own life experience essay

Personal Essay Topics

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A personal essay is an essay about your life, thoughts, or experiences. This type of essay will give readers a glimpse into your most intimate life experiences and life lessons. There are many reasons you may need to write a personal essay , from a simple class assignment to a college application requirement . You can use the list below for inspiration. Consider each statement a starting point, and write about a memorable moment that the prompt brings to mind.

• Your bravest moment
• How you met your best friend
• What makes your mom or dad special
• How you overcame a fear
• Why you will succeed
• Why you made a difficult choice
• A special place
• A place you try to avoid
• When a friend let you down
• An event that changed your life
• A special encounter with an animal
• A time when you felt out of place
• An odd experience that didn't make sense at the time
• Words of wisdom that hit home and changed your way of thinking
• A person that you do not like
• A time when you disappointed someone
• Your fondest memory
• A time when you saw your parent cry
• The moment when you knew you were grown up
• Your earliest memory of holiday celebrations in your home
• Times when you should have made a better choice
• A time when you dodged a dangerous situation
• A person you will think about at the end of your life
• Your favorite time period
• A failure you've experienced
• A disappointment you've experienced
• A surprising turn of events
• What you would do with power
• What superpower you would choose
• If you could switch lives with someone
• How money matters in your life
• Your biggest loss
• A time when you felt you did the wrong thing
• A proud moment when you did the right thing
• An experience that you've never shared with another person
• A special place that you shared with a childhood friend
• A first encounter with a stranger
• Your first handshake
• Where you go to hide
• If you had a do-over
• A book that changed your life
• Words that stung
• When you had the desire to run
• When you had the urge to crawl into a hole
• Words that prompted hope
• When a child taught you a lesson
• Your proudest moment
• If your dog could talk
• Your favorite time with family
• If you could live in another country
• If you could invent something
• The world a hundred years from now
• If you had lived a hundred years earlier
• The animal you'd like to be
• One thing you'd change at your school
• The greatest movie moment
• The type of teacher you would be
• If you could be a building
• A statue you'd like to see
• If you could live anywhere
• The greatest discovery
• If you could change one thing about yourself
• An animal that could be in charge
• Something you can do that robots could never do
• Your most unfortunate day
• Your secret talent
• Your secret love
• The most beautiful thing you've ever seen
• The ugliest thing you've seen
• Something you've witnessed
• An accident that changed everything
• A wrong choice
• A right choice
• If you were a food
• How you'd spend a million dollars
• If you could start a charity
• The meaning of color
• A close call
• Your favorite gift
• A chore you'd do away with
• A secret place
• Something you can't resist
• A hard lesson
• A visitor you'll never forget
• An unexplained event
• Your longest minute
• An awkward social moment
• An experience with death
• Why you'll never tell a lie
• If your mom knew, she'd kill you
• A kiss that meant a lot
• When you needed a hug
• The hardest news you've had to deliver
• A special morning
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How to Write About Experience: A Step-by-Step Guide

Whether you are writing a college application essay or creative nonfiction, this guide will help you how to write about experience.

There are many theories about how and why humans evolved to have an unparalleled capacity for language. One theory is that two million years ago, early humans developed language to describe their personal experiences with toolmaking to teach those skills to others. 

When you write nonfiction about your own experience, in any format, you are doing something profound. You are creating an opportunity for empathy and learning. 

Writing about your own experience may sound easy (after all, you’re the world’s foremost expert on yourself), but it isn’t always as simple as “Me name Oog. Me make knife by flaking chip from stone, see!” The personal essay writing process is full of risks and potential pitfalls. However, doing it well is within nearly anyone’s grasp if they follow a few basic steps. 

Write About Tension and Conflict

Write about growth, write about something remarkable yet relatable, listing ten ideas, organizational revision, thematic revision, stylistic revision, proofreading, the bottom line on writing about experiences, what are some good topics for a life experience essay, what are examples of personal experiences, step 1: choose a topic.

If you’re old enough to write a personal essay, you’ve lived long enough to have a wealth of experiences to write about. You may think nobody would want to read about your boring life, but you’re wrong. The key is simply choosing the right experiences to write about.

In any piece of writing—a novel, a memoir, or even a college application essay—the number one way to keep a reader’s interest is to focus on two dynamics: tension and conflict. Ideally, this will include both external conflict (you versus an obstacle in the outside world) and an internal conflict (you versus yourself, emotionally speaking).

Conflict is essential for a good essay. Nobody wants to read about the dinner party you hosted where the food turned out great, the guests all got along, and someone helped you do the dishes before they left. Instead, they want to read about the dinner party you hosted where one guest threw a glass of wine in her husband’s face before storming out. Conflict makes every story more interesting. 

Tension is different from conflict, but they are related. One form of tension is that uneasy period of waiting for the obviously inevitable conflict to occur. For example, suppose conflict is a glass of wine to the face.

In that case, tension is the wife slicing her steak viciously as she watches her husband play footsie with another woman, growing red-faced with anger, standing up to leave, realizing she has a glass of wine in her hand, throwing it, and the horrifying slow-motion sequence of red wine flying through the air on the way to her husband’s face.

Tension can take a variety of other forms. Foreshadowing can create tension. If you mention that the party ended with a glass of wine to the face, but you start by describing a party that is going smoothly, the reader’s curiosity about how the party went from A to point Z can create tension. 

The subtext is another good strategy. If you can give the reader the feeling that not all is as it appears or that they know more than the characters do, the reader will wonder if and how the characters will figure it out and what conflict will result.

There are exceptions, but in general, readers find stasis boring and growth interesting. Even in the case of our caveman Oog describing his innovative stone tool construction technique, communicating about how you learned to do something important is intrinsically interesting. That is why 99% of protagonists in fiction (James Bond excluded) experience an arc of personal growth over the course of a story. Nonfiction is no different.

Phillip Lopate, an expert on the art of creative nonfiction, calls it the “double-perspective.” He explains , “In writing memoir, the trick, it seems to me, is to establish a double-perspective, which will allow the reader to participate vicariously in the experience as it was lived (the confusions and misapprehensions of the child one was, say) while conveying the sophisticated wisdom of one’s current self.”

This does not necessarily mean that your writing should contain anything as heavy-handed as an explicit lesson or moral. Instead, your goal should be to balance clarity and subtlety. The key is to show growth rather than merely telling the reader that you grew.

One of my mother’s favorite stories is about a “rubber” chicken. In this story, she, a newlywed, prepared a wonderful dinner to impress her in-laws. As she carried out a platter topped with a golden, steaming, juicy chicken that she had roasted to perfection, she tripped on a rug.

Everyone stared as the chicken launched off the platter, bouncing across the room like a rubber ball. Concealing her panic with an upbeat tone, she said, “Oops! I’ll be right back.” She picked the chicken up from the floor, took it into the kitchen, dusted it off, put it back on the platter, and walked back into the dining room. Beaming, she announced, “Good thing I roasted a backup chicken!” 

It could have happened to anyone. Something like it (embarrassment at the moment you’re trying your hardest to impress someone) has happened to everyone. It is entirely relatable, but it is also remarkable. It is a story with tension and humor baked in (pardon the pun). The visual image of the chicken bouncing across the room is memorable. Listening to the story, I felt her triumph as she overcame her panic and devised a creative solution. 

The point is you don’t need to have worked as a war zone medic or climbed Mt. Everest to write a compelling story about your own experience. You simply need to mine your memories for moments that will surprise your readers, spark an emotional response, and engage their empathy.

Step 2: Brainstorm and Build

Coming up with the base topic that will form the backbone of your essay is the easy part. The next step is to develop the idea into a draft.

If I had in mind that I wanted to write a story about my mother, I might start by thinking about how she is a kind and caring person. She grew up on a farm, and she taught me to read …  BORING! When it comes to writing essays, the first idea is rarely the best idea. 

One great strategy for digging deeper, to find the truly interesting story, is to make a list. Force yourself to make a list of at least ten different things you could write about that fit the subject.

Even if you love the second or third idea, press on and write at least ten bullet points. You may stick with the second idea, but it’s more likely that around idea eight or nine, you’ll start running out of steam, and then BAM! You’ll remember the rubber chicken.

Even if you already have the central spine of your story, you can use this technique to flesh it out. I might try to think of the top ten lessons I learned from hearing my mother’s rubber chicken story (stay calm, think fast, lie when necessary, don’t put throw rugs in the dining room, always cook a backup chicken, etc.). Just remember that your first idea will almost always be the most boring, obvious idea. Dig through the chaff until you get to the wheat.

Mind maps are a great way to brainstorm connections that will give your essay depth. Take your central idea and write it in the center of the page, and then circle it. For example, I might write “Rubber Chicken” in the middle as my starting point.

Then draw lines radiating away from the circle, and at the end of each line, write down an idea related (even if tangentially) to the central topic. For example, my second-level ideas might include connections like “Mom teaching me how to cook,” “Vegetarianism,” “When honest people lie,” “Overcoming humiliation,” and “Disastrous first impressions.” Write as many as you can.

Circle each second-level idea, then repeat the process. Then see if you can find connections between any second and third-level ideas and draw lines connecting them.

In going through this process, I might discover that rather than writing about my mother’s rubber chicken story itself, I really want to write about terrible first date experiences (connecting the humiliation and first impressions topics). I might realize that I can use the rubber chicken story as an anecdote that contrasts how I actually handled a disastrous blind date with how I wish I’d handled it. 

These kinds of unexpected connections often result in the most innovative essays. 

One of my favorite essays that I’ve written appeared in my mind, fully formed, after I read a truly stunning essay (Leslie Jamison’s “The Empathy Exams.”). I set the book down on the couch next to me and grabbed my laptop to start writing. When I finally stood up, five thousand words later, I had a free-write that, with editing, became a pretty strong essay. 

It is rarely the case that a brain dump results in a structurally sound essay in the first draft. But even when the result is a hot mess that will never see the light of day, it is an extremely valuable exercise.

A no-thoughts-censored free-write uses the momentum of your internal, intuitive sense of narrative to help you uncover ideas that you would never have thought of simply by making lists or writing your first draft using a pre-determined structure and outline.

You might only save a sentence or two from your free-write to use in your actual essay. Still, the process of getting into a flow state, writing without constraints, simply letting your brain wander is an invaluable creative process. You might need to repeatedly free-write related themes to find the magical glue that holds your essay together. 

Step 4: Revise, Revise, Revise

This section is not simply called “Revise” because the truth is virtually no great essays about your experience result from one writing session and one revision session. Therefore, revision should be viewed not as a single editing pass but as a series of them, each targeting a specific aspect of the essay. 

It is crucial to find the proper structure for your topic. Once you do, you may need to rewrite substantial sections of your draft or write entirely new sections. Therefore, structural revision should always be the first editing pass you make to save yourself wasted time and effort (for example, time spent proofreading a section you end up cutting). 

You can go with a standard structure, like chronological order, or using a “frame story” (for example, starting with a flash-forward to the ending, then moving back in time to tell the story in a chronological format), or the classic three-act structure (set-up, rising action, and climax/resolution).

You can also try a more creative or innovative structure. The “braided essay,” in which you have several distinct threads/stories that weave together, is a great choice. 

You may need to try fitting your essay into several structures before you find the one that works best for describing your experience. Don’t be afraid to think outside of the box.

At the same time, don’t get so attached to a structural gimmick (reverse-chronological order, or present tense, or anything other than first-person, for example) that it distracts from the substance of your writing.

Once you have the general structure, consider how you’ve integrated your major themes. Do they cohere, or do they send the reader’s mind heading in too many directions? Are they too obvious, or are they too subtle? Can you find ways to represent your theme implicitly, using symbolic images?

For example, is there an anecdote you can swap out for a different one that addresses the theme more meaningfully?

If it turns out all of your content related to one theme is in the last third of your essay, consider how you can sprinkle it into the beginning. Or perhaps you’ll want to do the opposite.

Is your essay structured to build up to a huge and unexpected revelation? Maybe you want to cut out obvious hints about the revelation that slipped into the first half. 

Only after the substance of the essay feels solid should you give serious attention to your sentence quality, but that doesn’t make it any less important. If you have any doubt about the power of style to elevate an essay, read one by David Sedaris, Virginia Woolf, Hunter S. Thompson, or James Baldwin.

When you’re editing for style, one of the best strategies is reading your essay aloud. Consider how your sentence length and structure affect pacing and emphasis. 

Remember that you’re writing about your experience, so the authorial voice should sound like you . You can aim for a slightly elevated version of how you normally speak, but be careful not to elevate it too much. Many otherwise delightful essays have been ruined by overly formal diction or overuse of a thesaurus.

