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What an outstanding movie. Full of twists. All actors and actress (amala Paul nailed it). Must watch film.

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Cadaver Movie Review: Amala Paul's Crime Thriller Is Clumsy But Watchable!

Cadaver , the crime thriller film that features Amala Paul in the lead role, has premiered on Disney+ Hotstar today. The movie, which is helmed by Anoop Panicker, is scripted by Abhilash Pillai. Amala Paul also made her debut as a film producer with Cadaver , which features her in the role of an expert pathologist.

Does the crime thriller impress audiences? Read the Cadaver movie review here to know...

What's Yay:

Certain performances

Cinematography

What's Nay:

Inconsistency in Amala Paul's look

Predictability

Logical loopholes

Amateur making

Bhadra Thangavel (Amala Paul) is an expert pathologist who is well-known for solving the most complicated cases. She helps the assistant police commissioner Vishal (Harish Uthaman) in solving a murder case of a surgeon. The duo's investigation leads them to a prisoner named Vetri (Adith Arun), who had vowed to kill the surgeon. Despite Bhadra and Vishal's precautions and being in custody, Vetri manages to execute a second murder as well. What happens next forms the crux of Cadaver .

Script & Direction

Director Anoop Panicker and writer Abhilash Pillai create a world of crime that has the potential to be something extraordinary. But the amateur making and lazy writing let down the film to a large extent. Cadaver begins on a promising note with the introduction of its protagonist, a pathologist who doesn't even mind having her meal inside a mortuary. There are some well-executed scenes that throw light on the lives of pathologists, making Cadaver a unique experience. But this spark is lost after a point and the film tries hard to make a mark.

The Amala Paul-starrer is hit by the predictability factor after a point, and it severely affects the narrative. Also, some of the most important scenes (especially the scenes involving media and its interference in the police investigation) are almost caricaturish and downright illogical. The weak dialogues and melodrama in the second half also dilute the overall impact. However, Cadaver compensates for its flaws with some good moments, that make it a watchable film.

Performances

Amala Paul delivers a neat performance as Dr Bhadra Thangavel. But her inconsistent hairstyle and look (which is clearly an odd creative choice) play major spoilsports in the effectiveness of her character. Harish Uthaman shines as ACP Vishal with his mature performance. The rest of the cast, including Adith Arun, Munishkanth, Athulya Ravi, Riythvika, and others are good in their respective roles.

Technical Aspects

The excellent cinematography and top-notch production design create the perfect backdrop for a thriller. The background music by Ranjin Raj is good, but the songs are forgettable.

Cadaver is a watchable crime thriller that has some bright moments to offer, despite its clumsy making, predictability, and logical loopholes. The Amala Paul-starrer is currently streaming on Disney+ Hotstar.

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Home » Review » Cadaver movie review: Amala Paul's murder mystery is an engaging fare despite its predictable nature »

Cadaver movie review: Amala Paul's murder mystery is an engaging fare despite its predictable nature

There are a few aspects in Cadaver which works, but the biggest challenge for makers would be to hold the interest of audience who are fans of whodunit movies

A still from Cadaver

• Thinkal Menon

Last Updated: 11.42 AM, Aug 12, 2022

Story: A forensic surgeon sets out to investigate the murder of an efficient doctor along with two cops. Despite nabbing a prime suspect, two more people associated with the deceased are assassinated. The case becomes complex whenever the surgeon thinks she is close to the killer because of unanticipated incidents. With the case hitting a roadblock, will she be able to solve the murder mystery? 

Review: Making a gripping murder mystery has become one of the biggest challenges for storywriters and filmmakers now, thanks to the spate of films and series releasing in different languages under the genre in recent years. Anoop S Panicker's Cadaver, which attempts to tick all the boxes of an engaging crime thriller, is the latest movie to join the bandwagon.

Bhadra (Amala Paul), a cold-blooded forensic surgeon, assists Vishal (Harish Uthaman) and Michael (Munishkanth) in solving the murder case of a renowned doctor. They identify a suspect based on a few crucial pieces of evidence and start questioning him. But a couple of more murders related to the case put the investigation team in trouble.

