francis bacon father of essay

Bacon as an Essayist | Bacon’s Prose Style | Bacon as a father of English Prose

Francis Bacon was a famous Essayist of the 16th century and also known as the father of English prose. The collection of his essays was also titled “Essays” which was first published in 1597 and later its second edition was published in 1812 and 1625 respectively.

Bacon as an essayist penned in a methodical way, taking their subject-matter from a collection of perspectives, analyzing them, and writing in distinct prose style, using aphorisms to clearly make a point. He enclosed such subjects as study, love, health, work, truth, travel, friendship, beauty, anger, and so on.

Read more: Renaissance in English Literature

Francis Bacon believed that a person’s mind and personality are expressed through his writing. Therefore if a person had a muddled, unclear and cryptic writing style, then that was an indication that his mind was also disordered and confused. Furthermore if a person’s writing skill was clear, simple and straightforward then that was an indication that his mind was also transparent and uncomplicated. This is very much evident in Bacon’s writings too as he employs short, concise, and aphoristic writing technique in his essays. 

Table of Contents

Bacon’s aphoristic style as an essayist

An aphoristic technique signifies the close-packed and concise style of writing. An aphorism is a terse sentence, conveying the idea in the least possible words. Certainly, Bacon’s essays are replete with such aphorism. His essays amalgamate knowledge with utmost conciseness. The brief, epigrammatic pearl of wisdom in his essays has turned into well-liked mottoes and household verbalism. There are numerous aphoristic lines that we find in his essays. For example in the essay “Of Truth”: “A mixture of lie doth ever add pleasure.” (Francis Bacon, Of Truth).

Through this sentence Bacon wishes to forward the concept that the truth gets more appealing when mingled with a lie in it. Therefore, most of the times, when we wish to protect a lie; we use this pronouncement of Bacon. 

Bacon’s essay “Of Friendship” reveals Bacon’s pithy and laconic style: “For a crowd is not a company and faces are but a gallery of pictures.” (Francis Bacon, Of Friendship).

Read more: Humanism renaissance in English Literature

All the aphorisms of Bacon’s essays amazed us by their freshness and novelty. Every aphoristic sentence seizes us. His laconic style grabs our attention. Basically, they all gratify, excite and delight us because they all consist of priceless ideas, advice, and lessons. 

Bacon’s use of allusions and quotations in his essays:

The learning spirit of renaissance is very much evident in Bacon’s writings. Bacon employs allusions and references carried from varied origins, chronicles, past records, ancient Greek and Roman writers, classical tales, and the Bible. Bacon employs the references of Montaigne and Pilate in his essay “Of Truth” . Similarly in “Of Friendship” Bacon mentions Aristotle. Bacon uses references and allusions so as to elucidate his purpose more distinctly and this also makes Bacon’s prose style more erudite and enriching.

Bacon as a philosopher and a moralist:

As Bacon’s essays show, Bacon is not only a philosopher but also a moralist . A Philosopher is a person who is intensely focused on seeking truth, on the other hand, a moralist is a person who educates human beings on the difference between what is virtuous and what is evil, and encourages them to go in the right direction only. Bacon comes out in this twofold role in numerous essays that he has penned. In his essay “Of Truth,” Bacon states that truth is the ultimate virtue for mankind. In the context of the Bible, Bacon claims that in the first place God made light and the last thing that God made was rational faculty that God gave to mankind. First God passed off light upon substance; then he passed off light upon man, and subsequently, God has been always giving light into the faces of people whom he selects for his unique favor. After explaining all these, we can conclude that these are the investigations of a philosopher-cum-moralist . The main purpose of writing all these essays was that Bacon wanted to teach the importance of truth to his readers.

Bacon’s essays are a storehouse of practical knowledge:

Bacon is regarded as one of the earliest empiricists, building his concepts on investigation of actual life not from prejudices or received facts. Bacon’s essays are a storehouse of practical knowledge. Practical knowledge is a type of knowledge that is compulsory for attaining worldly success. Bacon instructs us on how to advance in this world. Bacon also explains to us how to flourish in life and become wealthy. For example, Bacon writes his “Of Friendship” clearly from a utilitarian point of view. Bacon makes us aware of the “uses” of friendship. A friend simplifies our apprehension and his counsel is most dependable. A friend can take necessary action for us in such circumstances in which we personally cannot take action. Bacon hints to indicate that we require friends only for our worldly contentment and success. It is also noteworthy that he illustrated his essays as “Counsels, civil and moral” which suggests that he wanted his essays to give such instruction to his readers as could assist them in achieving prosperity in civil life while concurrently recognizing certain primary moral values. 

Conclusion:

Francis Bacon also wrote a philosophical work called “Novum Organum” which was his commentary on logic and syllogism. In this work Bacon proposes a new method of logic: he feels to be better to the old method of syllogism.  Bacon was a genuine Renaissance man as he shared his wisdom and knowledge in many different fields like philosophy, science, logic and politics. His technique of essay writing is not adamant and authoritative but willingly he’s own and amiable. For instance in one of his essays “Of Envy” , Bacon does not start with an announcement of envy being dangerous and damaging of pleasure. His style permits him to investigate such topics with an experimental eye that connects experiences to meaning and then only finally unveils his insight and judgment on the topic. To conclude we can say that Bacon was the acute observer of life. Bacon’s essays reflect his vast experience and understanding of men and situations and also of the universe. 

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Francis Bacon

Francis Bacon (1561–1626) was one of the leading figures in natural philosophy and in the field of scientific methodology in the period of transition from the Renaissance to the early modern era. As a lawyer, member of Parliament, and Queen's Counsel, Bacon wrote on questions of law, state and religion, as well as on contemporary politics; but he also published texts in which he speculated on possible conceptions of society, and he pondered questions of ethics ( Essays ) even in his works on natural philosophy ( The Advancement of Learning ).

After his studies at Trinity College, Cambridge and Gray's Inn, London, Bacon did not take up a post at a university, but instead tried to start a political career. Although his efforts were not crowned with success during the era of Queen Elizabeth, under James I he rose to the highest political office, Lord Chancellor. Bacon's international fame and influence spread during his last years, when he was able to focus his energies exclusively on his philosophical work, and even more so after his death, when English scientists of the Boyle circle ( Invisible College ) took up his idea of a cooperative research institution in their plans and preparations for establishing the Royal Society.

To the present day Bacon is well known for his treatises on empiricist natural philosophy ( The Advancement of Learning , Novum Organum Scientiarum ) and for his doctrine of the idols, which he put forward in his early writings, as well as for the idea of a modern research institute, which he described in Nova Atlantis .

1. Biography

2. natural philosophy: struggle with tradition, 3.1 the idols, 3.2 system of sciences, 3.3 matter theory and cosmology, 4. scientific method: the project of the instauratio magna, 5. scientific method: novum organum and the theory of induction, 6. science and social philosophy, 7. the ethical dimension in bacon's thought, major philosophical works by bacon, selected works on bacon, other secondary literature, other internet resources, related entries.

Francis Bacon was born January, 22, 1561, the second child of Sir Nicholas Bacon (Lord Keeper of the Seal) and his second wife Lady Anne Cooke Bacon, daughter of Sir Anthony Cooke, tutor to Edward VI and one of the leading humanists of the age. Lady Anne was highly erudite: she not only had a perfect command of Greek and Latin, but was also competent in Italian and French. Together with his older brother Anthony, Francis grew up in a context determined by political power, humanist learning, and Calvinist zeal. His father had built a new house in Gorhambury in the 1560s, and Bacon was educated there for some seven years; later, along with Anthony, he went to Trinity College, Cambridge (1573–5), where he sharply criticized the scholastic methods of academic training. Their tutor was John Whitgift, in later life Archbishop of Canterbury. Whitgift provided the brothers with classical texts for their studies: Cicero, Demosthenes, Hermogenes, Livy, Sallust, and Xenophon (Peltonen 2007). Bacon began his studies at Gray's Inn in London in 1576; but from 1577 to 1578 he accompanied Sir Amias Paulet, the English ambassador, on his mission in Paris. According to Peltonen (2007):

During his stay in France, perhaps in autumn 1577, Bacon once visited England as the bearer of diplomatic post, delivering letters to Walsingham, Burghley, Leicester, and to the Queen herself.

When his father died in 1579, he returned to England. Bacon's small inheritance brought him into financial difficulties and since his maternal uncle, Lord Burghley, did not help him to get a lucrative post as a government official, he embarked on a political career in the House of Commons, after resuming his studies in Gray's Inn. In 1581 he entered the Commons as a member for Cornwall, and he remained a Member of Parliament for thirty-seven years. He was admitted to the bar in 1582 and in 1587 was elected as a reader at Gray's Inn. His involvement in high politics started in 1584, when he wrote his first political memorandum, A Letter of Advice to Queen Elizabeth . Right from the beginning of his adult life, Bacon aimed at a revision of natural philosophy and—following his father's example—also tried to secure high political office. Very early on he tried to formulate outlines for a new system of the sciences, emphasizing empirical methods and laying the foundation for an applied science ( scientia operativa ). This twofold task, however, proved to be too ambitious to be realized in practice. Bacon's ideas concerning a reform of the sciences did not meet with much sympathy from Queen Elizabeth or from Lord Burghley. Small expectations on this front led him to become a successful lawyer and Parliamentarian. From 1584 to 1617 (the year he entered the House of Lords) he was an active member in the Commons. Supported by Walsingham's patronage, Bacon played a role in the investigation of English Catholics and argued for stern action against Mary Queen of Scots. He served on many committees, including one in 1588 which examined recusants; later he was a member of a committee to revise the laws of England. He was involved in the political aspects of religious questions, especially concerning the conflict between the Church of England and nonconformists. In a tract of 1591, he tried to steer a middle course in religious politics; but one year later he was commissioned to write against the Jesuit Robert Parson (Jardine and Stewart 1999, p. 125), who had attacked English sovereignty.

From the late 1580s onwards, Bacon turned to the Earl of Essex as his patron. During this phase of his life, he particularly devoted himself to natural philosophy. He clearly expressed his position in a famous letter of 1592 to his uncle, Lord Burghley:

I confess that I have as vast contemplative ends, as I have moderate civil ends: for I have taken all knowledge to be my province; and if I could purge it of two sorts of rovers, whereof the one with frivolous disputations, confutations, and verbosities, the other with blind experiments and auricular traditions and impostures, hath committed so many spoils, I hope I should bring in industrious observations, grounded conclusions, and profitable inventions and discoveries; the best state of that province. This, whether it be curiosity, or vain glory, or nature, or (if one take it favourably) philanthropia, is so fixed in my mind as it cannot be removed. And I do easily see, that place of any reasonable countenance doth bring commandment of more wits than of a man's own; which is the thing I greatly affect. (Bacon 1857–74, VIII, 109)

In 1593 Bacon fell out favor with the queen on account of his refusal to comply with her request for funds from Parliament. Although he did not vote against granting three subsidies to the government, he demanded that these should be paid over a period six, rather than three, years. This led Sir Robert Cecil and Sir Walter Raleigh to argue against him in Parliament. Bacon's patron, the Earl of Essex, for whom he had already served as a close political advisor and informer, was not able to mollify the queen's anger over the subsidies; and all Essex's attempts to secure a high post for Bacon (attorney-general or solicitor-general) came to nothing. Nevertheless, the queen valued Bacon's competence as a man of law. He was involved in the treason trial of Roderigo Lopez and later on in the proceedings against the Earl of Essex. In his contribution to the Gesta Grayorum (the traditional Christmas revels held in Gray's Inn) of 1594–5, Bacon had emphasized the necessity of scientific improvement and progress. Since he failed to secure for himself a position in the government, he considered the possibility of giving up politics and concentrating on natural philosophy. It is no wonder, then, that Bacon engaged in many scholarly and literary pursuits in the 1590s. His letters of advice to the Earl of Rutland and to the Earl of Essex should be mentioned in this context. The advice given to Essex is of particular importance because Bacon recommended that he should behave in a careful and intelligent manner in public, above all abstaining from aspiring to military commands. Bacon also worked in this phase of his career for the reform of English law. In 1597 his first book was published, the seminal version of his Essays , which contained only ten pieces (Klein 2004b). His financial situation was still insecure; but his plan to marry the rich widow Lady Hatton failed because she was successfully courted by Sir Edward Coke. In 1598 Bacon was unable to sell his reversion of the Star Chamber clerkship, so that he was imprisoned for a short time on account of his debts. His parliamentary activities in 1597–98, mainly involving committee work, were impressive; but when the Earl of Essex in 1599 took command of the attempt to pacify the Irish rebels, Bacon's hopes sank. Essex did not solve the Irish question, returned to court and fell from grace, as Bacon had anticipated he would. He therefore lost a valuable patron and spokesman for his projects. Bacon tried to reconcile the queen and Essex; but when the earl rebelled against the crown in 1601, he could do nothing to help him. The queen ordered Bacon to participate in the treason trial against Essex. In 1601 Bacon sat in Elizabeth's last parliament, playing an extremely active role.

Bacon looked forward to the next reign and tried to get in contact with James VI of Scotland, Elizabeth's successor. During James' reign Bacon rose to power. He was knighted in 1603 and was created a learned counsel a year later. He took up the political issues of the union of England and Scotland, and he worked on a conception of religious toleration, endorsing a middle course in dealing with Catholics and nonconformists. Bacon married Alice Barnhem, the young daughter of a rich London alderman in 1606. One year later he was appointed Solicitor General. He was also dealing with theories of the state and developed the idea, in accordance with Machiavelli, of a politically active and armed citizenry. In 1608 Bacon became clerk of the Star Chamber; and at this time, he made a review of his life, jotting down his achievements and failures. Though he still was not free from money problems, his career progressed step by step. In the period from 1603 to 1613 Bacon was not only busy within English politics. He also created the foundations of his philosophical work by writing seminal treatises which prepared the path for the Novum Organum and for the Instauratio Magna . In 1613 he became Attorney General and began the rise to the peak of his political career: he became a member of the Privy Council in 1616, was appointed Lord Keeper of the Great Seal the following year—thus achieving the same position as his father—and was granted the title of Lord Chancellor and created Baron of Verulam in 1618. In 1621, however, Bacon, after being created Viscount of St Alban, was impeached by Parliament for corruption. He fell victim to an intrigue in Parliament because he had argued against the abuse of monopolies, indirectly attacking his friend, the Duke of Buckingham, who was the king's favorite. In order to protect Buckingham, the king sacrificed Bacon, whose enemies had accused him of taking bribes in connection with his position as a judge. Bacon saw no way out for himself and declared himself guilty. His fall was contrived by his adversaries in Parliament and by the court faction, for which he was a scapegoat to save the Duke of Buckingham not only from public anger but also from open aggression (Mathews 1996). He lost all his offices and his seat in Parliament, but retained his titles and his personal property. Bacon devoted the last five years of his life—the famous quinquennium—entirely to his philosophical work. He tried to go ahead with his huge project, the Instauratio Magna Scientiarum ; but the task was too big for him to accomplish in only a few years. Though he was able to finish important parts of the Instauratio , the proverb, often quoted in his works, proved true for himself: Vita brevis, ars longa . He died in April 1626 of pneumonia after experiments with ice.