Revision is a great time to inject some humor. You might also do a little research and include a quotation that fits your theme or some factual information that contextualizes the personal experience you’re writing about. 

Try to replace vague, mundane details with unusual, specific information. (My mother’s roasted chicken didn’t just fall to the floor, it bounced across the room like a rubber ball, for example.) Replace the passive voice with action verbs. Find good opportunities for figurative language, but don’t overdo it. 

Only when your essay feels like it’s polished and firing on all cylinders should you bother to look for typos and formatting problems. Unfortunately, by this time, you will likely be unable to actually read your essay. Instead, your eyes will skip over it and read what you expect to see there rather than the words that are actually on the page. 

That makes it extremely important to have a friend proofread your essay rather than doing it all yourself. The good news is, your essay should be so well-written at this point, from your previous rounds of editing, that it will be a pleasure for your friend to read for you.

There are certain essays and essay collections that stick with you. Sometimes it’s because the author had a truly extraordinary experience, but more often is because in reflecting on the subject, the author showed genuine insight into their own life that sparks the reader to have a new understanding of their own life.

With deliberate use of conflict, vivid detail, and the double-perspective, you can elevate your own experience and inspire others with your writing. 

FAQs on How to Write About Experience

You can’t go wrong following the three guidelines described above (write about tension and conflict, write about growth, and write about something remarkable but relatable). However, the specific experiences you write about should be guided by the goal of the writing.

For example, if you’re writing a college application essay, make sure that you directly and specifically answer the prompt. If the application asks, “Describe a person you admire and why,” don’t forget to explain the why (not just what admirable thing the person did, but why that thing mattered to you personally). But even though the prompt doesn’t ask it, remember the overall Why? Why should they want a student like you at their university?

The same principle applies when writing about your work history and other relevant experience for a prospective employer. Perhaps above all, the university or hiring manager you’re writing for wants to see that you have the potential, under their guidance, to grow as an intellectual/professional and as a human being. So show them that you know how to grow.

Even if you’re writing an essay that is more creative, more literary, focusing on the double-perspective is often the easiest way to find an essay topic with enough meaningful substance to mine. Look for a past experience that is vivid in your memory (so that you can accurately and compellingly portray your younger self’s experience) but is also remote enough to show growth (by contrasting the at-the-time experience with a new perspective).

Trauma can be a tempting starting point for an essay, but be cautious. Unless you have sufficient distance and have done the hard work of processing and recovery, trauma can be just as challenging to read as it is to write. A good rule of thumb is that if you can’t write about your trauma without including at least a few moments of levity, you aren’t ready to write about it for others to read.

If you’re trying to write about your experiences and still struggling to come up with a subject, here are five great starting points: 1. Write about a time when you faced significant obstacles and overcame them. 2. Write about the end of a meaningful relationship, for better or worse. 3. Write about the first time you visited a place totally unlike your usual environment and what it showed you about your blind spots. 4. Write about a firmly held belief you used to have and what changed your mind. 5. Write about a habit that is important to you and how you formed it.

Emily Cordo is a freelance writer with an MFA in creative writing from Texas State University. She spends her spare time practicing yoga, cuddling her 20-year-old cat, and running a mini-farm in Indiana.

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How to Write a Life Story Essay

Last Updated: May 28, 2023 Fact Checked

This article was co-authored by Alicia Cook . Alicia Cook is a Professional Writer based in Newark, New Jersey. With over 12 years of experience, Alicia specializes in poetry and uses her platform to advocate for families affected by addiction and to fight for breaking the stigma against addiction and mental illness. She holds a BA in English and Journalism from Georgian Court University and an MBA from Saint Peter’s University. Alicia is a bestselling poet with Andrews McMeel Publishing and her work has been featured in numerous media outlets including the NY Post, CNN, USA Today, the HuffPost, the LA Times, American Songwriter Magazine, and Bustle. She was named by Teen Vogue as one of the 10 social media poets to know and her poetry mixtape, “Stuff I’ve Been Feeling Lately” was a finalist in the 2016 Goodreads Choice Awards. There are 11 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 100,955 times.

A life story essay involves telling the story of your life in a short, nonfiction format. It can also be called an autobiographical essay. In this essay, you will tell a factual story about some element of your life, perhaps for a college application or for a school assignment.

Preparing to Write Your Essay

• If you are writing a personal essay for a college application, it should serve to give the admissions committee a sense of who you are, beyond the basics of your application file. Your transcript, your letters of recommendation, and your resume will provide an overview of your work experience, interests, and academic record. Your essay allows you to make your application unique and individual to you, through your personal story. [2] X Research source
• The essay will also show the admissions committee how well you can write and structure an essay. Your essay should show you can create a meaningful piece of writing that interests your reader, conveys a unique message, and flows well.
• If you are writing a life story for a specific school assignment, such as in a composition course, ask your teacher about the assignment requirements.

• Include important events, such as your birth, your childhood and upbringing, and your adolescence. If family member births, deaths, marriages, and other life moments are important to your story, write those down as well.
• Focus on experiences that made a big impact on you and remain a strong memory. This may be a time where you learned an important life lesson, such as failing a test or watching someone else struggle and succeed, or where you felt an intense feeling or emotion, such as grief over someone’s death or joy over someone’s triumph.

• Have you faced a challenge in your life that you overcame, such as family struggles, health issues, a learning disability, or demanding academics?
• Do you have a story to tell about your cultural or ethnic background, or your family traditions?
• Have you dealt with failure or life obstacles?
• Do you have a unique passion or hobby?
• Have you traveled outside of your community, to another country, city, or area? What did you take away from the experience and how will you carry what you learned into a college setting?

• Remind yourself of your accomplishments by going through your resume. Think about any awards or experiences you would like spotlight in your essay. For example, explaining the story behind your Honor Roll status in high school, or how you worked hard to receive an internship in a prestigious program.
• Remember that your resume or C.V. is there to list off your accomplishments and awards, so your life story shouldn't just rehash them. Instead, use them as a jumping-off place to explain the process behind them, or what they reflect (or do not reflect) about you as a person.

• The New York Times publishes stellar examples of high school life story essays each year. You can read some of them on the NYT website. [8] X Research source

Writing Your Essay

• For example, you may look back at your time in foster care as a child or when you scored your first paying job. Consider how you handled these situations and any life lessons you learned from these lessons. Try to connect past experiences to who you are now, or who you aspire to be in the future.
• Your time in foster care, for example, may have taught you resilience, perseverance and a sense of curiosity around how other families function and live. This could then tie into your application to a Journalism program, as the experience shows you have a persistent nature and a desire to investigate other people’s stories or experiences.

• Certain life story essays have become cliche and familiar to admission committees. Avoid sports injuries stories, such as the time you injured your ankle in a game and had to find a way to persevere. You should also avoid using an overseas trip to a poor, foreign country as the basis for your self transformation. This is a familiar theme that many admission committees will consider cliche and not unique or authentic. [11] X Research source
• Other common, cliche topics to avoid include vacations, "adversity" as an undeveloped theme, or the "journey". [12] X Research source

• Try to phrase your thesis in terms of a lesson learned. For example, “Although growing up in foster care in a troubled neighborhood was challenging and difficult, it taught me that I can be more than my upbringing or my background through hard work, perseverance, and education.”
• You can also phrase your thesis in terms of lessons you have yet to learn, or seek to learn through the program you are applying for. For example, “Growing up surrounded by my mother’s traditional cooking and cultural habits that have been passed down through the generations of my family, I realized I wanted to discover and honor the traditions of other, ancient cultures with a career in archaeology.”
• Both of these thesis statements are good because they tell your readers exactly what to expect in clear detail.

• An anecdote is a very short story that carries moral or symbolic weight. It can be a poetic or powerful way to start your essay and engage your reader right away. You may want to start directly with a retelling of a key past experience or the moment you realized a life lesson.
• For example, you could start with a vivid memory, such as this from an essay that got its author into Harvard Business School: "I first considered applying to Berry College while dangling from a fifty-food Georgia pine tree, encouraging a high school classmate, literally, to make a leap of faith." [15] X Research source This opening line gives a vivid mental picture of what the author was doing at a specific, crucial moment in time and starts off the theme of "leaps of faith" that is carried through the rest of the essay.
• Another great example clearly communicates the author's emotional state from the opening moments: "Through seven-year-old eyes I watched in terror as my mother grimaced in pain." This essay, by a prospective medical school student, goes on to tell about her experience being at her brother's birth and how it shaped her desire to become an OB/GYN. The opening line sets the scene and lets you know immediately what the author was feeling during this important experience. It also resists reader expectations, since it begins with pain but ends in the joy of her brother's birth.
• Avoid using a quotation. This is an extremely cliche way to begin an essay and could put your reader off immediately. If you simply must use a quotation, avoid generic quotes like “Spread your wings and fly” or “There is no ‘I’ in ‘team’”. Choose a quotation that relates directly to your experience or the theme of your essay. This could be a quotation from a poem or piece of writing that speaks to you, moves you, or helped you during a rough time.

• Always use the first person in a personal essay. The essay should be coming from you and should tell the reader directly about your life experiences, with “I” statements.
• For example, avoid something such as “I had a hard time growing up. I was in a bad situation.” You can expand this to be more distinct, but still carry a similar tone and voice. “When I was growing up in foster care, I had difficulties connecting with my foster parents and with my new neighborhood. At the time, I thought I was in a bad situation I would never be able to be free from.”

• For example, consider this statement: "I am a good debater. I am highly motivated and have been a strong leader all through high school." This gives only the barest detail, and does not allow your reader any personal or unique information that will set you apart from the ten billion other essays she has to sift through.
• In contrast, consider this one: "My mother says I'm loud. I say you have to speak up to be heard. As president of my high school's debate team for the past three years, I have learned to show courage even when my heart is pounding in my throat. I have learned to consider the views of people different than myself, and even to argue for them when I passionately disagree. I have learned to lead teams in approaching complicated issues. And, most importantly for a formerly shy young girl, I have found my voice." This example shows personality, uses parallel structure for impact, and gives concrete detail about what the author has learned from her life experience as a debater.

• An example of a passive sentence is: “The cake was eaten by the dog.” The subject (the dog) is not in the expected subject position (first) and is not "doing" the expected action. This is confusing and can often be unclear.
• An example of an active sentence is: “The dog ate the cake.” The subject (the dog) is in the subject position (first), and is doing the expected action. This is much more clear for the reader and is a stronger sentence.

• Lead the reader INTO your story with a powerful beginning, such as an anecdote or a quote.
• Take the reader THROUGH your story with the context and key parts of your experience.
• End with the BEYOND message about how the experience has affected who you are now and who you want to be in college and after college.

Editing Your Essay

• For example, a sentence like “I struggled during my first year of college, feeling overwhelmed by new experiences and new people” is not very strong because it states the obvious and does not distinguish you are unique or singular. Most people struggle and feel overwhelmed during their first year of college. Adjust sentences like this so they appear unique to you.
• For example, consider this: “During my first year of college, I struggled with meeting deadlines and assignments. My previous home life was not very structured or strict, so I had to teach myself discipline and the value of deadlines.” This relates your struggle to something personal and explains how you learned from it.

• It can be difficult to proofread your own work, so reach out to a teacher, a mentor, a family member, or a friend and ask them to read over your essay. They can act as first readers and respond to any proofreading errors, as well as the essay as a whole.

Expert Q&A

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• ↑ http://www.grammar-monster.com/glossary/passive_sentences.htm

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A life story essay is an essay that tells the story of your life in a short, nonfiction format. Start by coming up with a thesis statement, which will help you structure your essay. For example, your thesis could be about the influence of your family's culture on your life or how you've grown from overcoming challenging circumstances. You can include important life events that link to your thesis, like jobs you’ve worked, friendships that have influenced you, or sports competitions you’ve won. Consider starting your essay with an anecdote that introduces your thesis. For instance, if you're writing about your family's culture, you could start by talking about the first festival you went to and how it inspired you. Finish by writing about how the experiences have affected you and who you want to be in the future. For more tips from our Education co-author, including how to edit your essay effectively, read on! Did this summary help you? Yes No

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How Does Personal Experience Affect Writing

By: Author Paul Jenkins

Posted on July 20, 2022

Categories Writing , Creativity , Publishing , Storytelling

Everyone’s writing is affected by their personal experiences. How we see the world, our beliefs and biases, and our unique voice come into play when we put pen to paper (or fingers to keyboard). This can be a good thing for some writers – giving their writing flavor and making it more interesting. But for other writers, personal experience can get in the way of telling a good story or expressing themselves effectively. In today’s blog post, we’ll explore how personal experience affects writing, and we’ll discuss some ways to overcome any potential obstacles.