Meanwhile, the father of the deceased doctor, too, sets out to find the assassin and poses a threat to the police team. The case becomes more complex as days keep passing and the team hits a roadblock. Bhadra comes up with some ground-breaking discoveries pertaining to the case, but they learn that those vital pieces of evidence aren't adequate to lead them to the killer.

Cadaver follows the tried-and-tested pattern that most of the murder mysteries resort to, and succeeds to a decent extent in keeping the audience glued to their seats. Amala Paul puts up a convincing performance as a pathologist who comes up with startling revelations at regular intervals. 

The constant rapid pace of the screenplay makes viewers invested completely in the flow of events that are mostly intriguing. The twists and turns work, but do not leave you stunned. The backstory of a few characters and the revenge angle are interestingly narrated.

The emotional aspect, too, works; the depiction of a father-daughter relationship and a husband-wife relationship make us feel for them, thus justifying that the deceased are people who deserve punishment. The portrayal of relevant details associated with post-mortem complements the screenplay and adds conviction to a few sequences. 

But the generic approach in investigation dilutes the curiousity factor; things become predictable after a point and what was meant to be an astonishing surprise towards the pre-climax doesn't pack a punch. The lack of detailing in a few characters stick out as a sore thumb.

A mother-daughter relationship which is established in the beginning remains unexplored after the prime plot gets thicker. The biggest challenge for makers of Cadaver would be to hold the interest of audiences who are fans of whodunit films. The film, despite having a few engaging moments and surprises, offers nothing new.

The performances of Vinod Sagar and Adith Arun stand out while characters of Harish Uthaman and Munishkanth remind of their earlier portrayals. Aravind Singh's cinematography is neat and Ranjin Raj's music is okayish.  

Verdict: The fast-paced screenplay, intriguing backstories and a few convincing sequences make Cadaver a harmless one-time watch. The generic approach towards investigation, however, is a setback for those who expect some novelty from this mystery thriller.

Cadaver is streaming on Disney+ Hotstar.

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Cadaver Movie Review: Shoddy writing pulls down this technically brilliant whodunit 

Rating: ( 2 / 5).

Imagine eating a well-cooked dish where the spices are perfect and the seasoning is on point, but the meat unfortunately is rotten. Well, I had a similar after-taste watching Amala Paul's Cadaver . The murder mystery is tastefully made with top-notch works from Aravind Singh (cinematographer), San Lokesh (editor) and Ranjin Raj (composer). The rotten meat here is the shoddily written screenplay and story. This concoction is a really rare occurrence. With thrillers, it is usually the other way around, great ideas on paper gets lost in translation to the screen.    Cast: Amala Paul, Thrigun, Riythvika, Munishkanth 

Director: Anoop S Panicker 

Editor San Lokesh does a fantastic job of containing the suspense in this wafer-thin story. Though the non-linear narrative gets a bit convoluted in places, it is probably the only element holding the audience's interest till the final reveal. Aravind Singh's frames and Ranjin Raj's music complement each other in multiple instances, and the mood for the thriller is brilliantly set by the works of these two people. They don't go all gun blazing throughout either, they know when to hold back and give a breather for the audience. 

Cadaver is a story of a police surgeon trying to unmask a series of mysterious homicides and all the clues point toward a life sentence prisoner, who hasn't left his cell for years. The biggest of all loose ends in the story is the reason behind his imprisonment. Though the film divulges into multiple sub-plots, it never tries to address why a principal character is held as a prisoner. Whatever is built by the technical team is destroyed by the massive loopholes in the story.

The tracks of both Athulya and Riythvika are extremely formulaic and it gives us instant memory flashes of a dozen films which had identical characters. Their invested performance gets buried under the loads of cliches that come along with their roles. 