Bacon's struggle to overcome intellectual blockades and the dogmatic slumber of his age and of earlier periods had to be fought on many fronts. Very early on he criticized not only Plato, Aristotle and the Aristotelians, but also humanists and Renaissance scholars such as Paracelsus and Bernardino Telesio.

Although Aristotle provided specific axioms for every scientific discipline, what Bacon found lacking in the Greek philosopher's work was a master principle or general theory of science, which could be applied to all branches of natural history and philosophy (Klein 2003a). For Bacon, Aristotle's cosmology, as well as his theory of science, had become obsolete and consequently so too had many of the medieval thinkers who followed his lead. He does not repudiate Aristotle completely, but he opposes the humanistic interpretation of him, with its emphasis on syllogism and dialectics ( scientia operativa versus textual hermeneutics) and the metaphysical treatment of natural philosophy in favor of natural forms (or nature's effects as structured modes of action, not artifacts), the stages of which correspond—in the shape of a pyramid of knowledge—to the structural order of nature itself.

If any ‘modern’ Aristotelians came near to Bacon, it was the Venetian or Paduan branch, represented by Jacopo Zabarella. On the other hand, Bacon criticized Telesio, who—in his view—had only halfway succeeded in overcoming Aristotle's deficiencies. Although we find the debate with Telesio in an unpublished text of his middle period ( De Principiis atque Originibus, secundum fabulas Cupidinis et Coelum or On Principles and Origins According to the Fables of Cupid and Coelum , written in 1612; Bacon V [1889], 461–500), Bacon began to struggle with tradition as early as 1603. In Valerius Terminus (1603?) he already repudiates any mixture of natural philosophy and divinity; he provides an outline of his new method and determines that the end of knowledge was “a discovery of all operations and possibilities of operations from immortality (if it were possible) to the meanest mechanical practice” (Bacon III [1887], 222). He opposes Aristotelian anticipatio naturae , which favored the inquiry of causes to satisfy the mind instead of those “as will direct him and give him light to new experiences and inventions” (Bacon III [1887], 232).

When Bacon introduces his new systematic structure of the disciplines in The Advancement of Learning (1605), he continues his struggle with tradition, primarily with classical antiquity, rejecting the book learning of the humanists, on the grounds that they “hunt more after words than matter” (Bacon III [1887], 283). Accordingly, he criticizes the Cambridge University curriculum for placing too much emphasis on dialectical and sophistical training asked of “minds empty and unfraught with matter” (Bacon III [1887], 326). He reformulates and functionally transforms Aristotle's conception of science as knowledge of necessary causes. He rejects Aristotle's logic, which is based on his metaphysical theory, whereby the false doctrine is implied that the experience which comes to us by means of our senses (things as they appear ) automatically presents to our understanding things as they are . Simultaneously Aristotle favors the application of general and abstract conceptual distinctions, which do not conform to things as they exist. Bacon, however, introduces his new conception of philosophia prima as a meta-level for all scientific disciplines.

From 1606 to 1612 Bacon pursued his work on natural philosophy, still under the auspices of a struggle with tradition. This tendency is exemplified in the unpublished tracts Temporis partus masculus , 1603/1608 (Bacon III [1887], 521–31), Cogitata et Visa , 1607 (Bacon III, 591–620), Redargutio Philosophiarum , 1608 (III, 557–85), and De Principiis atque Originibus …, 1612 (Bacon V [1889], 461–500). Bacon rediscovers the Pre-Socratic philosophers for himself, especially the atomists and among them Democritus as the leading figure. He gives preference to Democritus' natural philosophy in contrast to the scholastic—and thus Aristotelian—focus on deductive logic and belief in authorities. Bacon does not expect any approach based on tradition to start with a direct investigation of nature and then to ascend to empirical and general knowledge. This criticism is extended to Renaissance alchemy, magic, and astrology ( Temporis partus masculus ), because the ‘methods’ of these ‘disciplines’ are based on occasional insights, but do not command strategies to reproduce the natural effects under investigation. His criticism also concerns contemporary technical literature, in so far as it lacks a new view of nature and an innovative methodological program. Bacon takes to task the ancients, the scholastics and also the moderns. He not only criticizes Plato, Aristotle, and Galen for these failings, but also Jean Fernel, Paracelsus, and Telesio, while praising the Greek atomists and Roger Bacon.

Bacon's manuscripts already mention the doctrine of the idols as a necessary condition for constituting scientia operativa . In Cogitata et Visa he compares deductive logic as used by the scholastics to a spider's web, which is drawn out of its own entrails, whereas the bee is introduced as an image of scientia operativa . Like a bee, the empiricist, by means of his inductive method, collects the natural matter or products and then works them up into knowledge in order to produce honey, which is useful for healthy nutrition.

In Bacon's follow-up paper, Redargutio Philosophiarum , he carries on his empiricist project by referring to the doctrine of twofold truth, while in De Principiis atque Originibus he rejects alchemical theories concerning the transformation of substances in favor of Greek atomism. But in the same text he sharply criticizes his contemporary Telesio for propagating a non-experimental halfway house empiricism. Though Telesio proves to be a moderate ‘modern’, he clings to the Aristotelian framework by continuing to believe in the quinta essentia and in the doctrine of the two worlds, which presupposes two modes of natural law (one mode for the sublunary and another for the superlunary sphere).

3. Natural Philosophy: Theory of the Idols and the System of Sciences

Bacon's doctrine of the idols not only represents a stage in the history of theories of error (Brandt 1979) but also functions as an important theoretical element within the rise of modern empiricism. According to Bacon, the human mind is not a tabula rasa . Instead of an ideal plane for receiving an image of the world in toto, it is a crooked mirror, on account of implicit distortions (Bacon IV [1901], 428–34). He does not sketch a basic epistemology but underlines that the images in our mind right from the beginning do not render an objective picture of the true objects. Consequently, we have to improve our mind, i.e., free it from the idols, before we start any knowledge acquisition.

As early as Temporis partus masculus , Bacon warns the student of empirical science not to tackle the complexities of his subject without purging the mind of its idols:

On waxen tablets you cannot write anything new until you rub out the old. With the mind it is not so; there you cannot rub out the old till you have written in the new. (Farrington 1964, 72)

In Redargutio Philosophiarum Bacon reflects on his method, but he also criticizes prejudices and false opinions, especially the system of speculation established by theologians, as an obstacle to the progress of science (Farrington 1964, 107), together with any authoritarian stance in scholarly matters.

Bacon deals with the idols in the Second Book of The Advancement of Learning , where he discusses Arts intellectual (Invention, Judgment, Memory, Tradition). In his paragraph on judgment he refers to proofs and demonstrations, especially to induction and invention. When he comes to Aristotle's treatment of the syllogism, he reflects on the relation between sophistical fallacies (Aristotle, De Sophisticis Elenchis ) and the idols (Bacon III [1887], 392–6). Whereas induction, invention, and judgment presuppose “the same action of the mind”, this is not true for proof in the syllogism. Bacon, therefore, prefers his own interpretatio naturae , repudiating elenches as modes of sophistical ‘juggling’ in order to persuade others in redargutions (“degenerate and corrupt use … for caption and contradiction”). There is no finding without proof and no proof without finding. But this is not true for the syllogism, in which proof (syllogism: judgment of the consequent) and invention (of the ‘mean’ or middle term) are distinct. The caution he suggests in relation to the ambiguities in elenches is also recommended in face of the idols :

there is yet a much more important and profound kind of fallacies in the mind of man, which I find not observed or enquired at all, and think good to place here, as that which of all others appertaineth most to rectify judgment: the force whereof is such, as it doth not dazzle or snare the understanding in some particulars, but doth more generally and inwardly infect and corrupt the state thereof. For the mind of man is far from the nature of a clear and equal glass, wherein the beams of things should reflect according to their true incidence, nay, it is rather like an enchanted glass, full of superstition and imposture, if it be not delivered and reduced. For this purpose, let us consider the false appearances that are imposed upon us by the general nature of the mind …. (Bacon III [1887], 394–5)

Bacon still presents a similar line of argument to his reader in 1623, namely in De Augmentis (Book V, Chap. 4; see Bacon IV [1901], 428–34). Judgment by syllogism presupposes—in a mode agreeable to the human mind—mediated proof, which, unlike in induction, does not start from sense in primary objects. In order to control the workings of the mind, syllogistic judgment refers to a fixed frame of reference or principle of knowledge as the basis for “all the variety of disputations” (Bacon IV [1901], 491). The reduction of propositions to principles leads to the middle term. Bacon deals here with the art of judgment in order to assign a systematic position to the idols. Within this art he distinguishes the ‘Analytic’ from the detection of fallacies (sophistical syllogisms). Analytic works with “true forms of consequences in argument” (Bacon IV [1901], 429), which become faulty by variation and deflection. The complete doctrine of detection of fallacies, according to Bacon, contains three segments:

• Sophistical fallacies,
• Fallacies of interpretation, and
• False appearances or Idols.

Concerning (1) Bacon praises Aristotle for his excellent handling of the matter, but he also mentions Plato honorably. Fallacies of interpretation (2) refer to “Adventitious Conditions or Adjuncts of Essences”, similar to the predicaments, open to physical or logical inquiry. He focuses his attention on the logical handling when he relates the detection of fallacies of interpretation to the wrong use of common and general notions, which leads to sophisms. In the last section (3) Bacon finds a place for his idols, when he refers to the detection of false appearances as

the deepest fallacies of the human mind: For they do not deceive in particulars, as the others do, by clouding and snaring the judgment; but by a corrupt and ill-ordered predisposition of mind, which as it were perverts and infects all the anticipations of the intellect. (IV, 431)

Idols are productions of the human imagination (caused by the crooked mirror of the human mind) and thus are nothing more than “untested generalities” (Malherbe 1996, 80).

In his Preface to the Novum Organum Bacon promises the introduction of a new method, which will restore the senses to their former rank (Bacon IV [1901], 17f.), begin the whole labor of the mind again, and open two sources and two distributions of learning, consisting of a method of cultivating the sciences and another of discovering them. This new beginning presupposes the discovery of the natural obstacles to efficient scientific analysis, namely seeing through the idols, so that the mind's function as the subject of knowledge acquisition comes into focus (Brandt 1979, 19).

According to Aphorism XXIII of the First Book, Bacon makes a distinction between the Idols of the human mind and the Ideas of the divine mind: whereas the former are for him nothing more than “certain empty dogmas”, the latter show “the true signatures and marks set upon the works of creation as they are found in nature” (Bacon IV [1901], 51).

3.1.1 Idols of the Tribe

The Idols of the Tribe have their origin in the production of false concepts due to human nature, because the structure of human understanding is like a crooked mirror, which causes distorted reflections (of things in the external world).

3.1.2 Idols of the Cave

The Idols of the Cave consist of conceptions or doctrines which are dear to the individual who cherishes them, without possessing any evidence of their truth. These idols are due to the preconditioned system of every individual, comprising education, custom, or accidental or contingent experiences.

3.1.3 Idols of the Market Place

These idols are based on false conceptions which are derived from public human communication. They enter our minds quietly by a combination of words and names, so that it comes to pass that not only does reason govern words, but words react on our understanding.

3.1.4 Idols of the Theatre

According to the insight that the world is a stage, the Idols of the Theatre are prejudices stemming from received or traditional philosophical systems. These systems resemble plays in so far as they render fictional worlds, which were never exposed to an experimental check or to a test by experience. The idols of the theatre thus have their origin in dogmatic philosophy or in wrong laws of demonstration.

Bacon ends his presentation of the idols in Novum Organum , Book I, Aphorism LXVIII, with the remark that men should abjure and renounce the qualities of idols, “and the understanding [must be] thoroughly freed and cleansed” (Bacon IV [1901], 69). He discusses the idols together with the problem of information gained through the senses, which must be corrected by the use of experiments (Bacon IV [1901], 27).

Within the history of occidental philosophy and science, Bacon identifies only three revolutions or periods of learning: the heyday of the Greeks and that of the Romans and Western Europe in his own time (Bacon IV [1901], 70ff.). This meager result stimulated his ambition to establish a new system of the sciences. This tendency can already be seen in his early manuscripts, but is also apparent in his first major book, The Advancement of Learning . In this work Bacon presents a systematic survey of the extant realms of knowledge, combined with meticulous descriptions of deficiencies, leading to his new classification of knowledge. In The Advancement (Bacon III [1887], 282f.) a new function is given to philosophia prima , the necessity of which he had indicated in the Novum Organum , I, Aphorisms LXXIX–LXXX (Bacon IV [1901], 78–9). In both texts this function is attributed to philosophia naturalis , the basis for his concept of the unity of the sciences and thus of materialism.

Natural science is divided by Bacon into physics and metaphysics. The former investigates variable and particular causes, the latter reflects on general and constant ones, for which the term form is used. Forms are more general than the four Aristotelian causes and that is why Bacon's discussion of the forms of substances as the most general properties of matter is the last step for the human mind when investigating nature. Metaphysics is distinct from philosophia prima . The latter marks the position in the system where general categories of a general theory of science are treated as (1) universal categories of thought, (2) relevant for all disciplines. Final causes are discredited, since they lead to difficulties in science and tempt us to amalgamate theological and teleological points of doctrine. At the summit of Bacon's pyramid of knowledge are the laws of nature (the most general principles). At its base the pyramid starts with observations, moves on to invariant relations and then to more inclusive correlations until it reaches the stage of forms. The process of generalization ascends from natural history via physics towards metaphysics, whereas accidental correlations and relations are eliminated by the method of exclusion. It must be emphasized that metaphysics has a special meaning for Bacon. This concept (1) excludes the infinity of individual experience by generalization with a teleological focus and (2) opens our mind to generate more possibilities for the efficient application of general laws.