Personal Experience and How It Affects Writing

Personal experience can have a significant impact on the way we write. It can shape our writing style, tone, and approach. It can also affect the way we think about and process information. Our personal experiences can inform and influence our writing in many ways.

Some writers find that their personal experiences are a rich source of material for their writing. They may use their experiences to explore universal themes or write about personal growth and development. Other writers may find that their personal experiences hinder their writing, causing them to doubt their abilities or second-guess their approach.

Regardless of how personal experience affects your writing, it is vital to be aware of its influence. By understanding life experience’s role in your writing, you can choose how to use it to your best advantage.

When personal experience is positive, it can:

• Help you connect with your audience
• Make your writing more relatable
• Serve as a source of inspiration
• Give your writing more depth and dimension

When personal experience is negative, it can:

• Cause you to doubt your abilities or approach
• Make you second-guess your decisions
• Lead you to focus on the negative aspects of your experience
• Cloud your judgment about what is essential to write about

If you find that personal experience is adversely affecting your writing, you can do a few things to mitigate its impact:

• Try to distance yourself from experience enough to see it more objectively.
• Look for the positive aspects of the experience and focus on those.
• Give yourself time to process the experience before using it in your writing.

Personal experience can be a powerful tool in your writing arsenal, but it is vital to use it wisely.

Some Ways to Make Personal Experience a Positive Force in Writing

There are many ways to make personal experience a positive force in writing:

• Sharing your personal experiences can help to engage the reader and make the writing more relatable.
• Drawing on personal experience can help to add depth and realism to your writing.
• Personal experience can help you connect with your audience on a deeper level.

Let’s take a closer look at each of these points.

First, sharing your personal experiences can help to engage the reader and make the writing more relatable. Readers are often drawn to stories that they can relate to on a personal level, and by sharing your own experiences, you can give them this connection. In addition, readers will often remember stories that resonate with them on a personal level long after they’ve forgotten the details of the plot.

Second, drawing on personal experience can help to add depth and realism to your writing. When you write about something you know firsthand, it can often give your words more weight and authority. In addition, readers will appreciate the added layer of authenticity that comes with hearing about someone’s real-life experiences.

Finally, personal experience can help you connect with your audience more deeply. When you share your personal experiences, you open yourself up to your readers and invite them into your life. This can help create a stronger connection between you and your readers and foster a sense of trust.

When used effectively, personal experience can be a powerful tool in writing. However, it is essential to remember that not all experiences are created equal. To make personal experience a positive force in writing, choosing experiences relevant to the story you’re telling that will resonate with your audience is vital. It is also essential to be mindful of how you share your experiences, as some details may be too personal for some readers. Ultimately, it is up to you.

How Writers Can Use Personal Experience to Create Strong, Relatable Characters

When creating fictional characters, writers often draw on their experiences to add depth and realism to their creative writing. By basing characters on real people, writers can create complex individuals who feel relatable and relatable to readers. In many ways, drawing on personal experience is the best way to develop strong, believable characters.

One of the benefits of using personal experience is that it gives writers a chance to explore different aspects of their personalities. By turning inward and examining their thoughts and feelings, writers can learn more about themselves and use that knowledge to create fully-formed characters. Additionally, by writing about people they know intimately, writers can better understand how others think and feel, giving them valuable insight into how to craft believable characters.

Another advantage of personal experience is that it allows writers to tap into their emotions. When writing about something that has happened in their own lives, writers can relive the feelings they felt at the time, making their writing more authentic and compelling. Additionally, by putting themselves in their character’s shoes, writers can better understand what motivates them and how they might react in different situations. This can make for more nuanced and interesting characters.

Finally, drawing on personal experience can help writers create characters that feel real to readers. The main character based on a real person can become more than just a two-dimensional figure on the page. Instead, they can become someone readers can relate to and empathize with.

What Is the Difference Between Writing About Personal Experience and Writing Memoir?

When writing about personal experience, the author typically recounts a story from their own life. This could be something that happened to them personally, or they witnessed. On the other hand, Memoir is a more reflective form of nonfiction writing.

In a memoir, the author is not just recounting events from their life story but also exploring how those events have affected them personally. Memoirs often delve into the author’s emotions and thoughts and can be pretty introspective. They may also explore the broader implications of the events described. For example, a memoir about growing up in poverty might discuss how those experiences have shaped the author’s views on class and inequality.

Overall, personal essays are narrower in scope than memoirs and are more focused on telling a specific story. On the other hand, Memoirs are more reflective and exploratory.

Note that in a short story or novel, we use personal experience as a jumping-off point to set up an imaginary scene or even the whole premise for a book. In other words, we use what we know to make up a story that didn’t happen.

In contrast, memoirs are based on actual events that happened to the author. This means the author is writing about their own life rather than making up a story.

How Writers Can Use Their Own Experiences to Write More Authentically About Other Cultures and Societies

It’s no secret that writers often draw on their experiences to create characters and plotlines. After all, fiction is, at its heart, a way of making sense of the world around us. But what happens when writers want to write about cultures and societies that are different from their own? The challenge is more significant in many ways, but so is the opportunity. By writing about other cultures and societies, writers can open up new worlds for their readers and help to foster understanding and empathy.

Of course, writers need to do their research when writing about cultures and societies that are unfamiliar to them. But relying solely on second-hand sources can result in a shallow or inaccurate portrayal. This is where personal experience can come in handy. By drawing on their own experiences – even if those experiences are limited – writers can add depth and authenticity to their work.

Sometimes, this may mean writing about a culture or society they have visited or lived in. In other cases, it may simply mean writing about a culture or society they have researched extensively. But, again, personal experience can be valuable for creating more believable and compelling fiction.

A great way to draw on personal experience in worldbuilding is to combine experiences – for example, elements of one country or city mixed with another. This can create a more nuanced and exciting picture and help the reader understand different cultures more personally.

Drawing on personal experience is one tool writers can use to create authentic and believable characters and settings. But it’s an essential tool and one that should not be ignored.

How Personal Experience Can Be Used to Improve Writing

Good writing comes from good thinking, and good thinking comes from life experiences. So personal experience can be a valuable tool for improving your writing. When you draw on your own experiences, you have a built-in source of ideas, observations, and emotions that can add depth and richness to your writing. And because these experiences are yours, they are also unique – something your readers can’t get anywhere else.

Of course, not all personal experiences make for good writing. To be effective, your experience must be something you can reflect on deeply and offer insights about. It should also be relevant to your audience and the point you’re trying to make. But when used well, personal experience can be a powerful way to connect with your readers and make your writing come alive.

Here are a few examples of how personal experience can be used effectively in writing:

Describing a scene:  When you set the scene for a story or essay, you want to transport your reader to another place. Personal experience can be a great way to do this. For instance, if you’re describing a beach in your writing, you might draw on your memories of sun, sand, and waves to create a vivid picture for your reader, including excellent word choice.

Developing characters:  Characters are the heart of any story, and making them believable is one of the biggest storytelling challenges for writers. Drawing on your own experiences – or those of people you know – can help you to create characters that feel real and relatable.

Exploring emotions:  Emotions are a vital part of any story, but they can be challenging to describe. When you write about your own experiences, you can tap into the emotions you felt at the time and use them to add power and authenticity to your writing.

Sharing a message:  If you’re writing to convey a message or inspire change, personal experience can be a great way to do this. When you tell your own story, you can connect with your reader deeper and help them understand your message more personally.

Of course, there are many other ways to use personal experience in writing. These are just a few examples to get you started.

The Benefits of Using Personal Experience in Writing

When it comes to writing, incorporating personal experience can be highly beneficial.

For one thing, it can help to make your writing more relatable and down-to-earth. After all, readers are more likely to connect with a story or argument that feels personal and real, as opposed to something that feels abstract and detached.

Furthermore, personal experience can also add a sense of authenticity and credibility to your writing. When you share your experiences, readers are more likely to trust what you say.

Finally, personal experience can make reading your writing more engaging and enjoyable.

Ultimately, there is no hard and fast rule about whether or not to use personal experience in your writing. However, incorporating personal experience can be a precious tool if done thoughtfully and effectively.

Are There Any Risks Associated With Using Personal Experience in Writing?

When it comes to writing, everyone has different experiences and perspectives to share. However, using personal experience as a basis for writing can sometimes be risky. Here are a few things to remember if you consider using personal experience in your writing.

First, it’s essential to be aware of the potential biases that can come into play when using personal experience as a source. For example, you may only remember the details of an event that support your point of view, or you may inadvertently distort the facts to fit your narrative. It’s also worth considering whether your own experiences represent the larger population. For instance, just because you had a positive experience with a product doesn’t mean that everyone will.

Another risk associated with personal experience is that it can make your writing seem less objective and professional. For example, if you’re writing for an academic audience, they may expect you to rely on research rather than personal anecdotes. So, it’s always a good idea to supplement your personal experiences with other sources whenever possible.

Of course, there are also some benefits to using personal experience in writing. When used thoughtfully, it can add depth and richness to your work. It can also help you connect with your audience more personally. Just be sure to weigh the risks and benefits carefully before deciding whether or not to use personal experience in your writing.

How Writers Can Get More Personal Experience

One of the best ways for writers to get more personal experience is to get out there and interact with people. Talk to strangers, ask questions, and listen to the answers. You can do this anywhere, from the local coffee shop to the grocery store.

Another great way to get more personal experience is to volunteer for organizations or causes that are important to you. This not only allows you to help others but also allows you to learn more about yourself and the world around you.

Finally, another great way to get more personal experience is to travel. You can do this on a small scale by taking day trips or weekend getaways. Or, if you want to immerse yourself in new cultures, consider taking a more extended trip abroad. No matter how you do it, getting out there and experiencing life is one of the best ways for writers to get more personal experience.

Keep in mind the personal experience of others: interview people with direct experience with the topic. This could be done in person, over the phone, or through email.

Can Personal Experience Be Used in All Forms of Writing?

No, you cannot use personal experience in all forms of writing. However, it should generally be avoided in formal writing, such as research papers or essays for school. This is because personal experience is inherently subjective and, therefore, cannot be used to provide objective evidence to support an argument.

However, you can use personal experience in other forms of writing, such as memoirs or blog posts, where the focus is on the author’s perspective. In these cases, personal experience can be a valuable tool for sharing your story and connecting with readers.

For example, you can inspire others facing similar challenges by sharing a personal story about overcoming adversity.

Whether or not to use personal experience in your writing process will depend on your writing type and goals for the piece.

Our personal experiences, whether good or bad, shape how we write. Our writing is full of biases and beliefs, making us unique as writers. We bring all of ourselves, including our past experience, to the table when we put pen to paper (or fingers to keyboard). This is both a gift and a curse. It can be challenging to separate our thoughts from those we are trying to express in our writing. However, it is also what makes each writer original and exciting. In conclusion, embrace your personal experiences – they make you who you are as a writer!

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How to Write Duke’s Optional Human Experience Essay

This article was written based on the information and opinions presented by Robert Crystal in a CollegeVine livestream. You can watch the full livestream for more info. 

What’s Covered:

What does diversity mean, why is duke asking this, relate your response to duke.

Duke has optional essays for this year’s application. Students can choose to respond to, at most, two of the four prompts. One option asks:

“We seek a diverse student body that embodies the wide range of human experience. In that context, we are interested in what you’d like to share about your lived experiences and how they’ve influenced how you think of yourself.” (250 words)

In this article, we break down what exactly this prompt is asking and how to approach it. If you are interested in learning more about Duke’s other supplemental prompts, you can read our article on how to write the Duke University essays . 

In this option, Duke is asking for you to share a unique perspective or experience you’ve had that would help Duke understand you better. You could talk about a community that you are part of, your family, or your cultural background. Don’t be intimidated by the word “diversity.” This word holds a great deal of power, and it can be intimidating because it covers such a huge spectrum of identities and experiences. 

Diversity could be related to your demographics, such as your socioeconomic status, health, culture, or ethnicity, which are often the areas that come to mind when you think about diversity. However, your own diversity can come from other areas of your life. It could be related to your interests, hobbies, values, and opinions. You can draw on anything that makes you different from others or something that makes you similar to a particular group of people. 

All these different elements of your demographic information are elements that are probably already indicated somewhere in your college applications. This essay is a great way for you to draw on an experience that has made you the person you are today but is not quite visible on your application.

This prompt enables students to discuss the diverse perspectives and experiences that they would bring to Duke. The university wants to accept students from unique backgrounds because it believes that this makes its community strong. You have 250 words to tell Duke how you will bring a different perspective to the school, so focus on the aspects of your life that make you stand out from other applicants. 

