the story i like best essay 300 words pdf download

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Free Short Stories

We believe that the key to writing good short stories is reading good short stories.

Below, we have provided an ever-expanding selection of old and new short stories that are free to download.

Short story writers are listed alphabetically.

In 2020 we’ll be adding a wide range of new stories to read online.

Recently added stories will be fund at the top of the page.

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Aiken, Conrad ‘Silent Snow, Secret Snow’ (online read: c. 6000 words)

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That’s because we’re a very small, but passionate team who spend hundreds of hours curating resources such as these classic short stories. But we don’t just focus on the old. We’re also a paying market, publishing brilliant new work of fiction and non-fiction. Please do consider supporting us in whatever way you can, so we can maintain the work we do. Thank you.

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Anderson, Sherwood ‘The Dumb Man’ (c. 500 words)

Ade, George ‘The Collision’ (c. 1500 words)

Ade, George ‘The Divine Spark’ (c. 1000 words)

Ade, George ‘The Juvenile and Mankind’ (c. 500 words)

Antsey, F. ‘Marjory’ (c. 8500 words)

Baldwin, James ‘Bruce and the Spider’ (c. 500 words)

Baldwin, James ‘The Bell of Atri’ (c. 500 words)

Baldwin, James ‘Casablanca’ (c. 500 words)

Baldwin, James ‘Antonio Canova’ (c. 1000 words)

Baldwin, James ‘Arnold Winkelried’ (c. 500 words)

Baldwin, James ‘Doctor Goldsmith’ (c. 500 words)

Baldwin, James ‘The Endless Tale’ (c. 1000 words)

Balzac, Honore de ‘The Conscript’ (c. 6000 words)

Balzac, Honore de ‘Innocence’ (c. 1000 words)

Balzac, Honore de ‘The Devil’s Heir’ (c. 6500 words)

Bierce, Ambrose ‘An Occurrence at Owl Creek’ (c. 3000 words)

Bierce, Ambrose ‘Oil of Dog’ (c. 1500 words)

Brown, Alice ‘Bankrupt’ (c. 7500 words)

Brown, Alice ‘Heartease’ (c. 3500 words)

Brown, Alice ‘The Advocate’ (c. 4500 words)

Brown, Alice ‘The End of All Living’ (c. 7000 words)

Chekhov, Anton ‘The Bet’ (c. 3000 words)

Chekhov, Anton ‘The Lottery Ticket’ (c. 2000 words)

Chekhov, Anton ‘About Love’ (c. 4000 words)

Chekhov, Anton ‘An Actor’s End’ (c. 2500 words)

Chekhov, Anton ‘Art’ (c. 2500 words)

Chekhov, Anton ‘An Avenger’ (c. 2000 words)

Chesterton, G. K. ‘The Blue Cross’ (c. 7500 words)

Chesterton, G. K. ‘The Bottomless Well’ (c. 6500 words)

Chesterton, G. K. ‘The Eye of Apollo’ (c. 6000 words)

Chesterton, G. K. ‘The God of Gongs’ (c. 6000 words)

Chesterton, G. K.  ‘The Hammer of God’ (c. 6500 words)

Chesterton, G. K. ‘The Purple Wig’ (c. 5500 words)

Collins, Willie ‘A Fair Penitent’ (c. 4500 words)

Conrad, Joseph ‘An Anarchist’ (c. 8500 words)

Crane, Stephen ‘A Desertion’ (c. 1500 words)

Defoe, Daniel ‘The Apparition of Mrs Veal’ (c. 3500 words)

De Mille, James ‘The Artist of Florence’ (c. 7000 words)

De Quincey, Thomas ‘Love-Charm’ (c. 13,000 words)

De Quincey, Thomas ‘The Avenger’ (c. 19,000 words)

Dickens, Charles ‘The Black Veil’ (c. 4500 words))

Dickens, Charles ‘Criminal Courts’ (c. 2000 words)

Dickens, Charles ‘Down with the Taid’ (c. 4000 words)

Dickens, Charles ‘The Ghost of Art’ (c. 2500 words)

Dickens, Charles ‘The Baron of Grogswig’ (c. 4000 words)

Dickens, Charles ‘The Child’s Story’ (c. 2000 words)

Dahl, Roald ‘Lamb to the Slaughter’ (c. 3000 words)

Dostoyevsky, Fyodor ‘The Dreams of a Ridiculous Man’ (c. 8500 words)

Eliot, T. S. ‘Eeldrop and Appleplex’ (c. 3000 words)

Eggleston, Edward ‘A Basement Story’ (c. 6500 words)

Eggleston, Edward ‘Adventures in Alaska’ (c. 1500 words)

Eliot, George ‘Brother Jacob’ (c. 17,000 words)

Field, Eugene ‘Daniel and the Devil’ (c. 3000 words)

Field, Eugene ‘Death and the Soldier’ (c. 1500 words)

Flaubert, Gustave ‘The Dance of Death’ (c. 3000 words)

Freeman, Mary ‘A New England Nun’ (c. 5000 words)

Galsworthy, John ‘The Knight’ (c. 13,000 words)

Galsworthy, John ‘The Stoic’ (c. 30,000 words)

Goldsworthy, John ‘The Silence’ (c. 8000 words)

Goethe, Johann ‘New Paris’ (c. 5500 words)

Gogol, Nikolai ‘The Clash’ (c. 4500 words)

Gaskell, Elizabeth ‘An Accursed Race’ (c. 6500 words)

Gilman, Charlotte Perkins ‘The Yellow Wallpaper’ (c. 6000 words)

Greene, Graham ‘The End of the Party’ ( c. 3500 words)

Gissing, George ‘A Capitalist’ (c. 5500 words)

Gissing, George ‘The House Of Cobwebs’ (c. 8000 words)

Gissing, George ‘The Salt of the Earth’ (c. 4000 words)

Hardy, Thomas ‘The Grave by the Handpost’ (c. 4000 words)

Hardy, Thomas ‘The Three Strangers’ c. 8500 words)

Harte, Bret ‘An Heiress of a Red Dog’ (c. 5500 words)

Harte, Bret ‘Under Karl’ (c. 6500 words)

Harte, Bret ‘Who Was My Quiet Friend?’ (c. 3000 words)

Hawthorne, Nathaniel ‘The Wedding-Knell’ (c. 3000 words)

Hawthorne, Nathaniel ‘The Ambitious Guest’ (c. 3500 words)

Henry, O ‘The Gift of the Magi’ (c. 2000 words)

Irving, Washington ‘Conspiracy of the Cocked Hats’ (c. 2000 words)

Irving, Washington ‘Little Britain’ (c. 5000 words)

Irving, Washington ‘The Bermudas’ (c. 2500 words)

Irving, Washington ‘The Birds of Spring’ (c. 2000 words)

Irving, Washington ‘The Legend of the Sleepy Hollow’ (c. 12,000 words)

Ing, Charles ‘Tight Squeeze’ (c. 6000 words)

Ingelow, Jean ‘A Last Want’ (c. 8000 words)

Ingelow, Jean ‘The Prince’s Dream’ (c. 3500 words)

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Jacobs, W. W. ‘The Monkey’s Paw’ (c. 4000 words)

James, M. R. ‘Lost Hearts’ (c. 4000 words)

Jerome, Jerome K. ‘The Man Who Did Not Believe In Luck’ (c. 3000 words)

Joyce, James ‘Araby’ (c. 2500 words)

Joyce, James ‘A Little Cloud’ (c. 5000 words)

Joyce, James ‘After the Race’ (c. 2000 words)

Joyce, James ‘An Encounter’ (c. 3500 words)

Joyce, James ‘Counterparts’ (c. 4000 words)

Joyce, James ‘Eveline’ (c. 2000 words)

Joyce, James ‘The Boarding House’ (c. 3000 words)

Kipling, Rudyard ‘How the Leopard got his Spots’ (c. 2000 words)

Kipling, Rudyard ‘Wireless’ (c. 6500 words)

Kipling, Rudyard ‘A Bank Fraud (c. 2500 words)

Kipling, Rudyard ‘Beyond the Pale’ (c. 2000 words)

King, Charles ‘Starlight Man’ (c. 9500 words)

King, Charles ‘Van’ (c. 8000 words)

Lawrence, D. H. ‘Odour of Chrysanthemums’ (c. 7500 words)

London, Jack ‘Aloha Oe’ (c. 2500 words)

London, Jack ‘The Story of Keesh’ (c. 3000 words)

London, Jack ‘How to Build a Fire’ (c. 7000 words)

Lovecraft, H. P. ‘The Cats of Ulthar’ (c. 1500 words)

Lovecraft, H. P. ‘The terrible Old Man’ (c. 1000 words)

Mansfield, Katherine ‘The Stranger’ (c. 5000 words)

Mansfield, Katherine ‘The Garden Party’ (c. 5500 words)

