creative writing on my book

The 20+ Best Books on Creative Writing

If you’ve ever wondered, “How do I write a book?”, “How do I write a short story?”, or “How do I write a poem?” you’re not alone. I’m halfway done my MFA program at Vermont College of Fine Arts , and I ask myself these questions a lot, too, though I’m noticing that by now I feel more comfortable with the answers that fit my personal craft. Fortunately, you don’t need to be a Master’s of Fine Arts in Writing candidate, or even a college graduate, in order to soak up the great Wisdom of Words, as I like to call it. Another word for it is craft . That’s because there are so many great books out there on writing craft. In this post, I’ll guide you through 20+ of the most essential books on creative writing. These essential books for writers will teach you what you need to know to write riveting stories and emotionally resonant books—and to sell them.

I just also want to put in a quick plug for my post with the word count of 175 favorite novels . This resource is helpful for any writer.

Now, with that done… Let’s get to it!

What Made the List of Essential Books for Writers—and What Didn’t

So what made the list? And what didn’t?

Unique to this list, these are all books that I have personally used in my journey as a creative and commercial writer.

That journey started when I was 15 and extended through majoring in English and Creative Writing as an undergrad at UPenn through becoming a freelance writer in 2014, starting this book blog, pursuing my MFA in Writing for Children and Young Adults at Vermont College of Fine Arts , and publishing some fiction and nonfiction books myself . My point here is not to boast, just to explain that these books have all helped me better understand and apply the craft, discipline, and business of writing over the course of more than half my life as I’ve walked the path to become a full-time writer. Your mileage my vary , but each of these books have contributed to my growth as a writer in some way. I’m not endorsing books I’ve never read or reviewed. This list comes from my heart (and pen!).

Most of these books are geared towards fiction writers, not poetry or nonfiction writers

It’s true that I’m only one human and can only write so much in one post. Originally, I wanted this list to be more than 25 books on writing. Yes, 25 books! But it’s just not possible to manage that in a single post. What I’ll do is publish a follow-up article with even more books for writers. Stay tuned!

The most commonly recommended books on writing are left out.

Why? Because they’re everywhere! I’m aiming for under-the-radar books on writing, ones that aren’t highlighted often enough. You’ll notice that many of these books are self-published because I wanted to give voice to indie authors.

But I did want to include a brief write-up of these books… and, well, you’ve probably heard of them, but here are 7 of the most recommended books on writing:

The Artist’s Way by Julia Cameron – With her guided practice on how to rejuvenate your art over the course of 16 weeks, Cameron has fashioned an enduring classic about living and breathing your craft (for artists as well as writers). This book is perhaps best known for popularizing the morning pages method.

The Art of Fiction by John Gardner – If you want to better understand how fiction works, John Gardner will be your guide in this timeless book.

Bird by Bird by Anne Lamott – A beloved writing book on process, craft, and overcoming stumbling blocks (both existential and material).

On Writing by Stephen King – A must-read hybrid memoir-craft book on the writer mythos and reality for every writer.

Reading Like a Writer by Francine Prose – A core writing book that teaches you how to read with a writer’s eye and unlock the ability to recognize and analyze craft for yourself.

Steering the Craft by Ursula K. Le Guin – Many writers consider this to be their bible on craft and storytelling.

Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg – A favorite of many writers, this book takes an almost spiritual approach to the art, craft, and experience of writing.

I’m aiming for under-the-radar books on writing on my list.

These books are all in print.

Over the years, I’ve picked up several awesome books on creative writing from used bookstores. Oh, how I wish I could recommend these! But many of them are out of print. The books on this list are all available new either as eBooks, hardcovers, or paperbacks. I guess this is the right time for my Affiliate Link disclaimer:

This article contains affiliate links, which means I might get a small portion of your purchase. For more on my affiliate link policy, check out my official Affiliate Link Disclaimer .

You’ll notice a lot of the books focus on the business of writing.

Too often, money is a subject that writers won’t talk about. I want to be upfront about the business of writing and making a living as a writer (or not ) with these books. It’s my goal to get every writer, even poets!, to look at writing not just from a craft perspective, but from a commercial POV, too.

And now on to the books!

Part i: the best books on writing craft, the anatomy of story by john truby.

For you if: You want to develop an instinctive skill at understanding the contours of storytelling .

All I want to do as a writer, my MO, is tell good stories well. It took me so long to understand that what really matters to me is good storytelling. That’s it—that’s the essence of what we do as writers… tell good stories well. And in The Anatomy of Story , legendary screenwriting teacher John Truby takes you through story theory. This book is packed with movie references to illustrate the core beat points in story, and many of these example films are actually literary adaptations, making this a crossover craft book for fiction writers and screenwriters alike.

How to read it: Purchase The Anatomy of Story on Amazon and add it on Goodreads

The art of memoir by mary karr.

For you if: You’re writing a memoir book or personal essays .

Nobody is a better person to teach memoir writing than Mary Karr, whose memoirs The Liar’s Club and Lit are considered classics of the genre. In The Art of Memoir , Karr delivers a master class on memoir writing, adapted from her experience as a writer and a professor in Syracuse’s prestigious MFA program. What I love about this book as an aspiring memoirist is Karr’s approach, which blends practical, actionable advice with more bigger-picture concepts on things like truth vs. fact in memoir storytelling. Like I said in the intro to this list, I didn’t include many nonfiction and poetry books on this list, but I knew I had to make an exception for The Art of Memoir .

How to read it: Purchase The Art of Memoir on Amazon and add it on Goodreads

The emotional craft of fiction by donald maass.

For you if: Plot isn’t your problem, it’s character .

From literary agent Donald Maass, The Emotional Craft of Fiction gives you the skill set you need to master emotionally engaging fiction. Maass’s technique is to show you how readers get pulled into the most resonant, engaging, and unforgettable stories: by going through an emotional journey nimbly crafted by the author. The Emotional Craft of Fiction is a must-have work of craft to balance more plot-driven craft books.

How to read it: Purchase the The Emotional Craft of Fiction on Amazon and add it on Goodreads

How to Write Using the Snowflake Method by Randy Ingermanson

For you if: You need a quick-and-dirty plotting technique that’s easy to memorize .

I first heard of the “Snowflake Method” in the National Novel Writing Month forums (which, by the way, are excellent places for finding writing craft worksheets, book recommendations, and online resources). In How to Write a Novel Using the Snowflake Method , the Snowflake Method is introduced by its creator. This quick yet thorough plotting and outlining structure is humble and easy to master. If you don’t have time to read a bunch of books on outlining and the hundreds of pages that would require, check out How to Write a Novel Using the Snowflake Method for a quick, 235-page read.

How to read it: Purchase How to Write a Novel Using the Snowflake Method on Amazon and add it on Goodreads

Meander, spiral, explode: design and pattern in narrative by jane alison.

For you if: You want to do a deep dive understanding of the core theory of story, a.k.a. narrative.

A most unconventional writing craft book, Meander, Spiral, Explode offers a theory of narrative (story) as recognizable patterns. According to author Jane Alison, there are three main narrative narratives in writing: meandering, spiraling, and exploding. This cerebral book (chock full of examples!) is equal parts seminar on literary theory as it is craft, and it will make you see and understand storytelling better than maybe any book on this list.

How to read it: Purchase Meander, Spiral, Explode on Amazon and add it on Goodreads

The modern library writer’s workshop by stephen koch.

For you if: You’re wondering what it means to be the writer you want to become .

This is one of the earliest creative writing books I ever bought and it remains among the best I’ve read. Why? Reading The Modern Library Writer’s Workshop echoes the kind of mind-body-spirit approach you need to take to writing. The Modern Library Writer’s Workshop doesn’t teach you the nuts and bolts of writing as much as it teaches you how to envision the machine. Koch zooms out to big picture stuff as much as zeroes in on the little details. This is an outstanding book about getting into the mindset of being a writer, not just in a commercial sense, but as your passion and identity. It’s as close as you’ll get to the feel of an MFA in Fiction education.

How to read it: Purchase The Modern Library Writer’s Workshop on Amazon and add it on Goodreads

Romancing the beat by gwen hayes.

For you if: You write or edit the romance genre and want a trusted plotting strategy to craft the perfect love story .

If you’re writing romance, you have to get Gwen Hayes’s Romancing the Beat . This book breaks down the plot points or “beats” you want to hit when you’re crafting your romance novel. When I worked as a romance novel outliner (yes, a real job), our team used Romancing the Beat as its bible; every outline was structured around Hayes’s formula. For romance writers (like myself) I cannot endorse it any higher.

How to read it: Purchase Romancing the Beat on Amazon and add it on Goodreads

Save the cat writes a novel by jessica brody.

For you if: You have big ideas for a plot but need to work on the smaller moments that propel stories .

Jessica Brody’s Save the Cat! Writes a Novel adapts Blake Snyder’s bestselling screenwriting book Save the Cat! into story craft for writing novels. Brody reworks the Save the Cat! methodology in actionable, point-by-point stages of story that are each explained with countless relevant examples. If you want to focus your efforts on plot, Save the Cat! Writes a Novel is an excellent place to go to start learning the ins and outs of what makes a good story.

How to read it: Purchase Save the Cat! Writes a Novel on Amazon and add it on Goodreads

Story genius by lisa cron.

For you if: You’re a pantser and are terrified at outlining yet also realize you might have a “plot problem .”

More than any other book, Lisa Cron’s Story Genius will get you where you need to go for writing amazing stories. Story Genius helps you look at plotting differently, starting from a point of characterization in which our protagonists have a clearly defined need and misbelief that play off each other and move the story forward from an emotional interior and action exterior standpoint. For many of my fellow MFA students—and myself— Story Genius is the missing link book for marrying plot and character so you innately understand the contours of good story.

How to read it: Purchase Story Genius on Amazon and add it on Goodreads

Wonderbook: the illustrated guide to creating imaginative fiction by jeff vandermeer.

For you if: You’re writing in a speculative fiction genre—like science fiction, fantasy, or horror—or are trying to better understand those genres.

Jeff VanderMeer’s Wonderbook is a dazzling gem of a book and a can’t-miss-it writing book for sci-fi, fantasy, and horror writers. This book will teach you all the skills you need to craft speculative fiction, like world-building, with micro-lessons and close-reads of excellent works in these genres. Wonderbook is also one to linger over, with lavish illustrations and every inch and corner crammed with craft talk for writing imaginative fiction (sometimes called speculative fiction). And who better to guide you through this than Jeff VanderMeer, author of the popular Southern Reach Trilogy, which kicks off with Annihilation , which was adapted into a feature film.

How to read it: Purchase Wonderbook on Amazon and add it on Goodreads

Writing picture books by ann whitford paul.

For you if: You’re looking to write picture books and/or understand how they work .

This book is the only one you need to learn how to write and sell picture books. As an MFA student studying children’s literature, I’ve consulted with this book several times as I’ve dipped my toes into writing picture books, a form I considered scary and intimidating until reading this book. Writing Picture Books should be on the shelf of any writer of children’s literature. a.k.a. “kid lit.”

How to read it: Purchase Writing Picture Books on Amazon and add it on Goodreads

Writing with emotion, conflict, and tension by cheryl st. john.

For you if: You need to work on the conflict, tension, and suspense that keep readers turning pages and your story going forward .

Mmm, conflict. As I said earlier, it’s the element of fiction writing that makes a story interesting and a key aspect of characterization that is underrated. In Writing with Emotion, Tension, and Conflict , bestselling romance author Cheryl St. John offers a masterclass on the delicate dance between incorporating conflict, the emotions it inspires in characters, and the tension that results from those two factors.

How to read it: Purchase Writing with Emotion, Tension, and Conflict on Amazon and add it on Goodreads

Part ii: the best books on the productivity, mfas, and the business of writing, 2k to 10k: writing faster, writing better, and writing more of what you love by rachel aaron.

For you if: You struggle to find the time to write and always seem to be a chapter or two behind schedule .

If you’re struggling to find time of your own to write with competing obligations (family, work, whatever) making that hard, you need Rachel Aaron’s 2k to 10k . This book will get you in shape to go from writing just a few words an hour to, eventually, 10,000 words a day. Yes, you read that right. 10,000 words a day. At that rate, you can complete so many more projects and publish more. Writers simply cannot afford to waste time if they want to keep up the kind of production that leads to perpetual publication. Trust me, Aaron’s method works. It has for me. I’m on my way to 10k in the future, currently at like 4 or 5k a day for me at the moment.

How to read it: Purchase 2k to 10k on Amazon and add it on Goodreads

The 3 a.m. epiphany by brian kitele.

For you if: You’re going through writer’s block, have been away from writing for a while, or just want to loosen up and try something new .

Every writer must own an an exercise or prompt book. Why? Because regularly practicing your writing by going outside your current works-in-progress (or writer’s block) will free you up, help you plant the seeds for new ideas, and defrost your creative blocks. And the best book writing exercise book I know is The 3 A.M. Epiphany by Brian Kiteley, an MFA professor who uses prompts like these with his grad students. You’ll find that this book (and its sequel, The 4 A.M. Breakthrough ) go beyond cutesy exercises and forces you to push outside your comfort zone and learn something from the writing you find there.

How to read it: Purchase The 3 A.M. Epiphany on Amazon and add it on Goodreads

The 4-hour workweek by timothy ferriss.

For you if: You think being a writer means you have to be poor .

The 4-Hour Workweek changed my life. Although not strictly about writing in the traditional sense, The 4-Hour Workweek does an excellent job teaching you about how passive income can offer you freedom. I first heard about The 4-Hour Workweek when I was getting into tarot in 2013. On Biddy Tarot , founder Brigit (author of some of the best books on tarot ) related how she read this book, learned how to create passive income, and quit her corporate job to read tarot full time. As a person with a total and permanent disability, this spoke to me because it offered a way out of the 9-to-5 “active” income that I thought was the only way. I picked up Ferriss’s book and learned that there’s more than one option, and that passive income is a viable way for me to make money even when I’m too sick to work. I saw this come true last year when I was in the hospital. When I got out, I checked my stats and learned I’d made money off my blog and books even while I was hospitalized and couldn’t do any “active” work. I almost cried.; I’ve been working on my passive income game since 2013, and I saw a return on that time investment when I needed it most.

That’s why I’m recommending The 4-Hour Workweek to writers. So much of our trade is producing passive income products. Yes, your books are products! And for many writers, this means rewiring your brain to stop looking at writing strictly as an art that will leave you impoverished for life and start approaching writing as a business that can earn you a real living through passive income. No book will help you break out of that mindset better than The 4-Hour Workweek and its actionable steps, proven method, and numerous examples of people who have followed the strategy and are living the lifestyle they’ve always dreamed of but never thought was possible.

How to read it: Purchase The 4-Hour Workweek on Amazon and add it on Goodreads

Before and After the Book Deal: A Writer’s Guide to Finishing, Publishing, Promoting, and Surviving Your First Book by Courtney Maum

For you if: You’re serious about making a living as a writer and publishing with a Big 5 or major indie publisher .

Courtney Maum’s Before and After the Book Deal addresses exactly what its title suggests: what happens after you sell your first book. This book is for ambitious writers intent on submission who know they want to write and want to avoid common pitfalls while negotiating terms and life after your debut. As many published authors would tell you, the debut is one thing, but following that book up with a sustainable, successful career is another trick entirely. Fortunately, we have Maum’s book, packed with to-the-moment details and advice.

How to read it: Purchase Before and After the Book Deal on Amazon and add it on Goodreads

Diy mfa: write with focus, read with purpose, build your community by gabriela pereira.

For you if: You’re stressed out wondering if you really need an MFA .

The MFA is under this header “business of writing” because it is absolutely an economic choice you make. And, look, I’m biased. I’m getting an MFA. But back when I was grappling with whether or not it was worth it—the debt, the time, the stress—I consulted with DIY MFA , an exceptional guide to learning how to enrich your writing craft, career, and community outside the structures of an MFA program. I’ve also more than once visited the companion site, DIYMFA.com , to find a kind of never-ending rabbit hole of new and timeless content on the writing life. On DIYMFA.com and in the corresponding book, you’ll find a lively hub for author interviews, writing craft shop talk, reading lists, and business of writing articles.

How to read it: Purchase DIY MFA on Amazon and add it on Goodreads

Mfa vs. nyc by chad harbach.

For you if: You’re wondering how far an MFA really gets you—and you’re ready to learn the realities of the publishing world .

About a thousand years ago (well, in 2007), I spent the fall of my sophomore year of college as a “Fiction Submissions and Advertising Intern” for the literary magazine n+1 , which was co-founded by Chad Harbach, who you might know from his buzzy novel, The Art of Fielding . In MFA vs NYC , Harbach offers his perspective as both an MFA graduate and someone deeply enmeshed in the New York City publishing industry. This thought-provoking look at these two arenas that launch writers will pull the wool up from your eyes about how publishing really works . It’s not just Harbach’s voice you get in here, though. The book, slim but mighty, includes perspectives from the likes of George Saunders and David Foster Wallace in the MFA camp and Emily Gould and Keith Gessen speaking to NYC’s writing culture.

How to read it: Purchase MFA vs. NYC on Amazon and add it on Goodreads

Scratch: writers, money, and the art of making a living – edited by manjula martin.

For you if: a) You’re worried about how to balance writing with making a living; b) You’re not worried about how to balance writing with making a living .

Scratch: Writers, Money, and the Art of Making a Living is alternately one of the most underrated and essential books on writing out there. This collection of personal essays and interviews all revolve around the taboo theme of how writers make their living, and it’s not always—indeed, rarely—through writing alone. Some of the many contributing authors include Cheryl Strayed ( Wild ), Alexander Chee ( How to Write an Autobiographical Novel ), Jennifer Weiner ( Mrs. Everything ), Austin Kleon ( Steal Like an Artist ), and many others. Recently a young woman asked me for career advice on being a professional freelance writer, and I made sure to recommend Scratch as an eye-opening and candid read that is both motivating and candid.

