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5 moving, beautiful essays about death and dying

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It is never easy to contemplate the end-of-life, whether its own our experience or that of a loved one.

This has made a recent swath of beautiful essays a surprise. In different publications over the past few weeks,  I've stumbled upon writers who were  contemplating final days. These are, no doubt, hard stories to read. I had to take breaks as I read about Paul Kalanithi's experience facing metastatic lung cancer while parenting a toddler, and was devastated as I followed Liz Lopatto's contemplations on how to give her ailing cat the best death possible. But I also learned so much from reading these essays, too, about what it means to have a good death versus a difficult end from those forced to grapple with the issue. These are four stories that have stood out to me recently, alongside one essay from a few years ago that sticks with me today.

My Own Life | Oliver Sacks

As recently as last month, popular author and neurologist Oliver Sacks was in great health, even swimming a mile every day. Then, everything changed: the 81-year-old was diagnosed with terminal liver cancer. In a beautiful op-ed , published in late February in the New York Times, he describes his state of mind and how he'll face his final moments. What I liked about this essay is how Sacks describes how his world view shifts as he sees his time on earth getting shorter, and how he thinks about the value of his time.

Before I go | Paul Kalanithi

Kalanthi began noticing symptoms — "weight loss, fevers, night sweats, unremitting back pain, cough" — during his sixth year of residency as a neurologist at Stanford. A CT scan revealed metastatic lung cancer. Kalanthi writes about his daughter, Cady and how he "probably won't live long enough for her to have a memory of me." Much of his essay focuses on an interesting discussion of time, how it's become a double-edged sword. Each day, he sees his daughter grow older, a joy. But every day is also one that brings him closer to his likely death from cancer.

As I lay dying | Laurie Becklund

Becklund's essay was published posthumonously after her death on February 8 of this year. One of the unique issues she grapples with is how to discuss her terminal diagnosis with others and the challenge of not becoming defined by a disease. "Who would ever sign another book contract with a dying woman?" she writes. "Or remember Laurie Becklund, valedictorian, Fulbright scholar, former Times staff writer who exposed the Salvadoran death squads and helped The Times win a Pulitzer Prize for coverage of the 1992 L.A. riots? More important, and more honest, who would ever again look at me just as Laurie?"

Everything I know about a good death I learned from my cat | Liz Lopatto

Dorothy Parker was Lopatto's cat, a stray adopted from a local vet. And Dorothy Parker, known mostly as Dottie, died peacefully when she passed away earlier this month. Lopatto's essay is, in part, about what she learned about end-of-life care for humans from her cat. But perhaps more than that, it's also about the limitations of how much her experience caring for a pet can transfer to caring for another person.

Yes, Lopatto's essay is about a cat rather than a human being. No, it does not make it any easier to read. She describes in searing detail about the experience of caring for another being at the end of life. "Dottie used to weigh almost 20 pounds; she now weighs six," Lopatto writes. "My vet is right about Dottie being close to death, that it’s probably a matter of weeks rather than months."

Letting Go | Atul Gawande

"Letting Go" is a beautiful, difficult true story of death. You know from the very first sentence — "Sara Thomas Monopoli was pregnant with her first child when her doctors learned that she was going to die" — that it is going to be tragic. This story has long been one of my favorite pieces of health care journalism because it grapples so starkly with the difficult realities of end-of-life care.

In the story, Monopoli is diagnosed with stage four lung cancer, a surprise for a non-smoking young woman. It's a devastating death sentence: doctors know that lung cancer that advanced is terminal. Gawande knew this too — Monpoli was his patient. But actually discussing this fact with a young patient with a newborn baby seemed impossible.

"Having any sort of discussion where you begin to say, 'look you probably only have a few months to live. How do we make the best of that time without giving up on the options that you have?' That was a conversation I wasn't ready to have," Gawande recounts of the case in a new Frontline documentary .

What's tragic about Monopoli's case was, of course, her death at an early age, in her 30s. But the tragedy that Gawande hones in on — the type of tragedy we talk about much less — is how terribly Monopoli's last days played out.

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• Death And Dying

8 Popular Essays About Death, Grief & the Afterlife

Updated 05/4/2022

Published 07/19/2021

Joe Oliveto, BA in English

Contributing writer

Cake values integrity and transparency. We follow a strict editorial process to provide you with the best content possible. We also may earn commission from purchases made through affiliate links. As an Amazon Associate, we earn from qualifying purchases. Learn more in our affiliate disclosure .

Death is a strange topic for many reasons, one of which is the simple fact that different people can have vastly different opinions about discussing it.

Jump ahead to these sections: 

Essays or articles about the death of a loved one, essays or articles about dealing with grief, essays or articles about the afterlife or near-death experiences.

Some fear death so greatly they don’t want to talk about it at all. However, because death is a universal human experience, there are also those who believe firmly in addressing it directly. This may be more common now than ever before due to the rise of the death positive movement and mindset.

You might believe there’s something to be gained from talking and learning about death. If so, reading essays about death, grief, and even near-death experiences can potentially help you begin addressing your own death anxiety. This list of essays and articles is a good place to start. The essays here cover losing a loved one, dealing with grief, near-death experiences, and even what someone goes through when they know they’re dying.

Losing a close loved one is never an easy experience. However, these essays on the topic can help someone find some meaning or peace in their grief.

1. ‘I’m Sorry I Didn’t Respond to Your Email, My Husband Coughed to Death Two Years Ago’ by Rachel Ward

Rachel Ward’s essay about coping with the death of her husband isn’t like many essays about death. It’s very informal, packed with sarcastic humor, and uses an FAQ format. However, it earns a spot on this list due to the powerful way it describes the process of slowly finding joy in life again after losing a close loved one.

Ward’s experience is also interesting because in the years after her husband’s death, many new people came into her life unaware that she was a widow. Thus, she often had to tell these new people a story that’s painful but unavoidable. This is a common aspect of losing a loved one that not many discussions address.

2. ‘Everything I know about a good death I learned from my cat’ by Elizabeth Lopatto

Not all great essays about death need to be about human deaths! In this essay, author Elizabeth Lopatto explains how watching her beloved cat slowly die of leukemia and coordinating with her vet throughout the process helped her better understand what a “good death” looks like.

For instance, she explains how her vet provided a degree of treatment but never gave her false hope (for instance, by claiming her cat was going to beat her illness). They also worked together to make sure her cat was as comfortable as possible during the last stages of her life instead of prolonging her suffering with unnecessary treatments.

Lopatto compares this to the experiences of many people near death. Sometimes they struggle with knowing how to accept death because well-meaning doctors have given them the impression that more treatments may prolong or even save their lives, when the likelihood of them being effective is slimmer than patients may realize.

Instead, Lopatto argues that it’s important for loved ones and doctors to have honest and open conversations about death when someone’s passing is likely near. This can make it easier to prioritize their final wishes instead of filling their last days with hospital visits, uncomfortable treatments, and limited opportunities to enjoy themselves.

3. ‘The terrorist inside my husband’s brain’ by Susan Schneider Williams

This article, which Susan Schneider Williams wrote after the death of her husband Robin Willians, covers many of the topics that numerous essays about the death of a loved one cover, such as coping with life when you no longer have support from someone who offered so much of it. 

However, it discusses living with someone coping with a difficult illness that you don’t fully understand, as well. The article also explains that the best way to honor loved ones who pass away after a long struggle is to work towards better understanding the illnesses that affected them. 

4. ‘Before I Go’ by Paul Kalanithi

“Before I Go” is a unique essay in that it’s about the death of a loved one, written by the dying loved one. Its author, Paul Kalanithi, writes about how a terminal cancer diagnosis has changed the meaning of time for him.

Kalanithi describes believing he will die when his daughter is so young that she will likely never have any memories of him. As such, each new day brings mixed feelings. On the one hand, each day gives him a new opportunity to see his daughter grow, which brings him joy. On the other hand, he must struggle with knowing that every new day brings him closer to the day when he’ll have to leave her life.

Coping with grief can be immensely challenging. That said, as the stories in these essays illustrate, it is possible to manage grief in a positive and optimistic way.

5. Untitled by Sheryl Sandberg

This piece by Sheryl Sandberg, Facebook’s current CEO, isn’t a traditional essay or article. It’s actually a long Facebook post. However, many find it’s one of the best essays about death and grief anyone has published in recent years.

She posted it on the last day of sheloshim for her husband, a period of 30 days involving intense mourning in Judaism. In the post, Sandberg describes in very honest terms how much she learned from those 30 days of mourning, admitting that she sometimes still experiences hopelessness, but has resolved to move forward in life productively and with dignity.

She explains how she wanted her life to be “Option A,” the one she had planned with her husband. However, because that’s no longer an option, she’s decided the best way to honor her husband’s memory is to do her absolute best with “Option B.”

This metaphor actually became the title of her next book. Option B , which Sandberg co-authored with Adam Grant, a psychologist at the Wharton School of the University of Pennsylvania, is already one of the most beloved books about death , grief, and being resilient in the face of major life changes. It may strongly appeal to anyone who also appreciates essays about death as well.

6. ‘My Own Life’ by Oliver Sacks

Grief doesn’t merely involve grieving those we’ve lost. It can take the form of the grief someone feels when they know they’re going to die.

Renowned physician and author Oliver Sacks learned he had terminal cancer in 2015. In this essay, he openly admits that he fears his death. However, he also describes how knowing he is going to die soon provides a sense of clarity about what matters most. Instead of wallowing in his grief and fear, he writes about planning to make the very most of the limited time he still has.

Belief in (or at least hope for) an afterlife has been common throughout humanity for decades. Additionally, some people who have been clinically dead report actually having gone to the afterlife and experiencing it themselves.

Whether you want the comfort that comes from learning that the afterlife may indeed exist, or you simply find the topic of near-death experiences interesting, these are a couple of short articles worth checking out.

7. ‘My Experience in a Coma’ by Eben Alexander

“My Experience in a Coma” is a shortened version of the narrative Dr. Eben Alexander shared in his book, Proof of Heaven . Alexander’s near-death experience is unique, as he’s a medical doctor who believes that his experience is (as the name of his book suggests) proof that an afterlife exists. He explains how at the time he had this experience, he was clinically braindead, and therefore should not have been able to consciously experience anything.

Alexander describes the afterlife in much the same way many others who’ve had near-death experiences describe it. He describes starting out in an “unresponsive realm” before a spinning white light that brought with it a musical melody transported him to a valley of abundant plant life, crystal pools, and angelic choirs. He states he continued to move from one realm to another, each realm higher than the last, before reaching the realm where the infinite love of God (which he says is not the “god” of any particular religion) overwhelmed him.

8. “One Man's Tale of Dying—And Then Waking Up” by Paul Perry

The author of this essay recounts what he considers to be one of the strongest near-death experience stories he’s heard out of the many he’s researched and written about over the years. The story involves Dr. Rajiv Parti, who claims his near-death experience changed his views on life dramatically.

Parti was highly materialistic before his near-death experience. During it, he claims to have been given a new perspective, realizing that life is about more than what his wealth can purchase. He returned from the experience with a permanently changed outlook.

This is common among those who claim to have had near-death experiences. Often, these experiences leave them kinder, more understanding, more spiritual, and less materialistic.

This short article is a basic introduction to Parti’s story. He describes it himself in greater detail in the book Dying to Wake Up , which he co-wrote with Paul Perry, the author of the article.

Essays About Death: Discussing a Difficult Topic

It’s completely natural and understandable to have reservations about discussing death. However, because death is unavoidable, talking about it and reading essays and books about death instead of avoiding the topic altogether is something that benefits many people. Sometimes, the only way to cope with something frightening is to address it.

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• Coping With Grief

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Essays About Death: Top 5 Examples and 9 Essay Prompts

Death includes mixed emotions and endless possibilities. If you are writing essays about death, see our examples and prompts in this article.

Over 50 million people die yearly from different causes worldwide. It’s a fact we must face when the time comes. Although the subject has plenty of dire connotations, many are still fascinated by death, enough so that literary pieces about it never cease. Every author has a reason why they want to talk about death. Most use it to put their grievances on paper to help them heal from losing a loved one. Some find writing and reading about death moving, transformative, or cathartic.

To help you write a compelling essay about death, we prepared five examples to spark your imagination:

1. Essay on Death Penalty by Aliva Manjari

2. coping with death essay by writer cameron, 3. long essay on death by prasanna, 4. because i could not stop for death argumentative essay by writer annie, 5. an unforgettable experience in my life by anonymous on gradesfixer.com, 1. life after death, 2. death rituals and ceremonies, 3. smoking: just for fun or a shortcut to the grave, 4. the end is near, 5. how do people grieve, 6. mental disorders and death, 7. are you afraid of death, 8. death and incurable diseases, 9. if i can pick how i die.

“The death penalty is no doubt unconstitutional if imposed arbitrarily, capriciously, unreasonably, discriminatorily, freakishly or wantonly, but if it is administered rationally, objectively and judiciously, it will enhance people’s confidence in criminal justice system.”

Manjari’s essay considers the death penalty as against the modern process of treating lawbreakers, where offenders have the chance to reform or defend themselves. Although the author is against the death penalty, she explains it’s not the right time to abolish it. Doing so will jeopardize social security. The essay also incorporates other relevant information, such as the countries that still have the death penalty and how they are gradually revising and looking for alternatives.