According to Bacon, man would be able to explain all the processes in nature if he could acquire full insight into the hidden structure and the secret workings of matter (Pérez-Ramos 1988, 101). Bacon's conception of structures in nature, functioning according to its own working method, concentrates on the question of how natural order is produced, namely by the interplay of matter and motion. In De Principiis atque Originibus , his materialistic stance with regard to his conception of natural law becomes evident. The Summary Law of Nature is a virtus (matter-cum-motion) or power in accordance with matter theory, or

the force implanted by God in these first particles, form the multiplication thereof of all the variety of things proceeds and is made up. (Bacon V [1889], 463)

Similarly, in De Sapientia Veterum he attributes to this force an

appetite or instinct of primal matter; or to speak more plainly, the natural motion of the atom; which is indeed the original and unique force that constitutes and fashions all things out of matter. (Bacon VI [1890], 729)

Suffice it to say here that Bacon, who did not reject mathematics in science, was influenced by the early mathematical version of chemistry developed in the 16 th century, so that the term ‘instinct’ must be seen as a keyword for his theory of nature. The natural philosopher is urged to inquire into the

appetites and inclination of things by which all that variety of effects and changes which we see in the works of nature and art is brought about. (Bacon III [1887], 17–22; V [1889], 422–6 and 510ff.: Descriptio Globi Intellectualis ; cf. IV [1901], 349)

Bacon's theory of active or even vivid force in matter accounts for what he calls Cupid in De Principiis atque Originibus (Bacon V [1889], 463–5). Since his theory of matter aims at an explanation of the reality which is the substratum of appearances, he digs deeper than did the mechanistic physics of the 17 th century (Gaukroger 2001, 132–7). Bacon's ideas concerning the quid facti of reality presuppose the distinction

between understanding how things are made up and of what they consist, … and by what force and in what manner they come together, and how they are transformed. (Gaukroger 2001, 137)

This is the point in his work where it becomes obvious that he tries to develop an explanatory pattern in which his theory of matter, and thus his atomism, are related to his cosmology, magic, and alchemy.

In De Augmentis , Bacon not only refers to Pan and his nymphs in order to illustrate the permanent atomic movement in matter but in addition revives the idea of magic in a ‘honourable meaning’ as

the knowledge of the universal consents of things …. I … understand [magic] as the science which applies the knowledge of hidden forms to the production of wonderful operations; and by uniting (as they say) actives with passives, displays the wonderful works of nature. (Bacon IV [1901], 366–7: De Augmentis III.5)

Bacon's notion of form is made possible by integration into his matter theory, which (ideally) reduces the world of appearances to some minimal parts accessible and open to manipulation by the knower/maker. In contrast to Aristotle, Bacon's knowing-why type of definition points towards the formulation of an efficient knowing-how type (Pérez-Ramos 1988, 119). In this sense a convergence between the scope of definition and that of causation takes place according to a ‘constructivist epistemology’. The fundamental research of Graham Rees has shown that Bacon's special mode of cosmology is deeply influenced by magic and semi-Paracelsian doctrine. For Bacon, matter theory is the basic doctrine, not classical mechanics as it is with Galileo. Consequently, Bacon's purified and modified versions of chemistry, alchemy, and physiology remain primary disciplines for his explanation of the world.

According to Rees, the Instauratio Magna comprises two branches: (1) Bacon's famous scientific method, and (2) his semi-Paracelsian world system as “a vast, comprehensive system of speculative physics” (Rees 1986, 418). For (2) Bacon conjoins his specific version of Paracelsian cosmic chemistry to Islamic celestial kinematics (especially in Alpetragius [al-Bitruji]; see Zinner 1988, 71). The chemical world system is used to support Bacon's explanation of celestial motion in the face of contemporary astronomical problems (Rees 1975b, 161f.). There are thus two sections in Bacon's Instauratio , which imply the modes of their own explanation.

Bacon's speculative cosmology and matter theory had been planned to constitute Part 5 of Instauratio Magna . The theory put forward refers in an eclectic vein to atomism, criticizes Aristotelians and Copernicans, but also touches on Galileo, Paracelsus, William Gilbert, Telesio, and Arabic astronomy.

For Bacon, ‘magic’ is classified as applied science, while he generally subsumes under ‘science’ pure science and technology. It is never identified with black magic, since it represents the “ultimate legitimate power over nature” (Rees 2000, 66). Whereas magia was connected to crafts in the 16 th and 17 th centuries, Bacon's science remains the knowledge of forms in order to transform them into operations. Knowledge in this context, however, is no longer exclusively based on formal proof.

Bacon's cosmological system—a result of thought experiments and speculation, but not proven in accordance with the inductive method—presupposes a finite universe, a geocentric plenum, which means that the earth is passive and consists of tangible matter. The remaining universe is composed of active or pneumatic matter. Whereas the interior and tangible matter of the earth is covered by a crust which separates it from the pneumatic heaven, the zone between earth and the “middle region of the air” allows a mixture of pneumatic and tangible matter, which is the origin of organic and non-organic phenomena. Bacon speaks here of “attached spirit” (Rees 1986, 418–20), while otherwise he assumes four kinds of free spirit: air and terrestrial fire, which refer to the sublunary realm; ether and sidereal fire, which are relevant to the celestial realm. Ether is explained as the medium in which planets move around the central earth. Air and ether, as well as watery non-inflammable bodies, belong to Bacon's first group of substances or to the Mercury Quaternion .

Terrestrial fire is presented as the weak variant of sidereal fire; it joins with oily substances and sulphur, for all of which Bacon introduces the Sulphur Quaternion. These quaternions comprise antithetical qualities: air and ether versus fire and sidereal fire. The struggle between these qualities is determined by the distance from the earth as the absolute center of the world system. Air and ether become progressively weaker as the terrestrial and sidereal fire grow stronger. The quaternion theory functions in Bacon's thought as a constructive element for constituting his own theory of planetary movement and a general theory of physics. This theory differs from all other contemporary approaches, even though Bacon states that “many theories of the heavens may be supposed which agree well enough with the phenomena and yet differ with each other” (Bacon IV [1901], 104). The diurnal motion of the world system (9 th sphere) is driven by sympathy; it carries the heavens westward around the earth. The sidereal fire is powerful and, accordingly, sidereal motion is swift (the stars complete their revolution in 24 hours). Since the sidereal fire becomes weaker if it burns nearer to the earth, the lower planets move more slowly and unevenly than the higher ones (in this way Bacon, like Alpetragius, accounts for irregular planetary movement without reference to Ptolemy's epicycle theory). He applies his theory of consensual motion to physics generally (e.g., wind and tides) and thus comes into conflict with Gilbert's doctrine of the interstellar vacuum and Galileo's theory of the tides (for Bacon, the cycle of tides depends on the diurnal motion of the heavens but, for Galileo, on the earth's motion).

With quaternion theory we see that, in the final analysis, Bacon was not a mechanist philosopher. His theory of matter underwent an important transformation, moving in the direction of ‘forms’, which we would nowadays subsume under biology or the life sciences rather than under physics. Bacon distinguishes between non-spiritual matter and spiritual matter. The latter, also called ‘subtle matter’ or ‘spirit’, is more reminiscent of Leibniz' ‘monads’ than of mechanically defined and materially, as well as spatially, determined atoms. The spirits are seen as active agents of phenomena; they are endowed with ‘appetition’ and ‘perception’ (Bacon I [1889], 320–21: Historia Vitae et Mortis ; see also V, 63: Sylva Sylvarum , Century IX: “It is certain that all bodies whatsoever, though they have no sense, yet they have perception: for when one body is applied to another, there is a kind of election to embrace that which is agreeable, and to exclude or expel that which is ingrate”).

These spirits are never at rest. In the Novum Organum , then, Bacon rejected the “existence of eternal and immutable atoms and the reality of the void” (Kargon 1966, 47). His new conception of matter was therefore “close to that of the chemists” in the sense of Bacon's semi-Paracelsian cosmology (Rees 2000, 65–69). The careful natural philosopher tries to disclose the secrets of nature step by step; and therefore he says of his method: “I propose to establish progressive stages of certainty” (Bacon IV [1901], 40: Novum Organum , Preface). This points towards his inductive procedure and his method of tables, which is a complicated mode of induction by exclusion. It is necessary because nature hides her secrets. In Aphorism XIX of Book I in his Novum Organum Bacon writes:

There are and can be only two ways of searching into and discovering truth. The one flies from the senses and particulars to the most general axioms, and from these principles, the truth of which it takes for settled and immoveable, proceeds to judgment and to the discovery of middle axioms. And this way is now in fashion. The other derives axioms from the senses and particulars, rising by gradual and unbroken ascent, so that it arrives at the most general axioms last of all. This is the true way, but as yet untried. (Bacon IV [1901], 50)

The laws of nature, which Bacon intended to discover by means of his new method, were expressed in the ‘forms’, in which the ‘unbroken ascent’ culminates. Through these forms the natural philosopher understands the general causes of phenomena (Kargon 1966, 48). In his endeavor to learn more about the secret workings of nature, Bacon came to the conclusion that the atomist theory could not provide sufficient explanations for the “real particles, such as really exist” (Bacon IV [1901], 126: Novum Organum , II.viii), because he thought that the immutability of matter and the void (both necessary assumptions for atomism) were untenable. His language turned from that of Greek physics to the usage of contemporary chemists. This is due to his insight that “subtlety of investigation” is needed, since our senses are too gross for the complexity and fineness of nature, so that method has to compensate for the shortcomings of our direct comprehension. Only method leads to the knowledge of nature: in Sylva Sylvarum , Century I.98 Bacon deals explicitly with the question of the asymmetrical relationship between man's natural instrument (i.e., the senses) and the intricacy of nature's structures and workings.

Bacon distinguishes ‘animate’ or vital spirits, which are continuous and composed of a substance similar to fire, from lifeless or inanimate spirits, which are cut off and resemble air: the spirits interact with gross matter through chemical processes (Bacon IV, 195–6 ( Novum Organum , II.xl)). These spirits have two different desires: self-multiplication and attraction of like spirits. According to Kargon (1966, 51):

Bacon's later theory of matter is one of the interaction of gross, visible parts of matter and invisible material spirits, both of which are physically mixed.

Spirits interact with matter by means of concoction, colliquation and other non-mechanical chemical processes, so that Bacon's scientific paradigm differs from Descartes' mechanist theory of matter in his Principia Philosophiae (1644), which presupposes res extensa moving in space. Bacon's theory of matter is thus closely related to his speculative philosophy:

The distinction between tangible and pneumatic matter is the hinge on which the entire speculative system turns. (Rees 1996, 125; Paracelsus had already stated that knowledge inheres in the object: see Shell 2004, 32)

Bacon's theory of matter in its final version was more corpuscular than atomist (Clericuzio 2000, 78). Bacon's particles are semina rerum : they are endowed with powers, which make a variety of motions possible and allow the production of all possible forms. These spirits are constitutive for Bacon's theory of matter. As material, fine substances, composed of particles, combined from air and fire, they can, as we have seen, be either inanimate or animate. Bacon thus suggests a corpuscular and chemical chain of being:

Small wonder, then, that Bacon's spirits are indispensable for his conception of physiology:

the vital spirits regulate all vegetative functions of plants and animals. Organs responsible for these functions, for digestion, assimilation, etc., seem to act by perception, mere reaction to local stimuli, but these reactions are coordinated by the vital spirit. These functions flow from the spirit's airy-flamy constitution. The spirit has the softness of air to receive impressions and the vigour of fire to propagate its actions. (Rees in OFB VI, 202–3)

This physiological stratum of Bacon's natural philosophy was influenced by his semi-Paracelsian cosmology (on Paracelsus see Müller-Jahncke 1985, 67–88), which Graham Rees (Rees and Upton 1984, 20–1) has reconstructed from the extant parts of the Instauratio Magna . Detailed consideration therefore has to be given to Bacon's theory of the ‘quaternions’.

Bacon's speculative system is a hybrid based on different sources which provided him with seminal ideas: e.g., atomism, Aristotelianism, Arabic astronomy, Copernican theory, Galileo's discoveries, the works of Paracelsus, and Gilbert. In his theory he combines astronomy, referring to Alpetragius (see Dijksterhuis 1956, 237–43; Rees and Upton 1984, 26; Gaukroger, 2001, 172–5; and see Grant 1994, 533–66, for discussion of the cosmology of Alpetragius), and chemistry (Rees 1975a, 84–5):

[i]t was partly designed to fit a kinematic skeleton and explain, in general terms, the irregularities of planetary motion as consequences of the chemical constitution of the universe. (Rees 1975b, 94)

Bacon had no explanation for the planetary retrogressions and saw the universe as a finite and geocentric plenum, in which the earth consists of the two forms of matter (tangible and pneumatic). The earth has a tangible inside and is in touch with the surrounding universe, but through an intermediate zone. This zone exists between the earth's crust and the pure pneumatic heavens; it reaches some miles into the crust and some miles into air. In this zone, pneumatic matter mixes with tangible matter, thus producing ‘attached spirits’, which must be distinguished from ‘free spirits’ outside tangible bodies. Bacon's four kinds of free spirits are relevant for his ‘quaternion theory’:

The planets move around the earth in the ether (a tenuous kind of air), which belongs to the ‘mercury quaternion’: it includes watery bodies and mercury. Terrestrial fire is a weakened form of sidereal fire. It is related to oily substances and sulphur, and constitutes the ‘sulphur quaternion’. The two quaternions oppose each other: air/ether vs. fire/sidereal fire. Air and ether loose power when terrestrial and sidereal fires grow more energetic—Bacon's sulphur and mercury are not principles in the sense of Paracelsus, but simply natural substances. The Paracelsian principle of salt is excluded by Bacon and the substance, which plays a role only in the sublunary realm, is for him a compound of natural sulphur and mercury (Rees and Upton 1984, 25).

Bacon used his quaternion theory for his cosmology, which differs greatly from other contemporary systems (Rees 2000, 68):

• the diurnal motion turns the heavens about the earth towards the west;
• under powerful sidereal fire (i.e., principle of celestial motion) the motion is swift: the revolution of the stars takes place in twenty-four hours;
• under weaker sidereal fire—nearer to the earth—planets move more slowly and more erratic.