How to read it: Purchase Scratch: Writers, Money, and the Art of Making a Living on Amazon and add it on Goodreads

Write to market: deliver a book that sells by chris fox.

For you if: You don’t know why your books aren’t selling—and you want to start turning a profit by getting a real publishing strategy

So you don’t have to be an indie author to internalize the invaluable wisdom you’ll find here in Write to Market . I first heard about Write to Market when I first joined the 20Booksto50K writing group on Facebook , a massive, supportive, motivating community of mostly indie authors. Everyone kept talking about Write to Market . I read the book in a day and found the way I looked at publishing change. Essentially, what Chris Fox does in Write to Market is help you learn to identify what are viable publishing niches. Following his method, I’ve since published several successful and #1 bestselling books in the quotations genre on Amazon . Without Fox’s book, I’m not sure I would have gotten there on my own.

How to read it: Purchase Write to Market on Amazon and add it on Goodreads

And that’s a wrap what are some of your favorite writing books, share this:, you might be interested in.

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Sarah S. Davis is the founder of Broke by Books, a blog about her journey as a schizoaffective disorder bipolar type writer and reader. Sarah's writing about books has appeared on Book Riot, Electric Literature, Kirkus Reviews, BookRags, PsychCentral, and more. She has a BA in English from the University of Pennsylvania, a Master of Library and Information Science from Clarion University, and an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts.

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Language » Writing Books

The best books on creative writing, recommended by andrew cowan.

The professor of creative writing at UEA says Joseph Conrad got it right when he said that the sitting down is all. He chooses five books to help aspiring writers.

Becoming a Writer by Dorothea Brande

On Becoming a Novelist by John C. Gardner

On Writing: A Memoir of the Craft by Stephen King

The Forest for the Trees by Betsy Lerner

Worstward Ho by Samuel Beckett

1 Becoming a Writer by Dorothea Brande

2 on becoming a novelist by john c. gardner, 3 on writing: a memoir of the craft by stephen king, 4 the forest for the trees by betsy lerner, 5 worstward ho by samuel beckett.

How would you describe creative writing?

But because it is in academia there is all this paraphernalia that has to go with it. So you get credits for attending classes. You have to do supporting modules; you have to be assessed. If you are doing an undergraduate degree you have to follow a particular curriculum and only about a quarter of that will be creative writing and the rest will be in the canon of English literature . If you are doing a PhD you have to support whatever the creative element is with a critical element. So there are these ways in which academia disciplines writing and I think of that as Creative Writing with a capital C and a capital W. All of us who teach creative writing are doing it, in a sense, to support our writing, but it is also often at the expense of our writing. We give up quite a lot of time and mental energy and also, I think, imaginative and creative energy to teach.

Your first choice is Dorothea Brande’s Becoming a Writer , which for someone writing in 1934 sounds pretty forward thinking.

Because creative writing has now taken off and has become this very widespread academic discipline it is beginning to acquire its own canon of key works and key texts. This is one of the oldest of them. It’s a book that almost anyone who teaches creative writing will have read. They will probably have read it because some fundamentals are explained and I think the most important one is Brande’s sense of the creative writer being comprised of two people. One of them is the artist and the other is the critic.

Actually, Malcolm Bradbury who taught me at UEA, wrote the foreword to my edition of Becoming a Writer , and he talks about how Dorothea Brande was writing this book ‘in Freudian times’ – the 1930s in the States. And she does have this very Freudian idea of the writer as comprised of a child artist on the one hand, who is associated with spontaneity, unconscious processes, while on the other side there is the adult critic making very careful discriminations.

And did she think the adult critic hindered the child artist?

No. Her point is that the two have to work in harmony and in some way the writer has to achieve an effective balance between the two, which is often taken to mean that you allow the artist child free rein in the morning. So you just pour stuff on to the page in the morning when you are closest to the condition of sleep. The dream state for the writer is the one that is closest to the unconscious. And then in the afternoon you come back to your morning’s work with your critical head on and you consciously and objectively edit it. Lots of how-to-write books encourage writers to do it that way. It is also possible that you can just pour stuff on to the page for days on end as long as you come back to it eventually with a critical eye.

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Good! Your next book, John Gardner’s On Becoming a Novelist , is described as comfort food for the aspiring novelist.

This is another one of the classics. He was quite a successful novelist in the States, but possibly an even more successful teacher of creative writing. The short story writer and poet Raymond Carver, for instance, was one of his students. And he died young in a motorcycle accident when he was 49. There are two classic works by him. One is this book, On Becoming a Novelist , and the other is The Art of Fiction: Notes on Craft for Young Writers . They were both put together from his teaching notes after he died.

On Becoming a Novelist  is the more succinct and, I think, is the better of the two. He talks about automatic writing and the idea, just like Dorothea Brande, of the artist being comprised of two people. But his key idea is the notion of the vivid and continuous dream. He suggests that when we read a novel we submit to the logic of that novel in the same way as we might submit to the logic of a dream – we sink into it, and clearly the events that occur could not exist outside the imagination.

What makes student writing in particular go wrong is when it draws attention to itself, either through bad writing or over-elaborate writing. He suggests that these faults in the aspirant writer alert the reader to the fact that they are reading a fiction and it is a bit like giving someone who is dreaming a nudge. It jolts them out of the dream. So he proposes that the student writer should try to create a dream state in the reader that is vivid and appeals to all the senses and is continuous. What you mustn’t do is alert the reader to the fact that they are reading a fiction.

It is a very good piece of advice for writers starting out but it is ultimately very limiting. It rules out all the great works of modernism and post-modernism, anything which is linguistically experimental. It rules out anything which draws attention to the words as words on a page. It’s a piece of advice which really applies to the writing of realist fiction, but is a very good place from which to begin.

And then people can move on.

I never would have expected the master of terror Stephen King to write a book about writing. But your next choice, On Writing , is more of an autobiography .

Yes. It is a surprise to a lot of people that this book is so widely read on university campuses and so widely recommended by teachers of writing. Students love it. It’s bracing: there’s no nonsense. He says somewhere in the foreword or preface that it is a short book because most books are filled with bullshit and he is determined not to offer bullshit but to tell it like it is.

It is autobiographical. It describes his struggle to emerge from his addictions – to alcohol and drugs – and he talks about how he managed to pull himself and his family out of poverty and the dead end into which he had taken them. He comes from a very disadvantaged background and through sheer hard work and determination he becomes this worldwide bestselling author. This is partly because of his idea of the creative muse. Most people think of this as some sprite or fairy that is usually feminine and flutters about your head offering inspiration. His idea of the muse is ‘a basement guy’, as he calls him, who is grumpy and turns up smoking a cigar. You have to be down in the basement every day clocking in to do your shift if you want to meet the basement guy.

Stephen King has this attitude that if you are going to be a writer you need to keep going and accept that quite a lot of what you produce is going to be rubbish and then you are going to revise it and keep working at it.

Do you agree with him?

He sounds inspirational. Your next book, Betsy Lerner’s The Forest for the Trees , looks at things from the editor’s point of view.

Yes, she was an editor at several major American publishing houses, such as Simon & Schuster. She went on to become an agent, and also did an MFA in poetry before that, so she came through the US creative writing process and understands where many writers are coming from.

The book is divided into two halves. In the second half she describes the process that goes from the completion of the author’s manuscript to submitting it to agents and editors. She explains what goes on at the agent’s offices and the publisher’s offices. She talks about the drawing up of contracts, negotiating advances and royalties. So she takes the manuscript from the author’s hands, all the way through the publishing process to its appearance in bookshops. She describes that from an insider’s point of view, which is hugely interesting.

But the reason I like this book is for the first half of it, which is very different. Here she offers six chapters, each of which is a character sketch of a different type of author. She has met each of them and so although she doesn’t mention names you feel she is revealing something to you about authors whose books you may have read. She describes six classic personality types. She has the ambivalent writer, the natural, the wicked child, the self-promoter, the neurotic and a chapter called ‘Touching Fire’, which is about the addictive and the mentally unstable.

Your final choice is Worstward Ho by Samuel Beckett .

This is a tiny book – it is only about 40 pages and it has got these massive white margins and really large type. I haven’t counted, but I would guess it is only about two to three thousand words and it is dressed up as a novella when it is really only a short story. On the first page there is this riff: ‘Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.’

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When I read this I thought I had discovered a slogan for the classroom that I could share with my students. I want to encourage them to make mistakes and not to be perfectionists, not to feel that everything they do has to be of publishable standard. The whole point of doing a course, especially a creative writing MA and attending workshops, is that you can treat the course as a sandpit. You go in there, you try things out which otherwise you wouldn’t try, and then you submit it to the scrutiny of your classmates and you get feedback. Inevitably there will be things that don’t work and your classmates will help you to identify those so that you can take it away and redraft it – you can try again. And inevitably you are going to fail again because any artistic endeavour is doomed to failure because the achievement can never match the ambition. That’s why artists keep producing their art and writers keep writing, because the thing you did last just didn’t quite satisfy you, just wasn’t quite right. And you keep going and trying to improve on that.

But why, when so much of it is about failing – failing to get published, failing to be satisfied, failing to be inspired – do writers carry on?

I have a really good quote from Joseph Conrad in which he says the sitting down is all. He spends eight hours at his desk, trying to write, failing to write, foaming at the mouth, and in the end wanting to hit his head on the wall but refraining from that for fear of alarming his wife!

It’s a familiar situation; lots of writers will have been there. For me it is a kind of obsessive-compulsive disorder. It is something I have to keep returning to. I have to keep going back to the sentences, trying to get them right. Trying to line them up correctly. I can’t let them go. It is endlessly frustrating because they are never quite right.

You have published four books. Are you happy with them?

Reasonably happy. Once they are done and gone I can relax and feel a little bit proud of them. But at the time I just experience agonies. It takes me ages. It takes me four or five years to finish a novel partly because I always find distractions – like working in academia – something that will keep me away from the writing, which is equally as unrewarding as it is rewarding!

September 27, 2012

Five Books aims to keep its book recommendations and interviews up to date. If you are the interviewee and would like to update your choice of books (or even just what you say about them) please email us at [email protected]

Andrew Cowan

Andrew Cowan is Professor of Creative Writing and Director of the Creative Writing programme at UEA. His first novel, Pig , won the Sunday Times Young Writer of the Year Award, the Betty Trask Award, the Ruth Hadden Memorial Prize, the Author’s Club First Novel Award and a Scottish Council Book Award. He is also the author of the novels Common Ground , Crustaceans ,  What I Know  and  Worthless Men . His own creative writing guidebook is  The  Art  of  Writing  Fiction .

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Creative Writing Books: A Curated 2024 Updated List

If you’re a writer looking to sharpen your skills, you’ll want to check out these 20 best books about creative writing. Whether you’re a seasoned novelist or just starting out, these books on creative writing offer valuable insights, exercises, and inspiration to help you unleash your creativity and improve your writing craft. From classic guides to contemporary must-reads, this list has something for every aspiring writer. Let’s dive into the world of creative writing books and discover the essential tools for honing your literary talent.

• 1 20 Best Books About Creative Writing
• 2 On Writing: A Memoir of the Craft
• 3 Bird by Bird: Some Instructions on Writing and Life
• 4 The Elements of Style
• 5 Big Magic: Creative Living Beyond Fear
• 6 The Writing Life
• 7 Zen in the Art of Writing
• 8 The Artist’s Way: A Spiritual Path to Higher Creativity
• 9 Writing Down the Bones: Freeing the Writer Within
• 10 The War of Art: Break Through the Blocks and Win Your Inner Creative Battles
• 11 The Creative Habit: Learn It and Use It for Life
• 12 The Right to Write: An Invitation and Initiation into the Writing Life
• 13 The Writing Book: A Workbook for Fiction Writers
• 14 The Art of Fiction: Notes on Craft for Young Writers
• 15 The Writing Life: Writers on How They Think and Work
• 16 The Creative Writer’s Survival Guide: Advice from an Unrepentant Novelist
• 17 The Making of a Story: A Norton Guide to Creative Writing
• 18 The Art of X-Ray Reading: How the Secrets of 25 Great Works of Literature Will Improve Your Writing
• 19 Steering the Craft: A Twenty-First-Century Guide to Sailing the Sea of Story
• 20 Story: Substance, Structure, Style, and the Principles of Screenwriting
• 21 The War of Art: Break Through the Blocks & Win Your Inner Creative Battles
• 22 Conclusion

20 Best Books About Creative Writing

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On Writing: A Memoir of the Craft

By stephen king.

On Writing: A Memoir of the Craft is a captivating book about the art of storytelling and the life of a prolific writer, Stephen King . In this compelling memoir, King shares his personal journey as a writer, from his early struggles to his eventual success. The book provides invaluable insights into the creative process, offering practical advice on honing one’s craft and developing a unique voice. King’s honest and straightforward narrative style makes this book about creative writing both informative and entertaining. Whether you’re an aspiring writer or a fan of King’s work, this creative writing book is a must-read for anyone interested in the art and craft of storytelling.

Bird by Bird: Some Instructions on Writing and Life

By anne lamott.

Bird by Bird: Some Instructions on Writing and Life by Anne Lamott is a beloved book on creative writing that offers practical advice and humorous insights for aspiring writers. Lamott shares her personal experiences and wisdom on the creative process, tackling self-doubt, and finding inspiration. The book about creative writing encourages writers to embrace their imperfections and to approach their work with patience and perseverance. With its warm and candid tone, this creative writing book is an invaluable resource for anyone looking to navigate the challenges of the writing life while honing their craft. Whether you’re a seasoned writer or just starting out, Bird by Bird provides a wealth of encouragement and guidance for the creative journey.

The Elements of Style

By william strunk jr. and e.b. white.

The Elements of Style, written by William Strunk Jr. and later revised and expanded by E.B. White, is a classic book on creative writing. This timeless guidebook is essential for anyone looking to improve their writing skills. It covers everything from grammar and punctuation to style and composition, providing clear and practical advice for crafting clear and impactful prose. The book about creative writing is concise and easy to follow, making it a valuable resource for writers of all levels. Whether you’re a student, professional writer, or just someone who wants to communicate more effectively, The Elements of Style is an indispensable tool for honing your craft and mastering the art of storytelling.

Big Magic: Creative Living Beyond Fear

By elizabeth gilbert.

Big Magic: Creative Living Beyond Fear by Elizabeth Gilbert is a captivating book about creative writing. Gilbert, the author of Eat, Pray, Love, explores the mysterious and inspiring world of creativity in this book. She shares her wisdom and insights on how to live a creative life without succumbing to fear. With a blend of personal anecdotes, practical advice, and profound observations, Gilbert encourages readers to embrace their curiosity, let go of perfectionism, and pursue their creative passions wholeheartedly. Whether you’re a writer, artist, or simply someone who craves a more fulfilling and imaginative life, this creative writing book offers a fresh perspective on the creative process and the courage required to bring your ideas to life. Big Magic is a must-read for anyone seeking inspiration and guidance on their creative journey.

The Writing Life

By annie dillard.

The Writing Life by Annie Dillard is a captivating book on creative writing that takes readers on a journey into the world of writing. Dillard offers a unique perspective on the challenges and rewards of the writing life, drawing from her own experiences as a renowned author. Through beautiful prose and insightful observations, she explores the craft of writing, the solitary nature of the creative process, and the relentless pursuit of perfection. This book about creative writing is filled with wisdom and inspiration, making it a must-read for aspiring writers and anyone interested in the art of storytelling. Dillard’s eloquent reflections will resonate with anyone who has ever grappled with the complexities of the writing life, making it an essential addition to any writer’s library.

Zen in the Art of Writing

By ray bradbury.

Zen in the Art of Writing by Ray Bradbury is a timeless classic that delves into the essence of the creative process. This book about creative writing is a collection of essays that offer insights, encouragement, and practical advice for aspiring writers. Bradbury’s passion for storytelling and his unique approach to the craft of writing are evident in every page, making it a must-read for anyone interested in honing their craft. Through his vivid prose and heartfelt anecdotes, he inspires readers to embrace their creativity and pursue their writing dreams with zeal. Zen in the Art of Writing is a captivating and enlightening guide that celebrates the joy and magic of the written word, making it an essential addition to any writer’s bookshelf.

The Artist’s Way: A Spiritual Path to Higher Creativity

By julia cameron.

The Artist’s Way by Julia Cameron is a transformative book on creative writing that guides readers on a spiritual journey to unlock their creativity. Cameron presents a 12-week program designed to help individuals overcome creative blocks, self-doubt, and fear, and tap into their innate creativity. Through a series of exercises and reflections, readers learn to cultivate a sense of curiosity, playfulness, and self-expression to unleash their creative potential. With its practical techniques and insightful wisdom, this book about creative writing has been a go-to resource for artists, writers, and anyone seeking to live a more creative and fulfilling life. The Artist’s Way is a must-read for anyone looking to reignite their passion for creative expression and reconnect with their artistic side.

Writing Down the Bones: Freeing the Writer Within

By natalie goldberg.

Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg is a beloved book on creative writing that has inspired countless writers to tap into their creativity and find their authentic voice. In this classic book about creative writing, Goldberg shares her wisdom and experience as a writer and writing teacher, offering practical advice and insightful exercises to help writers overcome self-doubt and unleash their creativity. Through her candid and engaging writing style, she encourages readers to embrace the practice of writing as a way of life, emphasizing the importance of discipline, observation, and fearlessness. Whether you’re a seasoned writer or just starting out, this creative writing book is a valuable resource for anyone looking to deepen their connection to the written word and cultivate a more meaningful and fulfilling writing practice.

The War of Art: Break Through the Blocks and Win Your Inner Creative Battles

By steven pressfield.