The other major hiccup in Cadaver is its plastic dialogues. Amala Paul had disclosed in an interview that the film was originally written to be a Malayalam feature, but it was re-written to Tamil later. This becomes evident in multiple places as the dialogues are verbose and even crucial one-liners fail to pack a punch. The film also has major tropes inspired by Malayalam films. For instance, the killer leaves clues from the Bible to hint at their next victim. This idea has been used previously in a host of other films, namely Memories ( Aarathu Sinam in Tamil). 

Amala looks extremely convincing as the bold, nonchalant forensic surgeon. The way her looks and body language are styled feels very refreshing, especially among a crowd of caricatures. Only if the rest of the characters had similar invested writing, the film would have been way more engaging. 

All the whodunits conclude at the point where the prime antagonist is unmasked. But two common villains that I commonly spotted in all the recent thrillers are convenience and coincidence. All the efforts of the filmmakers and writers to build an unguessable suspense and an unsolvable case vanishes into thin air when these two villains make their entry. Cadaver is the newest film on the list to feed these beasts. And as long as these villains are on the prowl, thrillers will continue to die a death more gruesome than their characters. 

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Published :

Last Updated : 13 Aug, 2022 06:18 PM

Published : 13 Aug 2022 06:18 PM Last Updated : 13 Aug 2022 06:18 PM

கடாவர் Review - த்ரில்லருக்கான களம் மட்டும் போதுமா?

மெடிக்கல் க்ரைமை மையப்படுத்தி நடக்கும் கொலைகளும், குற்றங்களும்தான் 'கடாவர்'.

பிரபலமான மருத்துவர் மர்மமான முறையில் காருடன் சேர்த்து எரித்துக் கொல்லப்படுகிறார். இந்தக் கொலைக்கும் சிறையில் இருக்கும் வெற்றி (திரிகுன்)-க்கும் தொடர்பு இருப்பது போலீஸ் விசாரணையில் தெரியவருகிறது. ஆனால், சிறையில் இருக்கும் வெற்றியால் எப்படி கொலை செய்ய முடியும் என்ற கேள்வியும் எழவே, இது தொடர்பான விசாரணையில் தீவிரம் காட்டி வரும் காவல் துறைக்கு உதவுகிறார் போலீஸ் சர்ஜன் பத்ரா தங்கவேல் (அமலா பால்). இறுதியில் கொலைக்காரன் கண்டுபிடிக்கப்பட்டானா? கொலைக்கான காரணம் என்ன என்பதை சஸ்பென்ஸ் த்ரில்லருடன் சொல்லும் படம்தான் 'கடாவர்'. நேரடி ஓடிடி ரிலீசான இந்தப் படம் டிஸ்னி ப்ளஸ் ஹாட்ஸ்டாரில் காணக் கிடைக்கிறது.

படத்தில் நடித்தது மட்டுமல்லாமல், தானே முன்வந்து தயாரித்தும் இருக்கிறார் அமலா பால். கிராஃப் கட்டிங், கையில் கத்தி, கண்ணில் வேகத்துடன் கதையை முன்னோக்கி எடுத்துச் செல்வதில் உதவுகிறார். சில இடங்களில் அவரது நடிப்பு கூடுதல் கவனத்தைப் பெறுகிறது. அவரைத் தவிர, ஹரிஷ் உத்தமன் போலீஸ் கதாபாத்திரத்தில் கச்சிதமாக பொருந்துகிறார்.

ஆனால், அவருக்கான எழுத்தை இன்னும் ஆழப்படுத்தியிருக்கலாம். காரணம், அமலாபால் முன்னின்று எல்லாவற்றையும் கண்டுபிடிக்கவும், காவல்துறை அதிகாரியான ஹரிஷ் உத்தமன் வெறுமனே வந்து செல்வது போலவும் தான் தோன்றுகிறது. அதுல்யா ரவி, வினோத் சாகர், ரித்விகா, திரிகன் உள்ளிட்ட துணைக் கதாபாத்திரங்கள் தங்கள் நடிப்பின் மூலம் த்ரில்லருக்கான தீனியை கொடுத்திருக்கிறார்கள்.

