.

Krueger, Alyson. “When Mom Knows Best, on Instagram.” The New York Times, 27 Nov. 2019, pp. B1-B4. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&AuthType =aph&AN=139891108&site=ehost-live&scope=site.

Krueger, Alyson. “When Mom Knows Best, on Instagram.” The New York Times, 27 Nov. 2019, pp. B1-B4.

Smith, Doug. “They’re Building Affordable Housing for the Homeless—Without Government Help.” Los Angeles Times, 10 Feb. 2021, www.latimes.com/california/story/2021-02-10/theyre-building-affordable-housing-for-the-homeless-without-government-help.

29. Editorial or letter to the editor

An editorial may or may not have an author’s name attached to it. If it does, give the author’s name first. If it does not, start with the title. In both situations, add the designation Editorial or Letter to the Editor after the title.

“For Better Elections, Copy the Neighbors.” Editorial. The Wall Street Journal, 16 Feb. 2021, www.wsj.com/articles/for-better-elections-copy-the-neighbors-11613518448.

To cite a review of a book, film, television show, or other work, give the name of the reviewer and title of the review, add Review of before the title of work being reviewed, and give the name of the work’s author, director, or creator after the title.

Girish, Devika. “Refocusing the Lens on Race and Gender.” Review of Test Pattern, directed by Shatara Michelle Ford. The New York Times, 18 Feb. 2021, www.nytimes.com/2021/02/18/movies/test-pattern-review.html.

Use the following guidelines for books and parts of books, such as a selection from an anthology, an article in a collection, a published letter, and so on.

31. Basic entry for a book

Author’s Last Name, First Name. Title of Book. Publisher, Year of Publication.

• Author. Give the last name, a comma, the first name, and any middle name or initial. Do not list an author’s professional title, such as Dr. or PhD. End with a period.
• Title of the book. Put the book’s title in italics. Give the full title and any subtitle, separating them with a colon. Capitalize all significant words in the title, even if the book’s cover does not use conventional capitalization. End the title with a period.
• Publisher. List the publisher’s name without words such as “Inc.” or “Company.” Shorten “University Press” to “UP.” End with a comma.
• Year of publication. Provide the publication date, and end with a period.

32. Print book

Wilkerson, Isabel. The Warmth of Other Suns: The Epic Story of America’s Great Migration. Vintage Books, 2010.

33. E-book formatted for a specific reader device or service

Wilkerson, Isabel. The Warmth of Other Suns: The Epic Story of America’s Great Migration. Kindle ed., Vintage Books, 2010.

34. Book, anthology, or collection with an editor

Add the abbreviation ed. or eds. (if more than one) after the editor’s first name:

Lunsford, Andrea, ed. Reclaiming Rhetorica: Women in the Rhetorical Tradition. U of Pittsburgh P, 1995.

35. Work in an anthology or chapter in an edited collection

After the author and title of the work, give the title of the anthology or edited collection, name of the editor, publication information, and page numbers of the work:

Royster, Jacqueline Jones. “To Call a Thing by Its True Name: The Rhetoric of Ida B. Wells.” Reclaiming Rhetorica: Women in the Rhetorical Tradition, edited by Andrea Lunsford, U of Pittsburgh P, 1995, pp. 167-84.

36. Two or more works in an anthology or edited collection

When you cite two or more selections from the same anthology or edited collection, list the anthology separately under the editor’s name. In the entries for the selections you cite, include the editor’s name and the page numbers on which the selections appear:

Lipscomb, Drema R. “Sojourner Truth: A Practical Public Discourse.” Lunsford, pp. 227-46.

Royster, Jacqueline Jones. “To Call a Thing by Its True Name: The Rhetoric of Ida B. Wells.” Lunsford, pp. 167-84.

37. Revised or later edition

For a book published in an edition other than the first, give the edition number after the title:

Strunk, William, Jr., and E. B. White. The Elements of Style, 4th ed., Pearson, 2019.

38. Multivolume work

For a book published in more than one volume, give the total number of volumes after the title:

Klinger, Leslie S. The New Annotated Sherlock Holmes. 2 vols., W. W. Norton, 2005.

39. One volume of a multivolume work

Klinger, Leslie S. The New Annotated Sherlock Holmes. Vol. 2, W. W. Norton, 2005.

When each volume of a multivolume set has an individual title, list the volume’s full publication information first, followed by series information (number of volumes, dates). When separate volumes were published in different years, give inclusive dates:

Churchill, Winston S. Triumph and Tragedy. Houghton Mifflin, 1953. Vol. 6 of The Second World War. 6 vols. 1948-53.

However, if the volume you are using has its own title, you may cite the book without referring to the other volumes as if it were an independent publication.

40. Book in a series

Add the title of the series at the end of the entry:

Thaiss, Christopher. Language across the Curriculum in the Elementary Grades. WAC Clearinghouse, 2011, wac.colostate.edu/books/landmarks/thaiss/. Landmark Publications in Writing Studies.

41. Republished book

Give the original publication date after the title and the date the book was republished after the publisher:

Evans, Elizabeth E. G. The Abuse of Maternity. 1875. Arno, 1974.

42. Sacred text

Give the complete title of the version you consulted followed by the name of the editor and/or translator, the edition, the publisher, and the publication date:

The Bible. Authorized King James Version . Edited by Robert Carroll and Stephen Prickett, Oxford UP, 2008.

The Koran. Translated by N. J. Dawood, rev. ed., Penguin Books, 2015.

43. Introduction, preface, foreword, or afterword

Start with the author of the introduction, preface, foreword, or afterword, followed by a description of the work you are citing, such as “Foreword.” Give the author of the work after the title:

Offill, Jenny. Foreword. Mrs. Dalloway, by Virginia Woolf, Penguin Classics, 2021, pp. vii-xiv.

44. Published letter

Roosevelt, Theodore. Letter to Upton Sinclair. 15 Mar. 1906. Theodore Roosevelt: Letters and Speeches, edited by Louis Auchincloss, 2004, pp. 310-11.

45. Conference paper

Killi, Stainer, and Andrew Morrison. “Could the Food Market Pull 3D Printing Appetites Further?” Industry 4.0—Shaping the Future of the Digital World: Proceedings of the 2nd International Conference on Sustainable & Smart Manufacturing, edited by Paulo Bartolo et al., CRC Press, 2021, pp. 197-203.

Use the following guidelines for works that are published only online and do not have an overarching publication, such as a journal, newspaper, magazine, or database.

46. Basic format for a short work or page on a website

Author’s Last Name, First Name. “Title of Short Work.” Title of Website, Publisher, Publication Date, URL.

• Author. Give the last name, a comma, the first name, and any middle name or initial. Do not list an author’s professional title, such as Dr . or PhD. End with a period.
• Title of the short work. Put the title in quotation marks. Give the full title and any subtitle, separating them with a colon. Capitalize all significant words in the title. End with a period inside the closing quotation mark.
• Title of the website. Put the title of the website in italics. Capitalize all significant words in the title. End the title with a comma.
• Publisher. If the publisher of the website is different from the title of the website (as shown in Model 48), give it next, followed by a comma. If they are the same (as shown in Model 47), give only the title of the website.
• Publication date. Give the day, month, and year the work was posted, if available. Use the following abbreviations for months: Jan., Feb., Mar., Apr., Aug., Sept., Oct., Nov., and Dec. Do not abbreviate May, June, and July.
• URL. Give the URL, without “http://.”

47. Short work or page on a website

Shetterly, Margot Lee. “Katherine Johnson Biography.” NASA , 24 Feb. 2020, www.nasa.gov/content/katherine-johnson-biography.

If the source you are citing has no author listed, start with the title. If the page has no title, give the name of the site and a descriptive label, such as “Home page” or “Blog post.”

48. Blog post

Blazich, Frank A. “The Cold Morning of the Day After.” Smithsonian Voices , Smithsonian Magazine, 5 Feb. 2021, www.smithsonianmag.com/blogs/national-museum-american-history/2021/02/05/cold-morning-day-after/.

49. Entire website

Beinecke Rare Book and Manuscript Library. Yale U, 2021, beinecke.library.yale.edu/.

If the website lists an editor, give the person’s name as you would an author, followed by a comma and ed.

“Coronavirus.” Wikipedia. Wikimedia Foundation, 22 Feb. 2021, en.wikipedia.org/wiki/Coronavirus.

Social media include posts made to various platforms and forums, comments made by individuals to posts, and online articles.

51. Basic format for a social media post

Author. “Text of untitled post” or “Title of post” or Descriptive label. Title of Site , Date of Post, Time of Post, URL.

• Author. Give the author’s handle and name. End with a period.
• Text, title, or description of post. Match the capitalization exactly, add quotation marks, and end with a period inside the closing quotation mark.
• Title of the social media site. Put the title of the site in italics, ending with a comma.
• Publication date and time. Give the day, month, year, and time of the post. Use the following abbreviations for months: Jan., Feb., Mar., Apr., Aug., Sept., Oct., Nov., and Dec. Do not abbreviate May, June, and July.

52. Social media post

@Holleratcha (James Holler). “People go out and vote tomorrow!” Twitter, 2 Nov. 2020, 2:08 p.m., twitter.com/holleratcha/status/1270432672544784384.

Death Valley National Park. “What does it mean to protect something you love?” Facebook, 23 Feb. 2021, 5:01 p.m., www.facebook.com/DeathValleyNPS/posts/4108808255810092.

See Model 54 for how to cite a comment.

53. Online forum post

@Duckpond318. “Turkeys in the arboretum.” Reddit, 15 Mar. 2021, 11:22 a.m., www.reddit.com/r/Wildlife/comments/lqlbo3/turkeys_in_the_arboretum/. Accessed 4 Feb. 2021.

54. Online comment

AKJersey. Comment on “Can We Stop Fighting about Charter Schools?” The New York Times, 22 Feb. 2021, www.nytimes.com/2021/02/22/opinion/charter-schools-democrats.html#commentsContainer.

Use the following guidelines to cite email, text messages, and letters that you sent or received.

Roberts, Jeffrey. “Study results.” Received by Kenneth Berg, 21 Oct. 2020.

56. Text message

Igoe, Beverlee. Text message. Received by Alison McGrath, 2 Apr. 2020.

57. Personal letter

Atwood, Margaret. Letter to the author. 11 Mar. 2007.

Use the following guidelines to cite various media sources.

Begin with the title, followed by the director, the studio, and the year released.

Casablanca. Directed by Michael Curtiz, Warner Brothers, 1942.

You may also cite other contributors and their roles after the title (as illustrated below). If your paper is concerned with a particular person’s work on a film, such as the director, an actor, or someone else, begin with that person’s name and arrange all other information accordingly. For a film you stream, add the title of the streaming service and the URL:

Moonlight. Directed by Barry Jenkins, performances by Mahershala Ali, Naomie Harris, and Trevante Rhodes. A24, 2016. Netflix, www.netflix.com/watch/80121348?trackId=13752289&tctx=8%2C.

59. Online video

NASA. “Apollo 11 Moonwalk – Original NASA EVA Mission Video.” 20 July 1969. YouTube, 17 July 2014, www.youtube.com/watch?v=S9HdPi9Ikhk.

60. Television series or episode

The Good Place. Michael Schur, creator. NBC, 2016-20.

Streamed TV episode

“Jason Mendoza.” The Good Place, season 1, episode 4, NBC, 2016. Netflix, www.netflix.com/watch/80191852?trackId=13752289&tctx=%2C%2C.

61. Advertisement

XOFLUZA. Flu medication advertisement. The New Yorker, 8. Feb. 2021, pp. 5-6.

General Motors. “Will Ferrell Super Bowl Ad.” YouTube, 3 Feb. 2021, www.youtube.com/watch?v=mdsPvbSpB2Y&t=24s.

62. Cartoon or comic

Davis, Jim. “Garfield.” Cartoon. Courier [Findlay, OH], 17 May 1996, p. 18.

If the source you cite appears in a local newspaper, as it does here, give the city and state in brackets after the name of the newspaper if the city is not part of the newspaper’s name.

Gauld, Tom. “Waiting for Godot to Join the Zoom Meeting.” You’re All Just Jealous of My Jetpack, 31 Jan. 2021, myjetpack.tumblr.com/.

63. Painting or other visual artwork

Rivera, Diego. Detroit Industry Murals. 1932-33. Detroit Institute of Art.

If the city is not part of the name of the museum, add it after museum. For example, if the work you viewed was at the Museum of Modern Art in New York City, you would end the entry as follows: Museum of Modern Art, New York.

Neel, Alice. Elenka. 1936. Alice Neel: People Come First, by Kelly Baum and Randall Griffey, The Metropolitan Museum of Art, 2021, p. 142.

Basquiat, Jean-Michel. Untitled. 1983. Museum of Modern Art, www.moma.org/collection/works/63997?artist_id=370&page=1&sov_referrer=artist. Accessed 24 Sept. 2020.

64. Map, chart, or diagram

Everglades National Park. National Geographic Society Maps, 2019.

“Map: Expedition of Lewis and Clark.” National Park Service, 2 Jan. 2018, nps.gov/subjects/travellewisandclark/map.htm.

65. Sound recording

Sound recordings include songs, albums, and spoken word. If you stream a sound recording or watch a performance online, add the name of the streaming service, such as Spotify, Apple Music, or Amazon Music, after the date. If you access the recording online, add the name of the website and the URL after the date.

Prince. Purple Rain. Warner Brothers, 1984.

The Supremes. “Baby Love.” Where Did Our Love Go, Motown, 1964. Spotify.

Gorman, Amanda. “The Hill We Climb.” 20 Jan. 2021, YouTube, www.youtube.com/watch?v=LZ055ilIiN4.

The Road to Higher Ground. Hosted by Jonathan Overby. WPR, 9 Jan. 2021.

If you listened to the radio program online, add the URL after the date.

67. Podcast

McEvers, Kelly, host. “This Is Not a Joke.” Embedded, season 9, episode 2, NPR, 7 Nov. 2019, Apple Podcasts.

If you listened to the podcast on the web, add the URL instead of the podcast service.

68. Interview

Wilkerson, Isabel. Interview. Fresh Air, NPR, 4 Aug. 2020.

Sowell, Thomas. Interview. Hoover Institution , 3 Jan. 2015, www.wsj.com/video/uncommon-knowledge-thomas-sowell-basic-economics/51837CB6-9FF2-305AE55D179A.html.

Wong, Diana. Personal interview. 12 Sept. 2020.

69. Video game, software, or app

Houser, Dan, et al., writers. Grand Theft Auto V. Rockstar Games, 2013. Xbox 360.

70. Live lecture, speech, address, or reading

Diaz, Shanna. “Your Dazzling Brain: The Symphony of Sleep.” Community Lecture Series, University of New Mexico Health Science and the City of Albuquerque, 13 Mar. 2018, Albuquerque Academy.

71. Live performance

Hamilton. By Lin-Manuel Miranda, directed by Thomas Kail, 11 Mar. 2018, CIBC Theater, Chicago.

If you watch a video of a performance online, cite it as you would cite an online video.

72. Letter in an archive

Mucklestone, Ada. Letter to Maj. Gen. Ralph J. Olson. 6 Nov. 1958. Wisconsin Historical Society, Madison, Alphabetical Subject File, 1950-66, 1715, Box 13.

73. Dissertation

Park, Eun Jung. Korean American Artists and the 1992 Los Angeles Riots. 2013. U of California, San Diego, PhD dissertation. ProQuest, www.proquest.com/doc-view/1425303659.

Boothby, Daniel W. The Determinants of Earnings and Occupation for Young Women. 1978. U of California, Berkeley, PhD dissertation.

74. Pamphlet

“Facts about Fallout.” Civil Defense Administration, 1961.

MLA Paper Format

Follow your instructor’s formatting guidelines or those indicated here. For sample papers with MLA format and works-cited pages, visit this site .

• Margins. Use one-inch margins on all sides.
• Spacing. Double-space throughout the paper, including the works-cited page.
• Paragraph format. Indent paragraphs one-half inch.
• Page numbers. Start numbering on the first page of your paper and continue to the end of the works-cited page. Place page numbers in the upper-right corner, and add your last name before the page number: “Coleman 3.”
• Identifying information. Put your name, your instructor’s name, the course title, and the date in the left corner of the first page of the body of the paper, not in the header. Double-space this information.
• Title. Center the title on the first page. Do not use italics, boldface, all capitals, or quotation marks. Do not add extra space below the title.
• Long quotations and quotations from poetry. See Quotations for how to cite long quotations and poetry quotations.

H 14 . APA Documentation and Format

Disciplines in the social sciences—psychology, sociology, anthropology, political science, economics, social work, and often education—use the APA name-and-date system of documentation. APA style highlights authors and dates of publication because timeliness of published material is of primary importance in these disciplines. The following are general features of APA style:

• All material borrowed from sources is cited in the text of a paper by the author’s name, date of publication, and page numbers (if available).
• A list of references at the end of a paper provides full publication data for each source cited in the text of the paper.

The instruction in this section follows the Publication Manual of the American Psychological Association, 7th edition (2020). For more information on APA style, visit this site . For examples of student papers in the textbook using APA documentation style, see Section 4 in Chapters 6, 8, and 15.

In-text citations feature author names, dates of publication, and page numbers, depending on what information is available. The Index located in H12 provides a listing of the models that are included below.

75. One author

When you quote, paraphrase, or summarize a source, include the last name of the source’s author, if known, in a signal phrase or in parentheses at the end of your sentence. Give the publication date after the author’s name. Provide the page or pages on which the original material appeared preceded by p. or pp. See Spotlight on … Citation .

According to Thomas (1974), many bacteria become dangerous only if they manufacture exotoxins (p. 76). Many bacteria become dangerous only if they manufacture exotoxins (Thomas, 1974, p. 76).

If you cite two or more works by the same author, published in the same year, use letters after the year to distinguish them: (Gallivan, 2019a, 2019b, 2019c).

76. Two authors

Smith and Hawkins (1990) confirmed that bacteria producing exotoxins are harmful to humans (p. 17). The study confirmed that bacteria producing exotoxins are harmful to humans (Smith & Hawkins, 1990, p. 17).

77. Three or more authors

The results indicate that alcohol use rose during the period of the study (Dominic et al., 2021, p. 16).

78. Authors with the same last name

When authors of different sources have the same last name, include their initials: Since the legalization of marijuana for recreational use, frequent use among adults has risen (J. T. Greene, 2019, p. 21; M. Greene, 2020, p. 30).

When authors of the same source have the same name, do not include their initials: (Kim & Kim, 2018, p. 47).

79. Organization, government, corporation, or association as author

When citing a well-known organization, government agency, corporation, or association, introduce an abbreviation of the name in the first reference and use it in subsequent references:

On multiple occasions, the Department of Veterans Affairs (VA, 2018) reported that formal efforts to reintegrate combat veterans into civilian life were beneficial.

80. Unknown author

When the author of a work is unknown, use the work’s title in a signal phrase, or put the title in parentheses. Put quotation marks around article titles, and put book or journal titles in italics:

In a pointed editorial, The New York Times argued that college athletic departments should support public health by canceling sports seasons until athletes and the public were vaccinated (”Don’t Let the Games Begin,” 2020). In its pointed editorial, “Don’t Let the Games Begin” (2020), The New York Times argued that college athletic departments should support public health by canceling sports seasons until athletes and the public were vaccinated.

81. Two or more works in the same citation

When you cite more than one work in parentheses, put the works in the same order that they appear in your list of references, and use a semicolon between them:

Americans who resisted or ignored civil defense were later cast as heroic people who chose not to build fallout shelters or as marginalized people who could not afford them (Garrison, 2006; Mechling & Mechling, 1991).