The War of Art by Steven Pressfield is a powerful and inspiring book about the challenges and obstacles that creative individuals face in their pursuit of artistic expression. Pressfield delves into the concept of ‘resistance’ – the internal force that prevents us from reaching our true creative potential. Through a series of insightful essays, he provides valuable advice on how to overcome this resistance and break through the barriers that hinder our creativity. This book is a must-read for anyone struggling with their creative endeavors, as it offers practical strategies and encouragement to help readers win their inner creative battles. Whether you’re a writer, artist, musician, or any other type of creative professional, The War of Art is an essential resource for understanding and conquering the obstacles that stand in the way of your artistic fulfillment.

The Creative Habit: Learn It and Use It for Life

By twyla tharp.

The Creative Habit by Twyla Tharp is a must-read for anyone looking to enhance their artistic practice. This insightful book on creative writing delves into the habits and routines that can cultivate creativity for a lifetime. Twyla Tharp, a renowned choreographer, shares her personal experiences and provides practical advice on how to harness creativity through discipline and dedication. She emphasizes the importance of establishing a daily routine and developing rituals to spark inspiration. Tharp’s unique perspective and engaging writing style make this a valuable resource for both aspiring and experienced creators. Whether you’re a writer, artist, or musician, this book about creative writing will inspire you to tap into your creative potential and establish a sustainable creative practice.

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The Right to Write: An Invitation and Initiation into the Writing Life

The Right to Write: An Invitation and Initiation into the Writing Life by Julia Cameron is a compelling and inspiring book about creative writing. Cameron, known for her bestseller The Artist’s Way, encourages readers to embrace their natural creativity and overcome the fear of writing. She provides practical exercises and insights to help aspiring writers unlock their potential and find their unique voice. The book explores the joy of creative writing and the importance of self-expression, offering guidance on how to cultivate a regular writing practice and overcome common obstacles. With warmth and wisdom, Cameron invites readers to explore the power of writing and discover the transformative impact it can have on their lives. Whether you’re a seasoned writer or just starting out, The Right to Write is a valuable resource for anyone looking to unleash their creativity and embrace the writing life.

The Writing Book: A Workbook for Fiction Writers

By kate grenville.

The Writing Book: A Workbook for Fiction Writers by Kate Grenville is a comprehensive guide for aspiring writers looking to enhance their storytelling skills. This book on creative writing offers practical exercises and insightful advice to help writers develop their craft and create compelling works of fiction. Grenville’s approach is both informative and engaging, providing valuable techniques for character development, plot structure, and narrative voice. Whether you’re a beginner or seasoned writer, this book about creative writing is a valuable resource for honing your skills and unleashing your creativity. With its practical exercises and expert guidance, The Writing Book is a must-have for anyone looking to elevate their storytelling abilities and produce captivating fiction.

The Art of Fiction: Notes on Craft for Young Writers

By john gardner.

The Art of Fiction: Notes on Craft for Young Writers by John Gardner is a classic book on creative writing that provides insightful guidance for aspiring writers. Gardner, a renowned novelist and writing instructor, delves into the essential elements of storytelling, such as character development, plot structure, and narrative craft. Through clear and practical advice, he offers valuable tips for honing one’s writing skills and creating compelling fiction. This book about creative writing is a treasure trove of wisdom for writers of all levels, as Gardner’s engaging prose and thoughtful analysis illuminate the art of storytelling. Whether you’re a novice writer seeking guidance or a seasoned wordsmith looking to refine your craft, The Art of Fiction is an indispensable resource for anyone passionate about the creative writing process.

The Writing Life: Writers on How They Think and Work

By marie arana.

The Writing Life: Writers on How They Think and Work by Marie Arana is a captivating book about creative writing that offers a rare glimpse into the minds of some of the world’s most renowned authors. Through a series of intimate interviews, Arana explores the writing process and the various techniques and rituals that different writers employ to bring their stories to life. The book delves into the creative process and provides valuable insights and inspiration for aspiring writers. It’s a must-read for anyone interested in the writing craft and the inner workings of the literary mind. The Writing Life is a treasure trove of wisdom and advice from some of the literary world’s most esteemed figures, making it an essential addition to any creative writing book collection.

The Creative Writer’s Survival Guide: Advice from an Unrepentant Novelist

By john mcnally.

The Creative Writer’s Survival Guide: Advice from an Unrepentant Novelist by John McNally is a treasure trove for aspiring writers. This book on creative writing is filled with valuable tips and insights on the craft of storytelling, character development, and navigating the publishing industry. McNally, an accomplished novelist, shares his wisdom with wit and candor, making this a must-read for anyone serious about honing their writing skills. Whether you’re struggling with writer’s block or seeking guidance on the business side of publishing, this book about creative writing has got you covered. McNally’s unapologetic approach to the art of writing is both refreshing and inspiring, making this creative writing book a valuable resource for writers at any stage of their journey.

The Making of a Story: A Norton Guide to Creative Writing

By alice laplante.

The Making of a Story: A Norton Guide to Creative Writing by Alice LaPlante is a comprehensive and insightful book on the craft of storytelling. LaPlante offers practical advice and exercises for writers of all levels, covering the essential elements of fiction, such as character development, plot structure, and dialogue. What sets this book about creative writing apart is its emphasis on the psychology of storytelling, delving into the motivations and intentions behind a writer’s creative choices. LaPlante’s engaging and accessible style makes this creative writing book a valuable resource for aspiring writers looking to hone their skills and deepen their understanding of the storytelling process. Whether you’re a beginner or an experienced writer, The Making of a Story provides the tools and inspiration needed to embark on a literary journey.

The Art of X-Ray Reading: How the Secrets of 25 Great Works of Literature Will Improve Your Writing

By roy peter clark.

The Art of X-Ray Reading by Roy Peter Clark is a captivating book on creative writing that offers a unique approach to dissecting and understanding literature. Through the analysis of 25 classic works of literature, Clark reveals the hidden techniques and secrets that great writers use to captivate their readers. By delving into the subtext, structure, and language of these works, he provides valuable insights and practical tips that can help writers improve their own craft. This creative writing book is not just about creative writing; it’s about learning to read like a writer, to see beyond the surface and uncover the deeper layers of meaning and technique. Whether you’re an aspiring writer looking to enhance your skills or a literature enthusiast eager to gain a deeper appreciation for the art of storytelling, The Art of X-Ray Reading is a must-read.

Steering the Craft: A Twenty-First-Century Guide to Sailing the Sea of Story

By ursula k. le guin.

Steering the Craft is a renowned book on creative writing written by the legendary Ursula K. Le Guin . This comprehensive and engaging book about creative writing provides valuable insights and techniques for navigating the complexities of storytelling. Le Guin’s expertise and passion for the craft shine through as she delves into the essential elements of writing, such as voice, style, and point of view. Through thought-provoking exercises and illuminating examples, she guides writers on a transformative journey through the sea of story, empowering them to hone their skills and craft compelling narratives. Whether you’re a novice writer or a seasoned wordsmith, this creative writing book is an indispensable resource that will inspire and elevate your storytelling prowess.

Story: Substance, Structure, Style, and the Principles of Screenwriting

By robert mckee.

Robert McKee’s “Story: Substance, Structure, Style, and the Principles of Screenwriting” is a renowned book on creative writing that delves into the art of crafting compelling narratives. McKee provides a comprehensive overview of the principles of storytelling, exploring the essential elements of substance, structure, and style. With a focus on screenwriting, the book offers valuable insights into character development, plot construction, and dialogue, making it an indispensable resource for writers looking to enhance their storytelling skills. McKee’s engaging writing style and in-depth analysis of successful storytelling make this book about creative writing a must-read for aspiring writers and seasoned authors alike. Whether you’re a screenwriter, novelist, or simply passionate about the craft of storytelling, “Story” is a creative writing book that will inspire and inform your writing journey.

The War of Art: Break Through the Blocks & Win Your Inner Creative Battles

The War of Art by Steven Pressfield is a powerful and inspiring book on creative writing that delves into the internal battles faced by every artist. Pressfield identifies the enemy as Resistance, which manifests as self-doubt, procrastination, and fear of failure. He presents practical strategies to overcome Resistance and unleash one’s creative potential. The book offers a no-nonsense approach to tackling the obstacles that stand in the way of artistic expression, making it a must-read for anyone struggling with their creative endeavors. With its profound insights and motivational tone, this book about creative writing is a valuable resource for writers, artists, and anyone seeking to break through their inner creative battles and fulfill their creative potential.

In conclusion, the world of Creative Writing is vast and diverse, and there are countless books about creative writing that can inspire and guide both aspiring and seasoned writers. Whether you’re looking for practical advice, creative prompts, or insight into the writing process, the 20 books listed in this article are excellent resources to add to your reading list. From classic texts to contemporary guides, there’s something for every writer to explore and learn from. Happy reading and happy writing!

Which Creative Writing book is best?

The best book on Creative Writing can vary with personal preference, but three widely recommended titles are:

• On Writing: A Memoir of the Craft by Stephen King ,
• Bird by Bird: Some Instructions on Writing and Life by Anne Lamott ,
• The Elements of Style by William Strunk Jr. and E.B. White .

Each offers valuable insights and could be a great starting point.

What are the best books to learn about Creative Writing?

For those looking to learn about Creative Writing, there is a wealth of literature that can provide a comprehensive understanding of the subject. Some of the most highly recommended books include:

• The Elements of Style by William Strunk Jr. and E.B. White ,
• Big Magic: Creative Living Beyond Fear by Elizabeth Gilbert ,
• The Writing Life by Annie Dillard ,
• Zen in the Art of Writing by Ray Bradbury ,
• The Artist’s Way: A Spiritual Path to Higher Creativity by Julia Cameron ,
• Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg ,
• The War of Art: Break Through the Blocks and Win Your Inner Creative Battles by Steven Pressfield ,
• The Creative Habit: Learn It and Use It for Life by Twyla Tharp

These books offer a range of perspectives on Creative Writing, covering various aspects and approaches to the subject.

What are the best books on Creative Writing?

The best books on Creative Writing include:

• The Right to Write: An Invitation and Initiation into the Writing Life by Julia Cameron ,
• The Writing Book: A Workbook for Fiction Writers by Kate Grenville ,
• Zen in the Art of Writing by Ray Bradbury .

Each offers unique insights into the subject. While these books on the topic of Creative Writing are highly regarded, it’s important to note that any list of ‘best’ books is subjective and reflects a range of opinions.

What are the best Creative Writing books of all time?

Choosing the best Creative Writing books of all time can vary depending on who you ask, but seven titles that are often celebrated include

• The Creative Habit: Learn It and Use It for Life by Twyla Tharp ,
• and The Right to Write: An Invitation and Initiation into the Writing Life by Julia Cameron .

Each of these books has made a significant impact in the field of Creative Writing and continues to be influential today.

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Writing Prompts By Genre: 250+ Creative Writing Prompts For Book Ideas

POSTED ON Apr 12, 2023

Written by Angelica Hartgers

Writing prompts are powerful vessels for jumpstarting your creativity, and planting the seed for your next book idea. 

Dealing with writer’s block or self-doubt as a writer ? Experiencing a creative rut? Looking to improve your writing development? Experimenting with a new genre? Stuck on finding a book idea? Looking for your author voice?

No matter which of those situations you are struggling with as a writer, you might find your answer in some creative writing prompts.

These original writing prompts can be categorized in nonfiction and fiction groups. There's a long list of genres you could write within. And here, you'll find creative writing prompt topics for nearly all of them!

Here are the best creative writing prompts for writers to use: 

• Business Writing Prompts
• Self-Help Writing Prompts
• Memoir Writing Prompts
• Health & Fitness Writing Prompts
• Family & Relationships Writing Prompts
• Horror/Thriller Creative Writing Prompts
• Romance Creative Writing Prompts
• Mystery Creative Writing Prompts
• Sci-Fi Creative Writing Prompts
• Fantasy Creative Writing Prompts
• Historical Fiction Creative Writing Prompts
• Sentence Starters Creative Prompts

What are writing prompts? 

Writing prompts are story-starters that are used as a guided learning or creativity exercise to help writers get started with a new idea or story. 

Often used in an educational setting for students learning to practice writing specific genres, creative writing prompts are also used by advanced writers and authors who are experiencing writer’s block or are in need of inspiration. 

Writing prompts are designed to get people to think, by providing a starting place for a story premise or book idea, which can be further developed using the writer’s own imagination and creativity. 

There are many benefits to using creative writing prompts as a frequent writing exercise, both for seasoned writers and those just starting out. 

Here are some benefits to using writing prompts: 

• Fight writer’s block. Next time you don’t know what to write about, or aren’t able to produce any writing for your current work-in-progress, try your hand at a writing prompt. 
• Guide your inspiration. Writing prompts often help writers discover new topics by allowing them to start a story from the prompt, and finish it in their own way. Writing prompts can also inspire deviations from the story, or additional writing material, that the author can tap into. 
• Identify new genres. Sometimes it’s beneficial to try your hand at a genre you’re not used to writing in. It can help you discover a topic you never knew you might enjoy, or it can further solidify your strength in your current genre. Either way, it’s good to get out of your comfort zone. 
• Jumpstart a book idea. Writing prompts can incite a new story or book idea for you. If you’re having trouble figuring out what to write a book about, experiment with some writing prompts and see if anything sticks. 
• Improve writing development. Part of improving your writing craft has to do with experimenting – especially when you’re in a writing rut. Dabbling in new genres, practicing how to show and not tell , and using writing prompts you’d never think to write about, can also help you identify opportunities to strengthen your writing, and increase your versatility as a writer. 
• Sharpen creative skills. Creative writing prompts help you hone in on your creative skills. By starting with a story idea from a writing prompt, you’re forced to develop the story through your own imagination and creativity. 
• Practice poetry. Sometimes, a great way to get the creative juices flowing is to write some poetry. You don't need to put it out into the world (though you might find yourself looking up how and where to publish poetry after!), but it can help you with your prose.
• Experiment with tone. There are many different tones in writing , and it can take years to establish your own as an author. Writing prompts can help you arrive there quicker!

How to use creative writing prompts

The process of using a writing prompt is loose, as they are designed to be used in a way that benefits you as the writer most. 

You can be as structured, or as flexible as you choose when using one of our writing prompts. That means you can start with a writing prompt, think of your own premise for the story, and get to writing your own detailed account. Or, you can use all of the details given in the writing prompt, and answer the prompt exactly as you see fit. It’s up to you!

However, if you’re not sure where to start, and need some beginner’s guidelines, there are a few tips we can provide. 

Here’s how to use creative writing prompts: 

• Use pen and paper. If you’re struggling with writing block, I encourage you to use pen and paper to really get your creative juices flowing.
• Choose a writing prompt. Read through some possible creative writing prompts, taking note of any that spark your imagination. Then, you can choose which one calls out to you most. Alternatively, if you’re having trouble deciding, you can choose a random writing prompt and challenge yourself to write about 
• Pick and choose your own details. Some writing prompts include specific details to incorporate in your story. Don’t feel boxed in by your writing prompt; if you want to omit certain details or events and replace them with your own creative idea, feel free to do so. 
• Time your writing. Once you have a prompt chosen, set a timer for 15-20 minutes and challenge yourself to not stop writing until the timer goes off. This will prevent you from overthinking the prompt, and will ensure you stay focused. 
• Expand your own ideas. Use the writing prompt as a seed for your story, but develop it in your own creative way. The key to successfully using a creative writing prompt is to help your own brainstorming process, so it’s okay if you veer off from the writing prompt and take a different direction with your story and characters. You can even use character bio templates to expand your own ideas.

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Nonfiction writing prompts.

If you're on the hunt for the best nonfiction writing prompts to exercise your creativity and help you brainstorm some book ideas to write a nonfiction book , then start with this category.

Here, you'll find a variety of nonfiction topics, from business and self-help, to relationships, wellness, and memoir topics.

Business Writing Prompts 

• Write about the biggest lesson you’ve learned in business. 
• Write about how you have failed in business, and how you overcame that failure. 
• Write about the biggest mistake you made in your industry, and what you learned about it. 
• Write about how your industry can impact lives across the world. 
• Write about the top authorities in your industry and what you can learn from them. 
• Write about how you got started in your industry, and how others can learn from your process.
• Write about industry secrets that can help other people grow their authority. 
• Write about how businesses in your industry can maximize their profits. 
• Write about what you’ve learned in your industry, and educate readers on how to 
• Write about opportunities for innovation in your industry. 
• Write about the top qualities an authority in your industry must have to succeed. 
• Write about the top issues in your industry, and how readers can avoid them. 
• Write about how to empower others in your industry, and why it’s important. 
• Write about the future of your industry, and how readers can adapt to the changes. 
• Write about the history of your industry, and how it has shaped the present and how it will shape the future. 
• Write about a major time period in your industry’s progression, and the lessons from that time that can be learned and applied today. 
• Write about common fears in your industry, and how others can overcome them. 
• Write about the common stressors in your industry, and how others can manage this. 
• Write about a time when you had to start over in your career, and the lessons you learned that can help readers.
• Write about how to generate ideas in your industry.
• Write about how to be a better leader in the workplace. 
• Write about the importance of company culture, especially in our digital age. 
• Write about the secrets to sustainability in your industry. 
• Write about decision making in your industry, and how others can make better decisions. 
• Write about the habits of authority figures in your industry, and what others can learn from them. 
• Write about the failures of authority figures in your industry, and what others can learn from them. 
• Write about the successes of authority figures in your industry, and what others can learn from them. 
• Write about the key to productivity in your industry. 
• Write about the key to creativity in your industry. 
• Write about the key to working smarter in your industry. 
• Write about how to think big, and when to think small, in your industry. 
• Write about what you wish you knew now when you first started in your career.
• Write about setting up a successful atmosphere to thrive in your industry. 
• Write about something big you accomplished in your career, and share your blueprint for success. 
• Write about developing a team, and how to successfully work with others. 