ஒரு சஸ்பென்ஸ் க்ரைம் த்ரில்லருக்கான அனைத்து முகாந்திரமும் கதையில் இருப்பதை உணர முடிகிறது. ஆனால், அதன் திரைக்கதையமைப்பு காட்சிகளுக்கான விறுவிறுப்பை கூட்ட தவறியிருக்கிறது. உதாரணமாக, அதுவரை கொலைக்கான காரணத்தை எதிர்நோக்கியிருந்த பார்வையாளர்களை இயக்குநர் வலுவான காரணத்துடன் திருப்திபடுத்த வேண்டும். காரணம், ஓகே என்றாலும், காட்சியமைப்பு அதற்கு கைகொடுக்கவில்லை.

உணர்வுபூர்வமாக பார்வையாளனை தக்க வைக்கும் அழுத்தமான காட்சியமைப்பு இல்லாததால் படத்துடன் ஒன்றுவது பெரும் சிக்கல். படத்தின் சில ட்விஸ்ட் கவனிக்க வைக்கின்றன. அதேபோல சில காட்சிகள் ஈர்க்கும் வகையில், சிலவை அமெச்சூர் தனமாகவும் படமாக்கப்பட்டுள்ளன. திரையில் கொலைகாரனை கண்டுபிடிக்க கதாபாத்திரங்கள் மேற்கொள்ளும் பரபரப்பு, பார்வையாளரை தொற்றவில்லை என்பதுதான் பெரிய சிக்கல்.

அபிலாஷ் பிள்ளையின் எழுத்துக்கு அனூப் பணிக்கர் காட்சி வடிவம் கொடுத்திருக்கிறார். குற்றவாளியை கண்டுபிடிப்பதற்கான புலனாய்வுக் காட்சிகளை இன்னும் சுவாரஸ்யப்படுத்தியிருக்கலாம். தவிர, மெடிக்கல் க்ரைம் களத்தை உயிராக கொண்ட கதையில் அது குறித்து ஆழமாக பேசப் படாததது ஏமாற்றம். காட்சியின் ஆன்மாவை பார்வையாளர்களுக்கு கச்சிதமாக கடத்துவதில் அரவிந்த் சிங்கின் ஒளிப்பதிவு பெரும் பங்கு வகிக்கிறது.

தேவையான இடங்களில் ஒலிக்கும் ரஞ்சின் ராஜின் பின்னணி இசை காட்சிகளில் தவறவிட்ட விறுவிறுப்பை கூட்ட முயற்சிக்கிறது. முக்கியமாக கலை இயக்கத்தின் பங்கு படத்திற்கு பெரும் பலம். பிணவறை, அதன் வடிவமைப்பு, சடலங்கள் என தத்ரூபமான செட்டுகள் நம்மை உண்மையாக அந்த இடங்களுக்கு அழைத்துச் செல்கின்றன. அந்த வகையில் படத்தை தூணாக தாங்கி நிற்கிறது கலை இயக்கம்.

சுவாரஸ்யமான காட்சிகளையும் திரைக்கதையையும் கொண்டு கதையின் பசிக்கு உரிய தீனியிட்டிருந்தால் 'கடாவர்' நிச்சயம் விறுவிறுப்பு, த்ரில்லர் கலந்த படத்துக்கான உணர்வை பார்வையாளர்களிடம் உருவாகியிருக்கும்.

அன்பு வாசகர்களே....

இந்த ஊரடங்கு காலத்தில் வீட்டை விட்டு வெளியே வராமல் நமக்கு நாமே சமூக விலகல் ( Social Distancing) செய்து கொள்வோம். செய்தி ஊடகங்களின் வழியே உலகுடன் தொடர்பில் இருப்போம். பொதுவெளியில் இருந்து தனிமைப்படுத்திக் கொண்டு கரோனா பரவலைத் தடுப்பதில் நம் பங்கை முழுமையாக இந்த சமூகத்துக்கு அளிப்போம்.