You might also be interested in our list of the best war books .

“How a person copes with grief is affected by the person’s cultural and religious background, coping skills, mental history, support systems, and the person’s social and financial status.”

Cameron defines coping and grief through sharing his personal experience. He remembers how their family and close friends went through various stages of coping when his Aunt Ann died during heart surgery. Later in his story, he mentions Ann’s last note, which she wrote before her surgery, in case something terrible happens. This note brought their family together again through shared tears and laughter. You can also check out these articles about cancer .

“Luckily or tragically, we are completely sentenced to death. But there is an interesting thing; we don’t have the knowledge of how the inevitable will strike to have a conversation.”

Prasanna states the obvious – all people die, but no one knows when. She also discusses the five stages of grief: denial, anger, bargaining, depression, and acceptance. Research also shows that when people die, the brain either shows a flashback of life or sees a ray of light.

Even if someone can predict the day of their death, it won’t change how the people who love them will react. Some will cry or be numb, but in the end, everyone will have to accept the inevitable. The essay ends with the philosophical belief that the soul never dies and is reborn in a new identity and body. You can also check out these elegy examples .

“People have busy lives, and don’t think of their own death, however, the speaker admits that she was willing to put aside her distractions and go with death. She seemed to find it pretty charming.”

The author focuses on how Emily Dickinson ’s “ Because I Could Not Stop for Death ” describes death. In the poem, the author portrays death as a gentle, handsome, and neat man who picks up a woman with a carriage to take her to the grave. The essay expounds on how Dickinson uses personification and imagery to illustrate death.

“The death of a loved one is one of the hardest things an individual can bring themselves to talk about; however, I will never forget that day in the chapter of my life, as while one story continued another’s ended.”

The essay delve’s into the author’s recollection of their grandmother’s passing. They recount the things engrained in their mind from that day –  their sister’s loud cries, the pounding and sinking of their heart, and the first time they saw their father cry. 

Looking for more? Check out these essays about losing a loved one .

9 Easy Writing Prompts on Essays About Death

Are you still struggling to choose a topic for your essay? Here are prompts you can use for your paper:

Your imagination is the limit when you pick this prompt for your essay. Because no one can confirm what happens to people after death, you can create an essay describing what kind of world exists after death. For instance, you can imagine yourself as a ghost that lingers on the Earth for a bit. Then, you can go to whichever place you desire and visit anyone you wish to say proper goodbyes to first before crossing to the afterlife.

Every country, religion, and culture has ways of honoring the dead. Choose a tribe, religion, or place, and discuss their death rituals and traditions regarding wakes and funerals. Include the reasons behind these activities. Conclude your essay with an opinion on these rituals and ceremonies but don’t forget to be respectful of everyone’s beliefs. 

Smoking is still one of the most prevalent bad habits since tobacco’s creation in 1531 . Discuss your thoughts on individuals who believe there’s nothing wrong with this habit and inadvertently pass secondhand smoke to others. Include how to avoid chain-smokers and if we should let people kill themselves through excessive smoking. Add statistics and research to support your claims.

Collate people’s comments when they find out their death is near. Do this through interviews, and let your respondents list down what they’ll do first after hearing the simulated news. Then, add their reactions to your essay.

There is no proper way of grieving. People grieve in their way. Briefly discuss death and grieving at the start of your essay. Then, narrate a personal experience you’ve had with grieving to make your essay more relatable. Or you can compare how different people grieve. To give you an idea, you can mention that your father’s way of grieving is drowning himself in work while your mom openly cries and talk about her memories of the loved one who just passed away. 

Explain how people suffering from mental illnesses view death. Then, measure it against how ordinary people see the end. Include research showing death rates caused by mental illnesses to prove your point. To make organizing information about the topic more manageable, you can also focus on one mental illness and relate it to death.

Check out our guide on  how to write essays about depression .

Sometimes, seriously ill people say they are no longer afraid of death. For others, losing a loved one is even more terrifying than death itself. Share what you think of death and include factors that affected your perception of it.

People with incurable diseases are often ready to face death. For this prompt, write about individuals who faced their terminal illnesses head-on and didn’t let it define how they lived their lives. You can also review literary pieces that show these brave souls’ struggle and triumph. A great series to watch is “ My Last Days .”

You might also be interested in these epitaph examples .

No one knows how they’ll leave this world, but if you have the chance to choose how you part with your loved ones, what will it be? Probe into this imagined situation. For example, you can write: “I want to die at an old age, surrounded by family and friends who love me. I hope it’ll be a peaceful death after I’ve done everything I wanted in life.”

To make your essay more intriguing, put unexpected events in it. Check out these plot twist ideas .

Maria Caballero is a freelance writer who has been writing since high school. She believes that to be a writer doesn't only refer to excellent syntax and semantics but also knowing how to weave words together to communicate to any reader effectively.

View all posts

May 3, 2023

Contemplating Mortality: Powerful Essays on Death and Inspiring Perspectives

The prospect of death may be unsettling, but it also holds a deep fascination for many of us. If you're curious to explore the many facets of mortality, from the scientific to the spiritual, our article is the perfect place to start. With expert guidance and a wealth of inspiration, we'll help you write an essay that engages and enlightens readers on one of life's most enduring mysteries!

Death is a universal human experience that we all must face at some point in our lives. While it can be difficult to contemplate mortality, reflecting on death and loss can offer inspiring perspectives on the nature of life and the importance of living in the present moment. In this collection of powerful essays about death, we explore profound writings that delve into the human experience of coping with death, grief, acceptance, and philosophical reflections on mortality.

Through these essays, readers can gain insight into different perspectives on death and how we can cope with it. From personal accounts of loss to philosophical reflections on the meaning of life, these essays offer a diverse range of perspectives that will inspire and challenge readers to contemplate their mortality.

The Inevitable: Coping with Mortality and Grief

Mortality is a reality that we all have to face, and it is something that we cannot avoid. While we may all wish to live forever, the truth is that we will all eventually pass away. In this article, we will explore different aspects of coping with mortality and grief, including understanding the grieving process, dealing with the fear of death, finding meaning in life, and seeking support.

Understanding the Grieving Process

Grief is a natural and normal response to loss. It is a process that we all go through when we lose someone or something important to us. The grieving process can be different for each person and can take different amounts of time. Some common stages of grief include denial, anger, bargaining, depression, and acceptance. It is important to remember that there is no right or wrong way to grieve and that it is a personal process.

Denial is often the first stage of grief. It is a natural response to shock and disbelief. During this stage, we may refuse to believe that our loved one has passed away or that we are facing our mortality.

Anger is a common stage of grief. It can manifest as feelings of frustration, resentment, and even rage. It is important to allow yourself to feel angry and to express your emotions healthily.

Bargaining is often the stage of grief where we try to make deals with a higher power or the universe in an attempt to avoid our grief or loss. We may make promises or ask for help in exchange for something else.

Depression is a natural response to loss. It is important to allow yourself to feel sad and to seek support from others.

Acceptance is often the final stage of grief. It is when we come to terms with our loss and begin to move forward with our lives.

Dealing with the Fear of Death

The fear of death is a natural response to the realization of our mortality. It is important to acknowledge and accept our fear of death but also to not let it control our lives. Here are some ways to deal with the fear of death:

Accepting Mortality

Accepting our mortality is an important step in dealing with the fear of death. We must understand that death is a natural part of life and that it is something that we cannot avoid.

Finding Meaning in Life

Finding meaning in life can help us cope with the fear of death. It is important to pursue activities and goals that are meaningful and fulfilling to us.

Seeking Support

Seeking support from friends, family, or a therapist can help us cope with the fear of death. Talking about our fears and feelings can help us process them and move forward.

Finding meaning in life is important in coping with mortality and grief. It can help us find purpose and fulfillment, even in difficult times. Here are some ways to find meaning in life:

Pursuing Passions

Pursuing our passions and interests can help us find meaning and purpose in life. It is important to do things that we enjoy and that give us a sense of accomplishment.

Helping Others

Helping others can give us a sense of purpose and fulfillment. It can also help us feel connected to others and make a positive impact on the world.

Making Connections

Making connections with others is important in finding meaning in life. It is important to build relationships and connections with people who share our values and interests.

Seeking support is crucial when coping with mortality and grief. Here are some ways to seek support:

Talking to Friends and Family

Talking to friends and family members can provide us with a sense of comfort and support. It is important to express our feelings and emotions to those we trust.

Joining a Support Group

Joining a support group can help us connect with others who are going through similar experiences. It can provide us with a safe space to share our feelings and find support.

Seeking Professional Help

Seeking help from a therapist or counselor can help cope with grief and mortality. A mental health professional can provide us with the tools and support we need to process our emotions and move forward.

Coping with mortality and grief is a natural part of life. It is important to understand that grief is a personal process that may take time to work through. Finding meaning in life, dealing with the fear of death, and seeking support are all important ways to cope with mortality and grief. Remember to take care of yourself, allow yourself to feel your emotions, and seek support when needed.

The Ethics of Death: A Philosophical Exploration

Death is an inevitable part of life, and it is something that we will all experience at some point. It is a topic that has fascinated philosophers for centuries, and it continues to be debated to this day. In this article, we will explore the ethics of death from a philosophical perspective, considering questions such as what it means to die, the morality of assisted suicide, and the meaning of life in the face of death.

Death is a topic that elicits a wide range of emotions, from fear and sadness to acceptance and peace. Philosophers have long been interested in exploring the ethical implications of death, and in this article, we will delve into some of the most pressing questions in this field.

What does it mean to die?

The concept of death is a complex one, and there are many different ways to approach it from a philosophical perspective. One question that arises is what it means to die. Is death simply the cessation of bodily functions, or is there something more to it than that? Many philosophers argue that death represents the end of consciousness and the self, which raises questions about the nature of the soul and the afterlife.

The morality of assisted suicide

Assisted suicide is a controversial topic, and it raises several ethical concerns. On the one hand, some argue that individuals have the right to end their own lives if they are suffering from a terminal illness or unbearable pain. On the other hand, others argue that assisting someone in taking their own life is morally wrong and violates the sanctity of life. We will explore these arguments and consider the ethical implications of assisted suicide.

The meaning of life in the face of death

The inevitability of death raises important questions about the meaning of life. If our time on earth is finite, what is the purpose of our existence? Is there a higher meaning to life, or is it simply a product of biological processes? Many philosophers have grappled with these questions, and we will explore some of the most influential theories in this field.

The role of death in shaping our lives

While death is often seen as a negative force, it can also have a positive impact on our lives. The knowledge that our time on earth is limited can motivate us to live life to the fullest and to prioritize the things that truly matter. We will explore the role of death in shaping our values, goals, and priorities, and consider how we can use this knowledge to live more fulfilling lives.

The ethics of mourning

The process of mourning is an important part of the human experience, and it raises several ethical questions. How should we respond to the death of others, and what is our ethical responsibility to those who are grieving? We will explore these questions and consider how we can support those who are mourning while also respecting their autonomy and individual experiences.

The ethics of immortality

The idea of immortality has long been a fascination for humanity, but it raises important ethical questions. If we were able to live forever, what would be the implications for our sense of self, our relationships with others, and our moral responsibilities? We will explore the ethical implications of immortality and consider how it might challenge our understanding of what it means to be human.

The ethics of death in different cultural contexts

Death is a universal human experience, but how it is understood and experienced varies across different cultures. We will explore how different cultures approach death, mourning, and the afterlife, and consider the ethical implications of these differences.

Death is a complex and multifaceted topic, and it raises important questions about the nature of life, morality, and human experience. By exploring the ethics of death from a philosophical perspective, we can gain a deeper understanding of these questions and how they shape our lives.

The Ripple Effect of Loss: How Death Impacts Relationships

Losing a loved one is one of the most challenging experiences one can go through in life. It is a universal experience that touches people of all ages, cultures, and backgrounds. The grief that follows the death of someone close can be overwhelming and can take a significant toll on an individual's mental and physical health. However, it is not only the individual who experiences the grief but also the people around them. In this article, we will discuss the ripple effect of loss and how death impacts relationships.

Understanding Grief and Loss

Grief is the natural response to loss, and it can manifest in many different ways. The process of grieving is unique to each individual and can be affected by many factors, such as culture, religion, and personal beliefs. Grief can be intense and can impact all areas of life, including relationships, work, and physical health.

The Impact of Loss on Relationships

Death can impact relationships in many ways, and the effects can be long-lasting. Below are some of how loss can affect relationships:

1. Changes in Roles and Responsibilities

When someone dies, the roles and responsibilities within a family or social circle can shift dramatically. For example, a spouse who has lost their partner may have to take on responsibilities they never had before, such as managing finances or taking care of children. This can be a difficult adjustment, and it can put a strain on the relationship.

2. Changes in Communication

Grief can make it challenging to communicate with others effectively. Some people may withdraw and isolate themselves, while others may become angry and lash out. It is essential to understand that everyone grieves differently, and there is no right or wrong way to do it. However, these changes in communication can impact relationships, and it may take time to adjust to new ways of interacting with others.

3. Changes in Emotional Connection

When someone dies, the emotional connection between individuals can change. For example, a parent who has lost a child may find it challenging to connect with other parents who still have their children. This can lead to feelings of isolation and disconnection, and it can strain relationships.

