Movie Reviews

'cuckoo' review: hunter schafer battles dan stevens in gleeful horror trip | sxsw 2024.

Forget 'Euphoria,' this film is proof that Schafer needs more leading roles to sink her teeth into.

'Hood Witch' Review: This Thriller About Social Media Has a Secret Weapon | SXSW 2024

This modern retelling of a witch hunt is promising in premise though a mixed back in execution.

'We Were Dangerous' Review: A Funny and Frightening Tale of Friendship and Fight | SXSW 2024

Led by 'The Wilds' star Erana James, Josephine Stewart-Te Whiu’s debut about reform school in 1950s New Zealand subverts expectations in the best way.

'The Gutter' Review: A New Comedy Like 'Dodgeball' and 'Anchorman' Is Born | SXSW 2024

This new sports comedy just keeps bowling strike after strike.

'Civil War' Review: Alex Garland’s Dystopian Vision Is His Best Film Yet | SXSW 2024

Garland's exploration of a future where conflict has broken out in the United States is nothing like you would expect and all the better for it.

'Irish Wish' Review: Lindsay Lohan's Netflix Rom-Com Packs Plenty of Charm

Lindsay Lohan, Ed Speleers, and Alexander Vlahos star in this charming rom-com.

'Immaculate' Review: Sydney Sweeney’s Horror Isn’t Afraid to Sin | SXSW 2024

What's a bad miracle?

'Omni Loop' Review: Ayo Edebiri's Sci-Fi 'Groundhog Day' Riff Will Rip Your Heart Out | SXSW 2024

Lovers of 'The Bear' will want to keep their eye out for this one so they can see more of Edebiri at the top of her game.

'Arthur the King' Review: Mark Wahlberg and His Furry Co-Star Keep This Sports Drama Afloat

Mark Wahlberg and Simu Liu star in this crowd-pleasing, albeit predictable crowd-pleaser.

‘Azrael’ Review: Samara Weaving Rules in Blood-Soaked, Mostly Silent Horror | SXSW 2024

E.L. Katz's 'Azrael' takes a bare-bones approach to horror, led by a performance that cements Samara Weaving as a horror icon.

'The Fall Guy' Review: Ryan Gosling Leads a Moviemaking Lover’s Dream | SXSW 2024

Get ready as this action ride is here to kick off the summer blockbuster season early.

'Desert Road' Review: A Sci-Fi Banger That Would Make Stephen King Proud | SXSW 2024

First-time writer-director Shannon Triplett uses a dusty desert road to spin a trippy tale where the rules of time and space no longer apply.

'Grand Theft Hamlet' Review: Will Shakespeare Work in 'GTA'? That Is the Question | SXSW 2024

Two friends try to put a production of 'Hamlet' on in the dangerous world of Los Santos in this wild and strangely compelling documentary.

'Monkey Man' Review: Dev Patel Arrives as a Next-Level Action Star, at Last | SXSW 2024

Getting a release in collaboration with Jordan Peele, Patel's directorial debut has great action and a so-so story.

‘Things Will Be Different’ Review: A Twisty, Dark Time Travel Movie That’ll Keep You Guessing | SXSW 2024

Starring Adam Thompson and Riley Dandy, Michael Felker's time travel story is an exciting new entry into the genre.

'Arcadian' Review: Nicolas Cage’s Shudder Horror Is a Must-See | SXSW 2024

“Are we safe? Are we secure?”

‘My Dead Friend Zoe’ Review: Sonequa Martin-Green Gives One of the Year’s Best Performances | SXSW 2024

Also starring Natalie Morales, Ed Harris, and Morgan Freeman, 'My Dead Friend Zoe' is a hilarious and heartbreaking film.

'Sew Torn' Review: This Tangled, Twisty Thriller Is a Dark Delight | SXSW 2024

This film is like a choose your own adventure come to life where all the options are bad.

'Cold Wallet' Review: A Crypto Thriller With an Unfortunately Low Yield | SXSW 2024

Raúl Castillo headlines this tech-based thriller that's full of cryptocurrency jargon but low on thrills.

'Magpie' Review: Forget Star Wars, This Is Daisy Ridley At Her Best | SXSW 2024

Ridley makes a meal of this dark madcap of a movie that all rides on her shoulders.

IMDb Charts

Imdb top 250 movies.

Tim Robbins in The Shawshank Redemption (1994)

1. The Shawshank Redemption

Marlon Brando in The Godfather (1972)

2. The Godfather

Morgan Freeman, Gary Oldman, Christian Bale, Michael Caine, Aaron Eckhart, Heath Ledger, Maggie Gyllenhaal, Cillian Murphy, and Chin Han in The Dark Knight (2008)

3. The Dark Knight

Al Pacino in The Godfather Part II (1974)

4. The Godfather Part II

Henry Fonda, Martin Balsam, Jack Klugman, Lee J. Cobb, Ed Begley, Edward Binns, John Fiedler, E.G. Marshall, Joseph Sweeney, George Voskovec, Jack Warden, and Robert Webber in 12 Angry Men (1957)

5. 12 Angry Men

Schindler's List (1993)

6. Schindler's List

Liv Tyler, Sean Astin, Elijah Wood, Viggo Mortensen, Ian McKellen, and Andy Serkis in The Lord of the Rings: The Return of the King (2003)

7. The Lord of the Rings: The Return of the King

Uma Thurman in Pulp Fiction (1994)

8. Pulp Fiction

Liv Tyler, Sean Astin, Sean Bean, Elijah Wood, Cate Blanchett, Viggo Mortensen, Ian McKellen, Orlando Bloom, Billy Boyd, Dominic Monaghan, and John Rhys-Davies in The Lord of the Rings: The Fellowship of the Ring (2001)

9. The Lord of the Rings: The Fellowship of the Ring

The Good, the Bad and the Ugly (1966)

10. The Good, the Bad and the Ugly

Tom Hanks in Forrest Gump (1994)

11. Forrest Gump

Liv Tyler, Sean Astin, Christopher Lee, Elijah Wood, Viggo Mortensen, Miranda Otto, Ian McKellen, Orlando Bloom, John Rhys-Davies, and Andy Serkis in The Lord of the Rings: The Two Towers (2002)

12. The Lord of the Rings: The Two Towers

Javier Bardem, Josh Brolin, Stellan Skarsgård, Rebecca Ferguson, Dave Bautista, Austin Butler, Timothée Chalamet, Zendaya, Florence Pugh, and Souheila Yacoub in Dune: Part Two (2024)

13. Dune: Part Two

Brad Pitt and Edward Norton in Fight Club (1999)

14. Fight Club

Leonardo DiCaprio, Tom Berenger, Michael Caine, Lukas Haas, Marion Cotillard, Joseph Gordon-Levitt, Tom Hardy, Elliot Page, Ken Watanabe, and Dileep Rao in Inception (2010)

15. Inception

Harrison Ford, Anthony Daniels, Carrie Fisher, Mark Hamill, James Earl Jones, David Prowse, Kenny Baker, and Peter Mayhew in Star Wars: Episode V - The Empire Strikes Back (1980)

16. Star Wars: Episode V - The Empire Strikes Back

Keanu Reeves, Laurence Fishburne, Joe Pantoliano, and Carrie-Anne Moss in The Matrix (1999)

17. The Matrix

Robert De Niro, Ray Liotta, and Joe Pesci in Goodfellas (1990)

18. Goodfellas

Jack Nicholson in One Flew Over the Cuckoo's Nest (1975)

19. One Flew Over the Cuckoo's Nest

Brad Pitt and Morgan Freeman in Se7en (1995)

21. Interstellar

James Stewart and Donna Reed in It's a Wonderful Life (1946)

22. It's a Wonderful Life

Seven Samurai (1954)

23. Seven Samurai

Jodie Foster in The Silence of the Lambs (1991)

24. The Silence of the Lambs

Tom Hanks, Matt Damon, Tom Sizemore, and Edward Burns in Saving Private Ryan (1998)

25. Saving Private Ryan

Inhabitants of Belo Vale Boa Morte and Cidade de Congonhas and Paige Ellens in City of God (2002)

26. City of God

Roberto Benigni, Nicoletta Braschi, and Giorgio Cantarini in Life Is Beautiful (1997)

27. Life Is Beautiful

Movie Poster

28. The Green Mile

Arnold Schwarzenegger in Terminator 2: Judgment Day (1991)

29. Terminator 2: Judgment Day

Anthony Daniels, Carrie Fisher, Mark Hamill, James Earl Jones, David Prowse, and Kenny Baker in Star Wars: Episode IV - A New Hope (1977)

30. Star Wars: Episode IV - A New Hope

Michael J. Fox in Back to the Future (1985)

31. Back to the Future

Spirited Away (2001)

32. Spirited Away

The Pianist (2002)

33. The Pianist

Song Kang-ho, Jung Ik-han, Jung Hyun-jun, Lee Joo-hyung, Lee Ji-hye, Lee Sun-kyun, Cho Yeo-jeong, Park Myeong-hoon, Park Keun-rok, Jang Hye-jin, Choi Woo-sik, Park Seo-joon, Park So-dam, Lee Jeong-eun, and Jung Ji-so in Parasite (2019)

34. Parasite

Oscar Isaac, Andy Samberg, Jake Johnson, Daniel Kaluuya, Hailee Steinfeld, Karan Soni, Shameik Moore, and Issa Rae in Spider-Man: Across the Spider-Verse (2023)

35. Spider-Man: Across the Spider-Verse

Anthony Perkins, John Gavin, Janet Leigh, and Heather Dawn May in Psycho (1960)

37. Gladiator

Matthew Broderick in The Lion King (1994)

38. The Lion King

Natalie Portman and Jean Reno in Léon: The Professional (1994)

39. Léon: The Professional

Leonardo DiCaprio, Jack Nicholson, and Matt Damon in The Departed (2006)

40. The Departed

Edward Norton in American History X (1998)

41. American History X

Miles Teller in Whiplash (2014)

42. Whiplash

Christian Bale, Hugh Jackman, and Scarlett Johansson in The Prestige (2006)

43. The Prestige

Corinne Orr, Ayano Shiraishi, Tsutomu Tatsumi, J. Robert Spencer, Emily Neves, and Adam Gibbs in Grave of the Fireflies (1988)

44. Grave of the Fireflies

Harakiri (1962)

45. Harakiri

Kevin Spacey, Stephen Baldwin, Gabriel Byrne, Benicio Del Toro, and Kevin Pollak in The Usual Suspects (1995)

46. The Usual Suspects

Ingrid Bergman, Humphrey Bogart, Peter Lorre, Claude Rains, Sydney Greenstreet, Paul Henreid, and Conrad Veidt in Casablanca (1942)

47. Casablanca

François Cluzet and Omar Sy in The Intouchables (2011)

48. The Intouchables

Cinema Paradiso (1988)

49. Cinema Paradiso

Modern Times (1936)

50. Modern Times

Grace Kelly, James Stewart, and Georgine Darcy in Rear Window (1954)

51. Rear Window

Once Upon a Time in the West (1968)

52. Once Upon a Time in the West

Alien (1979)

54. City Lights

12th Fail (2023)

55. 12th Fail

Marlon Brando and Martin Sheen in Apocalypse Now (1979)

56. Apocalypse Now

Leonardo DiCaprio, Jamie Foxx, and Christoph Waltz in Django Unchained (2012)

57. Django Unchained

Guy Pearce and Carrie-Anne Moss in Memento (2000)

58. Memento

WALL·E (2008)

60. Raiders of the Lost Ark

Martina Gedeck, Sebastian Koch, and Ulrich Mühe in The Lives of Others (2006)

61. The Lives of Others

William Holden, Nancy Olson, and Gloria Swanson in Sunset Blvd. (1950)

62. Sunset Blvd.

Kirk Douglas in Paths of Glory (1957)

63. Paths of Glory

Don Cheadle, Robert Downey Jr., Josh Brolin, Vin Diesel, Paul Bettany, Bradley Cooper, Chris Evans, Sean Gunn, Scarlett Johansson, Elizabeth Olsen, Chris Pratt, Mark Ruffalo, Zoe Saldana, Benedict Wong, Terry Notary, Anthony Mackie, Chris Hemsworth, Dave Bautista, Benedict Cumberbatch, Chadwick Boseman, Sebastian Stan, Danai Gurira, Karen Gillan, Pom Klementieff, Letitia Wright, and Tom Holland in Avengers: Infinity War (2018)

64. Avengers: Infinity War

Spider-Man: Into the Spider-Verse (2018)

65. Spider-Man: Into the Spider-Verse

The Shining (1980)

66. The Shining

Witness for the Prosecution (1957)

67. Witness for the Prosecution

Charles Chaplin and Paulette Goddard in The Great Dictator (1940)

68. The Great Dictator

Sigourney Weaver and Carrie Henn in Aliens (1986)