When considering your response, ask yourself this question: “What kind of communities will I seek out at Duke?” This is important to reflect on because it gets to the heart of the prompt. Admissions officers want to have an overall picture of what the incoming class will look like. They want to know what communities you will be part of or which areas of campus life you will contribute to if you attend the university. 

In a broader sense, Duke wants to discover who you are through these essays. It wants to know your unique perspectives and how you think about ideas and the world around you. Learning these aspects of your personality helps the admissions officers understand how you will function in the classroom and the community, so it is important that you are true to yourself in all senses. 

There is a common misconception around this prompt that your essay should be extremely profound and emotional. Your goal isn’t to make the reader cry. Your goal should be to give them an accurate representation of your life. Then, you want to connect that to your possible life at Duke .

Duke has an extremely unique culture because it is a large research university with a great athletics program and a lively social scene with a variety of opportunities for civic engagement and activities. The school particularly emphasizes the importance of students pursuing their academic and professional interests not only as a means for personal development but also as a way to contribute to the communities around them. 

In short, Duke has a collaborative environment that focuses on connecting each individual to their community. It wants to know what resources and communities you will seek out at Duke and more importantly, how you will give back to them.

While your essay doesn’t necessarily need to address characteristics like socioeconomic status, ethnicity, or disability, your essay should reflect the spirit of Duke’s unique campus community. It should demonstrate the unique perspective and experiences that you as an individual will bring to the school, and you should imply that you are eager to share your opinion with others and learn from those around you.

Related CollegeVine Blog Posts

Tips for Writing an Effective Application Essay

How to Write an Effective Essay

Writing an essay for college admission gives you a chance to use your authentic voice and show your personality. It's an excellent opportunity to personalize your application beyond your academic credentials, and a well-written essay can have a positive influence come decision time.

Want to know how to draft an essay for your college application ? Here are some tips to keep in mind when writing.

Tips for Essay Writing

A typical college application essay, also known as a personal statement, is 400-600 words. Although that may seem short, writing about yourself can be challenging. It's not something you want to rush or put off at the last moment. Think of it as a critical piece of the application process. Follow these tips to write an impactful essay that can work in your favor.

1. Start Early.

Few people write well under pressure. Try to complete your first draft a few weeks before you have to turn it in. Many advisers recommend starting as early as the summer before your senior year in high school. That way, you have ample time to think about the prompt and craft the best personal statement possible.

You don't have to work on your essay every day, but you'll want to give yourself time to revise and edit. You may discover that you want to change your topic or think of a better way to frame it. Either way, the sooner you start, the better.

2. Understand the Prompt and Instructions.

Before you begin the writing process, take time to understand what the college wants from you. The worst thing you can do is skim through the instructions and submit a piece that doesn't even fit the bare minimum requirements or address the essay topic. Look at the prompt, consider the required word count, and note any unique details each school wants.

3. Create a Strong Opener.

Students seeking help for their application essays often have trouble getting things started. It's a challenging writing process. Finding the right words to start can be the hardest part.

Spending more time working on your opener is always a good idea. The opening sentence sets the stage for the rest of your piece. The introductory paragraph is what piques the interest of the reader, and it can immediately set your essay apart from the others.

4. Stay on Topic.

One of the most important things to remember is to keep to the essay topic. If you're applying to 10 or more colleges, it's easy to veer off course with so many application essays.

A common mistake many students make is trying to fit previously written essays into the mold of another college's requirements. This seems like a time-saving way to avoid writing new pieces entirely, but it often backfires. The result is usually a final piece that's generic, unfocused, or confusing. Always write a new essay for every application, no matter how long it takes.

5. Think About Your Response.

Don't try to guess what the admissions officials want to read. Your essay will be easier to write─and more exciting to read─if you’re genuinely enthusiastic about your subject. Here’s an example: If all your friends are writing application essays about covid-19, it may be a good idea to avoid that topic, unless during the pandemic you had a vivid, life-changing experience you're burning to share. Whatever topic you choose, avoid canned responses. Be creative.

6. Focus on You.

Essay prompts typically give you plenty of latitude, but panel members expect you to focus on a subject that is personal (although not overly intimate) and particular to you. Admissions counselors say the best essays help them learn something about the candidate that they would never know from reading the rest of the application.

7. Stay True to Your Voice.

Use your usual vocabulary. Avoid fancy language you wouldn't use in real life. Imagine yourself reading this essay aloud to a classroom full of people who have never met you. Keep a confident tone. Be wary of words and phrases that undercut that tone.

8. Be Specific and Factual.

Capitalize on real-life experiences. Your essay may give you the time and space to explain why a particular achievement meant so much to you. But resist the urge to exaggerate and embellish. Admissions counselors read thousands of essays each year. They can easily spot a fake.

9. Edit and Proofread.

When you finish the final draft, run it through the spell checker on your computer. Then don’t read your essay for a few days. You'll be more apt to spot typos and awkward grammar when you reread it. After that, ask a teacher, parent, or college student (preferably an English or communications major) to give it a quick read. While you're at it, double-check your word count.

Writing essays for college admission can be daunting, but it doesn't have to be. A well-crafted essay could be the deciding factor─in your favor. Keep these tips in mind, and you'll have no problem creating memorable pieces for every application.

What is the format of a college application essay?

Generally, essays for college admission follow a simple format that includes an opening paragraph, a lengthier body section, and a closing paragraph. You don't need to include a title, which will only take up extra space. Keep in mind that the exact format can vary from one college application to the next. Read the instructions and prompt for more guidance.

Most online applications will include a text box for your essay. If you're attaching it as a document, however, be sure to use a standard, 12-point font and use 1.5-spaced or double-spaced lines, unless the application specifies different font and spacing.

How do you start an essay?

The goal here is to use an attention grabber. Think of it as a way to reel the reader in and interest an admissions officer in what you have to say. There's no trick on how to start a college application essay. The best way you can approach this task is to flex your creative muscles and think outside the box.

You can start with openers such as relevant quotes, exciting anecdotes, or questions. Either way, the first sentence should be unique and intrigue the reader.

What should an essay include?

Every application essay you write should include details about yourself and past experiences. It's another opportunity to make yourself look like a fantastic applicant. Leverage your experiences. Tell a riveting story that fulfills the prompt.

What shouldn’t be included in an essay?

When writing a college application essay, it's usually best to avoid overly personal details and controversial topics. Although these topics might make for an intriguing essay, they can be tricky to express well. If you’re unsure if a topic is appropriate for your essay, check with your school counselor. An essay for college admission shouldn't include a list of achievements or academic accolades either. Your essay isn’t meant to be a rehashing of information the admissions panel can find elsewhere in your application.

How can you make your essay personal and interesting?

The best way to make your essay interesting is to write about something genuinely important to you. That could be an experience that changed your life or a valuable lesson that had an enormous impact on you. Whatever the case, speak from the heart, and be honest.

Is it OK to discuss mental health in an essay?

Mental health struggles can create challenges you must overcome during your education and could be an opportunity for you to show how you’ve handled challenges and overcome obstacles. If you’re considering writing your essay for college admission on this topic, consider talking to your school counselor or with an English teacher on how to frame the essay.

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Choose Your Test

Sat / act prep online guides and tips, 177 college essay examples for 11 schools + expert analysis.

College Admissions , College Essays

The personal statement might just be the hardest part of your college application. Mostly this is because it has the least guidance and is the most open-ended. One way to understand what colleges are looking for when they ask you to write an essay is to check out the essays of students who already got in—college essays that actually worked. After all, they must be among the most successful of this weird literary genre.

In this article, I'll go through general guidelines for what makes great college essays great. I've also compiled an enormous list of 100+ actual sample college essays from 11 different schools. Finally, I'll break down two of these published college essay examples and explain why and how they work. With links to 177 full essays and essay excerpts , this article is a great resource for learning how to craft your own personal college admissions essay!

What Excellent College Essays Have in Common

Even though in many ways these sample college essays are very different from one other, they do share some traits you should try to emulate as you write your own essay.

Visible Signs of Planning

Building out from a narrow, concrete focus. You'll see a similar structure in many of the essays. The author starts with a very detailed story of an event or description of a person or place. After this sense-heavy imagery, the essay expands out to make a broader point about the author, and connects this very memorable experience to the author's present situation, state of mind, newfound understanding, or maturity level.

Knowing how to tell a story. Some of the experiences in these essays are one-of-a-kind. But most deal with the stuff of everyday life. What sets them apart is the way the author approaches the topic: analyzing it for drama and humor, for its moving qualities, for what it says about the author's world, and for how it connects to the author's emotional life.

Stellar Execution

A killer first sentence. You've heard it before, and you'll hear it again: you have to suck the reader in, and the best place to do that is the first sentence. Great first sentences are punchy. They are like cliffhangers, setting up an exciting scene or an unusual situation with an unclear conclusion, in order to make the reader want to know more. Don't take my word for it—check out these 22 first sentences from Stanford applicants and tell me you don't want to read the rest of those essays to find out what happens!

A lively, individual voice. Writing is for readers. In this case, your reader is an admissions officer who has read thousands of essays before yours and will read thousands after. Your goal? Don't bore your reader. Use interesting descriptions, stay away from clichés, include your own offbeat observations—anything that makes this essay sounds like you and not like anyone else.

Technical correctness. No spelling mistakes, no grammar weirdness, no syntax issues, no punctuation snafus—each of these sample college essays has been formatted and proofread perfectly. If this kind of exactness is not your strong suit, you're in luck! All colleges advise applicants to have their essays looked over several times by parents, teachers, mentors, and anyone else who can spot a comma splice. Your essay must be your own work, but there is absolutely nothing wrong with getting help polishing it.

And if you need more guidance, connect with PrepScholar's expert admissions consultants . These expert writers know exactly what college admissions committees look for in an admissions essay and chan help you craft an essay that boosts your chances of getting into your dream school.

Check out PrepScholar's Essay Editing and Coaching progra m for more details!

Want to write the perfect college application essay? Get professional help from PrepScholar.

Your dedicated PrepScholar Admissions counselor will craft your perfect college essay, from the ground up. We'll learn your background and interests, brainstorm essay topics, and walk you through the essay drafting process, step-by-step. At the end, you'll have a unique essay that you'll proudly submit to your top choice colleges.

Don't leave your college application to chance. Find out more about PrepScholar Admissions now :

Links to Full College Essay Examples

Some colleges publish a selection of their favorite accepted college essays that worked, and I've put together a selection of over 100 of these.

Common App Essay Samples

Please note that some of these college essay examples may be responding to prompts that are no longer in use. The current Common App prompts are as follows:

1. Some students have a background, identity, interest, or talent that is so meaningful they believe their application would be incomplete without it. If this sounds like you, then please share your story. 2. The lessons we take from obstacles we encounter can be fundamental to later success. Recount a time when you faced a challenge, setback, or failure. How did it affect you, and what did you learn from the experience? 3. Reflect on a time when you questioned or challenged a belief or idea. What prompted your thinking? What was the outcome? 4. Reflect on something that someone has done for you that has made you happy or thankful in a surprising way. How has this gratitude affected or motivated you? 5. Discuss an accomplishment, event, or realization that sparked a period of personal growth and a new understanding of yourself or others. 6. Describe a topic, idea, or concept you find so engaging that it makes you lose all track of time. Why does it captivate you? What or who do you turn to when you want to learn more?

7. Share an essay on any topic of your choice. It can be one you've already written, one that responds to a different prompt, or one of your own design.

Now, let's get to the good stuff: the list of 177 college essay examples responding to current and past Common App essay prompts. 

Connecticut college.

• 12 Common Application essays from the classes of 2022-2025

Hamilton College

• 7 Common Application essays from the class of 2026
• 7 Common Application essays from the class of 2022
• 7 Common Application essays from the class of 2018
• 8 Common Application essays from the class of 2012
• 8 Common Application essays from the class of 2007

Johns Hopkins

These essays are answers to past prompts from either the Common Application or the Coalition Application (which Johns Hopkins used to accept).

• 1 Common Application or Coalition Application essay from the class of 2026
• 6 Common Application or Coalition Application essays from the class of 2025
• 6 Common Application or Universal Application essays from the class of 2024
• 6 Common Application or Universal Application essays from the class of 2023
• 7 Common Application of Universal Application essays from the class of 2022
• 5 Common Application or Universal Application essays from the class of 2021
• 7 Common Application or Universal Application essays from the class of 2020

Essay Examples Published by Other Websites

• 2 Common Application essays ( 1st essay , 2nd essay ) from applicants admitted to Columbia

Other Sample College Essays

Here is a collection of essays that are college-specific.

