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Andy warhol research paper.
December 4, 2013 UsefulResearchPapers Research Papers 0
Andy Warhol was a cult person in the history of pop art movement and contemporary art in general. In 1960, he was a producer and manager of the first alternative rock band The Velvet Underground.
Warhol was born in Pittsburgh (Pennsylvania, USA), the son of Ukrainian immigrants from the village of Mikov, which was then in Austria-Hungary, and now it is in Stropkovsky region in the northeastern area of Slovakia. He began to show early talent in art, and studied commercial art at the Carnegie Institute of Technology (now Carnegie Mellon University) in Pittsburgh. He was not always a good college student and often remained misunderstood by his peers and superiors.
After finishing his education in 1949, he moved to New York and began a successful career in illustrating magazines and in advertising. He became well known for his eccentric ink drawings of shoes made ??in the free style, with the intentional ink stains.
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In 1962, Warhol created a sensational series of paintings, which depicted, often in loud colors, cans of canned Coke. The attention of the radical art critics has been immediately drawn to them. They said that in his works the young artist skillfully revealed the vulgarity, emptiness, and impersonality of the Western culture of mass consumption. Subsequently, Warhol began to create more shocking works, such as the acidic images of idols of modern society: Marilyn Monroe, Mick Jagger, and Mao Zedong. Allegedly, as a “final touch” Warhol asked his lovers piss on his works to complete it. Scandalous reputation Warhol contributed to the growth of the prices for his works of this series. Currently, the market values of Warhol’s paintings are often measured in tens of millions of dollars.
In the second half of the 1960s, Warhol interested in cinema. The movies he made with Paul Morrissey were the first sign of the sexual revolution. Warhol’s earliest short depicted two men doing fellatio. Most of his movie works are more or less plotless films, lasting up to 25 hours, during which naked participants of Warhol’s “factory,” like Joe Dalessandro and Edie Sedvig, roamed on the screen. Along with the experiments making amateur movies, Warhol produces the first alternative rock band The Velvet Underground. He also made a number of conceptual designer covers album, for example, the Sticky Fingers cover for The Rolling Stones.
Around Warhol, there was a special youth subculture, whose follower – feminist Valerie Solanas – shot the “teacher” in 1968 and seriously wounding him. Although Warhol’s life could be saved, over the next two years he remained disabled, and in 1987, he died from the complication. His brothers moved the body of the artist to Pittsburgh to burry him in the Ukrainian Greek Catholic the Holy Spirit Church.
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Pop reflects the real world and interprets it. Fine artists made products showing artist 's reaction about mass culture but instead of direct attitude like challenge or criticism, pop use the mass culture as it 's material or information. It stand on the fence.
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In his self-explanatorily titled article, Andy Warhol: The Artist as Machine, Bergin perceives Warhol as a machine – as opposed to human – which he attributes to Warhol’s own painstaking efforts to indistinguishably tie himself to his work. Warhol did this by keeping away from the public life (Lanchner 4). This represents what Schroeder explores as the relationship between the artist and the brand, and indeed Warhol made himself into a brand (1291). Bergin posits that, “For all intents and purposes, the image is Andy Warhol” (359). But the question arises: what was that image? Besides, a brand is associated with certain perceivable– consciously or subconsciously – traits and features. To Bergin, the common theme in Warhol’s art, that is, brand, is an “emphasis upon a stylized exterior and the lack of concern for anything other than the obvious” (359). However, the true nature of the so-called ‘stylized exterior’ has remained elusive. Warhol himself resisted the bait (during interviews) to interpret his own work, which was eclectic and unpredictable. The point made by all these is the implacability of Warhol’s works, and this is in fact the nature of Pop arts, of which Warhol was/is a key figure, a major influence for the movement in the decades that have followed.
Warhol and Pop Art
Selvin attempts to examine the nature of Pop Art. He focuses on the reasons that led to the rise of this new art movement, as well as the elements that characterize the works of this movement. The risk with such an endeavor is that there are different approaches to and practices of Pop art, which makes it hard to describe in any clear terms. However, there is a basic understanding of Pop Art. Selvin tries to find this common theme in the views of several critics (1). These include: Max Kozloff speaks of “no focus, no selectiveness;” G. R. Swenson sees the new movement as something that “cannot be understood through formulas or some conventional pattern of visual grammar one or more remove from experience;” Peter Selz sees the Pop artist as responding “specifically to his visual environment;” and Barbara Rose perceives Pop artists as “linked only through subject matter [rather than]… stylistic similarities” (Selvin 1-2). The message derived from all these quotations is the understanding of Pop Art as impulsive, with the immediate context as the inspiring stimuli, which is the reason that it is indefinable.
In all of these quotes, there is a lack of concrete wording for what Pop art really is. Bergin aptly describes Pop art as intellectually imprecise (359). The only certainty with Pop art, therefore, is its unpredictability. In those terms, Warhol and his works remain elusive to-date, three decades after his death. He seemed intent to run away from the world, to refuse to be defined in certain particular terms. He did all kinds of artworks (paintings, film, textual production, among others), refusing to be called any one kind of artist (Otty 1). He also explicitly refused to interpret his work, letting the work interpret itself, and for the audience to experience the underlying theme whichever way they chose. For instance, even amidst the bad reception of his Campbell Soup Cans (1962), Warhol remained silent, resisting the possible temptation to nudge the audience towards the acceptance of his work. Pop Art was a form of resistance, an emphasis on oneself rather than the collective. This is how many felt in Warhol’s time, which makes Pop Art an appropriate art for the generation, and Warhol an artist for his time.