Self-Help Writing Prompts  

Want to know how to write a self-help book ? Start with these prompts:

• Write about a time when you had to start over in your life, and what you learned from that.
• Write about why it’s important to break the rules in life sometimes. 
• Write about how to generate creative ideas. 
• Write about the secrets to gaining unshakeable self-confidence. 
• Write about the secrets to gaining lasting happiness. 
• Write about the secrets to developing laser-focus in work and life. 
• Write about the secrets to living a regret-free life. 
• Write about the secrets to creating lasting love. 
• Write about the power of forgiveness, and how others can tap into this.  
• Write about the power of gratitude, and how to apply it to daily life. 
• Write about critical thinking, and strategies for improving critical thinking skills. 
• Write about how to reduce everyday stress and anxiety with practical tips. 
• Write about effective communication, and how others can communicate more clearly. 
• Write about your creativity process, and include strategies for how to be more creative. 
• Write about the secrets to a successful relationship, and how anyone can be a better partner.
• Write about how to stay disciplined, and why most people fail at self-discipline. 
• Write about society’s hustle culture, and why working hard is good or bad. 
• Write about your favorite country or travel destination, and what you’ve learned from the people and culture.
• Write about the key to being a more productive person, and how it can transform others’ lives. 
• Write about finding your passion, and how others can discover their purpose. 
• Write about the power of positive self talk, and how others can implement it in their daily life. 
• Write about dealing with anxiety. 
• Write about dealing with change. 
• Write about creating an atmosphere of peace. 
• Write about controlling the controllables for happiness. 
• Write about controlling the controllables for peace. 
• Write about something a big goal you’ve accomplished, and share your blueprint for success. 
• Write about finding inspiration, and teach others how they can find it, too. 
• Write about how to better understand the people in your life. 
• Write about the art of simplicity in life, and how others can benefit from it. 
• Write about decision-making and the best practices for making big and small decisions in life. 
• Write about the power of tapping into your imagination, and why it’s so important for people, including adults. 
• Write about the importance of truth, and how others can be more honest with themselves and the people in their life. 
• Write about dealing with life transitions, and strategies to improve adaptability when things change and its out of your control. 
• Write about how to regain control in your life, and what to do when you’ve hit rock bottom. 
• Write about finding your identity, and how people in your niche can discover themselves again. 
• Write about the purpose of life.
• Write about how an individual can increase their confidence.
• Write about how the fear of rejection has been holding you back and what action you can take consistently everyday to break this fear.
• Write about 7 daily habits that can increase your self esteem and make you feel unbreakable.

29 Memoir Prompts 

• Write about a big goal you’ve accomplished, and share your blueprint for success. 
• Write about a major time when you had to start over in your life, and what you learned from that. 
• Write about the greatest lesson  you’ve learned so far in life, and how others can learn from your life. 
• Write about one of your biggest regrets, and teach others going through the same thing how to deal with it. 
• Write about the most difficult decision you’ve ever had to make, and what you’ve learned from that process. 
• Write about a traumatic experience in your life, and how you have dealt with it. 
• Write about a time you failed, and how you were able to rise up. 
• Write about a major event in your childhood, and how that shaped you as an adult. 
• Write about the saddest time in your life, and encourage others who are going through similar situations. 
• Write about the happiest time in your life, and the greatest thing that moment has taught you. 
• Write about the most influential people in your life, and how they helped shape the person you have become. 
• Write about how you have developed self-love, and why it’s important to have a relationship with yourself first. 
• Write about your journey towards self-discovery, and share tips with others who are lost. 
• Write about a time you lost your way in life, and what helped you find your path again. 
• Write about your spirituality and beliefs, and how you can share your message with others. 
• Write about the biggest heartbreak you experienced, and what it’s taught you about love and life. 
• Write about the time you broke someone else’s heart, and what it’s taught you about loving others. 
• Write about a time you experienced compassion, and share how others can be more compassionate in their own life. 
• Write about the biggest self-defining moment in your life thus far, and how you’ve developed from the experience. 
• Write about your biggest accomplishment, and how its helped you banish self-defeating thoughts and behavior. 
• Write about a toxic relationship you had, and how you were able to overcome it. 
• Write about an influential travel experience in your life, and what it taught you about yourself and others. 
• Write about the town you grew up in, and how it’s shaped your perspective on life. 
• Write about how you were raised, and what you learned from the people that raised you. 
• Write about a significant historical event you lived through, and what others can learn from your experience.
• Write about your life’s journey from where you were ten years ago to how you arrived to this point today, and, the most important lesson you have learned on the way.
• Write about five life lessons you believe everyone should practice/follow.
• There is an experience from your past that has always held you back from thriving in life. Write about what this experience is, and if you were to overcome your trauma, how could you lead the life you've been dreaming of?
• There is a saying: “You are the sum of the five people you spend most of your time with.” Write about the people you spend your time with and how they influence your life on a day to day basis.

29 Health & Fitness Prompts

• Write about emotional health: what it means, why it’s important, and how. 
• Write about a time you were very unhealthy, and how you were able to transform yourself.
• Write about the secrets to dieting. 
• Write about diet culture fads, and why they do or do not work. 
• Write about the idea of health, and how people can shift their priorities to be more healthy both mentally and physically.  
• Write about the taboo around mental health, and how we can change this mindset as a society. 
• Write about your struggles with mental health, and help others with what you’ve learned. 
• Write about your struggles with physical health, and help others struggling with the same thing. 
• Write about what health and wellness means to you, and share your perspectives with others. 
• Write about the power of superfoods, and how they can positively affect health. 
• Write about the health practices in a different country. 
• Write about an ancient health practice, and what we can learn from it today. 
• Write about the medicinal properties of certain foods and plants. 
• Write about how to break free from unhealthy habits. 
• Write about food production practices, and how they affect the quality of what we eat.
• Write about health in children, and how to raise health-conscious individuals. 
• Write about raising a healthy family while balancing a busy life
• Write about a time your health was impacted, and how the experience transformed your life
• Write about a time someone you love experienced health issues, and how the experience changed that person’s life, as well as your own
• Write about a time you felt unhappy with your health. What did you do to change your mindset? 
• Write about body acceptance, and how societal expectations affects our mindset.
• Write about the influence of culture on health, and how it affects a group of people differently.
• Write about a harmful everyday practice, how it affects our health, and what we can do to change it.
• Write about dealing with mental health on an everyday basis, and help others understand how to be more compassionate.
• Write about the idea of health, and what contributing factors affect our perspectives.
• Identify a distraction that is wasting your time and causing you to be very unproductive. Write about your plan to eliminate this distraction from your life, and the positive impact it will have.
• Internal dialogue is powerful in developing positivity. Identify your negative internal dialogue and write out your new, positive dialogue to communicate to yourself.
• Write out seven ways you can practice self care and why this is important to you.
• Write about how vulnerability is keeping you scared. Then, write down an action step to overcome this fear.

40 Family & Relationships 

• Write about how to build character in your children. 
• Write about teaching children how to practice self-love. 
• Write about strategies parents can use to instill healthy habits in their children.
• Write about the secrets to balancing discipline and friendship as a parent
• Write about the concept of soulmates, and why the idea is helpful or harmful in our society.
• Write about how to find friends as an adult.
• Write about the importance of having a support group.
• Write about the dangers of toxic parenthood.
• Write about the dangers of toxic relationships.
• Write about the dangers of toxic friendships.
• Write about the power of compassion in marriage.
• Write about the importance of compromise in relationships.
• Write about dealing with heartbreak and starting over.
• Write about the idea of dating in the digital age.
• Write about co-dependence and why its toxic.
• Write about breaking up with a friend, and why it’s necessary sometimes.
• Write about disciplining children in a positive way.
• Write about instilling a positive mindset in the youth.
• Write about developing your child’s uniqueness.
• Write about the struggles in parenthood and how to stay sane.
• Write about the beauty in parenthood and how to make it last, even when your children are being difficult. 
• Write about sibling rivalry and how to cultivate a healthier sibling relationship.
• Write about how to be a better parent.
• Write about how to be a better daughter/son to an aging parent.
• Write about how to be a better friend.
• Write about dealing with the loss of a loved one.
• Write about your journey to find love and what you’ve discovered along the way.
• Write about developing healthy and nurturing relationships.
• Write about the importance of self-confidence in finding love.
• Write about the importance of self-esteem in developing healthy relationships.
• Write about the importance of mindset on the search for love.
• Write about the role self-awareness plays in being a better parent.
• Write about the importance of communication in relationships.
• Write about the red flags in a failing relationship, and how to save it before it’s too late.
• Write about the idea of being single, and how to embrace it in a society that does not.
• Write about the idea of finding the perfect partner, and how this perspective can affect our ability to find someone.
• Write about falling in love, and how to keep the fire alive in a relationship.
• Write about the importance of expectations in relationships.
• Write about disagreements in friendships, and how to overcome and learn from them.
• Write about different styles of parenting, and how to identify which type you are.

Fiction Creative Writing Prompts

Now it's time for the creative fun. Use these fiction creative writing prompts to explore new genres, practice your creative writing development using literary device examples , and get inspired to venture off into a new fiction story.

These fiction writing prompts are categorized based on genre, so you'll find topics for horror or thriller stories, romance writing prompts, historical fiction topics, Sci-Fi and fantasy prompts, and story starters.

While we provide the prompts, it's up to you to expand on your own ideas, create exciting plot twists, and fully develop your elements of setting and characters.

16 Horror/Thriller Prompts

• Write about your last nightmare.
• A couple is awoken at the witching hour (3 AM) by three forceful bangs at their front door. When they call aloud to see who's there, no one answers, but a demonic snarl can be heard from outside. 
• Waking up from a slumber with eyes still closed, your character stretches their arms out, only to hit a cold body next to them. They live alone.  
• You made a late night trip to the gas station, and it’s pouring down rain as you stand outside in the empty parking lot, holding the nozzle to pump gas. Suddenly, a hearse pulls up slowly next to your car, and when you glance over, all you can see is bright red eyes glaring at you from the driver’s seat. 
• Your character just finished the night shift at work. As they walk through the empty parking lot towards their car, its eerily silent and they can’t help but feel like someone is watching them. The hairs on your character’s arms start to stand up, even though it’s a relatively warm night. Your character quickly jumps into their car, starts the engine, and begins to drive home. As they look up into the rearview mirror, a sinister, smiling face appears behind them.
• Two kids venture off into the woods behind their neighborhood, scouting for a place to build their tree house. Before long, they see the streetlights of their neighborhood come on in the distance, which is a sign that it's time to head back home. As they gather their belongings to make the trek back home, they hear a twig snap behind them, and a guttural voice whisper, “You can’t leave yet – the fun’s only just begun.”  
• Ten thousand dollars to own a 3 bedroom cabin? It was a once-in-a-lifetime deal, that you, as a new real estate investor, just couldn’t pass up. But in order to secure your purchase quickly, you had to skip the house tour. Now that the home was purchased by you, it was time to start the renovations. But first, you had to do an in-depth survey of the house to see exactly what work needed to be done. As you enter the creaky, old home, a rancid smell fills your nostrils and in the dark, dusty corner of the entryway, you notice a large, fat rat chewing boldly on a piece of bloody flesh.  
• ‘Twas the night before Christmas, and all through the house. There was a creature stirring, but it wasn’t a mouse…Write about a holiday visitor who isn’t jolly or nice, and who brings gifts nobody would ever dare to ask for. 
• A young family on vacation joins an excursion to a beautiful, remote beach. As they run into the ocean to splash around, they notice something dark lurks in the water, and it doesn’t look like a creature that belongs on Earth. 
• Choose a scary story that you were told as a child, and add your own frightening twist. 
• After a lifetime of waiting, your character has finally found the love of their life. But things turn sinister when one night, your character discovers that their new-found love must eat raw human flesh in order to stay alive.
• Her mind was racing, but she knew she had to conceal her fear. As she turned to face him, she noticed his eyes. They were colorless, and taunted her without saying a word.  
• They weren’t raised to believe in ghosts, ghouls, or demons, but the darkness that began to possess their once-loving father couldn’t be explained any other way. It all happened after he brought home the newest novelty for his antique collection: an 18th century wooden cross, said to belong to a woman that was tortured and hung for committing witchcraft. 
• Vampires, werewolves, and witches. He knew they were the stuff of fiction, or at least, he thought he knew, until tonight.
• It’s time to put your nine-year-old to bed. As you tuck the child in, pulling the blankets over her shoulders, you can’t help but notice the fear in her eyes. Concerned, you ask her what’s going on.  “She visits me every time I fall asleep. Can’t you make her stop?” she whispered in fear. When you probe your child for more details on who this woman is, and what she looks like, your blood turns to ice. She sounds exactly like the woman from the nightmares that plagued your own childhood.
• It was love at first sight – for her, anyway. After years of being single, and sought after by all the eligible bachelors in town, everyone was surprised when Mr. Ezra came in, seemingly out of nowhere, to swoop her off her feet. He was tall, dark, and handsome, and everything she always dreamed of finding in a man. After a brief two weeks of dating, she announced that they had wed in secret. Not only that, but she would be leaving town with him, to start a new life. Little did they know that they would never see her again. Little did she know that the man of her dreams would soon become the man of her nightmares. And he was dead set on making her wish she’d never been born. 

15 Romance Creative Prompts

• An exchange student goes to a foreign country to live for a year abroad, with high goals to learn the language and culture. Little does she know, she’s actually there to learn a lesson on love, from none other than a foreign classmate who has a strong distaste for outsiders like her.
• Your character is widowed, left to raise two young children on his/her own. When it’s least expected, someone from the past comes back into their life. But things aren’t all that they seem, and falling in love again is the last thing on her to-do list.  
• A restless man going through a midlife crisis. A free-spirited woman ready to embrace graceful aging. They butt heads often, but can’t seem to leave each other alone for good. Can they survive through something that threatens to tear them apart forever? 
• They were childhood friends that hardly left their small hometown, and now they are distant strangers that live in two opposite parts of the world. When a tragedy calls them back home, they feel like they never left each other. How do they hold on to one another when they live two very separate lives?
• It’s the day before their second marriage anniversary. As he’s making plans to celebrate, he gets a call from his doctor with news that will change their lives forever. 
• Years of heartbreak and relationship failures have left her disillusioned with the idea of love. But one chance meeting with someone new makes her question her ideology forever. 
• He’s a serial dater that enjoys the chase. She’s a serious achiever with a distaste for men like him. What happens when their two worlds collide? 
• She’s carefully designed her life’s milestones, and is dead set on sticking to her plan. When she meets the man of her dreams and marries him after two years of maintaining a long distance relationship, she’s in for an earth-shattering awakening that not even she could prepare for. 
• She’s a successful powerhouse business owner. He’s a humble trades worker who’s never been to college (and has no desire to ever do so). What started out as a temporary fling for fun has turned into a passionate love affair. But what happens when things settle down, and their everyday lives go on? 
• As the caretaker of their ailing parent, who has no one else in the world to rely on, your character has put their life aspirations on hold to uphold their family duty. So what happens when love comes knocking on their door unexpectedly?
• They were childhood sweethearts that grew up together, and have been inseparable ever since. Now that they have entered the next chapter as adults, their family and friends have urged them to get married. But the night before the wedding, the couple suddenly realizes that they are no longer in love. Where do they go from here?
• Rich man, poor girl. It’s a story as old as time, but what happens when there’s a modern twist to it?
• A young couple is ready to welcome their first child into the world, when a violent war suddenly ravages their town. The young man is forced away to defend his country, and the pregnant young woman is left to face the harsh winter alone. How can they keep their love alive? 
• She’s never been in love, but she’s plagued by vivid memories and dreams of a man who seems so familiar, only she’s never met him. Could she have a lover from a past life that haunts her from another dimension?
• Think of a famous love story that’s always intrigued you. It could be from history, or from your own experience. Now imagine a new ending for it, and write your own version of the story with a twist. 

10 Mystery Prompts

• The crystal clear blue waters. The bright green foliage. The black sand beach. This would be the last thing she saw before she died, and no one would ever know. 
• He went missing twelve years ago. He was just a boy, then. After years of searching for him to no avail, his parents – now in their old age – have succumbed to hopelessness and heartbreak. That is, until a visitor arrives on their doorstep in the pouring rain one stormy night. The visitor looks like their son, but something is very, very different…
• Your character goes for an evening stroll every night after dinner. She passes by each of her neighbors homes down the quiet street, until she gets to a fork in the road and turns back around. Only tonight, she goes on her usual walk, and decides to take a left at the fork instead of turning around. What she discovers is sure to wake the sleepy small town from their slumber. 
• A high profile lawyer on the hunt for justice, he’s adamant about defending his client, accused of committing a crime no mother could ever commit. Or can she? 
• She’s an experienced detective with years under belt, solving the city’s most horrific crimes. As she digs deep on the trail of one of the most sinister serial killers she’s ever dealt with, she begins uncovering some details that brings the case too close to home. 
• Research your favorite unexplained mystery, then re-write the story with your own twist and turn of events. 
• Your character is on a mission to discover the truth about his/her birth parents, two people s/he has been shielded from ever knowing any details about. On a quest to self-discovery, your character learns the truth, and it can be summed up in three words: Murder, lust, and greed. Write about your character’s journey towards discovering where they came from, and the shocking truth they learn along the way. 
• Today is your birthday. You wake up, ready to celebrate with your family and friends, but things get weird when you discover that the year you thought it was, doesn’t seem to be right.
• You are house sitting for your best friend, who you’ve known your entire life. One quiet evening, you rummage through the library in search of a good book. Instead, you find a chest of photos that piques your interest. The chest is full of old photographs featuring your best friend, dressed in old attire and surrounded by people from long, long ago. 
• While driving home in the pouring rain one night, you spot a young girl, dressed in all white, on the side of the deserted highway. You pull over to give her a ride home, but she doesn’t know who she is, why she’s here, or where’s she going.