82. Work with no page numbers

If the work you are citing has no page numbers, help readers find the quotation by providing a heading, a section name, and/or a paragraph number (using the abbreviation para. or paras. ):

According to the National Institute of Mental Health (NIMH, 2019), research on PTSD includes gene research and brain imaging technologies (Next Steps for PTSD Research section, para. 6).

For audio or visual works, give the time stamp of the beginning of the source: (Wong, 2020, 34:16).

83. Source quoted in another source (indirect quotation)

When a quotation or any information in your source is originally from another source, try to track down the original source. If you cannot find the original, use the words “as cited in”:

The research collective, which has studied global health including access to food, sounded the alarm about a potential “worldwide food crisis” in the early 2000s (as cited in Sing, 2018, p. 32).

84. Entire work

When you cite an entire work, you do not need to give a page number. See Models 79 and 80. When you mention an entire website, link to the website directly or give the URL. You do not need to include the website in the references list:

The Department of Veterans Affairs maintains a website for PTSD, which contains resources and help for families and healthcare providers as well as veterans (https://www.ptsd.va.gov/).

85. Personal communication

Because personal communications such as emails, letters, personal interviews, and the like cannot be found by other researchers, cite them in the text only:

During our interview, Morales explained that she had quit her job to help her children with their schooling (personal communication, January 4, 2021).

APA References

Each source cited in the text of your paper refers readers to the list of references, a complete list of all the sources you quoted, paraphrased, or summarized. Every source cited in the text of your paper must be included in the references list, and every source in the references list must be cited in the text of your paper.

After the last page of your paper, start a new page with the centered, boldfaced title References at the top. Create an entry for each source using the following guidelines and examples.

• Alphabetize the entries according to authors’ last names. If two or more authors have the same last name, alphabetize by the initials of their first and middle names. Alphabetize sources with unknown authors by the first word of the title, excluding a, an, or the.

Core Elements (APA)

Each entry in the list of references consists of core elements:

• Date of publication. When was the work published?
• Publication information. Where can the work be found so that others can consult it?

Sometimes core elements are unknown or missing. In such cases, the entry in the reference list entry must be adapted:

• No author? If the source has no known author, cite it by the title. See Models 90 and 98.
• No date of publication? If the source has no publication date, write n.d . instead of the publication date. See Model 110.
• No title? If the work has no title, put a brief description in square brackets.
• No publication information? If the source is a personal communication that only you have a record of, cite the source in your text, not in the references, because it cannot be retrieved by other readers. See “Personal communication” above.

A note on retrieval dates: APA recommends adding a retrieval date for sources that are not archived or are likely to change over time, such as a developing news story. If you add a retrieval date, place it at the end of the references entry in this format: “Retrieved April 4, 2020, from https://www.nytimes.com.” Ask your instructors if they require retrieval dates.

Give the author’s last name, comma, and first and middle initials if available. For works with more than one author, put a comma and an ampersand (&) before the final author’s name, even when there are two authors.

86. One author

Milanovic, B. (2016). Global inequality: A new approach for the age of globalization. Harvard UP.

87. Two authors

Kristoff, N. D., & WuDunn, S. (2009). Half the sky: Turning oppression into opportunity for women worldwide. Alfred A. Knopf.

88. Three to twenty authors

Provide last names and initials for up to and including 20 authors.

Barlow, D. H., Durand, V. M., & Hofmann, S. G. (2017). Abnormal psychology: An integrative approach. Cengage Learning.

For more than 20 authors, include the first 19 authors’ names, insert an ellipsis, and then add the final author’s name.

89. Work by an organization, a government, a corporation, or an association

Works published by organizations often have the same author and publisher, which is frequently the title of a website. When the author and publisher are not the same, give the author and the title of the website:

National Institute of Mental Health. (2020). Post-traumatic stress disorder. U.S. Department of Health and Human Services, National Institutes of Health. https://www.nimh.nih.gov/health/publications/post-traumatic-stress-disorder-ptsd/index.shtml.

When the author and the publisher or title of the website are the same, omit the latter:

Centers for Disease Control and Prevention. (2021, February 17). Variants of the virus. https://www.cdc.gov/coronavirus/2019-ncov/variants/index.html.

90. Unknown author

If no author is given, start with the title:

The most beautiful battalion in the army. (1968). Grunt magazine, 12-15.

91. Two or more works by the same author

List two or more works by the same author (or the same author team listed in the same order) chronologically by year in the reference list, with the earliest first. Arrange works published in the same year alphabetically by title, placing lowercase letters after the publication dates:

Bandura, A. (1969). Principles of behavior modification. Holt, Rinehart, and Winston.

Bandura, A. (1977a). Self-efficacy: Toward a unifying theory of behavioral change. Psychological Review, 84, 191-215.

Bandura, A. (1977b). Social learning theory. Prentice Hall.

Articles, reviews, editorials, and other short works are published in journals, newspapers, and magazines, and they appear in print, on databases, and on websites (though often through a paywall). As a student, you are likely to access many articles and other short research sources primarily through databases available through your library.

92. Basic format for an article in an academic journal

Author’s Last Name, Initials. (Date of Publication). Title of article. Title of Journal, Volume (number), Pages. DOI or URL.

• Author. Give the last name, a comma, and the initials of the first name and middle name (if available). Do not list an author’s professional title, such as Dr. or PhD. End with a period.
• Date of Publication. In parentheses, give the year of publication, a comma, and the month or season of publication. End with a period outside the closing parentheses.
• Title of the article. Give the full title and any subtitle, separating them with a colon. For articles and book chapters, do not use quotation marks or italicize the title. Capitalize only the first word of the title and the first word of a subtitle and any proper nouns.
• Title of the journal. Put the journal title in italics. Capitalize all significant words in the title. End the title with a comma.
• Volume and issue numbers. Italicize the volume number, and follow it with the issue number in parentheses (not italicized). End with a comma.
• Page numbers. Give inclusive page numbers without p. or pp . End with a period.
• DOI or URL. Provide a DOI (if available) or a URL. Include “http://,” and do not add a period at the end. The preferred format for a DOI is “https://doi.org/” followed by the number. You may encounter older formats for DOI; if so, change them to this format. If the article is online and does not have a DOI, give the URL instead.

93. Article in an academic journal

Gawande, A. A. (2017, April). It’s time to adopt electronic prescriptions for opioids. Annals of Surgery, 265 (4), 693-94. https://doi.org/10.1097/SLA.0000000000002133

Squires, S. (2019). Do generations differ when it comes to green values and products? Electronic Green Journal, 42 . http://escholarship.org/uc/item/6f91213q

The online journal in the example numbers issues only, so no volume number or page numbers are given.

Lowther, M. A. (1977, Winter). Career change in mid-life: Its impact on education. Innovator, 8 (7), 9-11.

An older journal article you consult in print may not have a DOI. In that case, end with the page numbers.

94. Article in a magazine

For a magazine article you read on a database or online, give the DOI if the article has one; otherwise give the URL. For a magazine article you consulted in print, end the entry after the page number unless a DOI is provided.

Sneed, A. (2017, September 19). Giant shape-shifters. Scientific American, 317 (4), 20. https://doi.org/10.1038/scientificamerican1017-20

Sneed, A. (2017, September 19). Giant shape-shifters. Scientific American, 317 (4), 20.

Myszkowski, S. (2018, October 10). On the trail of missing American Indian women. The Atlantic. https://www.theatlantic.com/health/archive/2018/10/trail-missing-american-indian-women/571657/

95. Article in a newspaper

For a newspaper article that you read on a database or in print, end the entry after the page numbers. For a newspaper article that you read online, give the URL instead of page numbers.

Krueger, A. (2019, November 27). When mom knows best, on Instagram. The New York Times, B1-B4.

Healy, J. (2021, January 12). Tribal elders are dying from the pandemic, causing a cultural crisis for American Indians. The New York Times. https://www.nytimes.com/2021/01/12/us/tribal-elders-native-americans-coronavirus.html

96. Blog post

Blazich, F. A. (2021, February 5). The cold morning of the day after. Smithsonian Voices. https://www.smithsonianmag.com/blogs/national-museum-american-history/2021/02/05/cold-morning-day-after/

97. Published interview

Beard, A. (2013, May). Life’s work: An interview with Maya Angelou. Harvard Business Review. https://hbr.org/2013/05/maya-angelou

98. Editorial or letter to the editor

An editorial may or may not have an author’s name attached to it. If it does, give the author’s name first. If it does not, start with the title. In both situations, add Editorial or Letter to the Editor in square brackets after the title.

For better elections, copy the neighbors [Editorial]. (2021, February 16). The Wall Street Journal. https://www.wsj.com/articles/for-better-elections-copy-the-neighbors-11613518448

To cite a review of a book, film, television show, or other work, begin with the reviewer’s last name, followed by the first and middle (if any) initials. In parentheses, add the year, followed by the title, month, and day of the review. Then in square brackets, add Review of the and the type of work being reviewed, followed by the title and the name of the author, director, or creator and their role. Then give the publication in which the review appeared, ending with a period, and the URL:

Girish, D. (2021, February 18). Refocusing the lens on race and gender [Review of the film Test Pattern, by S. M. Ford, Dir.]. The New York Times. https://www.nytimes.com/2021/02/18/movies/test-pattern-review.html

Use the following guidelines for books and parts of books, such as a selection from an anthology, a chapter in a collection, a published conference paper, and so on.

100. Basic entry for a book

Author’s Last Name, Initials. (Year of Publication). Title of book. Publisher.

• Author. Give the last name, a comma, and the initials of the first name and middle name (if available). Do not list an author’s professional title, such as Dr . or PhD . End with a period.
• Year of publication. In parentheses, give the year of publication, ending with a period outside the closing parentheses.
• Title of the book. Put the book’s title in italics. Give the full title and any subtitle, separating them with a colon. Capitalize only the first word of the title and the first word of a subtitle and any proper nouns.
• Publisher. Give the publisher’s name as shown on the work, omitting words such as Inc. or Company.

101. Print book or e-book

Aronson, L. (2019). Elderhood: Redefining aging, transforming medicine, reimagining life. Bloomsbury Publishing.

Use the same format for an e-book when the content is the same. If you consult a book that has a DOI, provide it after the publisher, using the format “https://doi.org/” followed by the number. (If you encounter older formats for DOI, change them to this format.) If you read a book online, give the URL.

102. Book, anthology, or collection with an editor

Schaefer, C. E., & Reid, S. E. (Eds.). (2001). Game play: Therapeutic use of childhood games (2nd ed.) . Wiley.

103. Article or chapter in an edited book, an anthology, or a collection

Burks, H. F. (2001). Using the imagine game as a projective technique. In C. E. Schaefer & S. E. Reid (Eds.), Game play: Therapeutic use of childhood games (2nd ed., pp. 39-66). Wiley.

104. Translated or reprinted book

Freud, S. (1950). The interpretation of dreams (A. A. Brill, Trans.). Modern Library. (Original work published 1900)

105. Revised edition

Strunk, W., Jr., & White, E. B. (2019). The elements of style (4th ed.). Pearson.

106. One volume of a multivolume work

Waldrep, T. (Ed.). (1988). Writers on writing (Vol. 2). Random House.

107. Report or publication by a government agency or other organization

National Institute of Mental Health. (2020). Post-traumatic stress disorder. U.S. Department of Health and Human Service, National Institutes of Health.

If you consulted the publication online, include the URL after the publisher. See Model 89.

108. Conference paper

Killi, S., & Morrison, A. (2021). Could the food market pull 3D printing appetites further? In J.D. da Silva Bartolo, F. M. da Silva, S. Jaradat, & H. Bartolo (Eds.), Industry 4.0—shaping the future of the digital world: Proceedings of the 2nd International Conference on Sustainable & Smart Manufacturing (pp. 197-203). CRC Press.

Use the following guidelines for works published only online that do not have an overarching publication, such as a journal, newspaper, or magazine.

109. Basic format for a page or work on a website

Author’s Last Name, Initials. (Publication Date). Title of work. Title of website. URL.

• Author. Give the last name, a comma, and the initials of the first name and middle name (if available). Do not list an author’s professional title, such as Dr. or PhD . End with a period.
• Date of publication. In parentheses, give the year of publication and a comma, followed by the month and the day. End with a period outside the closing parentheses.
• Title of the work. Put the title of the work in italics. Give the full title and any subtitle, separating them with a colon. Capitalize only the first word of the title and the first word of a subtitle and any proper nouns.
• Title of the website. Give the title of the website and end with a period. If the author and the website title are the same, you can omit the title of the site.
• URL. Copy and paste the URL from your browser window.

110. Page or work on a website

Shetterly, M. L. (2020, February 24). Katherine Johnson biography. NASA. https://www.nasa.gov/content/katherine-johnson-biography

U.S. Department of Veterans Affairs. (n.d.). What is PTSD? National Center for PTSD. https://www.ptsd.va.gov/understand/what/index.asp

If the source you are citing has no author listed, start with the title. See Model 90.

Coronavirus. (2021, February 22). In Wikipedia. https://en.wikipedia.org/wiki/Coronavirus

When you cite a social media post as a source, use labels in square brackets to indicate the type of post and whether images were attached to it.

112. Social media post

Holler, J. [@holleratcha]. (2020, November 2). Everyone get out and vote tomorrow! [Tweet]. Twitter. http://twitter.com/holleratcha/status/1270432672544784384

Death Valley National Park. (2021, February 23). What does it mean to protect something you love? [Images attached] [Status update]. Facebook. www.facebook.com/DeathValleyNPS/posts/4108808255810092.

113. Online forum post

National Aeronautics and Space Administration [NASA]. (2020, November 14). We’re engineers, astronaut trainers, and other specialists working to launch humans on commercial spacecraft from U.S. soil! Ask us anything about the NASA SpaceX Crew-1 mission! [Online forum post]. Reddit. https://www.reddit.com/r/space/comments/jsx91g/were_engineers_astronaut_trainers_and_other/

When you cite nonprint sources, such as visual and multimedia sources, use labels in square brackets to indicate the type of source, such as a film, a TV episode, a song, a painting, a photograph, and so on.

When you cite a film that you saw in a theater or streamed, you do not need to specify how you watched it.

Jenkins, B. (Director). (2016). Moonlight [Film]. A24.

115. Online video

For an online video, give the name of the person or organization that uploaded it as the author:

TED. (2017, February 27). Sue Klebold: My son was a Columbine shooter. This is my story [Video]. YouTube. https://www.youtube.com/watch?v=BXlnrFpCu0c

116. Television program

Schur, M., Miner, D., Sackett, M., & Goddard, D. (Executive Producers). (2016-20). The good place [TV series]. Fremulon; 3 Arts Entertainment; Universal Television; NBC.

Mande, J. (Writer), & Benz, P. (Director). (2016, September 29). Jason Mendoza (Season 1, Episode 4) [TV series episode]. In M Schur, D. Miner, M. Sackett, & D. Goddard (Executive Producers), The good place. Fremulon; 3 Arts Entertainment; Universal Television; NBC.

117. Music recording

For an artist whose music is available only through a website, include the URL. If the artist’s music is available on multiple platforms, you do not need to specify how you accessed it.

Prince. (1984). Purple rain [Album]. Warner Brothers.

The Supremes. (1964). Baby love [Song]. On Where did our love go. Motown.

Overby, J. (Host). (2021, January 9). The road to higher ground: World music with African roots and more. WPR.

119. Podcast

McEvers, K. (Host). (2019, November 7). This is not a joke (Season 9, Episode 9) [Audio podcast episode]. In Embedded. NPR.

120. Painting or other visual artwork

For a work of visual art, give the location of the museum or gallery. If you saw the work online, add the URL after the location:

Rivera, D. (1932-33). Detroit industry murals [Painting]. Detroit Institute of Art, Detroit, MI, United States.

Basquiat, J-M. (1983). Untitled [Painting]. Museum of Modern Art, New York, NY, United States. https://www.moma.org/collection/works/63997?artist_id=370&page=1&sov_referrer=artist

121. Map, photograph, infographic, or other visual

If the work you consulted names an author, start with the author. If there is no author, start with the title and a description of the work in square brackets, such as [Map], [Photograph], [Infographic], [Diagram], or another appropriate descriptor:

Expedition of Lewis and Clark [Map]. (2018). National Park Service. http://nps.gov/subjects/travellewisandclark/map.htm

122. Video game, software, or app

Benzies, L., & Sarwar, I. (2017). Grand theft auto V [Video game]. Rockstar Games. https://www.rockstargames.com/games/V

APA Paper Format

Follow your instructor’s formatting guidelines or those indicated here. For sample papers showing APA paper format, see this site .

• Title page. Give the title of the paper in bold, centered. Then, on separate lines and not boldfaced, give your name, academic department, name of your college or university, course number and name, instructor’s name, and the due date, all centered. Repeat only the title on the first page of the text of your paper.
• Spacing. Double-space throughout the paper, including the references page.
• Headings. Give headings for the major sections of your paper, such as Method, Results or Findings, and Discussion . Put the headings in bold and center them on the page. Put the next level of headings in bold and place them flush left.
• Page numbers. Start numbering on the title page of your paper and continue to the end of the references page. Place page numbers in the upper-right corner.
• Long quotations. See Quotations for how to cite long quotations.

H 15 . Further Reading

MLA Handbook , 8th ed., Modern Language Association of America, 2016.

MLA Handbook, 9 th ed., Modern Language Association of America, 2020.

Publication Manual of the American Psychological Association , 7th ed., American Psychological Association, 2020.

H 16 . Works Cited

Addams, Jane. Twenty Years at Hull-House. Digital Public Library of America , 1910, dp.la/primary-source-sets/theodore-dreiser-s-sister-carrie-and-the-urbanization-of-chicago/.

Becker, Jo. Forcing the Spring: Inside the Fight for Marriage Equality. Penguin Press, 2014.

Behn, Aphra. “The Character.” The Works of Aphra Behn. Edited by Montague Summers, vol. 6, Project Gutenberg , 2014, www.gutenberg.org/files/45777/45777-h/45777-h.htm#Page_113.

Behn, Aphra. “Love’s Power.” The Works of Aphra Behn. Edited by Montague Summers, vol. 6, Project Gutenberg, 2014, www.gutenberg.org/files/45777/45777-h/45777-h.htm#Page_113.

Brooks, Gwendolyn. “We Real Cool.” Blacks , Third World Press, 1994.

Da 5 Bloods. Directed by Spike Lee. Netflix, 2020.

Eisenberg, Richard. “How to Fix Social Security for Vulnerable Americans.” Forbes , 5 July 2018, www.forbes.com/sites/nextavenue/2018/07/05/how-to-fix-social-security-for-vulnerable-americans/.

“Environmental Impacts of Natural Gas.” Union of Concerned Scientists, 19 June 2014, www.ucsusa.org/resources/environmental-impacts-natural-gas.

Garrison, Dee. Bracing for Armageddon: Why Civil Defense Never Worked. Oxford UP, 2006.

Hollar-Zwick, Carol. Me, Hemorrhage: Recovery from a Ruptured Arteriovenous Malformation. Amazon, 2020.

The King James Bible. Project Gutenberg, 1989, www.gutenberg.org/files/10/10-h/10-h.htm#The_Gospel_According_to_Saint_Matthew.

Konish, Lorie. “Some Retirees Get by on Just Social Security. Experts Disagree on How Many.” CNBC, 10 Feb. 2020, www.cnbc.com/2020/02/10/some-retirees-live-on-social-security-experts-disagree-on-how-many.html.