Critical Analysis of Warhol’s Campbell’s Soup Cans, Gold Marilyn Monroe, and Elizabeth Taylor Portrait
Campbell’s Soup Cans: This consisted of 32 paintings of the so-called Campbell’s Soup Cans . All the cans were exactly the same in physical look, but the names of the soups were different (Johnson 1). The work was first exhibited in 1962, and the reception was a mixture of “mockery and indifference” (McCorquodale 1). The work was in fact considered a flop, until Irving Blum (the owner of the Los Angeles’ Ferrus Gallery ) figured that the pieces needed to be placed together as part of the same piece. Only then did the audience start to see the statement that it was speaking of the then-spirit of America, particularly the time’s consumerist culture (Bolton 7; McCorquodale 1).
‘Campbell’s Soup Cans’, Andy Warhol (1962)
Warhol makes this statement using two devices. The first, understood as the Warhol’s ‘doctrine,’ is the reproduction (repetitiveness) of the subject (Bergin 359). It is the ‘machine’ side of Warhol (Bergin 359). There are dimensions to the machine side of Warhol. In one dimension, the machine is Warhol himself. In this respect, Warhol overzealously protects his private life, and by doing that he separates himself from any context in which he could be seen as a mortal man. Like a machine, therefore, he is without a background story. Bergin notes that, “Warhol apparently would prefer not to be thought of as a man with a past… but as a unique entity… who sprang into existence fully grown to do his work and who will someday vanish just as abruptly and mysteriously” (359). To what extent this dimension is apparent in this work is not clear. However, the work reveals the repetitiveness of a machine, which is an exhibit of Warhol’s methodical and mechanical way of working (McCorquodale 1). Indeed, the repetitiveness of the Campbell’s Soup Cans is the way of machine. He works methodically, almost as if he is not conscious of what he is doing – merely reproducing without thought. This is, however, only a surface interpretation. There is an ultimate underlying meaning in all this, and as noted, Campbell’s Soup Cans is a statement about consumerism (McCorquodale 1-2).
Indeed, Warhol, intentionally or unintentionally, is a social commentator concerned with the issues of his time. Schroeder, in line with this premise, perceives Warhol as a “consumer researcher” (476). In this regard, Warhol is understood as the provider of – through his diverse works – insights into consumer culture; these insights are consistent with many findings of the existing consumer research. Warhol notes that the ‘image’ is a statement of the symbols of consumerist culture, particularly the “harsh impersonal and brash materialistic objects upon which America is built today” (Schroeder 476). This seems to be the key underlying theme in Campbell’s Soup Cans, the rather exhausting repetitiveness of the cans implying the ‘I want, I want, I want…’ nature of consumerism.
Gold Marilyn Monroe: Otty reflects on the “dynamics of absence and presence” in Warhol’s works (1). This can be understood at the surface level as fascination with the physical space. Warhol writes about this fascination, “When I look at things, I always see the space they occupy. I always want the space to reappear, to make a comeback” (Otty 5). Implicit in this quote is the figurative aspect of this fascination, as something that is to be reclaimed from the current occupier. Indeed, Warhol’s works can be said to break boundaries, and in this respect scrambling to take up ‘space’ for self-realization and identity. This is evident in Gold Marilyn Monroe , among others.
Otty describes this as a “large rectangular canvas covered with reflective gold paint and featuring a small, centrally positioned image of Marilyn Monroe” (3). The standout aspect of this work – and others in the series – is the silk-screen printing, which is a stencil-like process in which paint is applied to an image through a screen. In doing this, however, Warhol seemed to mock the traditional understanding of artistic skill. The question here is what aspect of the final work can be attributed to the artist. In this case, for instance, Warhol notes that his assistants actually did the work – albeit at his direction. That is, Warhol did not rely on a direct touch of his work. The assistants and the technology (of photography) seem to create space between the artist and his work to the point that the work can be produced despite the artist’s absence. Warhol, therefore, claims himself to be both the physical and figurative space. The latter focuses on the significance of the monochrome in relation to the known conventions of art. According to Otty, the monochrome represented a devaluation and inversion of representation, and in this case, Warhol uses it to transcend artistic representation’s ideological function (4). Ultimately, the resultant image – in terms of space – is paradoxical: it represents both the blankness and occupation of space. The image of Monroe is both there, but also not there.
‘Marilyn Monroe’, Andy Warhol (1962)
Elizabeth Taylor (Warhol 1962): In his The Artist and the Brand , Schroeder argues that greater awareness of the relationships between visual art traditions and conventions, as well as the production and consumption of images, can significantly enhance an artist’s ability to understand branding as a practice of strategic significance (1291). The article focuses on two dimensions: how the artist uses his/her craft for branding and how the artist manipulates their image to become a brand. Andy Warhol did both. However, more than as a commentator on brands and consumer culture – for which Schroeder, in another article, refers to him as a consumer researcher”– Warhol was the best example of “artist as brand” (Schroeder 1292). This, however, does not diminish his place as a brand creator and promoter, especially as a “consumer researcher” (Schroeder 476).
‘Liz’, Andy Warhol (1965)
The Elizabeth Taylor painting was part of the same series as Marilyn Monroe’s portrait. Like the Marilyn Monroe portrait, the Elizabeth Taylor portrait brings Warhol’s theme of machine product to a logical conclusion (Bergin 361). In this regard, it is people that become machine products and commercial property. In this case, Warhol utilized a photograph of a living person, photography itself being technology. But he went beyond that to create an additional veil through which to view Elizabeth Taylor. Particularly, in this case, he turned Elizabeth Taylor into a work of art to be admired as such, and also something that could be reproduced over and over. Simply, like Monroe in the painting above, Elizabeth Taylor becomes a product – or at least her image. With constant repetition, accompanied by the right wording, this image becomes a pervasive presence in people’s spaces and minds. Indeed this pervasive presence (intrusion) into people’s lives is how brands are created. According to Schroeder, Warhol demonstrates the power of mass production, as well as the infinite possibilities of production, that is, the regurgitation of the same object to make it different (1294). Warhol also demonstrated the disconnect between image and lived experience” (Schroeder 1294). This implies one of the puzzling aspects of brands; that is, their ability to influence decisions despite the fact that its value may be largely intangible (such as prestige). In fact, brands seem to work because of this disconnect; the intentional/unintentional choice of its market to assume the truth. Warhol puts to practice his understanding of the relationships between visual art conventions and the public’s consumption of images to enhance the value of branding. His Campbell’s Soup Cans, for instance, significantly improved the popularity of the brand. His celebrity endorsements – such as Marilyn Monroe’s and Elizabeth Taylor’s portraits – were important promotional platforms for the celebrities.