70. Inglourious Basterds

Morgan Freeman, Gary Oldman, Christian Bale, Michael Caine, Matthew Modine, Anne Hathaway, Marion Cotillard, and Joseph Gordon-Levitt in The Dark Knight Rises (2012)

71. The Dark Knight Rises

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

72. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

Kevin Spacey, Thora Birch, Mena Suvari, and Wes Bentley in American Beauty (1999)

73. American Beauty

Oldboy (2003)

76. Amadeus

Tom Hanks, R. Lee Ermey, Tim Allen, Annie Potts, John Ratzenberger, Wallace Shawn, Jim Varney, and Don Rickles in Toy Story (1995)

77. Toy Story

The Boat (1981)

78. The Boat

Mel Gibson in Braveheart (1995)

79. Braveheart

Don Cheadle, Robert Downey Jr., Josh Brolin, Bradley Cooper, Chris Evans, Sean Gunn, Scarlett Johansson, Brie Larson, Jeremy Renner, Paul Rudd, Mark Ruffalo, Chris Hemsworth, Danai Gurira, and Karen Gillan in Avengers: Endgame (2019)

80. Avengers: Endgame

Joaquin Phoenix in Joker (2019)

82. Princess Mononoke

Robin Williams and Matt Damon in Good Will Hunting (1997)

83. Good Will Hunting

Your Name. (2016)

84. Your Name.

Robert De Niro, James Woods, William Forsythe, Brian Bloom, Adrian Curran, James Hayden, Rusty Jacobs, and Scott Tiler in Once Upon a Time in America (1984)

85. Once Upon a Time in America

Toshirô Mifune, Kenjirô Ishiyama, Kyôko Kagawa, and Tatsuya Nakadai in High and Low (1963)

86. High and Low

Sharman Joshi, Aamir Khan, and Madhavan in 3 Idiots (2009)

87. 3 Idiots

Cillian Murphy in Oppenheimer (2023)

88. Oppenheimer

Gene Kelly, Debbie Reynolds, and Donald O'Connor in Singin' in the Rain (1952)

89. Singin' in the Rain

Capernaum (2018)

90. Capernaum

Jennifer Connelly in Requiem for a Dream (2000)

91. Requiem for a Dream

Aleksey Kravchenko in Come and See (1985)

92. Come and See

Tom Hanks, Joan Cusack, Tim Allen, John Ratzenberger, Wallace Shawn, Jodi Benson, Blake Clark, Estelle Harris, Jeff Pidgeon, Don Rickles, and Frank Welker in Toy Story 3 (2010)

93. Toy Story 3

Harrison Ford, Carrie Fisher, Mark Hamill, James Earl Jones, Warwick Davis, David Prowse, Billy Dee Williams, Michael Carter, and Larry Ward in Star Wars: Episode VI - Return of the Jedi (1983)

94. Star Wars: Episode VI - Return of the Jedi

Jim Carrey and Kate Winslet in Eternal Sunshine of the Spotless Mind (2004)

95. Eternal Sunshine of the Spotless Mind

Mads Mikkelsen in The Hunt (2012)

96. The Hunt

2001: A Space Odyssey (1968)

97. 2001: A Space Odyssey

Steve Buscemi, Harvey Keitel, Michael Madsen, Tim Roth, and Chris Penn in Reservoir Dogs (1992)

98. Reservoir Dogs

Takashi Shimura in Ikiru (1952)

100. Lawrence of Arabia

Jack Lemmon and Shirley MacLaine in The Apartment (1960)

101. The Apartment

Cary Grant, Alfred Hitchcock, Eva Marie Saint, and Philip Ober in North by Northwest (1959)

102. North by Northwest

Orson Welles, Dorothy Comingore, and Ruth Warrick in Citizen Kane (1941)

103. Citizen Kane

Vertigo (1958)

104. Vertigo

M (1931)

106. Incendies

Edward G. Robinson, Barbara Stanwyck, and Fred MacMurray in Double Indemnity (1944)

107. Double Indemnity

Al Pacino in Scarface (1983)

108. Scarface

Audrey Tautou in Amélie (2001)

109. Amélie

Full Metal Jacket (1987)

110. Full Metal Jacket

Malcolm McDowell in A Clockwork Orange (1971)

111. A Clockwork Orange

Robert De Niro, Val Kilmer, Al Pacino, Ted Levine, Wes Studi, Jerry Trimble, and Mykelti Williamson in Heat (1995)

114. To Kill a Mockingbird

Paul Newman and Robert Redford in The Sting (1973)

115. The Sting

Leila Hatami and Payman Maadi in A Separation (2011)

116. A Separation

Sean Connery, Harrison Ford, Denholm Elliott, Michael Byrne, Alison Doody, and John Rhys-Davies in Indiana Jones and the Last Crusade (1989)

117. Indiana Jones and the Last Crusade

Bruce Willis in Die Hard (1988)

118. Die Hard

Brigitte Helm in Metropolis (1927)

119. Metropolis

Aamir Khan and Darsheel Safary in Like Stars on Earth (2007)

120. Like Stars on Earth

Lin-Manuel Miranda in Hamilton (2020)

121. Hamilton

Brad Pitt, Benicio Del Toro, Dennis Farina, Vinnie Jones, Jason Statham, and Ade in Snatch (2000)

122. Snatch

Kim Basinger, Russell Crowe, Kevin Spacey, Danny DeVito, and Guy Pearce in L.A. Confidential (1997)

123. L.A. Confidential

Lamberto Maggiorani and Enzo Staiola in Bicycle Thieves (1948)

124. Bicycle Thieves

George MacKay and Dean-Charles Chapman in 1917 (2019)

126. Taxi Driver

Downfall (2004)

127. Downfall

Dangal (2016)

128. Dangal

Clint Eastwood and Lee Van Cleef in For a Few Dollars More (1965)

129. For a Few Dollars More

Christian Bale in Batman Begins (2005)

130. Batman Begins

Leonardo DiCaprio and Jonah Hill in The Wolf of Wall Street (2013)

131. The Wolf of Wall Street

Marilyn Monroe, Tony Curtis, and Jack Lemmon in Some Like It Hot (1959)

132. Some Like It Hot

Charles Chaplin and Jackie Coogan in The Kid (1921)

133. The Kid

Viggo Mortensen and Mahershala Ali in Green Book (2018)

134. Green Book

Anthony Hopkins and Olivia Colman in The Father (2020)

135. The Father

Marlene Dietrich, Judy Garland, Burt Lancaster, Spencer Tracy, Montgomery Clift, Maximilian Schell, and Richard Widmark in Judgment at Nuremberg (1961)

136. Judgment at Nuremberg

Tom Cruise in Top Gun: Maverick (2022)

137. Top Gun: Maverick

All About Eve (1950)

138. All About Eve

Jim Carrey in The Truman Show (1998)

139. The Truman Show

Daniel Day-Lewis in There Will Be Blood (2007)

140. There Will Be Blood

Leonardo DiCaprio in Shutter Island (2010)

141. Shutter Island

Robert De Niro, Sharon Stone, and Joe Pesci in Casino (1995)

142. Casino

Ran (1985)

144. Jurassic Park

Haley Joel Osment in The Sixth Sense (1999)

145. The Sixth Sense

Pan's Labyrinth (2006)

146. Pan's Labyrinth

Clint Eastwood, Morgan Freeman, Gene Hackman, and Richard Harris in Unforgiven (1992)

147. Unforgiven

Russell Crowe in A Beautiful Mind (2001)

148. A Beautiful Mind

Javier Bardem and Josh Brolin in No Country for Old Men (2007)

149. No Country for Old Men

The Thing (1982)

150. The Thing

Humphrey Bogart, Tim Holt, and Walter Huston in The Treasure of the Sierra Madre (1948)

151. The Treasure of the Sierra Madre

Uma Thurman in Kill Bill: Vol. 1 (2003)

152. Kill Bill: Vol. 1

Toshirô Mifune and Tatsuya Nakadai in Yojimbo (1961)

153. Yojimbo

John Cleese, Terry Gilliam, Graham Chapman, Eric Idle, Terry Jones, Michael Palin, and Monty Python in Monty Python and the Holy Grail (1975)

154. Monty Python and the Holy Grail

Richard Attenborough, Steve McQueen, and James Garner in The Great Escape (1963)

155. The Great Escape

Albert Brooks, Ellen DeGeneres, and Barry Humphries in Finding Nemo (2003)

156. Finding Nemo

Toshirô Mifune in Rashomon (1950)

157. Rashomon

Jake Gyllenhaal and Hugh Jackman in Prisoners (2013)

158. Prisoners

Howl's Moving Castle (2004)

159. Howl's Moving Castle

John Hurt in The Elephant Man (1980)

160. The Elephant Man

Jack Nicholson and Faye Dunaway in Chinatown (1974)

161. Chinatown

Grace Kelly and Anthony Dawson in Dial M for Murder (1954)

162. Dial M for Murder

Clark Gable and Vivien Leigh in Gone with the Wind (1939)

163. Gone with the Wind

Natalie Portman and Hugo Weaving in V for Vendetta (2005)

164. V for Vendetta

Jason Flemyng, Dexter Fletcher, Vinnie Jones, Jason Statham, and Nick Moran in Lock, Stock and Two Smoking Barrels (1998)

165. Lock, Stock and Two Smoking Barrels

Ricardo Darín and Soledad Villamil in The Secret in Their Eyes (2009)

166. The Secret in Their Eyes

Robert De Niro in Raging Bull (1980)

167. Raging Bull

Lewis Black, Bill Hader, Amy Poehler, Phyllis Smith, and Mindy Kaling in Inside Out (2015)

168. Inside Out

Woody Harrelson, Frances McDormand, and Sam Rockwell in Three Billboards Outside Ebbing, Missouri (2017)

169. Three Billboards Outside Ebbing, Missouri

Ewan McGregor, Robert Carlyle, Jonny Lee Miller, Ewen Bremner, and Kelly Macdonald in Trainspotting (1996)

170. Trainspotting

Alec Guinness, William Holden, Jack Hawkins, Sessue Hayakawa, Geoffrey Horne, and Ann Sears in The Bridge on the River Kwai (1957)

171. The Bridge on the River Kwai

Willem Dafoe, Jamie Foxx, Rhys Ifans, Benedict Cumberbatch, Zendaya, and Tom Holland in Spider-Man: No Way Home (2021)

172. Spider-Man: No Way Home

Fargo (1996)

175. Warrior

Leonardo DiCaprio and Tom Hanks in Catch Me If You Can (2002)

176. Catch Me If You Can

Godzilla Minus One (2023)

177. Godzilla Minus One

Clint Eastwood in Gran Torino (2008)

178. Gran Torino

Cheryl Chase, Dakota Fanning, Noriko Hidaka, Lisa Michelson, Chika Sakamoto, Hitoshi Takagi, Frank Welker, and Elle Fanning in My Neighbor Totoro (1988)

179. My Neighbor Totoro

Clint Eastwood, Morgan Freeman, and Hilary Swank in Million Dollar Baby (2004)

180. Million Dollar Baby

Rupert Grint, Daniel Radcliffe, and Emma Watson in Harry Potter and the Deathly Hallows: Part 2 (2011)

181. Harry Potter and the Deathly Hallows: Part 2

Children of Heaven (1997)

182. Children of Heaven

Chiwetel Ejiofor in 12 Years a Slave (2013)

183. 12 Years a Slave

Harrison Ford and Sean Young in Blade Runner (1982)

184. Blade Runner

Ethan Hawke and Julie Delpy in Before Sunrise (1995)

185. Before Sunrise

The Grand Budapest Hotel (2014)

186. The Grand Budapest Hotel

Ben-Hur (1959)

187. Ben-Hur

Barry Lyndon (1975)

188. Barry Lyndon

Ben Affleck in Gone Girl (2014)

189. Gone Girl

Andrew Garfield in Hacksaw Ridge (2016)

190. Hacksaw Ridge

Charles Chaplin in The Gold Rush (1925)

191. The Gold Rush

Daniel Day-Lewis in In the Name of the Father (1993)

192. In the Name of the Father

Memories of Murder (2003)

193. Memories of Murder

Robin Williams in Dead Poets Society (1989)

194. Dead Poets Society

Marlon Brando in On the Waterfront (1954)

195. On the Waterfront

Buster Keaton in The General (1926)

196. The General

Robert De Niro and Christopher Walken in The Deer Hunter (1978)

197. The Deer Hunter

Rita Cortese, Ricardo Darín, Diego Gentile, Darío Grandinetti, Oscar Martínez, María Marull, Erica Rivas, Leonardo Sbaraglia, Mónica Villa, María Onetto, and Julieta Zylberberg in Wild Tales (2014)

198. Wild Tales

Charlize Theron and Tom Hardy in Mad Max: Fury Road (2015)

199. Mad Max: Fury Road

Billy Crystal and John Goodman in Monsters, Inc. (2001)

200. Monsters, Inc.

Buster Keaton in Sherlock Jr. (1924)

201. Sherlock Jr.

The Third Man (1949)