11 Sci-Fi Creative Writing Prompts

• Earth is dissolving, and it’s up to you to get all of the remaining human children to the new “home” for humans – a newly inhabited planet that mimics Earth’s environment. The issue? The planet is twice as small as Earth, which means there is only room for half of the children in the spacecraft you’ve been given. 
• Your character is a scientist for NASA, and is on the edge of developing a cutting-edge breakthrough technology that will allow humans to be transported to space in half the time. The only problem is, the process ages humans twice as fast…
• The sun burns too bright, causing people to go blind the moment they catch a glimpse of the sun’s rays. This means that humans have learned to avoid the sun, living out their days in protective pods to shield them from the sun. But now, there’s a plague that’s quickly spreading amongst the population, and there seems to be only one cure: a look at the sun. 
• You live in a futuristic world, almost 300 years from present day. Technology has taken its toll on evolution, and the only way to communicate with other humans is through a digital screen. 
• The world as we know it is over, and you’re the leader of this new era. Decide how you want to rule society, and what type of world you will create. 
• Your character starts the day off like any other day. She wakes up, brushes her teeth, then walks into her closet to get dressed for work. Only today, she opens her closet door to find a wide-eyed woman standing there, dripping wet as if she has been rained on. She says her planet is at war, and she has been sent to bring you back home with her, for you are the only one with the power to save her people. 
• Research one of Earth’s unknown mysteries or conspiracy theories. Now, re-write it through the lens of someone who knows all the answers, and has a powerful reason for keeping it all a secret…
• Virtual reality meets the real world. You live in a society where there’s a fine line between who is actually a real person, and who is not. 
• Your character is an expert researcher that’s been chosen to lead a submarine journey to the bottom of the Mariana Trench, the deepest part of the ocean. Uninhabitable by humans, the team witnesses sea life that’s never before been seen by man. But things take a turn for the worst when they realize a massive creature has claimed a death grip on their submarine vessel. 
• You’ve been given the task to create the perfect species, but in your effort to do so through multiple experiments, you’ve given life to an army of children who are far from perfect. 
• You’re exiled to a new planet, and you can only take 3 people with you. Who do you take and why?

12 Fantasy Writing Prompts

• An expert diver, your character takes a trip to a remote island to explore all the underwater sights he’s read all about in books and documentaries. When he takes a diving excursion to a cave known for its colorful color, exotic fish schools, and vivid sea foliage, he stumbles upon a secret cave door. What it leads to is a bustling seaworld that’s quite literally, straight out of a storybook.
• A device has been invented that can solve any of mankind’s problems – big or small. The catch is, that along with a solution, comes an even bigger problem…
• You wake up one day to discover that you have been transported to the world from your favorite book. But you quickly discover that things aren’t all that they seem…
• You come from a long line of witches, dating back to the 12th century. But a modern day witch hunt is now in full effect, and to save your life, you must find a way to give up all of your powers. 
• Your character suddenly finds themself in an alternate dimension, where everything is backwards. How can they make sense of this new world, to find their way back to the dimension they actually belong in? 
• Think of your favorite superhuman. Now, imagine that they use their powers for evil. Write a story featuring the dark side of your superhuman’s character.
• Every morning, your alarm sounds off at 6 a.m. Only this morning, instead of the usual beep beep beep to wake you, a voice comes over the alarm and announces, “Today is the day you will say goodbye to everyone.”
• Time no longer exists, and the worlds of the past, present, and future have collided, meshing them all into one. Write a fantasy story about this new world that exists – and the pitfalls that come with not having any boundaries within time. 
• Your character unexpectedly gives birth to a healthy baby boy. What’s strange is that your character was only pregnant for two weeks, and she didn’t even realize it. As the baby grows, she starts to notice that she has quite an extraordinary child on her hands, and she must protect him from those who know he exists.
• A dream-like world where everything seems to go your character’s way. He’s happy, peaceful, and surrounded by those he loves. But one day, he discovers that this isn’t in fact the world that he belongs in…and those that really love him desperately need him to return.
• You’re given the chance to build your own character taking five of the best traits from people you know. What traits do you take from whom?
• Your memory is erased and you have to start learning from scratch. (You can still feed and clothe yourself.) What is the first thing you want to learn and why?

10 Historical Fiction Writing Prompts

• Write about a specific folklore tale from your cultural background, but add a special twist. 
• Imagine your modern-day character suddenly finds themself in the past. Not only that, but they are the neighbor to a famous historical figure. Write about a significant event in the historical figures life with a modern day twist. 
• Your character is caught between love and war. A passionate crusader with a prominent position in a revolutionary war, they fall in love with someone across the enemy lines. Do they give up their fight in a cause they stand so strongly for, or say goodbye to the one person they would give up their life for?
• Research a significant event from your favorite time period. Then, create a character who was there to witness it all – the good, the bad, and the ugly. Write a story from this character’s point of view, sharing how the event changed their lives forever. 
• You’re given the opportunity to travel back and time to a significant moment in history. Write about where you go, what you see, and who you meet. 
• Your character is a factory worked living in Victorian London
• Think of a time period you would never wish to live in. Now, imagine you suddenly wake up living in that era. Write about your experience from the perspective of someone who is actually living the reality you have no wish to be part of. 
• Write about a character that was born a slave, and is the mastermind behind a dangerous mission to lead others to freedom. 
• Research a historical figure who is considered a real-life villain. Then, write a story from their lover, or spouse's perspective. 
• Research the history of your favorite place (city, country, etc.), then write a story from the perspective of a character who witnessed how the place as you know it came to be. 

20 Sentence Starter Prompts

• The unrelenting sun beat down on his forearms, and all he could think about was how cold he felt inside.
• A sick feeling caused by strong alcohol on an empty stomach, mixed with unsettling anxiety, caused her to crouch over in discomfort. But she couldn’t stop now. 
• The clock struck three, and it was as if the entire world turned upside down. 
• Whoosh whoosh whoosh. The dryer violently spun the wet clothes around, and 
• He wasn’t sure what the crying creature was, but he knew it couldn’t be human.  
• He stared at her, staring at him. And in the blink of an eye, an insatiable fury seemed to paint the sky blood red. 
• The spacecraft zinged through the blackened bubble, and as she looked outside the window, she couldn’t help but feel the gravity of her eternal loneliness. 
• No one knew him more than she did, but there were things she simply could not look past. 
• This place was home – it always had been, so why did it feel so strange? 
• The tapping of the keyboard was all she could hear in the empty office, and the room seemed to start spinning around her. 
• A fast heartbeat, thumping uncontrollably inside his chest, was all he could to react; after all, this was the greatest moment of his life. 
• “This is your moment, and you can either rise to the occasion, or crumble to your shortcomings,” the speaker said over the intercom. 
• They were the only ones who knew the truth, and try as they might, they couldn’t forget that fateful day, even when they desperately wanted to. 
• Despite the enchantment, her intuition gnawed at her core, warning her that this was a very, very bad idea.
• Today is the day you realize your entire life is going to change forever because…
• As soon as the words came out of her mouth, her eyes widened in horror; how could she have let herself say such a thing? 
• The storm raged on outside the window, and the world in all its chaos was truly coming to an end, just like they had warned. 
• The sun looked blood orange as it lifted off the horizon, and she knew the time had come. 
• “Your heart belongs to me,” said the stranger in a hushed, yet familiar tone. 
• Ding dong. He ran to get the door, and when he looked through the eyehole, as was his habit before unlocking it, he couldn’t believe his eyes. 

Once you've had your fun with these writing prompts, it's time to get started with your new book idea and start writing your book, so that you can move on to self-publishing your book and sharing it with the world.

There is a world of readers waiting for your story. It's time to start writing.

Whether you used these creative writing prompts to help brainstorm what to write about, or fight writer's block, it's time to actually sit down, grab your pen or keyboard, and get to writing a captivating story.

Didn't find what you were looking for with these prompts? Don't worry – we are constantly updating this list with new writing prompts for our readers.

Which type of writing prompts would you like to see more of?

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You’ve got style: Brilliant books on creative writing

From Italo Calvino to Dorothea Brande, Emma Cummins reflects on the books that inspire her as a writer

“There’s nothing mysterious about your prose style,” says the author Kevin Barry, “it’s a direct projection of your personality”. Many writers – myself included – find this out the hard way. Good writing is true and authentic, it reflects who you are.

For a long time, I subconsciously tried to be someone else on the page. I anglicised my Northern Irish accent; I feigned a kind of seriousness, perhaps in the hope I’d be taken seriously. But the more I attended writing workshops and read books on the craft, the more I realised my work paled beside my personality.

I am a friendly Northern Irish woman. I do a good line in anxiety but I’m not overly serious. I’m passionate about art and books. I’m not shy with strangers. Why, then, was I shy about expressing myself in my writing? There’s no easy answer to this question but I find it interesting to think about. For Guardian Masterclasses’s online summer writers’ retreat , I’ll be sharing my thoughts on style and encouraging other writers to embrace their individuality.

This blog post brings together some brilliant books on creative writing , including The Agony and the Ego , a 1993 anthology edited by Clare Boylan. In her introduction, Boylan makes an interesting observation about writing fiction. “Writing is a paradox because all of it comes out of ourselves. There is nowhere else for it to come from. Yet when the characters of a novel have been established the fiction writer’s task is to remove himself and his influence, and let the characters get on with their lives.”

At the online retreat , I’ll invite writers to think about the fruitful tension between expressing their personality in their work and being true to their characters. There are many other tutors taking part in the retreat, which runs from Monday 25 July over the course of three weeks.

From Ross Raisin to Huma Qureshi, acclaimed authors will help you fine-tune your craft and encourage you to dedicate time to writing. By the end of the three weeks, perhaps you’ll be a bit closer to what the great John McGahern described as “that clear mirror that is called style – the reflection of personality in language”.

Zen in the Art of Writing by Ray Bradbury

If you’re looking for motivation to write, this zesty book by Ray Bradbury is the perfect prescription.

In the opening essay, The Joy of Writing , the acclaimed author of Fahrenheit 451 urges us to write with zest and gusto. “If you are writing without zest, without gusto, without love, without fun, you are only half a writer. It means you are so busy keeping one eye on the commercial market, or one ear peeled for the avant-garde coterie, that you are not being yourself. You don’t even know yourself. For the first thing a writer should be is – excited.”

When I first read Zen in the Art of Writing , I felt energised to write. With essays ranging from How to Keep and Feed a Muse to Drunk, And in Charge of a Bicycle , Bradbury’s unforgettable book is a gift to anyone who loves writing. Actually, scratch that: Zen in the Art of Writing is for anyone who loves life.

Six Memos for the Next Millennium by Italo Calvino

Due to be delivered as lectures at Harvard, Italo Calvino’s delightful “memos” on writing were left unfinished at the time of his death.

The drafts explore the concepts of Lightness, Quickness, Multiplicity, Exactitude and Visibility (Constancy was to be the sixth), with Calvino beginning work on them in 1984.

In each of his lectures, Calvino recommends to the next millennium a particular value, quality or peculiarity of literature that is close to his heart. “From my youth on, my personal motto has been the old Latin tag, Festina lente , hurry slowly,” writes Calvino in his second essay, Quickness . “Just as for the poet writing verse, so it is for the prose writer: success consists in felicity of verbal expression, which every so often may result from a quick flash of inspiration but as a rule involves a patient search for the mot juste , for the sentence in which every word is unalterable”.

Calvino believes that writing prose shouldn’t be any different to writing poetry. In both cases, he argues, it’s about looking for “the unique expression”, one that is “concise, concentrated, and memorable” – three words that encapsulate the tone of this wonderful book.

The Agony and the Ego edited by Clare Boylan

In this illuminating anthology of essays, some of the finest writers of all time – from John McGahern to Hilary Mantel – reflect on the process of creating fiction.

According to editor Clare Boylan , Mantel’s reassuring essay Growing a Tale “argues that ideas coaxed rather than bullied will grow naturally into a novel”. I loved Mantel’s essay when I first read it as part of Ross Raisin’s six-week creative writing programme . “If you make your characters properly they will simply do what is within them,” writes Mantel, “they’ll act out the nature you have given them, and there – you’ll find – you have your plot.”

Now out of print, The Agony and the Ego is worth tracking down secondhand or in a library. In addition to insightful essays by John Banville, Rose Tremain and Nadine Gordimer, it features a short selection of interviews from the series Writers at Work, which Boylan wrote for the Guardian.

Many of these essays highlight “the mystery” of writing, and perhaps this is why I return to The Agony and the Ego . This warm-hearted book encourages writers to grow naturally into themselves.

Becoming a Writer by Dorothea Brande

Mantel’s rules for writers include this recommendation: “Read Becoming a Writer by Dorothea Brande. Then do what it says, including the tasks you think are impossible.”

Full of practical advice for time-poor writers, Brande’s book was first published in 1934 and remains a go-to classic. Schedule time to write each day, suggests Brande. “It need not be a very long time; fifteen minutes will do nicely”.

I enjoyed Brande’s simple but powerful advice to take a rough draft of a story “out for a walk” and think about it. After the walk, you’re invited to go to a dim room and lie down. “Quiet your mind,” says Brande. Lie there, not quite asleep, not quite awake.” After a while, she says, you’ll feel “a definite impulse to rise, a kind of surge of energy. Obey it at once … Get up and go to your paper or typewriter, and begin to write. The state you are in at that moment is the state an artist works in.”

On Editing by Helen Corner-Bryant and Kathryn Price

Writing is re-writing. Learning how to self-edit your work is perhaps the most vital skill any writer can learn and this book, by editors Helen Corner-Bryant and Kathryn Price, is something of a godsend.

One of the chapters in On Editing demystifies ‘show don’t tell’, a phrase “often misunderstood” by new writers. “At its simplest, the aim of showing is to bring the reader as close as possible to the action,” write the authors. “By feeling your writing intensely yourself you’ll transmit that emotion to the reader … and when you can make the reader feel, you’ve got them in the palm of your hand”.

Other useful chapters cover structure, description, pacing and much more. The book also includes advice on submitting your novel – from writing synopses to pitching to agents – making it an indispensable guide for writers who take their work seriously.

Writing a Novel by Richard Skinner

“When we talk about a writer’s style, what we are really talking about is their ‘voice’,” writes Richard Skinner in Writing a Novel . “As a tutor, I can do nothing about the tone of your voice as you speak, but what I can engage with is what you say, i.e. your ‘story’”.

Skinner’s book is a thought-provoking and practical guide to the craft of writing. Divided into bite-sized sections – from point of view to story and plot – it encourages writers to bring their whole selves to the page. As Skinner writes in a piece for the Observer , “Writing is about claiming ownership of yourself in order to become the person you know you can be”.

Throughout Writing a Novel , there are thoughtfully selected quotes from authors, such as Gertrude Stein’s, “Sentences are factual, but paragraphs are emotional”. Over the years, I’ve enjoyed going back to this generous, kind-spirited book. It feels fresh each time – and will no doubt inspire many writers to follow their passion.

Being a Writer by Travis Elborough and Helen Gordon

I treated myself to this beautiful gift book when I was low on confidence as a writer.

Lockdown had taken away my beloved book events and writing workshops, and while I attended many online, I was Zoom fatigued and starved of new experiences. That awful winter lockdown had been announced and I was living alone. Being a Writer was brilliant company then, and continues to be a source of insight and wisdom on the art of writing.

From Alice Munro to Gabriel García Márquez, the book features quotations and essays from some of the world’s greatest authors. Márquez reveals how the opening line of Franz Kafka’s The Metamorphosis inspired him to start writing short stories. Australian author Tim Winton says writing a book is a bit like surfing, “Most of the time you’re waiting.”

Being a Writer is a lovely anthology to dip in and out of, to savour in small bursts. This comforting book reminds us that each writer’s approach is unique. Trust in the process that works for you. Read widely, and write what makes you feel most alive. In the words of Anaïs Nin, “We write to taste life twice”.

Save up to 13% on a specially curated selection of creative writing books at the Guardian Bookshop.

Find out more about Guardian Masterclasses’s summer writer’s retreat and enrol now.

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Best Books on Creative Writing

Written by Eira Edwards

21 january 2024, creative writing.

This post may include affiliate links. That means we may earn a commission if you buy through recommended links. See our full disclaimer policy . 

Whether you’re an experienced writer or a beginner, there’s always something new to discover about creativity and storytelling. That’s where books on creative writing come in.

Reading books about creative writing is a great way to broaden your knowledge and get insights into both the technical and philosophical sides of story. Plus, they can motivate, inspire and ignite your imagination. 

Here, I’ve curated a list of the best creative writing books that are sure to take your craft to the next level. Covering a diverse range of approaches, from practical guidelines to personal anecdotes from revered authors, these literary gems are clear creativity winners. Let’s dive in!

On Writing: A Memoir of the Craft

By stephen king.

Blending autobiography and writing guide, this book delves into King’s writing journey, revealing his challenges, inspirations and techniques. From focusing on the importance of reading to the art of crafting compelling narratives, ‘On Writing’ is a must-read for both King fans and writers looking to improve their craft.

By Elizabeth Gilbert

This delightful book is filled with heartfelt anecdotes and personal insights. Gilbert unpacks the concept of creativity throughout, outlining the attitudes, approaches and habits we need to live our most creative lives. The book presents a concept that I still think about regularly: ideas are living entities and choose you to write them.

zen in the art of Writing

By ray bradbury.

If you’re an aspiring writer, you’d have heard about the legendary author, Ray Bradbury. Did you know he was a student of Zen? Bradbury found inspiration in Zen philosophy and often incorporated it into his writing, like being present and trusting your intuition. This book is not just about writing, it’s also about unleashing your creativity and imagination

Into The Woods

By john yorke.

Yorke explores the creative brilliance behind our favourite fairy tales and how the storytelling structure of these timeless tales can be applied to modern-day writing. The book is a treasure trove of creative insights and an essential read for writers, covering archetypes, character arcs, setting and plot twists.