Mechling, Elizabeth Walker, and Jay Mechling. “The Campaign for Civil Defense and the Struggle to Naturalize the Bomb.” Western Journal of Speech Communication, vol. 55, no. 2, Spring 1991, pp. 105-33.

Myers, David. “The Funds, Friends, and Faith of Happy People.” American Psychologist , vol. 55, no. 1, Jan. 2000, pp. 56-67.

“This Is Who We Are.” U.S. Forest Service, United States Department of Agriculture, Mar. 2019, http://www.fs.usda.gov/sites/default/files/This-is-Who-We-Are.pdf.

Thomas, Lewis. Lives of a Cell: Notes of a Biology Watcher. Penguin Books, 1978.

Thoreau, Henry David. Walden. Project Gutenberg, 1995, http://www.gutenberg.org/files/205/205-h/205-h.htm.

University of Agder. “Sorry (not sorry).” YouTube , 6 Feb. 2021, http://www.youtube.com/watch?v=Mi3JQa1ynDw.

Wilkerson, Isabel. Caste: The Origins of Our Discontents. Random House, 2020.

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4.3: Types of Assignments

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• Ana Stevenson
• James Cook University via James Cook University

Introduction

As discussed in the previous chapter, assignments are a common method of assessment at university. You may encounter many assignments over your years of study, yet some will look quite different from others. By recognising different types of assignments and understanding the purpose of the task, you can direct your writing skills effectively to meet task requirements. This chapter draws on the skills from the previous chapter, and extends the discussion, showing you where to aim with different types of assignments.

The chapter begins by exploring the popular essay assignment, with its two common categories, analytical and argumentative essays. It then examines assignments requiring case study responses , as often encountered in fields such as health or business. This is followed by a discussion of assignments seeking a report (such as a scientific report) and reflective writing assignments, which are common in nursing, education, and human services. The chapter concludes with an examination of annotated bibliographies and literature reviews. The chapter also has a selection of templates and examples throughout to enhance your understanding and improve the efficacy of your assignment writing skills.

Different Types of Written Assignments

At university, an essay is a common form of assessment. In the previous chapter Writing Assignments, we discussed what was meant by showing academic writing in your assignments. It is important that you consider these aspects of structure, tone, and language when writing an essay.

Components of an essay

Essays should use formal but reader-friendly language and have a clear and logical structure. They must include research from credible academic sources such as peer reviewed journal articles and textbooks. This research should be referenced throughout your essay to support your ideas (see the chapter Working with Information).

If you have never written an essay before, you may feel unsure about how to start. Breaking your essay into sections and allocating words accordingly will make this process more manageable and will make planning the overall essay structure much easier.

• An essay requires an introduction, body paragraphs, and a conclusion.
• Generally, an introduction and conclusion are each approximately 10% of the total word count.
• The remaining words can then be divided into sections and a paragraph allowed for each area of content you need to cover.
• Use your task and criteria sheet to decide what content needs to be in your plan

An effective essay introduction needs to inform your reader by doing four basic things:

An effective essay body paragraph needs to:

An effective essay conclusion needs to:

Common types of essays

You may be required to write different types of essays, depending on your study area and topic. Two of the most commonly used essays are analytical and argumentative . The task analysis process discussed in the previous chapter Writing Assignments will help you determine the type of essay required. For example, if your assignment question uses task words such as analyse, examine, discuss, determine, or explore, then you would be writing an analytical essay . If your assignment question has task words such as argue, evaluate, justify, or assess, then you would be writing an argumentative essay . Regardless of the type of essay, your ability to analyse and think critically is important and common across genres.

Analytical essays

These essays usually provide some background description of the relevant theory, situation, problem, case, image, etcetera that is your topic. Being analytical requires you to look carefully at various components or sections of your topic in a methodical and logical way to create understanding.

The purpose of the analytical essay is to demonstrate your ability to examine the topic thoroughly. This requires you to go deeper than description by considering different sides of the situation, comparing and contrasting a variety of theories and the positives and negatives of the topic. Although your position on the topic may be clear in an analytical essay, it is not necessarily a requirement that you explicitly identify this with a thesis statement. In an argumentative essay, however, it is necessary that you explicitly identify your position on the topic with a thesis statement. If you are unsure whether you are required to take a position, and provide a thesis statement, it is best to check with your tutor.

Argumentative essays

These essays require you to take a position on the assignment topic. This is expressed through your thesis statement in your introduction. You must then present and develop your arguments throughout the body of your assignment using logically structured paragraphs. Each of these paragraphs needs a topic sentence that relates to the thesis statement. In an argumentative essay, you must reach a conclusion based on the evidence you have presented.

Case study responses

Case studies are a common form of assignment in many study areas and students can underperform in this genre for a number of key reasons.

Students typically lose marks for not:

• Relating their answer sufficiently to the case details.
• Applying critical thinking.
• Writing with clear structure.
• Using appropriate or sufficient sources.
• Using accurate referencing.

When structuring your response to a case study, remember to refer to the case. Structure your paragraphs similarly to an essay paragraph structure, but include examples and data from the case as additional evidence to support your points (see Figure 68). The colours in the sample paragraph below show the function of each component.

The Nursing and Midwifery Board of Australia (NMBA) Code of Conduct and Nursing Standards (2018) play a crucial role in determining the scope of practice for nurses and midwives. A key component discussed in the code is the provision of person-centred care and the formation of therapeutic relationships between nurses and patients (NMBA, 2018). This ensures patient safety and promotes health and wellbeing (NMBA, 2018). The standards also discuss the importance of partnership and shared decision-making in the delivery of care (NMBA, 2018, 4). Boyd and Dare (2014) argue that good communication skills are vital for building therapeutic relationships and trust between patients and care givers. This will help ensure the patient is treated with dignity and respect and improve their overall hospital experience. In the case, the therapeutic relationship with the client has been compromised in several ways. Firstly, the nurse did not conform adequately to the guidelines for seeking informed consent before performing the examination as outlined in principle 2.3 (NMBA, 2018). Although she explained the procedure, she failed to give the patient appropriate choices regarding her health care.

Topic sentence | Explanations using paraphrased evidence including in-text references | Critical thinking (asks the so what? question to demonstrate your student voice). | Relating the theory back to the specifics of the case. The case becomes a source of examples as extra evidence to support the points you are making.

Reports are a common form of assessment at university and are also used widely in many professions. It is a common form of writing in business, government, scientific, and technical occupations.

Reports can take many different structures. A report is normally written to present information in a structured manner, which may include explaining laboratory experiments, technical information, or a business case. Reports may be written for different audiences, including clients, your manager, technical staff, or senior leadership within an organisation. The structure of reports can vary, and it is important to consider what format is required. The choice of structure will depend upon professional requirements and the ultimate aims of the report. Consider some of the options in the table below (see Table 18.2).

Reflective writing

Reflective writing is a popular method of assessment at university. It is used to help you explore feelings, experiences, opinions, events, or new information to gain a clearer and deeper understanding of your learning.

A reflective writing task requires more than a description or summary. It requires you to analyse a situation, problem or experience, consider what you may have learnt, and evaluate how this may impact your thinking and actions in the future. This requires critical thinking, analysis, and usually the application of good quality research, to demonstrate your understanding or learning from a situation.

Essentially, reflective practice is the process of looking back on past experiences and engaging with them in a thoughtful way and drawing conclusions to inform future experiences. The reflection skills you develop at university will be vital in the workplace to assist you to use feedback for growth and continuous improvement. There are numerous models of reflective writing and you should refer to your subject guidelines for your expected format. If there is no specific framework, a simple model to help frame your thinking is What? So what? Now what? (Rolfe et al., 2001).

The Gibbs’ Reflective Cycle

The Gibbs’ Cycle of reflection encourages you to consider your feelings as part of the reflective process. There are six specific steps to work through. Following this model carefully and being clear of the requirements of each stage, will help you focus your thinking and reflect more deeply. This model is popular in Health.

The 4 R’s of reflective thinking

This model (Ryan and Ryan, 2013) was designed specifically for university students engaged in experiential learning. Experiential learning includes any ‘real-world’ activities, including practice led activities, placements, and internships. Experiential learning, and the use of reflective practice to heighten this learning, is common in Creative Arts, Health, and Education.

Annotated bibliography

What is it.

An annotated bibliography is an alphabetical list of appropriate sources (e.g. books, journal articles, or websites) on a topic, accompanied by a brief summary, evaluation, and sometimes an explanation or reflection on their usefulness or relevance to your topic. Its purpose is to teach you to research carefully, evaluate sources and systematically organise your notes. An annotated bibliography may be one part of a larger assessment item or a stand-alone assessment item. Check your task guidelines for the number of sources you are required to annotate and the word limit for each entry.

How do I know what to include?

When choosing sources for your annotated bibliography, it is important to determine:

• The topic you are investigating and if there is a specific question to answer.
• The type of sources on which you need to focus.
• Whether these sources are reputable and of high quality.

What do I say?

Important considerations include:

• Is the work current?
• Is the work relevant to your topic?
• Is the author credible/reliable?
• Is there any author bias?
• The strength and limitations (this may include an evaluation of research methodology).

Literature reviews

Generally, a literature review requires that you review the scholarly literature and establish the main ideas that have been written about your chosen topic. A literature review does not summarise and evaluate each resource you find (this is what you would do in an annotated bibliography). You are expected to analyse and synthesise or organise common ideas from multiple texts into key themes which are relevant to your topic (see Figure 18.10). You may also be expected to identify gaps in the research.

It is easy to get confused by the terminology used for literature reviews. Some tasks may be described as a systematic literature review when actually the requirement is simpler; to review the literature on the topic but do it in a systematic way. There is a distinct difference (see Table 15.4). As a commencing undergraduate student, it is unlikely you would be expected to complete a systematic literature review as this is a complex and more advanced research task. It is important to check with your lecturer or tutor if you are unsure of the requirements.

When conducting a literature review, use a table or a spreadsheet, if you know how, to organise the information you find. Record the full reference details of the sources as this will save you time later when compiling your reference list (see Table 18.5).

Overall, this chapter has provided an introduction to the types of assignments you can expect to complete at university, as well as outlined some tips and strategies with examples and templates for completing them. First, the chapter investigated essay assignments, including analytical and argumentative essays. It then examined case study assignments, followed by a discussion of the report format. Reflective writing , popular in nursing, education, and human services, was also considered. Finally, the chapter briefly addressed annotated bibliographies and literature reviews. The chapter also has a selection of templates and examples throughout to enhance your understanding and improve the efficacy of your assignment writing skills.

• Not all assignments at university are the same. Understanding the requirements of different types of assignments will assist in meeting the criteria more effectively.
• There are many different types of assignments. Most will require an introduction, body paragraphs, and a conclusion.
• An essay should have a clear and logical structure and use formal but reader-friendly language.
• Breaking your assignment into manageable chunks makes it easier to approach.
• Effective body paragraphs contain a topic sentence.
• A case study structure is similar to an essay, but you must remember to provide examples from the case or scenario to demonstrate your points.
• The type of report you may be required to write will depend on its purpose and audience. A report requires structured writing and uses headings.
• Reflective writing is popular in many disciplines and is used to explore feelings, experiences, opinions, or events to discover what learning or understanding has occurred. Reflective writing requires more than description. You need to be analytical, consider what has been learnt, and evaluate the impact of this on future actions.
• Annotated bibliographies teach you to research and evaluate sources and systematically organise your notes. They may be part of a larger assignment.
• Literature reviews require you to look across the literature and analyse and synthesise the information you find into themes.

Gibbs, G. (1988). Learning by doing: A guide to teaching and learning methods. Further Education Unit, Oxford Brookes University.

Rolfe, G., Freshwater, D., Jasper, M. (2001). Critical reflection in nursing and the helping professions: A user’s guide . Palgrave Macmillan.

Ryan, M. & Ryan, M. (2013). Theorising a model for teaching and assessing reflective learning in higher education. Higher Education Research & Development , 32(2), 244-257. https://doi.org/10.1080/07294360.2012.661704

Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices.

Chapter 1. Introduction to Academic Writing

1.1  post-secondary reading and writing, learning objectives.

• Understand the expectations for reading and writing assignments in post-secondary (university, college, institute) courses
• Understand and apply general strategies to complete post-secondary-level reading assignments efficiently and effectively
• Recognize specific types of writing assignments frequently included in post-secondary courses
• Understand and apply general strategies for managing post-secondary-level writing assignments
• Determine specific reading and writing strategies that work best for you individually

In a post-secondary environment, academic expectations change from what you may have experienced in high school. The quantity of work you are expected to do is increased. When instructors expect you to read pages upon pages or study hours and hours for one particular course, managing your workload can be challenging. This chapter includes strategies for studying efficiently and managing your time.

The quality of the work you do also changes. It is not enough to understand course material and summarize it on an exam. You will also be expected to seriously engage with new ideas by reflecting on them, analyzing them, critiquing them, making connections, drawing conclusions, or finding new ways of thinking about a given subject. Educationally, you are moving into deeper waters. A good introductory writing course will help you swim.

Table 1.1 : High School versus Post-Secondary Assignments summarizes some of the other major differences between high school and university assignments.

Table 1.1  High School versus Post-Secondary Assignments

This chapter covers the types of reading and writing assignments you will encounter as a post-secondary student. You will also learn a variety of strategies for mastering these new challenges—and becoming a more confident student and writer.

Throughout this chapter, you will follow a first-year student named Crystal. After several years of working as a saleswoman in a department store, Crystal has decided to pursue a degree in elementary education and become a teacher. She is continuing to work part time, and occasionally she finds it challenging to balance the demands of work, school, and caring for her four-year-old son. As you read about Crystal, think about how you can use her experience to get the most out of your own experience.

Setting Goals

By planning carefully and following through on her daily and weekly goals, Crystal was able to fulfill one of her goals for the semester. Although her exam scores were not as high as she had hoped, her consistently strong performance on writing assignments tipped her grade from a B+ to an A−. She was pleased to have earned a high grade in one of the required courses for her major. She was also glad to have gotten the most out of an introductory course that would help her become an effective teacher.

How does Crystal’s experience relate to your own post-secondary educational experience?

To do well in the post-secondary environment, it is important to stay focused on how your day-to-day actions determine your long-term success. You may not have defined your career goals or chosen a major yet. Even so, you surely have some overarching goals for what you want out of your studies to expand your career options, to increase your earning power, or just to learn something new. In time, you will define your long-term goals more explicitly. Doing solid, steady work, day by day and week by week, will help you meet those goals.

Discussion 1

With your group, discuss the following issues and questions :

Introduce yourself: Who are you? Why are you taking the course? Where are you living now?

• How do you feel about writing in general? (You will not be judged on this.)
• Identify one long-term goal you would like to have achieved by the time you complete your diploma or degree. For instance, you might want a particular job in your field.
• Identify one semester goal that will help you fulfill the long-term goal you just set.
• Review Table 1.1, High School versus Post-Secondary Assignments and answer the following questions:
• In what ways do you think post-secondary education will be rewarding for you as a learner?
• What aspects of post-secondary education do you expect to find most challenging?
• What changes do you think you might have to make in your life to ensure your success in a post-secondary learning environment?

Reading Strategies

Your post-secondary courses will sharpen both your reading and your writing skills. Most of your writing assignments—from brief response papers to in-depth research projects—will depend on your understanding of course reading assignments or related readings you do on your own. And it is difficult, if not impossible, to write effectively about a text that you have not understood. Even when you do understand the reading, it can be hard to write about it if you do not feel personally engaged with the ideas discussed.

This section discusses strategies you can use to get the most out of your reading assignments. These strategies fall into three broad categories:

• Planning strategies  to help you manage your reading assignments
• Comprehension strategies  to help you understand the material
• Active reading strategies  to take your understanding to a higher and deeper level

Planning Your Reading

Have you ever stayed up all night cramming just before an exam? Or found yourself skimming a detailed memo from your boss five minutes before a crucial meeting? The first step in handling your reading successfully is planning. This involves both managing your time and setting a clear purpose for your reading.

Managing Your Reading Time

You will learn more detailed strategies for time management in  Section 1.2: Developing Study Skills , but for now, focus on setting aside enough time for reading and breaking your assignments into manageable chunks. For example, if you are assigned a 70-page chapter to read for next week’s class, try not to wait until the night before to get started. Give yourself at least a few days and tackle one section at a time.

Your method for breaking up the assignment will depend on the type of reading. If the text is very dense and packed with unfamiliar terms and concepts, you may need to read no more than 5 or 10 pages in one sitting so that you can truly understand and process the information. With more user-friendly texts, you will be able to handle longer sections—20 to 40 pages, for instance. And if you have a highly engaging reading assignment, such as a novel you cannot put down, you may be able to read lengthy passages in one sitting.

As the semester progresses, you will develop a better sense of how much time you need to allow for the reading assignments in different subjects. It also makes sense to preview each assignment well in advance to assess its difficulty level and to determine how much reading time to set aside.

Instructors at the post-secondary level often set aside reserve readings for a particular course. These consist of articles, book chapters, or other texts that are not part of the primary course textbook. Copies of reserve readings are available through the university library, in print, or more often, online. When you are assigned a reserve reading, download it ahead of time (and let your instructor know if you have trouble accessing it). Skim through it to get a rough idea of how much time you will need to read the assignment in full.

Setting a Purpose

The other key component of planning is setting a purpose. Knowing what you want to get out of a reading assignment helps you determine how to approach it and how much time to spend on it. It also helps you stay focused during those occasional moments when it is late, you are tired, and when relaxing in front of the television sounds far more appealing than curling up with a stack of journal articles.

Sometimes your purpose is simple. You might just need to understand the reading material well enough to discuss it intelligently in class the next day. However, your purpose will often go beyond that. For instance, you might also read to compare two texts, to formulate a personal response to a text, or to gather ideas for future research. Here are some questions to ask to help determine your purpose:

How did my instructor frame the assignment?  Often instructors will tell you what they expect you to get out of the reading. For example:

Read Chapter 2 and come to class prepared to discuss current theories related to conducting risk assessments.

Read these two articles and compare Smith’s and Jones’s perspectives on the Charter of Rights and Freedoms (1982).

Read Chapter 5 and think about how you could apply these guidelines to the first stages of onsite patient assessment.

How deeply do I need to understand the reading?  If you are majoring in emergency management and you are assigned to read Chapter 1, “Introduction to Emergency Management,” it is safe to assume the chapter presents fundamental concepts that you will be expected to master. However, for some reading assignments, you may be expected to form a general understanding but not necessarily master the content. Again, pay attention to how your instructor presents the assignment.

How does this assignment relate to other course readings or to concepts discussed in class?  Your instructor may make some of these connections explicitly, but if not, try to draw connections on your own. (Needless to say, it helps to take detailed notes both when in class and when you read.)

How might I use this text again in the future?  If you are assigned to read about a topic that has always interested you, your reading assignment might help you develop ideas for a future research paper. Some reading assignments provide valuable tips or summaries worth bookmarking for future reference. Think about what you can take from the reading that will stay with you.

Improving Your Comprehension

You have blocked out time for your reading assignments and set a purpose for reading. Now comes the challenge: making sure you actually understand all the information you are expected to process. Some of your reading assignments will be fairly straightforward. Others, however, will be longer or more complex, so you will need a plan for how to handle them.

For any expository writing —that is, nonfiction, informational writing—your first comprehension goal is to identify the main points and relate any details to those main points. Because post-secondary-level texts can be challenging, you will also need to monitor your reading comprehension. That is, you will need to stop periodically and assess how well you understand what you are reading. Finally, you can improve comprehension by taking time to determine which strategies work best for you and putting those strategies into practice.