4. Changes in Social Support

Social support is critical when dealing with grief and loss. However, it is not uncommon for people to feel unsupported during this time. Friends and family may not know what to say or do, or they may simply be too overwhelmed with their grief to offer support. This lack of social support can impact relationships and make it challenging to cope with grief.

Coping with Loss and Its Impact on Relationships

Coping with grief and loss is a long and difficult process, but it is possible to find ways to manage the impact on relationships. Below are some strategies that can help:

1. Communication

Effective communication is essential when dealing with grief and loss. It is essential to talk about how you feel and what you need from others. This can help to reduce misunderstandings and make it easier to navigate changes in relationships.

2. Seek Support

It is important to seek support from friends, family, or a professional if you are struggling to cope with grief and loss. Having someone to talk to can help to alleviate feelings of isolation and provide a safe space to process emotions.

3. Self-Care

Self-care is critical when dealing with grief and loss. It is essential to take care of your physical and emotional well-being. This can include things like exercise, eating well, and engaging in activities that you enjoy.

4. Allow for Flexibility

It is essential to allow for flexibility in relationships when dealing with grief and loss. People may not be able to provide the same level of support they once did or may need more support than they did before. Being open to changes in roles and responsibilities can help to reduce strain on relationships.

5. Find Meaning

Finding meaning in the loss can be a powerful way to cope with grief and loss. This can involve creating a memorial, participating in a support group, or volunteering for a cause that is meaningful to you.

The impact of loss is not limited to the individual who experiences it but extends to those around them as well. Relationships can be greatly impacted by the death of a loved one, and it is important to be aware of the changes that may occur. Coping with loss and its impact on relationships involves effective communication, seeking support, self-care, flexibility, and finding meaning.

What Lies Beyond Reflections on the Mystery of Death

Death is an inevitable part of life, and yet it remains one of the greatest mysteries that we face as humans. What happens when we die? Is there an afterlife? These are questions that have puzzled us for centuries, and they continue to do so today. In this article, we will explore the various perspectives on death and what lies beyond.

Understanding Death

Before we can delve into what lies beyond, we must first understand what death is. Death is defined as the permanent cessation of all biological functions that sustain a living organism. This can occur as a result of illness, injury, or simply old age. Death is a natural process that occurs to all living things, but it is also a process that is often accompanied by fear and uncertainty.

The Physical Process of Death

When a person dies, their body undergoes several physical changes. The heart stops beating, and the body begins to cool and stiffen. This is known as rigor mortis, and it typically sets in within 2-6 hours after death. The body also begins to break down, and this can lead to a release of gases that cause bloating and discoloration.

The Psychological Experience of Death

In addition to the physical changes that occur during and after death, there is also a psychological experience that accompanies it. Many people report feeling a sense of detachment from their physical body, as well as a sense of peace and calm. Others report seeing bright lights or visions of loved ones who have already passed on.

Perspectives on What Lies Beyond

There are many different perspectives on what lies beyond death. Some people believe in an afterlife, while others believe in reincarnation or simply that death is the end of consciousness. Let's explore some of these perspectives in more detail.

One of the most common beliefs about what lies beyond death is the idea of an afterlife. This can take many forms, depending on one's religious or spiritual beliefs. For example, many Christians believe in heaven and hell, where people go after they die depending on their actions during life. Muslims believe in paradise and hellfire, while Hindus believe in reincarnation.

Reincarnation

Reincarnation is the belief that after we die, our consciousness is reborn into a new body. This can be based on karma, meaning that the quality of one's past actions will determine the quality of their next life. Some people believe that we can choose the circumstances of our next life based on our desires and attachments in this life.

End of Consciousness

The idea that death is simply the end of consciousness is a common belief among atheists and materialists. This view holds that the brain is responsible for creating consciousness, and when the brain dies, consciousness ceases to exist. While this view may be comforting to some, others find it unsettling.

Death is a complex and mysterious phenomenon that continues to fascinate us. While we may never fully understand what lies beyond death, it's important to remember that everyone has their own beliefs and perspectives on the matter. Whether you believe in an afterlife, reincarnation, or simply the end of consciousness, it's important to find ways to cope with the loss of a loved one and to find peace with your mortality.

Final Words

In conclusion, these powerful essays on death offer inspiring perspectives and deep insights into the human experience of coping with mortality, grief, and loss. From personal accounts to philosophical reflections, these essays provide a diverse range of perspectives that encourage readers to contemplate their mortality and the meaning of life.

By reading and reflecting on these essays, readers can gain a better understanding of how death shapes our lives and relationships, and how we can learn to accept and cope with this inevitable part of the human experience.

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How death shapes life

As global COVID toll hits 5 million, Harvard philosopher ponders the intimate, universal experience of knowing the end will come but not knowing when

Colleen Walsh

Harvard Staff Writer

Does the understanding that our final breath could come tomorrow affect the way we choose to live? And how do we make sense of a life cut short by a random accident, or a collective existence in which the loss of 5 million lives to a pandemic often seems eclipsed by other headlines? For answers, the Gazette turned to Susanna Siegel, Harvard’s Edgar Pierce Professor of Philosophy. Interview has been edited for length and clarity.

Susanna Siegel

GAZETTE: How do we get through the day with death all around us?

SIEGEL: This question arises because we can be made to feel uneasy, distracted, or derailed by death in any form: mass death, or the prospect of our own; deaths of people unknown to us that we only hear or read about; or deaths of people who tear the fabric of our lives when they go. Both in politics and in everyday life, one of the worst things we could do is get used to death, treat it as unremarkable or as anything other than a loss. This fact has profound consequences for every facet of life: politics and governance, interpersonal relationships, and all forms of human consciousness.

When things go well, death stays in the background, and from there, covertly, it shapes our awareness of everything else. Even when we get through the day with ease, the prospect of death is still in some way all around us.

GAZETTE:   Can philosophy help illuminate how death impacts consciousness?

SIEGEL: The philosophers Soren Kierkegaard and Martin Heidegger each discuss death, in their own ways, as a horizon that implicitly shapes our consciousness. It’s what gives future times the pressure they exert on us. A horizon is the kind of thing that is normally in the background — something that limits, partly defines, and sets the stage for what you focus on. These two philosophers help us see the ways that death occupies the background of consciousness — and that the background is where it belongs.

“Both in politics and in everyday life, one of the worst things we could do is get used to death, treat it as unremarkable or as anything other than a loss,” says Susanna Siegel, Harvard’s Edgar Pierce Professor of Philosophy.

Stephanie Mitchell/Harvard Staff Photographer

These philosophical insights are vivid in Rainer Marie Rilke’s short and stunning poem “Der Tod” (“Death”). As Burton Pike translates it from German, the poem begins: “There stands death, a bluish concoction/in a cup without a saucer.” This opening gets me every time. Death is standing. It’s standing in the way liquid stands still in a container. Sometimes cooking instructions tell you to boil a mixture and then let it stand, while you complete another part of the recipe. That’s the way death is in the poem: standing, waiting for you to get farther along with whatever you are doing. It will be there while you’re working, it will be there when you’re done, and in some way, it is a background part of those other tasks.

A few lines later, it’s suggested in the poem that someone long ago, “at a distant breakfast,” saw a dusty, cracked cup — that cup with the bluish concoction standing in it — and this person read the word “hope” written in faded letters on the side of mug. Hope is a future-directed feeling, and in the poem, the word is written on a surface that contains death underneath. As it stands, death shapes the horizon of life.

GAZETTE: What are the ethical consequences of these philosophical views?

SIEGEL: We’re familiar with the ways that making the prospect of death salient can unnerve, paralyze, or derail a person. An extreme example is shown by people with Cotard syndrome , who report feeling that they have already died. It is considered a “monothematic” delusion, because this odd reaction is circumscribed by the sufferers’ other beliefs. They freely acknowledge how strange it is to be both dead and yet still there to report on it. They are typically deeply depressed, burdened with a feeling that all possibilities of action have simply been shut down, closed off, made unavailable. Robbed of a feeling of futurity, seemingly without affordances for action, it feels natural to people in this state to describe it as the state of being already dead.

Cotard syndrome is an extreme case that illustrates how bringing death into the foreground of consciousness can feel utterly disempowering. This observation has political consequences, which are evident in a culture that treats any kind of lethal violence as something we have to expect and plan for. A glaring example would be gun violence, with its lockdown drills for children, its steady stream of the same types of events, over and over — as if these deaths could only be met with a shrug and a sigh, because they are simply part of the cost of other people exercising their freedom.

It isn’t just depressing to bring death into the foreground of consciousness by creating an atmosphere of violence — it’s also dangerous. Any political arrangement that lets masses of people die thematizes death, by making lethal violence perceptible, frequent, salient, talked-about, and tolerated. Raising death to salience in this way can create and then leverage feelings of existential precarity, which in turn emotionally equip people on a mass, nationwide scale to tolerate violence as a tool to gain political power. It’s now a regular occurrence to ram into protestors with vehicles, intimidate voters and poll workers, and prepare to attack government buildings and the people inside. This atmosphere disparages life, and then promises violence as defense against such cheapening, and a means of control.

GAZETTE: When we read about an accidental death in the newspaper, it can be truly unnerving, even though the victim is a stranger. And we’ve been hearing about a steady stream of deaths from COVID-19 for almost two years, to the point where the death count is just part of the daily news. Why is the process of thinking about these losses important?

SIEGEL: It might not seem directly related to politics, but when you react to a life cut short by thinking, “If this terrible thing could happen to them, then it could happen to me,” that reaction is a basic form of civic regard. It’s fragile, and highly sensitive to how deaths are reported and rendered in public. The passing moment of concern may seem insignificant, but it gets supplanted by something much worse when deaths are rendered in ways likely to prompt such questions as “What did they do to get in trouble?” or such suspicions as “They probably had it coming,” or such callous resignations as “They were going to die anyway.” We have seen some of those reactions during the pandemic. They are refusals to recognize the terribleness of death.

Deaths can seem even more haunting when they’re not recognized as a real loss, which is why it’s so important how deaths are depicted by governments and in mass communication. The genre of the obituary is there to present deaths as a loss to the public. The movement for Black lives brought into focus for everyone what many people knew and felt all along, which was that when deaths are not rendered as losses to the public, then they are depicted in a way that erodes civic regard.

When anyone dies from COVID, our political representatives should acknowledge it in a way that does justice to the gravity of that death. Recognizing COVID deaths as a public emergency belongs to the kind of governance that aims to keep the blue concoction where it belongs.

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The Concept of Death in Literature and Human Life Essay

Introduction, works cited.

Death is one of the inevitable aspects of life, and all human beings will go through the process at some point in their life. Although death physically separates individuals from their family and friends for good, it can be motivational. It can be the reason to live well with others, do good to anyone, a reason to correct yourself, and stay healthy always. Human beings do not like death, but it gives a sense of awareness that the end is the same; what matters is how one spends their life Death is a powerful force, and it may be the only thing on the earth that can change the world (Vajta 24). Devastating as it may seem, death has a surprising amount of power. It is the only thing over which human beings have no control. If it is the time for a person to die, they will die; nothing can change it.

Death is the most agonizing experience when it involves the people you cherish. When a loved one passes away, people are left wondering why it happened and trying to ignore the same. It is normal to be filled with resentment, wondering why you were not able to be there with them. Instead of dwelling on the fact that they are no longer alive, a mature person accepts the conclusion and considers what they would want you to do in their honor if a loved one passes away. You will be able to utilize death as a motivator if you approach it with an open mind. When one is about to give up, they will hear the voice of their departed loved one telling them not to worry. Typically, no human is ready to die, and most people wish to live forever, and that is why it is essential to cherish all moments. This essay will explore the significance of death in the human experience of Shakespeare’s play Hamlet , the poem I heard a Fly Buzz – When I died, and A Good Man is Hard to Find by Flannery. These works give a more understanding of the theme of death from different perspectives.

The story of Hamlet is centered on an important topic that depicts a never-ending emotional conflict. In the story, death permeates every scene, from the opening scene’s confrontation with the Ghost of a dead man to the final scene’s carnage, which claims the lives of nearly every significant character (Shakespeare 1-206). There are many deaths in Shakespeare’s Hamlet, but his fascination with death and the Ghost of King Hamlet is visible in his depiction of the issue.

Hamlet is perpetually preoccupied with death and contemplates it from a variety of angles. While the idea of self-harm fascinates and repulses him, he is equally entranced by death’s physical reality, as evidenced by the famous gravedigger scene (Shakespeare 20). The play Hamlet can be viewed as a long conversation between Hamlet and death. The more Hamlet grows as a character throughout the play, the more he comes into contact with various viewpoints on mortality and death and how they relate to Hamlet and others.

The character initially regards life as a torturous prelude to death and the afterlife, but as he grows and learns more about himself, the considerable toll death takes on humankind dawns on him. Through these characters, the playwright reveals his ambivalent take on the central issue. Hamlet idolizes death as a teenager from the beginning of the play, and he lives his life as if it were a journey to the grave (Shakespeare 1-205). Despite his apprehensions, he makes an effort to get in touch with the Ghost. Hamlet is terrified of dying since he doesn’t know what will happen once he passes away. In a well-known soliloquy, Hamlet expresses his concern about death and engages in a conversation about it. While confronted with murder, injustice, and the end of his life, Hamlet appears callous toward death. Hamlet contemplates death and the afterlife as part of his desire for vengeance in Shakespeare’s play. However, Hamlet’s plans to exact revenge on his father are merely a prelude to his eventual consideration of suicide. As William Shakespeare portrays with veiled mockery, his obsession with death slowly drives him insane.