Mansfield, Katherine ‘The Voyage’ (c. 3000 words)

Mansfield, Katherine ‘The Ideal Family’ (c. 2500 words)

Mansfield, Katherine ‘Miss Brill’ (c. 2000 words)

Mansfield, Katherine ‘The Singing Lesson’ (c. 2000 words)

Marquez, Gabriel Garcia ‘Eyes of a Blue Dog’ (c. 3000 words)

Maupassant, Guy de ‘The Kiss’ (c. 1500 words)

Munro, H. H. (SAKI) ‘The Mouse’ (c. 1500 words)

Nesbit, Edith ‘Acting for the Best’ (c. 4500 words)

Nesbit, Edith ‘Archibald the Unpleasant’ (c. 5000 words)

Nesbit, Edith ‘Billy the King’ (c. 5500 words)

Norris, Frank ‘A Deal in Wheat’ (c. 5000 words)

Norris, Frank ‘The Wife of Chino’ (c. 5500 words)

Norris, Frank ‘Two Hearts That Beat as One’ (c. 4000 words)

Orwell, George ‘The Shooting of an Elephant’ (c. 2000 words)

Osbourne, Lloyd ‘Ben’ (c. 6000 words)

Osbourne, Lloyd ‘The Golden Castaways’ (c. 3500 words)

Parker, Dorothy ‘A Telephone Call’ (c. 2500 words)

Poe, Edgar Allan ‘The Imp of the Perverse’ (c. 2500 words)

Poe, Edgar Allan ‘The Angel of Odd’ (c. 4000 words)

Poe, Edgar Allan ‘The Masque of the Red Death’ (c. 2500 words)

Poe, Edgar Allan ‘The Black Cat’ (c. 4000 words)

Poe, Edgar Allan ‘Four Beasts in One’ (c. 3000 words)

Potter, Beatrix ‘Ginger and Pickles’ (c. 1000 words)

This page receives about 10,000 views a month and we are keen to continue expanding this resource, for our users. We have limited resources, but with your help, we can continue to build and support writers and readers, past and present.

Quiller-Couch, Arthur ‘Elisha’ (c. 1500 words)

Quiller-Couch, Arthur ‘The Burglary Club’ (c. 3000 words)

Quiller-Couch, Arthur ‘The Dark Mirror’ (c. 1000 words)

Roby, John ‘The Goblin Builders’ (c. 3500 words)

Ruskin, John ‘The King of the Golden River’ (c. 9000 words)

Skinner, Charles ‘The Barge of Defeat’ (c. 500 words)

Somyonov, S. T. ‘The Servant’ (c. 2000 words)

Twain, Mark ‘Luck’ (c. 2000 words)

Trollope, Anthony ‘George Walker at Suez’ (c. 8000 words)

Trollope, Anthony ‘Returning Home’ (c. 9000 words)

Van Dyke, Henry ‘Ashes of Vengeance’ (c. 500 words)

Van Dyke, Henry ‘The Art of Leaving Off’ (c. 2500 words)

Verne, Jules ‘A Drama in the Air’ (c. 7000 words)

Wells, H. G. ‘The Crystal Egg’ (c. 7000 words)

White, E. B. ‘The Door’ (c. 2000 words)

Wilde, Oscar ‘The Birth of the Infanta’ (c. 7500 words)

Williams, William Carlos ‘The Use of Force’ (c. 1500 words)

Woolf, Virginia ‘A Haunted House’ (c. 1000 words)

Yeats, William Butler ‘Out of the Rose’ (c. 2500 words)

Yeats, William Butler ‘The Old Men of the Twilight’ (c. 2000 words)

Yeats, William Butler ‘The Twisting of the Rope’ (c. 3000 words)

Younger, Charlotte M. ‘The Last Fight in the Coliseum’ (c. 3000 words)

Zola, Emile ‘Captain Burle’ (c. 11, 500 words)

Zola, Emile ‘The Flood’ (c. 8000 words)

How to Write a 300-Word Essay: Length, Examples, Free Samples

You might think writing a 300-word essay is easy because it is short. Well, it’s not all about the size. In a 300-word essay, you must express your thoughts and arguments concisely and within a very tight word limit.

The real challenge starts when you decide which sentence to leave out because every word matters and there’s no place for filler words. It is also tricky to fit the intro, arguments, and conclusion into a 300 word essay format. But are all these elements obligatory in such a kind of writing?

Let’s find out how to write a 300-word essay , its key elements, and where to find some excellent 300-words essay examples.

• 🖊️ How to Write a 300-Word Essay

📎 300-Words Essay Sample

• 🎊 More Essay Examples
• 🪄 Tips for a 300 Words Essay
• 🔎 300 Word Essay Topics

❓ 300-Words Essay FAQ

🔗 references, 📝 what does a 300-word essay look like.

Below, we will explain everything about 300-word essays. How many pages is a 300-word essay? What does it look like? Find a complete format breakdown here!

300 Word Essay Format

300 word essay types.

You can see a basic outline and its necessary elements above. However, these parts can change depending on the type of the essay. Each essay genre might imply a different structure and paragraph length.

Here are the most popular types of 300-word essays:

• A narrative essay tells a story and is typically written in the first person.
• A descriptive essay describes a person, place, or object in detail and uses sensory language.
• An expository essay presents information and facts about a topic and provides an explanation or analysis.
• A persuasive essay presents an argument or viewpoint on a particular topic and persuades the reader to agree with the author’s opinion.
• A compare and contrast essay compares two or more subjects and highlights their similarities and differences.

300 Word Essay Length

The 300-word essay length depends on the font and page parameters. With Times New Roman, it is typically 0.6 pages if single-spaced or 1.2 pages if double-spaced. It is usually not more than 20 sentences long if your sentences are 15-20 words long.

How many paragraphs should a 300-word essay have? The number of paragraphs depends on the structure. A 300-word paper can be divided into five sections (1 – intro, 3 – body, 1 – conclusion), 2-5 sentences each if it follows the classical format.

🖊️ How to Write a 300 Word Essay – Simple Guide

Use this step-by-step explanation to write a winning 300-word essay:

Step 1: Start with a Strong and Clear Thesis Statement

Your thesis should describe the essay’s main idea and guide both you and your readers throughout the essay. Spend some time researching the topic before you formulate the thesis statement. It will help create a more specific and focused thesis.

Step 2: Create an Outline

Outline preparation includes deciding on the paragraphs’ contents, order, and length . Think about the main idea that will be conveyed in each section. This will help organize the paper and ensure it flows logically and coherently . However, remember that each body paragraph should present a new thought with evidence that proves your point.

Step 3: Write the Essay

It is important to write clearly, using formal language that is easy to understand . In the beginning, highlight your essay’s core idea and prepare readers for what they will learn further. For each body paragraph, develop one topic idea and provide evidence and examples. In summary, briefly retell what you discussed in your paper: restate your thesis statement and touch on the significant points of the body.

Step 4: Reread and Edit the Essay

Take a break for a day or two before rereading the essay. It can help you gain a fresh perspective and catch errors you may have missed earlier . Check it for spelling and grammar errors . Don’t forget to ensure that the essay meets the word limit.

Here, you will find some examples of 300-word essays for college students.

300-Word Essay on Career Goals Examples

This is a 300-word essay on why I want to be a nurse topic:

Career goals provide a roadmap to success and help keep individuals motivated and focused. In this essay, I will discuss my career goals: becoming a healthcare professional, working in a hospital setting, and eventually obtaining a leadership role. My first career goal is to become a healthcare professional. My desire to help people and make a positive impact influenced this goal. I am pursuing a nursing degree, which will equip me with the necessary knowledge and skills to provide quality care. I plan to specialize in pediatrics or oncology, where I can make a difference in the lives of patients and their families. My second career goal is to work in a hospital setting. Hospitals are dynamic and challenging environments that require individuals to work well under pressure and think critically. Working in a hospital will allow me to gain experience in various areas of healthcare, such as emergency medicine and surgery. I also hope to work with a diverse patient population, which will broaden my perspective and deepen my understanding of healthcare. My third career goal is to obtain a leadership role. As a leader, I will be able to make a greater impact on patient care and healthcare delivery. I plan to get a master’s degree in healthcare administration or nursing leadership to prepare me for this role. I believe that effective leadership is essential for achieving positive outcomes in healthcare and ensuring that patients receive the highest quality of care. In conclusion, my career goals are to obtain a medical degree, a job in a hospital, and a leadership role. I am committed to achieving these goals by pursuing my college education, gaining experience in healthcare, and receiving advanced education in healthcare administration or nursing leadership. I am excited about these opportunities and look forward to positively impacting the lives of patients and the healthcare industry.