Schroeder considers Warhol an in important figure in the creation of branding as it is today (476). Particularly, Schroeder believes that Warhol contributed towards the understanding of consumer behavior, which informs the key elements of branding today: brand equity; clothing, fashion and beauty; imagery; packaging; and self-concept (481). Indeed, these elements are key to the various aspects of marketing today, including segmentation and positioning, among others.
Three decades after his death, Warhol remains an influential figure in not just the art world, but also the commercial world. Indeed, he was a success at both, becoming an acclaimed artist, as well as a big brand in his own person, which gave him great wealth. This influence is tied to his part in helping launch what has become popular as Pop art. The true boundaries of this movement remain elusive. In fact, elusiveness and unpredictability of Pop art seem to be some of the aspects that people agree on. Mostly, it is understood as impulsive, driven by deeper instincts, that is, psyche rather than a conscious effort to meet certain conventions of artistic expression. Warhol, both as a person and through his works, embodied these aspects of Pop art. Warhol’s way of working demonstrates the same impulsive tendencies that are known to characterize Pop Art. The premise here is Pop Art involves an inward look – an attention to one’s own instincts – rather than the outward world, in this case represented by the traditional conventions of art. In Warhol’s case, his works embody his personal ambitions to be a major brand in his own right, as well as his attempts to claim his own space. The three of his works examined, that is, Campbell’s Soup Cans, Gold Marilyn Monroe, and Elizabeth Taylor Portrait, embody some of the features of his work (as Pop art) such as repetitiveness, commodification of elements that are traditionally not considered consumable commodities (such as people), and ultimately the brand and branding, among several other implicit themes. These are the features that have informed Pop art. Warhol laid the foundation for the current crop of Pop artists, but the world is yet to see any of his students take up his space. Again, Warhol claims his space despite being absent.
Bergin, Paul. ‘Andy Warhol: The Artist as Machine.’ Art Journal . 26.4 (1967): 359-363.
Bolton, Linda. Artistes in their Time: Andy Warhol . Connecticut: Franklin Watts. 2002.
Johnson, Ken. ‘Review: A 60s View of Warhol’s Soup Cans, at MoMA. The New York Times . 2015. www.nytimes.com/2015/05/08/arts/design/review-a-60s-view-of-warhols-soup-cans-at-moma.html.Accessed 10, Feb.2018.
Lanchner, Carolyn. Andy Warhol . New York: The Museum of Modern Art. 2008.
McCorquodale, Sara. ‘How Warhol’s Work Influenced our Wardrobes.’ BBC: Culture . 2015. http://www.bbc.com/culture/story/20150427-soup-cans-that-changed-fashionAccessed 10, Feb.2018.
Otty, Lisa. ‘The No Man Show: Technology and the Extension of Presence in the Work of Andy Warhol.’ eSharp: Borders and Boundaries , 5. (N.d): 1-13.
Schroeder, Jonathan E. ‘Andy Warhol: Consumer Researcher.’ Advances in Consumer Research , 24 (1997): 476-482.
Schroeder, Jonathan E. ‘The Artist and the Brand.’ European Journal of Marketing. Vol. 39, No. 11/12 (2005): 1291-1305.
Selvin, Erdem. ‘The Analysis of Pop Art: Content, Subject Matter, Style, and Form.’((2016). 10.13140/RG.2.1.4782.5047.
Spencer, Catherine. ‘Why Andy Warhol Still Surprises, 30 Years After His Death.’ Independent .2017. www.independent.co.uk/arts-entertainment/art/features/andy-warhol-pop-art-30-year-anniversary-time-capsules-the-factory-a7592816.html.Accessed 10, Feb.2018.
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Andy Warhol - Research Paper Example
- Subject: Visual Arts & Film Studies
- Type: Research Paper
- Level: College
- Pages: 4 (1000 words)
- Downloads: 2
- Author: russelstan
Extract of sample "Andy Warhol"
Brief Biographical Profile Andy Warhol has been regarded as a pop artist and cultural icon of the 20th century (The Andy Warhol Foundation for the Visual Arts). Born on the 6th of August, 1928 in Oakland, Pittsburgh, Pennsylvania, Andy’s full name was actually Andrew Warhola. He was the youngest of three children and was diagnosed of being afflicted with a rare neurological disorder (The Andy Warhol Foundation for the Visual Arts par. 3). The disorder provided the impetus for Andy’s orientation to DC comic books and the celebrity magazines that proliferate during his time.
He pursued a degree in Pictorial Design from the Carnegie Institute of Technology and graduated in 1949 (The Andy Warhol Foundation for the Visual Arts par. 3). His official website revealed that “building on the emerging movement of Pop Art, wherein artists used everyday consumer objects as subjects, Warhol started painting readily found, mass-produced objects, drawing on his extensive advertising background” (The Andy Warhol Foundation for the Visual Arts par. 5). In Open Culture, it was disclosed that Warhol decided to abruptly quit painting and delve into both music and film making.
In this regard, the essay aims to describe contents and aesthetics of the Andy Warhol's work, particularly focusing on the controversial “anti-films”: Sleep, Eat and Kiss, with the ultimate objective of responding to the question :"why it is art?". Sleep As the title depicts, Warhol’s first film, Sleep, shot a man in deep slumber with the shot taken from different views, initially from the foot as the person taking the film with only the face in clear perspective.