For example, when Hamlet murders Ophelia’s father, he loses sight of where he buried his body, leading him to rage about the horrible things that happen to dead bodies after they are eaten. Because Hamlet was obsessed with death and his black clothing, Shakespeare had him appear depressed. With Shakespeare’s graveyard scene, we get a better sense of Hamlet’s concern with death. The picture of a graveyard appears several times in the play, revealing the character’s attitude toward dying. Only Hamlet is unnerved and saddened by seeing the grave because death is seen as a threat to him. Because he is preoccupied with death, Hamle t has little regard for life, including his own.

God’s ways are inscrutable, in reference to O’Connor’s story A Good Man Is Hard to Find . According to the author, the most important ideas are about living a meaningless life, dying without any achievement, and the possibility of revelation. As she tells a basic, and at times hilarious, story about everyday people and prejudices and narrow-mindedness, she reveals how modern life is devoid of spirituality. To raise awareness about this issue, the author wrote the book. On the subject of location and genre, it’s important to remember that this is a “road story,” which implies a journey from one place to another on an individual level.

However, the narrative’s symbolic level is formed by a concealed meaning that is always there behind the scenes. For the most part, it is clear that the roads represent life’s journey and that everyone who takes them experiences some mental and spiritual metamorphosis. Flannery O’Connor’s writings are similar in this regard. It’s a scenic drive from Georgia to Florida with views like this: “Stone Mountain and the blue granite. “There was Stone Mountain, which had blue granite outcroppings on both sides of the road, as well as vivid red clay banks with purple striations, as well as diverse crops that formed rows of green lacework on the mountain’s sides. Even the ugliest of the trees glistened in the silver-white sunlight that drenched them.” family grandmother, including her son Bailey and his family, are in the backseat of the car as they drive through picturesque countryside, not paying any attention to it (O’Connor 13). Nobody else seems interested, except for the elderly lady who has a nostalgic attachment to “things as they used to be” and believes that travel can be educational for young people

Death comes unexpectedly most times, and no one knows the day. During their vacation, the family stumbles into a car accident in a remote location and is then murdered by a gang known as the Misfit. A transition from life to death occurs externally as a result of this. The internal movement, on the other hand, is from end to life. This implication is most prominently emphasized by the novel’s Grandmother figure, who is unnamed. Her inability to give herself a name shows that she is a typical contemporary product lacking originality. As soon as we meet her, we notice that she’s intelligent, cunning, and self-centered. In her mind, “people are not as good as they used to be,” a phrase that is both her life motto and a reflection of how she views herself; she clings to the past with bitterness. As a result, she has a false sense of self-worth and values. An incredible metamorphosis takes place after meeting the Misfit and feeling like her life is on the edge of ending.

Interestingly, her epiphany arrives via a religious dialogue with a serial killer rather than the typical route (O’Connor 20). As a side effect, this implies that the author has more wisdom than the average person. The Misfit is a strange character, and his name stands for the universal feelings of isolation, loss, and emptiness. They do not belong in the world that was created for them by God. And, contrary to what Grandmother assumed, the problem is not that individuals have aged and become less attractive. Humans see themselves reflected in the environment around them and the people they interact with. There is not much distance between the assassin and the well-dressed elderly woman who does it to look the part in case she is killed in an accident. They grew up in nonspiritual households; therefore, they didn’t have a personal relationship with God. The Misfit is aware of this, while the grandmother is unaware of it. To avoid being discovered, she hides behind Christian stereotypes such as regular church attendance, prayer, and not robbing law-abiding citizens, among others.

Conversely, Emily Dickson brings the theme of death in her works by showing how the fear of death follows from the fear of life. Her poem “I heard a Fly buzz – when I died ” presented death as quick and painless. The poem then alludes to death’s most terrible aspect as a result of this seemingly simple explanation. Initially, she gives the fly as innocuous and little more than a slight annoyance to the narrator, but in the last verse, she shows off the fly’s truly nasty side. There is a funeral in the poem, and the setting’s symbolic nature is used to depict the narrator’s mental separation in a figurative way (Dickson 4-7). They are used as a metaphor for the poet’s agony, which is expressed through the mourners. As they go, they are putting literal pressure on her, and it would not let up until she falls unconscious.

To conclude, death should serve as an additional motivation to live a better life in every moment. After all, humans should be aware that whatever occurs after they die will be very different from what they are accustomed to in their lifetime. Though dwelling on mortality all of the time is fruitless, reflecting on the finite nature of our time may be beneficial. From this perspective, the only goal that should be pursued is avoiding feeling bad about their acts. The three works present death in a special manner. Normally, human beings do not like talking about death rather than about life. Death is like a mirror in which the true meaning of life is reflected.

Dickinson, Emily, and Petra Press. I heard a fly buzz when I died . Petra Press, 2006.

O’Connor, Flannery. A Good Man is Hard to Find: And Other Stories . Houghton Mifflin Harcourt, 1955.

Shakespeare, William. Hamlet . Ainsworth, 1902.

Vajta, Katharina. “Identity beyond death: messages and meanings in Alsatian cemeteries.” Mortality 26.1 (2021): 17-35.

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IvyPanda. (2022, November 23). The Concept of Death in Literature and Human Life. https://ivypanda.com/essays/the-concept-of-death-in-literature-and-human-life/

"The Concept of Death in Literature and Human Life." IvyPanda , 23 Nov. 2022, ivypanda.com/essays/the-concept-of-death-in-literature-and-human-life/.

IvyPanda . (2022) 'The Concept of Death in Literature and Human Life'. 23 November.

IvyPanda . 2022. "The Concept of Death in Literature and Human Life." November 23, 2022. https://ivypanda.com/essays/the-concept-of-death-in-literature-and-human-life/.

1. IvyPanda . "The Concept of Death in Literature and Human Life." November 23, 2022. https://ivypanda.com/essays/the-concept-of-death-in-literature-and-human-life/.

Bibliography

IvyPanda . "The Concept of Death in Literature and Human Life." November 23, 2022. https://ivypanda.com/essays/the-concept-of-death-in-literature-and-human-life/.

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Reflections on Death in Philosophical/Existential Context

• Symposium: Reflections Before, During, and Beyond COVID-19
• Published: 27 July 2020
• Volume 57 , pages 402–409, ( 2020 )

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• Nikos Kokosalakis 1  

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Is death larger than life and does it annihilate life altogether? This is the basic question discussed in this essay, within a philosophical/existential context. The central argument is that the concept of death is problematic and, following Levinas, the author holds that death cannot lead to nothingness. This accords with the teaching of all religious traditions, which hold that there is life beyond death, and Plato’s and Aristotle’s theories about the immortality of the soul. In modernity, since the Enlightenment, God and religion have been placed in the margin or rejected in rational discourse. Consequently, the anthropocentric promethean view of man has been stressed and the reality of the limits placed on humans by death deemphasised or ignored. Yet, death remains at the centre of nature and human life, and its reality and threat become evident in the spread of a single virus. So, death always remains a mystery, relating to life and morality.

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What a piece of work is a man! how noble in reason! how infinite in faculty! In form and moving, how express and admirable! In action, how like an angel! in apprehension, how like a god! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust? William Shakespeare ( 1890 : 132), Hamlet, Act 2, scene 2, 303–312.

In mid-2019, the death of Sophia Kokosalakis, my niece and Goddaughter, at the age of 46, came like a thunderbolt to strike the whole family. She was a world-famous fashion designer who combined, in a unique way, the beauty and superb aesthetics of ancient and classical Greek sculptures and paintings with fashion production of clothes and jewellery. She took the aesthetics and values of ancient and classical Greek civilization out of the museums to the contemporary art of fashion design. A few months earlier she was full of life, beautiful, active, sociable and altruistic, and highly creative. All that was swept away quickly by an aggressive murderous cancer. The funeral ( κηδεία ) – a magnificent ritual event in the church of Panaghia Eleftherotria in Politeia Athens – accorded with the highly significant moving symbolism of the rite of the Orthodox Church. Her parents, her husband with their 7-year-old daughter, the wider family, relatives and friends, and hundreds of people were present, as well as eminent representatives of the arts. The Greek Prime Minister and other dignitaries sent wreaths and messages of condolences, and flowers were sent from around the world. After the burial in the family grave in the cemetery of Chalandri, some gathered for a memorial meal. This was a high profile, emotional final goodbye to a beloved famous person for her last irreversible Journey.

Sophia’s death was circumscribed by social and religious rituals that help to chart a path through the transition from life to death. Yet, the pain and sorrow for Sophia’s family has been very deep. For her parents, especially, it has been indescribable, indeed, unbearable. The existential reality of death is something different. It raises philosophical questions about what death really means in a human existential context. How do humans cope with it? What light do religious explanations of death shed on the existential experience of death and what do philosophical traditions have to say on this matter?

In broad terms religions see human life as larger than death, so that life’s substance meaning and values for each person are not exhausted with biological termination. Life goes on. For most religions and cultures there is some notion of immortality of the soul and there is highly significant ritual and symbolism for the dead, in all cultures, that relates to their memory and offers some notion of life beyond the grave. In Christianity, for example, life beyond death and the eternity and salvation of the soul constitutes the core of its teaching, immediately related to the incarnation, death, and resurrection of Christ. Theologically, Christ’s death and resurrection, declare the defeat of death by the death and the resurrection of the son of God, who was, both, God and perfectly human (theanthropos). This teaching signifies the triumph of life over death, which also means, eschatologically, the salvation and liberation of humankind from evil and the injustice and imperfection of the world. It refers to another dimension beyond the human condition, a paradisiac state beyond the time/space configuration, a state of immortality, eternity and infinity; it points to the sublimation of nature itself. So, according to Christian faith, the death of a human being is a painful boundary of transition, and there is hope that human life is not perishable at death. There is a paradox here that through death one enters real life in union with God. But this is not knowledge. It is faith and must be understood theologically and eschatologically.

While the deeply faithful, may accept and understand death as passage to their union with God, Sophia’s death shows that, for ordinary people, the fear of death and the desperation caused by the permanent absence of a beloved person is hard to bear – even with the help of strong religious faith. For those with lukewarm religious faith or no faith at all, religious discourse and ritual seems irrelevant or even annoying and irrational. However, nobody escapes the reality of death. It is at the heart of nature and the human condition and it is deeply ingrained in the consciousness of adult human beings. Indeed, of all animals it is only humans who know that they will die and according to Heidegger ( 1967 :274) “death is something distinctively impending”. The fear of death, consciously or subconsciously, is instilled in humans early in life and, as the ancients said, when death is near no one wants to die. ( Ην εγγύς έλθει θάνατος ουδείς βούλεται θνήσκειν. [Aesopus Fables]). In Christianity even Christ, the son of God, prayed to his father to remove the bitter cup of death before his crucifixion (Math. 26, 38–39; Luke, 22, 41–42).

The natural sciences say nothing much about the existential content and conditions of human death beyond the biological laws of human existence and human evolution. According to these laws, all forms of life have a beginning a duration and an end. In any case, from a philosophical point of view, it is considered a category mistake, i.e. epistemologically and methodologically wrong, to apply purely naturalistic categories and quantitative experimental methods for the study, explanation and interpretation of human social phenomena, especially cultural phenomena such as the meaning of human death and religion at large. As no enlightenment on such issues emerges from the natural sciences, maybe insights can be teased out from philosophical anthropological thinking.

Philosophical anthropology is concerned with questions of human nature and life and death in deeper intellectual, philosophical, dramaturgical context. Religion and the sacred are inevitably involved in such discourse. For example, the verses from Shakespeare’s Hamlet about the nature of man, at the preamble of this essay, put the matter in a nutshell. What is this being who acts like an angel, apprehends and creates like a god, and yet, it is limited as the quintessence of dust? It is within this discourse that I seek to draw insights concerning human death. I will argue that, although in formal logical/scientific terms, we do not know and cannot know anything about life after/beyond death, there is, and always has been, a legitimate philosophical discourse about being and the dialectic of life/death. We cannot prove or disprove the existence and content of life beyond death in scientific or logical terms any more than we can prove or disprove the existence of God scientifically. Footnote 1

Such discourse inevitably takes place within the framework of transcendence, and transcendence is present within life and beyond death. Indeed, transcendence is at the core of human consciousness as humans are the only beings (species) who have culture that transcends their biological organism. Footnote 2 According to Martin ( 1980 :4) “the main issue is… man’s ability to transcend and transform his situation”. So human death can be described and understood as a cultural fact immediately related to transcendence, and as a limit to human transcendental ability and potential. But it is important, from an epistemological methodological point of view, not to preconceive this fact in reductionist positivistic or closed ideological terms. It is essential that the discourse about death takes place within an open dialectic, not excluding transcendence and God a priori, stressing the value of life, and understanding the limits of the human potential.