202. The Third Man

Wild Strawberries (1957)

203. Wild Strawberries

The Wages of Fear (1953)

204. The Wages of Fear

Susan Backlinie and Bruce in Jaws (1975)

206. How to Train Your Dragon

Mary and Max (2009)

207. Mary and Max

James Stewart, Jean Arthur, Claude Rains, Edward Arnold, Beulah Bondi, Guy Kibbee, Thomas Mitchell, and Eugene Pallette in Mr. Smith Goes to Washington (1939)

208. Mr. Smith Goes to Washington

Christian Bale and Matt Damon in Ford v Ferrari (2019)

209. Ford v Ferrari

Janeane Garofalo, Ian Holm, Peter O'Toole, Brian Dennehy, John Ratzenberger, James Remar, Will Arnett, Brad Garrett, Kathy Griffin, Brad Bird, Lindsey Collins, Walt Dohrn, Tony Fucile, Michael Giacchino, Bradford Lewis, Danny Mann, Teddy Newton, Patton Oswalt, Lou Romano, Peter Sohn, Jake Steinfeld, Stéphane Roux, Lori Richardson, Thomas Keller, Julius Callahan, Marco Boerries, Andrea Boerries, and Jack Bird in Ratatouille (2007)

210. Ratatouille

Setsuko Hara and Chishû Ryû in Tokyo Story (1953)

211. Tokyo Story

The Seventh Seal (1957)

212. The Seventh Seal

Brie Larson and Jacob Tremblay in Room (2015)

214. The Big Lebowski

Sylvester Stallone and Talia Shire in Rocky (1976)

217. Spotlight

Don Cheadle, Nick Nolte, Joaquin Phoenix, Mosa Kaiser, Sophie Okonedo, Ofentse Modiselle, and Mathabo Pieterson in Hotel Rwanda (2004)

218. Hotel Rwanda

Charlie Sheen, Willem Dafoe, John C. McGinley, and Kevin Eshelman in Platoon (1986)

219. Platoon

Arnold Schwarzenegger in The Terminator (1984)

220. The Terminator

Maria Falconetti and Eugene Silvain in The Passion of Joan of Arc (1928)

221. The Passion of Joan of Arc

Ethan Hawke and Julie Delpy in Before Sunset (2004)

222. Before Sunset

Vincent Cassel in La haine (1995)

223. La haine

Dana Andrews, Myrna Loy, Fredric March, Virginia Mayo, and Teresa Wright in The Best Years of Our Lives (1946)

224. The Best Years of Our Lives

Suriya and Lijo Mol Jose in Jai Bhim (2021)

225. Jai Bhim

Max von Sydow in The Exorcist (1973)

226. The Exorcist

Johnny Depp, Geoffrey Rush, Orlando Bloom, and Keira Knightley in Pirates of the Caribbean: The Curse of the Black Pearl (2003)

227. Pirates of the Caribbean: The Curse of the Black Pearl

Daniel Brühl and Chris Hemsworth in Rush (2013)

229. Network

Stand by Me (1986)

230. Stand by Me

Judy Garland, Ray Bolger, Jack Haley, Bert Lahr, and Frank Morgan in The Wizard of Oz (1939)

231. The Wizard of Oz

Samuel L. Jackson, Holly Hunter, Jason Lee, Craig T. Nelson, Brad Bird, Sarah Vowell, and Spencer Fox in The Incredibles (2004)

232. The Incredibles

Richard Gere in Hachi: A Dog's Tale (2009)

233. Hachi: A Dog's Tale

Hümeyra, Fikret Kuskan, Çetin Tekindor, Özge Özberk, and Ege Tanman in My Father and My Son (2005)

234. My Father and My Son

Emile Hirsch in Into the Wild (2007)

235. Into the Wild

Kim Min-hee, Ha Jung-woo, Cho Jin-woong, and Kim Tae-ri in The Handmaiden (2016)

236. The Handmaiden

Julie Andrews, Christopher Plummer, Charmian Carr, Angela Cartwright, Duane Chase, Nicholas Hammond, Kym Karath, Heather Menzies-Urich, and Debbie Turner in The Sound of Music (1965)

237. The Sound of Music

Jack Benny and Carole Lombard in To Be or Not to Be (1942)

238. To Be or Not to Be

Henry Fonda, John Carradine, Jane Darwell, Dorris Bowdon, Frank Darien, and Russell Simpson in The Grapes of Wrath (1940)

239. The Grapes of Wrath

Fouzia El Kader, Brahim Hadjadj, and Jean Martin in The Battle of Algiers (1966)

240. The Battle of Algiers

Bill Murray and Andie MacDowell in Groundhog Day (1993)

241. Groundhog Day

Emilio Echevarría, Gael García Bernal, and Goya Toledo in Amores Perros (2000)

242. Amores Perros

Joan Fontaine and Laurence Olivier in Rebecca (1940)

243. Rebecca

Paul Newman in Cool Hand Luke (1967)

244. Cool Hand Luke

Jennifer Aniston, Harry Connick Jr., John Mahoney, Christopher McDonald, Vin Diesel, and Bob Bergen in The Iron Giant (1999)

245. The Iron Giant

Viola Davis, Bryce Dallas Howard, Octavia Spencer, and Emma Stone in The Help (2011)

246. The Help

Clark Gable and Claudette Colbert in It Happened One Night (1934)

247. It Happened One Night

Kevin Costner in Dances with Wolves (1990)

248. Dances with Wolves

Robin Williams, Jonathan Freeman, Gilbert Gottfried, Linda Larkin, Douglas Seale, Scott Weinger, and Frank Welker in Aladdin (1992)

249. Aladdin

Tabu, Ajay Devgn, Shriya Saran, Ishita Dutta, and Mrunal Jadhav in Drishyam (2015)

250. Drishyam

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Reviews of Lindsay Lohan's Netflix movie 'Irish Wish' are pretty scathing, but say it has a saving grace

  • Netflix's latest rom-com, "Irish Wish," is set in Ireland and stars Lindsay Lohan.
  • Critics have praised Lohan's chemistry with her costar Ed Speleers.
  • However, they say the movie doesn't have many Irish actors and is filled with stereotypes.

Insider Today

Critics have mostly blasted Netflix's "Irish Wish," the new Lindsay Lohan movie on Netflix, saying it is hokey and not very Irish.

The movie follows Maddie (Lohan), an American editor, who visits Ireland to attend the wedding of her crush, Paul Kennedy (Alexander Vlahos), and her best friend, Emma (Elizabeth Tan).

Maddie makes a wish and finds herself in an alternate universe where she is engaged to Paul, and Emma is the bridesmaid. Ed Speleers plays another handsome suitor Maddie meets on her magical journey.

After "Falling for Christmas," "Irish Wish" is the second holiday-themed Netflix movie starring Lohan and has the same director, Janeen Damian. "Irish Wish" and an upcoming movie, "Our Little Secret," were part of a two-movie deal between Lohan and Netflix.

The current Rotten Tomato critic score for "Irish Wish" is 34%, and the audience score is 44%, but that doesn't mean the movie is unwatchable.

Some viewers said the chemistry between Lindsay Lohan and Speleers is a saving grace for the movie.

Here's what critics have said about "Irish Wish."

For a movie about Ireland, "Irish Wish" is not very Irish, according to critics.

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"Irish Wish" is set in Ireland , features an Irish saint, and was released on St Patrick's Day. But if you want to learn something new about Irish culture, you should probably look elsewhere.

From Empire review editor John Nugent:

"As with its Irish-romcom forebears, it is chock-full of hoary clichés: establishing shots of rolling fields, fiddle-heavy folk music, a leprechaun-esque fantasy character, some live-laugh-love-esque fetishisation of Guinness, and an array of head-scratching accents (the main Irish character here is in fact played by a Welshman)."

Nugent and other critics also pointed out that very few Irish actors are in the movie.

Vlahos, who plays Paul, is Welsh, although Irish actors play Paul's brother and father.

Some critics also pointed out that the "Irish Wish" version of Saint Brigid doesn't match her personality from folklore.

"Brigid, the matron saint of Ireland, is known in legends for feeding the hungry and healing the sick," Johnny Oleksinski wrote for the New York Post . "Here, she's the genie from "Aladdin" and is costumed for a summer stock production of 'Brigadoon.'"

Critics agreed that the movie was formulaic, although not all critics thought it was a bad thing.

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Many critics were critical of the movie's use of rom-com clichés, such as the love triangle or the lovers-trapped-in-a-storm trope.

Vulture features writer Rachel Handler went so far as to describe the movie as an "AI-generated harbinger of a doomed future where machines make facsimiles of art while humans do their terrible bidding."

Some critics were nicer, including Collider news editor Maggie Lovitt, who argued that rom-coms are meant to be formulaic.

"It's a fun romantic romp, filled to the brim with gorgeous scenery, gorgeous clothing, and beautiful people," Lovitt wrote. "Revel in the simplicity of the formulaic simplicity of yet another magically contrived rom-com, and rejoice that 'Leap Year' has been dethroned (during a leap year, no less) as the best rom-com set in Ireland."

Other critics, such as Nugent and Digital Spy Deputy Movie Editor Mireia Mullor, called it a comfort watch.

"Netflix rom-com can be a little 'seen one, seen them all,' which is both frustrating (is this the best we could do with the genre? Really?) and, paradoxically, blissfully comfortable," Mullor wrote.

Critics were conflicted on whether the views of the Irish countryside were gorgeous or cartoonish.

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"Irish Wish" may not use the bulk of Ireland's acting talent, but it does take advantage of its scenery, from Lough Tay to the Cliffs of Moher. Some critics loved this part of the movie.

Indiewire 's Samantha Bergeson wrote: "The gorgeous imagery and lush scenery will likely make audiences forget all about other CGI-heavy features that skimp on using real places to make sudsy stories feel even remotely grounded in the real world."

However, some critics thought the vibrant colors made the movie seem cartoonish.

Oleksinski, the New York Post critic, wrote: "Whenever the characters venture outdoors, the sky is made to look so strenuously blue and the grass such a plutonium green, we expect Tinky Winky and the Teletubbies to enter any moment."

Critics said the chemistry between Lindsay Lohan and Ed Speleers was the best part.

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While Lohan and Speleers' performance doesn't save "Irish Wish," it has been praised by many critics.

"Lohan and Speleers have sweet chemistry , and that alone would be enough to prove Maddie and James are the true love story," ScreenRant critic Rachel Labonte wrote.

Variety's chief film critic Owen Gleiberman also wrote: "The movie is as frothy as the foam on a pint of Guinness, as formulaic as the last disposable Netflix rom-com. Yet these two make you believe that they belong together, and not every romantic comedy does that."

Of the two stars, Speleers got the most fanfare from critics, with Gleibermann writing that he was the "most charismatic British actor I've seen in quite a while."

Bergeson from Indiewire also praised Speleers for his "A-lister-in-the-making charisma."

If you're wondering how Irish critics feel about "Irish Wish," Liam Fay, a critic for The Sunday Times Ireland, was not a fan.

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The Sunday Times Ireland critic Liam Fay's main criticism is that the movie feels like "a bland fairy-tale set in a theme-park Ireland."

He said the acting was "cardboard stiff," the slapstick humor in the movie was overdone, and the film was not a true reflection of Ireland.

"Scenery is extensively deployed as filler, diversion and atmosphere-provider as there is precious little story and zero drama," Fay wrote at one point.

One of the few positive notes in Fay's review is that the movie captures Ireland's scenery well.

"'Irish Wish' is an excellent advertisement for a variety of Irish touchstones," he wrote before adding. "But, as a film, it's as dumb as a box of rocks."

Overall, "Irish Wish" is fun.

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Screen Rant's Labonte said people looking for a cheesy rom-com would enjoy it.

Lovitt from Collider said the movie felt like a "grown-up Disney Channel Original Movie complete with outlandish magical elements, cookie-cutter perfection, and an utterly tame romance."

Indiewire's Bergeson wrote that "Irish Wish" isn't as great as Lohan's previous Netflix movie " Falling for Christmas " and feels more like a Hallmark Channel movie.

Overall, it seems "Irish Wish" has major flaws, but you may enjoy the movie if you come in with the right perspective.

Disclosure: Mathias Döpfner, CEO of Business Insider's parent company, Axel Springer, is a Netflix board member.

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  • Main content

10 Movies Like Inception That Will Bend Your Mind

Are we still in a dream.

Connor Sheppard Avatar

Inception is one of the best Christopher Nolan movies and one of the greatest sci-fi film concepts of the century so far. Many fans of Nolan’s work believe that, despite his other critically acclaimed films and recent Oscar for Oppenheimer, Inception is quite possibly his masterpiece. With a stellar cast and an air-tight, intellectual plot, the indelible visual effects are just the cherry on top for this gem of a film. As with most Nolan films, there are many plot twists and turns throughout this one-of-a-kind cinematic experience, which is what fans are likely searching for more of in this list.