Identifying the Main Points

In your courses, you will be reading a wide variety of materials, including the following:

• Textbooks.  These usually include summaries, glossaries, comprehension questions, and other study aids.
• Nonfiction trade books.  These are less likely to include the study features found in textbooks.
• Popular magazines, newspapers, or web articles.  These are usually written for a general audience.
• Scholarly books and journal articles.  These are written for an audience of specialists in a given field.

Regardless of what type of expository text you are assigned to read, your primary comprehension goal is to identify the main point : the most important idea that the writer wants to communicate and often states early on. Finding the main point gives you a framework to organize the details presented in the reading and relate the reading to concepts you have learned in class or through other reading assignments. After identifying the main point, you will find the supporting points , details, facts, and explanations that develop and clarify the main point.

Some texts make that task relatively easy. Textbooks, for instance, include the aforementioned features as well as headings and subheadings intended to make it easier for students to identify core concepts. Graphic features such as sidebars, diagrams, and charts help students understand complex information and distinguish between essential and inessential points. When you are assigned to read from a textbook, be sure to use available comprehension aids to help you identify the main points.

Trade books and popular articles may not be written specifically for an educational purpose; nevertheless, they also include features that can help you identify the main ideas.

Trade books.  Many trade books include an introduction that presents the writer’s main ideas and purpose for writing. Reading chapter titles (and any subtitles within the chapter) will help you get a broad sense of what is covered. It also helps to read the beginning and ending paragraphs of a chapter closely. These paragraphs often sum up the main ideas presented.

Popular articles.  Reading the headings and introductory paragraphs carefully is crucial. In magazine articles, these features (along with the closing paragraphs) present the main concepts. Hard news articles in newspapers present the gist of the news story in the lead paragraph, while subsequent paragraphs present increasingly general details.

At the far end of the reading difficulty scale are scholarly books and journal articles. Because these texts are aimed at a specialized, highly educated audience, the authors presume their readers are already familiar with the topic. The language and writing style is sophisticated and sometimes dense.

When you read scholarly books and journal articles, try to apply the same strategies discussed earlier for other types of text. The introduction usually presents the writer’s thesis— the idea or hypothesis the writer is trying to prove. Headings and subheadings can help you understand how the writer has organized support for the thesis. Additionally, academic journal articles often include a summary at the beginning, called an abstract, and electronic databases include summaries of articles too.

Monitoring Your Comprehension

Finding the main idea and paying attention to text features as you read helps you figure out what you should know. Just as important, however, is being able to figure out what you do not know and developing a strategy to deal with it.

Textbooks often include comprehension questions in the margins or at the end of a section or chapter. As you read, stop occasionally to answer these questions on paper or in your head. Use them to identify sections you may need to reread, read more carefully, or ask your instructor about later.

Even when a text does not have built-in comprehension features, you can actively monitor your own comprehension. Try these strategies, adapting them as needed to suit different kinds of texts:

Summarize.  At the end of each section, pause to summarize the main points in a few sentences. If you have trouble doing so, revisit that section. (You will learn more about this in Chapter 3 : Putting I deas into Y our O wn W ords and Paragraphs .)

Ask and answer questions.  When you begin reading a section, try to identify two to three questions you should be able to answer after you finish it. Write down your questions and use them to test yourself on the reading. If you cannot answer a question, try to determine why. Is the answer buried in that section of reading but just not coming across to you? Or do you expect to find the answer in another part of the reading?

Do not read in a vacuum.  Look for opportunities to discuss the reading with your classmates. Many instructors set up online discussion forums or blogs specifically for that purpose. Participating in these discussions can help you determine whether your understanding of the main points is the same as your peers’.

These discussions can also serve as a reality check. If everyone in the class struggled with the reading, it may be exceptionally challenging. If it was easy for everyone but you, you may need to see your instructor for help.

As a working mother, Crystal found that the best time to get her reading done was in the evening, after she had put her four-year-old to bed. However, she occasionally had trouble concentrating at the end of a long day. She found that by actively working to summarize the reading and asking and answering questions, she focused better and retained more of what she read. She also found that evenings were a good time to check the class discussion forums that a few of her instructors had created.

Self-Practice Exercise 1.1

Choose any text that that you have been assigned to read for one of your courses. In your notes, complete the following tasks: Summarize the main points of the text in two to three sentences. Write down two to three questions about the text that you can bring up during class discussion.

Students are often reluctant to seek help. They feel like doing so marks them as slow, weak, or demanding. The truth is, every learner occasionally struggles. If you are sincerely trying to keep up with the course reading but feel like you are in over your head, seek help. Speak up in class, schedule a meeting with your instructor, or visit your university learning centre for assistance.

Deal with the problem as early in the semester as you can. Instructors respect students who are proactive about their own learning. Most instructors will work hard to help students who make the effort to help themselves.

Taking It to the Next Level: Active Reading

Now that you have acquainted (or reacquainted) yourself with useful planning and comprehension strategies, your reading assignments may feel more manageable. You know what you need to do to get your reading done and make sure you grasp the main points. However, the most successful students in are not only competent readers but active, engaged readers.

There are two common strategies for active reading:

• Applying the four reading stages

Both will help you look at a text in depth and help prepare you for when you have to study to use the information on an exam. You should try them both and decide which works better for you.

Four Reading Stages

Everyone reads and retains (or not) information in different ways. However, applying the following four stages of reading whenever you pick up material will not only help you understand what you are reading, but will also increase the changes of your actually remembering what you have read. While it may seem that this strategy of four reading stages takes a lot of time, it will become more natural for you as you continue applying it. Also, using these four stages will actually save you time because you will already have retained a lot, if not all, of the content, so when it is time to study for your exam, you will find that you already know the material.

Effective academic reading and study seeks not only to gain an understanding of the facts, opinions, and beliefs presented in a text, but also of the biases, assumptions, and perspectives underlying the discussion. The aim is to analyze, interpret, and evaluate the text, and then to draw logical inferences and conclusions.

The four reading strategies you will need to sharpen in order to get through your material are:

Survey reading

Close reading, inquiry reading, critical reading.

These four strategies all stress “reading as thinking.” You will need to read actively to comprehend and remember what you are reading, for both your own and your instructor’s purposes. In order to do that, you need to think about the relevance of ideas to one another and about their usefulness to you personally, professionally, and academically.

Again, this differs from our usual daily reading activities, where interest often determines what we choose to read rather than utility. What happens when we are really not interested in what we are reading or seeing? Our eyes move down the page and our minds are elsewhere. We may read anywhere from one paragraph to several pages and suddenly realize we do not have the foggiest idea what we have just read. Clearly focusing our reading purpose on surveying, reading closely, being inquisitive, and reading critically, means we are reading for specific results: we read faster, know what we want, and read to get it.

Surveying quickly (2 to 10 minutes if it is a long chapter) allows you to see the overall picture or gist of what the text is sharing with you. Some of the benefits of surveying are listed below:

• It increases reading rate and attention because you have a road map: a mental picture of the beginning, middle, and end of this journey.
• In helps you create a mental map, allowing you to organize your travel by highlighting key topics and getting impressions of relevance, which in turn helps in the business or remembering.
• It aids in budgeting study time because you know the length and difficulty of the material. Usually you read study material to find out what is there in order to go back later and learn it. With surveying you accomplish the same in one-tenth the time.
• It improves concentration because you know what is ahead and how what you are reading fits into the total picture.

Technique for survey reading

For a text or chapter, look at introductions, summaries, chapter headings, bold print, and graphics to piece together the main theme and its development.

Practical uses

Magazines, journals, books, chapters, sections of dense material, anything that allows for an overview.

Close reading allows you to concentrate and make decisions now about what is relevant and what is not. Its main purpose is to help ensure that you understand what you are reading and to help you store information in a logical and organized way, so when you need to recall the information, it is easier for you to do so. It is a necessary and critical strategy for academic reading for the following reasons:

• You read as if you were going to be tested on it immediately upon completion. You read to remember at least 75 to 80 percent of the information.
• You clearly identify main concepts, key details, and their relationships with one another. Close reading allows you to summarize effectively what you read.
• Your ability to answer essay questions improves because the concepts are more organized and understood rather than merely memorized.
• You become more confident because your understanding improves which, in turn, increases your enjoyment.

Technique for close reading

Survey for overall structure; read, annotating main theme, key points, and essential detail; summarize the important ideas and their development.

Any reading that requires 80 percent comprehension and retention of main points and supporting detail.

Inquiry reading tends to be what we do with material we are naturally interested in. We usually do not notice we are doing this because we enjoy learning and thinking about it. Discovery reading is another term that describes this type of reading. Some of its benefits to the study process include:

Increased focus : By asking interpretative questions, determining relevance, and searching for your answers, you are involved and less likely to be bored or distracted.

Retention : Memory of the material is improved because of increased involvement.

Stimulation of creativity : This involvement will raise new questions for you and inspire further research.

Matching instructor expectations : Instructors are usually seeking deeper understanding as well as basic memory of concepts.

Technique for inquiry reading

Increase the volume and depth in questions while reading informational, interpretative, analytical, synthesizing, and evaluating kinds of questions.

Any material that requires both thorough comprehension and needs or inspires examination

Critical reading is necessary in order to determine the salience (or key points) of the concepts presented, their relevance, and the accuracy of arguments. When you read critically, you become even more deeply involved with the material, which will allow you to make better judgments about what is the more important information.

People often read reactively to material—especially debate, controversy, and politics. When readers react, they bring a wealth of personal experience and opinion to the concept to which they are reacting. But critical reading requires thinking—as you would expect—critically about the material. Critical thinking relies on reason, evidence, and open mindedness and recognizes the biases, assumptions, and motives of both the writer and the reader.

Learning to read critically offers these advantages:

• By substantiating arguments and interpreting, analyzing, and evaluating those supporting the concept moves mere reaction into critical reading and deepens your understanding.
• By analyzing relationships between the material read and other readings or experience, you can make connections.
• By making connections, you will increase your concentration and confidence in being able to discuss and evaluate what you read.

Technique for critical reading

Understand and analyze the material in terms of writer’s purpose and results, relevance to readers, and value to the field at large.

Any material that requires evaluation.

Your memory of facts and concepts will be enhanced by surveying and close reading. Interpretation, relevance, application, and evaluation of presented facts and concepts require deeper questioning and involvement. Inquiry and critical reading are more applicable at these stages. We will be discussing this in the next section: SQ3R.

Using the SQ3R Strategy

Another strategy you can use to become a more active, engaged reader is SQ3R, which is a step-by-step process to follow before, during, and after reading. You could use SQ3R for a variety of reading purposes:

• Getting main concepts only
• Flushing out key details
• Organizing concepts
• Writing a coherent summary of significant points and their development

This is not a new or unfamiliar process; SQ3R is only a new name. It describes surveying various resources (e.g., papers, journals, other relevant sources) for whatever project we are working on; generating questions to shape our understanding of the topic; reading the material; marking, reciting, or, in some way, logging what is critical to our task; and reviewing on what we have read.

You may already use some variation of SQ3R. In essence, the process works like this:

• Survey  the text in advance.
• Form  questions  before you start reading.
• Read  the text.
• Recite  and/or  record  important points during and after reading.
• Review  and  reflect  on the text after you read.

Each of these elements is discussed below.

Before you read, first survey or preview the text. As noted earlier, reading introductory paragraphs and headings can help you begin to figure out the author’s main point and identify what important topics will be covered. However, surveying does not stop there. Flip through the text and look for any pictures, charts or graphs, the table of contents, index, and glossary. Scan the preface and introduction to each chapter Skim a few paragraphs. Preview any boldfaced or italicized vocabulary terms. This will help you form a first impression of the material and determine the appropriateness of the material.

The final stage of surveying occurs once you have identified which chapters are relevant. Quickly look at any headings as well as the introduction and conclusion to the chapter to confirm the relevance of the information.

Sometimes, this survey step alone may be enough because you may need only a general familiarization with the material. This is also when you will discover whether or not you want to look at the book more deeply.

If you keep the question of why you are reading the material in mind, it will help you focus because you will be actively engaged in the information you are consuming. Also, if there are any visual aids, you will want to examine what they are showing as they probably represent important ideas.

Next, start brainstorming questions about the text. What do you expect to learn from the reading? You may find that some questions come to mind immediately based on your initial survey or based on previous readings and class discussions. If not, try using headings and subheadings in the text to formulate questions. For instance, if one heading in your textbook is Conditional Sentence and another is Conditional Release , you might ask yourself these questions:

What are the major differences between these two concepts?

Where does each appear in the sentencing process?

Although some of your questions may be simple factual questions, try to come up with a few that are more open ended. Asking in-depth questions will help you stay more engaged as you read. Once you have your questions in mind, you can move to the next step of actively reading to see if you can come up with an answer.

The next step is simple: read . As you read, notice whether your first impressions of the text were correct. Are the author’s main points and overall approach about the same as what you predicted—or does the text contain a few surprises? Also, look for answers to your earlier questions and begin forming new ones. Continue to revise your impressions and questions as you read.

While you are reading, pause occasionally to recite or record important points. It is best to do this at the end of each section or when there is an obvious shift in the writer’s train of thought. Put the book aside for a moment and recite aloud the main points of the section or any important answers you found there. You might also record ideas by jotting down a few brief notes in addition to, or instead of, reciting aloud. Either way, the physical act of articulating information makes you more likely to remember it.

After you have finished reading, set the book aside and briefly answer your initial question by making notes or highlighting/underlining. Try to use your own words as much as possible, but if you find an important quote, you can identify it as well. If there are any diagrams, makes notes from memory on what information they are giving. Then look back at the diagrams to make sure you were accurate.

Repeat this questioning, reading, and reciting process for the rest of the chapter. As you work your way through, occasionally pause and really think about what you have read; it is easy to work through a section or chapter and realize that you have not actually absorbed any of the material.

Review and reflect

Once you have looked at the whole chapter, try to put each section into the context of the bigger picture. Ask yourself if you have really answered each question you set out with and if you have been accurate in your answers. To make sure that you really remember the information, review your notes again after about one week and then again three or four weeks later. Also, if the textbook includes review questions or your instructor has provided a study guide, use these tools to guide your review. You will want to record information in a more detailed format than you used during reading, such as in an outline or a list.

As you review the material, reflect on what you learned. Did anything surprise you, upset you, or make you think? Did you find yourself strongly agreeing or disagreeing with any points in the text? What topics would you like to explore further? Jot down your reflections in your notes. (Instructors sometimes require students to write brief response papers or maintain a reading journal. Use these assignments to help you reflect on what you read.)

As you go through your future readings, practise this method considering these points:

From memory, jot down the key ideas discussed in the section you just read. If you need it, use a separate piece of paper. Look back through the text and check your memory with what you jotted down. How did you do?

Choose one section from the chapter and write a summary from memory of what you learned from that section.

Now review that section. Identity what corresponds and what you omitted. How are you doing? When you read that section, did you consciously intend to remember it?

Although this process may seem time-consuming, you will find that it will actually save time. Because you have a question in mind while reading, you have more of a purpose while looking for the important information. The notes you take will also be more organized and concise because you are focused, and this will save you time when it comes to writing essays. Also, since you have reviewed throughout the process, you will not need to spend as much time reviewing for exams because it is already stored in your memory.

Self-practice exercise 1.2

Choose another text that that you have been assigned to read for a class. Use the SQ3R process to complete the reading. (Keep in mind that you may need to spread the reading over more than one session, especially if the text is long.)

Be sure to complete all the steps involved. Then, reflect on how helpful you found this process. On a scale of 1 to 10, how useful did you find it? How does it compare with other study techniques you have used?

Using Other Active Reading Strategies

The SQ3R process encompasses a number of valuable active reading strategies: previewing a text, making predictions, asking and answering questions, and summarizing. You can use the following additional strategies to further deepen your understanding of what you read.

• Connect what you read to what you already know. Look for ways the reading supports, extends, or challenges concepts you have learned elsewhere.
• Relate the reading to your own life. What statements, people, or situations relate to your personal experiences?
• Visualize.  For both fiction and nonfiction texts, try to picture what is described. Visualizing is especially helpful when you are reading a narrative text, such as a novel or a historical account, or when you read expository text that describes a process, such as how to perform cardiopulmonary resuscitation (CPR).
• Pay attention to graphics as well as text.  Photographs, diagrams, flow charts, tables, and other graphics can help make abstract ideas more concrete and understandable.
• Understand the text in context.  Understanding context means thinking about who wrote the text, when and where it was written, the author’s purpose for writing it, and what assumptions or agendas influenced the author’s ideas. For instance, two writers might both address the subject of health care reform, but if one article is an opinion piece and one is a news story, the context is different.
• Plan to talk or write about what you read.  Jot down a few questions or comments in your notebook so you can bring them up in class. (This also gives you a source of topic ideas for papers and presentations later in the semester.) Discuss the reading on a class discussion board or blog about it.

As Crystal began her first semester of elementary education courses, she occasionally felt lost in a sea of new terms and theories about teaching and child development. She found that it helped to relate the reading to her personal observations of her son and other kids she knew .

Writing at Work

Many courses require students to participate in interactive online components, such as a discussion forum, a page on a social networking site, or a class blog. These tools are a great way to reinforce learning. Do not be afraid to be the student who starts the discussion.

Remember that when you interact with other students and teachers online, you need to project a mature, professional image. You may be able to use an informal, conversational tone, but complaining about the workload, using off-colour language, or “flaming” other participants is inappropriate.

Active reading can benefit you in ways that go beyond just earning good grades. By practising these strategies, you will find yourself more interested in your courses and better able to relate your academic work to the rest of your life. Being an interested, engaged student also helps you form lasting connections with your instructors and with other students that can be personally and professionally valuable. In short, it helps you get the most out of your education.

Common Writing Assignments

Writing assignments at the post-secondary level serve a different purpose than the typical writing assignments you completed in high school. In high school, teachers generally focus on teaching you to write in a variety of modes and formats, including personal writing, expository writing, research papers, creative writing, and writing short answers and essays for exams. Over time, these assignments help you build a foundation of writing skills.

Now, however, your instructors will expect you to already have that foundation. Your composition courses will focus on writing for its own sake, helping you make the transition to higher-level writing assignments. However, in most of your other courses, writing assignments serve a different purpose. In those courses, you may use writing as one tool among many for learning how to think about a particular academic discipline.

Additionally, certain assignments teach you how to meet the expectations for professional writing in a given field. Depending on the class, you might be asked to write a lab report, a case study, a literary analysis, a business plan, or an account of a personal interview. You will need to learn and follow the standard conventions for those types of written products.

Finally, personal and creative writing assignments are less common at the post-secondary level than in high school. College and university courses emphasize expository writing—writing that explains or informs. Often expository writing assignments will incorporate outside research, too. Some classes will also require persuasive writing assignments in which you state and support your position on an issue. Your instructors will hold you to a higher standard when it comes to supporting your ideas with reasons and evidence.

Table 1.2 : Common Types of Writing Assignments  lists some of the most common types assignments you will encounter at the post-secondary level. It includes minor, less formal assignments as well as major ones. Which specific assignments you will be given will depend on the courses you take and the learning objectives developed by your instructors.

Table 1.2  Common Types of Writing Assignments

Part of managing your education is communicating well with others at your institution. For instance, you might need to email your instructor to request an office appointment or explain why you will need to miss a class. You might need to contact administrators with questions about your tuition or financial aid. Later, you might ask instructors to write recommendations on your behalf.

Treat these documents as professional communications. Address the recipient politely; state your question, problem, or request clearly; and use a formal, respectful tone. Doing so helps you make a positive impression and get a quicker response.