🎊 More 200-300 Word Essay Examples

Check out our free 300-word essay samples on popular topics:

• Romeo and Juliet essay 300 words. The paper analyzes the 1996 film adaptation of William Shakespeare’s play Romeo and Juliet, directed by Baz Luhrmann. The author discusses the theme of forbidden love and the various ways in which Luhrmann adapts the play.
• The person I admire most essay 300 words. The paper discusses Michael Jackson as a pop star role model. It explores his background, approach to discrimination, and life and career details.
• Who am I essay 300 words. This 300-word sample discusses the role of culture in shaping an individual’s self-concept and development. The author argues that culture plays a significant role in an individual’s perception of themselves and the world around them, shaping their behavior and interactions with others.
• My pet dog essay 300 words. The paper argues that dogs make the best pets. The author explores dog qualities, including loyalty, companionship, and their ability to improve mental and physical health.
• Global warming essay in English 300 words. The paper is a discussion of the economic instruments to regulate global warming. While economic tools can effectively regulate CO 2 emissions, there are concerns about the irrationality of tax rates and people’s willingness to pay more for familiar technology.
• Friendship essay 300 words. The paper examines the aspects of intimacy in female friendships. It explores the different levels of intimacy, including emotional, physical, and intellectual intimacy. The author discusses the importance of intimacy in maintaining long-lasting and meaningful friendships between women.
• 300 word essay about Thanksgiving. The paper discusses the history of the first Thanksgiving in the United States and compares it to modern Thanksgiving. The author explores the origins of Thanksgiving, its cultural significance, and how it has evolved.
• Freedom of speech essay 300 words. The paper discusses the concept of freedom of speech and its relationship with censorship. The author explores the historical and philosophical underpinnings of freedom of speech and various forms of censorship.

🪄 BONUS Tips for a 300 Words Essay

🔎 300 word essay topics & examples.

If you feel ready to start writing a 200-300 word essay, get inspired by the topics we’ve collected below. Use these academic essay examples to make your 300-word essay flawless!

• The impact of social media on society.
• The benefits and drawbacks of remote learning.
• The effects of regular fast food consumption on health.
• The importance of exercise for mental health.
• The impact of technology on communication.
• The role of art during significant historical events.
• The benefits and challenges of multiculturalism.
• The impact of climate change on our daily lives.
• The effects of stress on physical health.
• The role of education in personal and societal development.
• Religion in Chinese Society: Confucianism.
• World War II: Impact on American Society.
• Problems in the US Healthcare System.
• Legalization of Marijuana: Pain Management.
• The Future of Bio-Fuel in the Civil Aviation Industry.
• Emotional Contagion Research in Psychology.
• Curriculum Adaptation to the Needs of Students.
• Aspects of the Global Surgical Package.
• Subjective and Objective Description of Experience.
• The Covid-19 Related Social Problems.
• Communication Improved by “New Media in the News.”
• Lego Company’s Core Values and Ethical Dilemmas.
• The Major Causes of the Great Depression.
• Strategies to Control Disease Incidence.
• United AirlinesEnvironmental Sustainability Initiatives.
• Activism and Extremism on the Internet.
• Misinformation Online in Healthcare: Preventive Measures.
• Freedom of Speech and Censorship.
• Why Say “No” to Capital Punishment?
• What Is Love?: Answer From the Different Points of View.
• Budget Airlines and Their Growth Factors in Europe.
• The Problem of Shooting in Schools.
• Individual and Systemic Racism.
• Three Dimensions of Sexuality.
• The Issue of Homelessness.
• Personal Responsibility and World Population.
• Targeted Advertising in Business.
• Femininity and Masculinity in Media and Culture.
• Tesco Market Strategy: Outside-In and Inside-Out.
• “ A Rose for Emily” by William Faulkner.
• The Corporate Social Responsibility in Sport.
• Is Nuclear Power Renewable Energy?
• Sex Education Among Young People.
• The Unfair Control of Power.
• Impact of Artificial Intelligence.

If you didn’t find anything suitable, try our free essay title generator , it will help you come up with a perfect 300-word essay topic!

How to write a 300 word essay?

To write a 300-word essay, start with drafting a thesis statement. Then create an essay plan with three main points to support your thesis. Begin each paragraph with a clear topic sentence and provide supporting evidence. Wrap up your essay with a concluding section that reinforces your thesis.

How long does it take to write a 300 word essay?

With adequate preparation and focus, it’s possible to complete a 300-word paper in 30 minutes to an hour. However, the actual time you need to write a 300-word essay varies depending on your experience and topic complexity.

What does a 300 word essay look like?

A 300-word essay typically begins with an introduction with a thesis statement. There are also three body paragraphs with supporting evidence. A concluding paragraph that reinforces the thesis is the final section. Each paragraph should contain no more than 70 words.

How many pages is a 300 word essay?

Let’s assume the font is size 12 with standard margins. Then a 300-word essay is generally one page if single-spaced or two pages if double-spaced. However, the formatting and spacing requirements may vary based on the assignment or instructor’s guidelines.

How long is a 300 word essay?

A 300-word essay is approximately one-third of a single-spaced page or two-thirds of a page if double-spaced. It’s essential to follow the formatting and spacing requirements outlined by the instructor or assignment guidelines.

• Tips for writing short essays – Concordia University
• How Many Pages Is 300 Words? – Capitalize My Title
• Simple Ways to Write a Short Essay (with Pictures) – wikiHow
• Essay Structure | Harvard Writing Center
• 12 Useful Tips To Improve Your Essay Writing Skills | Indeed.com
• Develop a Topic & Working Thesis – How to Write a Good Essay – LibGuides at Bow Valley College
• How to Write a Statement of Professional Goals | College of Education
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How to Write a 300 Words Essay (+ Examples for Students)

What is a 300-word essay?

It’s an academic paper students write in school or college. The goal is to express an idea, state an argument, or analyze a topic. The only problem with such essays is their concise format.

Your task is to meet the required length but convey information in the logical manner. How is it possible with such restrictions? How to format such a short essay?

In this article, you’ll find a few  samples of 300-word essays. Also, you’ll learn the rules of structuring and formatting such papers right.

Example of 300 Words Essay

Let’s begin with examples (1). A 300-word essay looks like this:

Who am I essay: 300 words sample

A “Who am I?” Essay is a part of the application process for those entering college or university. You get a prompt to describe yourself and tell your goals and motivations. In other words, it’s a personal essay telling admission officers why you want to be their student.

Here’s the sample of such papers:

Bonus: Who Am I Essay: 500 Words Sample

How to Write a 300-Word Essay

Writing a 300-word essay in education is about being brief yet informative. Such tasks check your ability to build arguments and communicate points. Structure it to cover all essay parts and follow the assigned citation style.

300-word essays have a standard structure: an intro, a core, and a conclusion. The body is for organizing and representing the main points. Below you’ll find five techniques to do that.

5 methods of structuring a 300-word paper

• Essence. Write everything that comes to your mind about the topic. Then, re-read it and point out three main ideas to cover in your essay. Describe them one by one when writing a paper’s body. 
• Three points. Make a list of sub-topics related to your essay’s theme. Then, expand each sub-topic with three more points. Finally, choose three sub-topics with most relevant points to support your thesis. Take them to describe in an essay’s body. 
• 3+1. It involves four steps: State a thesis, introduce it, expand on it, and finish your essay. The last step is the “+1” in the technique’s name. The trick is to write a conclusion first and then continue with other essay parts.
• Divide. Write each part of your essay separately. Re-read each paragraph once you have it to revise if something looks wrong. When ready, move to another essay part.
• Simple. Introduce a topic with 12 distinct points, grouping them into 3 blocks with 4 sentences each.

What does a 300-word essay look like?

Use this template to structure your 300-word paper. Here’s what to include in each part:

A 300-word essay introduction:

• Start with introducing your topic.
• State your thesis (the main idea of your essay).
• List the main supporting ideas you’ll discuss to prove it.

How to structure body paragraphs:

As a rule, you write three body paragraphs in an essay. Given the restricted length, each should be short and up-to-pont. Please avoid too many transitional words, long descriptions, or complex sentence structures.

Structure essay body paragraphs like this:

• Write a lead sentence introducing the paragraph’s idea.
• Explain it: 1-3 sentences.
• Provide 1-2 examples.

Concluding your 300-word essay:

Restate all the points you covered in an essay. (You can take them from the introduction and paraphrase.) Finish with the food for thought for readers: a statement, a question, etc.

300-word essay format

Final tips on writing short essays:

• Be concise; no fluff. Cut all sentences that sound too generic or look unnecessary.
• Focus on a catchy beginning and a strong conclusion.
• Write as you speak; then revise each sentence for language patterns and clarity.
• What is 300 words in an essay?

300 words in an essay is the length of a standard academic paper you write in school or college. Depending on formatting, it takes 0.6 pages (single-spaced) or 1.2 pages (double-spaced). This short writing piece is best to share ideas or analyze assigned topics briefly.

• How many paragraphs is a 300 words essay?