CoVid-19 கரோனா தடுப்பு / விழிப்புணர்வு கையேடு - இலவசமாக டவுன்லோடு செய்து பயன்பெறுங்கள்!

- வாசகர்கள் நலனில் அக்கறையுடன் இந்து தமிழ் திசை

தவறவிடாதீர்!

•   முதல் நாள் வசூலில் ‘சுல்தான்’ படத்தின் சாதனையை முறியடித்த ‘விருமன்’
•   “வீடுகளில் அனைவரும் தேசியக் கொடியை ஏற்றுவோம்” - ரஜினி வேண்டுகோள்
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உங்கள் பகுதி முகவரோடு இணைந்து உங்களுக்கு நாங்கள் சேவை செய்ய….

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• ENGLISH HINDI MALAYALAM TAMIL TELUGU KANNADA BENGALI  

Cadaver Tamil Movie

Cadaver is a 2022 Indian movie directed by Anoop S Panicker starring Amala Paul, Riythvika, Munishkanth and Harish Uthaman. The feature film is produced by Amala Paul and the music composed by Ranjin Raj.

Director: Anoop S Panicker Producer: Amala Paul Music Director: Ranjin Raj Song Lyrics Writer: Kabilan Sound Designer: Sync Cinema Cinematographer: Aravind Singh Editor: San Lokesh Art Designer: N K Rahul Original Story Writer: Abhilash Pillai Action Choregrapher: Vicky

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Cadaver Movie Review

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Actress Amala Paul in her latest outing ‘Cadaver’ debuts as a producer as well. It’s good to see the ambitious efforts of the actress to exhibit her prowess in acting in a content-driven character. Cadaver, directed by Anoop Panicker and written by Abhilash Pillai has a premise, which remained unexplored in the Indian movie industry to a greater extent.

Doctor Badra (Amala Paul), a police surgeon has been a great help to the police department in solving murder mysteries using her autopsy skills. She comes across a weird and gruesome series of murders and finds out that there is a commonality among them. However, things get topsy-turvy, when a prisoner named Vetri (Thrigun) keeps announcing the name of the next victim, who is about to get murdered brutally. What’s the actual connection between Vetri and the murders? Who’s the actual murderer?

Finally, Amala Paul gets a substantial role to prove her proficiency in acting. Movies of this paradigm evidently prove that any actress, when given a proper role and script will never hesitate to come out of the clichéd roles and score brownie points. She looks so natural throughout the movie. Since most of her dialogues involve a lot of research and detail-oriented facts about the autopsy; she manages to retain our attention. In the second half, she delivers a neat performance in the emotional sequences as well. The next one to strike our attention is Harish Uthaman. Recently, in one of our recent reviews, we mentioned that actors like Harish Uthaman and Vamsi Krishnan are merely limited to the antagonists’ characters. When given a proper chance, they are sure to gleam with outstanding performances. Harish delivers a commendable performance as a police officer. Thrigun is good with his emotional part. Actress Athulya’s role is limited, and she is up with her finest acting.

Cinematography by Aravinnd Singh needs special appreciation. The camera angles and the unique tone that is retained throughout the movie elevate the essence of mystery and suspense. It’s good that the makers have avoided songs, and the BGM is good. There are some interesting twists and turns in the second hour, but we would like to keep it veiled as it would be a spoiler. There are few commercial elements in the second half, but it doesn’t hamper the progression of the story.

Overall, Amala Paul as a producer and actor excels with ‘Cadaver’ . The finest writing including the explanation of many factors in the medical field, especially the investigative approach through the autopsy process wins our attention.

Verdict: Cadaver as an investigative medical thriller is appreciable for its taut screenwriting laced with surprising twists.

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In the starving aftermath of a nuclear disaster, a family of three attends a charitable event at a hotel, which takes a dark turn when people start to disappear. In the starving aftermath of a nuclear disaster, a family of three attends a charitable event at a hotel, which takes a dark turn when people start to disappear. In the starving aftermath of a nuclear disaster, a family of three attends a charitable event at a hotel, which takes a dark turn when people start to disappear.