Bacon, who tried to conceive of a unified physics, rejected different modes of motion in the superlunary and in the sublunary world (Bacon I [1889], 329). He did not believe in the existence of the (crystalline) spheres nor in the macrocosm-microcosm analogy. He revised Paracelsian ideas thoroughly. He rejected the grounding of his theories in Scripture and paid no attention at all to Cabbalistic and Hermetic tendencies (Rees 1975b, 90–1). But he extended the explanatory powers of the quaternions to earthly phenomena such as wind and tides.

Bacon's two systems were closely connected:

System 2 depends on System 1, since explanations for terrestrial things were subordinated to explanations of the cosmological level. The table of System 2 shows Bacon's matter theory. His quaternion theory is relevant for System 1. System 2 is explained in terms of ‘intermediates’, which combine the qualities of the items in one quaternion with their opposites in the other.

Bacon's system is built in a clear symmetrical way: each quaternion has four segments, together eight and there are four types of intermediates. Thus, the system distinguishes twelve segments in all. He wanted to explain all natural phenomena by means of this apparatus:

There are two principal intermediates:

Bacon's bi-quaternion theory necessarily refers to the sublunary as well as to the superlunary world. Although the quaternion theory is first mentioned in Thema Coeli (1612; see Bacon V [1889], 547–59), he provides a summary in his Novum Organum (Bacon II [1887], 50):

it has not been ill observed by the chemists in their triad of first principles, that sulphur and mercury run through the whole universe … in these two one of the most general consents in nature does seem to be observable. For there is consent between sulphur, oil and greasy exhalation, flame, and perhaps the body of a star. So is there between mercury, water and watery vapors, air, and perhaps the pure and intersiderial ether. Yet these two quaternions or great tribes of things (each within its own limits) differ immensely in quantity of matter and density, but agree very well in configuration. (Bacon IV [1901], 242–3; see also V [1889], 205–6; for tables of the two quaternions and Bacon's theory of matter see Rees 1996, 126, 137; Rees 2000, 68–9)

Bacon regarded his cosmological worldview as a system of anticipations, which was open to revision in light of further scientific results based on the inductive method (Rees 1975b, 171). It was primarily a qualitative system, standing aside from both mathematical astronomers and Paracelsian chemists. It thus emphasized the priority which he gave to physics over mathematics in his general system of the sciences.

Bacon's two quaternions and his matter theory provide a speculative framework for his thought, which was open to the future acquisition of knowledge and its technical application. His Nova Atlantis can be understood as a text which occupies an intermediate position between his theory of induction and his speculative philosophy (Klein 2003c; Price 2002).

It is important to bear in mind that Bacon's speculative system was his way out of a dilemma which had made it impossible for him to finish his Instauratio Magna . His turn towards speculation can only be interpreted as an intellectual anticipation during an intermediate phase of the history of science, when a gigantic amount of research work was still to be accomplished, so that empirical theories could neither be established nor sufficiently guaranteed. Speculation in Bacon's sense can therefore be seen as a preliminary means of explaining the secrets of nature until methodical research has caught up with our speculations. The speculative stance remains a relative and intermediate procedure for the ‘man of science’.

The Great Instauration , Bacon's main work, was published in 1620 under the title: Franciscus de Verulamio Summi Angliae Cancellaris Instauratio magna . This great work remained a fragment, since Bacon was only able to finish parts of the planned outline. The volume was introduced by a Prooemium , which gives a general statement of the purpose, followed by a Dedication to the King (James I) and a Preface , which is a summary of all “directions, motifs, and significance of his life-work” (Sessions 1996, 71). After that, Bacon printed the plan of the Instauratio , before he turned to the strategy of his research program, which is known as Novum Organum Scientiarum . Altogether the 1620 book constitutes the second part of Part II of the Instauratio , the first part of which is represented by De Augmentis and Book I of The Advancement of Learning . When Bacon organized his Instauratio , he divided it into six parts, which reminded contemporary readers of God's work of the six days (the creation), already used by writers like Guillaume Du Bartas ( La Sepmaine, ou Création du Monde , 1579, transl. by Joshua Sylvester, Bartas His Devine Weekes & Workes , 1605) and Giovanni Pico della Mirandola ( Heptaplus , 1489).

Bacon sees nature as a labyrinth, whose workings cannot be exclusively explained by reference to “excellence of wit” and “repetition of chance experiments”:

Our steps must be guided by a clue, and see what way from the first perception of the sense must be laid out upon a sure plan. (Bacon IV [1901], 18)

Bacon's Plan of the Work runs as follows (Bacon IV [1901], 22):

• The Divisions of the Sciences.
• The New Organon; or Directions concerning the Interpretation of Nature.
• The Phenomena of the Universe; or a Natural and Experimental History for the foundation of Philosophy.
• The Ladder of Intellect.
• The Forerunners; or Anticipations of the New Philosophy.
• The New Philosophy; or Active Science .

Part 1 contains the general description of the sciences including their divisions as they presented themselves in Bacon's time. Here he aimed at a distinction between what was already invented and known in contrast to “things omitted which ought be there” (Bacon IV [1901], 23). This part could be taken from The Advancement of Learning (1605) and from the revised and enlarged version De Dignitate et Augmentis Scientiarum (1623).

Part 2 develops Bacon's new method for scientific investigation, the Novum Organum , equipping the intellect to pass beyond ancient arts and thus producing a radical revision of the methods of knowledge; but it also introduces a new epistemology and a new ontology. Bacon calls his new art Interpretatio Naturae , which is a logic of research going beyond ordinary logic, since his science aims at three inventions: of arts (not arguments), of principles (not of things in accordance to principles), and of designations and directions for works (not of probable reasons). The effect Bacon looks for is to command nature in action, not to overcome an opponent in argument. The Novum Organum is the only part of the Instauratio Magna which was brought near to completion.

Part 3 was going to contain natural and experimental history or the record of the phenomena of the universe. According to De Augmentis Scientarum (Bacon IV [1901], 275), natural history is split up into narrative and inductive, the latter of which is supposed “to minister and be in order to the building up of Philosophy ”. These functional histories support human memory and provide the material for research , or the factual knowledge of nature, which must be certain and reliable. Natural history starts from and emphasizes the subtlety of nature or her structural intricacy, but not the complexity of philosophical systems, since they have been produced by the human mind. Bacon sees this part of Instauratio Magna as a foundation for the reconstruction of the sciences in order to produce physical and metaphysical knowledge. Nature in this context is studied under experimental conditions, not only in the sense of the history of bodies, but also as a history of virtues or original passions, which refer to the desires of matter (Rees 1975a). This knowledge was regarded by Bacon as a preparation for Part 6, the Second Philosophy or Active Science , for which he gave only the one example of Historia Ventorum (1622); but—following his plan to compose six prototypical natural histories—he also wrote Historia vitae et mortis (1623) and the Historia densi , which was left in manuscript. The text, which develops the idea of Part 3, is called Parasceve ad Historiam Naturalem et Experimentalem.

Part 4, which Bacon called The Ladder of Intellect or Scala Intellectus , was intended to function as a link between the method of natural history and that of Second Philosophy/Active Science. It consists not only of the fragment Filum labyrinthi (Bacon III [1887], 493–504), but also includes the Abecedarium nouum naturae (OFB XIII, xxi), which was planned as a preface to all of section 4 “[to] demonstrate the whole process of the mind” (OFB XIII, xxii). Filum labyrinthi is similar to, but not identical with, Cogitata et Visa . Speaking of himself in an authorial voice, Bacon reflects on the state of science and derives his construction of a research program from the gaps and deficiencies within the system of disciplines: sciences of the future should be examined and further ones should be discovered. Emphasis must be laid on new matter (not on controversies). It is necessary to repudiate superstition, zealous religion, and false authorities. Just as the Fall was not caused by knowledge of nature, but rather by moral knowledge of good and evil, so knowledge of natural philosophy is for Bacon a contribution to the magnifying of God's glory, and, in this way, his plea for the growth of scientific knowledge becomes evident.

Part 5 deals with the forerunners or anticipations of the new philosophy, and Bacon emphasizes that the ‘big machinery’ of the Instauratio Magna needs a good deal of time to be completed. Anticipations are ways to come to scientific inferences without recourse to the method presented in the Novum Organum . Meanwhile, he has worked on his speculative system, so that portions of his Second Philosophy are treated and finished: De Fluxu et Refluxu Maris and Thema Coeli . For this part of the Great Instauration , texts are planned that draw philosophical conclusions from collections of facts which are not yet sufficient for the use or application of Bacon's inductive method.

Part 6 was scheduled to contain Bacon's description of the new philosophy, as the last part of his Great Instauration ; but nothing came of this plan, so that there is no extant text at all from this part of the project.

Already in his early text Cogitata et Visa (1607) Bacon dealt with his scientific method, which became famous under the name of induction . He repudiates the syllogistic method and defines his alternative procedure as one “which by slow and faithful toil gathers information from things and brings it into understanding” (Farrington 1964, 89). When later on he developed his method in detail, namely in his Novum Organum (1620), he still noted that

[of] induction the logicians seem hardly to have taken any serious thought, but they pass it by with a slight notice, and hasten to the formulae of disputation. I on the contrary reject demonstration by syllogism …. (Bacon IV [1901], 24)

Bacon's method appears as his conceptual plot,

applied to all stages of knowledge, and at every phase the whole process has to be kept in mind. (Malherbe 1996, 76)

Induction implies ascending to axioms, as well as a descending to works, so that from axioms new particulars are gained and from these new axioms. The inductive method starts from sensible experience and moves via natural history (providing sense-data as guarantees) to lower axioms or propositions, which are derived from the tables of presentation or from the abstraction of notions. Bacon does not identify experience with everyday experience, but presupposes that method corrects and extends sense-data into facts, which go together with his setting up of tables (tables of presence and of absence and tables of comparison or of degrees, i.e., degrees of absence or presence). “Bacon's antipathy to simple enumeration as the universal method of science derived, first of all, from his preference for theories that deal with interior physical causes, which are not immediately observable” (Urbach 1987, 30; see: sect. 2). The last type can be supplemented by tables of counter-instances, which may suggest experiments:

To move from the sensible to the real requires the correction of the senses, the tables of natural history, the abstraction of propositions and the induction of notions. In other words, the full carrying out of the inductive method is needed. (Malherbe 1996, 85)

The sequence of methodical steps does not, however, end here, because Bacon assumes that from lower axioms more general ones can be derived (by induction). The complete process must be understood as the joining of the parts into a systematic chain. From the more general axioms Bacon strives to reach more fundamental laws of nature (knowledge of forms), which lead to practical deductions as new experiments or works (IV, 24–5). The decisive instruments in this process are the middle or ‘living axioms,’ which mediate between particulars and general axioms. For Bacon, induction can only be efficient if it is eliminative by exclusion, which goes beyond the remit of induction by simple enumeration. The inductive method helps the human mind to find a way to ascertain truthful knowledge.

Novum Organum , I, Aphorism CXV (Bacon IV [1901], 103) ends the “pulling down” of “the signs and causes of the errors” within the sciences, achieved by means of three refutations, which constituted the condition for a rational introduction of method: refutation of ‘natural human reason’ (idols); refutation of ‘demonstrations’ (syllogisms) and refutation of ‘theories’ (traditional philosophical systems).

The Second Part of the Novum Organum deals with Bacon's rule for interpreting nature, even if he provides no complete or universal theory. He contributes to the new philosophy by introducing his tables of discovery ( Inst. Magna , IV), by presenting an example of particulars ( Inst. Magna , II), and by observations on history ( Inst. Magna , III). It is well known that he worked hard in the last five years of his life to make progress on his natural history, knowing that he could not always come up to the standards of legitimate interpretation.

Bacon's method presupposes a double starting-point: empirical and rational. True knowledge is acquired if we want to proceed from a lower certainty to a higher liberty and from a lower liberty to a higher certainty. The rule of certainty and liberty in Bacon converges with his repudiation of the old logic of Aristotle, which determined true propositions by the criteria of generality, essentiality, and universality. Bacon rejects anticipatio naturae (“anticipation of nature”) in favor of interpretatio naturae (“interpretation of nature”), which starts with the collecting of facts and their methodical (inductive) investigation, shunning entanglement in pure taxonomy (as in Ramism), which establishes the order of things (Urbach 1987, 26; see also Foucault 1966 [1970]), but does not produce knowledge. For Bacon, making is knowing and knowing is making (Bacon IV [1901], 109–10). In accordance with the maxim “command nature … by obeying her” (Sessions 1996, 136; Gaukroger 2001, 139ff.), the exclusion of superstition, imposture, error, and confusion are obligatory. Bacon introduces variations into “the maker's knowledge tradition” as the discovery of the forms of a given nature lead him to develop his method for acquiring factual and proven knowledge.

Bacon argues against “anticipation of nature”, which he regards as a conservative method, leading to theories that recapitulate the data without producing new ones conducive to the growth of knowledge. Moreover, such theories are considered to be final, so that they are never replaced.

“Anticipation of nature” resembles “conventionalism” (Urbach 1987, 30–41), according to which theories refer to unobservable entities (e.g., atoms, epicycles). The theories are “computation rules” or “inference licences” within this given framework, which give explanations and predictions of particular kinds of observable events. The conventionalist acceptance of making predictions concerning future events cannot be separated from the question of probability. Bacon's procedure of knowledge acquisition goes against “conventionalism”, because “anticipation of nature” does not reject authoritative and final speculations concerning “unobservables” and because it permits “ad hoc adjustments”. Nowadays, however,

philosophers would not accept the idea that just because we can't observe something directly … it follows that there is no such thing. (Huggett 2010, 82. See also Von Weizsäcker and Juilfs 1958, pp.67–70; Rae 1986 [2000], 1–27 and passim)

Conventionalist deep-level theories of the world are chosen from among alternative ways of observing phenomena. Although theories revealing the world structure are not directly provable or disprovable by means of observation or experiment, conventionalists might maintain their chosen theory even in the face of counter-evidence. They therefore avoid changes of theory. Any move to a new theory is not taken on the basis of new evidence, but because a new theory seems to be simpler, more applicable or more beautiful. Laws of nature are generally understood as being unrevisable (O'Hear 1995, 165). The famous debate, sparked by Thomas Kuhn, on paradigmatic and non-paradigmatic science and theory is relevant here. Bacon's position—open to scientific progress—is nearer to Kuhn than to Duhem or Poincaré. For Bacon, “anticipation of nature” (as a mode of “conventionalism”) produces obstacles to the progress of knowledge. Traditional methods shun speculation concerning things which are not immediately visible; Bacon's speculation, however, is an element of “interpretation of nature”. He presupposes hypothetical theories, but these do not go beyond the collected data. His acceptance of hypotheses is connected with his rejection of “ anticipation of nature”. Thus, hypotheses are related to the axioms of “interpretation of nature”, which go beyond the original data. The amount of established facts is not identical with that of possible data (Gillies 1998, 307). Anticipation is rejected, only if it “flies from the senses and particulars to the most general axioms” (OFB XI, xxv). Because of the dangers of premature generalization, Bacon is careful about speculations and rigorously rejects any dogmatic defense of them and the tendency to declare them infallible.