As fans continuously debate the true meaning of that final scene, we’re highlighting some other movies like Inception that will keep you guessing no matter how many times you watch.

What do you think happened at the end of Inception?

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Shutter Island (2010)

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The closest selection to horror on the list, Shutter Island is a psychological thriller from Martin Scorcese that will surprise most viewers. Summoned to a remote island that houses an insane asylum, U.S. Marshall Teddy Daniels (Leonardo DiCaprio) must investigate the disappearance of a patient while attempting to fight off the demons that threaten to trap him in his insanity. Full of impressive performances and a nightmarish script from writer Laeta Kalogridis, Shutter Island is guaranteed to thrill.

Read our review of Shutter Island .

Memento (2000)

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Nolan’s Memento is the debut film that sparked his successful film career. Suffering from a rare, untreatable short-term memory loss condition, Leonard (Guy Pearce) attempts to track down his wife's murderer using limited clues and tattoos on his own body. Full of red herrings and a confusingly out-of-order plot, the viewer is placed directly in the shoes of our frustratingly confused protagonist.

Read our review of Memento or check out our list of the best thriller movies of all time.

Get Out (2017)

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Jordan Peele’s breakout directorial debut, Get Out is a genre-blending masterpiece built around mind-melding social commentary on race. Invited to a weekend getaway at his girlfriend's family's house, Chris (Daniel Kaluuya) grows suspicious of their overly welcoming nature. By maintaining an air of mystery and subversion throughout its skillfully crafted narrative, Peele’s Get Out has been compared to the works of master filmmakers such as Hitchcock, Carpenter, and Kubrick.

Read our review of Get Out .

Source Code (2011)

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Successfully blending elements of sci-fi, thriller, action, and romance, Source Code comes out of left field to deliver an unexpectedly sensational film. Using state-of-the-art military technology in a top-secret operation to find the source of an explosion, helicopter pilot Colter Stevens (Jake Gyllenhaal) is pushed into the mind of the recently deceased Sean Fentress, who died in a terrorist-attacked commuter train. Highlighted by Gyllenhaal’s charm and some fine directing from Duncan Jones, there are a whole lot of great mind-bending moments to experience in this film with great acting to bring them home.

Read our review of Source Code .

The Matrix (1999)

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One of the most culturally impactful and mind-blowing sci-fi movies of all time, The Matrix introduced a scarily convincing concept that has stuck around ever since. After receiving clues and fish hooks from an unidentified source promising a “truth,” Neo ( Keanu Reeves ) discovers he is living in a nightmare simulation crafted by artificial intelligence. Intertwining incredible kung-fu fighting scenes with gunfights, car chases, and stellar performances, it’s hard not to think of this sci-fi classic whenever one’s in the mood for something equal parts thought-provoking and entertaining.

See our guide to every Matrix movie ever made .

The Prestige (2006)

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Based on the novel by Christopher Priest , The Prestige is a gritty period piece that brings a new edge to magicians in the Edwardian Era. Two rival magicians, set at odds by a previous partnership gone awry, compete to achieve the greatest illusion of all: teleportation. Brilliantly acted by Christian Bale and Hugh Jackman (and directed by Christopher Nolan), both characters fight for their careers as they obsessively construct their illusions, sacrificing humanity and decency in the name of showmanship.

Read our review of The Prestige .

Donnie Darko (2001)

movie reviews best

Another psychological thriller edging on horror that sent fans on an all-out debate for meaning, Donnie Darko is an original, visceral experience that is meant to pique interest and instill discomfort. After narrowly avoiding a freak accident at his family home, Donnie Darko (Jake Gyllenhaal) continues having night terrors and hallucinating a man in a rabbit suit telling him to cause havoc in his Stepford Wives suburbia. Featuring some incredibly effective sound mixing, an awesome soundtrack, a stellar performance from Gyllenhaal, and an intelligently crafted narrative, Donnie Darko fits all the pieces together for a timeless sci-fi drama.

Read our review of Donnie Darko .

Eternal Sunshine of the Spotless Mind (2004)

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Eternal Sunshine of the Spotless Mind is a conceptual twister and cinematic masterpiece in which genre, narrative, and the very concept of memory are challenged. Joel (Jim Carrey) is on a train for his usual commute when he meets Clementine (Kate Winslet), a quirky, overtly forward individual, who makes outrageous statements that smite our protagonist’s heart. When their relationship gets nasty, they individually seek out the help of an experimental memory-removal clinic that reminds them exactly why they belong together.

Read our review of Eternal Sunshine of the Spotless Mind .

Fight Club (1999)

Based on Chuck Palahniuk’s novel of the same name, Fight Club centers around young and dejected men who decide the best way to solve their problems is to fight in basements and reject society's standards. The movie has some great writing and an awesome twist that recontextualizes all that came before it. Wit unforgetable performances from Edward Norton and Brad Pitt, it's a must see for any fan of psychological thrillers.

The Butterfly Effect (2004)

Led valiantly by its intriguing concept, The Butterfly Effect is a thriller that successfully goes for shock value. After Evan Treborn (Ashton Kutcher) is affected by his first blackout in years, he discovers he can consciously travel to his past blackouts as a child and change the future. Beyond the compelling idea, The Butterfly Event features disturbing, unpredictable events that make this film unforgettable.

Read our review of The Butterfly Effect .

Connor Sheppard is an Oregon-grown culture writer for IGN with previous work on The Manual. Intrigued from a young age by pop culture and movies, he has developed into an experienced critic and consumer of all things media. From his time earning a bachelor's degree in digital communications at Oregon State University, he found a love for writing and appreciating specific actors and directors in the many films he watches.

In This Article

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  • December 22, 2023   •   41:01 Reading James McBride’s ‘The Heaven & Earth Grocery Store’
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Talking ‘Dune’: Book and Movies

The times’s critic alissa wilkinson discusses frank herbert’s classic science fiction novel and denis villeneuve’s film adaptations..

Hosted by Gilbert Cruz

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Frank Herbert’s epic novel “Dune” and its successors have been entrenched in the science fiction and fantasy canon for almost six decades, a rite of passage for proudly nerdy readers across the generations. But “Dune” is experiencing a broader cultural resurgence at the moment thanks to Denis Villeneuve’s recent film adaptations starring Timothée Chalamet . ( Part 2 is in theaters now.)

This week on the podcast, Gilbert Cruz talks to The Times’s critic Alissa Wilkinson, who covers movies, culture and religion, about Herbert’s novel, Villeneuve’s films and the enduring hold of Fremen lore on the audience’s imagination.

“There’s a couple things that I think are really unsettling in ‘Dune,’” Wilkinson says. “One is, the vision of Frank Herbert was, I believe, to basically write a book that questioned authoritarians and hero mythology genuinely, across the board. Any kind of a hero figure he is proposing will always have things and people come up alongside that hero figure that distort their influence. Even if they intend well, if they’re benevolent, there’s still all of this really awful stuff that comes along with it. So Paul is a messiah figure — we believe he wants good things for most of the book — and then he turns on a dime or it feels like he might be turning on a dime. You can never quite tell where anyone stands in this book. And I think that is unsettling, especially because so many of the other kinds of things that we watch — the superhero movies, “Star Wars,” whatever — there’s a clear-cut good and evil fight going on. Good and evil don’t really exist in ‘Dune.’”

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to [email protected] .

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A few years ago, Harvard acquired the archive of Candida Royalle, a porn star turned pioneering director. Now, the collection has inspired a new book , challenging the conventional history of the sexual revolution.

Gabriel García Márquez wanted his final novel to be destroyed. Its publication this month  may stir questions about posthumous releases.

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Do you want to be a better reader?   Here’s some helpful advice to show you how to get the most out of your literary endeavor .

Each week, top authors and critics join the Book Review’s podcast to talk about the latest news in the literary world. Listen here .

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Best Sellers Reviews

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Plaza and Caine have wonderfully acerbic chemistry together and Roessler proves herself to be not only a great actor’s director, but has a great eye for composition as well.

Full Review | Feb 13, 2024

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Luckily, the convincing performances disguise some of the film's vacillations. Especially Caine, who transforms his physical limitations into a permanent asset. [Full review in Spanish]

Full Review | Original Score: 3/5 | Oct 2, 2023

movie reviews best

Best Sellers is a film that does little to challenge and little to offend, and therein lies its central problem. There is just a sense of missed opportunities to really dive into something with much more wit and bite.

Full Review | Original Score: 2.5/5 | Sep 17, 2023

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In spite of Caine’s charm and Plaza’s pluckiness, nothing in the movie feels genuine, and that’s a shame, because the conceit of having a politically incorrect dinosaur of a writer working with a young publisher could have been funny.

Full Review | Dec 28, 2022

In the vein of films like Grumpy Old Men or event the French Tati Danielle, this film works because the audience delights in the curmudgeonliness of its leader, and Michael Caine delivers his boozy, washed-up and furious old man so very well.

Full Review | Original Score: 3/5 | Aug 17, 2022

The filmic equivalent of a breezy beach read.

Full Review | Original Score: 3/5 | May 13, 2022

Though the pairing of Caine and Plaza is a highly unlikely one, there is a definite chemistry there that has you wishing they were in a slightly better movie than this.

Full Review | Original Score: 3/5 | Apr 29, 2022

movie reviews best

Just a like a hack novel with a stale formula, Best Sellers is an uninspired comedy/drama that limps along until the movie's very predictable end. Michael Caine and Aubrey Plaza play mismatched characters, but their pairing as actors is also a misfire.

Full Review | Jan 12, 2022

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Parks and Recreation star Plaza more than holds her own in what could have been a thankless role)... if you're a fan of the burgeoning mature-people-behaving-badly genre, then you'll definitely get a kick out of this.

Full Review | Original Score: 3.5/5 | Dec 30, 2021

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It's simple, if a little stale, and would barely be worth turning the page for if it didn't keep reminding us how grandiose its co-leads truly are.

Full Review | Original Score: 2.5/5 | Dec 1, 2021

movie reviews best

It's no classic, but as a pleasant mid-list movie Best Sellers unspools as a thoughtfully cobbled comic ode to the enduring power of literature in the face of a culture that is more vacuum than substance.

Full Review | Original Score: 3/5 | Nov 26, 2021

Despite the story's nesting doll of cliches, the cast truly give it their all.

Full Review | Original Score: 11/20 | Nov 17, 2021

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Michael Caine at his best as a cranky author.

Full Review | Original Score: B- | Nov 14, 2021

Mainly the film is silly and unlikely... which is a shame because Caine can still bring it.

Full Review | Original Score: 2/5 | Nov 3, 2021

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Put two great actors in a room, let an actor direct and another one write and what do you get? Proof that making movies is about so much more than the acting.

Full Review | Original Score: 2 | Oct 30, 2021

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Little about the plot is unpredictable, but the tension between the characters touches a few nerves. It's also a gentle celebration of the power of literature.

Full Review | Original Score: 3/5 | Oct 29, 2021

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Poignant, cross-generational literary comedy.

Full Review | Original Score: 6/10 | Oct 28, 2021

Off the top of my head I could name 20 better odd-couple generation-gap movies.

Full Review | Original Score: 2/5 | Oct 22, 2021

As an undemanding pas de deux, it's sweet enough.

Full Review | Original Score: 3/5 | Oct 21, 2021

movie reviews best

Best Sellers is a charming but formulaic comedy-drama which wholly benefits from Aubrey Plaza and Michael Caine's touching performances

IndieWire

The Best Movies New to Every Major Streaming Platform in March 2024

Posted: March 8, 2024 | Last updated: March 13, 2024

<p>Netflix may get most of the attention, but it’s hardly a one-stop shop for cinephiles looking to stream essential classic and contemporary films. Each of the prominent streaming platforms caters to its own niche of film obsessives.</p> <p>From the boundless wonders of the Criterion Channel to the new frontiers of streaming offered by the likes of Ovid and Peacock, IndieWire’s monthly guide highlights the best of what’s coming to every major streamer, with an eye toward exclusive titles that may help readers decide which of these services is right for them.</p> <p>Here is your guide for March 2024.</p>

Taylor Swift | The Eras Tour - Mexico City, Mexico

Netflix may get most of the attention, but it’s hardly a one-stop shop for cinephiles looking to stream essential classic and contemporary films. Each of the prominent streaming platforms caters to its own niche of film obsessives.

From the boundless wonders of the Criterion Channel to the new frontiers of streaming offered by the likes of Ovid and Peacock, IndieWire’s monthly guide highlights the best of what’s coming to every major streamer, with an eye toward exclusive titles that may help readers decide which of these services is right for them.

Here is your guide for March 2024.