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Free Essay On Weekly Journal 2
Muslims hold the belief that the Qur'an is God’s word as given to the prophet Muhammad over a period of twenty two years. Understanding the Prophets life is thus important in distinguishing the different components of the Quran namely, God’s word and the words of the Prophet.
Sirah The life of the Prophet was transmitted by people and was compiled into books referred to as Sirah (Sumar, 89) These books thus document Prophet Muhammad’s virtuous life on earth.
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Research Paper On Andy Warhol
Show More Andy Warhol. John Lennon. 1985-86. Synthetic polymer and silkscreen on canvas. 40 x 40 1/8in. Tony Shafrazi Gallery, New York, USA,(May-October 2005). The artwork I have chosen to describe by Andy Warhol is John Lennon. It is done with synthetic polymer and silkscreen on canvas. I think this piece of art is very different. It’s a realistic painting in the fact that it is based off of the actual person, John Lennon. It is a little abstract because the colours aren’t how you’d normally see a person in the streets. The hair colours are different than what would traditionally be seen in real life on an actual person. The hair is green at the very bottom. Then, as you go up, you see it starts to fade into a blue colour. After the blue, it starts to go into a yellow colour. Then it fades out completely to the point where it is just an outline of the hair and the …show more content… When Andy was a young boy he had contracted Chorea, which he was left in bed for several months because of it. During this time, his mother had given him his first drawing lesson which really helped shape Andy’s career as an artist. Andy’s mother had also bought him a camera shortly after this, when he was nine. Andy had taken up photography at this time. Andy Warhol went to primary schooling and took the free art classes at Carnegie Institute, now called Carnegie Museum of Art. When Andy’s father died, he dedicated all the money he had towards Andy’s college tuition. Andy used to money to enroll in Carnegie Institute for Technology (now called Carnegie Mellon University) where he studied pictorial design. Andy graduated college and later came out with the idea of Pop Art . Pop Art is paintings that focused on mass-produced commercial goods. Andy Warhol also opened his own studio called “The Factory” which locals loved to visit. Andy Warhol was 58 when he died and his legacy will live on for many years after
Andy warhol research paper.
Andy Warhol later on became a pop art legend because of his talent of drawing shoes during the early creative stages of his career. He ended up earning a spot in the cultural timeline…Just like Mr Warhol, Atang Tshikare who us based in cape town , born in bloemfontein, he studied graphic design and spent 2 years in the UK but moved here and did art full time, he is an artist/illustrater who says his passion began with his obsession with sneakers and him always customising sneakers. John Norman…
Andy Warhol was born August 6 1928 in Pittsburgh, Pennsylvania to his parents Julia Warhola and Ondrej Warhola. At the age of 8 he was diagnosed with Sydenham's chorea , a rare and sometimes disease to the nervous system. He became an outcast at school and bonded with his mother. As he layed in bed due to his disease his mom gave him his first art lesson. At age 14 Andy took another tragedy when his father passed away. Andy was so upset that he did not attend his father’s funeral. Andy’s father…
Andy Warhol Was A Big inspiration to the Pop Art movement that started in the 1950’s. His Campbell’s Soup and Marilyn Monroe Paintings Made him a really famous painter in the Twenty First Century. Andy Warhol changed the world by Showing color in his paintings and showing what would happen if it was a different color in every different painting he did. He made it iconic and popular especially with his marolyn and campbell’s soups. Born in August 16, 1928 in Pittsburgh, Pennsylvania. He was the fourth…
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Research Paper On Andy Warhol
Comparing two self-portraits by contemporary artist Andy Warhol (1928 –1987), one created early in his career in 1966, and another in 1986 a year before his death reveals how he telegraphed meaning in his work and “branded” himself as a product. Warhol often denied his work had profound meaning instead opting for superficiality. He once famously said, “If you want to know all about Andy Warhol, just look at the surface of my paintings, and film and me, and there I am. There’s nothing behind it.”1 He mirrored the era unlike any other artist. His work was about the instantly recognizable, the iconic, and the cult of commodity and personality. It was high art for the people. Over time Warhol’s persona was his greatest work of art, his self-portraits, …show more content…
In this essay, the author
- Compares two self-portraits by contemporary artist andy warhol (1928 –1987), one created early in his career in 1966, and another in 1986 a year before his death.
- Explains that warhol was an artist of self-invention and hard work. he grew up a pale and sickly child in depression era pittsburg, pa, the child of devout catholics.
- Analyzes how warhol projects a blank, effete persona, showcasing his trademark silver wig, and his hand beneath his chin with two fingers raised up to his mouth and cheek as if in thought.
- Analyzes how andy warhol's self portrait -1966 projects his image of the artist to create the "brand" by which he could use to market his work.
- Describes how warhol's early career ended in 1968 when valerie solanas shot him in the chest. he was in pain for the rest of his life but more profound was the mental scars.
- Explains that warhol continued to work in a variety of mediums, while many were branded with his name, created by assistants with him in the producer role.
- Analyzes how warhol used photographic printing techniques in his paintings. his revolutionary early works often appropriated images from pop culture.
- Analyzes how the self-portrait captures warhol at the height of his early fame rising out of the new york underground art scene into celebrity reserved for rock stars.
- Analyzes how andy warhol created a series of self-portraits that depicted him being choked and ruminating on death.