…the philosophy that we now possess clutches to its breast certain tenets with which (if we look into it carefully) they want wholly to conceive men that nothing difficult, nothing with real power and influence over nature, should be expected from art or human effort; […] These things, if we examine them minutely, tend wholly towards a wicked circumscription of human power and an intentional and unnatural despair which not only confounds the presages of hope but breaks every nerve and spur of industry, and throws away the chances afforded by experience itself—while all they care about is that their art be considered perfect, expending their effort to achieve the most foolish and bankrupt glory of having it believed that whatever has not been found out or understood so far cannot be found out or understood in the future. (OFB XI, 141)

Bacon sees nature as an extremely subtle complexity, which affords all the energy of the natural philosopher to disclose her secrets.

For him, new axioms must be larger and wider than the material from which they are taken. At the same time, “interpretation of nature” must not leap to remote axioms. In terms of his method, he rejects general ideas as simple abstractions from very few sense perceptions. Such abstract words may function as conventions for organizing “new observations”, but only in the sense of means for taxonomical order. Such a sterile procedure is irrelevant for “interpretation of nature”, which is not final or infallible and is based on the insight that confirming hypotheses do not provide strict proofs. Bacon's method is therefore characterized by openness:

Nevertheless, I do not affirm that nothing can be added to what I prescribe; on the contrary, as one who observes the mind not only in its innate capacity but also insofar as it gets to grips with things, it is my conviction that the art of discovering will grow as the number of things discovered will grow. (OFB, XI, 197)

Peter Urbach's commentary exactly underlines Bacon's openness:

He believed that theories should be advanced to explain whatever data were available in a particular domain. These theories should preferably concern the underlying physical, causal mechanisms and ought, in any case, to go beyond the data which generated them. They are then tested by drawing out new predictions, which, if verified in experience, may confirm the theory and may eventually render it certain, at least in the sense that it becomes very difficult to deny. (Urbach 1987, 49)

Bacon was no seventeenth-century Popperian. Rather, on account of his theory of induction, he was:

the first great theorist of experimentalism”: “the function of experiment was both to test theories and to establish facts” (Rees, in OFB XI, xli). Encyclopaedic repetition with an Aristotelian slant is being displaced by original compilation in which deference to authority plays no part whatever. Individual erudition is being dumped in favour of collective research. Conservation of traditional knowledge is being discarded in the interest of a new, functional realization of natural history, which demands that legenda —things worth reading—be supplanted by materials which will form the basis of a thoroughgoing attempt to improve the material conditions of the human race. (Rees, in OFB XI, xlii)

Form is for Bacon a structural constituent of a natural entity or a key to its truth and operation, so that it comes near to natural law, without being reducible to causality. This appears all the more important, since Bacon—who seeks out exclusively causes which are necessary and sufficient for their effects—rejects Aristotle's four causes (his four types of explanation for a complete understanding of a phenomenon) on the grounds that the distribution into material, formal, efficient, and final causes does not work well and that they fail to advance the sciences (especially the final, efficient, and material causes). Consider again the passage quoted in Section 3.3:

There are and can be only two ways of searching into and discovering truth. The one flies from the senses and particulars to the most general axioms, and from these principles, the truth of which it takes for settled and immovable, proceeds to judgment and to the discovery of middle axioms. And this way is now in fashion. The other derives axioms from the senses and particulars, rising by a gradual and unbroken ascent, so that it arrives at the most general axioms at last. This is the true way, but as yet untried. (Bacon IV [1901], 50: Novum Organum , I, Aphorism XIX).

Since for Bacon the formal necessity of the syllogism does not suffice to set up first principles, his method comprises two basic tasks: (1) the discovery of forms, and (2) the transformation of concrete bodies. The discovery from every case of generation and motion refers to a latent process according to which efficient and material causes lead to forms; but there is also the discovery of latent configurations of bodies at rest and not in motion (Bacon IV [1901], 119–20).

Bacon's new mode of using human understanding implies a parallelism between striving towards human power and constituting human knowledge. Technical know-how leads to successful operations, which converge with the discovery of forms (Pérez-Ramos 1988, 108; Bacon IV [1901], 121). To understand the workings of nature presupposes an arrangement of facts which makes the investigative analysis of cause and effect possible, especially by means of new experiments. At this point the idea of scientia operativa comes in again, since the direction for a true and perfect rule of operation is parallel to the discovery of a true form. Bacon's specific non-Aristotelian Aristotelianism (Pérez-Ramos 1988, 113, 115) is one of the main features of his theory. Other indispensable influences on Bacon, apart from a modified version of Aristotle, are critically assessed Hermeticism, rhetoric (Vickers) and alchemy (Rees).

Two kinds of axioms correspond to the following division of philosophy and the sciences: the investigation of forms or metaphysics ; and the investigation of efficient cause and matter, which leads to the latent process and configuration in physics . Physics itself is split up by Bacon into Mechanics , i.e., the practical, and Magic , i.e., the metaphysical.

Nowadays the view that Bacon “made little first-hand contribution to science” (Hesse 1964, 152) no longer coincides with the opinion that we have to assume an underestimation of the “place of hypothesis and mathematics” in his work (Urban 1987; Sessions 1999, 139; Rees 1986). But there were few doubts in the past that Bacon “encouraged detailed and methodical experimentation” (Hesse 1964, 152); and he did this on account of his new inductive method, which implied the need for negative instances and refuting experiments. Bacon saw that confirming instances could not suffice to analyze the structure of scientific laws, since this task presupposed a hypothetical-deductive system, which, according to Lisa Jardine, is closely connected to “the logical and linguistic backgrounds from which Bacon's New Logic proceeds …” (Sessions 1999, 140; Jardine 1974, 69ff.).

Bacon's interpretation of nature uses “Tables and Arrangements of Instances” concerning the natural phenomena under investigation, which function as a necessary condition for cracking the code of efficient causation. His prerogative instances are not examples or phenomena simply taken from nature but rather imply information with inductive potential which show priority conducive to knowledge or to methodological relevance when inserted into tables. The instances do not represent the order of sensible things, but instead express the order of qualities (natures). These qualities provide the working basis for the order of abstract natures. Bacon's tables have a double function: they are important for natural history , collecting the data on bodies and virtues in nature; and they are also indispensable for induction , which makes use of these data.

Already in Temporis Partus Masculus (1603) Bacon had displayed a “facility of shrewd observation” (Sessions 1999, 60) concerning his ideas on induction. In his Novum Organum the nature of all human science and knowledge was seen by him as proceeding most safely by negation and exclusion, as opposed to affirmation and inclusion. Even in his early tracts it was clear to Bacon that he had to seek a method of discovering the right forms, the most well known of which was heat ( Novum Organum II, Aph. XI–XII) or “the famous trial investigation of the form of heat” (Rees 2000, 66; see Bacon IV [1901], 154–5).

In his “[m]ethod of analysis by exclusion” (Sessions 1999, 141), negation proved to be “one of Bacon's strongest contributions to modern scientific method” (Wright 1951, 152). Most important were his tables of degrees and of exclusion. They were needed for the discovery of causes, especially for supreme causes, which were called forms. The method of induction works in two stages:

• Learned experience from the known to the unknown has to be acquired, and the tables (of presence, absence, degrees) have to be set up before their interpretation can take place according to the principle of exclusion. After the three tables of the first presentation have been judged and analyzed, Bacon declares the First Vintage or the first version of the interpretation of nature to be concluded.
• The second phase of the method concentrates on the process of exclusion. The aim of this procedure is the reduction of the empirical character of experience, so that the analysis converges with an anatomy of things. Here, too, tables of presence and of absence are set up. The research work proper consists of finding the relationship of the two natures of qualities. Here exclusion functions as the process of determination. Bacon's method starts from material determination in order to establish the formal determination of real causes, but does not stop there, because it aims at the progressive generalization of causes. Here, again, the central element of the inductive method is the procedure of exclusion.

Forms, as the final result of the methodical procedure, are:

nothing more than those laws and determinations of absolute actuality which govern and constitute any simple nature, as heat, light, weight, in every kind of matter and subject that is susceptible of them (Bacon IV [1901], 145–6);

They are not identical with natural law, but with definitions of simple natures (elements) or ultimate ingredients of things from which the basic material structure has been built (Gaukroger 2001, 140). Forms are the structures constituted by the elements in nature (microphysics). This evokes a cross-reference to Bacon's atomism, which has been called the “constructivist component” (Pérez-Ramos 1988, 116) of his system, including an alchemical theory about basic kinds of matter. He aims at “understanding the basic structures of things … as a means to transforming nature for human purposes” (Gaukroger 2001, 140; Clericuzio 2000, 78ff.); and thus he “ends” the unfinished Novum Organum with a list of things which still have to be achieved or with a catalogue of phenomena which are important and indispensable for a future natural history.

Historians of science, with their predilection for mathematical physics, used to criticize Bacon's approach, stating that “the Baconian concept of science, as an inductive science, has nothing to do with and even contradicts today's form of science” (Malherbe 1996, 75). In reaching this verdict, however, they overlooked the fact that a natural philosophy based on a theory of matter cannot be assessed on the grounds of a natural philosophy or science based on mechanics as the fundamental discipline. One can account for this chronic mode of misunderstanding as a specimen of the paradigmatic fallacy (Gaukroger 2001, 134ff.; see Rees 1986).

Bacon came to the fundamental insight that facts cannot be collected from nature, but must be constituted by methodical procedures, which have to be put into practice by scientists in order to ascertain the empirical basis for inductive generalizations. His induction, founded on collection, comparison, and exclusion of factual qualities in things and their interior structure, proved to be a revolutionary achievement within natural philosophy, for which no example in classical antiquity existed. His scala intellectus has two contrary movements “upwards and downwards: from axiomata to experimenta and opera and back again” (Pérez-Ramos 1988, 236). Bacon's induction was construed and conceived as an instrument or method of discovery. Above all, his emphasis on negative instances for the procedure of induction itself can claim a high importance with regard to knowledge acquisition and has been acclaimed as an innovation by scholars of our time. Some have detected in Bacon a forerunner of Karl Popper in respect of the method of falsification. Finally, it cannot be denied that Bacon's methodological program of induction includes aspects of deduction and abstraction on the basis of negation and exclusion. Contemporary scholars have praised his inauguration of the theory of induction. This theory has been held in higher esteem since the 1970s than it was for a long period before (see the work of Rees, Gaukroger and Pérez-Ramos 1988, 201–85). Nevertheless, it is doubtful that Bacon's critics, who were associated with the traditions of positivism and analytical philosophy, acquired sufficient knowledge of his writings to produce solid warrants for their criticisms (Cohen 1970, 124–34; Cohen 1985, 58ff.; on the general problem of induction see, e.g., Hempel 1966; Swinburne (ed.) 1974; Lambert and Brittan 1979 [1987]). In comparison to the neglect of Bacon in the twentieth century, a more recent and deeper assessment of his work has arisen in connection with the “Oxford Francis Bacon” project, which was launched in the late 1990s by Graham Rees, who directed it until his death in 2009; it is now under the general editorship of Brian Vickers.

In Bacon's thought we encounter a relation between science and social philosophy, since his ideas concerning a utopian transformation of society presuppose an integration into the social framework of his program concerning natural philosophy and technology as the two forms of the maker's knowledge. From his point of view, which was influenced by Puritan conceptions, early modern society has to make sure that losses caused by the Fall are compensated for, primarily by man's enlargement of knowledge, providing the preconditions for a new form of society which combines scientia nova and the millennium, according to the prophecy of Daniel 12:4 (Hill 1971, 85–130). Science as a social endeavor is seen as a collective project for the improvement of social structures. On the other hand, a strong collective spirit in society may function as a conditio sine qua non for reforming natural philosophy. Bacon's famous argument that it is wise not to confound the Book of Nature with the Book of God comes into focus, since the latter deals with God's will (inscrutable for man) and the former with God's work, the scientific explanation or appreciation of which is a form of Christian divine service. Successful operations in natural philosophy and technology help to improve the human lot in a way which makes the hardships of life after the Fall obsolete. It is important to note that Bacon's idea of a—to a certain extent—Christian society by no means conveys Christian pessimism in the vein of patristic thinkers but rather displays a clear optimism as the result of compounding the problem of truth with the scope of human freedom and sovereignty (Brandt 1979, 21).

With regard to Bacon's Two Books—the Book of God and the Book of Nature—one has to keep in mind that man, when given free access to the Book of Nature, should not content himself with merely reading it. He also has to find out the names by which things are called. If man does so, not only will he be restored to his status a noble and powerful being, but the Book of God will also lose importance, from a traditional point of view, in comparison to the Book of Nature. This is what Blumenberg referred to as the “asymmetry of readability” (Blumenberg 1981, 86–107). But the process of reading is an open-ended activity, so that new knowledge and the expansion of the system of disciplines can no longer be restricted by concepts such as the completeness and eternity of knowledge (Klein 2004a, 73).