Key Takeaways

Post-secondary-level reading and writing assignments differ from high school assignments, not only in quantity but also in quality.

Managing reading assignments successfully requires you to plan and manage your time, set a purpose for reading, practise effective comprehension strategies, and use active reading strategies to deepen your understanding of the text.

Post-secondary writing assignments place greater emphasis on learning to think critically about a particular discipline and less emphasis on personal and creative writing.

1.2  Developing Study Skills

• Use strategies for managing time effectively
• Understand and apply strategies for taking notes efficiently
• Determine the specific time management, study, and note taking strategies that work best for you individually

By now you have a general idea of what to expect from your courses. You have probably received course syllabi, started on your first few assignments, and begun applying the strategies you learned about in  Section 1.1 Post – Secondary Reading and Writing .

At the beginning of the semester, your workload is relatively light. This is the perfect time to brush up on your study skills and establish good habits. When the demands on your time and energy become more intense, you will have a system in place for handling them.

This section covers specific strategies for managing your time effectively. You will also learn about different note-taking systems that you can use to organize and record information efficiently.

As you work through this section, remember that every student is different. The strategies presented here are tried-and-true techniques that work well for many people. However, you may need to adapt them to develop a system that works well for you personally. If your friend swears by her smartphone, but you hate having to carry extra electronic gadgets around, then using a smartphone will not be the best organizational strategy for you.

Read with an open mind, and consider what techniques have been effective (or ineffective) for you in the past. Which habits from your high school years or your work life could help you succeed now? Which habits might get in your way? What changes might you need to make?

Understanding Yourself as a Learner

To succeed in your post-secondary education—or any situation where you must master new concepts and skills—it helps to know what makes you tick. For decades, educational researchers and organizational psychologists have examined how people take in and assimilate new information, how some people learn differently than others, and what conditions make students and workers most productive. Here are just a few questions to think about:

• What is your learning style?  For the purposes of this chapter, learning style  refers to the way you prefer to take in new information, by seeing, by listening, or through some other channel. (For more information, see the section on learning styles.)
• What times of day are you most productive?  If your energy peaks early, you might benefit from blocking out early morning time for studying or writing. If you are a night owl, set aside a few evenings a week for schoolwork.
• How much clutter can you handle in your workspace?  Some people work fine at a messy desk and know exactly where to find what they need in their stack of papers; however, most people benefit from maintaining a neat, organized space.
• How well do you juggle potential distractions in your environment?  If you can study at home without being tempted to turn on the television, check your email, fix yourself a snack, and so on, you may make home your workspace. However, if you need a less distracting environment to stay focused, you may be able to find one on campus or in your community.
• Does a little background noise help or hinder your productivity? Some people work better when listening to background music or the low hum of conversation in a coffee shop. Others need total silence.
• When you work with a partner or group, do you stay on task?  A study partner or group can sometimes be invaluable. However, working this way takes extra planning and effort, so be sure to use the time productively. If you find that group study sessions turn into social occasions, you may study better on your own.
• How do you manage stress?  Accept that at certain points in the semester, you will feel stressed out. In your day-to-day routine, make time for activities that help you reduce stress, such as exercising, spending time with friends, or just scheduling downtime to relax.

Learning Styles

Most people have one channel that works best for them when it comes to taking in new information. Knowing yours can help you develop strategies for studying, time management, and note taking that work especially well for you.

To begin identifying your learning style, think about how you would go about the process of assembling a piece of furniture. Which of these options sounds most like you?

You would carefully look over the diagrams in the assembly manual first so you could picture each step in the process.

You would silently read the directions through, step by step, and then look at the diagrams afterward.

You would read the directions aloud under your breath. Having someone explain the steps to you would also help.

You would start putting the pieces together and figure out the process through trial and error, consulting the directions as you worked.

Now read the following explanations of each option in the list above. Again, think about whether each description sounds like you.

• If you chose 1., you may be a  visual learner . You understand ideas best when they are presented in a visual format, such as a flow chart, a diagram, or text with clear headings and many photos or illustrations.
• If you chose 2., you may be a  verbal learner . You understand ideas best through reading and writing about them and taking detailed notes.
• If you chose 3., you may be an  auditory learner . You understand ideas best through listening. You learn well from spoken lectures or books on tape.
• If you chose 4., you may be a  kinesthetic learner . You learn best through doing and prefer hands-on activities. In long lectures, fidgeting may help you focus.

Your learning style does not completely define you as a student. Auditory learners can comprehend a flow chart, and kinesthetic learners can sit still long enough to read a book. However, if you do have one dominant learning style, you can work with it to get the most out of your classes and study time.  Table 1.3: Learning Style Strategies  lists some tips for maximizing your learning style.

Table 1.3  Learning Style Strategies

The material presented here about learning styles is just the tip of the iceberg. There are numerous other variations in how people learn. Some people like to act on information right away while others reflect on it first. Some people excel at mastering details and understanding concrete, tried-and-true ideas while others enjoy exploring abstract theories and innovative, even impractical, ideas. For more information about how you learn, visit your school’s academic resource centre.

Time Management

In university or college, you have increased freedom to structure your time as you please. With that freedom comes increased responsibility. High school teachers often take it upon themselves to track down students who miss class or forget assignments. Your instructors now, however, expect you to take full responsibility for managing yourself and getting your work done on time.

Getting Started: Short- and Long-Term Planning

At the beginning of the semester, establish a weekly routine for when you will study and write. A general guideline is that for every hour spent in class, you should expect to spend another two to three hours on reading, writing, and studying for tests. Therefore, if you are taking a biology course that meets three times a week for an hour at a time, you can expect to spend six to nine hours per week on it outside of class. You will need to budget time for each class just like an employer schedules shifts at work, and you must make that study time a priority.

That may sound like a lot when taking several classes, but if you plan your time carefully, it is manageable. A typical full-time schedule of 15 credit hours translates into 30 to 45 hours per week spent on schoolwork outside of class. All in all, a full-time student would spend about as much time on school each week as an employee spends on work. Balancing school and a job can be more challenging, but still doable.

In addition to setting aside regular work periods, you will need to plan ahead to handle more intense demands, such as studying for exams and writing major papers. At the beginning of the semester, go through your course syllabi and mark all major due dates and exam dates on a calendar. Use a format that you check regularly, such as your smartphone or the calendar feature in your email. (In  Section 1.3 Becoming a Successful Writer , you will learn strategies for planning major writing assignments so you can complete them on time.)

The two- to three-hour rule may sound intimidating. However, keep in mind that this is only a rule of thumb. Realistically, some courses will be more challenging than others, and the demands will ebb and flow throughout the semester. You may have trouble-free weeks and stressful weeks. When you schedule your classes, try to balance introductory-level classes with more advanced classes so that your work load stays manageable.

Crystal knew that to balance a job, classes, and a family, it was crucial for her to get organized. For the month of September, she drew up a week-by-week calendar that listed not only her own class and work schedules but also the days her son attended preschool and the days her husband had off from work. She and her husband discussed how to share their day-to-day household responsibilities so she would be able to get her schoolwork done. Crystal also made a note to talk to her supervisor at work about reducing her hours during finals week in December.

Self-Practice Exercise 1.3

Now that you have learned some time management basics, it is time to apply those skills. For this exercise, you will develop a weekly schedule and a semester calendar. Working with your class schedule, map out a week-long schedule of study time. Try to apply the two to three-hour rule. Be sure to include any other nonnegotiable responsibilities, such as a job or child care duties.

Use your course syllabi to record exam dates and due dates for major assignments in a calendar (paper or electronic). Use a star, highlighting, or other special marking to set off any days or weeks that look especially demanding.

 Staying Consistent: Time Management Dos and Do Not’s

Setting up a schedule is easy. Sticking with it, however, may be challenging. A schedule that looked great on paper may prove to be unrealistic. Sometimes, despite students’ best intentions, they end up procrastinating or pulling all-nighters to finish a paper or study for an exam.

Keep in mind, however, that your weekly schedule and semester calendar are time management tools. Like any tool, their effectiveness depends on the user: you. If you leave a tool sitting in the box unused (e.g., you set up your schedule and then forget about it), it will not help you complete the task. And if, for some reason, a particular tool or strategy is not getting the job done, you need to figure out why and maybe try using something else.

With that in mind, read the list of time management dos and don’ts. Keep this list handy as a reference you can use throughout the semester to troubleshoot if you feel like your schoolwork is getting off track.

Do set aside time to review your schedule and calendar regularly and update or adjust them as needed.

Do be realistic when you schedule study time. Do not plan to write your paper on Friday night when everyone else is out socializing. When Friday comes, you might end up abandoning your plans and hanging out with your friends instead.

Do be honest with yourself about where your time goes. Do not fritter away your study time on distractions like email and social networking sites.

Do accept that occasionally your work may get a little off track. No one is perfect.

Do accept that sometimes you may not have time for all the fun things you would like to do.

Do recognize times when you feel overextended. Sometimes you may just need to get through an especially demanding week. However, if you feel exhausted and overworked all the time, you may need to scale back on some of your commitments.

Do make a plan for handling high-stress periods, such as final exam week. Try to reduce your other commitments during those periods—for instance, by scheduling time off from your job. Build in some time for relaxing activities, too.

Do not procrastinate on challenging assignments. Instead, break them into smaller, manageable tasks that can be accomplished one at a time.

Do not fall into the trap of “all or nothing” thinking. (e.g. “There is no way I can fit in a three-hour study session today, so I will just wait until the weekend.”) Extended periods of free time are hard to come by, so find ways to use small blocks of time productively. For instance, if you have a free half hour between classes, use it to preview a chapter or brainstorm ideas for an essay.

Do not let things slide and then promise yourself, “I will do better next week.” When next week comes, the accumulated undone tasks will seem even more intimidating, and you will find it harder to get them done.

Do not rely on caffeine and sugar to compensate for lack of sleep. These stimulants may temporarily perk you up, but your brain functions best when you are rested.

Self-practice EXERCISE 1.4

The key to managing your time effectively is consistency. Completing the following tasks will help you stay on track throughout the semester.

Establish regular times to “check in” with yourself to identify and prioritize tasks and plan how to accomplish them. Many people find it is best to set aside a few minutes for this each day and to take some time to plan at the beginning of each week.

For the next two weeks, focus on consistently using whatever time management system you have set up. Check in with yourself daily and weekly, stick to your schedule, and take note of anything that interferes. At the end of the two weeks, review your schedule and determine whether you need to adjust it.

Review the list of dos and don’ts.

Identify at least two habits from the dos list that you could use to improve your time management skills.

Identify the habit from the don’ts list that you are most likely to slip into as the semester gets busier. What could you do to combat this habit?

If you are part of the workforce, you have probably established strategies for accomplishing job-related tasks efficiently. How could you adapt these strategies to help you be a successful student? For instance, you might sync your school and work schedules on an electronic calendar. Instead of checking in with your boss about upcoming work deadlines, establish a buddy system where you check in with a friend about school projects. Give school the same priority you give to work.

Note-Taking Methods

One final valuable tool to have in your arsenal as a student is a good note-taking system. Just the act of converting a spoken lecture to notes helps you organize and retain information, and of course, good notes also help you review important concepts later. Although taking good notes is an essential study skill, many students have never received guidance on note taking.

Marking, note making, or note taking is a matter of personal preference in terms of style. The most important thing is to do something . Again we stress that reading is like a dialogue with an author. The author wrote this material. Pretend you are actually talking to the author.

• Do not let an idea pass without noting it.
• Do not let an ambiguity go by without questioning it.
• Do not let a term slip away if context does not help you understand it; look it up!
• Engage and you will both understand and remember.

Put small checks in pencil where you would normally underline. When you finish a section, look back and see what you really need to mark. (If you check over 50 percent of the page, you probably are marking to go back and learn later versus thinking about what is really important to learn now!)

Use consistent symbols to visually help you identify what is happening on the page:

• Circle central themes or write at the beginning of the section if it is not directly stated.
• [Bracket] main points.
• Underline key words or phrases for significant details.
• Put numbers 1, 2, 3 for items listed.
• Put square brackets or highlights for key terms when the definition follows.
• Use stars (*), question marks (?), or diagrams in the margins to show relevance.
• Use key word outlines in the margins for highlighting.
• Write questions in the margin that test your memory of what is written right there.
• Use blank spaces indicating the number of ideas to be remembered, forcing you to test yourself versus just rereading.

The following sections discuss different strategies you can use to take notes efficiently. No matter which system you choose, keep these general note-taking guidelines in mind.

General Note-Taking Guidelines

Before class, quickly review your notes from the previous class and the assigned reading. Fixing key terms and concepts in your mind will help you stay focused and pick out the important points during the lecture.

Come prepared with paper, pens, highlighters, textbooks, and any important handouts.

Come to class with a positive attitude and a readiness to learn. During class, make a point of concentrating. Ask questions if you need to. Be an active participant.

During class, capture important ideas as concisely as you can. Use words or phrases instead of full sentences, and abbreviate when possible.

Visually organize your notes into main topics, subtopics, and supporting points, and show the relationships between ideas. Leave space if necessary so you can add more details under important topics or subtopics.

Record the following:

Organizing Ideas in Your Notes

A good note-taking system needs to help you differentiate among major points, related subtopics, and supporting details. It visually represents the connections between ideas. Finally, to be effective, your note-taking system must allow you to record and organize information fairly quickly. Although some students like to create detailed, formal outlines or concept maps when they read, these may not be good strategies for class notes because spoken lectures may not allow time for to create them.

Instead, focus on recording content simply and quickly to create organized, legible notes. Try one of the following techniques.

Modified Outline Format

A modified outline format uses indented spacing to show the hierarchy of ideas without including roman numerals, lettering, and so forth. Just use a dash or bullet to signify each new point unless your instructor specifically presents a numbered list of items.

The first example shows Crystal’s notes from a developmental psychology class about an important theorist in this field. Notice how the line for the main topic is all the way to the left. Subtopics are indented, and supporting details are indented one level further. Crystal also used abbreviations for terms like development  and  example .

Mind Mapping/Clustering

If you are a visual learner, you may prefer to use a more graphic format for notes, such as a mind map. The next example shows how Crystal’s lecture notes could be set up differently. Although the format is different, the content and organization are the same.

If the content of a lecture falls into a predictable, well organized pattern, you might choose to use a chart or table to record your notes. This system works best when you already know, either before class or at the beginning of class, which categories you should include. The next figure shows how this system might be used.

The Cornell Note-Taking System

In addition to the general techniques already described, you might find it useful to practise a specific strategy known as the Cornell note-taking system. This popular format makes it easy not only to organize information clearly but also to note key terms and summarize content.

To use the Cornell system, begin by setting up the page with these components:

• The course name and lecture date at the top of the page
• A narrow column (about two inches) at the left side of the page
• A wide column (about five to six inches) on the right side of the page
• A space of a few lines marked off at the bottom of the page

During the lecture, you record notes in the wide column. You can do so using the traditional modified outline format or a more visual format if you prefer.

Then, as soon as possible after the lecture, review your notes and identify key terms. Jot these down in the narrow left-hand column. You can use this column as a study aid by covering the notes on the right-hand side, reviewing the key terms, and trying to recall as much as you can about them so that you can mentally restate the main points of the lecture. Uncover the notes on the right to check your understanding. Finally, use the space at the bottom of the page to summarize each page of notes in a few sentences.

The next figure shows what Crystal’s notes would look like using the Cornell system.

Often, at school or in the workplace, a speaker will provide you with pre-generated notes summarizing electronic presentation slides. You may be tempted not to take notes at all because much of the content is already summarized for you. However, it is a good idea to jot down at least a few notes. Doing so keeps you focused during the presentation, allows you to record details you might otherwise forget, and gives you the opportunity to jot down questions or reflections to personalize the content.

Self-PRACTICE EXERCISE 1.5

Over the next few weeks, establish a note – taking system that works for you.

If you are not already doing so, try using one of the aforementioned techniques. (Remember that the Cornell system can be combined with other note-taking formats.)

It can take some trial and error to find a note-taking system that works for you. If you find that you are struggling to keep up with lectures, consider whether you need to switch to a different format or be more careful about distinguishing key concepts from unimportant details.

If you find that you are having trouble taking notes effectively, set up an appointment with your school’s academic resource centre.

• Understanding your individual learning style and preferences can help you identify the study and time management strategies that will work best for you.
• To manage your time effectively, it is important to look both at the short term (daily and weekly schedules) and the long term (major semester deadlines).
• To manage your time effectively, be consistent about maintaining your schedule. If your schedule is not working for you, make adjustments.

1.3  Becoming a Successful Writer

• Identify strategies for successful writing
• Demonstrate comprehensive writing skills
• Identify writing strategies for use in future classes

In the preceding sections, you learned what you can expect from your courses and identified strategies you can use to manage your work and to succeed. This section covers more about how to handle the demands placed on you as a writer at the post-secondary world. The general techniques you will learn will help ensure your success on any writing task, whether you complete an exam in an hour or an in-depth research project over several weeks.

Putting It All Together: Strategies for Success

Writing well is difficult. Even people who write for a living sometimes struggle to get their thoughts on the page. Even people who generally enjoy writing have days when they would rather be doing anything else. For people who do not like writing or do not think of themselves as good writers, writing assignments can be stressful or even intimidating. And of course, you cannot get through post-secondary courses without having to write—sometimes a lot, and often at a higher level than you are used to.

No magic formula will make writing quick and easy. However, you can use strategies and resources to manage writing assignments more easily. This section presents a broad overview of these strategies and resources. The remaining chapters of this book provide more detailed, comprehensive instruction to help you succeed at a variety of assignments.

Using the Writing Process

To complete a writing project successfully, good writers use some variation of the following process.

The Writing Process

Prewriting.  The writer generates ideas to write about and begins developing these ideas.

Outlining a structure of ideas.  The writer determines the overall organizational structure of the writing and creates an outline to organize ideas. Usually this step involves some additional fleshing out of the ideas generated in the first step.

Writing a rough draft.  The writer uses the work completed in prewriting to develop a first draft. The draft covers the ideas the writer brainstormed and follows the organizational plan that was laid out in the first step.

Revising.  The writer revisits the draft to review and, if necessary, reshape its content. This stage involves moderate and sometimes major changes: adding or deleting a paragraph, phrasing the main point differently, expanding on an important idea, reorganizing content, and so forth.

Editing.  The writer reviews the draft to make additional changes. Editing involves making changes to improve style and adherence to standard writing conventions—for instance, replacing a vague word with a more precise one or fixing errors in grammar and spelling. Once this stage is complete, the work is a finished piece and ready to share with others.

Chances are you have already used this process as a writer. You may also have used it for other types of creative projects, such as developing a sketch into a finished painting or composing a song. The steps listed above apply broadly to any project that involves creative thinking. You come up with ideas (often vague at first), you work to give them some structure, you make a first attempt, you figure out what needs improving, and then you refine it until you are satisfied.

Most people have used this creative process in one way or another, but many people have misconceptions about how to use it to write. Here are a few of the most common misconceptions students have about the writing process:

“I do not have to waste time on prewriting if I understand the assignment.”  Even if the task is straightforward and you feel ready to start writing, take some time to develop ideas before you plunge into your draft. Freewriting —writing about the topic without stopping for a set period of time—is one prewriting technique you might try in that situation.

“It is important to complete a formal, numbered outline for every writing assignment.”  For some assignments, such as lengthy research papers, proceeding without a formal outline can be very difficult. However, for other assignments, a structured set of notes or a detailed graphic organizer may suffice. The important thing is to have a solid plan for organizing ideas and details.