• Jarand Herdal
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• Maria Grazia Di Meo
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• Connections Referenced in Flix Forum: Cadaver (Kadaver) (2024)

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When I walked into Behindwoods, I had just one thing in mind. That one thing that many people have in their minds too. ‘Save Cinema’. I obviously did not know from what, but yeah I wanted to save cinema.   When I sat on my chair, relieved of the fact that I was finally there after a month long hardcore interview process, I learned that my colleagues were far more up to date about cinema than I was. I was surprised. So much that I just could not bat an eyelid and when I finally managed to bat one, the calendar had secretly swallowed two full years.   At Behindwoods, I had no training. I instead, was offered a large number of experiences and plenty of chances to learn from my mistakes. From writing news stories and articles to music reviews and slideshows to working on special events to serving as the creative head of the video team, I had absolute fun. It is probably in the gene of Behindwoods – to work with a smile on our faces. However, when there is a movie release, our faces suddenly turn serious.    Movie reviews at Behindwoods are not as easy as what the audience might think it is. It is an arithmetic calculation of the directorial excellence multiplied by the exuberance of the audience divided by the technicalities in the movie. Yes, it is as ‘head-scratching’ as mentioned. It is Math. A subject most of us hate. Finding X has always been a nightmare for us. Now you know why we are all serious about it.   Of course we’ve made mistakes. Sometimes when I wake up in the morning, I would see my Twitter feed filled with hate messages and comments. People have rechristened me with interesting names (mostly unpleasant) and have also suggested me other career options like begging and looting. I sometimes wouldn’t even know why I was being targeted (so would the people who target), until I get to office and find out that it was some post in Behindwoods by someone that offended them.    But over the last couple of years, I have made miniscule attempts to save cinema. I have even written columns about fan fights, piracy and other issues that linger in cinema. However, there is a bitter truth that I soon learned. People just don’t care.   For them, cinema has always been a hobby, a pastime, a mere source of entertainment out of their busy schedules. So they obviously wouldn’t care about the hundreds of lives that eat, drink and breathe cinema every day.   People continue to watch new movies online and fan fights continue to prevail in full josh. Whenever we post a picture of Ajith, we would be called Ajithwoods and when it is a picture of Vijay we become Vijaywoods. We just cannot help it. For them, it is entertainment. Sometimes I have even wished there was an actor named “Behind” so that people would call us “Behindwoods” when we post his picture.   But ultimately, what makes Behindwoods one of the top entertainment websites of Tamil Cinema? ANS: It is because we have a strong and passionate team that works day and night (literally) to keep the audience up to date of what is happening in Tamil Cinema.   From Videos to Interviews to News stories to articles to slide shows to Box Office Reports to Music Reviews to Movie Reviews – they all appear as mere products of Behindwoods to the general public. But there is a humongous amount of effort that is being put in to build every element of these products.   We are huge from the outside. But nobody would ever believe that a leading entertainment website churns out so much content from a three bedroom apartment in Guindy. It is not about the space we work in, but the people in it, who form a successful organization.    Sincere thanks to my fellow colleagues who traveled with me these couple of years, making my life at Behindwoods worthwhile.   It is indeed hard and disappointing to walk out of this remarkable media house. But I would always keep my head raised high as a proud ex-employee of Behindwoods.    I would also like to thank all celebrities like Dhananjayan sir, SJ Suryah sir, Parthiban sir, Sreekar Prasad sir, Vedhika, Surbhi, Taapsee, Dany, Anandhi, Hip Hop Aadhi to name a few and many others who have directly or indirectly appreciated my work.   I do not believe in superstitions. But there is one superstitious belief that Behindwoods has taught me. If you are ambitious about something and work with utmost passion to achieve it, the universe will bring it to you.   I will see you all from the other side of cinema.   Abhishek Krishnan Ex Senior Sub Editor www.behindwoods.com   Tweet

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