By Jeff VanderMeer

This remarkable book is overflowing with creativity and will have you bursting with inspiration in no time. Whether you’re a seasoned professional or a beginner in the world of writing, this guide will take you on an artistic journey filled with colourful graphics, practical advice and imaginative storytelling.

The Artist's Way

By julia cameron.

Looking to unleash your creative potential? Or have you been stuck in a creative rut, unable to come up with new ideas? If so, you might want to pick up this iconic book. It’s helped artists tap into their inner creativity and find their unique voice, featuring exercises to overcome creative blocks and morning pages to clear your mind.

Writing Down the Bones

By natalie goldberg.

This book teaches you how to unleash your creativity and let your words flow onto paper, as well as how to overcome writer’s block, find your voice and hone your skills. It will inspire you to cultivate a lifelong habit of writing and let you discover your unique voice. 

Bird by Bird

By anne lamott.

This is an excellent resource for any writer looking to enhance their creativity. Lamott encourages writers to focus on writing the first draft and not worry about perfection, take time to observe and embrace one’s unique voice. Ultimately, the book helps you discover the joys of creativity and improve your craft.

The Art of Fiction

By john gardner.

In The Art of Fiction, Gardner has so much to offer writers, from his creative writing exercises to his advice on character development, authenticity and narration. Gardner encourages you to take risks and explore the many ways that imagination can influence storytelling.

Steering the Craft

By ursula k. le guin.

Discover how to improve your writing skills by learning from the masterful techniques of one of the greatest science fiction writers, Ursula K. Le Guin. Focusing on structure, language and dialogue, Le Guin offers practical exercises and advice to help writers of all levels achieve their goals.

The Emotion Thesaurus

By becca puglisi and angela ackerman.

Want something to spark your creativity and accurately portray your characters’ emotions ? Good news, there’s a tool that can help: The Emotion Thesaurus. This book provides writers with a comprehensive guide of emotions, body language and sensory cues to help master the art of emotion and bring your characters to life.

Characters and Viewpoint

By orson scott car.

Orson Scott Card, renowned sci-fi and fantasy writer, approaches characters and viewpoints in an interesting way. Rather than building his characters from scratch, Card takes existing archetypes and gives them a unique twist to make them memorable. There’s lots to learn from Orson Scott Card’s creativity. Why not apply it to your own writing?

The Writer's Journey

By christopher vogler.

This book offers a comprehensive guide for writers looking to tap into their creativity and create stories that are both engaging and impactful. One of Vogler’s central ideas is how every story is essentially a hero’s journey, and he outlines the fundamental elements of a successful narrative. It’s an ideal book for anyone who wants to create a compelling story (that would be all of us, right?).

The Anatomy of Story

By john truby.

This book has helped many writers understand the architecture of a great story. From creating multi-dimensional characters to developing a plot, Truby helps you to enhance your creativity and write better stories.

Story Genius

By lisa cron.

This book is perfect for writers looking to unlock their creative potential and approach writing in a whole new way. Cron’s approach to writing centres around the idea that our brains are wired for storytelling. So if you’re a writer struggling to put pen to paper, give Story Genius a read and see how it can transform your approach to writing.

Written By Eira Edwards

Eira is a writer and editor from the South of England with over five years of experience as a Content Manager, helping clients perfect their copy.

She has a degree in English Literature and Language, which she loves putting to work by working closely with fiction authors.

When she’s not working on manuscripts, you can find her in the woods with her partner and dog, or curling up with a good book.

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Elements of Creative Writing

J.D. Schraffenberger, University of Northern Iowa

Rachel Morgan, University of Northern Iowa

Grant Tracey, University of Northern Iowa

Copyright Year: 2023

ISBN 13: 9780915996179

Publisher: University of Northern Iowa

Language: English

Formats Available

Conditions of use.

Learn more about reviews.

Reviewed by Robert Moreira, Lecturer III, University of Texas Rio Grande Valley on 3/21/24

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama. read more

Comprehensiveness rating: 4 see less

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama.

Content Accuracy rating: 5

As far as I can tell, content is accurate, error free and unbiased.

Relevance/Longevity rating: 5

The book is relevant and up-to-date.

Clarity rating: 5

The text is clear and easy to understand.

Consistency rating: 5

I would agree that the text is consistent in terms of terminology and framework.

Modularity rating: 5

Text is modular, yes, but I would like to see the addition of a section on dramatic writing.

Organization/Structure/Flow rating: 5

Topics are presented in logical, clear fashion.

Interface rating: 5

Navigation is good.

Grammatical Errors rating: 5

No grammatical issues that I could see.

Cultural Relevance rating: 3

I'd like to see more diverse creative writing examples.

As I stated above, textbook is good except that it does not include a section on dramatic writing.

Table of Contents

• Introduction
• Chapter One: One Great Way to Write a Short Story
• Chapter Two: Plotting
• Chapter Three: Counterpointed Plotting
• Chapter Four: Show and Tell
• Chapter Five: Characterization and Method Writing
• Chapter Six: Character and Dialouge
• Chapter Seven: Setting, Stillness, and Voice
• Chapter Eight: Point of View
• Chapter Nine: Learning the Unwritten Rules
• Chapter One: A Poetry State of Mind
• Chapter Two: The Architecture of a Poem
• Chapter Three: Sound
• Chapter Four: Inspiration and Risk
• Chapter Five: Endings and Beginnings
• Chapter Six: Figurative Language
• Chapter Seven: Forms, Forms, Forms
• Chapter Eight: Go to the Image
• Chapter Nine: The Difficult Simplicity of Short Poems and Killing Darlings

Creative Nonfiction

• Chapter One: Creative Nonfiction and the Essay
• Chapter Two: Truth and Memory, Truth in Memory
• Chapter Three: Research and History
• Chapter Four: Writing Environments
• Chapter Five: Notes on Style
• Chapter Seven: Imagery and the Senses
• Chapter Eight: Writing the Body
• Chapter Nine: Forms

Back Matter

• Contributors
• North American Review Staff

Ancillary Material

• University of Northern Iowa

About the Book

This free and open access textbook introduces new writers to some basic elements of the craft of creative writing in the genres of fiction, poetry, and creative nonfiction. The authors—Rachel Morgan, Jeremy Schraffenberger, and Grant Tracey—are editors of the North American Review, the oldest and one of the most well-regarded literary magazines in the United States. They’ve selected nearly all of the readings and examples (more than 60) from writing that has appeared in NAR pages over the years. Because they had a hand in publishing these pieces originally, their perspective as editors permeates this book. As such, they hope that even seasoned writers might gain insight into the aesthetics of the magazine as they analyze and discuss some reasons this work is so remarkable—and therefore teachable. This project was supported by NAR staff and funded via the UNI Textbook Equity Mini-Grant Program.

About the Contributors

J.D. Schraffenberger  is a professor of English at the University of Northern Iowa. He is the author of two books of poems,  Saint Joe's Passion  and  The Waxen Poor , and co-author with Martín Espada and Lauren Schmidt of  The Necessary Poetics of Atheism . His other work has appeared in  Best of Brevity ,  Best Creative Nonfiction ,  Notre Dame Review ,  Poetry East ,  Prairie Schooner , and elsewhere.

Rachel Morgan   is an instructor of English at the University of Northern Iowa. She is the author of the chapbook  Honey & Blood , Blood & Honey . Her work is included in the anthology  Fracture: Essays, Poems, and Stories on Fracking in American  and has appeared in the  Journal of American Medical Association ,  Boulevard ,  Prairie Schooner , and elsewhere.

Grant Tracey   author of three novels in the Hayden Fuller Mysteries ; the chapbook  Winsome  featuring cab driver Eddie Sands; and the story collection  Final Stanzas , is fiction editor of the  North American Review  and an English professor at the University of Northern Iowa, where he teaches film, modern drama, and creative writing. Nominated four times for a Pushcart Prize, he has published nearly fifty short stories and three previous collections. He has acted in over forty community theater productions and has published critical work on Samuel Fuller and James Cagney. He lives in Cedar Falls, Iowa.

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Whether you’ve been struck with a moment of inspiration or you’ve carried a story inside you for years, you’re here because you want to start writing fiction. From developing flesh-and-bone characters to worlds as real as our own, good fiction is hard to write, and getting the first words onto the blank page can be daunting.

Daunting, but not impossible. Although writing good fiction takes time, with a few fiction writing tips and your first sentences written, you’ll find that it’s much easier to get your words on the page.

Let’s break down fiction to its essential elements. We’ll investigate the individual components of fiction writing—and how, when they sit down to write, writers turn words into worlds. Then, we’ll turn to instructor Jack Smith and his thoughts on combining these elements into great works of fiction. But first, what are the elements of fiction writing?

Introduction to Fiction Writing: The Six Elements of Fiction

Before we delve into any writing tips, let’s review the essentials of creative writing in fiction. Whether you’re writing flash fiction , short stories, or epic trilogies, most fiction stories require these six components:

• Plot: the “what happens” of your story.
• Characters:  whose lives are we watching?
• Setting: the world that the story is set in.
• Point of View: from whose eyes do we see the story unfold?
• Theme: the “deeper meaning” of the story, or what the story represents.
• Style: how you use words to tell the story.

It’s important to recognize that all of these elements are intertwined. You can’t build the setting without writing it through a certain point of view; you can’t develop important themes with arbitrary characters, etc. We’ll get into the relationship between these elements later, but for now, let’s explore how to use each element to write fiction.

1. Fiction Writing Tip: Developing Fictional Plots

Plot is the series of causes and effects that produce the story as a whole. Because A, then B, then C—ultimately leading to the story’s  climax , the result of all the story’s events and character’s decisions.

If you don’t know where to start your story, but you have a few story ideas, then start with the conflict . Some novels take their time to introduce characters or explain the world of the piece, but if the conflict that drives the story doesn’t show up within the first 15 pages, then the story loses direction quickly.

That’s not to say you have to be explicit about the conflict. In Harry Potter, Voldemort isn’t introduced as the main antagonist until later in the first book; the series’ conflict begins with the Dursley family hiding Harry from his magical talents. Let the conflict unfold naturally in the story, but start with the story’s impetus, then go from there.

2. Fiction Writing Tip: Creating Characters

Think far back to 9th grade English, and you might remember the basic types of story conflicts: man vs. nature, man vs. man, and man vs. self. The conflicts that occur within stories happen to its characters—there can be no story without its people. Sometimes, your story needs to start there: in the middle of a conversation, a disrupted routine, or simply with what makes your characters special.

There are many ways to craft characters with depth and complexity. These include writing backstory, giving characters goals and fatal flaws, and making your characters contend with complicated themes and ideas. This guide on character development will help you sort out the traits your characters need, and how to interweave those traits into the story.

3. Fiction Writing Tip: Give Life to Living Worlds

Whether your story is set on Earth or a land far, far away, your setting lives in the same way your characters do. In the same way that we read to get inside the heads of other people, we also read to escape to a world outside of our own. Consider starting the story with what makes your world live: a pulsing city, the whispered susurrus of orchards, hills that roil with unsolved mysteries, etc. Tell us where the conflict is happening, and the story will follow.

4. Fiction Writing Tip: Play With Narrative Point of View

Point of view refers to the “cameraman” of the story—the vantage point we are viewing the story through. Maybe you’re stuck starting your story because you’re trying to write it in the wrong person. There are four POVs that authors work with:

• First person—the story is told from the “I” perspective, and that “I” is the protagonist.
• First person peripheral—the story is told from the “I” perspective, but the “I” is not the protagonist, but someone adjacent to the protagonist. (Think: Nick Carraway, narrator of  The Great Gatsby. )
• Second person—the story is told from the “you” perspective. This point of view is rare, but when done effectively, it can create a sense of eeriness or a personalized piece.
• Third person limited—the story is told from the “he/she/they” perspective. The narrator is not directly involved in the lives of the characters; additionally, the narrator usually writes from the perspective of one or two characters.
• Third person omniscient—the story is told from the “he/she/they” perspective. The narrator is not directly involved in the lives of the characters; additionally, the narrator knows what is happening in each character’s heads and in the world at large.

If you can’t find the right words to begin your piece, consider switching up the pronouns you use and the perspective you write from. You might find that the story flows onto the page from a different point of view.

5. Fiction Writing Tip: Use the Story to Investigate Themes

Generally, the themes of the story aren’t explored until after the aforementioned elements are established, and writers don’t always know the themes of their own work until after the work is written. Still, it might help to consider the broader implications of the story you want to write. How does the conflict or story extend into a bigger picture?

Let’s revisit Harry Potter’s opening scenes. When we revisit the Dursleys preventing Harry from knowing about his true nature, several themes are established: the meaning of family, the importance of identity, and the idea of fate can all be explored here. Themes often develop organically, but it doesn’t hurt to consider the message of your story from the start.

6. Fiction Writing Tip: Experiment With Words

Style is the last of the six fiction elements, but certainly as important as the others. The words you use to tell your story, the way you structure your sentences, how you alternate between characters, and the sounds of the words you use all contribute to the mood of the work itself.

If you’re struggling to get past the first sentence, try rewriting it. Write it in 10 words or write it in 200 words; write a single word sentence; experiment with metaphors, alliteration, or onomatopoeia . Then, once you’ve found the right words, build from there, and let your first sentence guide the style and mood of the narrative.

Now, let’s take a deeper look at the craft of fiction writing. The above elements are great starting points, but to learn how to start writing fiction, we need to examine the craft of combining these elements.

Primer on the Elements of Fiction Writing

First, before we get into the craft of fiction writing, it’s important to understand the elements of fiction. You don’t need to understand everything about the craft of fiction before you start keying in ideas or planning your novel. But this primer will be something you can consult if you need clarification on any term (e.g., point of view) as you learn how to start writing fiction.

The Elements of Fiction Writing

A standard novel runs between 80,000 to 100,000 words. A short novel, going by the National Novel Writing Month , is at least 50,000. To begin with, don’t think about length—think about development. Length will come. It is true that some works lend themselves more to novellas, but if that’s the case, you don’t want to pad them to make a longer work. If you write a plot summary—that’s one option on getting started writing fiction—you will be able to get a fairly good idea about your project as to whether it lends itself to a full-blown novel.

For now, let’s think about the various elements of fiction—the building blocks.

Writing Fiction: Your Protagonist

Readers want an interesting protagonist , or main character. One that seems real, that deals with the various things in life we all deal with. If the writer makes life too simple, and doesn’t reflect the kinds of problems we all face, most readers are going to lose interest.

Don’t cheat it. Make the work honest. Do as much as you can to develop a character who is fully developed, fully real—many-sided. Complex. In Aspects of the Novel , E.M Forster called this character a “round” characte r. This character is capable of surprising us. Don’t be afraid to make your protagonist, or any of your characters, a bit contradictory. Most of us are somewhat contradictory at one time or another. The deeper you see into your protagonist, the more complex, the more believable they will be.

If a character has no depth, is merely “flat,” as Forster terms it, then we can sum this character up in a sentence: “George hates his ex-wife.” This is much too limited. Find out why. What is it that causes George to hate his ex-wife? Is it because of something she did or didn’t do? Is it because of a basic personality clash? Is it because George can’t stand a certain type of person, and he didn’t realize, until too late, that his ex-wife was really that kind of person? Imagine some moments of illumination, and you will have a much richer character than one who just hates his ex-wife.

And so… to sum up: think about fleshing out your protagonist as much as you can. Consider personality, character (or moral makeup), inclinations, proclivities, likes, dislikes, etc. What makes this character happy? What makes this character sad or frustrated? What motivates your character? Readers don’t want to know only what —they want to know why .

Usually, readers want a sympathetic character, one they can root for. Or if not that, one that is interesting in different ways. You might not find the protagonist of The Girl on the Train totally sympathetic, but she’s interesting! She’s compelling.

Here’s an article I wrote on what makes a good protagonist.

Also on clichéd characters.

Now, we’re ready for a key question: what is your protagonist’s main goal in this story? And secondly, who or what will stand in the way of your character achieving this goal?

There are two kinds of conflicts: internal and external. In some cases, characters may not be opposing an external antagonist, but be self-conflicted. Once you decide on your character’s goal, you can more easily determine the nature of the obstacles that your protagonist must overcome. There must be conflict, of course, and stories must involve movement. Things go from Phase A to Phase B to Phase C, and so on. Overall, the protagonist begins here and ends there. She isn’t the same at the end of the story as she was in the beginning. There is a character arc.

I spoke of character arc. Now let’s move on to plot, the mechanism governing the overall logic of the story. What causes the protagonist to change? What key events lead up to the final resolution?

But before we go there, let’s stop a moment and think about point of view, the lens through which the story is told.

Writing Fiction: Point of View as Lens

Is this the right protagonist for this story? Is this character the one who has the most at stake? Does this character have real potential for change? Remember, you must have change or movement—in terms of character growth—in your story. Your character should not be quite the same at the end as in the beginning. Otherwise, it’s more of a sketch.

Such a story used to be called “slice of life.” For example, what if a man thinks his job can’t get any worse—and it doesn’t? He started with a great dislike for the job, for the people he works with, just for the pay. His hate factor is 9 on a scale of 10. He doesn’t learn anything about himself either. He just realizes he’s got to get out of there. The reader knew that from page 1.

Choose a character who has a chance of undergoing change of some kind. The more complex the change, the better. Characters that change are dynamic characters , according to E. M. Forster. Characters that remain the same are  static  characters. Be sure your protagonist is dynamic.

Okay, an exception: Let’s say your character resists change—that can involve some sort of movement—the resisting of change.