“My draft will be better if I write it when I am feeling inspired.”  By all means, take advantage of those moments of inspiration. However, understand that sometimes you will have to write when you are not in the mood. Sit down and start your draft even if you do not feel like it. If necessary, force yourself to write for just one hour. By the end of the hour, you may be far more engaged and motivated to continue. If not, at least you will have accomplished part of the task.

“My instructor will tell me everything I need to revise.”  If your instructor chooses to review drafts, the feedback can help you improve. However, it is still your job, not your instructor’s, to transform the draft to a final, polished piece. That task will be much easier if you give your best effort to the draft before submitting it. During revision, do not just go through and implement your instructor’s corrections. Take time to determine what you can change to make the work the best it can be.

“I am a good writer, so I do not need to revise or edit.”  Even talented writers still need to revise and edit their work. At the very least, doing so will help you catch an embarrassing typo or two. Revising and editing are the steps that make good writers into great writers.

The writing process also applies to timed writing tasks, such as essay exams. Before you begin writing, read the question thoroughly and think about the main points to include in your response. Use scrap paper to sketch out a very brief outline. Keep an eye on the clock as you write your response so you will have time to review it and make any needed changes before turning in your exam.

Managing Your Time

In  Section 1.2 : Developing Study Skills , you learned general time management skills. By combining those skills with what you have learned about the writing process, you can make any writing assignment easier to manage.

When your instructor gives you a writing assignment, write the due date on your calendar. Then work backward from the due date to set aside blocks of time when you will work on the assignment. Always plan at least two sessions of writing time per assignment, so that you are not trying to move from step 1 to step 5 in one evening. Trying to work that fast is stressful, and it does not yield great results. You will plan better, think better, and write better if you space out the steps.

Ideally, you should set aside at least three separate blocks of time to work on a writing assignment: one for prewriting and outlining, one for drafting, and one for revising and editing. Sometimes those steps may be compressed into just a few days. If you have a couple of weeks to work on a paper, space out the five steps over multiple sessions. Long-term projects, such as research papers, require more time for each step.

In certain situations you may not be able to allow time between the different steps of the writing process. For instance, you may be asked to write in class or complete a brief response paper overnight. If the time available is very limited, apply a modified version of the writing process (as you would do for an essay exam). It is still important to give the assignment thought and effort. However, these types of assignments are less formal, and instructors may not expect them to be as polished as formal papers. When in doubt, ask the instructor about expectations, resources that will be available during the writing exam, and if he or she has any tips to prepare you to effectively demonstrate your writing skills.

Each Monday in Crystal’s Foundations of Education class, the instructor distributed copies of a current news article on education and assigned students to write a one-and-a-half to two-page response that was due the following Monday. Together, these weekly assignments counted for 20 percent of the course grade. Although each response took just a few hours to complete, Crystal found that she learned more from the reading and got better grades on her writing if she spread the work out in the following way:

Self-practice EXERCISE 1.6

In this exercise, make connections between short – and long – term goals.

Review the long- and short-term goals you set for yourself for the discussion at the beginning of the module. Brainstorm a list of stepping stones that will help you meet that goal, such as “doing well on my midterm and final exams” or “talking to Professor Gibson about doing an internship.” Write down everything you can think of that would help you meet that semester goal.

Identify one action from Step 3 that you can do today. Then do it.

Using Available Resources

One reason students sometimes find post-secondary courses overwhelming is that they do not know about, or are reluctant to use, the resources available to them. There is help available; your student fees help pay for resources that can help in many ways, such as a health centre or tutoring service. If you need help, consider asking for help from any of the following:

Your instructor:  If you are making an honest effort but still struggling with a particular course, set a time to meet with your instructor and discuss what you can do to improve. He or she may be able to shed light on a confusing concept or give you strategies to catch up.

Your academic counsellor.  Many institutions assign students an academic counsellor who can help you choose courses and ensure that you fulfill degree and major requirements.

The academic resource centre:  These centres offer a variety of services, which may range from general coaching in study skills to tutoring for specific courses. Find out what is offered at your school and use the services that you need.

The writing centre:  These centres employ tutors to help you manage your writing assignments. They will not write or edit your paper for you, but they can help you through the stages of the writing process. (In some schools, the writing centre is part of the academic resource centre.)

The career resource centre:  Visit the career resource centre for guidance in choosing a career path, developing a resumé, and finding and applying for jobs.

Counselling services:  Many schools offer psychological counselling for free or for a low fee. Use these services if you need help coping with a difficult personal situation or managing depression, anxiety, or other problems.

Students sometimes neglect to use available resources due to limited time, unwillingness to admit there is a problem, or embarrassment about needing to ask for help. Unfortunately, ignoring a problem usually makes it harder to cope with later on. Waiting until the end of the semester may also mean fewer resources are available, since many other students are also seeking last minute help.

Self-practice EXERCISE 1.7

Identify at least one resource you think could be helpful to you and that you would like to investigate further. Schedule a time to visit this resource within the next week or two so you can use it throughout the semester.

You now have a solid foundation of skills and strategies you can use to succeed in university or college. The remainder of this book will provide you with guidance on specific aspects of writing, ranging from grammar and style conventions to how to write a research paper.

For any writing assignment, use these strategies:

• Plan ahead . Divide the work into smaller, manageable tasks, and set aside time to accomplish each task in turn.
• Make sure you understand the assignment requirements . If necessary, clarify the requirements with your instructor. Think carefully about the purpose of the writing, the intended audience, the topics you will need to address, and any specific requirements of the writing form.
• Complete each step of the writing process . With practice, using this process will come automatically to you.
• Use the resources available to you . Remember that most schools have specific services to help students with their writing.
• Following the steps of the writing process helps students complete any writing assignment more successfully.
• To manage writing assignments, it is best to work backward from the due date, allotting appropriate time to complete each step of the writing process.
• Setting concrete long- and short-term goals helps students stay focused and motivated.
• A variety of resources are available to help students with writing and with other aspects of post-secondary life.

Writing for Success - 1st Canadian Edition Copyright © 2015 by Tara Horkoff; an author removed at the request of the original publisher; and Horkoff, Tara is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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How To Write A Solid Assignment Introduction

By: Derek Jansen | December 2017

I’ll kick off this post by making a bold assertion:

The introduction chapter of your assignment is the single most important section in your entire assignment.

Yip. Not the analysis chapter. Not the recommendations chapter. The introduction chapter. Yip, that short 200/300/400-word chapter that so many students rush through to get to the meatier chapters.  Why do I say this? There are a few reasons:

It creates the first impression.

Apart from the executive summary (which some assignments don’t have), the introduction creates the very first impression on your marker. It sets the tone in terms of the quality of the assignment.

It introduces your industry.

You might have decades of experience in your industry – but your marker won’t. This means that the simplest concepts can be misunderstood (and thereby cost you marks) if not explained right at the beginning of your assignment. A good introduction lays the foundation so that the marker can understand your upcoming arguments.

It defines and justifies your topic.

The introduction, if developed correctly, clearly outlines what the assignment will be about (and what it won’t) and why that’s important (i.e. a justification). In other words, it makes it clear what the focus of the assignment will be about, and why that is worth investigating. This clarity and justification of the topic are essential to earning good marks and keeping you focused on the purpose of the assignment.

It clarifies your approach.

Beyond the what and why, a good introduction also briefly explains how you’ll approach the research, both from a theoretical and practical perspective. This lays a clear roadmap both for the marker and for yourself. For the marker, this improves the readability and digestibility of the document (which is essential for earning marks). And for you, this big-picture view of the approach keeps you from digressing into a useless analysis.

In short, a good introduction lays a solid foundation and a clear direction for the rest of your assignment. Hopefully, you’re convinced…

The 5 essential ingredients.

In this post, I’ll outline the key components of a strong introduction chapter/section. But first, I want to discuss the structure.

Some assignment briefs will provide a proposed structure which combines the introduction and analysis chapters. I always encourage my clients to split this up into two chapters, as it provides a clearer, more logical structure. You’ll see why once I discuss the core components.

#1 – The Four Ws

A logical starting point is to assume the marker knows nothing about your business . Make sure you cover the basics:

• Who – what is the name of the business? If its multiple words, you should take the opportunity to introduce an acronym here. Then, stick to the acronym throughout the rest of the assignment. It’s also good practice to provide a list of acronyms in the appendix.
• What – explain what the business does, in simple English. Avoid industry jargon and explain the basic operating model of the business.
• Where – explain where the business operates from and where its customers operate. If you have multiple offices and serve multiple markets, a visual representation can save you some words.
• When – mention the age of the business, and how many staff it employs. You can also note the ownership structure (private company, listed entity, JV, etc).

If you’re only going to focus on one country/branch/department, make mention of this now. Also, be sure to justify why you’re focusing on that (for example, due to limited access to data).

If done right, you will have now painted a very clear (but concise) picture of the organisation for the marker. The next step is to discuss the context that the business operates in.

#2 – A brief discussion of the context.

Now that you’ve introduced the business, you need to move towards identifying the key issue(s) that will form the focus of the assignment. To do this, you need to lay a context, which will then lead to the issue(s). This will vary between assignments, and could be something like:

• The entry of new competitors resulting in reduced market share (STR, SM)
• A merger leading to a culture clash and poor performance (MP)
• A corporate scandal resulting in reputation damage (R&R)
• Changing regulation leading to the opening of a new potential country market (IB)

In other words, you need to present a (brief) story of how the key issue(s) or opportunity has arisen – X has lead to Y, which caused Z.

#3 – Identification of the key issue and research question(s).

With the context set, you need to clearly state what the key issue(s) or opportunity is, and why this is worth investigating (for example, due to the financial impact if left unresolved). This is pretty straightforward, but it is a critical step often missed by students, and results in the marker questioning the quality of the entire assignment.

With the key issue identified, its time to lay out your research question(s). In other words, state in question format, what question(s) your assignment will seek to answer.

For example:

• “What has changed in Organisation X’s competitive context, and how should it best respond to ensure sustainable competitive advantage?”
• “Should Organisation X internationalise to Country Y?”
• “What segments exist within Industry X and which segment should Organisation Y target?”
• “Which digital business model should Organisation X adopt?”

By stating your research question(s) up front, you are providing a very clear, focused direction for your assignment, thereby reducing your risk of getting distracted by the shiny objects that will invariably pop up along the way. You are stating clearly what you will and won’t focus on, and ring-fencing the assignment to a manageable breadth. This is critically important for earning marks, as it allows you to go deep into a highly relevant set of theories and develop meaningful insights, rather than superficially fluttering with numerous less-relevant ones.

What’s critically important is that you achieve alignment between the context, the issue(s) and the research question(s). They should all flow in a logical fashion, as shown below. 

If you achieve this alignment, you have a rock-solid foundation for your assignment, and your marker will be crystal clear regarding your direction, and why you chose that direction.

#4 – A brief outline of your theoretical approach.

Now that you’ve made it clear what your assignment is aiming to achieve (i.e. what research question(s) it wants to answer), it is very good practice to briefly mention:

• How you will approach the analysis.
• What key theory you will draw on.

In other words, you should give the marker an indication of how you approached the analysis, and on what theoretical basis. For example:

“The report begins by briefly looking at the organisation’s broader strategy, as well as values using Schwartz’s model (1994). It then reviews stakeholders using Mitchell et al.’s framework (1997) and identifies a key group with which reputation needs to be managed to achieve strategic alignment. It then analyses antecedents, reputation, and outcomes of the said group using Money et al.’s (2012) RELATE framework. This is followed by proposed strategic actions.”

As you can see, this excerpt clearly outlines how the analysis was approached, and what key theory was used in the relevant sections. This gives the marker a big-picture view of the assignment, which aids the digestibility of the document.

#5 – A brief outline of your fieldwork.

Now that you’ve communicated the approach, structure and underpinning theory, it’s best practice to make a quick mention of your fieldwork. Yes, you’re typically supposed to collect some primary data (for example, undertake some semi-structured interviews or a survey), as well as secondary data (for example, review industry reports, company data, etc), for your assignments – especially in Stage 2 and 3 of the program. 

In this final section, you should very briefly outline what you did in this respect so that the marker can rest assured that your assignment is not an opinion piece. A quality assignment draws on multiple data sources to make well-informed, data-backed arguments. Show that you’ve done this, and be sure to refer the reader to the appendices for evidence of this work (for example, interview transcripts, survey results, etc.).

Lastly, make mention of your relationship with the business, and your broad responsibilities. Remember to keep this in third-person language. For example:

“The author is employed as the [INSERT YOUR TITLE] and is responsible for X, Y and Z.”

Let’s recap.

In this article, I’ve hopefully convinced you of the critical importance of writing a strong introduction chapter. I’ve also presented 5 essential ingredients that you should bake into your intro in every assignment. By incorporating these ingredients (ideally, in this order), you will set the foundation for a strong assignment.

To recap the 5 essentials:

• A (plain language) explanation of the organisation.
• A brief discussion of the context.
• Identification of the key issue and research question(s).
• A brief outline of your theoretical approach.
• A brief outline of your fieldwork and your professional position.

You Might Also Like:

Informative and easy to apply advice…tx D

You’re welcome, Rishen 🙂

It is a very useful and understandable explanation of writing a research paper. Thank you so much for the sharing free such a useful example.

Yours sincerely Tara

This is really good, thank you.

Thanks for the feedback, Paul. Best of luck with your Henley MBA.

Very useful guide for the MBA. You mention that it’s good practice to use a range of sources to support arguments. If an assignment task isn’t that strategic (e.g. reviewing a process for a particular team within the business), can the assignment be supported purely by ‘fieldwork’ and models/theory? Thank you.

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Chapter 3: The Writing Process, Composing, and Revising

3.3 Understanding the Writing Assignment

Robin Jeffrey and Emilie Zickel

Before you begin working on an essay or a writing assignment, don’t forget to spend some quality time analyzing the assignment sheet. By closely reading and breaking down the assignment sheet, you are setting yourself up for an easier time of planning and composing the assignment.

Understanding what you need to do

• First , carefully read the assignment sheet and search for the required page length, due dates, and other submission-based information.
• Second,  determine the genre of the assignment
• Third , identify the core assignment questions that you need to answer
• Fourth , locate the evaluation and grading criteria

Identifying Writing Requirements

The assignment sheet should offer indications of what the essay/composition should contain. Check to see if the assignment sheet provides information about

• The key question or questions your essay needs to address
• What kind of writing you need to do (explanatory? argumentative? reflective?)
• Whether you need to use outside sources or not – and how many
• What format or style the essay needs to use (MLA, APA, Chicago)
• Resources you can use to help complete the assignment

Identifying Evaluation Criteria

Many assignment sheets contain a grading rubric or some other indication of evaluation criteria for the assignment. You can use these criteria to both begin the writing process and to guide your revision and editing process. If you do not see any rubric or evaluation criteria on the assignment sheet — ask!

  Recognizing Disciplinary Expectations

Depending on the discipline in which you are writing, different features and formats of your writing may be expected. Always look closely at key terms and vocabulary in the writing assignment, and be sure to note what type of evidence and citations style your instructor expects.

Guide for Understanding Your Writing Assignment

Use this “fill in” form to begin the planning process for any essay assignment or project. Planning out your work in this way might help you to see what you need to do, what you don’t quite understand, and what you need to ask your professor about before you start writing.

3.3 Understanding the Writing Assignment by Robin Jeffrey and Emilie Zickel is licensed under a Creative Commons Attribution 4.0 International License , except where otherwise noted.

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II. Getting Started

2.2 Understanding the Writing Assignment: Quick Reference

Robin Jeffrey; Emilie Zickel; Kathy Anders; and Terri Pantuso

Before you begin working on an essay or a writing assignment, don’t forget to spend some quality time analyzing the assignment sheet. By closely reading and breaking down the assignment sheet, you are setting yourself up for an easier time of planning and composing the assignment. You might find it helpful to use the following steps:

• First, determine the genre of the assignment;
• Second, identify the core assignment questions that you need to answer;
• Third, note what types of secondary sources are required as well as how many;
• Fourth, locate the evaluation and grading criteria; carefully read the assignment sheet and search for the required page length, due dates, and other submission-based information;
• Finally, identify the disciplinary conventions with which you are expected to write.

Writing Genre

Loosely speaking, genre refers to a category of work that generally shares similar characteristics. When determining the genre in which you are being asked to write, if it is not explicitly stated ask yourself what, in the broadest sense, are you being asked to do?

How to Answer the Assignment Question(s)

Sometimes, a list of prompts or questions may appear with an assignment given to you by your instructor. It is likely that your instructor will not expect you to answer all of the questions listed. They are simply offering you some ideas so that you can think of your own questions to ask. When this occurs, it can be useful to:

• Circle all assignment questions that you see on the assignment sheet;
• Put a star next to the question that is either the most important OR that you will pursue in creating the assignment;
• Underline the topic about which you feel most passionate. If you are interested in the topic, you will produce a better paper.

Recognizing Implied Questions

A prompt may not include a clear ‘how’ or ‘why’ question, though one is always implied by the language of the prompt. For example, “Discuss the effects of the No Child Left Behind Act on special education programs” is asking you to write how the act has affected special education programs, while “Consider the recent rise of autism diagnoses” is asking you to write why the diagnoses of autism are on the rise. If it is not relatively clear what is implied in the question or prompt, check with your instructor or a writing center tutor.

Identifying Writing Requirements

Some instructors offer indications of what certain parts of the essay/composition should contain. As you read the assignment sheet, look for an indication of elements to be included. Does the assignment sheet offer suggestions or requirements for the introductory paragraph? For the thesis statement? For the structure or content of the body paragraphs or conclusion paragraphs? If not, check with your instructor or visit your university writing center for suggestions and guidance.

Identifying Source Information Requirements

When you receive an assignment, note what types of information you will need in order to respond to the questions in the prompt. Your instructor may indicate that you need to use a certain number of secondary sources in your assignment and may even tell you what types of sources, e.g. newspaper stories, magazine articles, interviews, or scholarly journal articles. It may also be the case that apart from the requirements for the writing assignment, you need to find background information on the topic so that you can begin to formulate your own ideas or your claim. For example, say you are in a nutrition class and you receive the following prompt:

“Evaluate the benefits and drawbacks of a ketogenic diet for a population with a health issue of your choosing, i.e., epilepsy, liver disease, kidney disease, obesity, etc. Use at least four scholarly sources in your paper.”

If you are not already familiar with what a ketogenic diet is, you will have to do some background research on the concept itself as you begin to address the topic of your essay. You might also need to do some research about the health issue upon which you focus. As you write, you will also need to find and incorporate four scholarly sources into your paper likely addressing the specific question about the ketogenic diet and the population group you chose. You might choose to include even more sources depending upon how you want to address the topic. However, remember that when you are using secondary sources you keep your voice and claim prominent in the essay, and not the voices of your secondary sources.

Identifying Evaluation Criteria

Many assignment sheets contain a grading rubric or some other indication of evaluation criteria for the assignment. You can use these criteria to both begin the writing process and to guide your revision and editing process. If you do not see any rubric or evaluation criteria on the assignment sheet — ask!

Recognizing Disciplinary Expectations

Depending on the discipline in which you are writing, different features and formats of your writing may be expected. Always look closely at key terms and vocabulary in the writing assignment, and be sure to note what type of evidence and citations style your instructor expects.

• Does the essay need to be in MLA, APA, Chicago or another style?
• Does the instructor require any specific submission elements or formats?