A 300 words essay follows a 5-paragraph structure. The first paragraph goes for an introduction, three — for a body, and the final one — for a conclusion. This rule isn’t strict: Your essay body can be one or two, not three, paragraphs (2). Check the prompt’s guidelines before writing.

• How many pages is a 300-word essay?

It’s around 1-1.5 pages, depending on the formatting. Font size and spacing may differ from one prompt to another. In general, a 300-word essay is about 0.6 pages if single-spaced and 1.2 pages if double-spaced.

References:

• https://www.academia.edu/6009297/300_word_essay  
• https://www.csusm.edu/writingcenter/cougarswrite/thisibelieve/index.html
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The 10 Best Essay Collections of the Decade

Ever tried. ever failed. no matter..

Friends, it’s true: the end of the decade approaches. It’s been a difficult, anxiety-provoking, morally compromised decade, but at least it’s been populated by some damn fine literature. We’ll take our silver linings where we can.

So, as is our hallowed duty as a literary and culture website—though with full awareness of the potentially fruitless and endlessly contestable nature of the task—in the coming weeks, we’ll be taking a look at the best and most important (these being not always the same) books of the decade that was. We will do this, of course, by means of a variety of lists. We began with the best debut novels , the best short story collections , the best poetry collections , and the best memoirs of the decade , and we have now reached the fifth list in our series: the best essay collections published in English between 2010 and 2019.

The following books were chosen after much debate (and several rounds of voting) by the Literary Hub staff. Tears were spilled, feelings were hurt, books were re-read. And as you’ll shortly see, we had a hard time choosing just ten—so we’ve also included a list of dissenting opinions, and an even longer list of also-rans. As ever, free to add any of your own favorites that we’ve missed in the comments below.

The Top Ten

Oliver sacks, the mind’s eye (2010).

Toward the end of his life, maybe suspecting or sensing that it was coming to a close, Dr. Oliver Sacks tended to focus his efforts on sweeping intellectual projects like On the Move (a memoir), The River of Consciousness (a hybrid intellectual history), and Hallucinations (a book-length meditation on, what else, hallucinations). But in 2010, he gave us one more classic in the style that first made him famous, a form he revolutionized and brought into the contemporary literary canon: the medical case study as essay. In The Mind’s Eye , Sacks focuses on vision, expanding the notion to embrace not only how we see the world, but also how we map that world onto our brains when our eyes are closed and we’re communing with the deeper recesses of consciousness. Relaying histories of patients and public figures, as well as his own history of ocular cancer (the condition that would eventually spread and contribute to his death), Sacks uses vision as a lens through which to see all of what makes us human, what binds us together, and what keeps us painfully apart. The essays that make up this collection are quintessential Sacks: sensitive, searching, with an expertise that conveys scientific information and experimentation in terms we can not only comprehend, but which also expand how we see life carrying on around us. The case studies of “Stereo Sue,” of the concert pianist Lillian Kalir, and of Howard, the mystery novelist who can no longer read, are highlights of the collection, but each essay is a kind of gem, mined and polished by one of the great storytellers of our era.  –Dwyer Murphy, CrimeReads Managing Editor

John Jeremiah Sullivan, Pulphead (2011)

The American essay was having a moment at the beginning of the decade, and Pulphead was smack in the middle. Without any hard data, I can tell you that this collection of John Jeremiah Sullivan’s magazine features—published primarily in GQ , but also in The Paris Review , and Harper’s —was the only full book of essays most of my literary friends had read since Slouching Towards Bethlehem , and probably one of the only full books of essays they had even heard of.

Well, we all picked a good one. Every essay in Pulphead is brilliant and entertaining, and illuminates some small corner of the American experience—even if it’s just one house, with Sullivan and an aging writer inside (“Mr. Lytle” is in fact a standout in a collection with no filler; fittingly, it won a National Magazine Award and a Pushcart Prize). But what are they about? Oh, Axl Rose, Christian Rock festivals, living around the filming of One Tree Hill , the Tea Party movement, Michael Jackson, Bunny Wailer, the influence of animals, and by god, the Miz (of Real World/Road Rules Challenge fame).

But as Dan Kois has pointed out , what connects these essays, apart from their general tone and excellence, is “their author’s essential curiosity about the world, his eye for the perfect detail, and his great good humor in revealing both his subjects’ and his own foibles.” They are also extremely well written, drawing much from fictional techniques and sentence craft, their literary pleasures so acute and remarkable that James Wood began his review of the collection in The New Yorker with a quiz: “Are the following sentences the beginnings of essays or of short stories?” (It was not a hard quiz, considering the context.)

It’s hard not to feel, reading this collection, like someone reached into your brain, took out the half-baked stuff you talk about with your friends, researched it, lived it, and represented it to you smarter and better and more thoroughly than you ever could. So read it in awe if you must, but read it.  –Emily Temple, Senior Editor

Aleksandar Hemon, The Book of My Lives (2013)

Such is the sentence-level virtuosity of Aleksandar Hemon—the Bosnian-American writer, essayist, and critic—that throughout his career he has frequently been compared to the granddaddy of borrowed language prose stylists: Vladimir Nabokov. While it is, of course, objectively remarkable that anyone could write so beautifully in a language they learned in their twenties, what I admire most about Hemon’s work is the way in which he infuses every essay and story and novel with both a deep humanity and a controlled (but never subdued) fury. He can also be damn funny. Hemon grew up in Sarajevo and left in 1992 to study in Chicago, where he almost immediately found himself stranded, forced to watch from afar as his beloved home city was subjected to a relentless four-year bombardment, the longest siege of a capital in the history of modern warfare. This extraordinary memoir-in-essays is many things: it’s a love letter to both the family that raised him and the family he built in exile; it’s a rich, joyous, and complex portrait of a place the 90s made synonymous with war and devastation; and it’s an elegy for the wrenching loss of precious things. There’s an essay about coming of age in Sarajevo and another about why he can’t bring himself to leave Chicago. There are stories about relationships forged and maintained on the soccer pitch or over the chessboard, and stories about neighbors and mentors turned monstrous by ethnic prejudice. As a chorus they sing with insight, wry humor, and unimaginable sorrow. I am not exaggerating when I say that the collection’s devastating final piece, “The Aquarium”—which details his infant daughter’s brain tumor and the agonizing months which led up to her death—remains the most painful essay I have ever read.  –Dan Sheehan, Book Marks Editor

Robin Wall Kimmerer, Braiding Sweetgrass (2013)

Of every essay in my relentlessly earmarked copy of Braiding Sweetgrass , Dr. Robin Wall Kimmerer’s gorgeously rendered argument for why and how we should keep going, there’s one that especially hits home: her account of professor-turned-forester Franz Dolp. When Dolp, several decades ago, revisited the farm that he had once shared with his ex-wife, he found a scene of destruction: The farm’s new owners had razed the land where he had tried to build a life. “I sat among the stumps and the swirling red dust and I cried,” he wrote in his journal.

So many in my generation (and younger) feel this kind of helplessness–and considerable rage–at finding ourselves newly adult in a world where those in power seem determined to abandon or destroy everything that human bodies have always needed to survive: air, water, land. Asking any single book to speak to this helplessness feels unfair, somehow; yet, Braiding Sweetgrass does, by weaving descriptions of indigenous tradition with the environmental sciences in order to show what survival has looked like over the course of many millennia. Kimmerer’s essays describe her personal experience as a Potawotami woman, plant ecologist, and teacher alongside stories of the many ways that humans have lived in relationship to other species. Whether describing Dolp’s work–he left the stumps for a life of forest restoration on the Oregon coast–or the work of others in maple sugar harvesting, creating black ash baskets, or planting a Three Sisters garden of corn, beans, and squash, she brings hope. “In ripe ears and swelling fruit, they counsel us that all gifts are multiplied in relationship,” she writes of the Three Sisters, which all sustain one another as they grow. “This is how the world keeps going.”  –Corinne Segal, Senior Editor

Hilton Als, White Girls (2013)

In a world where we are so often reduced to one essential self, Hilton Als’ breathtaking book of critical essays, White Girls , which meditates on the ways he and other subjects read, project and absorb parts of white femininity, is a radically liberating book. It’s one of the only works of critical thinking that doesn’t ask the reader, its author or anyone he writes about to stoop before the doorframe of complete legibility before entering. Something he also permitted the subjects and readers of his first book, the glorious book-length essay, The Women , a series of riffs and psychological portraits of Dorothy Dean, Owen Dodson, and the author’s own mother, among others. One of the shifts of that book, uncommon at the time, was how it acknowledges the way we inhabit bodies made up of variously gendered influences. To read White Girls now is to experience the utter freedom of this gift and to marvel at Als’ tremendous versatility and intelligence.