According to Bacon, the Book of God refers to his will, the Book of Nature to his works. He never gives a hint in his works that he has concealed any message of unbelief for the sophisticated reader; but he emphasized: (1) that religion and science should be kept separate and, (2) that they were nevertheless complementary to each other. For Bacon, the attack of theologians on human curiosity cannot be founded on a rational basis. His statement that “all knowledge is to be limited by religion, and to be referred to use and action” (Bacon III [1887], 218) does not express a general verdict on theoretical curiosity, but instead provides a normative framework for the tasks of science in a universal sense. Already in the dedicatory letter to James I in his Advancement of Learning , Bacon attacks “the zeal and jealousy of divines” (Bacon III, 264) and in his manuscript Filum Labyrinthi of 1607, he “thought … how great opposition and prejudice natural philosophy had received by superstition, and the immoderate and blind zeal of religion” (Bacon VI [1863], 421). As Calvin had done long before him in the Institutes , Bacon stated that since God created the physical world, it was a legitimate object of man's knowledge, a conviction which he illustrated with the famous example of King Solomon in The Advancement of Learning (Zagorin 1999, 49–50; see also Kocher 1953, 27–8). Bacon praises Solomon's wisdom, which seems to be more like a game than an example of man's God-given thirst for knowledge:

The glory of God is to conceal a thing, but the glory of the king is to find it out; as if, according to the innocent play of children, the Divine Majesty took delight to hide his works, to the end to have them found out; and as if kings could not obtain a greater honour than to be God's playfellows in that game, considering the great commandment of wits and means, whereby nothing needeth to be hidden from them. (Bacon III [1887], 299; Blumenberg, 1973, 196–200)

From this perspective, the punishment of mankind on account of the very first disobedience by Adam and Eve can be seen in a different light from that of theological interpretations. In Bacon's view, this disobedience and its consequences can be remedied in two ways: (1) by religion and moral imperatives, and (2) by advancement in the arts and sciences: “the purpose in advancing arts and sciences is the glory of God and the relief of man's estate” (Wormald 1993, 82).

The two remedies, which are interconnected with the moral dimension, refer to the advancement of learning and religion. All three together (the advancement of learning, religion, and morality) are combined in such a way that they promote each other mutually; consequently, limited outlooks on coping with life and knowledge are ruled out completely in these three fields.

The ethical dimension of Bacon's thought has been underrated by generations of scholars. Time and again a crude utilitarianism has been derived from Book I, Aphorism 1 of the Novum Organum ; this cannot, however, withstand a closer analysis of his thought. Since Bacon's philosophy of science tries to answer the question of how man can overcome the deficiencies of earthly life resulting from the Fall, he enters the realm of ethical reflection. The improvement of mankind's lot by means of philosophy and science does not start from a narrow utilitarian point of view, involving sheer striving for profit and supporting the power or influence of select groups of men, but instead emphasizes the construction of a better world for mankind, which might come into existence through the ascertaining of truths about nature's workings (Bacon III [1887], 242). Thus, the perspective of the universal in Bacon's ethical thought is given predominance. The range of science and technology in their ethical meaning transcends the realm of the application of tools and/or instruments, in so far as the aim is the transformation of whole systems. Since causality and finality can interact on the basis of human will and knowledge, a plurality of worlds becomes feasible (Bacon V [1889], 506–7). Moral philosophy is closely connected to ethical reflections on the relationship between the nature of virtues—habitual or innate?—and their use in life, privately and collectively. Any application of the principles of virtue presupposes for Bacon the education of the mind, so that we learn what is good and what should be attained (Gaukroger 2006, 204–5 and passim):

The main and primitive division of moral knowledge seemeth to be into the Exemplar or Platform of Good, and the Regimen of Culture of the Mind; the one describing the nature of good, the other prescribing rules how to subdue, apply, and accommodate the will of man thereunto (Bacon III [1887], 419).

So, already in his Advancement of Learning Bacon studied the nature of good and distinguished various kinds of good. He insisted on the individual's duty to the public. Private moral self-control and the concomitant obligations are relevant for behavior and action in society. One's ethical persona is connected to morality by reference to acceptable behaviour. Though what we can do may be limited, we have to muster our psychological powers and control our passions when dealing with ourselves and with others. We need to apply self-discipline and rational assessment, as well as restraining our passions, in order to lead an active moral life in society.

Thus, for Bacon, the acquisition of knowledge does not simply coincide with the possibility of exerting power. Scientific knowledge is a condition for the expansion and development of civilization. Therefore, knowledge and charity cannot be kept separate:

I humbly pray … that knowledge being now discharged of that venom which the serpent infused into it, and which makes the mind of man to swell, we may not be wise above measure and sobriety, but cultivate truth in charity…. Lastly, I would address one general admonition to all; that they consider what are the true ends of knowledge, and that they seek it not either for pleasure of the mind, or for contention, or for superiority to others, or for profit, or fame, or power, or any of these inferior things; but for the benefit and use of life; and that they perfect and govern it in charity. For it was from the lust of power that the angels fell, from lust of knowledge that man fell; but of charity there can be no excess, neither did angel or man ever come in danger by it (Bacon IV [1901], 20f.: Instauratio Magna , Preface).

Finally, the view that Bacon's Nova Atlantis “concerns a utopian society that is carefully organized for the purposes of scientific research and virtuous living” (Urbach 1988, 10) holds true for his entire life's work. In Nova Atlantis, social, political, and scholarly life are all organized according to the maxim of efficiency; but the House of Solomon is a separate and highly esteemed institution for research, which nevertheless is closely connected to the overall system of Bensalem. In his utopian state, Bacon presents a thoroughgoing collective life in society and science, both of which are based on revealed religion. Religion—Christian in essence—is not dogmatic, but it instills into the people of Bensalem veneration for the wise and morally exemplary members of society, and—which is of the utmost importance—the strictest sense of discipline (Gaukroger 2001, 128–30). Discipline is indispensable for those involved in the religious life as well as for the researchers, since both must proceed methodically. The isomorphic structures of nature and science, on the one hand, society and religion, on the other, prescribe patterns of political procedure, social processes, and religious attitudes, which overcome any craving for individuality. If religion and scientific research are both shown as truthful in Bensalem, then, according to Bacon, the imagination functions as a means of illustrating scientific revelation: “Bacon's purpose is … to show that scientific research properly pursued is not inconsonant with religious propriety and social stability…” (Bierman 1963, 497). The scientists in Bensalem are sacred searchers for truth: ethics, religion, and science merge. Bacon's parabolic strategy, which we should not separate from the power of the idols, enables him to make much of his trick of introducing new ideas like a smuggler: his colored wares are smuggled into the minds of his readers by being visualized in terms of sacred and highly symbolic rituals (Peltonen 1996, 175). Science and religion are separated in Nova Atlantis, but they are also interrelated through the offices of the society of Bensalem. What Bacon obviously wants to make clear to his readers is that the example of Bensalem should free them from any fear that scientific progress will lead to chaos and upheaval. This crucial point has made by Jürgen Mittelstrass, who understands Bacon's Nova Atlantis as a utopia and regards utopias as

blueprints of practical reason, not of theoretical, that is: they set in exactly there, where the early modern idea of progress appears meagre with regards to the contents: within ethics and political theory. (Mittelstrass 1960, 369)

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Some of the passages in this entry are borrowed from Klein 2008.

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Francis Bacon as an Essayist

Francis Bacon is the first great English essayist who enjoys a glorious reputation and considered to be the father of English essay . He remains for the sheer mass and weight of genius. His essays introduce a new form of composition into English literature.

Three Editions of Bacon’s Essays

Bacon sponsored this new literary form in English with the publication of his ten essays in 1597. It grew to thirty-eight in the edition of 1612. The number reached fifty-eight in the final issue of 1625. These essays are the results of his direct observations of men and matters.

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'Of Studies' by Francis Bacon

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• An Introduction to Punctuation
• Ph.D., Rhetoric and English, University of Georgia
• M.A., Modern English and American Literature, University of Leicester
• B.A., English, State University of New York

Francis Bacon, the first major English essayist , comments forcefully in Of Studies on the value of reading, writing, and learning.

Notice Bacon's reliance on parallel structures (in particular, tricolons ) throughout this concise, aphoristic  essay. Then, compare the essay to Samuel Johnson 's treatment of the same theme more than a century later in On Studies .

The Life of Francis Bacon

Francis Bacon is considered a Renaissance man. He worked as a lawyer and scientist throughout his life (1561-1626.)

Bacon's most valuable work surrounded philosophical and Aristotelian concepts that supported the scientific method. Bacon served as an attorney general as well as lord chancellor of England and received his education from several universities including Trinity College and the University of Cambridge.

Bacon wrote over 50 essays beginning with "Of" in the title and following the concept, such as Of Truth , Of Atheism and Of Discourse .

Bacon Facts

Bacon's uncle was the lord keeper for Queen Elizabeth I. He helped symbolize the approvals for key documents. Additionally:

• Bacon is known as the father of the scientific method which was influenced by his own Baconian method based on reason and observation.
• There are rumors that Bacon was mostly attracted to men, due to his late marriage in life, among other ​theories.

Interpretations of 'Of Studies'

Bacon's essay expresses several comments in Of Studies that can be interpreted as the following:

• Studying is helpful for better understanding and provides a knowledge that develops experience, as well as a character that grows.
• Reading provides delight and fun, ornament and showing off, and the ability for success.
• Bacon expanded upon different fields of study depending on one's goal; for example, to master clarity with language, study poetry.

'Of Studies' Excerpt

"Studies serve for delight, for ornament, and for ability. Their chief use for delight is in privateness and retiring; for ornament, is in discourse; and for ability, is in the judgment and disposition of business. For expert men can execute, and perhaps judge of particulars, one by one; but the general counsels, and the plots and marshalling of affairs, come best from those that are learned. To spend too much time in studies is sloth; to use them too much for ornament, is affectation; to make judgment wholly by their rules, is the humor of a scholar. They perfect nature, and are perfected by experience: for natural abilities are like natural plants, that need pruning, by study; and studies themselves do give forth directions too much at large, except they be bounded in by experience. Crafty men condemn studies, simple men admire them, and wise men use them; for they teach not their own use; but that is a wisdom without them, and above them, won by observation. Read not to contradict and confute; nor to believe and take for granted; nor to find talk and discourse; but to weigh and consider. Some books are to be tasted, others to be swallowed, and some few to be chewed and digested; that is, some books are to be read only in parts; others to be read, but not curiously; and some few to be read wholly, and with diligence and attention. Some books also may be read by deputy, and extracts made of them by others; but that would be only in the less important arguments, and the meaner sort of books, else distilled books are like common distilled waters, flashy things. Reading maketh a full man; conference a ready man; and writing an exact man. And therefore, if a man write little, he had need have a great memory; if he confer little, he had need have a present wit: and if he read little, he had need have much cunning, to seem to know that he doth not. Histories make men wise; poets witty; the mathematics subtle; natural philosophy deep; moral grave; logic and rhetoric able to contend. Abeunt studia in mores [Studies pass into and influence manners]. Nay, there is no stone or impediment in the wit but may be wrought out by fit studies; like as diseases of the body may have appropriate exercises. Bowling is good for the stone and reins; shooting for the lungs and breast; gentle walking for the stomach; riding for the head; and the like. So if a man’s wit be wandering, let him study the mathematics; for in demonstrations, if his wit be called away never so little, he must begin again. If his wit be not apt to distinguish or find differences, let him study the Schoolmen; for they are cymini sectores [splitters of hairs]. If he be not apt to beat over matters, and to call up one thing to prove and illustrate another, let him study the lawyers’ cases. So every defect of the mind may have a special receipt."

Bacon published three editions of his essays (in 1597, 1612, and 1625) and the last two were marked by the addition of more essays. In many cases, they became expanded works from earlier editions. This is the best-known version of the essay Of Studies , taken from the 1625 edition of  Essays or Counsels, Civil and Moral.

Version From the First Edition (1597)

"Studies serve for pastimes, for ornaments, for abilities; their chief use for pastimes is in privateness and retiring; for ornaments in discourse; and for ability in judgment; for expert men can execute, but learned men are more fit to judge and censure. To spend too much time in them is sloth; to use them too much for ornament is affectation; to make judgment wholly by their rules is the humor of a scholar; they perfect nature, and are themselves perfected by experience; crafty men contemn them, wise men use them, simple men admire them; for they teach not their use, but that there is a wisdom without them and above them won by observation. Read not to contradict nor to believe, but to weigh and consider. Some books are to be tasted, others to be swallowed, and some few to be chewed and digested: that is, some are to be read only in parts, others to be read but curiously, and some few to be read wholly with diligence and attention. Reading maketh a full man, conference a ready, and writing an exact man; therefore, if a man write little, he had need of a great memory; if he confer little, he had need of a present wit; and if he read little, he had need have much cunning to seem to know that he doth not know. Histories make wise men; poets witty; the mathematics subtle; natural philosophy deep; moral grave; logic and rhetoric able to contend."

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• What Is Enlightenment Rhetoric?

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51 Francis Bacon: Essays

Introduction.

by Mary Larivee and Rithvik Saravanan

Francis Bacon (1561-1626), the English philosopher, was instrumental in the development of the Scientific Revolution in the late 18th century even though he had passed away centuries before.  The “Scientific Revolution” was an important movement that emphasized Europe’s shift toward modernized science in fields such as mathematics, physics, astronomy, biology, and chemistry (Grant). It was an extension of the Renaissance period, which then led to the Enlightenment which brought advances across all areas of human endeavor. Francis Bacon, in particular, is remembered today primarily for the “scientific method” as a way of establishing what is true from what is false perception (a method that still lies at the heart of modern science). Bacon’s primary focus in his writings revolved around the practice of inductive reasoning, which he believed to be a complement to practical observation (Grant). Most people before this period followed the Aristotelian methodology for scientific arguments. This idea maintained that “if sufficiently clever men discussed a subject long enough, the truth would eventually be discovered” (“History – Francis Bacon.”). However irrational this sounds, the Scientific Revolution helped replace this outdated system of thinking with Bacon’s scientific method. Bacon argued that any proper argument required “evidence from the real world” (“History – Francis Bacon.”). His revolutionary ideas about empirical information helped propel him toward political and societal importance and fame.