This section contains material from:

Jeffrey, Robin, and Emilie Zickel. “Understanding the Writing Assignment.” In A Guide to Rhetoric, Genre, and Success in First-Year Writing , by Melanie Gagich and Emilie Zickel. Cleveland: MSL Academic Endeavors. Accessed July 2019. https://pressbooks.ulib.csuohio.edu/csu-fyw-rhetoric/chapter/understanding-assignments/. Licensed u nder a Creative Commons Attribution 4.0 International License .

To hint; to suggest indirectly without mentioning the topic explicitly. An implied argument is one that does not obviously appear to be an argument but is nevertheless persuasive.

A statement, usually one sentence, that summarizes an argument that will later be explained, expanded upon, and developed in a longer essay or research paper. In undergraduate writing, a thesis statement is often found in the introductory paragraph of an essay. The plural of thesis is theses .

Sources that provide information on a primary source; the presentation of non-original data; the analysis of someone else’s research.

When something is described as scholarly, that means that has been written by and for the academic community. The term scholarly is commonly used as shorthand to indicate that information that has been peer reviewed  or examined by other experts of the same academic field or discipline. Sometimes, the terms academic, scholarly, and peer reviewed are confused as synonyms; peer reviewed is a narrower term referring to an item that has been reviewed by experts in the field prior to publication, while academic is a broader term that also includes works that are written by and for academics, but that have not been peer reviewed.

An ambiguous or amorphous quality to writing comprising the vocabulary, word choice, tone, point of view, syntax, attitude, emotion, and style of a writer. Because writing is a personal and individual exercise, every writer has their own unique voice.

An arguable statement; a point that a writer, researcher, or speaker makes in order to prove their thesis.

The explicit set of criteria, point distribution, and expectations set forth by a grader. A rubric is almost always standardized out of fairness for all the people whose work is being graded.

2.2 Understanding the Writing Assignment: Quick Reference Copyright © 2022 by Robin Jeffrey; Emilie Zickel; Kathy Anders; and Terri Pantuso is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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Getting Ready to Write

This section of this textbook will present information on preparing to write an essay . It includes the following topics:

• understanding the assignment
• generating ideas
• introductions and thesis statements
• body paragraphs
• conclusions

How we organize our ideas reflects our culture and perspectives. There are certainly more ways to organize ideas in a essay than what is included below.

What have you learned about organizing ideas in writing? Talk to your instructor and classmates about your ideas to see what information and knowledge you can gather collectively about organizing ideas in writing. Together, your knowledge base is a powerful resource for learning!

Part 1: Understanding the Assignment

Think about the questions below to prepare you for the topic. Talk about your ideas with your classmate(s).

• Do you have any strategies you use when you read through the instructions of an assignment? What are they?
• What are some other ways to find support when the directions for an assignment feel unclear?

B. Five Steps > Looking for the Pieces

Reading the directions for an assignment can sometimes feel overwhelming. There are usually many important details to consider and it can be challenging to know where to focus and how to get started. Often, this may feel like you are trying to find the pieces of a puzzle, to put it all together. Imagine you are looking for puzzle pieces to understand the whole picture of the assignment.

Use the following five steps to help you:

• Use a highlighter to mark key words that seem important in the assignment details.
• Underline the phrases that show what you need to do in order to complete the assignment well.
• Talk with your classmate(s) about what you highlighted and underlined. Did you mark the same words and phrases?
• Review the assignment one more time. Circle anything that you have questions about or would like to know more about. Which parts did you circle?
• Ask your instructor and check with your classmates about your questions.

Note: Most often, your questions will help your classmates understand the assignment better and will help the instructor improve their assignment instructions and materials. Your questions are important! Do not hesitate to ask them!

C. Sample Assignment #1

Here’s a sample assignment from an English language class. Use the Five Steps in Part B to identify the key details you need to know in order to succeed. Check what you marked and noticed with your classmate(s).

D. More Practice!

Choose another assignment from a  course you are taking. Practice finding the “puzzle pieces” using the Five Steps strategy to help better understand the assignment. Talk to the instructor, a writing center tutor, or classmate(s) about your notes.

Part 2: Generating ideas: Brainstorming

How do you usually come up with ideas for a topic? Do you have any strategies that help you generate thoughts, feelings, and examples related to a topic? Talk about your ideas with your classmate(s).

B. Getting Started

The first step in beginning to write, whether you are writing a paragraph, an essay, a letter, or any other type of longer piece of writing, is to make time to think deeply about the topic. This requires time to think of your ideas. Teachers sometimes call this “brainstorming.”

Tip! Consider brainstorming in whichever language you feel most comfortable in . You could even brainstorm using multiple languages together. This is called code meshing (combining two languages for communication). You may also try   code switching (switching from one language to another based on the topic, situation or environment). Many multilingual speakers find code meshing, code switching and other mixings of language helpful and natural for communicating freely.

The main goal of brainstorming is to allow yourself space and time to think without boundaries, limitations, or judgments . Do what you need to make that possible and see how many ideas you can think of. In the brainstorming phase, you should not worry about grammar, spelling, or punctuation. This is because, when we start to think about rules like these, we create a limit to our thinking. The most important part of brainstorming is the ideas that come from the practice!

C. Brainstorming Styles

There are many ways to brainstorm on a topic. Try a few different brainstorming styles to see which fits you best. Here are some brainstorming techniques to try:

Style 1: Listing

List your ideas using bullet points or numbers with short phrases or words.

Style 2: Clustering

Use a web diagram with circles to show your ideas related to your topic.

Style 3: Freewriting 

Write about the topic without stopping to see what ideas come to mind. Try to keep writing without thinking too carefully about grammar, punctuation or vocabulary.

Here are some additional ways to generate ideas.

• Some learners generate ideas about a topic by using their body to help them think. You might go for a walk or do some stretching and then come back to the topic to see what ideas came to mind as you connected your mind and body.
• Others might prefer to talk and think out loud with a partner (a family member, a classmate, a friend, etc.) about the topic. You might consider recording yourself using an audio recorder to keep track of the ideas that come to your mind.
• Refer to this helpful resource to find out more about brainstorming techniques .

Note: If you are finding it difficult to think of ideas related to a topic, it might be a good idea to consider another topic that you have more to say about. Talk to your instructor if and when you feel stuck or unsure about brainstorming on a topic. Sometimes the first step is the hardest one, so please don’t hesitate to ask for support!

Part 3: Introductions

What type of information do you usually include in the first paragraph, the introduction, of an essay? List a few things that you would expect to see in an introduction. Then check your notes with your classmate(s) or with your instructor. Did you list the same things? Talk about your ideas.

B. Multiple Ways of Building an Introduction

An introduction in an essay introduces your reader to the topic you will be writing about. Imagine that your goal is to help your audience become familiar with the general topic of your essay. It also delivers the goal and focus of the body paragraph(s) of your essay. In this section, we will explore different ways of building an introduction to help your reader follow your ideas and plan for writing. Some of the items that are usually included in the introduction of an essay are:

• a quote, a statistic, an interesting fact, a question, a brief story, a scenario, etc.
• general information about the topic
• a thesis statement (see Part 4 for more information about what a thesis statement is)

The order and length of these items can vary. For longer essays and research papers, for example, an introduction, sometimes will include multiple paragraphs . For now, we will work on multiple organizational patterns that can present the topic and thesis statement to your reader. It is important to note that there is no one way to write an introduction, but rather, multiple ways to build on your ideas and prepare your reader for the body paragraphs of your essay. Here are some example styles using the topic of community organizer Dolores Huerta, from a chapter in this textbook. Notice that the thesis statements have been underlined .

Style 1: Hook, General Information, Thesis Statement

Have you heard of Dolores Huerta? What about Cesar Chavez? In the United States, most people are familiar with Cesar Chavez, but not many people know who Dolores Huerta is or what her contributions have been to the farmworkers movement. Dolores Huerta is the co-founder of the National Farmworkers Association (now called the United Farm Workers). She created the union chant ¡Si, Se Puede! and was a key leader in negotiating farm workers´ rights in California. She has also been awarded multiple national awards. There are three major contributions that civil rights activist Dolores Huerta has made to the community.

Style 2: Thesis Statement , General Information

Civil rights activist Dolores Huerta has made remarkable contributions to our community. In the United States, most people are familiar with Cesar Chavez, but not many people know who Dolores Huerta is or what her contributions have been to the farmworkers movement. Dolores Huerta is the co-founder of the National Farmworkers Association (now called the United Farm Workers). She created the union chant ¡Si, Se Puede! and was a key leader in negotiating farm workers´ rights in California. She has also been awarded multiple national awards.

Style 3: General Information, Thesis Statement

In the United States, most people are familiar with Cesar Chavez, but not many people know who Dolores Huerta is or what her contributions have been to the farmworkers movement. Dolores Huerta is the co-founder of the National Farmworkers Association (now called the United Farm Workers). She created the union chant ¡Si, Se Puede! and was a key leader in negotiating farm workers´ rights in California. She has also been awarded multiple national awards. Civil rights activist Dolores Huerta has made remarkable contributions to our community .

Style 4: Hook, Thesis Statement , General Information

Have you heard of Dolores Huerta? What about Cesar Chavez? In the United States, most people are familiar with Cesar Chavez, but not many people know who Dolores Huerta is or what her contributions have been to the farmworkers movement.  Civil rights activist Dolores Huerta has made remarkable contributions to our community. Dolores Huerta is the co-founder of the National Farmworkers Association (now called the United Farm Workers). She created the union chant ¡Si, Se Puede! and was a key leader in negotiating farm workers´ rights in California. She has also been awarded multiple national awards.

C. Reflection

Are some of the sample styles in Part B more familiar or comfortable for you than others? Which style(s) do you think you would like to try? Are there any additional patterns for organizing an introduction that you know about?

Part 4: Thesis Statements

Discuss the questions with a partner or in a small group. Talk about your ideas with your classmate(s).

• What do you think a thesis statement is?
• What do you think is the purpose of a thesis statement?

B. Thesis Statements

A thesis statement is a sentence (sometimes more than one) that tells your reader the focused topic you will write about in the body paragraphs of the essay. A thesis states the topic and what you will say about the topic. Generally, thesis statements can be divided into two types: implied or stated. Keep in mind that as with most writing, there certainly are other approaches to writing a thesis statement. Think of the following styles of thesis statements as building blocks to get you started and feeling confident. Your instructor may have other samples and styles to share.

Implied Thesis

this type of thesis names the general focus of the essay and is usually shorter in length.

EX 1: In this essay, I will explain the key elements of my identity.

EX 2: There are three key elements to my sense of identity.

Stated Thesis

this type of thesis names the focus and exact points of the essay and is usually a bit longer. Note: A stated thesis may also involve using a colon “ :’ to introduce the points that will follow in the body paragraphs)

• Example 1: There are three key elements to my identity: my Latina heritage, spoken languages, and collectivist culture.
• Example 2: My Latina heritage, spoken languages, and collectivist culture are important parts of my identity.

It may also be helpful to think in threes when you are creating a thesis statement. In other words, think of the 3 points (or 2 or 4, etc.) you will develop in your essay. This might look like three parts of a story, three causes, three characteristics, three effects etc., depending on the topic. Imagine the thesis as a road map  that tells your reader which direction you are going so that they can join you on the journey you are taking them .

C. Practice!

For each (writing topic below), write one stated and one implied thesis. Then reflect on which thesis style you think will work best for you.

What does it mean to be successful to you? Does it mean having a lot of money, being healthy, being happy, having a lot of friends, changing the world? Explain what your personal definition is of happiness.

What is a social justice issue that you care deeply about? Tell why you care about this issue and how our community can help address it.

Taking an online class can be both exciting and challenging. Explain the benefits or disadvantages of taking classes online. Give reasons to support your opinion.

Part 5: The Body Paragraphs

• What is a body paragraph?
• Where is it usually located in an essay?
• What types of information do body paragraphs usually provide?
• What questions do you have about writing the body paragraphs in an essay?

B. The Body Paragraph(s)

The body of the essay is made up of one or more paragraphs. Each of these paragraphs has a topic sentence, supporting sentences, and sometimes a concluding sentence. Each of the body paragraphs supports the thesis statement. There are many ways to support a thesis statement in the body paragraph(s). Read the sample thesis statement. Then review the topic sentences as well as some of the supporting points for each body paragraph .

Sample Thesis Statement: My mother is the strongest person I know; There are so many reasons why I admire her.

First, my mother cares deeply for everyone in our family.

• Support/Detail: Sends notes of love and support to her daughters
• Support/Detail: Makes special meals for our family

Second, she worked hard to get a good job and faced many obstacles.

• Support/Detail: Did not finish college
• Support/Detail: Passed the court interpreter’s examination – bilingual

Also, another reason why I admire my mother is that she speaks her mind.

• Support/Detail: Not shy, has strong opinions
• Support/Detail: Teaches me to stand up for myself

C. Developing Support

It can sometimes feel difficult to know what type of support we can include in the body paragraph(s) of an essay. Imagine that your reader does not know about the topic and it is up to you to help guide the reader through your points by showing examples and details that will make your points clear.

Here are some ways to support the points of a body paragraph:

• With a story that shows your point or ideas
• With detailed language that describes something (adjectives and figurative language)
• With metaphors, analogies, or similes
• With examples from your life or imagined examples to show your point
• With research, quotes and/or statistics

D. Practice!

Read the sample implied thesis statements below. Imagine you are preparing to write an essay about the topic using the thesis statements provided. Write a topic sentence for each supporting body paragraph and add possible supporting details for each point.

Note: The underlined sections in each sample thesis show the topic/focus of the essay. The italicized words show the way you might organize the body paragraphs.

A college education should be free for all students for several reasons.

Support/Detail:

My culture has many strengths and values that I feel very proud of.

E. reflection.

There are many different ways to provide support. Can you think of other ways to support the body paragraphs of an essay? Do you have any questions about developing support in an essay?

Part 6: Conclusions

“ Thick arrow made from jigsaw puzzle pieces ” by  Horia Varlan  is licensed under  CC BY 2.0 .

• What is a conclusion paragraph?
• What types of information does a conclusion usually provide?
• What questions do you have about writing a conclusion paragraph in an essay?

B. The Conclusion Paragraph(s)

To conclude means to finish or end something. A concluding paragraph ends the essay for the reader. This may include:

• using a key phrase to show your essay is ending (i.e. In the end, In conclusion, Finally, etc.)
• repeating the key points you have made in the essay to be sure the reader understands and remembers them (try using alternative language here to rephrase the thesis points).
• adding a final comment about the topic in general, giving your reader something to think about or reflect on in the future (this could be a prediction, a personal reflection, a piece of advice for your reader).

There is no exact formula for what a conclusion must include. It can be one paragraph or sometimes more than one paragraph (usually this depends on the overall length of the essay). The main goal is to be sure your reader is reminded of what your essay focused on and why it matters. Here is a sample conclusion based on a sample thesis statement:

Sample Thesis: My sister has several characteristics that make her a wonderful person.

Sample Conclusion : In conclusion, there are many great things about my sister. She is kind, intelligent, and serious about her goals. I have learned a lot about what it takes to be a good person from her. In the future, I hope I can model after her examples and make the same impression on others.

Read the sample thesis statement (see below). Imagine you need to write the concluding paragraph about the topic using the thesis statement provided. Write your sample conclusion in the space. Keep in mind the examples and notes in Part B to guide you.

Sample Thesis: My classmates in this English language class are some of the most intelligent, hard-working, and kind students at our community college.

Sample Conclusion = 

D. Reflection

There are certainly more ways to write a concluding paragraph than what has been presented in this section. Can you think of other ways to finish an essay? Do you have any questions about writing a conclusion paragraph?

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Understanding the Writing Assignment

Before you begin working on an essay or a writing assignment, don’t forget to spend some quality time analyzing the assignment sheet. By closely reading and breaking down the assignment sheet, you are setting yourself up for an easier time planning and composing the assignment.

Understanding what you need to do

• First , carefully read the assignment sheet and search for the required page length, due dates, and other submission-based information.
• Second , determine the genre of the assignment
• Third , identify the core assignment questions that you need to answer
• Fourth , locate the evaluation and grading criteria

Identifying Writing Requirements & Disciplinary Expectations

Some instructors offer indications of what certain parts of the essay/composition should contain. Does the assignment sheet offer suggestions or requirements for the Intro paragraph? For the thesis statement? For the structure or content of the body paragraphs or conclusion paragraphs?

Depending on the discipline in which you are writing, different features and formats of your writing may be expected. Always look closely at key terms and vocabulary in the writing assignment, and be sure to note what type of evidence and citation style your instructor expects.

• Does the essay need to be in MLA, APA, CMS, or another style?
• Does the professor require any specific submission elements or formats?

Writing Genre

What, in the broadest sense, are you being asked to do? What writing genre is expected?

• Narrative –  The act of telling a story through an essay. Also note that narrative includes the act of writing about yourself, which is exceptionally difficult for most writers but is nonetheless required for many circumstances in and out of college.
• Analysis –  Analysis questions often contain words like how, in what ways, and what are some of the ____. Analysis asks you to examine small pieces of the larger whole and indicate their meaning or significance.
• Synthesis –  If you are asked to draw from and connect several different sources, then you will be synthesizing.
• Argument – Any text in which you are attempting to get a reader to accept your claim. Argument is persuasive writing, and it can include things like argument-based research papers or critiques/evaluations of others’ work.
• Explanation – Any text in which you merely report (as opposed to attempting to persuade) is going to be an explanation paper. None of your own opinions is being sought. Summaries, annotations, and reports are often explanatory.
• Compare and Contrast – This essay is usually between two ideas. The primary aim of comparing and contrasting in college writing is to clarify meaningful, non-obvious features of similarity and difference.

Answer the Assignment Questions & Implied Questions

Sometimes, a list of prompts or questions may appear with an assignment. Likely, your instructor will not expect you to answer all of the questions listed. They are simply offering you some ideas so that you can think of your questions to ask.

• Circle all assignment questions that you see on the assignment sheet
• Put a star next to the question that is either the most important OR that you will pursue in creating the assignment

A prompt may not include a clear ‘how’ or ‘why’ question, though one is always implied by the language of the prompt. For example:

“Discuss the effects of the No Child Left Behind Act on special education programs” is asking you to write how the act has affected special education programs. “Consider the recent rise of autism diagnoses” is asking you to write why the diagnoses of autism are on the rise.

Identifying Evaluation Criteria

Many assignment sheets contain a grading rubric or some other indication of evaluation criteria for the assignment. You can use these criteria to both begin the writing process and to guide your revision and editing process. If you do not see any rubric or evaluation criteria on the assignment sheet — ask!

Attributions

A Guide to Rhetoric, Genre, and Success in First-Year Writing  by Melanie Gagich & Emilie Zickel is licensed under a  Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

This chapter has additions, edits, and organization by James Charles Devlin.

Understanding the Writing Assignment Copyright © by James Charles Devlin is licensed under a Creative Commons Attribution 4.0 International License , except where otherwise noted.

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2 Corinne E. Hinton’s “So You’ve Got a Writing Assignment: Now What?”

Writing Spaces Volume 1

The next chapter offers guidelines for interpreting specific assignment sheets . Using a wide range of assignment sheets from a variety of essay types, Hinton explains how identifying the use of directive verbs can help students to better understand the assignment’s purpose. Hinton also demonstrates how to decipher an assignment’s expectations by creating a table for what you know – what you think you know – and what you don’t know . This reading provides a useful gateway activity prior to distributing the first assignment sheet, wherein we practice how to read and interpret a variety of assignments.

“If you’re having trouble understanding your assignment, go to the writing center for help. If you’re working on a draft and you want to review it with someone, they can take a look. Your writing center tutor will not write your paper for you, nor will [they] serve as an editor to correct grammar mistakes. When you visit your university’s writing center, you’ll be able to discuss your project with an experienced tutor who can offer practical advice in a comfortable learning environment.” 