He is easily the most diversely talented American critic alive. He can write into genres like pop music and film where being part of an audience is a fantasy happening in the dark. He’s also wired enough to know how the art world builds reputations on the nod of rich white patrons, a significant collision in a time when Jean-Michel Basquiat is America’s most expensive modern artist. Als’ swerving and always moving grip on performance means he’s especially good on describing the effect of art which is volatile and unstable and built on the mingling of made-up concepts and the hard fact of their effect on behavior, such as race. Writing on Flannery O’Connor for instance he alone puts a finger on her “uneasy and unavoidable union between black and white, the sacred and the profane, the shit and the stars.” From Eminem to Richard Pryor, André Leon Talley to Michael Jackson, Als enters the life and work of numerous artists here who turn the fascinations of race and with whiteness into fury and song and describes the complexity of their beauty like his life depended upon it. There are also brief memoirs here that will stop your heart. This is an essential work to understanding American culture.  –John Freeman, Executive Editor

Eula Biss, On Immunity (2014)

We move through the world as if we can protect ourselves from its myriad dangers, exercising what little agency we have in an effort to keep at bay those fears that gather at the edges of any given life: of loss, illness, disaster, death. It is these fears—amplified by the birth of her first child—that Eula Biss confronts in her essential 2014 essay collection, On Immunity . As any great essayist does, Biss moves outward in concentric circles from her own very private view of the world to reveal wider truths, discovering as she does a culture consumed by anxiety at the pervasive toxicity of contemporary life. As Biss interrogates this culture—of privilege, of whiteness—she interrogates herself, questioning the flimsy ways in which we arm ourselves with science or superstition against the impurities of daily existence.

Five years on from its publication, it is dismaying that On Immunity feels as urgent (and necessary) a defense of basic science as ever. Vaccination, we learn, is derived from vacca —for cow—after the 17th-century discovery that a small application of cowpox was often enough to inoculate against the scourge of smallpox, an etymological digression that belies modern conspiratorial fears of Big Pharma and its vaccination agenda. But Biss never scolds or belittles the fears of others, and in her generosity and openness pulls off a neat (and important) trick: insofar as we are of the very world we fear, she seems to be suggesting, we ourselves are impure, have always been so, permeable, vulnerable, yet so much stronger than we think.  –Jonny Diamond, Editor-in-Chief 

Rebecca Solnit, The Mother of All Questions (2016)

When Rebecca Solnit’s essay, “Men Explain Things to Me,” was published in 2008, it quickly became a cultural phenomenon unlike almost any other in recent memory, assigning language to a behavior that almost every woman has witnessed—mansplaining—and, in the course of identifying that behavior, spurring a movement, online and offline, to share the ways in which patriarchal arrogance has intersected all our lives. (It would also come to be the titular essay in her collection published in 2014.) The Mother of All Questions follows up on that work and takes it further in order to examine the nature of self-expression—who is afforded it and denied it, what institutions have been put in place to limit it, and what happens when it is employed by women. Solnit has a singular gift for describing and decoding the misogynistic dynamics that govern the world so universally that they can seem invisible and the gendered violence that is so common as to seem unremarkable; this naming is powerful, and it opens space for sharing the stories that shape our lives.

The Mother of All Questions, comprised of essays written between 2014 and 2016, in many ways armed us with some of the tools necessary to survive the gaslighting of the Trump years, in which many of us—and especially women—have continued to hear from those in power that the things we see and hear do not exist and never existed. Solnit also acknowledges that labels like “woman,” and other gendered labels, are identities that are fluid in reality; in reviewing the book for The New Yorker , Moira Donegan suggested that, “One useful working definition of a woman might be ‘someone who experiences misogyny.'” Whichever words we use, Solnit writes in the introduction to the book that “when words break through unspeakability, what was tolerated by a society sometimes becomes intolerable.” This storytelling work has always been vital; it continues to be vital, and in this book, it is brilliantly done.  –Corinne Segal, Senior Editor

Valeria Luiselli, Tell Me How It Ends (2017)

The newly minted MacArthur fellow Valeria Luiselli’s four-part (but really six-part) essay  Tell Me How It Ends: An Essay in Forty Questions  was inspired by her time spent volunteering at the federal immigration court in New York City, working as an interpreter for undocumented, unaccompanied migrant children who crossed the U.S.-Mexico border. Written concurrently with her novel  Lost Children Archive  (a fictional exploration of the same topic), Luiselli’s essay offers a fascinating conceit, the fashioning of an argument from the questions on the government intake form given to these children to process their arrivals. (Aside from the fact that this essay is a heartbreaking masterpiece, this is such a  good  conceit—transforming a cold, reproducible administrative document into highly personal literature.) Luiselli interweaves a grounded discussion of the questionnaire with a narrative of the road trip Luiselli takes with her husband and family, across America, while they (both Mexican citizens) wait for their own Green Card applications to be processed. It is on this trip when Luiselli reflects on the thousands of migrant children mysteriously traveling across the border by themselves. But the real point of the essay is to actually delve into the real stories of some of these children, which are agonizing, as well as to gravely, clearly expose what literally happens, procedural, when they do arrive—from forms to courts, as they’re swallowed by a bureaucratic vortex. Amid all of this, Luiselli also takes on more, exploring the larger contextual relationship between the United States of America and Mexico (as well as other countries in Central America, more broadly) as it has evolved to our current, adverse moment.  Tell Me How It Ends  is so small, but it is so passionate and vigorous: it desperately accomplishes in its less-than-100-pages-of-prose what centuries and miles and endless records of federal bureaucracy have never been able, and have never cared, to do: reverse the dehumanization of Latin American immigrants that occurs once they set foot in this country.  –Olivia Rutigliano, CrimeReads Editorial Fellow

Zadie Smith, Feel Free (2018)

In the essay “Meet Justin Bieber!” in Feel Free , Zadie Smith writes that her interest in Justin Bieber is not an interest in the interiority of the singer himself, but in “the idea of the love object”. This essay—in which Smith imagines a meeting between Bieber and the late philosopher Martin Buber (“Bieber and Buber are alternative spellings of the same German surname,” she explains in one of many winning footnotes. “Who am I to ignore these hints from the universe?”). Smith allows that this premise is a bit premise -y: “I know, I know.” Still, the resulting essay is a very funny, very smart, and un-tricky exploration of individuality and true “meeting,” with a dash of late capitalism thrown in for good measure. The melding of high and low culture is the bread and butter of pretty much every prestige publication on the internet these days (and certainly of the Twitter feeds of all “public intellectuals”), but the essays in Smith’s collection don’t feel familiar—perhaps because hers is, as we’ve long known, an uncommon skill. Though I believe Smith could probably write compellingly about anything, she chooses her subjects wisely. She writes with as much electricity about Brexit as the aforementioned Beliebers—and each essay is utterly engrossing. “She contains multitudes, but her point is we all do,” writes Hermione Hoby in her review of the collection in The New Republic . “At the same time, we are, in our endless difference, nobody but ourselves.”  –Jessie Gaynor, Social Media Editor

Tressie McMillan Cottom, Thick: And Other Essays (2019)

Tressie McMillan Cottom is an academic who has transcended the ivory tower to become the sort of public intellectual who can easily appear on radio or television talk shows to discuss race, gender, and capitalism. Her collection of essays reflects this duality, blending scholarly work with memoir to create a collection on the black female experience in postmodern America that’s “intersectional analysis with a side of pop culture.” The essays range from an analysis of sexual violence, to populist politics, to social media, but in centering her own experiences throughout, the collection becomes something unlike other pieces of criticism of contemporary culture. In explaining the title, she reflects on what an editor had said about her work: “I was too readable to be academic, too deep to be popular, too country black to be literary, and too naïve to show the rigor of my thinking in the complexity of my prose. I had wanted to create something meaningful that sounded not only like me, but like all of me. It was too thick.” One of the most powerful essays in the book is “Dying to be Competent” which begins with her unpacking the idiocy of LinkedIn (and the myth of meritocracy) and ends with a description of her miscarriage, the mishandling of black woman’s pain, and a condemnation of healthcare bureaucracy. A finalist for the 2019 National Book Award for Nonfiction, Thick confirms McMillan Cottom as one of our most fearless public intellectuals and one of the most vital.  –Emily Firetog, Deputy Editor

Dissenting Opinions

The following books were just barely nudged out of the top ten, but we (or at least one of us) couldn’t let them pass without comment.