Babson College

• 4 essays (and 1 video response) on "Why Babson" from the class of 2020

Emory University

• 5 essay examples ( 1 , 2 , 3 , 4 , 5 ) from the class of 2020 along with analysis from Emory admissions staff on why the essays were exceptional
• 5 more recent essay examples ( 1 , 2 , 3 , 4 , 5 ) along with analysis from Emory admissions staff on what made these essays stand out

University of Georgia

• 1 “strong essay” sample from 2019
• 1 “strong essay” sample from 2018
• 10 Harvard essays from 2023
• 10 Harvard essays from 2022
• 10 Harvard essays from 2021
• 10 Harvard essays from 2020
• 10 Harvard essays from 2019
• 10 Harvard essays from 2018
• 6 essays from admitted MIT students

Smith College

• 6 "best gift" essays from the class of 2018

Books of College Essays

If you're looking for even more sample college essays, consider purchasing a college essay book. The best of these include dozens of essays that worked and feedback from real admissions officers.

College Essays That Made a Difference —This detailed guide from Princeton Review includes not only successful essays, but also interviews with admissions officers and full student profiles.

50 Successful Harvard Application Essays by the Staff of the Harvard Crimson—A must for anyone aspiring to Harvard .

50 Successful Ivy League Application Essays and 50 Successful Stanford Application Essays by Gen and Kelly Tanabe—For essays from other top schools, check out this venerated series, which is regularly updated with new essays.

Heavenly Essays by Janine W. Robinson—This collection from the popular blogger behind Essay Hell includes a wider range of schools, as well as helpful tips on honing your own essay.

Analyzing Great Common App Essays That Worked

I've picked two essays from the examples collected above to examine in more depth so that you can see exactly what makes a successful college essay work. Full credit for these essays goes to the original authors and the schools that published them.

Example 1: "Breaking Into Cars," by Stephen, Johns Hopkins Class of '19 (Common App Essay, 636 words long)

I had never broken into a car before.

We were in Laredo, having just finished our first day at a Habitat for Humanity work site. The Hotchkiss volunteers had already left, off to enjoy some Texas BBQ, leaving me behind with the college kids to clean up. Not until we were stranded did we realize we were locked out of the van.

Someone picked a coat hanger out of the dumpster, handed it to me, and took a few steps back.

"Can you do that thing with a coat hanger to unlock it?"

"Why me?" I thought.

More out of amusement than optimism, I gave it a try. I slid the hanger into the window's seal like I'd seen on crime shows, and spent a few minutes jiggling the apparatus around the inside of the frame. Suddenly, two things simultaneously clicked. One was the lock on the door. (I actually succeeded in springing it.) The other was the realization that I'd been in this type of situation before. In fact, I'd been born into this type of situation.

My upbringing has numbed me to unpredictability and chaos. With a family of seven, my home was loud, messy, and spottily supervised. My siblings arguing, the dog barking, the phone ringing—all meant my house was functioning normally. My Dad, a retired Navy pilot, was away half the time. When he was home, he had a parenting style something like a drill sergeant. At the age of nine, I learned how to clear burning oil from the surface of water. My Dad considered this a critical life skill—you know, in case my aircraft carrier should ever get torpedoed. "The water's on fire! Clear a hole!" he shouted, tossing me in the lake without warning. While I'm still unconvinced about that particular lesson's practicality, my Dad's overarching message is unequivocally true: much of life is unexpected, and you have to deal with the twists and turns.

Living in my family, days rarely unfolded as planned. A bit overlooked, a little pushed around, I learned to roll with reality, negotiate a quick deal, and give the improbable a try. I don't sweat the small stuff, and I definitely don't expect perfect fairness. So what if our dining room table only has six chairs for seven people? Someone learns the importance of punctuality every night.

But more than punctuality and a special affinity for musical chairs, my family life has taught me to thrive in situations over which I have no power. Growing up, I never controlled my older siblings, but I learned how to thwart their attempts to control me. I forged alliances, and realigned them as necessary. Sometimes, I was the poor, defenseless little brother; sometimes I was the omniscient elder. Different things to different people, as the situation demanded. I learned to adapt.

Back then, these techniques were merely reactions undertaken to ensure my survival. But one day this fall, Dr. Hicks, our Head of School, asked me a question that he hoped all seniors would reflect on throughout the year: "How can I participate in a thing I do not govern, in the company of people I did not choose?"

The question caught me off guard, much like the question posed to me in Laredo. Then, I realized I knew the answer. I knew why the coat hanger had been handed to me.

Growing up as the middle child in my family, I was a vital participant in a thing I did not govern, in the company of people I did not choose. It's family. It's society. And often, it's chaos. You participate by letting go of the small stuff, not expecting order and perfection, and facing the unexpected with confidence, optimism, and preparedness. My family experience taught me to face a serendipitous world with confidence.

What Makes This Essay Tick?

It's very helpful to take writing apart in order to see just how it accomplishes its objectives. Stephen's essay is very effective. Let's find out why!

An Opening Line That Draws You In

In just eight words, we get: scene-setting (he is standing next to a car about to break in), the idea of crossing a boundary (he is maybe about to do an illegal thing for the first time), and a cliffhanger (we are thinking: is he going to get caught? Is he headed for a life of crime? Is he about to be scared straight?).

Great, Detailed Opening Story

More out of amusement than optimism, I gave it a try. I slid the hanger into the window's seal like I'd seen on crime shows, and spent a few minutes jiggling the apparatus around the inside of the frame.

It's the details that really make this small experience come alive. Notice how whenever he can, Stephen uses a more specific, descriptive word in place of a more generic one. The volunteers aren't going to get food or dinner; they're going for "Texas BBQ." The coat hanger comes from "a dumpster." Stephen doesn't just move the coat hanger—he "jiggles" it.

Details also help us visualize the emotions of the people in the scene. The person who hands Stephen the coat hanger isn't just uncomfortable or nervous; he "takes a few steps back"—a description of movement that conveys feelings. Finally, the detail of actual speech makes the scene pop. Instead of writing that the other guy asked him to unlock the van, Stephen has the guy actually say his own words in a way that sounds like a teenager talking.

Turning a Specific Incident Into a Deeper Insight

Suddenly, two things simultaneously clicked. One was the lock on the door. (I actually succeeded in springing it.) The other was the realization that I'd been in this type of situation before. In fact, I'd been born into this type of situation.

Stephen makes the locked car experience a meaningful illustration of how he has learned to be resourceful and ready for anything, and he also makes this turn from the specific to the broad through an elegant play on the two meanings of the word "click."

Using Concrete Examples When Making Abstract Claims

My upbringing has numbed me to unpredictability and chaos. With a family of seven, my home was loud, messy, and spottily supervised. My siblings arguing, the dog barking, the phone ringing—all meant my house was functioning normally.

"Unpredictability and chaos" are very abstract, not easily visualized concepts. They could also mean any number of things—violence, abandonment, poverty, mental instability. By instantly following up with highly finite and unambiguous illustrations like "family of seven" and "siblings arguing, the dog barking, the phone ringing," Stephen grounds the abstraction in something that is easy to picture: a large, noisy family.

Using Small Bits of Humor and Casual Word Choice

My Dad, a retired Navy pilot, was away half the time. When he was home, he had a parenting style something like a drill sergeant. At the age of nine, I learned how to clear burning oil from the surface of water. My Dad considered this a critical life skill—you know, in case my aircraft carrier should ever get torpedoed.

Obviously, knowing how to clean burning oil is not high on the list of things every 9-year-old needs to know. To emphasize this, Stephen uses sarcasm by bringing up a situation that is clearly over-the-top: "in case my aircraft carrier should ever get torpedoed."

The humor also feels relaxed. Part of this is because he introduces it with the colloquial phrase "you know," so it sounds like he is talking to us in person. This approach also diffuses the potential discomfort of the reader with his father's strictness—since he is making jokes about it, clearly he is OK. Notice, though, that this doesn't occur very much in the essay. This helps keep the tone meaningful and serious rather than flippant.

An Ending That Stretches the Insight Into the Future

But one day this fall, Dr. Hicks, our Head of School, asked me a question that he hoped all seniors would reflect on throughout the year: "How can I participate in a thing I do not govern, in the company of people I did not choose?"

The ending of the essay reveals that Stephen's life has been one long preparation for the future. He has emerged from chaos and his dad's approach to parenting as a person who can thrive in a world that he can't control.

This connection of past experience to current maturity and self-knowledge is a key element in all successful personal essays. Colleges are very much looking for mature, self-aware applicants. These are the qualities of successful college students, who will be able to navigate the independence college classes require and the responsibility and quasi-adulthood of college life.

What Could This Essay Do Even Better?

Even the best essays aren't perfect, and even the world's greatest writers will tell you that writing is never "finished"—just "due." So what would we tweak in this essay if we could?

Replace some of the clichéd language. Stephen uses handy phrases like "twists and turns" and "don't sweat the small stuff" as a kind of shorthand for explaining his relationship to chaos and unpredictability. But using too many of these ready-made expressions runs the risk of clouding out your own voice and replacing it with something expected and boring.

Use another example from recent life. Stephen's first example (breaking into the van in Laredo) is a great illustration of being resourceful in an unexpected situation. But his essay also emphasizes that he "learned to adapt" by being "different things to different people." It would be great to see how this plays out outside his family, either in the situation in Laredo or another context.

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Example 2: By Renner Kwittken, Tufts Class of '23 (Common App Essay, 645 words long)

My first dream job was to be a pickle truck driver. I saw it in my favorite book, Richard Scarry's "Cars and Trucks and Things That Go," and for some reason, I was absolutely obsessed with the idea of driving a giant pickle. Much to the discontent of my younger sister, I insisted that my parents read us that book as many nights as possible so we could find goldbug, a small little golden bug, on every page. I would imagine the wonderful life I would have: being a pig driving a giant pickle truck across the country, chasing and finding goldbug. I then moved on to wanting to be a Lego Master. Then an architect. Then a surgeon.

Then I discovered a real goldbug: gold nanoparticles that can reprogram macrophages to assist in killing tumors, produce clear images of them without sacrificing the subject, and heat them to obliteration.

Suddenly the destination of my pickle was clear.

I quickly became enveloped by the world of nanomedicine; I scoured articles about liposomes, polymeric micelles, dendrimers, targeting ligands, and self-assembling nanoparticles, all conquering cancer in some exotic way. Completely absorbed, I set out to find a mentor to dive even deeper into these topics. After several rejections, I was immensely grateful to receive an invitation to work alongside Dr. Sangeeta Ray at Johns Hopkins.

In the lab, Dr. Ray encouraged a great amount of autonomy to design and implement my own procedures. I chose to attack a problem that affects the entire field of nanomedicine: nanoparticles consistently fail to translate from animal studies into clinical trials. Jumping off recent literature, I set out to see if a pre-dose of a common chemotherapeutic could enhance nanoparticle delivery in aggressive prostate cancer, creating three novel constructs based on three different linear polymers, each using fluorescent dye (although no gold, sorry goldbug!). Though using radioactive isotopes like Gallium and Yttrium would have been incredible, as a 17-year-old, I unfortunately wasn't allowed in the same room as these radioactive materials (even though I took a Geiger counter to a pair of shoes and found them to be slightly dangerous).

I hadn't expected my hypothesis to work, as the research project would have ideally been led across two full years. Yet while there are still many optimizations and revisions to be done, I was thrilled to find -- with completely new nanoparticles that may one day mean future trials will use particles with the initials "RK-1" -- thatcyclophosphamide did indeed increase nanoparticle delivery to the tumor in a statistically significant way.

A secondary, unexpected research project was living alone in Baltimore, a new city to me, surrounded by people much older than I. Even with moving frequently between hotels, AirBnB's, and students' apartments, I strangely reveled in the freedom I had to enjoy my surroundings and form new friendships with graduate school students from the lab. We explored The Inner Harbor at night, attended a concert together one weekend, and even got to watch the Orioles lose (to nobody's surprise). Ironically, it's through these new friendships I discovered something unexpected: what I truly love is sharing research. Whether in a presentation or in a casual conversation, making others interested in science is perhaps more exciting to me than the research itself. This solidified a new pursuit to angle my love for writing towards illuminating science in ways people can understand, adding value to a society that can certainly benefit from more scientific literacy.

It seems fitting that my goals are still transforming: in Scarry's book, there is not just one goldbug, there is one on every page. With each new experience, I'm learning that it isn't the goldbug itself, but rather the act of searching for the goldbugs that will encourage, shape, and refine my ever-evolving passions. Regardless of the goldbug I seek -- I know my pickle truck has just begun its journey.