The country was shocked and the international art community, who had not been welcoming in recent years, mourned. Exhibited following his passing Self-Portrait -1986 (figure 2) reads like a death mask, a context not envisioned by the artist but unavoidable now. One final time he mirrored the reality behind the surface of the image.11 Self-Portrait -1986 (figure 2) equaled the earlier Self-Portrait -1966 (figure 1) as the most popular works Warhol ever created. The painting appears on the cover of books and in textbooks. The two paintings bookend his career—a career by an artist who like Rembrandt and Picasso left many self-images to be ruminated on after their death. Warhol’s images of self are augmented by a wealth of other self-documentation including daily tape-recordings dictation, along with clippings from magazines and other objects of interest. Many of these recordings were published posthumously as The Warhol Diaries, which became a bestseller. 12 These documents were placed in a cardboard box he kept by his desk, and once filled they were sealed and dated. Warhol called them his “time-capsules”. There are a total of 612 now housed at the Warhol Museum in Pittsburg. They offer scholars a wealth of information on the
- Explains that andy warhol is one of the most well-known pop artists of 1960's. he strayed away from the emotional painting style of abstract expressionists and was influenced heavily by american pop culture.
- Analyzes how warhol created 32 canvases each hand painted to resemble the image of the canned campbell's brand soup.
- Explains that warhol ate campbell's soup every day for 20 years and was inspired by how the soup tasted the same. he transitioned to print making and wanted his art to have linking qualities with that of advertisement.
- Analyzes how warhol realized that the repetition of images drains them of meaning. campbell's and its red and white label date from the late nineteenth century, and became more familiar in the twentieth.
- Opines that warhol's "campbell’s soup cans" piece is inspiring to them as an artist. it stimulates the mind visually, by bringing about new ideas.
- Analyzes how the artist's work transitioned into ideas about identity in his later life. in "camouflage self portrait", the viewer is still able to recognize who the photo is taken of.
- Analyzes how the camouflage pattern builds on the idea that portraits are masks. warhol created a façade with his identity by wearing wigs and his personal life was very private.
- Analyzes how the use of camouflage and his own picture sends the message that warhol doesn't want the public to know his true internal identity, and that he is a private man.
- Analyzes how andy warhol's works stimulate the viewers mind into thinking about ideas about pop culture. his innovative ways of presenting these ideas were just as interesting.
- Analyzes how andy warhol, prince of pop, jan greenberg, and sandra jordan portray this inspiring, 20th century artist and the lifestyle he created as a pop culture icon.
- Explains how andy produced a variety of "soup can" works and quickly became known for it. he used silk-screening to make the soup cans into some of his most famous pieces.
- Analyzes how andy warhol remained on the forefront of what was "cool" in the 60s and 70s.
- Analyzes how s of this biography do a great job presenting warhol's life and art, and include photos of many of his famous paintings.
- Analyzes how andy warhol used overlooked objects to express his thoughts about society and contribute to the revolution of the pop genre of art.
- Opines that warhol boldly presented himself to society as an artist, yet kept value to his private life. andy's mother was a firm believer that no matter how little you own, being good will make you happy.
- Explains that richard hamilton, one of the founding fathers of pop art, argues that pop has to be following popular, in other words, for the mass culture, transient, expendable and cheep to produce. artists like andy warhol took advantage of these concepts and applied them to their works
- Analyzes how andy warhol took the prevalence of mass production in the pop society to a different level.
- Argues that the most appealing aspect of pop art is the color used in the works of art, which invites the observer and can make the viewer feel exited, intrigued peaceful happy and playful.
- Concludes that andy warhol and roy lichtenstein transformed common art into an advertising and marketing industry. they dedicated their lives to pop culture and made it their subject matter.
- Explains that the 1960s was a decade overloaded with life changing events, such as martin luther king jr., the vietnam war, muhammad ali's reign, and the moon landing.
- Explains that andy warhol's works were based around pop culture and the music and film industry. the diptych marilyn monroe was a bright, colorful and realistic painting to emphasise monroe’s personality.
- Analyzes how roy lichtenstein integrated the dot style and the famous comic strip style to create powerful artwork. he was often accused of copying and lacking originality.
- Narrates how andy warhol's family grew up in pittsburg, pennsylvania, which started his journey in the world of art.
- Describes andy warhol's bottle-line technique, which required two pieces of blank paper to be taped together to create a picture with irregular lines that he would later color with watercolors.
- Narrates how andy warhol became known for his bottle-line technique in the 1950s, but it wasn't until the 1960s that he began to experiment with pop art.
- Describes how warhol discovered a new technique called silk screening, which allowed one silk-screen to create similar patterns multiple times.
- Explains that andy warhol never let his illness hold him back from his passion of art. from his first technique of bottle-line to pop art, he became a better, more experienced artist throughout his life.
- Opines that andy warhol's art is very attention-grabbing and the silk screening technique is modern and shows how his legacy is being lived on.
- Explains that andy warhola was an american artist who was known as a leading figure in the visual art movement in pop art.
- Explains that andy warhol, the founding father of the pop arts, created a movement that began in the late 50’s. his art brought forward the obsession society had with mass culture and allowed it to become the main subject of art.
- Explains that warhol's works defined the main idea of what are should be and what it really means to the world. pop art was influenced by advertising, mass media, comics, and consumer products.
- Explains that andy warhol's art was defined as pop art because of the style and how he made it known for.
- Analyzes how warhol made art that advertised celebrities, and made simple images of items that are well-known today. he challenged "old-fashioned" critics to overcome their ideas of art as complex by using simple, common images.
- Analyzes how warhol used popular culture and pop culture to create his art. the coca cola bottle was an all-around well-known icon that impacted the american culture.
- Explains that andy warhol, roy lichtenstein, and robert rauschenberg are three very different artists. they describe their styles, communicative theories, inner states, form and content.
- Analyzes how "the gun" shows what andy warhol may have felt in his life at the time of the painting. lichtenstein's "girl with ball" could have to do with his values for nature.
- Analyzes how rauschenberg's "migration" is like "the gun" in the sense of the many feelings that begin to develop while viewing the painting.
- Compares the aesthetics of warhol's "the gun" and lichtenstiens' "girl with ball."
- Explains that pop art first appeared in britain during the late 1950s and referred to the interest of a number of artists in the images of mass media.