Here’s another thing to look at on protagonists—a blog I wrote: https://elizabethspanncraig.com/writing-tips-2/creating-strong-characters-typical-challenges/

Writing Fiction: Point of View and Person

Usually when we think of point of view, we have in mind the choice of person: first, second, and third. First person provides intimacy. As readers we’re allowed into the I-narrator’s mind and heart. A story told from the first person can sometimes be highly confessional, frank, bold. Think of some of the great first-person narrators like Huck Finn and Holden Caulfield. With first person we can also create narrators that are not completely reliable, leading to dramatic irony : we as readers believe one thing while the narrator believes another. This creates some interesting tension, but be careful to make your protagonist likable, sympathetic. Or at least empathetic, someone we can relate to.

What if a novel is told in first person from the point of view of a mob hit man? As author of such a tale, you probably wouldn’t want your reader to root for this character, but you could at least make the character human and believable. With first person, your reader would be constantly in the mind of this character, so you’d need to find a way to deal with this sympathy question. First person is a good choice for many works of fiction, as long as one doesn’t confuse the I-narrator with themselves. It may be a temptation, especially in the case of fiction based on one’s own life—not that it wouldn’t be in third person narrations. But perhaps even more with a first person story: that character is me . But it’s not—it’s a fictional character.

Check out my article on writing autobiographical fiction, which appeared in  The   Writer  magazine. https://www.writermag.com/2018/07/31/filtering-fact-through-fiction/

Third person provides more distance. With third person, you have a choice between three forms: omniscient, limited omniscient, and objective or dramatic. If you get outside of your protagonist’s mind and enter other characters’ minds, you are being omniscient or godlike. If you limit your access to your protagonist’s mind only, this is limited omniscience. Let’s consider these two forms of third-person narrators before moving on to the objective or dramatic POV.

The omniscient form is rather risky, but it is certainly used, and it can certainly serve a worthwhile function. With this form, the author knows everything that has occurred, is occurring, or will occur in a given place, or in given places, for all the characters in the story. The author can provide historical background, look into the future, and even speculate on characters and make judgments. This point of view, writers tend to feel today, is more the method of nineteenth-century fiction, and not for today. It seems like too heavy an authorial footprint. Not handled well—and it is difficult to handle well—the characters seem to be pawns of an all-knowing author.

Today’s omniscience tends to take the form of multiple points of view, sometimes alternating, sometimes in sections. An author is behind it all, but the author is effaced, not making an appearance. BUT there are notable examples of well-handled authorial omniscience–read Nobel-prize winning Jose Saramago’s Blindness  as a good example.

For more help, here’s an article I wrote on the omniscient point of view for  The Writer : https://www.writermag.com/improve-your-writing/fiction/omniscient-pov/

The limited omniscient form is typical of much of today’s fiction. You stick to your protagonist’s mind. You see others from the outside. Even so, you do have to be careful that you don’t get out of this point of view from time to time, and bring in things the character can’t see or observe—unless you want to stand outside this character, and therein lies the omniscience, however limited it is.

But anyway, note the difference between: “George’s smiles were very welcoming” and “George felt like his smiles were very welcoming”—see the difference? In the case of the first, we’re seeing George from the outside; in the case of the second, from the inside. It’s safer to stay within your protagonist’s perspective as much as possible and not describe them from the outside. Doing so comes off like a point-of-view shift. Yet it’s true that in some stories, the narrator will describe what the character is wearing, tell us what his hopes and dreams are, mention things he doesn’t know right now but will later—and perhaps, in rather quirky stories, the narrator will even say something like “Our hero…” This can work, and has, if you create an interesting narrative voice. But it’s certainly a risk.

The dramatic or objective point of view is one you’ll probably use from time to time, but not throughout your whole novel. Hemingway’s “Hills like White Elephants” is handled with this point of view. Mostly, with maybe one exception, all we know is what the characters say and do, as in a play. Using this point of view from time to time in a longer work can certainly create interest. You can intensify a scene sometimes with this point of view. An interesting back and forth can be accomplished, especially if the dialogue is clipped.

I’ve saved the second-person point of view for the last. I would advise you not to use this point of view for an entire work. In his short novel Bright Lights, Big City , Jay McInerney famously uses this point of view, and with some force, but it’s hard to pull off. In lesser hands, it can get old. You also cause the reader to become the character. Does the reader want to become this character? One problem with this point of view is it may seem overly arty, an attempt at sophistication. I think it’s best to choose either first or third.

Here’s an article I wrote on use of second person for  The Writer magazine. Check it out if you’re interested. https://www.writermag.com/2016/11/02/second-person-pov/

Writing Fiction: Protagonist and Plot and Structure

We come now to plot, keeping in mind character. You might consider the traditional five-stage structure : exposition, rising action, crisis and climax, falling action, and resolution. Not every plot works this way, but it’s a tried-and-true structure. Certainly a number of pieces of literature you read will begin in media re s—that is, in the middle of things. Instead of beginning with standard exposition, or explanation of the condition of the protagonist’s life at the story’s starting point, the author will begin with a scene. But even so, as in Jerzy Kosiński’s famous novella Being There , which begins with a scene, we’ll still pick up the present state of the character’s life before we see something that complicates it or changes the existing equilibrium. This so-called complication can be something apparently good—like winning the lottery—or something decidedly bad—like losing a huge amount of money at the gaming tables. One thing is true in both cases: whatever has happened will cause the character to change. And so now you have to fill in the events that bring this about.

How do you do that? One way is to write a chapter outline to prevent false starts. But some writers don’t like plotting in this fashion, but want to discover as they write. If you do plot your novel in advance, do realize that as you write, you will discover a lot of things about your character that you didn’t have in mind when you first set pen to paper. Or fingers to keyboard. And so, while it’s a good idea to do some planning, do keep your options open.

Let’s think some more about plot. To have a workable plot, you need a sequence of actions or events that give the story an overall movement. This includes two elements which we’ll take up later: foreshadowing and echoing (things that prepare us for something in the future and things that remind us of what has already happened). These two elements knit a story together.

Think carefully about character motivations. Some things may happen to your character; some things your character may decide to do, however wisely or unwisely. In the revision stage, if not earlier, ask yourself: What motivates my character to act in one way or another? And ask yourself: What is the overall logic of this story? What caused my character to change? What were the various forces, whether inner or outer, that caused this change? Can I describe my character’s overall arc, from A to Z?  Try to do that. Write a short paragraph. Then try to write down your summary in one sentence, called a log line in film script writing, but also a useful technique in fiction writing as well. If you write by the discovery method, you probably won’t want to do this in the midst of the drafting, but at least in the revision stage, you should consider doing so.

With a novel you may have a subplot or two. Assuming you will, you’ll need to decide how the plot and the subplot relate. Are they related enough to make one story? If you think the subplot is crucial for the telling of your tale, try to say why—in a paragraph, then in a sentence.

Here’s an article I wrote on structure for  The Writer : https://www.writermag.com/improve-your-writing/revision-grammar/find-novels-structure/

Writing Fiction: Setting

Let’s move on to setting . Your novel has to take place somewhere. Where is it? Is it someplace that is particularly striking and calls for a lot of solid description? If it’s a wilderness area where your character is lost, give your reader a strong sense for the place. If it’s a factory job, and much of the story takes place at the worksite, again readers will want to feel they’re there with your character, putting in the hours. If it’s an apartment and the apartment itself isn’t related to the problems your character is having, then there’s no need to provide that much detail. Exception: If your protagonist concentrates on certain things in the apartment and begins to associate certain things about the apartment with their misery, now there’s reason to get concrete. Take a look, when you have a chance, at the short story “The Yellow Wall-Paper.” It’s not an apartment—it’s a house—but clearly the setting itself becomes important when it becomes important to the character. She reads the wallpaper as a statement about her own condition.

Here’s the URL for ”The Yellow Wall-Paper”: https://www.nlm.nih.gov/theliteratureofprescription/exhibitionAssets/digitalDocs/The-Yellow-Wall-Paper.pdf

Sometimes setting is pretty important; sometimes it’s much less important. When it doesn’t serve a purpose to describe it, don’t, other than to give the reader a sense for where the story takes place. If you provide very many details, even in a longer work like a novel, the reader will think that these details have some significance in terms of character, plot, or theme—or all three. And if they don’t, why are they there? If setting details are important, be selective. Provide a dominant impression. More on description below.

If you’re interested, here’s a blog on setting I wrote for Writers.com: https://writers.com/what-is-the-setting-of-a-story

Writing Fiction: Theme and Idea

Most literary works have a theme or idea. It’s possible to decide on this theme before you write, as you plan out your novel. But be careful here. If the theme seems imposed on the work, the novel will lose a lot of force. It will seem—and it may well be—engineered by the author much like a nonfiction piece, and lose the felt experience of the characters.

Theme must emerge from the work naturally, or at least appear to do so. Once you have a draft, you can certainly build ideas that are apparent in the work, and you can even do this while you’re generating your first draft. But watch out for overdoing it. Let the characters (what they do, what they say) and the plot (the whole storyline with its logical connections) contribute on their own to the theme. Also you can depend on metaphors, similes, and analogies to point to the theme—as long as these are not heavy-handed. Avoid authorial intrusion, authorial impositions of any kind. If you do end up creating a simile, metaphor, or analogy through rational thinking, make sure it sounds  natural. That’s not easy, of course.

Writing Fiction: Handling Scenes

Keep a few things in mind about writing scenes. Not every event deserves a whole scene, maybe only a half-scene, a short interaction between characters. Scenes need to do two things: reveal character and advance plot. If a scene seems to stall out and lack interest, in the revision mode you might try using narrative summary instead (see below).

Good fiction is strongly dramatic, calling for scenes, many of them scenes with dialogue and action. Scenes need to involve conflict of some kind. If everyone is happy, that’s probably going to be a dull scene. Some scenes will be narrative, without dialogue. You need some interesting action to make these work.

Let’s consider scenes with dialogue.

The best dialogue is speech that sounds natural, and yet isn’t. Everything about fiction is an artifice, including speech. But try to make it sound real. The best way to do this is to “hear” the voices in your head and transcribe them. Take dictation. If you can do this, whole conversations will seem very real, believable. If you force what each character has to say, and plan it out too much, it will certainly sound planned out, and not real at all. Not that in the revision mode you can’t doctor up the speech here and there, but still, make sure it comes off as natural sounding.

Some things to think about when writing dialogue: people usually speak in fragments, interrupt each other, engage in pauses, follow up a question with a comment that takes the conversation off course (non sequiturs). Note these aspects of dialogue in the fiction you read.

Also, note how writers intersperse action with dialogue, setting details, and character thoughts. As far as the latter goes, though, if you’ll recall, I spoke of the dramatic point of view, which doesn’t get into a character’s mind but depends instead on what characters do and say, as in a play. You may try this point of view out in some scenes to make them really move.

One technique is to use indirect dialogue, or summary of what a character said, not in the character’s own words. For instance: Bill made it clear that he wasn’t going to the city after all. If anybody thought that, they were wrong .

Now and then you’ll come upon dialogue that doesn’t use the standard double quotes, but perhaps a single quote (this is British), or dashes, or no punctuation at all. The latter two methods create some distance from the speech. If you want to give your work a surreal quality, this certainly adds to it. It also makes it seem more interior.

One way to kill good dialogue is to make characters too obviously expository devices—that is, functioning to provide background or explanations of certain important story facts. Certainly characters can serve as expository devices, but don’t be too heavy-handed about this. Don’t force it like the following:

“We always used to go to the beach, you recall? You recall how first we would have breakfast, then take a long walk on the beach, and then we would change into our swimsuits, and spend an hour in the water. And you recall how we usually followed that with a picnic lunch, maybe an hour later.”

This sounds like the character is saying all this to fill the reader in on backstory. You’d need a motive for the utterance of all of these details—maybe sharing a memory?

But the above sounds stilted, doesn’t it?

One final word about dialogue. Watch out for dialogue tags that tell but don’t show . Here’s an example:

“Do you think that’s the case,” said Ted, hoping to hear some good news. “Not necessarily,” responded Laura, in a barky voice. “I just wish life wasn’t so difficult,” replied Ted.

If you’re going to use a tag at all—and many times you don’t need to—use “said.” Dialogue tags like the above examples can really kill the dialogue.

Writing Fiction: Writing Solid Prose

Narrative summary :  As I’ve stated above, not everything will be a scene. You’ll need to write narrative summary now and then. Narrative summary telescopes time, covering a day, a week, a month, a year, or even longer. Often it will be followed up by a scene, whether a narrative scene   or one with dialogue. Narrative summary can also relate how things generally went over a given period. You can write strong narrative summary if you make it specific and concrete—and dramatic. Also, if we hear the voice of the writer, it can be interesting—if the voice is compelling enough.

Exposition : It’s the first stage of the 5-stage plot structure, where things are set up prior to some sort of complication, but more generally, it’s a prose form which tells or informs. You use exposition when you get inside your character, dealing with his or her thoughts and emotions, memories, plans, dreams. This can be difficult to do well because it can come off too much like authorial “telling” instead of “showing,” and readers want to feel like they’re experiencing the world of the protagonist, not being told about this world. Still, it’s important to get inside characters, and exposition is often the right tool, along with narrative summary, if the character is remembering a sequence of events from the past.

Description :  Description is a word picture, providing specific and concrete details to allow the reader to see, not just be told. Concreteness is putting the reader in the world of the five senses, what we call imagery . Some writers provide a lot of details, some only a few—just enough that the reader can imagine the rest. Consider choosing details that create a dominant impression—whether it’s a character or a place. Similes, metaphors, and analogies help readers see people and places and can make thoughts and ideas (the reflections of your character or characters) more interesting. Not that you should always make your reader see. To do so might cause an overload of images.

Check out these two articles: https://www.writermag.com/improve-your-writing/fiction/the-definitive-guide-to-show-dont-tell/ https://www.writermag.com/improve-your-writing/fiction/figurative-language-in-fiction/

Writing Fiction: Research

Some novels require research. Obviously historical novels do, but others do, too, like Sci Fi novels. Almost any novel can call for a little research. Here’s a short article I wrote for The Writer magazine on handling research materials. It’s in no way an in-depth commentary on research–but it will serve as an introduction. https://www.writermag.com/improve-your-writing/fiction/research-in-fiction/

For a blog on novel writing, check this link at Writers.com: https://writers.com/novel-writing-tips

For more articles I’ve published in  The Writer , go here: https://www.writermag.com/author/jack-smith/

How to Start Writing Fiction: Take a Writing Class!

To write a story or even write a book, fiction writers need these tools first and foremost. Although there’s no comprehensive guide on how to write fiction for beginners, working with these elements of fiction will help your story bloom.

All six elements synergize to make a work of fiction, and like most works of art, the sum of these elements is greater than the individual parts. Still, you might find that you struggle with one of these elements, like maybe you’re great at writing characters but not very good with exploring setting. If this is the case, then use your strengths: use characters to explore the setting, or use style to explore themes, etc.

Getting the first draft written is the hardest part, but it deserves to be written. Once you’ve got a working draft of a story or novel and you need an extra set of eyes, the Writers.com community is here to give feedback: take a look at our upcoming courses on fiction writing, and check out our talented writing community .

Good luck, and happy writing!

I have had a story in my mind for over 15 years. I just haven’t had an idea how to start , putting it down on print just seems too confusing. After reading this article I’m even more confused but also more determined to give it a try. It has given me answers to some of my questions. Thank you !

You’ve got this, Earl!

Just reading this as I have decided to attempt a fiction work. I am terrible at writing outside of research papers and such. I have about 50 single spaced pages “written” and an entire outline. These tips are great because where I struggle it seems is drawing the reader in. My private proof reader tells me it is to much like an explanation and not enough of a story, but working on it.

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Blog • Perfecting your Craft

Last updated on Feb 07, 2023

The 23 Best Writing Tools of 2024: A Guide for Writers

Before the computer there was the typewriter, and before the typewriter there was pen and paper, and before pen and paper there were plenty of other lost tools of writing — like clay, papyrus, wood, slate, parchment, and, of course, pens made out of reeds. (Fun fact: the name “Reedsy” is inspired by the “reed pen,” which was used as early as 800 B.C. for documentation).

As you can tell by now, the act of writing has been a part of human culture from the days of chiseling stories onto the walls of caves — and as we have evolved, so have our writing tools . In fact, today’s writers and storytellers are spoiled for choice when it comes to deciding which tools to use.

The following list details our favorite writing tools and resources for taking any idea through to its written conclusion. If you want to cut straight to the chase and find out which is the right writing app for you, we recommend taking this quick 30-second quiz.

Which writing app is right for you?

Find out here! Takes 30 seconds

Otherwise, let's dive in!

Writing tools

We all know Google Docs and Microsoft Word, so we’re not going to waste your time giving those two a run-down in our list. Below are four other word processors you might not know about, and that are worth checking out.

1. Reedsy Book Editor

Cost: Free Does “fake it ‘til you make it” ring true to you? Well, the Reedsy Book Editor is a free, online word processor that formats your book as you write. See your drafts automatically turn into a professional-looking, ready-to-publish manuscript — and allow this glimpse of your work as the final product spur your motivation to write.

It comes with an automatic spell-checker — and a built-in goal reminder system to get you back into shape if you find that you're falling behind on your writing schedule! Another one of the Reedsy Book Editor’s best functions is that it lets you instantly typeset your manuscript to EPUB and print-ready PDF files.

Check it out if: if you want a writing tool that takes care of formatting and conversion for you.

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The Reedsy Book Editor

Set goals, track progress, and establish your writing routine in our free app.

Cost: Free Do you like a helpful tap on the shoulder, reminding you about something you need to do? Well, you’ll likely enjoy Draft then, because the book writing software not only keeps track of how many words you write per day, it can also email you daily reminders about your daily word count goals. (Of course, if this sounds a little too “hands-on” for you, you can always turn the reminder function off).

Other than that, Draft functions a lot like Google Docs: allowing you to track changes, collaborate via suggested edits, and make comments on the doc.

Check it out if: you like Google Docs, but want an even simpler interface. 