Renner takes a somewhat different approach than Stephen, but their essay is just as detailed and engaging. Let's go through some of the strengths of this essay.

One Clear Governing Metaphor

This essay is ultimately about two things: Renner’s dreams and future career goals, and Renner’s philosophy on goal-setting and achieving one’s dreams.

But instead of listing off all the amazing things they’ve done to pursue their dream of working in nanomedicine, Renner tells a powerful, unique story instead. To set up the narrative, Renner opens the essay by connecting their experiences with goal-setting and dream-chasing all the way back to a memorable childhood experience:

This lighthearted–but relevant!--story about the moment when Renner first developed a passion for a specific career (“finding the goldbug”) provides an anchor point for the rest of the essay. As Renner pivots to describing their current dreams and goals–working in nanomedicine–the metaphor of “finding the goldbug” is reflected in Renner’s experiments, rejections, and new discoveries.

Though Renner tells multiple stories about their quest to “find the goldbug,” or, in other words, pursue their passion, each story is connected by a unifying theme; namely, that as we search and grow over time, our goals will transform…and that’s okay! By the end of the essay, Renner uses the metaphor of “finding the goldbug” to reiterate the relevance of the opening story:

While the earlier parts of the essay convey Renner’s core message by showing, the final, concluding paragraph sums up Renner’s insights by telling. By briefly and clearly stating the relevance of the goldbug metaphor to their own philosophy on goals and dreams, Renner demonstrates their creativity, insight, and eagerness to grow and evolve as the journey continues into college.

An Engaging, Individual Voice

This essay uses many techniques that make Renner sound genuine and make the reader feel like we already know them.

Technique #1: humor. Notice Renner's gentle and relaxed humor that lightly mocks their younger self's grand ambitions (this is different from the more sarcastic kind of humor used by Stephen in the first essay—you could never mistake one writer for the other).

My first dream job was to be a pickle truck driver.

I would imagine the wonderful life I would have: being a pig driving a giant pickle truck across the country, chasing and finding goldbug. I then moved on to wanting to be a Lego Master. Then an architect. Then a surgeon.

Renner gives a great example of how to use humor to your advantage in college essays. You don’t want to come off as too self-deprecating or sarcastic, but telling a lightheartedly humorous story about your younger self that also showcases how you’ve grown and changed over time can set the right tone for your entire essay.

Technique #2: intentional, eye-catching structure. The second technique is the way Renner uses a unique structure to bolster the tone and themes of their essay . The structure of your essay can have a major impact on how your ideas come across…so it’s important to give it just as much thought as the content of your essay!

For instance, Renner does a great job of using one-line paragraphs to create dramatic emphasis and to make clear transitions from one phase of the story to the next:

Suddenly the destination of my pickle car was clear.

Not only does the one-liner above signal that Renner is moving into a new phase of the narrative (their nanoparticle research experiences), it also tells the reader that this is a big moment in Renner’s story. It’s clear that Renner made a major discovery that changed the course of their goal pursuit and dream-chasing. Through structure, Renner conveys excitement and entices the reader to keep pushing forward to the next part of the story.

Technique #3: playing with syntax. The third technique is to use sentences of varying length, syntax, and structure. Most of the essay's written in standard English and uses grammatically correct sentences. However, at key moments, Renner emphasizes that the reader needs to sit up and pay attention by switching to short, colloquial, differently punctuated, and sometimes fragmented sentences.

Even with moving frequently between hotels, AirBnB's, and students' apartments, I strangely reveled in the freedom I had to enjoy my surroundings and form new friendships with graduate school students from the lab. We explored The Inner Harbor at night, attended a concert together one weekend, and even got to watch the Orioles lose (to nobody's surprise). Ironically, it's through these new friendships I discovered something unexpected: what I truly love is sharing research.

In the examples above, Renner switches adeptly between long, flowing sentences and quippy, telegraphic ones. At the same time, Renner uses these different sentence lengths intentionally. As they describe their experiences in new places, they use longer sentences to immerse the reader in the sights, smells, and sounds of those experiences. And when it’s time to get a big, key idea across, Renner switches to a short, punchy sentence to stop the reader in their tracks.

The varying syntax and sentence lengths pull the reader into the narrative and set up crucial “aha” moments when it’s most important…which is a surefire way to make any college essay stand out.

Renner's essay is very strong, but there are still a few little things that could be improved.

Connecting the research experiences to the theme of “finding the goldbug.”  The essay begins and ends with Renner’s connection to the idea of “finding the goldbug.” And while this metaphor is deftly tied into the essay’s intro and conclusion, it isn’t entirely clear what Renner’s big findings were during the research experiences that are described in the middle of the essay. It would be great to add a sentence or two stating what Renner’s big takeaways (or “goldbugs”) were from these experiences, which add more cohesion to the essay as a whole.

Give more details about discovering the world of nanomedicine. It makes sense that Renner wants to get into the details of their big research experiences as quickly as possible. After all, these are the details that show Renner’s dedication to nanomedicine! But a smoother transition from the opening pickle car/goldbug story to Renner’s “real goldbug” of nanoparticles would help the reader understand why nanoparticles became Renner’s goldbug. Finding out why Renner is so motivated to study nanomedicine–and perhaps what put them on to this field of study–would help readers fully understand why Renner chose this path in the first place.

4 Essential Tips for Writing Your Own Essay

How can you use this discussion to better your own college essay? Here are some suggestions for ways to use this resource effectively.

#1: Get Help From the Experts

Getting your college applications together takes a lot of work and can be pretty intimidatin g. Essays are even more important than ever now that admissions processes are changing and schools are going test-optional and removing diversity standards thanks to new Supreme Court rulings .  If you want certified expert help that really makes a difference, get started with  PrepScholar’s Essay Editing and Coaching program. Our program can help you put together an incredible essay from idea to completion so that your application stands out from the crowd. We've helped students get into the best colleges in the United States, including Harvard, Stanford, and Yale.  If you're ready to take the next step and boost your odds of getting into your dream school, connect with our experts today .

#2: Read Other Essays to Get Ideas for Your Own

As you go through the essays we've compiled for you above, ask yourself the following questions:

• Can you explain to yourself (or someone else!) why the opening sentence works well?
• Look for the essay's detailed personal anecdote. What senses is the author describing? Can you easily picture the scene in your mind's eye?
• Find the place where this anecdote bridges into a larger insight about the author. How does the essay connect the two? How does the anecdote work as an example of the author's characteristic, trait, or skill?
• Check out the essay's tone. If it's funny, can you find the places where the humor comes from? If it's sad and moving, can you find the imagery and description of feelings that make you moved? If it's serious, can you see how word choice adds to this tone?

Make a note whenever you find an essay or part of an essay that you think was particularly well-written, and think about what you like about it . Is it funny? Does it help you really get to know the writer? Does it show what makes the writer unique? Once you have your list, keep it next to you while writing your essay to remind yourself to try and use those same techniques in your own essay.

#3: Find Your "A-Ha!" Moment

All of these essays rely on connecting with the reader through a heartfelt, highly descriptive scene from the author's life. It can either be very dramatic (did you survive a plane crash?) or it can be completely mundane (did you finally beat your dad at Scrabble?). Either way, it should be personal and revealing about you, your personality, and the way you are now that you are entering the adult world.

Check out essays by authors like John Jeremiah Sullivan , Leslie Jamison , Hanif Abdurraqib , and Esmé Weijun Wang to get more examples of how to craft a compelling personal narrative.

#4: Start Early, Revise Often

Let me level with you: the best writing isn't writing at all. It's rewriting. And in order to have time to rewrite, you have to start way before the application deadline. My advice is to write your first draft at least two months before your applications are due.

Let it sit for a few days untouched. Then come back to it with fresh eyes and think critically about what you've written. What's extra? What's missing? What is in the wrong place? What doesn't make sense? Don't be afraid to take it apart and rearrange sections. Do this several times over, and your essay will be much better for it!

For more editing tips, check out a style guide like Dreyer's English or Eats, Shoots & Leaves .

What's Next?

Still not sure which colleges you want to apply to? Our experts will show you how to make a college list that will help you choose a college that's right for you.

Interested in learning more about college essays? Check out our detailed breakdown of exactly how personal statements work in an application , some suggestions on what to avoid when writing your essay , and our guide to writing about your extracurricular activities .

Working on the rest of your application? Read what admissions officers wish applicants knew before applying .

Want to improve your SAT score by 160 points or your ACT score by 4 points? We've written a guide for each test about the top 5 strategies you must be using to have a shot at improving your score. Download it for free now:

The recommendations in this post are based solely on our knowledge and experience. If you purchase an item through one of our links PrepScholar may receive a commission.

Anna scored in the 99th percentile on her SATs in high school, and went on to major in English at Princeton and to get her doctorate in English Literature at Columbia. She is passionate about improving student access to higher education.

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Home Essay Samples Psychology Adolescence

My Adolescent Experience and Development: A Reflection

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Adolescent experience in my life, physical development, emotional development.

“Perhaps you looked in the mirror on a daily, or sometimes even hourly, basis as a young teenager to see whether you could detect anything different about your changing body. Preoccupation with one’s body image is strong through adolescence, it is especially acute during puberty, a time when adolescents are more dissatisfied with their bodies than in late adolescence.” (Santrock)

Social changes

• Arnett, J. J. (2015). Adolescence and emerging adulthood : A cultural approach. Pearson Education.
• Erikson, E. H. (1968). Identity: Youth and crisis. WW Norton & Company.
• Gullotta, T. P., & Adams, G. R. (Eds.). (2016). Handbook of adolescent behavioral problems: Evidence-based approaches to prevention and treatment. Springer.
• Steinberg, L. (2014). Age of opportunity: Lessons from the new science of adolescence. Houghton Mifflin Harcourt.
• Steinberg, L., & Morris, A. S. (2001). Adolescent development. Annual review of psychology, 52(1), 83-110.
• Suler, J. R. (2018). Adolescent development. In Psychology of Adolescence (pp. 11-38). Springer.
• Rutter, M., & Smith, DJ (1995). Psychosocial disorders in young people: Time trends and their causes. John Wiley & Sons.
• American Psychological Association. (2019). APA handbook of the psychology of adolescence.
• Offer, D., & Schonert-Reichl, K. A. (1992). Debunking the myths of adolescence: Findings from recent research. Journal of the American Academy of Child & Adolescent Psychiatry, 31(6), 1003-1014.

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The Most Meaningful Experience in My Life

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Published: Sep 5, 2023

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The journey begins, lessons in resilience, cultural immersion and empathy, reflection and self-discovery, continued impact.

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“The Heart Is Capable of Grieving for Two Peoples at Once”

Joanna Chen, as you may know, is the Israeli journalist, writer, and translator who recently published a piece in the literary quarterly Guernica that set off a firestorm at the journal, leading to several resignations and an official retraction of the article, which was denounced by various staffers as an apologia for settler colonialism and the mark of Guernica ’s descent into being nothing more than “a pillar of eugenicist white colonialism masquerading as goodness.”

The essay, which The Washington Monthly republished , is in fact a heartfelt and nuanced reflection on the ongoing tragedy by a woman who spent her time volunteering (and continues to, after a brief post–October 7 hiatus) driving Palestinian children to hospitals. The essay’s sin seems to be that it acknowledges Israeli suffering as well as Palestinian suffering. As Sasha Abramsky put it last week in a bracing piece in The Nation : “If Chen were defending the Netanyahu government’s ghastly and indiscriminate slaughter in Gaza, I could understand the hostility. If she were defending right-wing West Bank settlers and their gun-toting supremacism, I could understand the hostility. If she were defending the fascistic words and actions of Israeli cabinet ministers such as Itamar Ben-Gvir, I could understand the hostility. But Chen, who is a lifelong anti-militarist and spends her days shuttling sick Palestinian children to healthcare facilities in Israel, is none of those things. She’s a voice for peace and reconciliation in a country that has gone mad. Yet, by virtue of her showing sympathy for slaughtered and kidnapped Israelis and recognizing the shared humanity of all victims in this conflict, she seems to have been deemed illegitimate by Guernica’s holier-than-thou staff.”

Shared humanity of all victims. If a liberal, humanist politics loses sight of that, it is lost. And if journals and magazines can’t make room for an essay like this, which is not a political polemic and which attempts to look at a tragic and complex reality through a different and less crisply ordered lens, then that is sad too.

I conducted an interview with Chen via email Thursday.

Michael Tomasky: What made you want to write the piece?

Joanna Chen: I’ve been listening intently to voices on all sides since this ongoing horrific conflict began. I knew my essay would be uncomfortable and inconvenient to readers, but for me it is a necessary voice in this broken world.   