- Analyzes how art deviated from the religious context it was originally created in, and apart from serving as a ritual function, with the new era of postmodernism. benjamin strongly believed that mass production of pieces freed art from its parasitical dependance on ritual.
- Analyzes how warhol's "silver liz as cleopatra" portrays actress elizabeth taylor as the lead role of the highest grossing film of 1963.
- Analyzes how benjamin's disquisition foresees mechanical reproduction as the result of emancipating what art was originally intended for. mass production had a large and forever altering impact on the authentic nature of art.
- Analyzes how benjamin predicts that mass production will destroy the scarcity of art, but this is not a negative outcome. warhol's work reveals the role of brand names in mass-production.
- Analyzes how pop art rivaled fine art conventions by integrating images in pieces that represented popular culture such as advertising, news, hollywood stars etc.
- Explains that mass production and pop art fall hand in hand. america's infatuation with labels was a relatively new trend in postmodern society. warhol’s “silver liz as cleopatra” impacted societal views on modern art in relation to value.
- Analyzes how andy warhol's fascination with elizabeth taylor in "silver liz as cleopatra" made her a permanent and important component of art history.
- Analyzes how andy warhol's "silver liz as cleopatra" is a fundamental example of merging fine and commercial art.
- Analyzes how benjamin's prediction of the metamorphosis from traditional art to mass production is rendered in warhol’s work.
- Analyzes how warhol's "silver liz as cleopatra" gives new meaning to art by exploiting a recognized figure of mass culture for the consumption of society.
- Explains that memory is subjective, and that artists like isabelle gardner and andy warhol contribute to the collective memory of the atomic bomb by helping us grapple with its meaning.
- Analyzes how isabella gardener's poem "children are game" illustrates the idea of the bomb as a weapon to keep people safe.
- Analyzes how warhol was interested in color and owned many books regarding color theory. the colors are important to notice because of what these two colors typically represent.
- Argues that artists should be able to freely make work that challenges people to reflect on the memory of an event such as the bombing of hiroshima and nagasaki.
- Analyzes how nasm succumbed to the pressure dropped all aspects of the exhibit which were in direct opposition to "official" narrative.
- Analyzes how artists like andy warhol and isabelle gardner challenge the preconceived collective memory of the bomb by using circular memory to reflect what they see going on back into their society.
- Cites lee, c. jason, "seeing is believing: warhol’s spiritualizing of materiality and the need for the historicizing of postmodernism."
- Analyzes how gardner uses the poem's structure to show a cycle of memory and forgetfulness.
- Analyzes how warhol uses a universally known image and distinctive colors together to grab the viewer's attention. the poem and the painting are presented by individuals who are outside the mainstream yet are able to accurately reflect the society in which they lived.
- Analyzes the case of the public opposition to the national air and space museum's atom bomb exhibit.
- Describes warhol, andy, and pat hackett's books, popism: the warhol '60s, san diego: harcourt brace jovanovich.
- Explains that andy warhol was ignored by many trending artists of the century. he was more attentive to his own personal image.
- Explains that andy warhol was born in 1928 in pittsburgh, pennsylvania, and contracted chorea, a rare and sometimes fatal disease of the nervous system that left him bedridden for several months. his father, ondrej, recognized andy's artistic abilities and put him through college.
- Explains that andy warhol's work with i. miller & sons gained him local notoriety and earned him several awards. he was obsessed with the life of fame and hosted parties in east side manhattan.
- Analyzes how warhol's fascination with celebrities and popular portrait style allowed him to collaborate with many big names.
- Analyzes how andy warhol changed the way pop art was regarded through his unique style and painting of popular items and people.
- Analyzes warhol's influence on advertising, pop art, and art as a whole. he didn't hide his sexual preference, but embraced it, which helped him grow as an artist.
- Explains that andy warhol suffered from numerous health issues, eventually leading to his death on february 20, 1987, at the age of 58.
- Describes how andy warhol changed the way pop art was and is looked at and created in his time period. his ever changing style and focus led to his success as an artist.
- Explains that andy warhol is the godfather of pop art. his window advertisements were the beginning of an era where art was seen in an array of forms away from the traditional paintings and sculptures of the old world.
- Explains that andy warhol was born in 1930, in mckeesport, pennsylvania. his parents were czech immigrants. after his father died, andy worked his way through carnegie tech., pittsburgh where he studied commercial art.
- Explains that warhol began producing "pop" pictures in 1960 with works based on popeye, nancy and dick tracy comics. these early works were first shown as back drops for department store windows.
- Analyzes how andy warhol's next series, depicting the mass-produced goods of compels soup cans and coke bottles, captured the clean-edged look of commercially manufactured objects and made him famous.
- Explains that warhol was the quintessential pop artist and established and enhanced the status of pop art.
- History of painting
Research Paper On Andy Warhol
Andy warhol's life and accomplishments.
Andy Warhol was born on August 6 1928 in Pittsburgh. PA. his works explore the relationship between artistic expression, celebrity culture, and advertisement that flourished by the 1960s. After a successful career as a commercial illustrator, warhol became a renowned and something controversial artist. Warhol’s art used many types of media, including hand drawing, painting, printmaking, photography, silk screening, sculpture, film, and music. He was a also a pioneer in computer-generated art using amiga computer that were in 1984, two year before his death. He also notable a gay man who live openly as such before the gay liberation movement. Warhol has been the subject of numerous retrospectiv exhibition, books, and feature and documentary films. Many of his creations are very collectible and highy valuable. The highest price ever paid for a Warhol painting is $105 million for a 1963 canvas title Silver Car C.