Literary Context

Francis Bacon had a passion for metaphors, analogies, and vivid imagery. He was a rhetorical writer and his essays highlight his wisdom and incisive mind. His first book was released in 1597 followed by later editions with added essays that were released in 1612 and 1625. Each essay that Bacon wrote reveals his knowledge of Latin and draws on ancient Roman wisdom through axioms and proverbs. Additionally, Bacon uses wit as a way of getting his point across to his audience and this indeed causes the reader to reflect on his or her own beliefs and values. A key aspect of Bacon’s literature is its “terseness and epigrammatic force” (De). By managing to pack all of his thoughts and ideas into quick, brief statements, Bacon deepens the reach and impact of his work. His writing deviated from the typical Ciceronian style of the time, which was characterized by “melodious language, clarity, and forcefulness of presentation” (“Ciceronian.”). His statements are meaningful particularly because they are straight and to the point. The brevity of his ideas also facilitates the communication of his arguments, which is significant because, at the time, a solid, meaningful education was hard to come by. As such, Bacon’s work helped spread the notions that would eventually bear fruit with the discoveries of the Scientific Revolution.

Historical Context

Francis Bacon’s Essays cover a wide variety of topics and styles, ranging from individual to societal issues and from commonplace to existential. Another important aspect of the appeal of Bacon’s essays are that they weigh the argument at hand with multiple points of view. Bacon’s essays were received at the time with great praise, adoration, and reverence (Potter). He was noted for borrowing ideas from the works of historical writers such as Aristotle (Harmon), and, as such, he represents a continuation of this philosophical school of thought. Another important impact of the Scientific Revolution and Bacon’s literature is that it allowed common people of the era to question old, traditional beliefs. They began to consider everything with reason, which led to a greater sense of self as well as moral and ethical standards. By having the opportunity to judge for themselves, the people were able to advance society a step closer to a form of democracy.

Francis Bacon Essays is a collection of eight of the famous philosopher’s many essays. Each dissertation contains words of wisdom that have proven to be enlightening for many generations that followed. From “Truth” to “Of Superstition” and “Marriage and Single Life”, Bacon covers a wide range of intriguing topics in order to challenge the human mind to think deeply; as he himself writes: “Read not to contradict and confute, nor to believe and take for granted, nor to find talk and discourse, but to weigh and consider” (Bacon). The philosopher not only provides a framework for the genre of the modern essay but also provides his readers a code to live by.

Works Cited

“Ciceronian.” Dictionary.com , n.d., www.dictionary.com/browse/ciceronian. 23 Oct. 2020.

De, Ardhendu. “Rhetorical Devices as Used by Francis Bacon in His Essays.” A.D.’s English Literature: Notes and Guide , 07 Apr. 2011, ardhendude.blogspot.com/2011/04/rhetorical-devices-used-by-francis.html. Accessed 23 Oct. 2020.

Grant, Edward. The Foundations of Modern Science in the Middle Ages: Their Religious, Institutional, and Intellectual Contexts . Cambridge University Press, 1996.

Harmon, William. The Oxford Book of American Light Verse. Oxford University Press, 1979.

“History – Francis Bacon.” History , British Broadcasting Corporation, 2014, www.bbc.co.uk/history/historic_figures/bacon_francis.shtml. Accessed 24 Oct. 2020.

Potter, Vincent G. Readings in Epistemology: from Aquinas, Bacon, Galileo, Descartes, Locke, Berkeley, Hume, Kant. Fordham University Press, 1993.

Discussion Questions

• Why do you think Francis Bacon chose to enlighten and inspire his readers as opposed to other writers of his time who focused more on classic folklore tales?
• Why do you think Francis Bacon choose the topics that he did? Who or what do you think had a major influence on his writings?
• What are the goals and intentions behind Bacon’s use of rhetorical questioning?
• What are some common themes and ideas from Francis Bacon’s Essays that can be applied to general situations and contemporary society?
• From the ideas presented in this reading, how do you think Francis Bacon’s work affected government policies throughout history, including modern day governmental standards?

Further Resources

• Detailed biography of Franics Bacon’s life
• Analytical article of Francis Bacon’s impact on the Scientific Revolution
• List of Francis Bacon’s most significant accomplishments
• Compilation of Francis Bacon’s literature
• Stanford Encyclopedia of Philosophy entry on Francis Bacon
• Discussion video of Francis Bacon’s “Of Studies”

Reading: From Essayes

I. of truth..

What is truth? said jesting Pilate; and would not stay for an answer. Certainly there be that delight in giddiness; and count it a bondage to fix a belief; affecting free-will in thinking, as well as in acting. And though the sects of philosophers of that kind be gone, yet there remain certain discoursive wits, which are of the same veins, though there be not so much blood in them as was in those of the ancients. But it is not only the difficulty and labour which men take in finding out of truth, nor again, that when it is found, it imposeth upon men’s thoughts, that doth bring lies in favour, but a natural though corrupt love of the lie itself. One of the later schools of the Grecians examineth the matter, and is at a stand to think what should be in it, that men should love lies; where neither they make for pleasure, as with poet; nor for advantage, as with the mer chant, but for the lie’s sake. But I cannot tell: this same truth is a naked and open daylight, that doth not show the masks, and mummeries, and triumphs of the world, half so stately and daintily as candlelights. Truth may perhaps come to the price of a pearl, that showeth best by day, but it will not rise to the price of a diamond or carbuncle, that showeth best in varied lights. A mixture of a lie doth ever add pleasure. Doth any man doubt, that if there were taken out of men’s minds, vain opinions, flattering hopes, false valuations, imaginations as one would, and the like, but it would leave the minds of a number of men, poor shrunken things, full of melancholy and indisposition, and unpleasing to themselves? One of the fathers, in great severity, called poesy “vinum dæmonum,”; because it filleth the imagination, and yet it is but with the shadow of a lie. But it is not the lie that passeth through the mind, but the lie that sinketh in, and settleth in it, that doth the hurt, such as we spake of before. But howsoever these things are thus in men’s depraved judgments and affections, yet truth, which only doth judge itself, teacheth, that the inquiry of truth, which is the love-making, or wooing of it, the knowledge of truth, which is the presence of it, and the belief of truth, which is the enjoying of it, is the sovereign good of human nature. The first creature of God, in the works of the days, was the light of the sense: the last was the light of reason; and his Sabbath work ever since, is the illumination of his Spirit. First, he breathed light upon the face of the matter, or chaos; then he breathed light into the face of man; and still he breatheth and inspireth light into the face of his chosen. The poet that beautified the sect, that was otherwise inferior to the rest, saith yet excellently well: “It is a pleasure to stand upon the shore, and to see ships tossed upon the sea: a pleasure to stand in the window of a castle, and to see a battle, and the adventures thereof below: but no pleasure is comparable to the standing upon the vantage ground of truth, (a hill not to be commanded, and where the air is always clear and serene,) and to see the errors, and wanderings, and mists, and tempests in the vale below:” so always that this prospect be with pity, and not with swelling or pride. Certainly, it is heaven upon earth, to have a man’s mind move in charity, rest in providence, and turn upon the poles of truth.

To pass from theological and philosophical truth, to the truth of civil business; it will be acknowledged even by those that practise it not, that clean and round dealing is the honour of man’s nature, and that mixture of falsehood is like alloy in coin of gold and silver, which may make the metal work the better, but it embaseth it. For these winding and crooked courses are the goings of the serpent; which goeth basely upon the belly, and not upon the feet. There is no vice that doth so cover a man with shame as to be found false and perfidious; and therefore Montaigne saith prettily, when he inquired the reason, why the word of the lie should be such a disgrace, and such an odious charge, saith he, “If it be well weighed, to say that a man lieth, is as much as to say, that he is brave towards God, and a coward towards men. For a lie faces God, and shrinks from man.” Surely the wickedness of falsehood and breach of faith cannot possibly be so highly expressed, as in that it shall be the last peal to call the judgments of God upon the generations of men: it being foretold, that when “Christ cometh,” he shall not “find faith upon the earth.”

VIII. OF MARRIAGE AND SINGLE LIFE.

He that hath wife and children hath given hostages to fortune; for they are impediments to great enterprises, either of virtue or mischief. Certainly the best works, and of greatest merit for the public, have proceeded from the unmarried or childless men; which, both in affection and means, have married and endowed the public. Yet it were great reason that those that have children should have greatest care of future times, unto which they know they must transmit their dearest pledges. Some there are, who, though they lead a single life, yet their thoughts do end with themselves, and account future times impertinences; nay, there are some other that account wife and children but as bills of charges; nay more, there are some foolish rich covetous men, that take a pride in having no children, because they may be thought so much the richer; for, perhaps, they have heard some talk, “Such an one’s a great rich man” and another except to it. “Yea, but he hath a great charge of children;” as if it were an abatement to his riches: but the most ordinary cause of a single life is liberty, especially in certain self-pleasing and humorous minds, which are so sensible of every restraint, as they will go near to think heir girdles and garters to be bonds and shackles. Unmarried men are best friends, best masters, best servants; but not always best subjects; for they are light to run away; and almost all fugitives are of that condition. A single life doth well with churchmen, for charity will hardly water the ground where it must first fill a pool. It is indifferent for judges and magistrates; for if they be facile and corrupt, you shall have a servant five times worse than a wife. For soldiers, I find the generals commonly, in their hortatives, put men in mind of their wives and children; and I think the despising of marriage among the Turks maketh the vulgar soldier more base. Certainly wife and children are a kind of discipline of humanity; and single men, though they may be many times more charitable, because their means are less exhaust, yet, on the other side, they are more cruel and hardhearted, (good to make severe inquisitors,) because their tenderness is not so oft called upon. Grave natures, led by custom, and therefore constant, are commonly loving husbands, as was said of Ulysses, “vetulam suam prætulit immortalitati.” Chaste women are often proud and froward, as presuming upon the merit of their chastity. It is one of the best bonds, both of chastity and obedience, in the wife, if she think her husband wise; which she will never do if she find him jealous. Wives are young men’s mistresses, companions for middle age, and old men’s nurses; so as a man may have a quarrel to marry when he will: but yet he was reputed one of the wise men, that made answer to the question when a man should marry:—”A young man not yet, an elder man not at all.” It is often seen, that bad husbands have very good wives; whether it be that it raiseth the price of their husband’s kindness when it comes, or that the wives take a pride in their patience; but this never fails, if the bad husbands were of their own choosing, against their friends consent, for then they will be sure to make good their own folly.

XI. OF GREAT PLACE.

Men in great place are thrice servants; servants of the sovereign or state, servants of fame, and servants of business; so as they have no freedom, neither in their persons, nor in their actions, nor in their times. It is a strange desire to seek power and to lose liberty; or to seek power over others, and to lose power over a man’s self. The rising unto place is laborious, and by pains men come to greater pains; and it is sometimes base, and by indignities men come to dignities. The standing is slippery, and the regress is either a downfall, or at least an eclipse, which is a melancholy thing: “Cum non sis qui fueris, non esse cur velis vivere.” Nay, retire men cannot when they would, neither will they when it were reason; but are impatient of privateness even in age and sickness, which require the shadow: like old townsmen, that will be still sitting at their street door, though thereby they offer age to scorn. Certainly great persons had need to borrow other men’s opinions to think themselves happy; for if they judge by their own feeling, they cannot find it: but if they think with themselves what other men think of them, and that other men would fain be as they are, then they are happy as it were by report, when, perhaps, they find the contrary within; for they are the first that find their own griefs, though they be the last that find their own faults. Certainly men in great fortunes are strangers to themselves, and while they are in the puzzle of business they have no time to tend their health either of body or mind: “Illi mors gravis incubat, qui notus nimis omnibus, ignotus moritur sibi.” In place there is license to do good and evil; whereof the latter is a curse: for in evil the best condition is not to will; the second not to can. But power to do good is the true and lawful end of aspiring; for good thoughts (though God accept them,) yet towards men are little better than good dreams, except they be put in act; and that cannot be without power and place, as the vantage and commanding ground. Merit and good works is the end of man’s motion; and conscience of the same is the accomplishment of man’s rest; for if a man can be partaker of God’s theatre, he shall likewise be partaker of God’s rest: “Et conversus Deus, ut aspiceret opera, quaæ fecerunt manus suæ, vidit quod omnia essent bona nimis;” and then the sabbath. In the discharge of the place set before thee the best examples; for imitation is a globe of precepts; and after a time set before thine own example; and examine thyself strictly whether thou didst not best at first. Neglect not also the examples of those that have carried themselves ill in the same place; not to set off thyself by taxing their memory, but to direct thyself what to avoid. Reform, therefore, without bravery or scandal of former times and persons; but yet set it down to thyself, as well to create good precedents as to follow them. Reduce things to the first institution, and observe wherein and how they have degenerated; but yet ask counsel of both times; of the ancienter time what is best; and of the latter time what is fittest. Seek to make thy course regular, that men may know be forehand what they may expect; but be not too positive and peremptory; and express thyself well when thou digressest from thy lure. Preserve the right of thy place, but stir not questions of jurisdiction; and rather assume thy right in silence, and “de facto,” than voice it with claims and challenges. Preserve likewise the rights of inferior places; and think it more honour to direct in chief than to be busy in all. Embrace and invite helps and advices touching the execution of thy place; and do not drive away such as bring thee information as meddlers, but accept of them in good part. The vices of authority are chiefly four; delays, corruption, roughness, and facility. For delays give easy access: keep times appointed; go through with that which is in hand, and interlace not business but of necessity. For corruption, do not only bind thine own hands or thy servant’s hands from taking, but bind the hands of suitors also from offering; for integrity used doth the one; but integrity professed, and with a manifest detestation of bribery, doth the other; and avoid not only the fault, but the suspicion. Whosoever is found variable, and changeth manifestly without manifest cause, giveth suspicion of corruption; therefore, always when thou changest thine opinion or course, profess it plainly, and declare it, together with the reasons that move thee to change, and do not think to steal it. A servant or a favourite, if he be inward, and no other apparent cause of esteem, is commonly thought but a by-way to close corruption. For roughness, it is a needless cause of discontent; severity breedeth fear, but roughness breedeth hate. Even reproofs from authority ought to be grave, and not taunting. As for facility, it is worse than bribery; for bribes come but now and then; but if importunity or idle respects lead a man, he shall never be without; as Solomon saith, “To respect persons is not good, for such a man will transgress for a piece of bread.” It is most true that was anciently spoken, “A place showeth the man; and it showeth some to the better and some to the worse;” “omnium consensu capax imperii, nisi imperasset,” saith Tacitus of Galba; but of Vespasian he saith, “solus imperantium, Vespasianus mutatus in melius;” though the one was meant of sufficiency, the other of manners and affection. It is an assured sign of a worthy and generous spirit, whom honour amends; for honour is, or should be, the place of virtue; and as in nature things move violently to their place and calmly in their place, so virtue in ambition is violent, in authority settled and calm. All rising to great place is by a winding stair; and if there be factions, it is good to side a man’s self whilst he is in the rising, and to balance himself when he is placed. Use the memory of thy predecessor fairly and tenderly; for if thou dost not, it is a debt will sure be paid when thou art gone. If thou have colleagues, respect them; and rather call them when they looked not for it, than exclude them when they have reason to look to be called. Be not too sensible or too remembering of thy place in conversation and private answers to suitors; but let it rather be said, “When he sits in place he is another man.”