M.T.: Describe in a little more detail this work you did driving Palestinian children. How long had you done it?

J.C.: I’ve been volunteering with Road to Recovery for a few years, driving Palestinian children from the Tarkumia checkpoint to Israeli hospitals. Some of the criticism I’ve received over the past week and a half suggests I ought to think exactly why there are inadequate medical facilities in the occupied territories and that I should do something about that. So what do you want me to do? Go demonstrate on street corners or sign petitions? These kids don’t have time for that. They need medical attention now. Any parent who has had to care for a sick child will understand this. I’m not going to stop driving them, I’m going to hold onto my humanity the best I can, person to person.    

M.T.: Your own politics seem certainly somewhere left of center, is that fair to say? Could you talk a little about your political awakening and growth?

J.C.: I was 16 years old when my parents sent me to Israel. I had just lost my only brother, Andrew, in a traffic accident, and I was very much alone. I had no awareness of politics for years; I was struggling to survive.

I worked for Newsweek for 15 years, and during that time I met people on both sides of the conflict. I met politicians, but it was always the people who interested me, the faces behind the slick slogans and quick takes. I met Palestinians in refugee camps, I met Jewish settlers on hilltops, I met bereaved mothers on both sides. I accompanied a senior journalist to Gaza to meet Abu Mazen; I went with the same journalist to interview Ariel Sharon on his farm in southern Israel. I covered demonstrations, but I was always on the sidelines; I was always watching and listening.

I’m not a peace activist. I don’t go to demonstrations, and I’m not affiliated with any left-wing movements. On the other hand, I don’t shy away from the reality. It’s easy to get caught up in your own (real) troubles, your own pain. The Israeli press rarely reports on the dire situation in Gaza of the civilian population, for example.

M.T.: When the editors read the draft, what did they say initially?

J.C.: Only one editor worked with me on my essay. There’s nothing unusual about this, and I had no reason to be suspicious—this was my second essay for Guernica, and the process was the same. I was given the distinct impression that my words were appreciated.

M.T.: How did you first hear about these staff reactions?

J.C.: On Saturday night, a friend texted me that a staffer had resigned. I had no indication before then that something was up. When I publish essays, I let go of them, I let them out into the world, I don’t check obsessively to see what’s happening, whether there are reactions. I move on.

M.T.: Toward the end of the piece, you write, “We learned the importance of acknowledging both the Israeli and Palestinian narratives and the importance of understanding the pain of each side.” Do you think, at bottom, that this was why the piece was attacked, because it acknowledged Jewish as well as Palestinian suffering? And if so, what does that say about discourse around this issue?

J.C.: My essay is uncomfortable and inconvenient to readers because it considers the incredible suffering of both Israelis and Palestinians. Some people complained that I stopped my volunteer work with Road to Recovery after October 7, when in fact I temporarily paused: I was scared, I needed time to digest what had happened. Three weeks later, I signed up again.

Discourse demands a conversation, a give and take. It’s a lot easier to listen to the sound of your own voice, but conversation is a necessary step in order to break away from the vicious circle of violence and hate.

M.T.: What, then, is the conversation that you were hoping to provoke? And I’m curious—given the reaction, do you feel you might have presented anything a little differently? The reaction was intolerant, but has it made you think, well, maybe I could have said this in some different way and communicated my point better?

J.C.: The essay considers how to remain human in a situation where each side in the conflict  dehumanizes the other and refuses to see others and their needs and aspirations. I think the  reaction demonstrates how difficult it is to see the others’ multifaceted humanity.

As a translator, I know there are several ways to say the same thing, and every way will  highlight or showcase a different facet of the narrative. It depends on the context, it depends  on the underground life of words and phrases. I choose my words carefully. The incredible  reaction to “Broken World” has moved me to write a new essay, because there is always  something more to say.   

M.T.: Experiences like yours often shake people and move them to the right, because they’ve seen an intolerant left firsthand. How are you working to remain true to your principles?

J.C.: I do not think in terms of left and right, although I acknowledge their existence. I’m certainly grappling with the current situation, but staying on track is not a problem for me. I’m determined to retain my humanity.

M.T.: With everyone bracing for carnage in Rafah, with Netanyahu not budging, with Trump saying if he gets back in, Israel gets a blank check, and with Hamas not budging on hostages … do you see any basis for hope?

J.C.: The situation is dire. My words are a drop in an ocean of discontent and hatred, but I believe the heart is capable of grieving for two peoples at once. This is what being human demands of us.

M.T.: A final thought on literature and cancel culture?

J.C.: Literature and art certainly possess a political dimension, but reducing literature to politics creates dogmatic, monolithic writing without the nuances that make literature a tool for reviewing ourselves and the reality we live in.

History has taught us that attempts to censor and suppress literary works only serve to expand readership. The message, rather than being erased, is heard all the more loudly. I see what happened as a way forward. The conversation has begun.

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Opinion Guest Essay

The Great Rupture in American Jewish Life

Credit... Daniel Benneworth-Gray

Supported by

By Peter Beinart

Mr. Beinart is the editor at large of Jewish Currents and a journalist and writer who has written extensively on the Middle East, Jewish life and American foreign policy.

• March 22, 2024

F or the last decade or so, an ideological tremor has been unsettling American Jewish life. Since Oct. 7, it has become an earthquake. It concerns the relationship between liberalism and Zionism, two creeds that for more than half a century have defined American Jewish identity. In the years to come, American Jews will face growing pressure to choose between them.

They will face that pressure because Israel’s war in Gaza has supercharged a transformation on the American left. Solidarity with Palestinians is becoming as essential to leftist politics as support for abortion rights or opposition to fossil fuels. And as happened during the Vietnam War and the struggle against South African apartheid, leftist fervor is reshaping the liberal mainstream. In December, the United Automobile Workers demanded a cease-fire and formed a divestment working group to consider the union’s “economic ties to the conflict.” In January, the National L.G.B.T.Q. Task Force called for a cease-fire as well. In February, the leadership of the African Methodist Episcopal Church, the nation’s oldest Black Protestant denomination, called on the United States to halt aid to the Jewish state. Across blue America, many liberals who once supported Israel or avoided the subject are making the Palestinian cause their own.

This transformation remains in its early stages. In many prominent liberal institutions — most significantly, the Democratic Party — supporters of Israel remain not only welcome but also dominant. But the leaders of those institutions no longer represent much of their base. The Democratic majority leader, Senator Chuck Schumer, acknowledged this divide in a speech on Israel on the Senate floor last week. He reiterated his longstanding commitment to the Jewish state, though not its prime minister. But he also conceded, in the speech’s most remarkable line, that he “can understand the idealism that inspires so many young people in particular to support a one-state solution” — a solution that does not involve a Jewish state. Those are the words of a politician who understands that his party is undergoing profound change.

The American Jews most committed to Zionism, the ones who run establishment institutions, understand that liberal America is becoming less ideologically hospitable. And they are responding by forging common cause with the American right. It’s no surprise that the Anti-Defamation League, which only a few years ago harshly criticized Donald Trump’s immigration policies, recently honored his son-in-law and former senior adviser, Jared Kushner.

Mr. Trump himself recognizes the emerging political split. “Any Jewish person that votes for Democrats hates their religion,” he said in an interview published on Monday. “They hate everything about Israel, and they should be ashamed of themselves because Israel will be destroyed.” It’s typical Trumpian indecency and hyperbole, but it’s rooted in a political reality. For American Jews who want to preserve their country’s unconditional support for Israel for another generation, there is only one reliable political partner: a Republican Party that views standing for Palestinian rights as part of the “woke” agenda.

The American Jews who are making a different choice — jettisoning Zionism because they can’t reconcile it with the liberal principle of equality under the law — garner less attention because they remain further from power. But their numbers are larger than many recognize, especially among millennials and Gen Z. And they face their own dilemmas. They are joining a Palestine solidarity movement that is growing larger, but also more radical, in response to Israel’s destruction of Gaza. That growing radicalism has produced a paradox: A movement that welcomes more and more American Jews finds it harder to explain where Israeli Jews fit into its vision of Palestinian liberation.

The emerging rupture between American liberalism and American Zionism constitutes the greatest transformation in American Jewish politics in half a century. It will redefine American Jewish life for decades to come.

“A merican Jews,” writes Marc Dollinger in his book “Quest for Inclusion: Jews and Liberalism in Modern America,” have long depicted themselves as “guardians of liberal America.” Since they came to the United States in large numbers around the turn of the 20th century, Jews have been wildly overrepresented in movements for civil, women’s, labor and gay rights. Since the 1930s, despite their rising prosperity, they have voted overwhelmingly for Democrats. For generations of American Jews, the icons of American liberalism — Eleanor Roosevelt, Robert Kennedy, Martin Luther King Jr., Gloria Steinem — have been secular saints.

The American Jewish love affair with Zionism dates from the early 20th century as well. But it came to dominate communal life only after Israel’s dramatic victory in the 1967 war exhilarated American Jews eager for an antidote to Jewish powerlessness during the Holocaust. The American Israel Public Affairs Committee, which was nearly bankrupt on the eve of the 1967 war, had become American Jewry’s most powerful institution by the 1980s. American Jews, wrote Albert Vorspan, a leader of Reform Judaism, in 1988, “have made of Israel an icon — a surrogate faith, surrogate synagogue, surrogate God.”

Given the depth of these twin commitments, it’s no surprise that American Jews have long sought to fuse them by describing Zionism as a liberal cause. It has always been a strange pairing. American liberals generally consider themselves advocates of equal citizenship irrespective of ethnicity, religion and race. Zionism — or at the least the version that has guided Israel since its founding — requires Jewish dominance. From 1948 to 1966, Israel held most of its Palestinian citizens under military law; since 1967 it has ruled millions of Palestinians who hold no citizenship at all. Even so, American Jews could until recently assert their Zionism without having their liberal credentials challenged.

The primary reason was the absence from American public discourse of Palestinians, the people whose testimony would cast those credentials into greatest doubt. In 1984, the Palestinian American literary critic Edward Said argued that in the West, Palestinians lack “permission to narrate” their own experience. For decades after he wrote those words, they remained true. A study by the University of Arizona’s Maha Nassar found that of the opinion articles about Palestinians published in The New York Times and The Washington Post between 2000 and 2009, Palestinians themselves wrote roughly 1 percent.

But in recent years, Palestinian voices, while still embattled and even censored , have begun to carry. Palestinians have turned to social media to combat their exclusion from the press. In an era of youth-led activism, they have joined intersectional movements forged by parallel experiences of discrimination and injustice. Meanwhile, Israel — under the leadership of Benjamin Netanyahu for most of the past two decades — has lurched to the right, producing politicians so openly racist that their behavior cannot be defended in liberal terms.

Many Palestine solidarity activists identify as leftists, not liberals. But like the activists of the Occupy Wall Street and Black Lives Matter movements, they have helped change liberal opinion with their radical critiques. In 2002, according to Gallup , Democrats sympathized with Israel over the Palestinians by a margin of 34 points. By early 2023, they favored the Palestinians by 11 points. And because opinion about Israel cleaves along generational lines, that pro-Palestinian skew is much greater among the young. According to a Quinnipiac University poll in November, Democrats under the age of 35 sympathize more with Palestinians than with Israelis by 58 points.

Given this generational gulf, universities offer a preview of the way many liberals — or “progressives,” a term that straddles liberalism and leftism and enjoys more currency among young Americans — may view Zionism in the years to come. Supporting Palestine has become a core feature of progressive politics on many campuses. At Columbia, for example, 94 campus organizations — including the Vietnamese Students Association, the Reproductive Justice Collective and Poetry Slam, Columbia’s “only recreational spoken word club” — announced in November that they “see Palestine as the vanguard for our collective liberation.” As a result, Zionist Jewish students find themselves at odds with most of their politically active peers.

Accompanying this shift, on campus and beyond, has been a rise in Israel-related antisemitism. It follows a pattern in American history. From the hostility toward German Americans during World War I to violence against American Muslims after Sept. 11 and assaults on Asian Americans during the Covid pandemic, Americans have a long and ugly tradition of expressing their hostility toward foreign governments or movements by targeting compatriots who share a religion, ethnicity or nationality with those overseas adversaries. Today, tragically, some Americans who loathe Israel are taking it out on American Jews. (Palestinian Americans, who have endured multiple violent hate crimes since Oct. 7, are experiencing their own version of this phenomenon.) The spike in antisemitism since Oct. 7 follows a pattern. Five years ago, the political scientist Ayal Feinberg, using data from 2001 and 2014, found that reported antisemitic incidents in the United States spike when the Israeli military conducts a substantial military operation.