Essay on Langston Hughes
in high school in Cleveland, Ohio. In 1921 he entered Columbia University, but left after an
Kurt Cobain Research Paper
Nirvana is defined as a transcendent state in which there’s neither suffering, desire, or sense of self (dictionary.com). February 20, 1967 was the day grunge music’s king, Kurt Cobain, was born. Aberdeen, Washington was the home of Cobain and sparked the band, Nirvana. Cobain started showing his love for the arts at around the age of five. At nine, his parents divorced and his life began going downhill from there. After the divorce, Kurt went to live with his dad, and his sister stayed with their mom. Cobain’s dad remarried while his son was living with him, and Kurt loathed his step mom. He got in a lot of fights with his dad about it and soon moved back with his mom. Within the time of Kurt’s
Anderson Cooper Research Paper
He graduated in 1985, and went on to attend Yale University(Biography.com Editors). He was the commencement speaker for the graduating class of 2005 at Kean University and the class of 2006 at Yale University(www.imdb.com). Cooper began his news career after he graduated Yale being a fact checker for Channel One. During his college years, Cooper spent two summers attending as an intern at the Central Intelligence Agency. With no education in journalism, at the time he was determined to make a career out of journalism than staying with the agency.
Andy Warhol Research Paper
He aspired to be a commercial illustrator, but during his education, he worked in the display department in Home’s department store. After pursuing his education, Andy Warhol moved to New York City to become a commercial artist. In September of 1949, Warhol’s work was first published in Glamour magazine. He won many awards for his work, therefore, becoming one of the most accomplished illustrators in the 1950s. Warhol’s mother, Julia Warhola, fled Pittsburgh in 1952 to live with her son Andy. Julia lived with Andy for about 20 years, but died in Pittsburgh in 1972. Because of his hard work and success, Warhol rewarded himself by taking a trip around the world in the summer of 1956 with his friend Charles Lisbany. In the early 1960s, Andy Warhol created his first Pop artwork, which is art based on comics and ads. These paintings got Warhol recognized as a celebrity. The first appearance of his acclaimed Campbell Soup Can series started a phenomenon around the art world. Soon after, he created a series of movie star portraits such as Elvis Presley and Marilyn Monroe. He also began his “death and disaster” series paintings during this
In the 1960’s Andy Warhol was a famous pop artist. He was born on August 6, 1928 in
Frida Kahlo And Andy Warhol Essay
It is always evident when a person is different from others. They are not a blur amongst a group of people that can easily be looked over, like others. How they are different may be clear by the way they look but maybe their thoughts are what makes them interesting. Someone’s thoughts are difficult to find out just by a glance. There is a sense of curiosity to the disturbance of the ordinary. A maverick is a creative individual with a different mindset who is confident and bold. Commonly labeled an outcast they are someone who break the molds of societal norms that at the time are not encouraged but slowly become apart of the mainstream, alternating the traditional point of view. Frida Kahlo and Andy Warhol both contributed to different art movements. Frida Kahlo grew up with an illness and later experience what she would call two accidents that allowed her to start her innovative life. Kahlo changed societal norms having to do with sexuality, gender roles, and a new form of expression with private and personal subjects that at the time weren’t allowed to be talked about. Andy Warhol came from rags to riches because of his excellence in his artwork that was different and interesting from past artwork. He freely explored his sexuality and created the movement that made a huge change throughout America and the consumerist culture many parts of the world has been living in since the post war era. Both contributed to how current society is seen and what is now seen as normal
Andy Warhol: The Marilyn Diptchy
Warhol graduated from Schenely High school in 1945. Once graduating Warhol had his heart set on art education at the University of Pittsburgh. Instead Warhol enrolled in the Carnegie Institute of Technology . He then pursued a career in comercial art.
John Lennon Research Paper
John Lennon went to school and got a school master but he did not have good grades in school but wanted to go to an art school for college. (Biography.com).John Lennon
Andy Warhol 's Influence On The Pop Art Movement
Later in life, Warhol attended Schenley High School, and graduated in 1945, he then enrolled at Carnegie Mellon University, which was once, Carnegie Institution for Technology, to study pictorial design.
Research Paper On Jackson Pollock
Jackson Pollock is a known abstract expressionism artist for many reasons. His action painting is known world wide because of the way he painted. Pollocks art might not be everyone’s cup of tea. However, there is no denying the fact that when someone looks at a Pollock piece they might see something different than the person standing next to them. This essay will be examining Pollocks distinctive unique art style. Specifically, this essay will try and explain how Pollocks composition style is more geometric and thought out than people think it is. Beginning with an explanation as to why Pollock is an abstract expressionist artist. Secondly looking into Pollocks art techniques how he painted the way he
Who Is Andy Warhol?
Andy Warhol was born in Pittsburgh, Pennsylvania on August 6, 1928. When he was only eight years old, he contracted chorea. While he was sick, his mother gave him his first drawing lessons. Drawing soon became his favorite hobby. Warhol went to Holmes Elementary school and took free art lessons at Carnegie Institute. When Andy was 14, his father died from a failed liver. His father recognized his son’s talents, so in his will, he passed all his life savings to Andy’s college education. Once he graduated from college, he moved to New York City, New York. There, he worked with a magazine company and used rubber stamps, making pop art. In 1962, he popularized the now iconic Campbell’s Soup can. He also made Eight Elvises that would later sell for 100 million dollars, a print of Marilyn Monroe, a vacuum cleaner, coca-cola bottles, and hamburgers.
Langston Hughes: A Brief Biography
Langston Hughes graduated from high school in 1920 and stayed in Mexico for a year with his father. When he returned to the United States he enrolled at Columbia University. While he was there he quickly became a part of the growing Harlem Renaissance. He only remained in college for a year and dropped out in 1922. He then worked at many different places until he took
Popular Artist Research Paper
Walking around the city, riding the bus or even driving, it is not uncommon to see people all around with headphones in their ears. Music is not only an enjoyment for our ears, but it is a part of our culture. Thinking about it, people all over the world use music to accompany their most important life events such as graduations, weddings and even funerals. In modern society, what makes popular artists so successful? There could be a multitude of reasons, but I think the perfect combination is talent, emotional connection to the audience and networking with a hint of luck.