<p>Apple TV+ subscribers think they’re so great because they have BOATS. Ridley Scott’s latest — and funniest — historical epic comes to streaming this month, so everyone who missed “Napoleon” in theaters will finally have a chance to watch Joaquin Phoenix get cucked on an imperial scale and think to themselves: “I bet the long-promised director’s cut of this is going to be so much better.” There’s no doubt that it will be, but for now, this ain’t bad. </p> <p><em>Available to stream March 1.</em></p>

“Napoleon” (dir. Ridley Scott, 2023)

Apple TV+ subscribers think they’re so great because they have BOATS. Ridley Scott’s latest — and funniest — historical epic comes to streaming this month, so everyone who missed “Napoleon” in theaters will finally have a chance to watch Joaquin Phoenix get cucked on an imperial scale and think to themselves: “I bet the long-promised director’s cut of this is going to be so much better.” There’s no doubt that it will be, but for now, this ain’t bad. 

Available to stream March 1.

<p>As usual, Disney+’s monthly slate is mighty light on original content, and — as usual — the streamer is banking on a single movie to make up for it. This March, however, that movie is probably more than enough to get the job done. Everything about “Taylor Swift: The Eras Tour” suggests that it should be the biggest thing on streaming for the foreseeable future. Exclusivity? Check. A long, appetite-whetting window between its blockbuster theatrical release and its home video debut? Check. A degree of rewatchability that’s typically reserved for kids fare like “Bluey?” Swifties are going to stream this thing on such a constant loop that it’s going to feel like part of the wallpaper. Compared to what it cost to see Taylor in concert last year, that ever-increasing Disney+ subscription fee suddenly doesn’t seem so bad. </p> <p><em>Available to stream March 15.</em></p> <p><em>Other highlights:</em></p> <p><em>– “Madu” (3/29)</em></p>

“Taylor Swift: The Eras Tour (Taylor’s Version) (dir. Sam Wrench, 2023)

As usual, Disney+’s monthly slate is mighty light on original content, and — as usual — the streamer is banking on a single movie to make up for it. This March, however, that movie is probably more than enough to get the job done. Everything about “Taylor Swift: The Eras Tour” suggests that it should be the biggest thing on streaming for the foreseeable future. Exclusivity? Check. A long, appetite-whetting window between its blockbuster theatrical release and its home video debut? Check. A degree of rewatchability that’s typically reserved for kids fare like “Bluey?” Swifties are going to stream this thing on such a constant loop that it’s going to feel like part of the wallpaper. Compared to what it cost to see Taylor in concert last year, that ever-increasing Disney+ subscription fee suddenly doesn’t seem so bad. 

Available to stream March 15.

Other highlights:

– “Madu” (3/29)

<p>The Razzies have always been a dumb and misguided endeavor (one that blessedly seems less popular than ever these days), but the anti-Oscars have finally served a meaningful purpose for the first time since giving us that clip of Halle Berry showing up to claim her Worst Actress prize for “Catwoman.” That purpose: Providing a useful context for the Criterion Channel to package some of the most unfairly maligned films of the last 40 years into a single retrospective… a retrospective that allows Tom Green’s “Freddy Got Fingered” to take its rightful place on the hallowed streaming platform alongside the work of masters like Ingmar Bergman and Akira Kurosawa. Daddy, would you like some sausage? Well, it’s time to eat up (other must-watch standouts from the package include Friedkin’s “Cruising,” Fassbinder’s “Querelle,” and Brest’s “Gigli,” which is both a lot better and so much worse than you may have heard). </p> <p>Never one to let a single retro hog the spotlight, the Channel has also put together a tribute to method acting that spans from the 1927 Lon Chaney vehicle “The Unknown” to “The Master” and Robert Greene’s “Kate Plays Christine,” a Jane Russell series that includes the likes of “Macao” and “The Tall Men,” and an essential spotlight on the early films of Hou Hsiao-hsien (which inspired the great <a href="https://www.indiewire.com/news/obituary/david-bordwell-dead-film-scholar-1234959386/">David Bordwell’s final blog post</a> before his recent death). Also, be sure to put aside three hours for Claire Simon’s remarkable “Our Body,” an observational documentary that sees the entire world and the way women are forced to navigate through it from within the gynecology ward of a Paris hospital.</p> <p><em>All movies available to stream March 1.</em></p>

“Freddy Got Fingered” (dir. Tom Green, 2001)

The Razzies have always been a dumb and misguided endeavor (one that blessedly seems less popular than ever these days), but the anti-Oscars have finally served a meaningful purpose for the first time since giving us that clip of Halle Berry showing up to claim her Worst Actress prize for “Catwoman.” That purpose: Providing a useful context for the Criterion Channel to package some of the most unfairly maligned films of the last 40 years into a single retrospective… a retrospective that allows Tom Green’s “Freddy Got Fingered” to take its rightful place on the hallowed streaming platform alongside the work of masters like Ingmar Bergman and Akira Kurosawa. Daddy, would you like some sausage? Well, it’s time to eat up (other must-watch standouts from the package include Friedkin’s “Cruising,” Fassbinder’s “Querelle,” and Brest’s “Gigli,” which is both a lot better and so much worse than you may have heard). 

Never one to let a single retro hog the spotlight, the Channel has also put together a tribute to method acting that spans from the 1927 Lon Chaney vehicle “The Unknown” to “The Master” and Robert Greene’s “Kate Plays Christine,” a Jane Russell series that includes the likes of “Macao” and “The Tall Men,” and an essential spotlight on the early films of Hou Hsiao-hsien (which inspired the great David Bordwell’s final blog post before his recent death). Also, be sure to put aside three hours for Claire Simon’s remarkable “Our Body,” an observational documentary that sees the entire world and the way women are forced to navigate through it from within the gynecology ward of a Paris hospital.

All movies available to stream March 1.

<p>It’s a big month for Hulu subscribers, as two of the year’s strongest Best Picture nominees are coming to the service in addition to one of the greatest movies from the director of this year’s inevitable Best Picture winner, Christopher Nolan (I can see the future, and it’s pretty much just Ludwig Göransson’s score blaring through the Dolby Theater on a constant loop as several reserved European men and Robert Downey Jr. walk up to the stage). “Poor Things” would be enough to backstop a fantastic new release slate on its own, but “Anatomy of a Fall” is perhaps the most exciting Hulu exclusive this month.</p> <p>When was the last time a French legal drama was able to break through to a mainstream audience, get nominated for just about every American movie award, and inspire more fancams than a CW show during the glory days of Tumblr? (If you don’t know what I’m talking about, please take a moment to google Swann Arlaud). Now that America is starting to get over its aversion to subtitles, this — largely English-language — is poised to become an even bigger sensation.</p> <p><em>Available to stream March 22.</em></p> <p><em>Other highlights:</em></p> <p><em>– “Dunkirk” (3/1)<br> – “Goodfellas” (3/1)<br> – “Poor Things” (3/7)<br> </em></p>

“Anatomy of a Fall” (dir. Justine Triet, 2023)

It’s a big month for Hulu subscribers, as two of the year’s strongest Best Picture nominees are coming to the service in addition to one of the greatest movies from the director of this year’s inevitable Best Picture winner, Christopher Nolan (I can see the future, and it’s pretty much just Ludwig Göransson’s score blaring through the Dolby Theater on a constant loop as several reserved European men and Robert Downey Jr. walk up to the stage). “Poor Things” would be enough to backstop a fantastic new release slate on its own, but “Anatomy of a Fall” is perhaps the most exciting Hulu exclusive this month.

When was the last time a French legal drama was able to break through to a mainstream audience, get nominated for just about every American movie award, and inspire more fancams than a CW show during the glory days of Tumblr? (If you don’t know what I’m talking about, please take a moment to google Swann Arlaud). Now that America is starting to get over its aversion to subtitles, this — largely English-language — is poised to become an even bigger sensation.

Available to stream March 22.

– “Dunkirk” (3/1) – “Goodfellas” (3/1) – “Poor Things” (3/7)

<p>Well there’s chocolate, and there’s choc-o-late, and Paul King’s mega-successful follow-up to “Paddington 2” certainly proved to be the latter, despite months of understandable pre-release negativity around the idea of a musical origin story starring Timothée Chalamet as cinema’s most demented candyman. Hot on the heels of its blockbuster theatrical run, “Wonka” is making its way to streaming, where it stands a decent chance of cementing its status as the first new holiday classic since “Elf” (one look at Hugh Grant’s oompa-loompa is enough to know that there’s no trace of God in this film, but yes, “Wonka” <em>is</em> a Christmas movie, and no, I will not be taking any questions on the matter at this time).</p> <p>For those less enamored by the idea of watching Paul Atreides milk a computer-generated giraffe, Max is also premiering the wickedly clever “Dream Scenario” along with other A24 hits like “Good Time” (RIP Buddy Duress) and “The Green Knight.”</p> <p><em>Available to stream March 8.</em></p> <p><em>Other highlights:</em></p> <p><em>– “Good Time” (3/1)<br> – “The Green Knight” (3/1)<br> – “Dream Scenario” (3/15)</em></p>

“Wonka” (dir. Paul King, 2023)

Well there’s chocolate, and there’s choc-o-late, and Paul King’s mega-successful follow-up to “Paddington 2” certainly proved to be the latter, despite months of understandable pre-release negativity around the idea of a musical origin story starring Timothée Chalamet as cinema’s most demented candyman. Hot on the heels of its blockbuster theatrical run, “Wonka” is making its way to streaming, where it stands a decent chance of cementing its status as the first new holiday classic since “Elf” (one look at Hugh Grant’s oompa-loompa is enough to know that there’s no trace of God in this film, but yes, “Wonka” is a Christmas movie, and no, I will not be taking any questions on the matter at this time).

For those less enamored by the idea of watching Paul Atreides milk a computer-generated giraffe, Max is also premiering the wickedly clever “Dream Scenario” along with other A24 hits like “Good Time” (RIP Buddy Duress) and “The Green Knight.”

Available to stream March 8.

– “Good Time” (3/1) – “The Green Knight” (3/1) – “Dream Scenario” (3/15)

<p>IndieWire Managing Editor Christian Blauvelt was the first person on staff to see Felipe Gálvez’s “The Settlers” before it premiered at Cannes last year, and <a href="https://www.indiewire.com/criticism/movies/the-settlers-review-chilean-western-1234865010/">he couldn’t stop raving</a> to the rest of the team about how the Un Certain Regard premiere would be one of the best movies at a festival that also went on to produce the likes of “May December” and “The Zone of Interest.”</p> <p>When MUBI released the Chilean Western last fall, Christian leapt at the chance to review this story about a wealthy landowner who recruits a Scotsman to exterminate the Indigenous Selk’nam people on his land in Tierra del Fuego. </p> <p>Calling it “one of the most chilling art-Westerns to come along in some time,” <a href="https://www.indiewire.com/criticism/movies/the-settlers-review-chilean-western-1234865010/">Christian wrote that</a> “‘The Settlers’ may remind some viewers of a Budd Boetticher film when they’re watching it: following three men on horseback on a cross-country journey, it dramatizes questions of identity and belonging, and how these things can be written in violence. Most Boetticher-like, in a tight 98 minutes ‘The Settlers’ says more than a lot of films double its length. It’s also a deeply felt work of activism with a message that needs to be heard in Chile. Just as nothing about the Pinochet coup in 1973 or the resulting dictatorship is taught in Chilean schools today, so is nothing about the genocide of the Selk’nam, a culture that is considered extinct, with only one living person today able to speak their language. This is a film that shows that, as easy as it is to forget about the past, it’s easier still when it was never taught in the first place.”</p> <p><em>Available to stream March 29.</em></p> <p><em>Other highlights: </em></p> <p><em>– “Goodbye, First Love” (3/1)<br> – “Ishtar” (3/1)<br> – “Mami Wata” (3/22)</em></p>

“The Settlers” (dir. Felipe Gálvez, 2023)

IndieWire Managing Editor Christian Blauvelt was the first person on staff to see Felipe Gálvez’s “The Settlers” before it premiered at Cannes last year, and he couldn’t stop raving to the rest of the team about how the Un Certain Regard premiere would be one of the best movies at a festival that also went on to produce the likes of “May December” and “The Zone of Interest.”

When MUBI released the Chilean Western last fall, Christian leapt at the chance to review this story about a wealthy landowner who recruits a Scotsman to exterminate the Indigenous Selk’nam people on his land in Tierra del Fuego. 

Calling it “one of the most chilling art-Westerns to come along in some time,” Christian wrote that “‘The Settlers’ may remind some viewers of a Budd Boetticher film when they’re watching it: following three men on horseback on a cross-country journey, it dramatizes questions of identity and belonging, and how these things can be written in violence. Most Boetticher-like, in a tight 98 minutes ‘The Settlers’ says more than a lot of films double its length. It’s also a deeply felt work of activism with a message that needs to be heard in Chile. Just as nothing about the Pinochet coup in 1973 or the resulting dictatorship is taught in Chilean schools today, so is nothing about the genocide of the Selk’nam, a culture that is considered extinct, with only one living person today able to speak their language. This is a film that shows that, as easy as it is to forget about the past, it’s easier still when it was never taught in the first place.”

Available to stream March 29.