The Problem of Meaning in Human Death

Biologically and medically the meaning and reality of human death, as that of all animals, is clear: the cessation of all the functions and faculties of the organs of the body, especially the heart and the brain. This entails, of course, the cessation of consciousness. Yet, this definition tells us nothing about why only the human species, latecomers in the universe, have always worshiped their gods, buried their dead with elaborate ritual, and held various beliefs about immortality. Harari ( 2017 :428–439) claims that, in the not too distant future, sapiens could aim at, and is likely to achieve, immortality and the status of Homo Deus through biotechnology, information science, artificial intelligence and what he calls the data religion . I shall leave aside what I consider farfetched utopian fictional futurology and reflect a little on the problem of meaning of human death and immortality philosophically.

We are not dealing here with the complex question of biological life. This is the purview of the science of biology and biotechnology within the laws of nature. Rather, we are within the framework of human existence, consciousness and transcendence and the question of being and time in a philosophical sense. According to Heidegger ( 1967 :290) “Death, in the widest sense, is a phenomenon of life. Life must be understood as a kind of Being to which there belongs a Being-in-the-world”. He also argues (bid: 291) that: “The existential interpretation of death takes precedence over any biology and ontology of life. But it is also the foundation for any investigation of death which is biographical or historiological, ethnological or psychological”. So, the focus is sharply on the issue of life/death in the specifically human existential context of being/life/death . Human life is an (the) ultimate value, (people everywhere raise their glass to life and good health), and in the midst of it there is death as an ultimate threatening eliminating force. But is death larger than life, and can death eliminate life altogether? That’s the question. Whereas all beings from plants to animals, including man, are born live and die, in the case of human persons this cycle carries with it deep and wide meaning embodied within specific empirical, historical, cultural phenomena. In this context death, like birth and marriage, is a carrier of specific cultural significance and deeper meaning. It has always been accompanied by what anthropologists refer to as rites of passage, (Van Gennep, 1960 [1909]; Turner, 1967; Garces-Foley, 2006 ). These refer to transition events from one state of life to another. All such acts and rites, and religion generally, should be understood analysed and interpreted within the framework of symbolic language. (Kokosalakis, 2001 , 2020 ). In this sense the meaning of death is open and we get a glimpse of it through symbols.

Death, thus, is an existential tragic/dramatic phenomenon, which has preoccupied philosophy and the arts from the beginning and has been always treated as problematic. According to Heidegger ( 1967 : 295), the human being Dasein (being-there) has not explicit or even theoretical knowledge of death, hence the anxiety in the face of it. Also, Dasein has its death, “not in isolation, but as codetermined by its primordial kind of Being” (ibid: 291). He further argues that in the context of being/time/death, death is understood as being-towards-death ( Sein zum Tode ). Levinas Footnote 3 ( 2000 :8), although indebted to Heidegger, disagrees radically with him on this point because it posits being-towards death ( Sein zum Tode) “as equivalent to being in regard to nothingness”. Leaving aside that, phenomenologically the concept of nothingness itself is problematic (Sartre: 3–67), Levinas ( 2000 :8) asks: “is that which opens with death nothingness or the unknown? Can being at the point of death be reduced to the ontological dilemma of being or nothingness? That is the question that is posed here.” In other words, Levinas considers this issue problematic and wants to keep the question of being/life/death open. Logically and philosophically the concept of nothingness is absolute, definitive and closed whereas the concept of the unknown is open and problematic. In any case both concepts are ultimately based on belief, but nothingness implies knowledge which we cannot have in the context of death.

Levinas (ibid: 8–9) argues that any knowledge we have of death comes to us “second hand” and that “It is in relation with the other that we think of death in its negativity” (emphasis mine). Indeed, the ultimate objective of hate is the death of the other , the annihilation of the hated person. Also death “[is] a departure: it is a decease [deces]”. It is a permanent separation of them from us which is felt and experienced foremost and deeply for the departure of the beloved. This is because death is “A departure towards the unknown, a departure without return, a departure with no forward address”. Thus, the emotion and the sorrow associated with it and the pain and sadness caused to those remaining. Deep-down, existentially and philosophically, death is a mystery. It involves “an ambiguity that perhaps indicates another dimension of meaning than that in which death is thought within the alternative to be/not- to- be. The ambiguity: an enigma” (ibid: 14). Although, as Heidegger ( 1967 :298–311) argues, death is the only absolute certainty we have and it is the origin of certitude itself, I agree with Levinas (ibid: 10–27) that this certitude cannot be forthcoming from the experience of our own death alone, which is impossible anyway. Death entails the cessation of the consciousness of the subject and without consciousness there is no experience. We experience the process of our dying but not our own death itself. So, our experience of death is primarily that of the death of others. It is our observation of the cessation of the movement, of the life of the other .

Furthermore, Levinas (Ibid: 10–13) argues that “it is not certain that death has the meaning of annihilation” because if death is understood as annihilation in time, “Here, we are looking for other dimension of meaning, both for the meaning of time Footnote 4 and for the meaning of death”. Footnote 5 So death is a phenomenon with dimensions of meaning beyond the historical space/time configuration. Levinas dealt with such dimensions extensively not only in his God, Death and Time (2000) but also in his: Totality and Infinity (1969); Otherwise than Being, or Beyond Essence (1991); and, Of God Who comes to mind (1998). So, existentially/phenomenologically such dimensions inevitably involve the concept of transcendence, the divine, and some kind of faith. Indeed, the question of human death has always involved the question of the soul. Humans have been generally understood to be composite beings of body/soul or spirit and the latter has also been associated with transcendence and the divine. In general the body has been understood and experienced as perishable with death, whereas the soul/spirit has been understood (believed) to be indestructible. Thus beyond or surviving after/beyond death. Certainly this has been the assumption and general belief of major religions and cultures, Footnote 6 and philosophy itself, until modernity and up to the eighteenth century.

Ancient and classical Greek philosophy preoccupied itself with the question of the soul. Footnote 7 Homer, both in the Iliad and the Odyssey, has several reference on the soul in hades (the underworld) and Pythagoras of Samos (580–496 b.c.) dealt with immortality and metempsychosis (reincarnation). Footnote 8 In all the tragedies by Sophocles (496–406 b,c,), Aeschylus (523–456 b. c.), and Euripides (480–406 b.c.), death is a central theme but it was Plato Footnote 9 (428?-347 b.c.) and Aristotle Footnote 10 (384–322 b.c.) – widely acknowledged as the greatest philosophers of all times – who wrote specific treatises on the soul. Let us look at their positions very briefly.

Plato on the Soul

Plato was deeply concerned with the nature of the soul and the problem of immortality because such questions were foundational to his theory of the forms (ideas), his understanding of ethics, and his philosophy at large. So, apart from the dialogue Phaedo , in which the soul and its immortality is the central subject, he also referred to it extensively in the Republic , the Symposium and the Apology as well in the dialogues: Timaeus , Gorgias, Phaedrus, Crito, Euthyfron and Laches .

The dialogue Phaedo Footnote 11 is a discussion on the soul and immortality between Socrates (470–399 b.c.) and his interlocutors Cebes and Simias. They were Pythagorians from Thebes, who went to see Socrates in prison just before he was about to be given the hemlock (the liquid poison: means by which the death penalty was carried out at the time in Athens). Phaedo, his disciple, who was also present, is the narrator. The visitors found Socrates very serene and in pleasant mood and wondered how he did not seem to be afraid of death just before his execution. Upon this Socrates replies that it would be unreasonable to be afraid of death since he was about to join company with the Gods (of which he was certain) and, perhaps, with good and beloved departed persons. In any case, he argued, the true philosopher cannot be afraid of death as his whole life, indeed, is a practice and a preparation for it. So for this, and other philosophical reasons, death for Socrates is not to be feared. ( Phaedo; 64a–68b).

Socrates defines death as the separation of the soul from the body (64c), which he describes as prison of the former while joined in life. The body, which is material and prone to earthly materialistic pleasures, is an obstacle for the soul to pursue and acquire true knowledge, virtue, moderation and higher spiritual achievements generally (64d–66e). So, for the true philosopher, whose raison-d’être is to pursue knowledge truth and virtue, the liberation of the soul from bodily things, and death itself when it comes, is welcome because life, for him, was a training for death anyway. For these reasons, Socrates says is “glad to go to hades ” (the underworld) (68b).

Following various questions of Cebes and Simias about the soul, and its surviving death, Socrates proceeds to provide some logical philosophical arguments for its immortality. The main ones only can be mentioned here. In the so called cyclical argument, Socrates holds that the immortality of the soul follows logically from the relation of opposites (binaries) and comparatives: Big, small; good, bad; just, unjust; beautiful, ugly; good, better; bad; worse, etc. As these imply each other so life/death/life are mutually inter-connected, (70e–71d). The second main argument is that of recollection. Socrates holds that learning, in general, is recollection of things and ideas by the soul which always existed and the soul itself pre-existed before it took the human shape. (73a–77a). Socrates also advises Cebes and Simias to look into themselves, into their own psych e and their own consciousness in order to understand what makes them alive and makes them speak and move, and that is proof for the immortality of the soul (78ab). These arguments are disputed and are considered inadequate and anachronistic by many philosophers today (Steadman, 2015 ; Shagulta and Hammad, 2018 ; and others) but the importance of Phaedo lies in the theory of ideas and values and the concept of ethics imbedded in it.

Plato’s theory of forms (ideas) is the basis of philosophical idealism to the present day and also poses the question of the human autonomy and free will. Phaedo attracts the attention of modern and contemporary philosophers from Kant (1724–1804) and Hegel (1770–1831) onwards, because it poses the existential problems of life, death, the soul, consciousness, movement and causality as well as morality, which have preoccupied philosophy and the human sciences diachronically. In this dialogue a central issue is the philosophy of ethics and values at large as related to the problem of death. Aristotle, who was critical of Plato’s idealism, also uses the concept of forms and poses the question of the soul as a substantive first principle of life and movement although he does not deal with death and immortality as Plato does.

Aristotle on the Soul

Aristotle’s conception of the soul is close to contemporary biology and psychology because his whole philosophy is near to modern science. Unlike many scholars, however, who tend to be reductionist, limiting the soul to naturalistic/positivistic explanations, (as Isherwood, 2016 , for instance, does, unlike Charlier, 2018 , who finds relevance in religious and metaphysical connections), Aristotle’s treatment of it, as an essential irreducible principle of life, leaves room for its metaphysical substance and character. So his treatise on the soul , (known now to scholars as De Anima, Shields, 2016 ), is closely related to both his physics and his metaphysics.

Aristotle sees all living beings (plants, animals, humans) as composite and indivisible of body, soul or form (Charlton, 1980 ). The body is material and the soul is immaterial but none can be expressed, comprehended or perceived apart from matter ( ύλη ). Shields ( 2016 ) has described this understanding and use of the concepts of matter and form in Aristotle’s philosophy as hylomorphism [ hyle and morphe, (matter and form)]. The soul ( psyche ) is a principle, arche (αρχή) associated with cause (αιτία) and motion ( kinesis ) but it is inseparable from matter. In plants its basic function and characteristic is nutrition. In animals, in addition to nutrition it has the function and characteristic of sensing. In humans apart from nutrition and sensing, which they share with all animals, in addition it has the unique faculty of noesis and logos. ( De Anima ch. 2). Following this, Heidegger ( 1967 :47) sees humans as: “Dasein, man’s Being is ‘defined’ as the ζωον λόγον έχον – as that living thing whose Being is essentially determined by the potentiality for discourse”. (So, only human beings talk, other beings do not and cannot).

In Chapter Five, Aristotle concentrates on this unique property of the human soul, the logos or nous, known in English as mind . The nous (mind) is both: passive and active. The former, the passive mind, although necessary for noesis and knowledge, is perishable and mortal (φθαρτός). The latter, the poetic mind is higher, it is a principle of causality and creativity, it is energy, aitia . So this, the poetic the creative mind is higher. It is the most important property of the soul and it is immaterial, immortal and eternal. Here Aristotle considers the poetic mind as separate from organic life, as substance entering the human body from outside, as it were. Noetic mind is the divine property in humans and expresses itself in their pursuit to imitate the prime mover, God that is.

So, Aristotle arrives here at the problem of immortality of the soul by another root than Plato but, unlike him, he does not elaborate on the metaphysics of this question beyond the properties of the poetic mind and he focuses on life in the world. King ( 2001 :214) argues that Aristotle is not so much concerned to establish the immortality of the human individual as that of the human species as an eidos. Here, however, I would like to stress that we should not confuse Aristotle’s understanding with contemporary biological theories about the dominance and survival of the human species. But whatever the case may be, both Aristotle’s and Plato’s treatises on the soul continue to be inspiring sources of debate by philosophers and others on these issues to the present day.

Death in Modernity

By modernity here is meant the general changes which occurred in western society and culture with the growth of science and technology and the economy, especially after the Enlightenment, and the French and the Industrial Revolutions, which have their cultural roots in the Renaissance, the Reformation and Protestantism.

It is banal to say that life beyond death does not preoccupy people in modernity as it did before and that, perhaps, now most people do not believe in the immortality of the soul. In what Charles Taylor ( 2007 ) has extensively described as A SECULAR AGE he frames the question of change in religious beliefs in the west as follows: “why was it virtually impossible not to believe in God in, say, 1500 in our western society, while in 2000 many of us find this not only easy, but even inescapable?” (p. 25). The answer to this question is loaded with controversy and is given variously by different scholars. Footnote 13 Taylor (ibid: 65–75, 720–726) shows how and why beliefs have changed radically in modernity. Metaphysical transcendent beliefs on life and death have shrunk into this-worldly secular conceptions in what he calls, “the immanent frame”. As a consequence, transcendence and the sacred were exiled from the world or reduced to “closed world structures”. Footnote 14 In this context many scholars spoke of “the death of God” (ibid: 564–575).