Biography of Andrew Warhol Essay
Biography of Andrew Warhol
- Andy Warhol
- Carnegie Mellon University
- Campbell's Soup Cans
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View andy warhol research paper.docx from ENG MISC at College of Southern Nevada. Andy Warhol: Andy Warhol is the most renowned and popular of the artists who developed pop art during the 20th
Artist Andy Warhol was a pioneer of the pop art movement in the 1960's. He helped to liberate society and crush boundaries in American culture. Warhol's work paved the way for people to embrace and explore themselves as individuals and break the social norms.
Andy Warhol is an American artist who is known for his commercial artwork and pop art style of painting. He was the leading figure for the pop art movement. He began as a commercial artist in New York City and then transitioned into a pop artist. He was the most successful commercial artist of the 1950s (Bio.com).
Andy Warhol Research Paper - 786 Words | Internet Public Library IPL Andy Warhol Research Paper Andy Warhol Research Paper 786 Words4 Pages Pop art was an art movement that began in the United Kingdom at the start of the 1950s, and later made its way into the states towards the end of the 60s.
Andy Warhol Research Paper December 4, 2013 UsefulResearchPapers Research Papers 0 Andy Warhol was a cult person in the history of pop art movement and contemporary art in general. In 1960, he was a producer and manager of the first alternative rock band The Velvet Underground.
Research Paper On Andy Warhol. Good Essays. 61 Words; 1 Page; Sep 28th, 2021 Published; Open Document. Essay Sample Check Writing Quality. By pioneering his art, Andy Warhol helped in creating a pop culture passion in America. Through the techniques of, the repetition and enforced similarity to printed images, visual isolation of imagery and ...
Andy Warhol Influence On Pop Art 443 Words | 2 Pages "An artist is somebody who produces things that people don't need to have." Andy Warhol is a famous artist that does pop art. Andy wasn't like any other artist, he was different from all of them. He was born on August 6th, 1928 and died on February 22nd, 1987. Andy Warhol's Life And Pop Art
Andy Warhol Research Paper. Decent Essays. 566 Words; 3 Pages; Open Document. Andy Warhol was born August 6, 1928 - February 22, 1987 was an American artist who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, celebrity culture, and advertisement that flourished ...
Influence of Andy Warhol on Culture Words: 855 Pages: 3 5031 Andy Warhol, whose original name Andrew Warhola, was born onAugust 6th, 1928, in Pittsburg, Pennsylvania. He was a well-known artist and filmmaker, and also one of the leading initiator's of thePop artmovement in the 1960s.
Art Research Paper on Andy Warhol: Pop Art Icon Introduction In his self-explanatorily titled article, Andy Warhol: The Artist as Machine, Bergin perceives Warhol as a machine - as opposed to human - which he attributes to Warhol's own painstaking efforts to indistinguishably tie himself to his work.
Andy Warhol Research Paper. Decent Essays. 727 Words; 3 Pages; Open Document. I chose Andy Warhol for my paper. His art is so fancy and eye-catching. He was born in Pittsburgh, PA, USA, August 6, 1928. He started doing art after he contacted illness. His mother was an artist and encouraged Andy while he was recovering from Chorea.
Andy Warhol Research Paper Decent Essays 893 Words 4 Pages Open Document In the 1960's Andy Warhol was a famous pop artist. He was born on August 6, 1928 in Pittsburgh, Pennsylvania and died on February 22, 1987 in New York City, New York. Some of Andy Warhol's influences in art were, Jean-Michel Basquiat, Robert Rauschenberg, and Jasper Johns.
Research Paper On Andy Warhol. Satisfactory Essays. 275 Words; 2 Pages; Open Document. Biography Andy Warhol, U.S. painter, film- maker and figure in Pop Art movement (BBC, 2011). Studied at Carnegie Institute of Technology then moved to New York in 1949 (BBC, 2011). Andy in 1960's experimented with reproductions on advertisements, newspapers ...
Andy Warhol - Research Paper Example. Add to wishlist Delete from wishlist. Cite this document Summary. The essay thereby achieved its aim to describe contents and aesthetics of the Andy Warhol's works, particularly the films Sleep, Kissing, and Eat. One thereby responded to the question "why it is art?", by indicating the fact that when an ...
Andy Warhol People Manifesto Artists 4 Pages Example Of Research Paper On The Life And Work Of Andy Warhol Andy Warhol was an American painter. He was a leading influence in the development of Pop Art. Warhol's original name was Andrew Warhola, and he was born in Pittsburgh, in Pennsylvania.
Andy Warhol Research Paper. Decent Essays. 377 Words; 2 Pages; Open Document. Andy Warhol originally known as Andrew Warhola changed his name when he had his first illustration published. Julia and Andrej Warhola's youngest son of three, was born in August the 16th 1928 in Pittsburgh, Pennsylvania. They were poor immigrants who came from ...
Andy Warhol Research Paper Andy Warhol was born August 6 1928 in Pittsburgh, Pennsylvania to his parents Julia Warhola and Ondrej Warhola. At the age of 8 he was diagnosed with Sydenham's chorea , a rare and sometimes disease to the nervous system.
Describes andy warhol's bottle-line technique, which required two pieces of blank paper to be taped together to create a picture with irregular lines that he would later color with watercolors. Narrates how andy warhol became known for his bottle-line technique in the 1950s, but it wasn't until the 1960s that he began to experiment with pop art.
Research Paper On Andy Warhol. Decent Essays. 234 Words; 1 Page; Open Document. August 6, 1928- Andy Warhol is born 1942-Andy Warhol's father dies 1945- Warhol graduates from Schenley High School and applies for Carnegie Institute of Technology. During the summer he worked as a window dresser for a local department store. 1949- After graduating ...
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