Other highlights: 

– “Goodbye, First Love” (3/1) – “Ishtar” (3/1) – “Mami Wata” (3/22)

<p>As amusing as it is that Netflix is streaming “Bodies Bodies Bodies” the day before the release of the platform’s mega-budget new sci-fi show “3 Body Problem,” and as oddly compelling as it is to <a href="https://www.indiewire.com/criticism/movies/spaceman-review-adam-sandler-netflix-1234955918/">watch a sad Czech astronaut played by Adam Sandler</a> open his heart to a fourth-dimensional alien spider who sounds a lot like Paul Dano, none of the original — or at least temporarily exclusive — movies on Netflix’s March release slate are as exciting as the millennial classics that will be streaming alongside them.</p> <p>Carl Franklin’s “Devil in a Blue Dress” just missed the cut for <a href="https://www.indiewire.com/gallery/best-90s-movies/">IndieWire’s list of the 100 Best Movies of the ’90s</a>, while “Beverly Hills Ninja,” well… that one wasn’t really in contention, but even Chris Farley’s least iconic films only seem to get funnier with every passing year.</p> <p>And if we ever get around to celebrating the aughts, I can guarantee that Gina Prince-Bythewood’s “Love & Basketball” will be a major topic of conversation, as that long under-appreciated sports romance has finally been canonized as the modern classic that it is. If you haven’t picked up the new Criterion Collection Blu-ray, Netflix would be happy to remind you why you should.</p> <p><em>Available to stream March 1.</em></p> <p><em>Other highlights:</em></p> <p><em>– “Beverly Hills Ninja” (3/1)<br> – “Devil in a Blue Dress” (3/1)<br> – “Spaceman” (3/1)<br> </em></p>

“Love & Basketball” (dir. Gina Prince-Bythewood, 2000)

As amusing as it is that Netflix is streaming “Bodies Bodies Bodies” the day before the release of the platform’s mega-budget new sci-fi show “3 Body Problem,” and as oddly compelling as it is to watch a sad Czech astronaut played by Adam Sandler open his heart to a fourth-dimensional alien spider who sounds a lot like Paul Dano, none of the original — or at least temporarily exclusive — movies on Netflix’s March release slate are as exciting as the millennial classics that will be streaming alongside them.

Carl Franklin’s “Devil in a Blue Dress” just missed the cut for IndieWire’s list of the 100 Best Movies of the ’90s , while “Beverly Hills Ninja,” well… that one wasn’t really in contention, but even Chris Farley’s least iconic films only seem to get funnier with every passing year.

And if we ever get around to celebrating the aughts, I can guarantee that Gina Prince-Bythewood’s “Love & Basketball” will be a major topic of conversation, as that long under-appreciated sports romance has finally been canonized as the modern classic that it is. If you haven’t picked up the new Criterion Collection Blu-ray, Netflix would be happy to remind you why you should.

– “Beverly Hills Ninja” (3/1) – “Devil in a Blue Dress” (3/1) – “Spaceman” (3/1)

<p>“If you unearthed a glittery demon with one hairy arm who awakened your deepest desires from the third eye between her legs, what lengths would you travel to find her again?” So begins former IndieWire writer <a href="https://www.indiewire.com/criticism/movies/after-blue-review-lesbian-scifi-1234669878/">Jude Dry’s review</a> of Bertrand Mandico’s seductive and ethereal “After Blue,” which only becomes more intriguing from there. </p> <p>Jude continues: “Set on a fantasy planet where only women can survive the harsh climate, the adventure follows a mother and daughter on a grueling journey to find and kill the evil ‘Kate Bush,’ rumored to be death herself. One part ‘Annihilation,’ one part ‘The Love Witch,’ and cast under the veneer of a sadistic ‘The NeverEnding Story, the film creates a lush — sometimes grotesque — alternate universe ruled by unique rules, creatures, and longings. Love it or hate it, you’ve never seen anything quite like ‘After Blue.’”</p> <p><em>Available to stream March 21</em></p> <p><em>Other highlights:</em></p> <p><em>– “Little Palestine: Diary of a Siege” (3/7)<br> – “Violet” (3/8)</em></p>

“After Blue” (dir. Bertrand Mandico, 2021)

“If you unearthed a glittery demon with one hairy arm who awakened your deepest desires from the third eye between her legs, what lengths would you travel to find her again?” So begins former IndieWire writer Jude Dry’s review of Bertrand Mandico’s seductive and ethereal “After Blue,” which only becomes more intriguing from there. 

Jude continues: “Set on a fantasy planet where only women can survive the harsh climate, the adventure follows a mother and daughter on a grueling journey to find and kill the evil ‘Kate Bush,’ rumored to be death herself. One part ‘Annihilation,’ one part ‘The Love Witch,’ and cast under the veneer of a sadistic ‘The NeverEnding Story, the film creates a lush — sometimes grotesque — alternate universe ruled by unique rules, creatures, and longings. Love it or hate it, you’ve never seen anything quite like ‘After Blue.’”

Available to stream March 21

– “Little Palestine: Diary of a Siege” (3/7) – “Violet” (3/8)

<p>I may not be the world’s biggest Denis Villeneuve fan (I’m told that <a href="https://www.indiewire.com/criticism/movies/dune-part-two-movie-review-1234955419/">my negative review of “Dune: Part Two”</a> didn’t sit well with the kind of people who plan their holy wars around Rotten Tomatoes scores), but I’m happy to join the love parade whenever he directs something with enough humanity to offset his signature bombast. Ironically, it took a movie about aliens for Villeneuve to really wrap his arms around what makes people tick.</p> <p>A very good Ted Chiang adaptation that stops just short of greatness thanks to a bunch of third act mishegoss (endless love for Michael Stuhlbarg, but the story gets snagged on his character like a plastic bag on a tree branch), “Arrival” epitomizes Villeneuve’s enduring fascination with cycles of violence and the cold recognition of fate. In this case, that cycle is on a cosmic scale, but — with major assists from Amy Adams and Max Richter — it registers on crushingly intimate terms as well.</p> <p><em>Available to stream March 1.</em></p> <p><em>Other highlights:</em></p> <p><em>– “The Last Temptation of Christ” (3/1)<br> – “Tár” (3/27)<br> – “Jackie Brown” (3/31)</em></p>

“Arrival” (dir. Denis Villeneuve, 2016)

I may not be the world’s biggest Denis Villeneuve fan (I’m told that my negative review of “Dune: Part Two” didn’t sit well with the kind of people who plan their holy wars around Rotten Tomatoes scores), but I’m happy to join the love parade whenever he directs something with enough humanity to offset his signature bombast. Ironically, it took a movie about aliens for Villeneuve to really wrap his arms around what makes people tick.

A very good Ted Chiang adaptation that stops just short of greatness thanks to a bunch of third act mishegoss (endless love for Michael Stuhlbarg, but the story gets snagged on his character like a plastic bag on a tree branch), “Arrival” epitomizes Villeneuve’s enduring fascination with cycles of violence and the cold recognition of fate. In this case, that cycle is on a cosmic scale, but — with major assists from Amy Adams and Max Richter — it registers on crushingly intimate terms as well.

– “The Last Temptation of Christ” (3/1) – “Tár” (3/27) – “Jackie Brown” (3/31)

<p>Arriving a few years ahead of the Early Aughts Spoof Boom (you all remember that, right?), the unfettered meta genius of “Not Another Teen Movie” has been largely subsumed into the wretched likes of “Epic Movie,” “Disaster Movie,” and the rest of the witless parodies that followed in its wake. In truth, it should be a felony to mention those ghastly imitations in the same breath as Joel Gallen’s masterpiece, and I will gladly spend the rest of my life in jail if that’s what it takes to make this point.</p> <p>A self-reflexive send-up of “She’s All That,” “Bring it On,” “10 Things I Hate About You,” and every other high school comedy since “The Breakfast Club,” “Not Another Teen Movie” so thoroughly skewered its subject that Hollywood had to rethink the entire genre (for better or worse).</p> <p>Get past the gross-out gags and a handful of offensive punchlines, and you’ll be treated to the densest and most detailed satire of its kind since the likes of “The Naked Gun,” in addition to (what’s still) the funniest performance of Chris Evans’ career. But fair warning for the faint of heart: Watching “Not Another Teen Movie” means having to look at Janey Briggs for the better part of 90 minutes, and she can be a lot to stomach. As the great Jake Wyler once described the most abominable reject in his senior class: “She’s got paint on her overalls. What is that?!?” It’s disgusting, is what that is. But that’s the magic of this movie. By the time it’s over, you somehow believe that a swamp thing like her could actually become prom queen.</p> <p><em>Available to stream March 1.</em></p> <p><em>Other highlights:</em></p> <p><em>– “Inside Llewyn Davis” (3/1)<br> – “Sleeping with Other People” (3/11)<br> – “Carol” (3/19)</em></p>

“Not Another Teen Movie” (dir. Joel Gallen, 2001)

Arriving a few years ahead of the Early Aughts Spoof Boom (you all remember that, right?), the unfettered meta genius of “Not Another Teen Movie” has been largely subsumed into the wretched likes of “Epic Movie,” “Disaster Movie,” and the rest of the witless parodies that followed in its wake. In truth, it should be a felony to mention those ghastly imitations in the same breath as Joel Gallen’s masterpiece, and I will gladly spend the rest of my life in jail if that’s what it takes to make this point.

A self-reflexive send-up of “She’s All That,” “Bring it On,” “10 Things I Hate About You,” and every other high school comedy since “The Breakfast Club,” “Not Another Teen Movie” so thoroughly skewered its subject that Hollywood had to rethink the entire genre (for better or worse).

Get past the gross-out gags and a handful of offensive punchlines, and you’ll be treated to the densest and most detailed satire of its kind since the likes of “The Naked Gun,” in addition to (what’s still) the funniest performance of Chris Evans’ career. But fair warning for the faint of heart: Watching “Not Another Teen Movie” means having to look at Janey Briggs for the better part of 90 minutes, and she can be a lot to stomach. As the great Jake Wyler once described the most abominable reject in his senior class: “She’s got paint on her overalls. What is that?!?” It’s disgusting, is what that is. But that’s the magic of this movie. By the time it’s over, you somehow believe that a swamp thing like her could actually become prom queen.

– “Inside Llewyn Davis” (3/1) – “Sleeping with Other People” (3/11) – “Carol” (3/19)

<p>Doug Liman’s “Road House” remake is obviously Prime Video’s biggest get this month (see this SXSW-opening, throat-ripping crowd-pleaser as it was meant to be seen: While watching Mormon tradwife cooking TikToks on the “For You” tab of your Twitter page), and yet Kinji Fukasaku’s ultra-provocative “Battle Royale” demands special attention, as this proto-“Hunger Games” satire about a class of Japanese high school students stranded on a remote island and forced to fight to the death had been so hard to see in the United States until it started bouncing between the various streamers.</p> <p>America can stomach the idea of school kids shooting each other in real life, but add Beat Takashi and some exploding neck collars into the mix, well… that’s just obscene. The real shame is that Fukasaku’s twisted shootout has only become more relevant to our country in this age of zero-sum politics, and against the backdrop of the resulting culture war that’s twisted young bodies into a battlefield unto themselves.</p> <p><em>Available to stream March 31</em></p> <p><em>Other highlights:</em></p> <p><em>– “Desperately Seeking Susan” (3/1)<br> – “The LEGO Batman Movie” (3/19)<br> – “Road House” (3/21)</em></p>

“Battle Royale” (dir. Kinji Fukasaku, 2000)

Doug Liman’s “Road House” remake is obviously Prime Video’s biggest get this month (see this SXSW-opening, throat-ripping crowd-pleaser as it was meant to be seen: While watching Mormon tradwife cooking TikToks on the “For You” tab of your Twitter page), and yet Kinji Fukasaku’s ultra-provocative “Battle Royale” demands special attention, as this proto-“Hunger Games” satire about a class of Japanese high school students stranded on a remote island and forced to fight to the death had been so hard to see in the United States until it started bouncing between the various streamers.

America can stomach the idea of school kids shooting each other in real life, but add Beat Takashi and some exploding neck collars into the mix, well… that’s just obscene. The real shame is that Fukasaku’s twisted shootout has only become more relevant to our country in this age of zero-sum politics, and against the backdrop of the resulting culture war that’s twisted young bodies into a battlefield unto themselves.