MLA Citation Examples

Works Cited

Hinton, Corrine E. “So You’ve Got a Writing Assignment: Now What?.” Writing Spaces: Readings on Writing Volume 1,  edited by Charles Lowe and Pavel Zemliansky, Parlor Press, 2010, pp. 18-33.

In-text citation

“If you’re having trouble understanding your assignment, go to the writing center for help. If you’re working on a draft and you want to review it with someone, they can take a look. Your writing center tutor will not write your paper for you, nor will he serve as an editor to correct grammar mistakes. When you visit your university’s writing center, you’ll be able to discuss your project with an experienced tutor who can offer practical advice in a comfortable learning environment” (31).

Hinton, C. E. (2010). So you’ve got a writing assignment: Now what?.” In Charles Lowe and Pavel Zemliansky (Eds.), Writing spaces: Readings on writing , vol. 1 (pp. 18-33). New York:  Parlor Press.

“If you’re having trouble understanding your assignment, go to the writing center for help. If you’re working on a draft and you want to review it with someone, they can take a look. Your writing center tutor will not write your paper for you, nor will he serve as an editor to correct grammar mistakes. When you visit your university’s writing center, you’ll be able to discuss your project with an experienced tutor who can offer practical advice in a comfortable learning environment” (p. 31).

Chicago Citation Examples

Bibliography

Hinton, Corrine E. “So You’ve Got a Writing Assignment: Now What?” in Writing Spaces: Reading on Writing Volume 1 , ed. Charles Lowe and Pavel Zemliansky (New York: Parlor Press, 2010), 18-33.

“If you’re having trouble understanding your assignment, go to the writing center for help. If you’re working on a draft and you want to review it with someone, they can take a look. Your writing center tutor will not write your paper for you, nor will he serve as an editor to correct grammar mistakes. When you visit your university’s writing center, you’ll be able to discuss your project with an experienced tutor who can offer practical advice in a comfortable learning environment” (225-226).

About the author

name: Writing Spaces Volume 1

institution: Parlor Press and WAC Clearinghouse

website: https://writingspaces.org/writing-spaces-volume-1/

Released in 2010, the first issue of Writing Spaces was edited by Drs. Charles Lowe and Pavel Zemliansky. In addition to the Writing Spaces Website, volume 1 can be accessed through WAC Clearinghouse, as well as Parlor Press.

From Parlor Press

Topics in Volume 1 of the series include academic writing, how to interpret writing assignments, motives for writing, rhetorical analysis, revision, invention, writing centers, argumentation, narrative, reflective writing, Wikipedia, patchwriting, collaboration, and genres.

From WAC Clearinghouse

Charles Lowe is Assistant Professor of Writing at Grand Valley State University where he teachers composition, professional writing, and Web design. Pavel Zemliansky is Associate Professor in the School of Writing, Rhetoric, and Technical Communication at James Madison University.

Publication Information: Lowe, Charles, & Pavel Zemliansky (Eds.). (2010).  Writing Spaces: Readings on Writing, Volume 1 . WrtingSpaces.org; Parlor Press; The WAC Clearinghouse. https://wac.colostate.edu/books/writingspaces/writingspaces1/

Publication Date:  June 14, 2010

Writing Spaces at Oklahoma State University Copyright © 2023 by Writing Spaces Volume 1 is licensed under a Creative Commons Attribution 4.0 International License , except where otherwise noted.

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24 Create an Assignment Plan

Now that you have a clear idea of what you need to do, the next step is to break down the assignment into manageable “chunks”. The idea of completing a major research paper may seem overwhelming, but if you can divide the task into achievable steps you will be on your way to success.

Use the chart below to break your assignment into smaller steps. You will want to create steps that can be done easily in one day, and preferably in a single work period. Consider the following example breakdown for a research paper.

In the above example, the assignment is divided into smaller pieces, with a manageable amount to complete each day. It is also clear when each task has been completed.  A daily work goal like “work on research paper” is not well-defined, and can seem overwhelming.  This can make it easy to procrastinate.  By choosing specific and achievable goals, you may become more motivated to get started, and you will be able to measure your progress each day.  Remember to reward yourself for meeting your goals along the way.

Choose one of your upcoming assignments, and create a work plan modeled on the example above.

Download the assignment planner worksheet .

Learning to Learn Online Copyright © 2018 by Marti Alger, Christina Page, and Adam Vincent is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License , except where otherwise noted.

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Writing Assignments

Lyle Cleeland and Lisa Moody

Introduction

Assignments are a common method of assessment at university and require careful planning and good quality research. Developing critical thinking and writing skills are also necessary to demonstrate your ability to understand and apply information about your topic. It is not uncommon to be unsure about the processes of writing assignments at university.

This chapter has a collection of resources that will provide you with the skills and strategies to understand assignment requirements and effectively plan, research, write, and edit your assignments.

Task Analysis and Deconstructing an Assignment

It is important that you spend sufficient time understanding all the requirements before you begin researching and writing your assignments.

The assessment task description (located in your subject outline) provides key information about an assessment item, including the question. It is essential to scan this document for topic, task, and limiting words. If there are any elements you do not understand, you should clarify these as early as possible.

Make sure you have a clear understanding of what the task word requires you to address.

The marking criteria or rubric , is an important document to look at before you begin your assignment. This outlines how your assignment will be marked and should be used as a checklist to make sure you have included all the information required.

The assessment task description will also include the:

• Word limit (or word count)
• Referencing style and research expectations
• Formatting requirements

For a more detailed discussion on task analysis, criteria sheets, and marking rubrics, visit the chapter Managing Assessments .

Preparing your ideas

Brainstorm or concept map:  List possible ideas to address each part of the assignment task based on what you already know about the topic from lectures and weekly readings.

Finding appropriate information: Learn how to find scholarly information for your assignments which is:

See the chapter Working With Information for a more detailed explanation .

What is Academic Writing?

Academic writing tone and style.

Many of the assessment items you prepare will require an academic writing style. Sometimes this feels awkward when you begin. However, it is good to know that practice at academic writing reduces this feeling.

Thesis statements

One of the most important steps in writing an essay is constructing your working thesis statement. A thesis statement tells the reader the purpose, argument, or direction you will take to answer your assignment question. It is found in the introduction paragraph. The thesis statement:

• Directly  relates to the task . Your thesis statement may even contain some of the key words or synonyms from the task description.
• Does more than restate the question.
• Is specific and uses precise language.
• Lets your reader know your position or the main argument that you will support with evidence throughout your assignment.
• The subject is the key content area you will be covering.
• The premise is the key argument or position.

A key element of your thesis statement should be included in the topic sentence of each paragraph.

Planning your assignment structure

When planning and drafting assignments, it is important to consider the structure of your writing. Academic writing should have a clear and logical structure and incorporate academic research to support your ideas. It can be hard to get started and at first you may feel nervous about the size of the task. This is normal. If you break your assignment into smaller pieces, it will seem more manageable as you can approach the task in sections. Refer to your brainstorm or plan. These ideas should guide your research and will also inform what you write in your draft. It is sometimes easier to draft your assignment using the 2-3-1 approach, that is, write the body paragraphs first followed by the conclusion and finally the introduction.

No one’s writing is the best quality on the first few drafts, not even professional writers. It is strongly advised that you accept that your first few drafts will feel rough. Ultimately, it is the editing and review processes which lead to good quality ideas and writing.

Writing introductions and conclusions

Clear and purposeful introductions and conclusions in assignments are fundamental to effective academic writing. Your introduction should tell the reader what is going to be covered and how you intend to approach this. Your conclusion should summarise your argument or discussion and signal to the reader that you have come to a conclusion with a final statement.

Writing introductions

An effective introduction needs to inform your reader by establishing what the paper is about and provide four basic elements:

• A brief background or overview of your assignment topic and key information that reader needs to understand your thesis statement.
• Scope of discussion (key points discussed in body paragraphs).
• A thesis statement (see section above).

The below example demonstrates the different elements of an introductory paragraph.

1) Information technology is having significant effects on the communication of individuals and organisations in different professions. 2) Digital technology is now widely utilised in health settings, by health professionals. Within the public health field, doctors and nurses need to engage with ongoing professional development relating to digital technology in order to ensure efficient delivery of services to patients and communities. 3) Clearly, information technology has significant potential to improve health care and medical education, but some health professionals are reluctant to use it.

1 Brief background/overview | 2 Scope of what will be covered |  3 The thesis statement

Writing conclusions

You should aim to end your assignments with a strong conclusion. Your conclusion should restate your thesis statement and summarise the key points you have used to prove this thesis. Finish with a key point as a final impactful statement. If your assessment task asks you to make recommendations, you may need to allocate more words to the conclusion or add a separate recommendations section before the conclusion. Use the checklist below to check your conclusion is doing the right job.

Conclusion checklist 

• Have you referred to the assignment question and restated your argument (or thesis statement), as outlined in the introduction?
• Have you pulled together all the threads of your essay into a logical ending and given it a sense of unity?
• Have you presented implications or recommendations in your conclusion? (if required by your task).
• Have you added to the overall quality and impact of your essay? This is your final statement about this topic; thus, a key take-away point can make a great impact on the reader.
• Do not add any new material or direct quotes in your conclusion.

This below example demonstrates the different elements of a concluding paragraph.

1) Clearly, communication of individuals and organisations is substantially influenced or affected by information technology across professions. 2) Managers must ensure that effective in-house training programs are provided for public health professionals, so that they become more familiar with the particular digital technologies 3) In addition, the patients and communities being served by public health professionals benefit when communication technologies are effectively implemented. 4) The Australian health system may never be completely free of communication problems, however,   ensuring appropriate and timely professional development, provision of resource sand infrastructure will enhance service provision and health outcomes. 

1  Reference to thesis statement – In this essay the writer has taken the position that training is required for both employees and employers . | 2-3 Structure overview – Here the writer pulls together the main ideas in the essay. | 4   Final summary statement that is based on the evidence.

Note: The examples in this document are adapted from the University of Canberra and used under a CC-BY-SA-3.0 licence.

Writing paragraphs

Each paragraph should have its own clearly identified Topic Sentence or main idea which relates to the argument or point (thesis) you are developing. This idea should then be explained by additional sentences which you have paraphrased from good quality sources and referenced according to the recommended guidelines of your subject (see the chapter Working with Information ). Paragraphs are characterised by moving from general information to the specific details. A common structure for paragraphs in academic writing is as follows.

Topic Sentence

The first sentence of the paragraph is the Topic Sentence. This is the main idea of the paragraph and tells the reader what you will discuss in more detail below. Each Topic Sentence should address one aspect of your overall argument.

Supporting Sentences

Supporting Sentences provide more explanation, evidence, data, analogies, and/or analysis of the main idea.

Linking/Concluding Sentence

Some paragraphs are best linked to the following paragraph through a Linking/Concluding Sentence. Not every paragraph lends itself to this type of sentence.

Use the checklist below to check your paragraphs are clear and well formed.

Paragraph checklist

• Does your paragraph have a clear main idea?
• Is everything in the paragraph related to this main idea?
• Is the main idea adequately developed and explained?
• Have you included evidence to support your ideas?
• Have you concluded the paragraph by connecting it to your overall topic (where appropriate)?

Writing sentences

Make sure all the sentences in your paragraphs make sense. Each sentence must contain a verb to be a complete sentence. Avoid incomplete sentences or ideas that are unfinished and create confusion for your reader. Also avoid overly long sentences, which happens when you join two ideas or clauses without using the appropriate punctuation. Address only one key idea per sentence. See the chapter English Language Foundations for examples and further explanation.

Use transitions (linking words and phrases) to connect your ideas between paragraphs and make your writing flow. The order that you structure the ideas in your assignment should reflect the structure you have outlined in your introduction. Refer to the transition words table in the chapter English Language Foundations .

Paraphrasing and Synthesising

What is paraphrasing.

Paraphrasing is changing the writing of another author into your words while retaining the original meaning. You must acknowledge the original author as the source of the information in your citation. Follow the steps in this table to help you build your skills in paraphrasing. Note: paraphrasing generally means that the rewritten section is the same or a similar length to the original.

Example of paraphrasing

Please note that these examples and in-text citations are for instructional purposes only.

Original text

Health care professionals   assist people, often when they are at their most vulnerable . To provide the best care and understand their needs, workers must demonstrate good communication skills .  They must develop patient trust and provide empathy   to effectively work with patients who are experiencing a variety of situations including those who may be suffering from trauma or violence, physical or mental illness or substance abuse (French & Saunders, 2018).

Poor quality paraphrase example

This is a poor example of paraphrasing. Some synonyms have been used and the order of a few words changed within the sentences. However, the colours of the sentences indicate that the paragraph follows the same structure as the original text.

Health care sector workers are often responsible for vulnerable  patients.   To understand patients and deliver good service , they need to be excellent communicators .  They must establish patient rapport and show empathy if they are to successfully care for patients from a variety of backgrounds  and with different medical, psychological and social needs (French & Saunders, 2018).

A good quality paraphrase example

This example demonstrates a better quality paraphrase. The author has demonstrated more understanding of the overall concept in the text by using the keywords as the basis to reconstruct the paragraph.

Empathetic   communication is a vital skill for health care workers.   Professionals in these fields   are often responsible for patients with complex medical, psychological and social needs. Empathetic   communication assists in building rapport and gaining the necessary trust   to assist these vulnerable patients  by providing appropriate supportive care (French & Saunders, 2018).

The good quality paraphrase example demonstrates understanding of the overall concept in the text by using key words as the basis to reconstruct the paragraph. Note how the blocks of colour have been broken up to see how much the structure has changed from the original text.

What is synthesising?

Synthesising means to bring together more than one source of information to strengthen your argument. Once you have learnt how to paraphrase the ideas of one source at a time, you can consider adding additional sources to support your argument. Synthesis demonstrates your understanding and ability to show connections between multiple pieces of evidence to support your ideas and is a more advanced academic thinking and writing skill.

Follow the steps in this table to improve your synthesis techniques.

Example of synthesis

There is a relationship between academic procrastination and mental health outcomes.  Procrastination has been found to have a negative effect on students’ well-being (Balkis, & Duru, 2016). Yerdelen et al.’s (2016) research results suggest that there is a positive association between procrastination and anxiety. This is corroborated by Custer’s (2018) findings which indicate that students with higher levels of procrastination also report greater levels of anxiety. Therefore, it could be argued that procrastination is an ineffective learning strategy that leads to increased levels of distress.

Topic sentence | Statements using paraphrased evidence | Critical thinking (student voice) | Concluding statement – linking to topic sentence

This example demonstrates a simple synthesis. The author has developed a paragraph with one central theme and included explanatory sentences complete with in-text citations from multiple sources. Note how the blocks of colour have been used to illustrate the paragraph structure and synthesis (i.e. statements using paraphrased evidence from several sources). A more complex synthesis may include more than one citation per sentence.

Paraphrasing and synthesising are powerful tools that you can use to support the main idea of a paragraph. It is likely that you will regularly use these skills at university to incorporate evidence into explanatory sentences and strengthen your essay. It is important to paraphrase and synthesise because:

• Paraphrasing is regarded more highly at university than direct quoting.
• Paraphrasing can also help you better understand the material.
• Paraphrasing and synthesising demonstrate that you have understood what you have read through your ability to summarise and combine arguments from the literature using your own words.

Creating an Argument

What does this mean.

In academic writing, if you are asked to create an argument, this means you are asked to have a position on a particular topic, and then justify your position using evidence from valid scholarly sources.

What skills do you need to create an argument?

In order to create a good and effective argument, you need to be able to:

• Read critically to find evidence.
• Plan your argument.
• Think and write critically throughout your paper to enhance your argument.

For tips on how to read and write critically, refer to the chapter Thinking for more information. A formula for developing a strong argument is presented below.

A formula for a good argument

What does an argument look like?

As can be seen from the figure above, including evidence is a key element of a good argument. While this may seem like a straightforward task, it can be difficult to think of wording to express your argument. The table below provides examples of how you can illustrate your argument in academic writing.

Editing and proofreading (reviewing)

Once you have finished writing your first draft it is recommended that you spend time revising your work. Proofreading and editing are two different stages of the revision process.

• Editing considers the overall focus or bigger picture of the assignment.
• Proofreading considers the finer details.

As can be seen in the figure above, there are four main areas that you should review during the editing phase of the revision process. The main things to consider when editing include content, structure, style, and sources. It is important to check that all the content relates to the assignment task, the structure is appropriate for the purposes of the assignment, the writing is academic in style, and that sources have been adequately acknowledged. Use the checklist below when editing your work.

Editing checklist

• Have I answered the question accurately?
• Do I have enough credible, scholarly supporting evidence?
• Is my writing tone objective and formal enough or have I used emotive and informal language?
• Have I written in third person, not first person?
• Do I have appropriate in-text citations for all my information?
• Have I included the full details for all my in-text citations in my reference list?

During proofreading, it is important to check your work for word choice, grammar and spelling, punctuation, and referencing errors. It can be easy to mis-type words like ‘from’ and ‘form’ or mix up words like ‘trail’ and ‘trial’ when writing about research, apply American rather than Australian spelling, include unnecessary commas, or incorrectly format your references list. The checklist below is a useful guide that you can use when proofreading your work.

Proofreading checklist

• Is my spelling and grammar accurate?
• Are they complete?
• Do they all make sense?
• Do the different elements (subject, verb, nouns, pronouns) within my sentences agree?
• Are my sentences too long and complicated?
• Do they contain only one idea per sentence?
• Is my writing concise? Take out words that do not add meaning to your sentences.
• Have I used appropriate discipline specific language but avoided words I don’t know or understand that could possibly be out of context?
• Have I avoided discriminatory language and colloquial expressions (slang)?
• Is my referencing formatted correctly according to my assignment guidelines? (For more information on referencing, refer to the Managing Assessment feedback section).

This chapter has examined the experience of writing assignments. It began by focusing on how to read and break down an assignment question, then highlighted the key components of essays. Next, it examined some techniques for paraphrasing and summarising, and how to build an argument. It concluded with a discussion on planning and structuring your assignment and giving it that essential polish with editing and proofreading. Combining these skills and practising them can greatly improve your success with this very common form of assessment.

• Academic writing requires clear and logical structure, critical thinking and the use of credible scholarly sources.
• A thesis statement is important as it tells the reader the position or argument you have adopted in your assignment.
• Spending time analysing your task and planning your structure before you start to write your assignment is time well spent.
• Information you use in your assignment should come from credible scholarly sources such as textbooks and peer reviewed journals. This information needs to be paraphrased and referenced appropriately.
• Paraphrasing means putting something into your own words and synthesising means to bring together several ideas from sources.
• Creating an argument is a four step process and can be applied to all types of academic writing.
• Editing and proofreading are two separate processes.

Balkis, M., & Duru, E. (2016). Procrastination, self-regulation failure, academic life satisfaction, and affective well-being: underregulation or misregulation form. European Journal of Psychology of Education, 31 (3), 439-459.

Custer, N. (2018). Test anxiety and academic procrastination among prelicensure nursing students. Nursing Education Perspectives, 39 (3), 162-163.

Yerdelen, S., McCaffrey, A., & Klassen, R. M. (2016). Longitudinal examination of procrastination and anxiety, and their relation to self-efficacy for self-regulated learning: Latent growth curve modeling. Educational Sciences: Theory & Practice, 16 (1), 5-22.

Writing Assignments Copyright © 2023 by Lyle Cleeland and Lisa Moody is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.