In criticizing postmodern relativism, which brings various vague conceptions of God and transcendence back in play, Gellner ( 1992 :80–83) praises what he calls Enlightenment Rationalist fundamentalism, which “at one fell swoop eliminates the sacred from the world”. Although he acknowledges that Kant, the deepest thinker of the Enlightenment, left morality reason and knowledge outside the purview of the laws of nature, thus leaving the question of transcendence open, he still claims that Enlightenment rationalism is the only positive scientific way to study religious phenomena and death rituals. This position seems to be epistemologically flawed, because it pre-empts what concerns us here, namely, the assumptions of modernity for the nature of man and its implications for the meaning and reality of death.

In rejecting religion and traditional conceptions of death, Enlightenment rationalism put forward an overoptimistic, promethean view of man. What Vereker ( 1967 ) described as the “God of Reason” was the foundation of eighteenth century optimism. The idea was that enlightened rationalism, based on the benevolent orderly laws of nature, would bring about the redeemed society. Enlightened, rational leaders and the gradual disappearance of traditional religious beliefs, obscurantism and superstitions, which were sustained by the ancient regime, would eventually transform society and would abolish all human evil and social and political injustice. Science was supportive of this view because it showed that natural and social phenomena, traditionally attributed to divine agencies and metaphysical forces, have a clear natural causation. These ideas, developed by European philosophers (Voltaire 1694–1778; Rousseau, 1712–1778; Kant, 1724–1804; Hume, 1711–1776; and many others), were foundational to social and political reform, and the basis of the French Revolution (1789–1799). However, the underlying optimism of such philosophical ideas about the benevolence of nature appeared incompatible with natural phenomena such as the great earthquake in Lisbon in 1755, which flattened the city and killed over 100,000 people. Enlightenment rationalism overemphasised a promethean, anthropocentric view of man without God, and ignored the limits of man and the moral and existential significance of death.

In his critique of capitalism, in the nineteenth century, Marx (1818–1883), promoted further the promethean view of man by elevating him as the author of his destiny and banishing God and religion as “the opium of the people”. In his O rigin of the Species (1859), Charles Darwin also showed man’s biological connections with primates, thereby challenging biblical texts about the specific divine origin of the human species. He confirmed human dominance in nature. Important figures in literature, however, such as Dostoevsky (1821–1881) and Tolstoy (1828–1910), pointed out and criticised the conceit and arrogance of an inflated humanism without God, promoted by the promethean man of modernity.

By the end of the twentieth century the triumph of science, biotechnology, information technology, and international capitalist monetary economics, all of them consequences of modernity, had turned the planet into a global village with improved living standards for the majority. Medical science also has doubled average life expectancy from what it was in nineteenth century and information technology has made, almost every adult, owner of a mobile smart phone. Moreover, visiting the moon has inflated man’s sense of mastery over nature, and all these achievements, although embodying Taylor’s ( 1992 ) malaise of modernity at the expense of the environment, have strengthen the promethean view and, somehow, ignored human limits. As a consequence, the reality of death was treated as a kind of taboo, tucked under the carpet.

This seems a paradox because, apart from the normal death of individuals, massive collective deaths, caused by nature and by hate and barbarity from man to man, were present in the twentieth century more than any other in history. The pandemic of Spanish flue 1917–1919 killed 39 million of the world’s population according to estimates by Baro et al. (2020). In the First World War deaths, military and civilians combined, were estimated at 20.5 million (Wikipedia). In the Second World War an estimated total of 70–85 million people perished, (Wikipedia). This did not include estimates of more than seven million people who died in the gulags of Siberia and elsewhere under Stalin. But Auschwitz is indicative of the unlimited limits, which human barbarity and cruelty of man to man, can reach. Bauman ( 1989 :x), an eminent sociologist, saw the Holocaust as a moral horror related to modernity and wrote: “ The Holocaust was born and executed in modern rational society, at the high stage of our civilization and at the peak of human cultural achievement, and for this reason it is a problem of that society, civilization and culture. ”

Questions associated with the mass death are now magnified by the spread of the coronavirus (Covid-19). This has caused global panic and created unpredictability at all levels of society and culture. This sudden global threat of death makes it timely to re-examine our values, our beliefs (secular or religious), and the meaning of life. Max Weber (1948: 182), who died a hundred years ago in the pandemic of great influenza, was sceptical and pessimistic about modernity, and argued that it was leading to a cage with “ specialists without spirit, sensualists without heart; this nullity imagines that it had attained a level of civilization never before achieved. ”

So, what does this examination of philosophical anthropology illuminate in terms of questions of human nature and life and death in deeper intellectual, philosophical, dramaturgical context? Now, we are well into the twenty-first century, and with the revolution in information science, the internet, biotechnology and data religion , the promethean view of man seems to have reached new heights. Yet, massive death, by a single virus this time, threatens again humanity; are there any lessons to be learned? Will this threat, apart from the negativity of death, bring back the wisdom, which T. S. Elliot said we have lost in modern times? Will it show us our limits? Will it reduce our conceit and arrogance? Will it make us more humble, moderate, prudent, and more humane for this and future generations, and for the sake of life in this planet at large? These are the questions arising now amongst many circles, and it is likely that old religious and philosophical ideas about virtuous life and the hope of immortality (eschatologically) may revive again as we are well within late modernity (I do not like the term postmodernity, which has been widely used in sociology since the 1980s).

The central argument of this essay has been that death has always been and remains at the centre of life. Philosophically and existentially the meaning of death is problematic, and the natural sciences cannot produce knowledge on this problem. Religious traditions always beheld the immortality of the soul and so argued great philosophers like Plato and Aristotle. Modernity, since the Enlightenment, rejected such views as anachronistic and advanced an anthropocentric promethean, view of man, at the expense of the sacred and transcendence at large. Instead, within what Taylor (1967: 537–193) has described as the immanent frame, it developed “closed world structures,” which are at the expense of human nature and human freedom. One consequence of this has been massive death during the twentieth century.

Following Levinas ( 2000 ), I argued that death should not be understood to lead to nothingness because nothingness means certitude and positive knowledge, which we cannot have existentially in the case of death. In this sense the reality of death should not be understood to lead to annihilation of life and remains a mystery. Moreover, the presence and the reality of death as a limit and a boundary should serve as educative lesson for both the autonomy and creativity of man and against an overinflated promethean view of her/his nature.

David Martin ( 1980 :16) puts the matter about human and divine autonomy as follows: “Indeed, it is all too easy to phrase the problem so that the autonomy of God and the autonomy of man are rival claimants for what science leaves over”. This concurs with his, ( 1978 :12), understanding of religion, (which I share), as “acceptance of a level of reality beyond the observable world known to science, to which we ascribe meanings and purposes completing and transcending those of the purely human realm”.

We do not know how and when human beings acquired this capacity during the evolutionary process of the species. It characterises however a radical shift from nature to culture as the latter is defined by Clifford Geertz (1973:68): “an ordered system of meanings and symbols …in terms of which individuals define their world, express their feelings and make their judgements”.

For a comprehensive extensive and impressive account and discussion of Levinas’ philosophy and work, and relevant bibliography, see Bergo ( 2019 ).

Perhaps it is worth mentioning here that the meaning of the concept of time, as it was in Cartesian Philosophy and Newtonian physics, has changed radically with Einstein’s theories of relativity and contemporary quantum physics (Heisenberg 1959 ). Heisenberg’s uncertainty principle (Hilgervood and Uffink, 2016 ) is very relevant to non- deterministic conceptions of time/space and scientific and philosophical discourse generally.

Various religions articulate the structure of these meanings in different cultural contexts symbolically and all of them involve the divine and an eschatological metaphysical dimension beyond history, beyond our experience of time and space.

Ancient Egyptian culture is well known for its preoccupation with life after death, the immortality of the soul and the elaborate ritual involved in the mummification of the Pharaohs. See: anen.wikipedia.org/wiki/Ancient_ Egyptian_ funerary_ practices). Also the findings of archaeological excavations of tombs of kings in all ancient cultures constitute invaluable sources of knowledge not only about the meaning of death and the beliefs and rituals associated with it in these cultures but also of life and religion and politics and society at large.

For an extensive account of general theories of the soul in Greek antiquity see: Lorenz ( 2009 ).

For a good account on Pythagoras’ views on the transmigration of the souls see: Huffman ( 2018 ).

For a recent good account on the diachronic importance of Plato’s philosophy see: Kraut ( 2017 ).

For a very extensive analytical account and discussion of Aristotle’s philosophy and work with recent bibliography see: Shields ( 2016 ).

For an overview of Phaedo in English with commentary and the original Greek text see: Steadman ( 2015 ).

See, for instance, Wilson ( 1969 ) and Martin ( 1978 ) for radically different analyses and interpretations of secularization.

Marxism is a good example. God, the sacred and tradition generally are rejected but the proletariat and the Party acquire a sacred significance. The notion of salvation is enclosed as potentiality within history in a closed system of the class struggle. This, however, has direct political consequences because, along with the sacred, democracy is exiled and turned into a totalitarian system. The same is true, of course, at the other end of the spectrum with fascism.

Further Reading

Baro, R. Ursua, J, Weng, J. 2020. Coronovirus meets the great influenza pandemic. https://voxeu.otg/article/coronovirus-meets-great-influenza-pandemic .

Bauman, Z. 1989. Modernity and the Holocaust . Cambridge: Polity Press

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Charlier, P. 2018. The notion of soul and its implications on medical biology. Ethics, medicine and public health June 2018, pp. 125–127. https://doi.org/10.1016/j.jemep.2018.05.005 .

Charlton, W, 1980, Aristotle’s definition of the soul. Phonesis, vol. 25, no. 2, pp. 170–186.

Garsey-Foley, K. 2006. Death and Religion in a Changing World . MC Sharpe.

Geertz, C. 1993. The Interpretation of Cultures . London: Hutchinson.

Gellner, E. 1992 . Postmodernism Reason and Religion. London and New York: Routledge.

Harari, N. Y, 2017. Homo Deus: A Short History of Tomorrow . London: Vintage.

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Heidegger, M. 1967. Being and Time. Oxford: Basil Blackwell.

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Hilgervoord, J, and Uffing, J. 2016. The Uncertainty Principle. Stanford Encyclopaedia of Philosophy (Winter 2018 edition) Edward Zalta (ed.) https://plato.stanford.edu/archives/win2016/entries/qt-uncertainty

Huffman, C. 2018. Pythagoras. Stanford Encyclopedia of Philosophy (winter 2018 edition) Edward Zalta (ed.). https://plato.stanford.edu/entries/pythagoras/ .

Isherwood, D. 2016. Science at last explains our soul: exploring the human condition with clues from science. https://www.zmescience.com/science/science-explains-our-soul/ .

King, R. 2001. Aristotle on Life and Death. London: Duckworth.

Kokosalakis, N. 2001. Symbolism (religious)) and Icon. International Encyclopedia of Social and Behavioural Science . Amsterdam: Elsevier.

Kokosalakis, N. 2020. Symbolism and Power in David Martin’s Sociology of Religion. Society. vol. 57, pp. 173–179. https://doi.org/10.1007/s12115-020-00462-x .

Kraut, R. 2017. Plato. The Stanford Encyclopaedia of Philosophy (Fall 2017 edition) Edward N. Zaltman (ed.) https://plato.stanford.edu/archives/fall2017/entries/plato/ .

Levinas, E. 1969. Totality and Infinity: An Essay on Exteriority . (Trans. A. Lingis). Pittsburgh: Duquesne University Press.

Levinas, E, 1991 . Otherwise than Being or Beyond Essence . (trans. A. Lingis). Dordrecht: Kluwer Academic.

Levinas, E. 1998. Of God Who Comes to Mind . (trans, Betina Bergo). Stanford CA: Stanford University Press.

Levinas, E. 2000. God, Death and Time . (tr. Betina Bergo) Stanford Calif: Stanford University Press.

Lorenz, H. 2009. Ancient Theories of the Soul. The Stanford Encyclopaedia of Philosophy . (Summer 2009 edition), Edward N. Zalta (ed.) https://plato.stanford.edu/archives/sum2009/entries/ancient-soul/ . Accessed 22 Apr 2009.

Martin, D. 1978. A General Theory of Secularization . Oxford: Basil Blackwell.

Martin, D. 1980. The Breaking of the Image. Oxford: Basil Blackwell

Sartre, Jean-Paul. 1969. Being and Nothingness: An Essay on Phenomenological Ontology. London: Methuen.

Shagufta, B. and M. Hamad. 2018. Concept of immortality in Platos’s Phaedo. Al-Hikmat , Vol. 36, pp. 1–12.

Shakespeare, W. 1890, Charles Knight (ed.) The Works of William Shakespeare. London: Routledge. Vol V, p. 132.

Shields, C. 2015. De Anima. (tr. with an introduction and commentary). Oxford: Oxford University Press.