Attributing the growing discomfort of pro-Israel Jewish students entirely to antisemitism, however, misses something fundamental. Unlike establishment Jewish organizations, Jewish students often distinguish between bigotry and ideological antagonism. In a 2022 study , the political scientist Eitan Hersh found that more than 50 percent of Jewish college students felt “they pay a social cost for supporting the existence of Israel as a Jewish state.” And yet, in general, Dr. Hersh reported, “the students do not fear antisemitism.”

Surveys since Oct. 7 find something similar. Asked in November in a Hillel International poll to describe the climate on campus since the start of the war, 20 percent of Jewish students answered “unsafe” and 23 percent answered “scary.” By contrast, 45 percent answered “uncomfortable” and 53 percent answered “tense.” A survey that same month by the Jewish Electorate Institute found that only 37 percent of American Jewish voters ages 18 to 35 consider campus antisemitism a “very serious problem,” compared with nearly 80 percent of American Jewish voters over the age of 35.

While some young pro-Israel American Jews experience antisemitism, they more frequently report ideological exclusion. As Zionism becomes associated with the political right, their experiences on progressive campuses are coming to resemble the experiences of young Republicans. The difference is that unlike young Republicans, most young American Zionists were raised to believe that theirs was a liberal creed. When their parents attended college, that assertion was rarely challenged. On the same campuses where their parents felt at home, Jewish students who view Zionism as central to their identity now often feel like outsiders.

In 1979, Mr. Said observed that in the West, “to be a Palestinian is in political terms to be an outlaw.” In much of America — including Washington — that remains true. But within progressive institutions one can glimpse the beginning of a historic inversion. Often, it’s now the Zionists who feel like outlaws.

G iven the organized American Jewish community’s professed devotion to liberal principles, which include free speech, one might imagine that Jewish institutions would greet this ideological shift by urging pro-Israel students to tolerate and even learn from their pro-Palestinian peers. Such a stance would flow naturally from the statements establishment Jewish groups have made in the past. A few years ago, the Anti-Defamation League declared that “our country’s universities serve as laboratories for the exchange of differing viewpoints and beliefs. Offensive, hateful speech is protected by the Constitution’s First Amendment.”

But as pro-Palestinian sentiment has grown in progressive America, pro-Israel Jewish leaders have apparently made an exception for anti-Zionism. While still claiming to support free speech on campus, the A.D.L. last October asked college presidents to investigate local chapters of Students for Justice in Palestine to determine whether they violated university regulations or state or federal laws, a demand that the American Civil Liberties Union warned could “chill speech” and “betray the spirit of free inquiry.” After the University of Pennsylvania hosted a Palestinian literature festival last fall, Marc Rowan, chair of the United Jewish Appeal-Federation of New York and chair of the board of advisers of Penn’s Wharton business school, condemned the university’s president for giving the festival Penn’s “imprimatur.” In December, he encouraged trustees to alter university policies in ways that Penn’s branch of the American Association of University Professors warn ed could “silence and punish speech with which trustees disagree.”

In this effort to limit pro-Palestinian speech, establishment Jewish leaders are finding their strongest allies on the authoritarian right. Pro-Trump Republicans have their own censorship agenda: They want to stop schools and universities from emphasizing America’s history of racial and other oppression. Calling that pedagogy antisemitic makes it easier to ban or defund. At a much discussed congressional hearing in December featuring the presidents of Harvard, Penn and M.I.T., the Republican representative Virginia Foxx noted that Harvard teaches courses like “Race and Racism in the Making of the United States as a Global Power” and hosts seminars such as “Scientific Racism and Anti-Racism: History and Recent Perspectives” before declaring that “Harvard also, not coincidentally but causally, was ground zero for antisemitism following Oct. 7.”

Ms. Foxx’s view is typical. While some Democrats also equate anti-Zionism and antisemitism, the politicians and business leaders most eager to suppress pro-Palestinian speech are conservatives who link such speech to the diversity, equity and inclusion agenda they despise. Elise Stefanik, a Trump acolyte who has accused Harvard of “caving to the woke left,” became the star of that congressional hearing by demanding that Harvard’s president , Claudine Gay, punish students who chant slogans like “From the river to the sea, Palestine will be free.” (Ms. Gay was subsequently forced to resign following charges of plagiarism.) Elon Musk, who in November said that the phrase “from the river to the sea” was banned from his social media platform X (formerly Twitter), the following month declared , “D.E.I. must die.” The first governor to ban Students for Justice in Palestine chapters at his state’s public universities was Florida’s Ron DeSantis, who has also signed legislation that limits what those universities can teach about race and gender.

This alignment between the American Jewish organizational establishment and the Trumpist right is not limited to universities. If the A.D.L. has aligned with Republicans who want to silence “woke” activists on campus, AIPAC has joined forces with Republicans who want to disenfranchise “woke” voters. In the 2022 midterm elections, AIPAC endorsed at least 109 Republicans who opposed certifying the 2020 election. For an organization single-mindedly focused on sustaining unconditional U.S. support for Israel, that constituted a rational decision. Since Republican members of Congress don’t have to mollify pro-Palestinian voters, they’re AIPAC’s most dependable allies. And if many of those Republicans used specious claims of Black voter fraud to oppose the democratic transfer of power in 2020 — and may do so again — that’s a price AIPAC seems to be prepared to pay.

F or the many American Jews who still consider themselves both progressives and Zionists, this growing alliance between leading Zionist institutions and a Trumpist Republican Party is uncomfortable. But in the short term, they have an answer: politicians like President Biden, whose views about both Israel and American democracy roughly reflect their own. In his speech last week, Mr. Schumer called these liberal Zionists American Jewry’s “silent majority.”

For the moment he may be right. In the years to come, however, as generational currents pull the Democratic Party in a more pro-Palestinian direction and push America’s pro-Israel establishment to the right, liberal Zionists will likely find it harder to reconcile their two faiths. Young American Jews offer a glimpse into that future, in which a sizable wing of American Jewry decides that to hold fast to its progressive principles it must jettison Zionism and embrace equal citizenship in Israel and Palestine, as well as in the United States.

For an American Jewish establishment that equates anti-Zionism with antisemitism, these anti-Zionist Jews are inconvenient. Sometimes, pro-Israel Jewish organizations pretend they don’t exist. In November, after Columbia suspended two anti-Zionist campus groups, the A.D.L. thanked university leaders for acting “to protect Jewish students” — even though one of the suspended groups was Jewish Voice for Peace. At other times, pro-Israel leaders describe anti-Zionist Jews as a negligible fringe. If American Jews are divided over the war in Gaza, Andrés Spokoiny, the president and chief executive of the Jewish Funders Network, an organization for Jewish philanthropists, declared in December, “the split is 98 percent/2 percent.”

Among older American Jews, this assertion of a Zionist consensus contains some truth. But among younger American Jews, it’s false. In 2021, even before Israel’s current far-right government took power, the Jewish Electorate Institute found that 38 percent of American Jewish voters under the age of 40 viewed Israel as an apartheid state, compared with 47 percent who said it’s not. In November, it revealed that 49 percent of American Jewish voters ages 18 to 35 opposed Mr. Biden’s request for additional military aid to Israel. On many campuses, Jewish students are at the forefront of protests for a cease-fire and divestment from Israel. They don’t speak for all — and maybe not even most — of their Jewish peers. But they represent far more than 2 percent.

These progressive Jews are, as the U.S. editor of The London Review of Books, Adam Shatz, noted to me, a double minority. Their anti-Zionism makes them a minority among American Jews, while their Jewishness makes them a minority in the Palestine solidarity movement. Fifteen years ago, when the liberal Zionist group J Street was intent on being the “ blocking back ” for President Barack Obama’s push for a two-state solution, some liberal Jews imagined themselves leading the push to end Israel’s occupation of the West Bank and the Gaza Strip. Today, the prospect of partition has diminished, and Palestinians increasingly set the terms of activist criticism of Israel. That discourse, which is peppered with terms like “apartheid” and “decolonization," is generally hostile to a Jewish state within any borders.

There’s nothing antisemitic about envisioning a future in which Palestinians and Jews coexist on the basis of legal equality rather than Jewish supremacy. But in pro-Palestine activist circles in the United States, coexistence has receded as a theme. In 1999, Mr. Said argued for “a binational Israeli-Palestinian state” that offered “self-determination for both peoples.” In his 2007 book, “One Country,” Ali Abunimah, a co-founder of The Electronic Intifada, an influential source of pro-Palestine news and opinion, imagined one state whose name reflected the identities of both major communities that inhabit it. The terms “‘Israel’ and ‘Palestine’ are dear to those who use them and they should not be abandoned,” he argued. “The country could be called Yisrael-Falastin in Hebrew and Filastin-Isra’il in Arabic.”

In recent years, however, as Israel has moved to the right, pro-Palestinian discourse in the United States has hardened. The phrase “From the river to the sea, Palestine will be free,” which dates from the 1960s but has gained new prominence since Oct. 7, does not acknowledge Palestine and Israel’s binational character. To many American Jews, in fact, the phrase suggests a Palestine free of Jews. It sounds expulsionist, if not genocidal. It’s an ironic charge, given that it is Israel that today controls the land between the river and the sea, whose leaders openly advocate the mass exodus of Palestinians and that the International Court of Justice says could plausibly be committing genocide in Gaza.

Palestinian scholars like Maha Nassar and Ahmad Khalidi argue that “From the river to the sea, Palestine will be free” does not imply the subjugation of Jews. It instead reflects the longstanding Palestinian belief that Palestine should have become an independent country when released from European colonial control, a vision that does not preclude Jews from living freely alongside their Muslim and Christian neighbors. The Jewish groups closest to the Palestine solidarity movement agree: Jewish Voice for Peace’s Los Angeles chapter has argued that the slogan is no more anti-Jewish than the phrase “Black lives matter” is anti-white. And if the Palestine solidarity movement in the United States calls for the genocide of Jews, it’s hard to explain why so many Jews have joined its ranks. Rabbi Alissa Wise, an organizer of Rabbis for Cease-Fire, estimates that other than Palestinians, no other group has been as prominent in the protests against the war as Jews.

Still, imagining a “free Palestine” from the river to the sea requires imagining that Israeli Jews will become Palestinians, which erases their collective identity. That’s a departure from the more inclusive vision that Mr. Said and Mr. Abunimah outlined years ago. It’s harder for Palestinian activists to offer that more inclusive vision when they are watching Israel bomb and starve Gaza. But the rise of Hamas makes it even more essential.

Jews who identify with the Palestinian struggle may find it difficult to offer this critique. Many have defected from the Zionist milieu in which they were raised. Having made that painful transition, which can rupture relations with friends and family, they may be disinclined to question their new ideological home. It’s frightening to risk alienating one community when you’ve already alienated another. Questioning the Palestine solidarity movement also violates the notion, prevalent in some quarters of the American left, that members of an oppressor group should not second-guess representatives of the oppressed.

But these identity hierarchies suppress critical thought. Palestinians aren’t a monolith, and progressive Jews aren’t merely allies. They are members of a small and long-persecuted people who have not only the right but also the obligation to care about Jews in Israel, and to push the Palestine solidarity movement to more explicitly include them in its vision of liberation, in the spirit of the Freedom Charter adopted during apartheid by the African National Congress and its allies, which declared in its second sentence that “South Africa belongs to all who live in it, Black and white.”

For many American Jews, it is painful to watch their children’s or grandchildren’s generation question Zionism. It is infuriating to watch students at liberal institutions with which they once felt aligned treat Zionism as a racist creed. It is tempting to attribute all this to antisemitism, even if that requires defining many young American Jews as antisemites themselves.

But the American Jews who insist that Zionism and liberalism remain compatible should ask themselves why Israel now attracts the fervent support of Representative Stefanik but repels the African Methodist Episcopal Church and the United Automobile Workers. Why it enjoys the admiration of Elon Musk and Viktor Orban but is labeled a perpetrator of apartheid by Human Rights Watch and likened to the Jim Crow South by Ta-Nehisi Coates. Why it is more likely to retain unconditional American support if Mr. Trump succeeds in turning the United States into a white Christian supremacist state than if he fails.

For many decades, American Jews have built our political identity on a contradiction: Pursue equal citizenship here; defend group supremacy there. Now here and there are converging. In the years to come, we will have to choose.

Peter Beinart ( @PeterBeinart ) is a professor of journalism and political science at the Newmark School of Journalism at the City University of New York. He is also the editor at large of Jewish Currents and writes The Beinart Notebook , a weekly newsletter.

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