Available to stream March 31

– “Desperately Seeking Susan” (3/1) – “The LEGO Batman Movie” (3/19) – “Road House” (3/21)

<p>Ahead of the <em>three </em>Renny Harlin(!?)-directed prequels that will be released this year, Shudder is inviting subscribers to remember why the original continues to endure in our minds. Bryan Bertino’s directorial debut is small as can be, but its simplicity is also its greatest virtue. The premise is so unnerving because — unlike a zombie apocalypse or a Texas chainsaw massacre — it could happen to anyone, anywhere. And in “The Strangers” it does. Liv Tyler and Scott Speedman play a very ordinary couple whose very ordinary relationship drama is interrupted by a knock at the door; three masked villains, empowered by nothing but some knives and their sadistic desires, have dropped by to ruin their night. The wicked games they play are carried out with vivid rage and raw brutality, but this is the rare horror movie that only gets scarier with its final reveal. Why did these maniacs target this particular couple, and what neighborhood will they be in tomorrow? The answers to those questions continue to keep us awake at night.</p> <p><em>Available to stream March 1.</em></p> <p><em>Other highlights:</em></p> <p><em>– “Alice, Sweet Alice” (3/1)</em><br> <em>– “Grabbers” (3/1)</em><br> <em>– “Southern Comfort” (3/18)</em></p>

“The Strangers” (dir. Bryan Bertino, 2008)

Ahead of the three  Renny Harlin(!?)-directed prequels that will be released this year, Shudder is inviting subscribers to remember why the original continues to endure in our minds. Bryan Bertino’s directorial debut is small as can be, but its simplicity is also its greatest virtue. The premise is so unnerving because — unlike a zombie apocalypse or a Texas chainsaw massacre — it could happen to anyone, anywhere. And in “The Strangers” it does. Liv Tyler and Scott Speedman play a very ordinary couple whose very ordinary relationship drama is interrupted by a knock at the door; three masked villains, empowered by nothing but some knives and their sadistic desires, have dropped by to ruin their night. The wicked games they play are carried out with vivid rage and raw brutality, but this is the rare horror movie that only gets scarier with its final reveal. Why did these maniacs target this particular couple, and what neighborhood will they be in tomorrow? The answers to those questions continue to keep us awake at night.

– “Alice, Sweet Alice” (3/1) – “Grabbers” (3/1) – “Southern Comfort” (3/18)

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'The American Society of Magical Negroes': You don't wanna join this club

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Aisha Harris

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Aren (Justice Smith) and Roger (David Alan Grier) in The American Society of Magical Negroes. Focus Features hide caption

Aren (Justice Smith) and Roger (David Alan Grier) in The American Society of Magical Negroes.

Lately, I've been musing on the concept of time and its relationship to Black art and identity. I keep bumping into this question: What time do we all think we're living in right now?

In the year of someone's lord 2024, a recent episode of Feud: Capote vs. The Swans conjured up James Baldwin – the same James Baldwin who once wrote, "I don't like people who like me because I'm a Negro; neither do I like people who find in the same accident grounds for contempt" – as a Magical Negro to Truman Capote.

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A straight-faced excavation of this old Hollywood trope, which has been on the wane for some time, is startling enough. But now there's also Kobi Libii's feature debut, The American Society of Magical Negroes, which attempts to skewer it. The comedy writer and performer imagines an underground network of Black mystics who dedicate their lives to placating white people for the safety of Black people everywhere. "White discomfort," as one character opines, is the "nemesis" of Black existence.

If this all sounds like the premise for a classic Key & Peele sketch, you wouldn't be too far off . The trouble is, as far as I can tell, no one involved with writing Key & Peele had anything to do with the Society of Magical Negroes .

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The movie has at least two crucial factors working against it. For one, the Magical Negro trope isn't anywhere near as pervasive in Hollywood as it was when Spike Lee coined the term more than two decades ago. So despite being set in the present day, Libii's social commentary brings with it no new enlightenment on the dominant stereotypes Black people face now, despite a nearly two-hour runtime.

Second, it has no Black characters. To be clear, there are real Black performers playing these roles on screen. But one would think fully human, complexly written roles ought to exist in a movie where the goal is combatting multiple centuries' worth of one-dimensional representation. Here, they decidedly do not.

The Illuminati, but make it respectable

In Society of Magical Negroes , Justice Smith plays Aren, a dull and depressing L.A. artist whose specialty is dull and depressing abstract yarn installations. His latest work is on display at an art show, but no one "gets" it. When a white collector mistakes him for the waitstaff, Aren obliges and gets the man a drink instead of trying to convince him to buy his art.

A member of the actual waitstaff has been observing him all night and introduces himself. It turns out he's Roger (David Alan Grier), a jolly older man who's arrived to recruit Aren into the American Society of Magical Negroes, a "firm" that views itself as a group of world-class superheroes. He leads him to their secret headquarters, tucked away behind a Black barbershop, with hallowed rooms and halls that resemble Hogwarts or the Clue mansion. The visual world-building in this regard is the film's sole inspired choice.

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Egotistical tech bro Jason (Drew Tarver) is Aren's first "client." Focus Features hide caption

Egotistical tech bro Jason (Drew Tarver) is Aren's first "client."

Each Society member is assigned a white "client" who's experiencing some sort of crisis and is dangerously close to taking out their anxieties on innocent Black people. (A "white tears meter" assists in monitoring the threat level at any given moment.) The Magical Negro's job is to befriend and counsel their client through all their issues until they get whatever it is they want. Aren's first guinea pig is Jason (Drew Tarver), a disgruntled, egotistical tech bro at a software company called MeetBox, who's angling for a promotion he almost certainly doesn't deserve. Aren is hired at MeetBox and immediately gets to work practicing his skill of being a personality-less doormat, which has a great effect on clueless Jason.

Did I mention this is also a workplace rom-com? Sure, why not? Aren discovers one of his other new colleagues is Lizzie (An-Li Bogan), a woman with whom he had the gawkiest and most unsexy of meet-cutes at a coffee shop earlier in the day. Lizzie happens to be Jason's "work-wife," but he's also into her, so that complicates Aren's adherence to his Magical Negro responsibilities and tests his commitment to The Cause.

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'magical negro' carries the weight of history, maybe we're all just magical negroes.

So many disparate ideas and tones are being mashed up here, and none of them gel. Libii spends a ton of time obsessing over the details and internal rules of these proud, respectability politicians. Yet he also has a slippery grasp on the trope he seeks to interrogate. In this world, the Magical Negro is broadened out from its very specific real-world definition – Spike Lee was referring to movies with "magical, mystical" Black characters in films like The Legend of Bagger Vance and The Green Mile – to an all-encompassing label that includes any Black person who's ever merely decided "Not today, Satan" and resisted the bait when dealing with racial microaggressions at work and Crispus Attucks.

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Spike lee: black people have 'been fighting for this country from day one'.

Those muddled conflations would be less jarring if Aren were written as anything other than a convenient vessel for showcasing a convoluted premise. We know nothing about him besides that he's a failed, self-loathing Rhode Island School of Design alum who's so spineless he'll awkwardly hold the door for a parade of oblivious exiting passersby before finally entering a coffee shop for himself. Before becoming a Magical Negro (I can't believe this is an actual sentence I'm writing), he has no community to speak of – no friends, no real job, and no family, except a white mom he offhandedly mentions. (This is somehow both very illuminating and not at all illuminating at the same time.) Where did he grow up? How can Aren afford to be a struggling artist with a decent apartment in Los Angeles in this economy? Has Aren ever spent any time with Black people? (Magical Negroes don't count.)

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Lizzie (An-Li Bogan) and Aren (Justice Smith) have a tedious meet-cute at a coffee shop. Tobin Yelland/Focus Features hide caption

Lizzie (An-Li Bogan) and Aren (Justice Smith) have a tedious meet-cute at a coffee shop.

His character arc, if you wish to call it that, concludes with him superficially liberated. In the film's climax, he gives a grandstanding speech that's What It's Like to Be Black 101, a far more grating version of Barbie 's climactic Feminism 101 monologue. The moment is wholly unearned, and the epiphany lands with a thud because Aren didn't really start from any place real to begin with. There's nothing radical or daring about his journey to self-discovery, which hinges almost entirely on his romantic pining for Lizzie. In fact, Libii's script doesn't even try to engage with Black radicalism because if it did, The Society would have to come under far more rigorous scrutiny than the film is interested in pursuing. The Magical Negroes, so proud to have single-handedly "raised the Black life expectancy," at least according to society head Dede (Nicole Byer), exist in a world where the likes of Harriet Tubman, Marcus Garvey, the Black Panthers, and Bree Newsome never existed. The movie's finale seems content with that omission.

What time are we living in now?

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Nicole Byer is Dede, head of the American Society of Magical Negroes. Focus Features hide caption

Nicole Byer is Dede, head of the American Society of Magical Negroes.

So: What time are we living in now? It depends on who you ask and where you look. Not unlike American Fiction , Society of Magical Negroes is convinced Black people on screen and in real life are, by and large, contending with the same stereotypes and barriers that we were 20 years ago. But that's its own kind of retrograde nostalgia trap to fall into, the kind that can only be constructed by ignoring key parts of history and the present reality.

There are pressing issues like pay inequities and Black-created TV shows being canceled far too soon. But there's also been so much exciting work being made by filmmakers on every level over the last decade – emerging voices like Nikyatu Jusu , Raven Jackson and Juel Taylor ; newly-minted titans like Issa Rae and Jordan Peele; established vets like Gina Prince-Bythewood. They've told stories spanning a breadth of genres, sensibilities and character studies, the stuff their predecessors dreamed of. Amid this landscape, it's hard not to view the Magical Negro as – thankfully – a relic.

Writing more than 25 years ago, bell hooks lamented how a dominant white supremacist environment forced too many Black artists to be hyperfocused on producing "resisting images," thus overwhelming their creative and upsetting artistic integrity. At the time, she observed that Black filmmaking was still a "fertile frontier" because of the lack of radical images, but that she foresaw a "far distant future" where Blackness will be "overworked, overdone" just as whiteness has been. We're a little bit closer to that future than we've ever been. But evidently, we've still got some ways to go.

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LG CineBeam Q review: One of the best portable 4K projectors of the year

By Jason R. Rich

Updated on: March 19, 2024 / 1:46 PM EDT / Essentials

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LG Cine Beam Cube portable projector review

Looking for a portable projector perfect for movie nights?

The LG CineBeam Q, with its innovative design and great image projection, has a lot to say for itself. When it comes to the best portable models for 2024, either the CineBeam Q or the  Samsung Freestyle 2nd Generation ($600) projector are solid bets. In fact, the CineBeam Q has a bit of an edge. It can project an image up to 120 inches, compared to the 100-inch maximum projection size of the Freestyle. But the biggest difference between these two projectors -- and what really makes the CineBeam Q stand out -- is that it showcases sharp 4K UHD content, while the Freestyle offers just 1080p resolution.

I spent several days working with the CineBeam Q, testing at review unit sent by the company. I tried different light conditions and watched all kinds of content. While I streamed much of this content from the internet via Wi-Fi, I also plugged it into my Apple MacBook Air and Nintendo Switch OLED Model video game system, and used it with AirPlay via my iPhone 15 Pro Max. 

The projector is on the pricey side, though, so keep reading to discover whether this option is best for you and your household. Or, if you're already sold: LG is inviting preorders of the LG CineBeam Q starting now. 

LG CineBeam Q: At a glance

LG Cine Beam Cube portable projector review

Resolution : 4K UHD (3,840 x 2,160 pixels) | Max. projection size : 120" | Operating system : LG WebOS | Max. brightness : 500 lumens |  Contrast Ratio : 450,000:1 | Color gamut : 154% DCI-P3 | HDR support : HDR10, HLG | Aspect ratio : 16:9 |  Ports : HDMI, USB Type-C | Display type : DMD | Throw ratio : 1.2 |  Wireless connectivity : Wi-Fi, Bluetooth, Apple AirPlay 2 | Light source : 3 channel RGB lasers | Dimensions : 5.6 x 5.5 x 3.25 inches | Weight : 3.2 pounds

I was wowed by this projector's minimalist and high-quality design. Many portable projectors have plastic casing, but the CineBeam Q has a mainly metallic housing. The most noticeable feature is a built-in handle that rotates 360 degrees, serving as an adjustable kickstand. 

The thing to understand about any portable projector (including this one) is that it's not meant to replace the primary TV in your home, or be the centerpiece of a high-end home theater setup. 

Yes, the CineBeam Q offers 4K UHD resolution, but its 500-nits maximum brightness and integrated three-watt speaker don't compare to what you get from a full-size projector.

This snazzy portable projector offers 4K resolution

LG Cine Beam Cube portable projector review

The unit fits in a hand and weighs just 3.2 pounds. Setting up the projector takes less than three minutes after an initial one-time setup. Since the handle rotates a full 360 degrees around the projector, it's designed to double as an adjustable kickstand. This makes the CineBeam Q very easy to position at the perfect angle. One feature I absolutely love is that no matter at what angle you choose, it uses an auto screen adjustment and autofocus feature to showcase a perfectly proportioned rectangular image. 

You also don't need to worry too much about measuring the distance between the projector and a screen. The size of the projected image is impacted by this distance, but the projector automatically adjusts based on whatever distance you choose. For a 120-inch picture (measured diagonally), the projector needs to sit about 10.5 feet from the screen. For a 30-inch picture, the projector only needed to be about 23 inches away. The closer to the screen I positioned the projector, the sharper the overall picture quality. Even at a projection size over 100 inches, the display was consistently high quality, particularly when the viewing space was dark. 