Shields, C. 2016. Aristotle. The Stanford Encyclopaedia of Philosophy (winter 2016 edition) Edward N. Zalta (ed.). https://plato.stanford.edu/entries/aristotle/ . Accessed 29 Jul 2015.

Steadman, G. 2015. Plato’s Phaedo , 1 edition. https://geoffreysteadman.files.wordpress.com.....PDF. Accessed 15 Jun 2015.

Taylor, C. 1992. The Malaise of Modernity . Cambridge MA: Harvard University Press.

Taylor, C. 2007. A Secular Age . Cambridge MA Harvard University Press.

Turner, V. 1969. The Ritual Process. London; Penguin.

Van Gennep, A. 1960 [1909]. The Rites of Passage . (tr. From the French),

Vereker, C. 1967. Eighteenth Century Optimism. Liverpool: Liverpool University Press.

Weber, Max, 1968. The Protestant Ethic and the Spirit of Capitalism . London: Unwin University Books (9nth Impression).

Wilson, B. 1969. Religion in Secular Society. London: Penguin Books.

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Kokosalakis, N. Reflections on Death in Philosophical/Existential Context. Soc 57 , 402–409 (2020). https://doi.org/10.1007/s12115-020-00503-5

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Published : 27 July 2020

Issue Date : August 2020

DOI : https://doi.org/10.1007/s12115-020-00503-5

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Your chance of acceptance, your chancing factors, extracurriculars, writing a college essay about death.

I'm considering writing my college essay about the death of a loved one, but I'm worried it might be too personal or too sad of a topic. What do you guys think? Should I go for it or find a different topic?

I understand your concern about writing an essay on such a personal and emotional topic. The key to deciding whether to write about the death of a loved one is to consider how this experience has significantly shaped you, your perspective, or your personal growth. If it has had a meaningful impact on your life, then it might be an appropriate topic to share with admissions officers.

When writing about a sensitive topic like death, it's essential to strike a balance between telling your story and avoiding melodrama. Focus on demonstrating how this experience has helped you grow and develop, perhaps in terms of empathy, resilience, or a new understanding of yourself and others. Colleges are looking to admit students who demonstrate personal growth and the ability to overcome challenges.

Remember to convey your unique perspective and voice in your essay. This topic is already quite personal, so focus on how it connects to your identity, passions, motivations, and goals. If you can identify a meaningful connection between this experience and your aspirations as a college student, you'll have a strong essay topic.

Lastly, consider seeking feedback from a trusted teacher, family member, or friend to ensure that your essay strikes the right balance between being heartfelt and constructive. It can be helpful to get an outside perspective when writing about emotional experiences.

In summary, it is possible to write about the death of a loved one in a college essay if you can effectively convey personal growth, maintain a balanced tone, and demonstrate a meaningful connection to your identity and aspirations.

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Read our detailed study guide on the essay “Of Death” by Francis Bacon. Our study guide covers Of Death summary and analysis.

Of Death Summary

Bacon opens the essay with a simile of death and darkness. He starts his argument the men fears that death in the same a child fears the darkness. The fear of darkness increases among the children when the horrific tales about the darkness is narrated to them. Same is the case with men. With the stories of death is narrated to them, the fear inside them increases. It is natural to think about death, however, to think about it with composure is a virtue of the wise men. To worry about the sin after committing is the characteristic of a holy and religious man but to fear the death as the supremacy of nature is man’s weakness.

In spite of sufficient awareness, the human beings still associate a lot of superstitions and mix it with vanity. For instance, one might have read in the friars’ book of meditation that by inflicting certain pain on oneself one can realize the true nature of pain during death. One can experience regret for the cause of others death, by doing so. Moreover, by wounding the legs severely, one could die suffering less pain. The other vital parts of the human body like heart, brain, lungs, etc. do not experience as much pain as a wounded leg can.

It is well said by a philosopher that the assumption of forthcoming death frights men more than the death itself. The advent of death becomes more disturbing and horrifying with the grunts and screams of the dying man along with the frustrated and weeping faces of the dear ones. Such harshness of the situation makes the death appear to be more frightening than it really is.

Bacon argues about the advent of the death on a man from a totally different perspective. As per him, it becomes easy for a man to die when he sees his dear one weeping for him. He feels relief that he is not abandoned by him. Therefore, to Bacon, death is not an enemy for those who have so many attendants who can battle for him.

Whenever someone in the fire of avenging the other kills him, no doubt, revenge triumphs over death but the love insults it. We have heard about the story of King Otho who killed himself. His subject overwhelmed to mourn and drove some of them to suicide. To Bacon, death serves to be vindictive to love as it is considered to be the link between the dead and the one whose heart is filled with love.

Bacon quotes another philosopher Seneca that one will be sensible to imagine and longed-for the death as it brings relief from the sorrows and sufferings of life. In certain condition, someone’s life might be too wearisome to tolerate, and death passes relief to them. Some people live a life without any excitement and actions in it. Such a life could neither be regarded as pleasing one nor the sorrowful. However, one cannot bear such a wearisome life for a long period of time. Eventfully, resulting in death.

With the emperor of Rome was dying, Augustus Caesar, his farewell words are “Farewell, Livia. Never forget the days of our marriage”. Tiberius, another king of the Rome commented on Caesar’s farewell words that “although his bodily power is gone, the power to hide his feeling still remains”. Moreover, bacon mentions two more emperors of Rome, Vespasian, and Galba, who just like Augustus faced the death bravely.

Bacon argues that the Stoics made a lot of costly preparations upon death that make the death appears more dreadful than it really is. To die is a natural phenomenon. For a little infant, it is as much as painful to born as for the young man to die. However, the one who dies early is just like the soldiers who are wounded in hot blood and seldom feels pain.

Bacon concluded the essay by praising the virtues of bravely pursuing to die for the country or noble cause. Whenever a man dies, serving his country, or for a noble cause, the gates of fame opens for him and he receives a lot of adoration even from those who envy and condemns them during the life.

Of Death Analysis

Of Death is an argumentative essay by Francis Bacon in which he argues about the positive aspects of death. One has to die either today or tomorrow. So it is better to die courageously and bravely so that you can win people’s appraisal.

Critical Appreciation:

Brevity, directness, wit, and to the point arguments are one of the qualities that Bacon’s essay contain. The systematic way of writing makes bacon’s essay to move from one point to another logically. Moreover, the subject matters he discusses in his writing style are all based on the real life and the reader found an epigrammatic wisdom in it. With the use of metaphors, similes referring to various historical stories makes his essay comprehensible and agreeable.

This essay is the reflection of Bacon’s wisdom and experience that he acquired during the life. Bacon reinforces his arguments with the use of metaphors, similes, and quotation from wise and famous philosophers. The essay comprises of aphoristic sentences that engage the readers.

Bacon attempts to give the readers a nerve to face the death by arguing that the actual pain or death is not as much as we think about it. He starts the essay with a simile of death and darkness and the similarity in the fear that is associated with both. He argues that the death is not as horrifying as it appears to be. However, mourns and groans of the dying person along with the weeping and harsh expression of his dear one makes the sight of death horrifying.

Bacon also argues about the people who are under the strong influence love, revenge and grief. To such people, death doesn’t appear to be terrifying. Bacon mentions few Roman emperors who faced the death with valor, courage, and bravery. He after arguing about the terrifying side of the death mentions that the death has a bright side, too. It is only after the death of a person that he is appraised and his good deeds are remembered. All the envy and bitterness vanishes with the death.

By reading the essay we not only come across Bacon’s rich thoughts about the death but also find some distinctive fictitious qualities in the essay. He by the use of simile he makes his meaning more clear that a man who dies for serving his nation or for any other earnest cause is just like a young soldier who is wounded in the hot blood.

The essay, Of Death, is full of the richness of content and meaning. It is also Bacon’s model of concise and eloquent prose, just like all other essays.

More From Francis Bacon

• Of Adversity
• Of Ambition
• Of Discourse
• Of Followers and Friends
• Of Friendship
• Of Great Place
• Of Marriage and Single Life
• Of Nobility
• Of Parents and Children
• Of Simulation and Dissimulation
• Of Superstition
• Of Goodness and Goodness of Nature

100 Words Essay On Death In English

Google defines the term ‘death’ to be “the action or fact of dying or being killed; the end of the life of a person or organism.”

Death is something that can be scientifically looked at like the clinical definition given above or looked at from a religious aspect. Every religion, in fact, has its own version of death.

The common thread that links them together is that there always exists a being that extracts one’s soul. This varies from Grim Reaper to Yam Raj to Thanatos and so on. Here, death’s link with the soul also ultimately connects it with the notion of heaven and hell. 

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Study Today

Largest Compilation of Structured Essays and Exams

Essay on Death

December 2, 2017 by Study Mentor Leave a Comment

Man is mortal. Death is evident in a phenomenon which strikes each person sooner or later. Life is not possible without death. It is a never ending circle from birth, death and rebirth. i.e. if you believe in reincarnation. People say they are afraid of death but in reality they are afraid to die.

We all know we are destined to die one day or another. Deep down, we all fear that day our death is in front of ours eye. Because all your life death sounds like a myth to you.

It is the moment when death stands eyes to eyes, tall and confident of taking you from yourselves; that realization dawns upon you. You realize that death is not all that glorified as shown in movies. It is a much harder phenomenon.

Actually it is death what makes every second of life worth living. If you would not have found death, you would not try to live a life worth living. Don’t lie a death before your death. The fear of death is what moves us to see and experience the good things in life.

Because we know that death is certain and it can down any day upon us. So why not experience all the beautiful things on Earth before going? A life lived for others are always worth living. It makes you feel alive inside. It gives you a feeling that you still have life alive inside you. Because when you learn to show compassion to others, you show that you have the capacity within you to loves and to trust others.

Make sure that you don’t lie before your death. Because that is what is more important. Whatever is your lifespan that is not in your hands? God sends it scribbled into your hands. But have you chose to spend that time is certainly in your hands.

When a death occurs in a family, the person is mourned over and all good things about him are discussed; having aside his negative deeds. Even when a person is on his deathbed, he is tracked with all the luxuries and is given loads of affection. But my question is that if death will come to all of us and we are dying minute by minute every day, then we aren’t nice to all the people around us!?

The person you just met may be dead the other day. Maybe you left things on a bad note and never got to sort out what was going on between you two.

And that is when you realize that you would do anything just to have them back from doom to be beside you-alive breathing and kicking.

This is how death affects the mind of a person. All their near and dear ones lose their sanity. It is just one person that dies the actual death yet it is the complete family that goes dead inside even without realizing it. You crave their company all day.

You wish for death to befall you instead of them but this we all know that this cannot happen. It messes your head badly and you feel regret and remorse all time for what happened. At a point of time you even start blaming yourself for the mishap because you can’t get past the fact that your near and dear one was just swallowed by the void of death.

You contemplate ‘what if’ all your life. But you don’t realize that it’s no use. Because that person will never come back to console your conscience. They will always remain alive in your heart, in your memories, shading your dreams beautifully.

We just realized that life is short and one should make complete use of it. Live life to the fullest. It is in today that one can live his dreams. Whatever you have dreamt for your future will dash to the ground lest you are not alive to see it with your own eyes, it will be of no use.

No, I am not saying that we should not think about our future. But what I am trying to convey is that we should not dwell in our past or in our future. Past cannot be changed and future cannot be predicted. You should plan for the future but you should live your life to the fullest.

You will not get your life back once god decides to take it from you. There are many creatures who are dying to live a life that you are living. But what is the use of it if you do not know how to make full use of the potential lives you have been gifted with. You have been sent on this earth to serve a higher purpose and you should definitely do your part on this stage nicely.

When we die, it is our body that leaves. The soul of a person always remains alive. It keeps on changing bodies like clothes. Have you ever noticed that as soon as a person dies, he is referred to as a body and not a person? This is because his soul has left his body. And without soul, no life is possible. Soul is like the fuel of our body. Without soul, our body is just a lifeless structure of blood and bones.

Different philosophies say different things about reincarnation of life. But according to me, there is no rebirth. It is all in our head. Humans don’t carry their karma to the next birth. Karma is a bitch and she knows how to rub it in your face and pay you back.

She takes the account of your sins and good karma in this birth only. I do not understand why people keep on writhing and whining about the happenings of afterbirth. But they don’t realize that they cannot control what happens to them after their death.

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5 Death Penalty Essays Everyone Should Know

Capital punishment is an ancient practice. It’s one that human rights defenders strongly oppose and consider as inhumane and cruel. In 2019, Amnesty International reported the lowest number of executions in about a decade. Most executions occurred in China, Iran, Saudi Arabia, Iraq, and Egypt . The United States is the only developed western country still using capital punishment. What does this say about the US? Here are five essays about the death penalty everyone should read:

“When We Kill”

By: Nicholas Kristof | From: The New York Times 2019

In this excellent essay, Pulitizer-winner Nicholas Kristof explains how he first became interested in the death penalty. He failed to write about a man on death row in Texas. The man, Cameron Todd Willingham, was executed in 2004. Later evidence showed that the crime he supposedly committed – lighting his house on fire and killing his three kids – was more likely an accident. In “When We Kill,” Kristof puts preconceived notions about the death penalty under the microscope. These include opinions such as only guilty people are executed, that those guilty people “deserve” to die, and the death penalty deters crime and saves money. Based on his investigations, Kristof concludes that they are all wrong.