Elif Batuman, The Possessed (2010)

In The Possessed Elif Batuman indulges her love of Russian literature and the result is hilarious and remarkable. Each essay of the collection chronicles some adventure or other that she had while in graduate school for Comparative Literature and each is more unpredictable than the next. There’s the time a “well-known 20th-centuryist” gave a graduate student the finger; and the time when Batuman ended up living in Samarkand, Uzbekistan, for a summer; and the time that she convinced herself Tolstoy was murdered and spent the length of the Tolstoy Conference in Yasnaya Polyana considering clues and motives. Rich in historic detail about Russian authors and literature and thoughtfully constructed, each essay is an amalgam of critical analysis, cultural criticism, and serious contemplation of big ideas like that of identity, intellectual legacy, and authorship. With wit and a serpentine-like shape to her narratives, Batuman adopts a form reminiscent of a Socratic discourse, setting up questions at the beginning of her essays and then following digressions that more or less entreat the reader to synthesize the answer for herself. The digressions are always amusing and arguably the backbone of the collection, relaying absurd anecdotes with foreign scholars or awkward, surreal encounters with Eastern European strangers. Central also to the collection are Batuman’s intellectual asides where she entertains a theory—like the “problem of the person”: the inability to ever wholly capture one’s character—that ultimately layer the book’s themes. “You are certainly my most entertaining student,” a professor said to Batuman. But she is also curious and enthusiastic and reflective and so knowledgeable that she might even convince you (she has me!) that you too love Russian literature as much as she does. –Eleni Theodoropoulos, Editorial Fellow

Roxane Gay, Bad Feminist (2014)

Roxane Gay’s now-classic essay collection is a book that will make you laugh, think, cry, and then wonder, how can cultural criticism be this fun? My favorite essays in the book include Gay’s musings on competitive Scrabble, her stranded-in-academia dispatches, and her joyous film and television criticism, but given the breadth of topics Roxane Gay can discuss in an entertaining manner, there’s something for everyone in this one. This book is accessible because feminism itself should be accessible – Roxane Gay is as likely to draw inspiration from YA novels, or middle-brow shows about friendship, as she is to introduce concepts from the academic world, and if there’s anyone I trust to bridge the gap between high culture, low culture, and pop culture, it’s the Goddess of Twitter. I used to host a book club dedicated to radical reads, and this was one of the first picks for the club; a week after the book club met, I spied a few of the attendees meeting in the café of the bookstore, and found out that they had bonded so much over discussing  Bad Feminist  that they couldn’t wait for the next meeting of the book club to keep discussing politics and intersectionality, and that, in a nutshell, is the power of Roxane. –Molly Odintz, CrimeReads Associate Editor

Rivka Galchen, Little Labors (2016)

Generally, I find stories about the trials and tribulations of child-having to be of limited appeal—useful, maybe, insofar as they offer validation that other people have also endured the bizarre realities of living with a tiny human, but otherwise liable to drift into the musings of parents thrilled at the simple fact of their own fecundity, as if they were the first ones to figure the process out (or not). But Little Labors is not simply an essay collection about motherhood, perhaps because Galchen initially “didn’t want to write about” her new baby—mostly, she writes, “because I had never been interested in babies, or mothers; in fact, those subjects had seemed perfectly not interesting to me.” Like many new mothers, though, Galchen soon discovered her baby—which she refers to sometimes as “the puma”—to be a preoccupying thought, demanding to be written about. Galchen’s interest isn’t just in her own progeny, but in babies in literature (“Literature has more dogs than babies, and also more abortions”), The Pillow Book , the eleventh-century collection of musings by Sei Shōnagon, and writers who are mothers. There are sections that made me laugh out loud, like when Galchen continually finds herself in an elevator with a neighbor who never fails to remark on the puma’s size. There are also deeper, darker musings, like the realization that the baby means “that it’s not permissible to die. There are days when this does not feel good.” It is a slim collection that I happened to read at the perfect time, and it remains one of my favorites of the decade. –Emily Firetog, Deputy Editor

Charlie Fox, This Young Monster (2017)

On social media as in his writing, British art critic Charlie Fox rejects lucidity for allusion and doesn’t quite answer the Twitter textbox’s persistent question: “What’s happening?” These days, it’s hard to tell.  This Young Monster  (2017), Fox’s first book,was published a few months after Donald Trump’s election, and at one point Fox takes a swipe at a man he judges “direct from a nightmare and just a repulsive fucking goon.” Fox doesn’t linger on politics, though, since most of the monsters he looks at “embody otherness and make it into art, ripping any conventional idea of beauty to shreds and replacing it with something weird and troubling of their own invention.”

If clichés are loathed because they conform to what philosopher Georges Bataille called “the common measure,” then monsters are rebellious non-sequiturs, comedic or horrific derailments from a classical ideal. Perverts in the most literal sense, monsters have gone astray from some “proper” course. The book’s nine chapters, which are about a specific monster or type of monster, are full of callbacks to familiar and lesser-known media. Fox cites visual art, film, songs, and books with the screwy buoyancy of a savant. Take one of his essays, “Spook House,” framed as a stage play with two principal characters, Klaus (“an intoxicated young skinhead vampire”) and Hermione (“a teen sorceress with green skin and jet-black hair” who looks more like The Wicked Witch than her namesake). The chorus is a troupe of trick-or-treaters. Using the filmmaker Cameron Jamie as a starting point, the rest is free association on gothic decadence and Detroit and L.A. as cities of the dead. All the while, Klaus quotes from  Artforum ,  Dazed & Confused , and  Time Out. It’s a technical feat that makes fictionalized dialogue a conveyor belt for cultural criticism.

In Fox’s imagination, David Bowie and the Hydra coexist alongside Peter Pan, Dennis Hopper, and the maenads. Fox’s book reaches for the monster’s mask, not really to peel it off but to feel and smell the rubber schnoz, to know how it’s made before making sure it’s still snugly set. With a stylistic blend of arthouse suavity and B-movie chic,  This Young Monster considers how monsters in culture are made. Aren’t the scariest things made in post-production? Isn’t the creature just duplicity, like a looping choir or a dubbed scream? –Aaron Robertson, Assistant Editor

Elena Passarello, Animals Strike Curious Poses (2017)

Elena Passarello’s collection of essays Animals Strike Curious Poses picks out infamous animals and grants them the voice, narrative, and history they deserve. Not only is a collection like this relevant during the sixth extinction but it is an ambitious historical and anthropological undertaking, which Passarello has tackled with thorough research and a playful tone that rather than compromise her subject, complicates and humanizes it. Passarello’s intention is to investigate the role of animals across the span of human civilization and in doing so, to construct a timeline of humanity as told through people’s interactions with said animals. “Of all the images that make our world, animal images are particularly buried inside us,” Passarello writes in her first essay, to introduce us to the object of the book and also to the oldest of her chosen characters: Yuka, a 39,000-year-old mummified woolly mammoth discovered in the Siberian permafrost in 2010. It was an occasion so remarkable and so unfathomable given the span of human civilization that Passarello says of Yuka: “Since language is epically younger than both thought and experience, ‘woolly mammoth’ means, to a human brain, something more like time.” The essay ends with a character placing a hand on a cave drawing of a woolly mammoth, accompanied by a phrase which encapsulates the author’s vision for the book: “And he becomes the mammoth so he can envision the mammoth.” In Passarello’s hands the imagined boundaries between the animal, natural, and human world disintegrate and what emerges is a cohesive if baffling integrated history of life. With the accuracy and tenacity of a journalist and the spirit of a storyteller, Elena Passarello has assembled a modern bestiary worthy of contemplation and awe. –Eleni Theodoropoulos, Editorial Fellow

Esmé Weijun Wang, The Collected Schizophrenias (2019)

Esmé Weijun Wang’s collection of essays is a kaleidoscopic look at mental health and the lives affected by the schizophrenias. Each essay takes on a different aspect of the topic, but you’ll want to read them together for a holistic perspective. Esmé Weijun Wang generously begins The Collected Schizophrenias by acknowledging the stereotype, “Schizophrenia terrifies. It is the archetypal disorder of lunacy.” From there, she walks us through the technical language, breaks down the Diagnostic and Statistical Manual ( DSM-5 )’s clinical definition. And then she gets very personal, telling us about how she came to her own diagnosis and the way it’s touched her daily life (her relationships, her ideas about motherhood). Esmé Weijun Wang is uniquely situated to write about this topic. As a former lab researcher at Stanford, she turns a precise, analytical eye to her experience while simultaneously unfolding everything with great patience for her reader. Throughout, she brilliantly dissects the language around mental health. (On saying “a person living with bipolar disorder” instead of using “bipolar” as the sole subject: “…we are not our diseases. We are instead individuals with disorders and malfunctions. Our conditions lie over us like smallpox blankets; we are one thing and the illness is another.”) She pinpoints the ways she arms herself against anticipated reactions to the schizophrenias: high fashion, having attended an Ivy League institution. In a particularly piercing essay, she traces mental illness back through her family tree. She also places her story within more mainstream cultural contexts, calling on groundbreaking exposés about the dangerous of institutionalization and depictions of mental illness in television and film (like the infamous Slender Man case, in which two young girls stab their best friend because an invented Internet figure told them to). At once intimate and far-reaching, The Collected Schizophrenias is an informative and important (and let’s not forget artful) work. I’ve never read a collection quite so beautifully-written and laid-bare as this. –Katie Yee, Book Marks Assistant Editor

Ross Gay, The Book of Delights (2019)

When Ross Gay began writing what would become The Book of Delights, he envisioned it as a project of daily essays, each focused on a moment or point of delight in his day. This plan quickly disintegrated; on day four, he skipped his self-imposed assignment and decided to “in honor and love, delight in blowing it off.” (Clearly, “blowing it off” is a relative term here, as he still produced the book.) Ross Gay is a generous teacher of how to live, and this moment of reveling in self-compassion is one lesson among many in The Book of Delights , which wanders from moments of connection with strangers to a shade of “red I don’t think I actually have words for,” a text from a friend reading “I love you breadfruit,” and “the sun like a guiding hand on my back, saying everything is possible. Everything .”