LG Cine Beam Cube portable projector review

You can use the LG CineBeam Q can outdoors if you connect it to an external battery pack, but this portable projector is not waterproof. It's also not meant to be durable enough to withstand a significant drop. So, while it's a great projector for an occasional backyard movie night, don't take it on a camping trip. It's also a good option for gamers who want to wage their favorite virtual adventures showcased on a screen (or even a wall or ceiling) that's up to 120 inches.

LG Cine Beam Cube portable projector review

Right out of the box, when you plug in the projector and power it on, the LG WebOS operating system connects to your in-home Wi-Fi and gets you access to a handful of the popular streaming services. The apps for Netflix, YouTube, AppleTV, Amazon Prime Video and Disney+ come preinstalled. 

To download other streaming apps, the process is just like using any smart TV. The selection of optional apps is extensive, but the projector does not support Paramount+, Hulu or Max. I couldn't install those.

On the back of the projector, you'll find one HDMI and USB Type-C port. Connecting the Nintendo Switch, for example, required plugging the console into the HDMI port of the projector. The projector immediately identified the Switch and displayed content from it. 

LG Cine Beam Cube portable projector review

Built into the front of the projector, and mounted flat against behind protective glass, is the three-laser RGB projection system and lens. You never need to manually adjust it. Just set the protector on a flat surface and use the kickstand to position it at the perfect angle.

LG Cine Beam Cube portable projector review

While there's a power button built into the back of the projector, you can also control all of the CineBeam Q's functions with an included, ergonomically designed remote. Like the projector itself, the remote has a minimalist design with easy-to-understand button icons. I have only two complaints: The buttons are not backlit and the remote does not accept voice commands.

LG Cine Beam Cube portable projector review

The biggest feature I found lacking from the CineBeam Q is an internal battery pack. The projector has to be plugged into an external power source using the supplied adapter. Between the two cables that connect to the main adapter, the projector can be positioned up to 10.4 feet away from the power outlet or an external battery pack. If you connect the projector to a portable power bank, like the Jackery Explorer 300 Pro ($249), which was one of our top picks in our five best emergency power banks for 2024 coverage, you can keep the projector running for a full movie marathon or an extended binge TV watching session.

LG CineBeam Q: Watching TV and movies

The physical size, shape and weight of the CineBeam Q are all impressive. But what about picture quality, resolution, brightness and sound quality?

LG Cine Beam Cube portable projector review

When I watched native 4K content from a video streaming service, the picture was consistently sharp, vivid and smooth. But the farther the projector was positioned from the screen, the darker the viewing space needed to be to keep the image from washing out. The projector does fine in basic daylight, but its three-laser light source can't compete with bright lights or direct sunlight.  

The internal speakers are decent, as long as you're sitting within about five feet from the projector and boost the volume to 80% to 100%. The audio does not distort at a higher volume, but when I was farther away from the speakers it was harder to hear the audio clearly. Turning on the projector's AI Sound feature helped a bit, but I enjoyed a better listening experience using external speakers, headphones or wireless earbuds. If you want room-filling sound that a group of people can hear, you'll need either wired or wireless Bluetooth speakers.

I like that the CineBeam Q can easily be paired with wireless headphones or earbuds for more robust private listening. However, even with the projector's audio turned up to 100%, the sound from a pair of AirPods Pro (2nd Generation) earbuds I used wasn't all that loud -- just adequate. The projector can pair with one or two Bluetooth devices.

LG Cine Beam Cube portable projector review

Regardless of where I moved the projector, the CineBeam Q did an excellent job adapting the shape of the projection space to accommodate these changes very quickly. Thanks to this auto framing feature, the projector could be positioned at a steep angle and project onto a ceiling without interfering with the power cord that extends from the back of the projector.

The internal cooling fan makes a slight noise, but that's drowned out from whatever content I was watching. Compared with other projectors I've tested, the LG CineBeam Q impressed me the most in terms of picture quality, resolution and brightness. It was just the speaker and volume performance that I found a bit lacking. I was also a bit disappointed that the projector did not support several popular video streaming apps.

Is the LG CineBeam Q worth it?

From a tech and features standpoint, you certainly get your money's worth from this portable projector. But if portability really isn't a strong selling point for you, know this: For a few hundred dollars more, you can get a full-size projector, like the  LG HU70LAB 4K UHD LED Smart Home CineBeam projector ($1,500), which offers the same resolution, a maximum brightness of 1,500 lumens and a design robust enough for a home theater system.

Meanwhile, the Samsung Freestyle (2nd Gen) is priced at just $600 and offers a lot of overlapping functionality as the CineBeam Q, but again, it maxes out at 1080p resolution and a projection size of 100 inches. 

10 things I like about the LG CineBeam Q portable projector

  • The size and overall design of the projector is easy use.
  • The built-in handle is also used as a kickstand that can rotate 360 degrees.
  • The brightness of the projector is impressive, especially when the viewing space is dark.
  • You can project content onto a ceiling or wall.
  • Pairing optional Bluetooth speakers, headphones or earbuds is straight forward. 
  • A basic handheld remote comes with the projector.
  • As soon as device is connected via HDMI port, the projector instantly detects and displays content from it, whether its from a computer or gaming system.
  • The apps for Netflix, Amazon Prime Video, Disney+, YouTube and Apple TV come preinstalled. 
  • A handful of viewing presets are integrated into the operating system, including a filmmaker mode, standard, vivid, cinema, game optimizer, sports, brightest and two expert modes. You can also manually adjust brightness, color and clarity, but the project also does a great job of optimizing on its own.
  • With the projector's game optimizer mode, your favorite games can be displayed at a larger-than-life size.

Seven things I don't like about the LG CineBeam Q portable projector

  • The projector lacks a built-in battery pack.
  • A protective carrying case is not included.
  • The CineBeam Q is not waterproof or shock resistant.
  • There's no Chromecast support (but it does support AirPlay).
  • The included remote is not voice activated. A compatible LG Magic Remote with voice recognition is sold separately.
  • Some popular streaming apps, like Paramount+, Hulu and Max, could not be installed.
  • Even at 100% volume, the sound was not loud enough to be heard clearly from more than a few feet from the projector.

LG CineBeam Q portable projector: Final thoughts...

If you want the best of the best in the portable projector category, the LG CineBeam Q is what you're looking for. Sure, it has drawbacks. But it offers the features, resolution, brightness and versatility most people need from a portable projector. The build quality and functionality integrated into this projector justify its premium price. 

That said, if you're looking for an optimal private viewing experience, use the projector with wireless headphones or earbuds. 

For additional advice on choosing a projector, be sure to check out our coverage of the five best home projectors for 2024 . And for all of your consumer tech needs, follow our extensive and continuously updated  tech coverage , including an ever-expanding lineup of  product reviews and buying guides  from our in-house  tech experts .

Jason R. Rich ( www.JasonRich.com ) is an internationally recognized consumer technology expert with more than 30 years' writing experience. He's also an accomplished author and photographer. One of his most recently published books, The Remote Worker's Handbook: How to Effectively Work From Anywhere ($24.99, Entrepreneur Books) is now available from Amazon and wherever books are sold.

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Tv/streaming, collections, great movies, chaz's journal, contributors, the best of me.

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A ruggedly hunky guy toiling on a Louisiana oil rig decides to cuddle up with a thick Stephen Hawking book on his lunch break. We will soon hear him in a voiceover pondering his “destined path” in life while the stars sparkle in the sky as if a Swavorski crystal display exploded at the mall.

“Yeah, right,” I found myself saying out loud. Little did I know that I should have saved that remark for the truly  ridiculous situations that were lying in wait during the rest of “The Best of Me.”

Besides, at this point, there is little use going against the tide of tears wept in the name of the shamelessly swoony sob-a-paloozas based on the best-selling romantic novels of the wealthier-than-thou Nicholas Sparks .

As a moviegoer, however, you do have a choice. Either weep with them–or laugh at them. Or stay far, far away.

“The Best of Me,” the ninth Sparks-based film, falls squarely in the mediocre category and makes 2004’s “The Notebook” seem like “ Casablanca .” It revolves around a second chance at true love as high-school sweethearts are reunited after 20 years following the death of a mutual friend. The aforementioned hunk is Dawson ( James Marsden ), a loner of few words who scored 1520 on his SATs yet settled into a blue-collar job. At least it is an excuse to see what Marsden would look like as the construction worker in the Village People.

Amanda ( Michelle Monaghan ) is an upper-class housewife who dotes on her teen son and bitterly weeps over her crumbling marriage to a self-involved twerp who is an alcoholic, workaholic and all-around jerkaholic. She and Dawson both return to their hometown for the reading of a will of a man named Tuck. Soon they are riffling through the goodies of a fairy-tale cottage they have jointly inherited that is straight out of a Thomas Kincade painting, complete with oaks draped in Spanish moss, fields of rosy posies ripe for the picking and an old-fashioned  swimming hole.

Cue the flashback to 1992, even though it seems more like an Ozzie and Harriet episode, with its soda shop named Squeals, than the year when Nirvana’s “Nevermind” topped the album charts and “ Reservoir Dogs ” was released. The teen Amanda (played by Liana Liberato ) is an outspoken lawyer-wannabe rich girl with a very strange penchant for backless attire who pursues the withdrawn Dawson ( Luke Bracey ) in the most wholesome way possible. Sparks sparks eventually fly, including a requisite smooch in the rain, despite their desperate backgrounds and personalities.

Time for another “Yeah, right!” Complicating matters is that Dawson is a member of a notorious Cole clan of white-trash swamp-rat outlaws. They, too, appear to be from discordant time periods. Dawson’s nasty redneck daddy, who can’t keep his fists to himself, could be trying out as a member of the Barrow gang in Bonnie and Clyde. Meanwhile, his gap-toothed, mullet-headed hench brothers might be related to the meth-lab backwoods lowlifes in "Winter’s Bone" by way of " Deliverance ." Basically, these portions feel like an old SCTV skit that never made it on air.

However, the most distracting and near-fatal incongruity is the choice of Bracey as the younger Dawson. There is no way and no how that this actor would ever grow up to be Marsden. For one thing, he actually looks older. Not only that, he doesn’t look, act or sound like him. What is even sillier is when Monaghan’s Amanda makes the observation to Marsden’s Dawson, as they find themselves falling for each other again, that “somehow you’ve gotten better looking.” And she is, of course, right.

The one pleasant respite is whenever Gerald McRaney shows up in the flashbacks as Tuck, a gruff yet caring former military man and widower who becomes a second father to Dawson after he runs away from home. And pros that they are, Marsden and Monaghan make for a very pretty couple as they manage to stay committed to their characters, no matter what trite nonsense trickles out of their mouths.

At a certain point, though, the coincidences and tragic incidents start to pile up at a startling rate and nothing can be taken seriously. Not that you don’t see these developments coming from miles away. 

If a pediatric cancer charity is mentioned, a kid will end up having cancer.

If a parent hosting a fancy party asks his daughter’s dirt-poor suitor to check out his collection of vintage cars, the door will soon be shown.

If someone is told to be careful behind the wheel, a car crash is not far behind

If a vehicle waits as the lights start to flash at a train crossing, something bad is about to occur.

And if a character reveals that they once had a drinking problem that is now under control, they will be shown popping a cork on a wine bottle for a cozy dinner for two in the very next scene and downing Budweisers (the official beer of rekindled affairs, apparently) while on a picnic.

No, that last bit doesn’t make sense. But little of “The Best of Me” does.

Susan Wloszczyna

Susan Wloszczyna

Susan Wloszczyna spent much of her nearly thirty years at USA TODAY as a senior entertainment reporter. Now unchained from the grind of daily journalism, she is ready to view the world of movies with fresh eyes.

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The Best of Me (2014)

Rated PG-13

117 minutes

Michelle Monaghan

James Marsden

Liana Liberato

Luke Bracey

  • Michael Hoffman
  • Will Fetters
  • J. Mills Goodloe
  • Nicholas Sparks

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Welcome to our guide of the Best Movies of 2024, featuring every Certified Fresh movie as they come in week by week!

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And what about February ? Dune pretty good, thanks for asking. Part Two went Certified Fresh within an hour after the reviews embargo lifted on February 21st. With it outclassing the first Dune , we took a look at 20 sequels that got better Tomatometer scores than their originals . Otherwise, things got freaky with horror film Stopmotion and the comic zaniness of Hundreds of Beavers taking the crown for the best-reviewed of the year.

We didn’t have a blockbuster January like we did in 2023 ‘s, when genre surprises M3GAN and Plane went Certified Fresh. But Daisy Ridley got her post-Skywalker win with Sometimes I Think About Dying . Mads Mikkelsen re-teamed with his A Royal Affair director Nikolaj Arcel to find The Promised Land. With The Crime Is Mine , Francois Ozon is getting career-best reviews, and his 10th Certified Fresh film over the past decade-and-change. And Netflix scored with The Kitchen , Orion and the Dark , and Good Grief .

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