Nicholas Kristof has been a Times columnist since 2001. He’s the winner of two Pulitizer Prices for his coverage of China and the Darfur genocide.

“An Inhumane Way of Death”

By: Willie Jasper Darden, Jr.

Willie Jasper Darden, Jr. was on death row for 14 years. In his essay, he opens with the line, “Ironically, there is probably more hope on death row than would be found in most other places.” He states that everyone is capable of murder, questioning if people who support capital punishment are just as guilty as the people they execute. Darden goes on to say that if every murderer was executed, there would be 20,000 killed per day. Instead, a person is put on death row for something like flawed wording in an appeal. Darden feels like he was picked at random, like someone who gets a terminal illness. This essay is important to read as it gives readers a deeper, more personal insight into death row.

Willie Jasper Darden, Jr. was sentenced to death in 1974 for murder. During his time on death row, he advocated for his innocence and pointed out problems with his trial, such as the jury pool that excluded black people. Despite worldwide support for Darden from public figures like the Pope, Darden was executed in 1988.

“We Need To Talk About An Injustice”

By: Bryan Stevenson | From: TED 2012

This piece is a transcript of Bryan Stevenson’s 2012 TED talk, but we feel it’s important to include because of Stevenson’s contributions to criminal justice. In the talk, Stevenson discusses the death penalty at several points. He points out that for years, we’ve been taught to ask the question, “Do people deserve to die for their crimes?” Stevenson brings up another question we should ask: “Do we deserve to kill?” He also describes the American death penalty system as defined by “error.” Somehow, society has been able to disconnect itself from this problem even as minorities are disproportionately executed in a country with a history of slavery.

Bryan Stevenson is a lawyer, founder of the Equal Justice Initiative, and author. He’s argued in courts, including the Supreme Court, on behalf of the poor, minorities, and children. A film based on his book Just Mercy was released in 2019 starring Michael B. Jordan and Jamie Foxx.

“I Know What It’s Like To Carry Out Executions”

By: S. Frank Thompson | From: The Atlantic 2019

In the death penalty debate, we often hear from the family of the victims and sometimes from those on death row. What about those responsible for facilitating an execution? In this opinion piece, a former superintendent from the Oregon State Penitentiary outlines his background. He carried out the only two executions in Oregon in the past 55 years, describing it as having a “profound and traumatic effect” on him. In his decades working as a correctional officer, he concluded that the death penalty is not working . The United States should not enact federal capital punishment.

Frank Thompson served as the superintendent of OSP from 1994-1998. Before that, he served in the military and law enforcement. When he first started at OSP, he supported the death penalty. He changed his mind when he observed the protocols firsthand and then had to conduct an execution.

“There Is No Such Thing As Closure on Death Row”

By: Paul Brown | From: The Marshall Project 2019

This essay is from Paul Brown, a death row inmate in Raleigh, North Carolina. He recalls the moment of his sentencing in a cold courtroom in August. The prosecutor used the term “closure” when justifying a death sentence. Who is this closure for? Brown theorizes that the prosecutors are getting closure as they end another case, but even then, the cases are just a way to further their careers. Is it for victims’ families? Brown is doubtful, as the death sentence is pursued even when the families don’t support it. There is no closure for Brown or his family as they wait for his execution. Vivid and deeply-personal, this essay is a must-read for anyone who wonders what it’s like inside the mind of a death row inmate.

Paul Brown has been on death row since 2000 for a double murder. He is a contributing writer to Prison Writers and shares essays on topics such as his childhood, his life as a prisoner, and more.

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About the author, emmaline soken-huberty.

Emmaline Soken-Huberty is a freelance writer based in Portland, Oregon. She started to become interested in human rights while attending college, eventually getting a concentration in human rights and humanitarianism. LGBTQ+ rights, women’s rights, and climate change are of special concern to her. In her spare time, she can be found reading or enjoying Oregon’s natural beauty with her husband and dog.

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Lord Byron Was Hard to Pin Down. That’s What Made Him Great.

Two hundred years after his death, this Romantic poet is still worth reading.

“Who would write, who had anything better to do?” Byron once said. Credit... Musée Fabre/Hulton Fine Art Collection, via Getty Images

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By Benjamin Markovits

Benjamin Markovits is the author of a trilogy of novels about Lord Byron, “Imposture,” “A Quiet Adjustment” and “Childish Loves.”

• April 19, 2024

This week is the 200th anniversary of Lord Byron’s death. The most famous poet of his age (an odd phrase now) died fighting for Greek independence in the marshes of Missolonghi. “Who would write, who had anything better to do?” he once said. There was a strange contest over his body and memory: The lungs and larynx remained in Greece but friends carried the rest back to England, where huge crowds followed the funeral procession. A month after his death, his former editor burned his memoirs, worried they would damage the reputation of a superstar read around the world.

Does anyone read Byron now? He’s one of those unusual figures who have become better known for the lives they led than the books they wrote. Even some of his fans admire the letters more than the poems. It isn’t totally clear what it means to say that Byron is your favorite poet. Of the so-called Big Six Romantics, he’s the hardest to place. The hikers and the introverts read Wordsworth, the hippies love Blake, Keats is for the purists, Shelley for the political dreamers … and Byron? In spite of his fame, he lacks brand recognition. That’s partly because, halfway through his career, he decided to change the brand. “If I am sincere with myself,” he once wrote, “(but I fear one lies more to one’s self than to any one else), every page should confute, refute and utterly abjure its predecessor.”

All of which makes him a complicated sell. Academics trying to revive his reputation sometimes claim him as the anti-Romantic, a satirist who made fun of the movement’s clichés. Which is true. But he also wrote wonderful love poems, including two of his best-known lyrics, “ She Walks in Beauty ” and “ So We’ll Go No More a Roving .” Both are cleareyed about their own sentimentality, but more sad than satirical.

There are other ways of reclaiming him: as the first celebrity writer, as an early adopter of autofiction, for his sexual fluidity. He fell in love with both men and women, and slept with almost everybody, including his half sister, Augusta — which explains why his old editor, John Murray, decided to burn the memoirs.

Writers usually get famous because they touch a chord, and then keep playing it. And even if, as their work matures, they find ways to deepen the tone, it’s still recognizable; readers know what to expect from the product. And Byron touched a chord very young. His breakthrough poem — another odd phrase — was published when he was 24. “Childe Harold’s Pilgrimage,” about a moody young nobleman who travels through war-torn Europe chased by some secret sorrow, made him a household name. Fan mail flowed in; women offered themselves in assignations. (Philip Roth joked in “The Ghost Writer” that for an author to get laid in New York you need only publish a couplet.) “Childe Harold” eventually stretched to four volumes.

Movie versions of Byron’s life tend to take the Childe Harold angle, presenting him as the beautiful young nobleman and exaggerating his Gothic or camp tendencies. He’s been played by Rupert Everett and Hugh Grant. You can find those elements in his writing, too, especially in the early verse, but then a few things changed. He got married, and the marriage went badly; he left England in 1816 and didn’t return; his fame hardened, and as it hardened, he began to realize that it didn’t really fit him.

People who met Byron for the first time expected him to be someone he wasn’t. This bugged him, not just as a human being but as a writer. He asked his friend Tom Moore to tell a well-known literary critic “that I was not, and, indeed, am not even now , the misanthropical and gloomy gentleman he takes me for, but a facetious companion, well to do with those with whom I am intimate, and as loquacious and laughing as if I were a much cleverer fellow.”

Byron was writing this from Venice after his separation from his wife. It was in many ways an unhappy couple of years. Still recovering from the trauma of his marriage, he overindulged himself, sexually and otherwise. The beautiful young nobleman was growing middle-aged. “Lord Byron could not have been more than 30,” one visitor remarked, “but he looked 40. His face had become pale, bloated and sallow. He had grown very fat, his shoulders broad and round, and the knuckles of his hands were lost in fat.” Some of Byron’s reputation for scandalous living dates to his stay in Venice. But he also made another literary breakthrough, finishing one long poem, “ Beppo ,” and starting his masterpiece, written “in the same style and manner” — “ Don Juan .”

“Don Juan” would occupy him for the rest of his short life. It cost him his relationship with Murray, who disapproved of the new tone in Byron’s writing. “You have so many ‘ divine ’ poems,” Byron told him. “Is it nothing to have written a Human one?” Around the time that Shelley was writing “ To a Skylark ” (“Hail to thee, blithe Spirit!”) and Keats was working on “ Ode to a Nightingale ” (“Thou wast not born for death, immortal Bird!”), Byron in “Beppo” was advising visitors who come to Venice for the Carnival to bring ketchup or soy with them, because Venetians give up sauce for Lent. But he was making a broader point, too. Poetical truths, about birds, about nature, don’t always rank high on the list of what matters. Poets should spend more time talking about things like money and food.

Part of what his early success taught him was to be suspicious of it, which meant being suspicious of writers — of the ways they lie to themselves and their readers. Keats, for example, was guilty of “a sort of mental masturbation,” Byron said. “I don’t mean that he is indecent but viciously soliciting his own ideas into a state which is neither poetry nor anything else.” The work of Leigh Hunt was “disfigured only by a strange style. His answer was that his style was a system … and, when a man talks of system, his case is hopeless.” Experience, Byron believed, was the real source of literary value. “Could any man have written it,” he said of “Don Juan,” “who has not lived in the world?”

But experience relies on the honesty of the writer, and honesty, as Byron knew, is not a simple virtue. His own style became increasingly hard to pin down and hard to imitate — there is nobody who writes quite like him. Sometimes he lays on the devices pretty thick (“He rushed into the field, and, foremost fighting, fell”), the way you might scatter salt over a meal to add all-purpose flavor. But he can also write poetry that is unabashedly prosy: “There might be one more motive, which makes two.” What he’s particularly good at is achieving vividness without metaphor or adjective: “I have imbibed such a love for money that I keep some Sequins in a drawer to count, & cry over them once a week.” This is classic Byron, self-mocking and sincere at the same time.

The overall effect is like someone pitching knuckle balls. He seems to be just tossing lines at you, almost carelessly or without effort, but they’re always moving unpredictably, and when you try to do it yourself, you realize how hard it is to throw without spin. Two centuries later, this still seems a talent worth celebrating.

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2 Men Charged After Five Migrants Die Attempting to Cross the English Channel

T wo men have been charged after five migrants including a 7-year-old child died while attempting to cross the English channel earlier this week.

Per the U.K.’s National Crime Agency , Yien Both, a 22-year-old from South Sudan, was charged with assisting unlawful immigration and attempting to arrive in the U.K. without valid entry clearance. A second man, Tajdeen Abdulaziz Juma, a 22-year-old Sudanese national, was charged with attempting to arrive in the U.K. without valid entry clearance. A third individual—an 18-year-old male from Sudan—was arrested in relation to the incident, but has been bailed pending further enquiries.

News of the migrants’ deaths was confirmed by French authorities on Tuesday, hours after the U.K. passed a controversial bill that would allow the government to deport some migrants who enter the country illegally to Rwanda.

The deaths took place after an overcrowded boat carrying around 110 people set out to cross the busy shipping lane from France to England. French rescue ships arrived quickly and picked up 47 people and “another 57 people stayed on board,” local prefect Jacques Billant said. “They did not want to be rescued, they managed to restart the engine and headed towards Britain.”

The boat had left from Wimereux, southwest of France's Calais. The French coastguard is searching for any survivors.

The passage of the Rwanda migrant bill comes nearly two years after the plan was first introduced by Conservative Prime Minister Boris Johnson in April 2022, and has been a priority of Rishi Sunak’s government. Sunak has pledged the first flights will take off to Rwanda “in 10 to 12 weeks.”

In 2022, 46,000 migrants crossed into the U.K. via dangerous small boats from mainland Europe, compared to just 299 boat crossings in 2018. Since 2014, over 240 migrants have either died or gone missing while attempting to cross the English channel, according to the International Organization for Migration .

Human rights groups have warned that deportations to Rwanda could pose grave danger to asylum seekers because, “Once enacted, it will restrict the U.K. courts from properly scrutinizing removal decisions, leaving asylum-seekers with limited room to appeal even if they face significant risks,” wrote the U.N. High Commissioner for Refugees, in a statement.

Read More: U.K. Leader Rishi Sunak’s Favorability Rating Slips to New Low Amid Rwanda Bill Backlash

The British government has insisted that Rwanda is a safe country for migrants, and that the legislation is needed in order to deter migrants from making dangerous channel crossings.

“Under the Treaty, Rwanda has also introduced a strengthened end-to-end asylum system, including a new, specialist asylum appeals tribunal to consider individual appeals against any refused claims,” says the Home Office’s press release about the law . 

As part of the agreement, the Rwandan government received approximately $300 million from the U.K. in 2023, and is expecting the total to reach at least $450 million over the course of five years. The U.K. will also pay an additional $150 million if more than 300 people are sent to Rwanda, and an additional $25,000 for each individual deported to the country.

Rights groups insist that the only way to deter crossings is to open more safe passages. “Instead of hostile, headline-grabbing legislation, we need to see safe routes for those fleeing conflict and persecution, including more options for family reunion, refugee visas, and cooperation with our European neighbors,” Enver Solomon, chief executive of Refugee Council, told the Guardian .

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