Gay does not linger on any one subject for long, creating the sense that delight is a product not of extenuating circumstances, but of our attention; his attunement to the possibilities of a single day, and awareness of all the small moments that produce delight, are a model for life amid the warring factions of the attention economy. These small moments range from the physical–hugging a stranger, transplanting fig cuttings–to the spiritual and philosophical, giving the impression of sitting beside Gay in his garden as he thinks out loud in real time. It’s a privilege to listen. –Corinne Segal, Senior Editor

Honorable Mentions

A selection of other books that we seriously considered for both lists—just to be extra about it (and because decisions are hard).

Terry Castle, The Professor and Other Writings (2010) · Joyce Carol Oates, In Rough Country (2010) · Geoff Dyer, Otherwise Known as the Human Condition (2011) · Christopher Hitchens, Arguably (2011) ·  Roberto Bolaño, tr. Natasha Wimmer, Between Parentheses (2011) · Dubravka Ugresic, tr. David Williams, Karaoke Culture (2011) · Tom Bissell, Magic Hours (2012)  · Kevin Young, The Grey Album (2012) · William H. Gass, Life Sentences: Literary Judgments and Accounts (2012) · Mary Ruefle, Madness, Rack, and Honey (2012) · Herta Müller, tr. Geoffrey Mulligan, Cristina and Her Double (2013) · Leslie Jamison, The Empathy Exams (2014)  · Meghan Daum, The Unspeakable (2014)  · Daphne Merkin, The Fame Lunches (2014)  · Charles D’Ambrosio, Loitering (2015) · Wendy Walters, Multiply/Divide (2015) · Colm Tóibín, On Elizabeth Bishop (2015) ·  Renee Gladman, Calamities (2016)  · Jesmyn Ward, ed. The Fire This Time (2016)  · Lindy West, Shrill (2016)  · Mary Oliver, Upstream (2016)  · Emily Witt, Future Sex (2016)  · Olivia Laing, The Lonely City (2016)  · Mark Greif, Against Everything (2016)  · Durga Chew-Bose, Too Much and Not the Mood (2017)  · Sarah Gerard, Sunshine State (2017)  · Jim Harrison, A Really Big Lunch (2017)  · J.M. Coetzee, Late Essays: 2006-2017 (2017) · Melissa Febos, Abandon Me (2017)  · Louise Glück, American Originality (2017)  · Joan Didion, South and West (2017)  · Tom McCarthy, Typewriters, Bombs, Jellyfish (2017)  · Hanif Abdurraqib, They Can’t Kill Us Until they Kill Us (2017)  · Ta-Nehisi Coates, We Were Eight Years in Power (2017)  ·  Samantha Irby, We Are Never Meeting in Real Life (2017)  · Alexander Chee, How to Write an Autobiographical Novel (2018)  · Alice Bolin, Dead Girls (2018)  · Marilynne Robinson, What Are We Doing Here? (2018)  · Lorrie Moore, See What Can Be Done (2018)  · Maggie O’Farrell, I Am I Am I Am (2018)  · Ijeoma Oluo, So You Want to Talk About Race (2018)  · Rachel Cusk, Coventry (2019)  · Jia Tolentino, Trick Mirror (2019)  · Emily Bernard, Black is the Body (2019)  · Toni Morrison, The Source of Self-Regard (2019)  · Margaret Renkl, Late Migrations (2019)  ·  Rachel Munroe, Savage Appetites (2019)  · Robert A. Caro,  Working  (2019) · Arundhati Roy, My Seditious Heart (2019).

Emily Temple

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How to Write a 300 Word Essay – Simple Tutorial

If you need to write a 300-word essay, you’ve come to the right place. I’m Tutor Phil, and in this tutorial I’ll guide you through the process step by step.

We’ll write a complete essay together, so you’ll have an example of a 300-word essay, as well. 

Writing a 300-word essay is a 5-step process.

Step 1. Plan the number of words in each paragraph.

Whenever you know an exact number of words you need to write, this makes your task so much easier. Because now you can plan out exactly how many words each paragraph will contain.

Typically, a 300-word essay consists of five paragraphs. This means that you will have:

• The introductory paragraph
• Three body paragraphs
• The concluding paragraph (conclusion)

How would you distribute 300 words across these five paragraphs? Well, let me give you a very simple way to do that:

If you add up these numbers, you’ll get 300. And that’s all you need – a short introduction and conclusion plus three brief and to the point body paragraphs.

Step 2. Decide on your main and supporting points.

Let’s say your instructor gives you this essay topic:

“How does playing video games affect adults?”

First, we should decide – are adults affected positively or negatively? This will give us a frame of reference for the rest of the essay. 

And let’s just make a decision and say that video games affect adults negatively .

Don’t worry about making such decisions. Just decide, and you’ll see that you’ll always find plenty of ideas to support your point. 

Next, let’s use the Power of Three to divide this topic and come up with three ways in which gaming affects adults. 

The power of three is just a technique I use to divide the main idea into supporting ideas. 

This means that your main point is true for three reasons or your process happens in three ways. Basically, it’s a three-part structure. It helps produce three body paragraphs.  

And let’s do it. Let’s come up with three ways in which video games affect adults:

• Adults who play video games tend to spend too much time doing it.
• Adults often substitute virtual reality for real life experiences. 
• Adult gamers often spend too much money on their virtual realities. 

And now we have everything we need to begin writing out the essay. We’re ready for the next step. 

Step 3. Write out the complete introductory paragraph.

Here’s the structure of an introductory paragraph in a 300-word essay:

The first sentence is the introduction. In it, your job is to pull the reader from his world into the world of your essay.

And the rest of the opening paragraph is the thesis statement. It includes your main point in one sentence and three supporting points. 

A 300 word essay introductory paragraph example

“Whether and how video games affect adult gamers has been a subject of an ongoing debate. Playing video games harms adults in three ways. It wastes their valuable time. It often acts as a substitute for real life experiences. And it often wastes their money.”

Note how the first sentence is very general. It sets the context for the entire essay. The next sentence is the main point (thesis). And the final three sentences are the supporting points for the thesis. 

Also note that we have exactly 45 words in this paragraph. So far so good. 

Step 4. Write the body paragraphs.

The body of our essay will consist of three body paragraphs. Here is how to structure a body paragraph in a 300-word essay:

We know that each of our body paragraphs should contain roughly 70 words, and we can begin writing. 

Paragraph 1.

“Time is precious for adults, and playing video games can be too time-consuming. Adults are burdened with such responsibilities as full-time work and various chores. Playing video games can sometimes so completely engross an adult that he can forget to attend to tasks every mature adult must do. My friend Andy has been an avid player of video games. But as an adult, he often forgets to do his laundry.”

In this paragraph, the first sentence is a lead sentence. It summarizes the paragraph perfectly. And it dictates the structure of the rest of the paragraph.

The second sentence is an explanation of why adults need to be concerned with wasting their time. 

The third sentence explains how video games can steal time from adult gamers. 

And the final two sentences illustrate the point by providing a specific example. 

Paragraph 2. 

“Adult gamers often substitute gaming for living real lives. Games provide them with a sense of adventure. They can slay dragons, conquer kingdoms, and fall in love virtually. But real life offers plenty of adventures to take on, and gamers miss out on them because they fulfill their needs by sitting at the computer. Andy often complains about his lack of personal life, and I know what is to blame.”

Note how this paragraph follows the exact same structure I outlined in the diagram above. It proceeds from general to specific:

• The lead sentence
• An explanation

Paragraph 3.  

“Money is another concern with adult gaming because games cost money and often have ongoing costs. Expenses associated with gaming can add up, especially when playing games online. The gamer has all kinds of things to buy from game creators, such as life and energy points, weapons, and even living creatures. Andy told me that his last purchase was a dragon for one hundred dollars. I thought he was crazy.”

Again, this paragraph follows the basic body paragraph structure. It also contains 70 words, as planned. 

And it’s time for the final step.

Step 5. Write the conclusion. 

The easiest and most time-proven way to write a conclusion is to simply restate all the points using different words. 

You can even copy your introductory paragraph and change all the wording. 

I usually just write the conclusion while checking in with the thesis statement. I don’t copy and paste but just write the conclusion based on the introduction.