3. LibreOffice

Cost: Free Yes, we did say that we wouldn’t mention Microsoft Word, because by now everyone knows that it’s a useful writing tool. But we didn’t say we wouldn’t mention its free counterpart: LibreOffice .

LibreOffice is the open source answer for people who want to try Microsoft without paying the price tag. (Open source means that the software is built on code that anyone can inspect and enhance). Plus it’s compatible with all of the regular file types people are used to, such as  .doc, .docx, .xls, .xlsx, .ppt, and .pptx files.

Check it out if: you like a classic word processor — and moreover, a free one.

Cost: $50 (or try a 30-day free trial) The people behind Mellel don’t just know word processing — they also know catchy, memorable marketing. Their description of why writers should choose Mellel starts like this: “Mellel is a writer's dream come true. To start, it is exceedingly boring: it just works, day in and day out, reliably. An enormous number of people used Mellel to write and they all report that their journey with Mellel was boring and uneventful. As well it should. In other words, it does all the mundane bits, and leaves the creative stuff to you.”

Mellel is not free (and note that it’s only for Mac). In return for the price tag, you’ll get more book-specific tools than other, perhaps more traditional word processors — such as outlining and bibliography-making functions. And, judging by the witty, funny copy on Mellel’s website, Mellel makes the process of writing much more fun than they let on.

Check it out if: you’re a Mac user who wants more than the Pages app offers.

Organization tools

Plotters tend to finish their writing projects quicker than pantsers — simply because when they hit a wall, they have their notes or outlines to reference, allowing them to jump straight over that hurdle and hit the ground running. P.S. You can grab a free template for your book outline here in this comprehensive guide to outlining .

The following resources will help you keep your thoughts organized so that any bouts of writer’s block don’t slow you down.

5. Milanote

Cost: Free for basic plan or $12.50/month for premium. Milanote is an easy-to-use creative writing app to organize your research, ideas, characters and outline in one place.

The vast majority of novelist-oriented writing software is organized around the idea of a linear document. But for most people, writing isn’t linear — because thinking isn’t linear. Writing is about gradually getting a jumble of ideas into shape, and Milanote's writing app matches the way writers think.

Check it out if: you're a plotter who likes a flexible workspace to organize ideas and see a birds-eye view of how your story outline is coming together.

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Get our Book Development Template

Use this template to go from a vague idea to a solid plan for a first draft.

6. Evernote

Cost: free for basic plan or $9.99/month for premium. Its cute, little green elephant logo aside, Evernote is a great and easy-to-use option for writers who could do with a little more organization in their lives.

The app lets you quickly jot down thoughts, record audio notes, save online articles you’re hoping to reference, and it will sync all of this information across all of your Evernote-installed devices. What’s also handy about the app is the collaborative aspect of it: you can create shared accounts, so that multiple people can access saved documents at once.

Check it out if: you’re prone to getting great ideas while on the go, and need somewhere to make sure you don’t forget them by the time you’re home.

Cost: $5/month or $40/year (or try a 14-day free trial) While it’s ultimately a writing tool, one of the best assets of comprehensive programs like Ulysses or Scrivener are their organizational features. At the end of the day, whether you’re writing a blog post or a full-length novel, the seed of an idea doesn’t get too far without the ability to organize that idea into a cohesive piece of writing.

And that’s exactly what Ulysses allows you to do: organize your thoughts into a well-written work. This is accomplished through features like customizable writing goals and deadlines, plain text enhancements, a distraction-free typewriter mode, bookmarks, outlining functions, and more.

Check it out if: you’re working on a lengthy piece of non-fiction, like a blog post or essay. (For a comparison of Scrivener vs. Ulysses, keep reading!)

8. Scrivener

Cost: $45 (or a 30-use free trial) Literature and Latte ’s word processor is a popular writing tool — also, in large part, thanks to its organizational capabilities that seamlessly allow writers to turn fragmented ideas into a fully realized book/script/research paper/or whatever else you’re writing.

Scrivener vs Ulysses Apart from the price (Scrivener charges a one-time licensing fee while Ulysses charges yearly), the two platforms offer many of the same features. So we’ll focus on what makes the two programs different.

• Scrivener’s corkboard function is an absolute favorite for writers who rely on visual aid to help with outlining. The function looks like an actual corkboard, and lets writers pin notes to the board in chronological order.
• Scrivener offers templates for works such as fiction, essays, recipe collections, screenplays, comic books — which gives Scrivener another point for versatility.
• Ulysses boasts an interface that is slightly more clean and simple — so if ease-of-use is high on your priority list, it might be the better option for you.
• Ulysses offers a very helpful WordPress and Medium integration, which bloggers who publish on either of these platforms will love.

Check it out if: you’re working on a longer piece of content (like a book or screenplay) and want one comprehensive place to manage all your work. (And don’t forget to check out our equally as comprehensive review of Scrivener’s newest update : Scrivener 3!)

9. Hubspot's AI Content Writer

Cost: Free, with premium upgrade available

HubSpot’s Free AI Content Writer is designed to help bloggers streamline their content creation process. This tool can generate drafts of blog posts, website copy, emails, and more with ease and without additional resources, by relying on prompts or topics provided by users. For those suffering from writer's block, the AI content writer can also create outlines to help spur writing along. 

For those already using HubSpot's marketing and sales tools, the AI content writer's integration will be extra handy. 

Check it out if: you're a blogger short on time or inspiration.

Productivity tools

Alright, let’s kick things into high gear now. You know what you want to use to write, and your thoughts and ideas are concisely organized. If you’re finding it difficult to buckle down and get the job done (or struggle to write quickly or consistently), these resources will help you realize that Nike manta: just do it.

10. Ommwriter

Cost: free web version or $7 for the full program Do you find the clacking sound of old typewriters satisfying? Do you find soft, neutral colours calming? Does nothing really get you focused quite like a purposeful, long, deep breath? If so, Ommwriter might be the tool to help you reach your goal. As the site’s tagline reads, Ommwriter is “a perfect place to think and write.”

With soothing background noises, customizable keyboard noises, and peaceful backgrounds to choose from, Ommwriter could just be the “break” from everything else going on around you that you need to write.

Check it out if: your very best writing ideas come to you while in “savasana.”

11. To Doist

Cost: free or $4/month for premium plan Have you ever woken up in a cold sweat, panicking about something important you forgot to do? Or, god forbid, gripped in dread about how far behind you are on your word-count goals?

Well, To Doist might be able to help. It’s the ultimate app for creating to-do lists — but these aren’t your grandma’s pen-and-paper lists with little check marks beside them (though we mean no offense to your grandma). It lets you get a daily or weekly overview of your tasks, prioritize the tasks that are most important, and even lets you assign tasks to other people if you’re working on a specific goal with other collaborators.

Check it out if: you have never been able to find an agenda that’s souped up enough to keep you on track.

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How to Build a Solid Writing Routine

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12. Marinara Timer

Cost: Free The Pomodoro Technique is a time management method meant to promote productivity. In a nutshell, it stipulates that you should work for 25 minutes, then take a 5-minute  break, then work for 25 minutes, take another 5-minute break, etc., etc.

The free-to-use Marinara Timer makes this easy for you by alerting you each time your work sessions and breaks are up. It also offers customizable timers in case the 25/5 isn’t quite right for keeping you on track. Fun fact: taking a break to stand up or walk (or do anything but sit!) every hour is also a good way to protect your back if you sit hunched at a computer working for long stretches at a time.

Check it out if: consistent breaks from work help actually keep you focused on the task at hand.

13. Cold Turkey

Cost: Free for basic plan or $20 for premium plan “Meet your match, Zuckerberg,” says Cold Turkey ’s tagline. In case that, paired with the writing tool’s name, doesn’t make it clear enough, Cold Turkey is a program that allows you to completely rid yourself of distraction. And when we say “completely,” we mean completely.

With Cold Turkey, you can block yourself from accessing certain websites — or even your entire computer — for periods at a time, only allowing you to use the current document you’re working on.

Check it out if: “willpower” is not a characteristic you’d ascribe yourself, and the only way for you to get something done is in a totally distraction-free state.

14. Freedom

Cost: $7/month or $29/year (or a 7-use free trial) Apart from pleasantly getting the “freedom” refrain from Aretha Franklin’s “Think” stuck in your head, the Freedom app is another resource that can turn your devices into tools of productivity once more.

It functions like Cold Turkey; however, a unique function of Freedom is the ability to sync your distraction-free periods across all your devices. So if you know that on Tuesdays, you want your computer, phone, and tablet to all block access to Twitter, Instagram, and Facebook — you can!

Check it out if: letting other people know not to bother you during your non-negotiable writing time isn’t enough, you need to let yourself know not to interrupt, well, yourself.

Cost: Free If total silence encourages your mind to wander, whereas light sensory action keeps your thoughts on the task at hand, Noisli will be a friend to you. The tool lets you choose from a range of soundtracks, such as rain, coffee shop, wind, lake, and more. You can mix several sounds at once, and choose the volume for each one. So let’s say you want to create the atmosphere of writing by a babbling brook, with a fire crackling next to you, and the moon shining brightly overhead. Noisli will make this happen for you!

Check it out if: you get the most work done with white noise.

Editing tools

If you’re planning to publish a book — or any kind of writing you’re hoping to make a profit from, it’s crucial that your work is thoroughly edited. To that end, working with a professional editor is an investment you should give serious thought to.

In the meantime, here are a few editing tools that can help you out along the way. Hopefully, they’ll either ensure a typo-free draft, so by the time you do work with an editor, they can spend less time fixing small typos and more time on big-picture work, or, if you decide to forego a professional edit, you’ll have the tools to do the best editing job you can.

16. Hemingway

Cost: Free The Hemingway app claims to make your writing “bold and clear.” It has a number of handy features like a word-counter and an automatic readability score. But its real use lies in the features that make suggestions to your prose. For instance, it might highlight a complex sentence that’s hard to read. It also highlights instances of passive voice , qualifiers, and adverbs. Let’s take a look at how this passage from Ernest Hemingway’s very own To Have and Have Not fares:

“Just” is highlighted because it’s a qualifier, and Hemingway suggests, instead: “Be bold. Don’t hedge.” The sentence in red is highlighted as being hard to read. And “probably” is pointed out as an adverb — the app suggests using a forceful verb instead.

Check it out if: you want to bring out your inner Ernie. (Curious what else Hemingway offers? Check out our full review of the app right here .)

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17. Fictionary

Cost: $19/month or $169 per year 

The Fictionary Story Editing software creates intelligent visuals that help you improve your story's structure, characters, plot, and settings. Using Natural Language Processing, Fictionary identifies your key story arc scenes and gives you actionable insights to improve the structure of your book.  Annual subscribers get access to year-round live classes on writing and editing. Think of it like Peloton for writers. Check it out if:  You want to get your story structure in the best possible shape before submitting to agents and/or editors.

18. Marlowe Pro

Cost: $29.95/mth or $199/year; $45 for single reports

This manuscript assessment tool will provide in-depth feedback on your novel within minutes. Using artificial intelligence, Marlowe can analyze your plot, pacing, story beats, and readability — then provide actionable insights (as well as comp titles ) based on its database of bestsellers across a number of genres.

To try out this AI editor, claim a free report by entering REEDSYFREE at checkout. And for a 15% discount on a Marlowe Pro subscription , enter REEDSY15OFF when prompted at checkout.

Check it out: to take a scientific and methodical approach to your developmental edits.

19. Cliché Finder

Cost: Free Cliché Finder is exactly what it says on the tin: it combs through your writing in search of clichés, and then highlights them for you. It’s not always necessarily bad to use clichés in your writing, but when you do, you want to be purposeful about it (and not to mention aware of it!).

Check it out if: you want to avoid clichés like the plague, and for your book to sell like hotcakes — and the rest is history.

20. Grammarly

Cost: Free Have you ever sent an email, only to realize that you'd made a glaring typo just as you hit “Send”? Well, no more!

Grammarly essentially functions like the spell checker tool from Microsoft Word or Google Docs, but here’s the great part: it’s a plug-in that will work wherever you happen to writing. That means Twitter, Gmail, Google Docs, Facebook — anywhere. Plus it offers vocabulary or alternate word suggestions — for instance, it might suggest you replace “walking aimlessly,” with the word “wandering.” For a more in-dept analysis, check our full Grammarly review . 

Check it out if: you’re typo-prone! (Read below for a comparison of Grammarly vs. ProWritingAid.)

21. ProWritingAid

Cost: Free browser extension or $79/year for the full software ProWritingAid is a tool you can install that will proofread and spell check your material for you , no matter where you’re writing. It will also offer suggestions to improve your overall language — outside of just grammatical technicalities. (You can even get 20% off via this special offer !) 

ProWritingAid vs Grammarly The two programs offer a lot of the same services, so you might be wondering which one to pick. We have a review of ProWritingAid  that dives deep into this comparison, but the main differences are:

• Grammarly is free to use, and while ProWritingAid offers a free Google Chrome plug-in, this free option only offers spell checking services, it won’t make editorial suggestions.
• ProWritingAid is slightly more tailored towards authors, while Grammarly is a slightly better fit for articles and essays. Ultimately, both tools lend a very helpful editing hand, so deciding between the two mostly boils down to the one you enjoy using more.

Check it out if: you want to make sure your writing is as polished as possible.

Workspace tools

At the end of the day, all you really need to write is a pen and paper. All the fancy tools and apps in the world won’t get the words out for you. That being said, creating an environment that’s appealing — and conducive! — to write in can make the whole process more enjoyable, and encourage you to get the job done.

Here are few physical tools to look over if you’re thinking of sprucing up your workspace.

22. Livescribe Pen

Cost: starts at $100 If you prefer writing on paper, but dread the process of transferring your words to a computer, Livescribe will likely be right up your alley. Through Bluetooth technology, the pen can actually transcribe your pen and paper words to your device. What’s more, it can also transcribe voice notes into digital documents for you.

Check it out if: you’ve ever felt envy at Rita Skeeter’s Quick-Quotes Quill in Harry Potter and the Goblet of Fire .

23. Ergonomic desk setups

Cost: Varies As more and more of the workforce moves to sedentary jobs where the majority of 9am to 5pm is spent sitting — usually hunching — at a computer, a growing number of sitting-related health injuries have been occurring. That’s why looking into more ergonomically friendly desk setups is a good idea for writers who spend long hours at the computer — or even writing in a notebook. This could be a standing desk, or even just a number of textbooks piled under your desktop so that your screen is eye level, resulting in less stress on your shoulders.

Check it out if: you don’t want writing gains to come at the cost of growing back pains.

24. Computer Glasses

Cost: Varies Writers are all familiar with computer-caused eyestrains. Because you blink far less when looking at a screen than you do otherwise, computer vision syndrome (CVS) is a condition people have been developing due to long stretches of staring at a computer.

One way to help alleviate this — other than just making sure to take time looking away from your computer — is to invest in some computer glasses. They typically come in blue or amber shades, and are coated with a protective coating.

There are several brands you can check out, such as Pixel Eyewear or Felix Gray .

Check it out if: you notice itchy or tired eyes after long writing sessions.

Have you tried any of the above writing tools — and if so, which were your favorites? Or maybe you feel there are some great resources missing from this list? Let us know in the comments below!

Mystic says:

24/10/2019 – 03:38

I tried Cliche Finder several times and it found a couple of items in my text, but it didn't highlight where it was at. The rest of the tools here, that I can use since I'm on a strict income, are amazing!

Comments are currently closed.

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Creative Writing

General books on writing, finding books using subject headings, search the nyu libraries catalog, call numbers, books beyond nyu.

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The Libraries offer a number of general books on creative writing and writing craft. You can find these through the Libraries' catalog . Below is a small selection of books in our collection; see the rest of this page for guidance on finding more books, both within the NYU Libraries and beyond them.

Subject headings  are words and phrases which constitute a "controlled vocabulary" to categorize books by subject field.  Subject headings often indicate the contents of books in terms that their titles (or your keywords) do not use, which often may be very general.

Use general subject headings for searching a broad topic or more specific subject headings for a specific author, historical period, or animal. You will find (more) headings specific to the subject category within the left-hand facets in our online catalog.  If you want to see the subject headings for a specific title, click on the "details" link in the title record. 

Here are some examples of subject headings:

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• Playwriting
• Poetry -- Authorship
• Creation (Literary, artistic, etc.)

Search for books, journals, videos, etc. in our local libraries and special collections.

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My Creative Writing Journal: Unique prompts, exercises, and activities to inspire your imagination Hardcover – January 12, 2021

• Print length 144 pages
• Language English
• Publisher CICO Books
• Publication date January 12, 2021
• Dimensions 5.85 x 1 x 8.25 inches
• ISBN-10 1782499245
• ISBN-13 978-1782499244
• See all details

From the Publisher

Explore your creativity!

• A guided writing journal filled with tips, instructions and plenty of space to explore your creativity and become a better writer.
• Writing prompts facilitate the frame of mind to get creative juices flowing and are easily one of the best ways to move beyond the blank page.
• Writing by hand offers a digital detox, allowing your mind to unplug, and has been noted to put to work more parts of your brain than typing, encouraging more creativity.

Editorial Reviews

Book description.

A guided writing journal filled with tips, instructions, and plenty of space to explore your creativity and become a better writer.

About the Author

Product details.

• Publisher ‏ : ‎ CICO Books (January 12, 2021)
• Language ‏ : ‎ English
• Hardcover ‏ : ‎ 144 pages
• ISBN-10 ‏ : ‎ 1782499245
• ISBN-13 ‏ : ‎ 978-1782499244
• Item Weight ‏ : ‎ 15.9 ounces
• Dimensions ‏ : ‎ 5.85 x 1 x 8.25 inches
• #10,199 in Creativity (Books)
• #10,673 in Fiction Writing Reference (Books)
• #14,332 in Journal Writing Self-Help

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