Let’s write it.

“Playing video games as an adult can be detrimental to time management, dealing with real life, and personal finances. Video games are notorious for wasting precious resources. Time tends to fly while gaming. Real life gives way to imaginary conquests. And money can dwindle fast.”

As you can tell, this conclusion paragraph simply restates the points we’ve already made in the essay. But it uses different words and phrases to do so.

Note that it contains 45 words. And now we have an essay that is exactly 300 words long!

Additional Tips and Tricks

You can use these techniques to write any number of words.  

Let’s say you need to write 500 words. What do you do? Just distribute these 500 words across your paragraphs. You might have the following word count scheme:

• Introduction – 70 words
• Body paragraph 1 – 120 words
• Body paragraph 2 – 120 words
• Body paragraph 3 – 120 words
• Conclusion – 70 words

If you need to write a longer essay, or if you struggle with essay writing in general, you should really read my tutorial on essay writing for beginners by clicking here .

Your thesis statement is your outline.

Your introductory paragraph is essentially a complete thesis statement with an introductory sentence added in the beginning.

If you look at your main and supporting points, you’ll see a clear structure. It has three main sections, each containing a paragraph.

Note that each section can contain as many paragraphs as you want. Just remember to structure them the way you learned here.

But your thesis statement is your guide to writing the complete essay. It is just the way a lead sentence is your guide to writing the body paragraph. 

I hope this was helpful. Now go ahead and write that brilliant 300-word essay!

Tutor Phil is an e-learning professional who helps adult learners finish their degrees by teaching them academic writing skills.

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How long is a 400 words essay.

A 400 words essay would typically be about 2 pages long, assuming it is double-spaced and written with a standard font (Arial or Times New Roman) in 12-point size. If the text is single-spaced, it will be twice shorter. Other factors that influence the 400-word essay length are formatting and paragraph structure.

How Many Paragraphs Is a 400 Words Essay?

How many paragraphs are there in a 400 words essay? A paper of such a length would contain 4 to 5 paragraphs. This works for an academic writing assignment because a typical paragraph there is about 100 words long.

How Long Does It Take to Write a 400 Words Essay?

It usually takes 8 to 14 minutes to type a text of this length on your keyboard at an average speed. However, if you are assigned a 400 words essay, it is going to take much more time, as you will need to conduct research, study the sources, and plan your paper. Writing a solid essay of 400 words will take about 1 hour 20 minutes.

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Home — Essay Samples — Life — Love Story — My Short Love Story (300 words)

My Short Love Story (300 Words)

• Categories: Falling in Love Love Love Story

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Published: Mar 17, 2023

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My School Essay in English (100, 200, 300, 500 words)

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My School Essay 100 Words

My school is a place where I get educated; learn new subjects under the guidance of trained and skilled teachers. I study at a school that is near my home. It is one of the best schools in my entire town. The management of my school believes that it isn’t only academic excellence that we should be after, but also the overall personality development and evolving into a good and useful human being.

The school has two playgrounds – one is a tennis court and the other one is a cricket ground. We also have a nice swimming pool and a canteen. It also has a beautiful garden where students relax and play during recess. Even in games, sports and tournaments, it has made much progress. My school has won many trophies, shields, and medals in many extra-curricular activities. In debates also, the students of my school secure good positions. It is considered to be one of the best schools in my locality.

My School Essay 200 Words

The school is called the educational institution which is designed to provide learning spaces and create an environment for the children where the teaching of the students is under the direction and guidance of the teachers.

My School is one of the best educational institutions where I get an education and make progress towards the goals of my life and make me capable of achieving them. Besides education, there are several significant roles that my school plays in my life. My school is performing well in all fields. It develops my physical and mental stamina, instills confidence, and

gives me tremendous opportunities to prove my skills and talents in different fields. In the academic field, it has made a mark. Its students secure top positions in the board examinations.

I go to school with my other friends. We study in our school in a great friendly environment. We reach school at a fixed time. As soon as we reach we line up to attend the assembly. Attending the school assembly is a wonderful experience. I enjoy for being first in a row in a school assembly. As soon as the assembly ends we rush to our respective classrooms. We take part in all school activities. One of my school fellows is the best singer and dancer. She has recently won the best singer award at the annual arts festival. Our school organizes all-important national events like Independence Day, teachers’ day, father’s day, etc. My school also gives every student abundant opportunities to take part in extracurricular activities like sports and music.

All of us are proud of being a part of it. I am fortunate enough to be a student at this school. I love and am proud of my school.

My School Essay 300 Words

An institution where higher education is taught is commonly called a school, University College, or University. Most countries have systems of formal education, which is sometimes compulsory. In these systems, Students progress through a series of schools. The names for these schools vary by country but generally include primary school for young children and secondary school for teenagers who have completed primary education.

My school is a place where I not only get educated but also get trained in other necessary competitive skills like sports, music, and dance. I am proud of my school because it provides us with all the basic facilities like a big playground, a central library, a big auditorium hall, a science lab, and a good computer lab. That is why my school is rated as one of the best schools in my entire area. My school has produced many great people in my country. It has a big and beautiful building that looks shiny from far away. I reach my target at a fixed time. I came to school with other friends of mine. We happily enter the schools with great confidence. We take part in a school assembly and then we move into our classrooms.

This all is done by a very efficient and well-trained teaching staff of my school. The best schools are those that make the students the best and the best school is made by the best teachers. We study under the guidance of the best teachers. My school has a dedicated teacher for all the subjects as well as extracurricular activities like music and sports. I consider my school as the best school because it supports and encourages every student to do their best and make progress. Fortunately, my school provides the best environment, the best teachers, and the best facilities.

Our Class teacher greets us daily and asks about us. He is quite a cool and kind man. He entertains us along with teaching his subject. We learn a lot of things like discipline, self-help, confidence, and cooperation here. As I enter my classroom I feel quite happy and relaxed.

My School Essay 500 Words

The place where children as the leaders of tomorrow study and where the future of the nation is shaped are called schools. Education is an essential weapon for tomorrow, so the good schools of today are important for the best future of a nation. Schools are the center of learning where we attend classes on various subjects, interact with the teachers, get our queries

answered, and appeared in exams. In my school, learning is more like a fun activity, because of the extra-talented teaching staff.

My school is a government primary school located on the outskirts of the city. Usually, when people think about a government school, they perceive it to be at an isolated location and have poor basic amenities and teaching facilities. But, despite being a government school, my school defies all such speculations. Teachers of my school are not only knowledgeable about the subjects they teach but also are skilled enough to teach through fun activities. For example, our physics teacher explains every concept by stating real-life examples that we could relate to. This way we not only understand the subject better. Moreover, not a moment I remember, when any teacher had ever replied rudely to any of the students. They always patiently listen and provide answers to all the queries posed to them. Learning at my school is fun and it is made possible only because of the teachers.

My school is very important in my life, in a way even more than my family. My family gives me love, care, and affection, and provides for all my other essential needs. But, all of this isn’t enough to make me a good human being and succeed in life.  Favorably, I am lucky enough to be enrolled in a prestigious school, and gaining a wonderful education, looking forward to realizing my dreams one day. The most necessary for success in life is education, and only my school provides it to me. Without my school and the education that it gives, I would be like a confused and wandering soul, almost aimless in life.

My school helps with my educational and overall personality development. It imparts education through classes, tests, and exams to teach me how to conduct myself confidently. It just feels so great to be in my school and be a part of everyday activities, be it lectures, sports, or Something else. While in school, I always feel happy, confident, enthusiastic, and loved. I make friends at school, those whom I will never forget and will always love them. My family supports my materialistic needs, but school is the place where my actual physical, social, and mental development takes place.  I know that every question that crosses my mind will be answered by my teachers. I also know that my school friends will always be at my side whenever I need them to be. As much as the studies, my school also stresses much on These activities as the management thinks that extracurricular activities are very essential for our overall personality development. My school provides dedicated teachers and staff for each extracurricular activity. We have a big sports ground with kits for all the major sports; a covered auditorium for dance and music and a separate basketball court.

The role my school plays in my personality development is fantastic. It not only imparts education in me but also teaches me how to conduct myself and how to behave decently and properly. I get trained in all the other necessary skills of life, like how to keep calm in challenging situations and help others as well. My school teaches me to be a good and evolved human being, to stay composed and progressive always. It also teaches me to be kind and generous to others and not differentiate them based on their caste, religion, ethnicity, or other divisions. These are some of the most essential personality traits that my school imparts to me, something that I will always be thankful for. Every time I think of my school, I think of it as a temple of education. A temple, where my soul meets education, making my life more meaningful and useful to society and the nation as well. It is a place where my aspirations get a wing and I get the strength and confidence to realize them. No other place in the entire world could replace my school and the role that it plays in my life. I will always be thankful to my friends, teachers, and the staff of my school, for making it such a comfortable and Educational place of learning.

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