XVII. OF SUPERSTITION.

It were better to have no opinion of God at all than such an opinion as is unworthy of him; for the one is unbelief, the other is contumely; and certainly superstition is the reproach of the Deity. Plutarch saith well to that purpose: “Surely,” saith he, “I had rather a great deal men should say there was no such man at all as Plutarch, than that they should say that there was one Plutarch, that would eat his children as soon as they were born:” as the poets speak of Saturn: and, as the contumely is greater towards God, so the danger is greater towards men. Atheism leaves a man to sense, to philosophy, to natural piety, to laws, to reputation: all which may be guides to an outward moral virtue, though religion were not; but superstition dismounts all these, and erecteth an absolute monarchy in the minds of men: therefore atheism did never perturb states; for it makes men wary of themselves, as looking no further, and we see the times inclined to atheism (as the time of Augustus Cæsar) were civil times: but superstition hath been the confusion of many states, and bringeth in a new “primum mobile,” that ravisheth all the spheres of government. The master of superstition is the people, and in all superstition wise men follow fools; and arguments are fitted to practice, in a reversed order. It was gravely said, by some of the prelates in the council of Trent, where the doctrine of the schoolmen bare great sway, that the schoolmen were like astronomers, which did feign eccentrics and epicycles, and such engines of orbs to save phenomena, though they knew there were no such things; and, in like manner, that the schoolmen had framed a number of subtle and intricate axioms and theorems, to save the practice of the church. The causes of superstition are, pleasing and sensual rites and ceremonies; excess of outward and pharisaical holiness; over great reverence of traditions, which cannot but load the church; the stratagems of prelates for their own ambition and lucre; the favouring too much of good intentions, which openeth the gate to conceits and novelties; the taking an aim at divine matters by human, which cannot but breed mixture of imaginations; and, lastly, barbarous times, especially joined with calamities and disasters. Superstition, without a veil, is a deformed thing: for as it addeth deformity to an ape to be so like a man, so the similitude of superstition to religion makes it the more deformed: and, as wholesome meat corrupteth to little worms, so good forms and  orders corrupt into a number of petty observances. There is a superstition in avoiding superstition, when men think to do best if they go furthest from the superstition formerly received; therefore care would be had that (as it fareth in ill purgings) the good be not taken away with the bad, which commonly is done when the people is the reformer.

XXXIII. OF PLANTATIONS.

Plantations are amongst ancient, primitive, and heroical works. When the world was young, it begat more children; but now it is old, it begets fewer; for I may justly account new plantations to be the children of former kingdoms. I like a plantation in a pure soil; that is, where people are not displanted to the end to plant in others; for else it is rather an extirpation than a plantation. Planting of countries is like planting of woods; for you must make account to lose almost twenty years profit, and expect your recompense in the end: for the principal thing that hath been the destruction of most plantations, hath been the base and hasty drawing of profit in the first years. It is true, speedy profit is not to be neglected, as far as may stand with the good of the plantation, but no further. It is a shameful and unblessed thing to take the scum of people and wicked condemned men, to be the people with whom you plant; and not only so, but it spoileth the plantation; for they will ever live like rogues, and not fall to work, but be lazy, and do mischief, and spend victuals, and be quickly weary, and then certify over to their country to the discredit of the plantation. The people wherewith you plant ought to be gardeners, ploughmen, labourers, smiths, carpenters, joiners, fishermen, fowlers, with some few apothecaries, surgeons, cooks, and bakers. In a country of plantation, first look about what kind of victual the country yields of itself to hand; as chestnuts, walnuts, pineapples, olives, dates, plums, cherries, wild honey, and the like, and make use of them. Then consider what victual, or esculent things there are which grow speedily and within the year: as parsnips, carrots, turnips, onions, radish, artichokes of Jerusalem, maize, and the like: for wheat, barley, and oats, they ask too much labour; but with pease and beans you may begin, both because they ask less labour, and because they serve for meat as well as for bread; and of rice likewise cometh a great increase, and it is a kind of meat. Above all, there ought to be brought store biscuit, oatmeal, flour, meal, and the like, in the beginning, till bread may be had. For beasts, or birds, take chiefly such as are least subject to diseases, and multiply fastest; as swine, goats, cocks, hens, turkeys, geese, house-doves, and the like. The victual in plantations ought to be expended almost as in a besieged town; that is, with certain allowance: and let the main part of the ground employed to gardens or corn, be to a common stock; and to be laid in, and stored up, and then delivered out in proportion; besides some spots of ground that any particular person will manure for his own private use. Consider, likewise, what commodities the soil where the plantation is doth naturally yield, that they may some way help to defray the charge of the plantation; so it be not, as was said, to the untimely prejudice of the main business, as it hath fared with tobacco in Virginia. Wood commonly aboundeth but too much: and therefore timber is fit to be one. If there be iron ore, and streams whereupon to set the mills, iron is a brave commodity where wood aboundeth. Making of bay-salt, if the climate be proper for it, would be put in experience: growing silk likewise, if any be, is a likely commodity: pitch and tar, where store of firs and pines are, will not fail; so drugs and sweet woods, where they are, cannot but yield great profit; soap-ashes likewise, and other things that may be thought of; but moil not too much under ground, for the hope of mines is very uncertain and useth to make the planters lazy in other things. For government, let it be in the hands of one, assisted with some counsel; and let them have commission to exercise martial laws, with some limitation; and, above all, let men make that profit of being in the wilderness, as they have God always, and his service before their eyes; let not the government of the plantation depend upon too many counsellors and undertakers in the country that planteth, but upon a temperate number; and let those be rather noblemen and gentle men, than merchants; for they look ever to the present gain: let there be freedoms from custom, till the plantation be of strength; and not only freedom from custom, but freedom to carry their commodities where they may make their best of them, except there be some special cause of caution. Cram not in people, by sending too fast, company after company; but rather hearken how they waste, and send supplies proportionably; but so as the number may live well in the plantation, and not by surcharge be in penury. It hath been a great endangering to the health of some plantations, that they have built along the sea and rivers in marish and unwholesome grounds: therefore, though you begin there, to avoid carriage and other like discommodities, yet build still rather upwards from the stream, than along. It concerneth likewise the health of the plantation that they have good store of salt with them, that they may use it in their victuals when it shall be necessary. If you plant where savages are, do not only entertain them with trifles and gingles, but use them justly and graciously, with sufficient guard nevertheless; and do not win their favour by helping them to invade their enemies, but for their defence it is not amiss: and send oft of them over to the country that plants, that they may see a better condition than their own, and commend it when they return. When the plantation grows to strength, then  it is time to plant with women as well as with men; that the plantation may spread into generations, and not be ever pieced from without. It is the sinfullest thing in the world to forsake or destitute a plantation once in forwardness; for, besides the dishonour, it is the guiltiness of blood of many commiserable persons.

XLVII. OF NEGOTIATING.

It is generally better to deal by speech than by letter; and by the mediation of a third than by a man’s self. Letters are good when a man would draw an answer by letter back again; or when it may serve for a man’s justification afterwards to produce his own letter; or where it may be danger to be interrupted, or heard by pieces. To deal in person is good, when a man’s face breedeth regard, as commonly with inferiors; or in tender cases, where a man’s eye upon the countenance of him with whom he speaketh, may give him a direction how far to go; and generally, where a man will reserve to himself liberty either to disavow or to expound. In choice of instruments, it is better to choose men of a plainer sort, that are like to do that that is committed to them, and to report back again faithfully the success, than those that are cunning to contrive out of ether men’s business somewhat to grace themselves, and will help the matter in report, for satisfaction sake. Use also such persons as affect the business wherein they are employed, for that quickeneth much; and such as are fit for the matter, as bold men for expostulation, fair-spoken men for persuasion, crafty men for inquiry and observation, froward and absurd men for business that doth not well bear out itself. Use also such as have been lucky and prevailed before in things wherein you have employed them; for that breeds confidence, and they will strive to maintain their prescription. It is better to sound a person with whom one deals afar off, than to fall upon the point at first; except you mean to surprise him by some short question. It is better dealing with men in appetite, than with those that are where they would be. If a man deal with another upon conditions, the start of first performance is all; which a man can reasonably demand, except either the nature of the thing be such, which must go before: or else a man can persuade the other party, that he shall still need him in some other thing; or else that he be counted the honester man. All practice is to discover, or to work. Men discover themselves in trust, in passion, at unawares; and of necessity, when they would have somewhat done, and cannot find an apt pretext, if you would work any man, you must either know his nature and fashions, and so lead him; or his ends, and so persuade him; or his weakness and disadvantages, and so awe him; or these that have interest in him, and so govern him. In dealing with cunning persons, we must ever consider their ends, to interpret their speeches; and it is good to say little to them, and that which they least look for. In all negotiations of difficulty, a man may not look to sow and reap at once; but must prepare business, and so ripen it by degrees.

XXXVII. OF MASQUES AND TRIUMPHS.

These things are but toys to come amongst such serious observations; but yet, since princes will have such things, it is better they should be graced with elegancy, than daubed with cost. Dancing to song, is a thing of great state and pleasure. I understand it that the song be inquire, placed aloft, and accompanied by some broken music; and the ditty fitted to the device. Acting in song, especially in dialogues, hath an extreme good grace; I say acting, not dancing, (for that is a mean and vulgar thing;) and the voices of the dialogue would be strong and manly, (a base and a tenor, no treble,) and the ditty high and tragical, not nice or dainty. Several quires placed one over against another, and taking the voice by catches anthem-wise, give great pleasure. Turning dances into figure is a childish curiosity; and generally let it be noted, that those things which  I here set down are such as do naturally take the sense, and not respect petty wonderments. It is true, the alterations of scenes, so it be quietly and without noise, are things of great beauty and pleasure; for they feed and relieve the eye before it be full of the same object. Let the scenes abound with light, especially coloured and varied; and let the masquers, or any other that are to come down from the scene, have some motions upon the scene it self before their coining down; for it draws the eye strangely, and makes it with great pleasure to desire to see that it cannot perfectly discern. Let the songs be loud and cheerful, and not chirpings or pulings: let the music likewise be sharp and loud, and well placed. The colours that show best by candle-light, are white, carnation, and a kind of sea-water green and ouches, or spangs, as they are of no great cost, so they are of most glory. As for rich embroidery, it is lost and not discerned. Let the suits of the masquers be graceful, and such as become the person when the vizards are off; not after examples of known attires; Turks, soldiers, mariners, and the like. Let anti-masques not be long; they have been commonly of fools, satyrs, baboons, wild men antics, beasts, spirits, witches, Ethiopes, pigmies turquets, nymphs, rustics, Cupids, statues moving and the like. As for angels, it is not comical enough to put them in anti-masques; and any thing that is hideous, as devils, giants, is, on the other side as unfit; but chiefly, let the music of them be recreative, and with some strange changes. Some sweet odours suddenly coming forth, without any drops falling, are, in such a company as there is steam and heat, things of great pleasure and refreshment. Double masques, one of men another of ladies, addeth state and variety; but all is nothing except the room be kept clean and neat.

For jousts, and tourneys, and barriers, the glories of them are chiefly in the chariots, wherein the challengers make their entry; especially if they be drawn with strange beasts; as lions, bears camels, and the like; or in the devices of their entrance, or in bravery of their liveries, or in the goodly furniture of their horses and armour. But enough of these toys.

L. OF STUDIES.

Studies serve for delight, for ornament and for ability. Their chief use for delight, is in privateness and retiring; for ornament, is in discourse; and for ability, is in the judgment and disposition of business; for expert men can execute, and perhaps judge of particulars, one by one: but the general counsels, and the plots and marshalling of affairs come best from those that are learned. To spend too much time in studies, is sloth; to use them too much for ornament, is affectation; to make judgment wholly by their rules, is the humour of a scholar: they perfect nature, and are perfected by experience: for natural abilities are like natural plants, that need pruning by study; and studies themselves do give forth directions too much at large, except they be bounded in by experience. Crafty men contemn studies, simple men admire them, and wise men use them; for they teach not their own use; but that is a wisdom without them, and above them, won by observation. Read not to contradict and confute, nor to believe and take for granted, nor to find talk and discourse, but to weigh and consider. Some books are to be tasted, others to be swallowed, and some few to be chewed and digested; that is, some books are to be read only in parts; others to be read, but not curiously; and some few to be read wholly, and with diligence and attention. Some books also may be read by deputy, and extracts made of them by others; but that would be only in the less important arguments, and the meaner sort of books; else distilled books are, like common distilled waters, flashy things. Reading maketh a full man; conference a ready man; and writing an exact man; and, therefore, if a man write little, he had need have a great memory; if he confer little, he had need have a present wit: and if he read little, he had need have much cunning, to seem to know that he doth not. Histories make men wise; poets witty; the mathematics subtile; natural philosophy deep; moral, grave; logic and rhetoric, able to contend “Abeunt studia in mores;” nay, there is no stond or impediment in the wit, but may be wrought out by fit studies: like as diseases of the body may have appropriate exercises; bowling is good for the stone and reins, shooting for the lungs and breast, gentle walking for the stomach, riding for the head, and the like; so, if a man’s wit be wandering, let him study the mathematics; for in demonstrations, if his wit be called away never so little, he must begin again; if his wit be no apt to distinguish or find differences, let him study the schoolmen, for they are “Cymini sectores;” if he be not apt to beat over matters, and to call upon one thing to prove and illustrate another, let him study the lawyer’s cases: so every defect of the mind may have a special receipt.

Source Text:

Bacon, Francis. Bacon’s Essays and Wisdom of the Ancients . Little, Brown, and Company, 1884, is licensed under no known copyright.

An Open Companion to Early British Literature Copyright © 2019 by Allegra Villarreal is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License , except where otherwise noted.

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Francis Bacon

A short biography of francis bacon.

Francis Bacon was born on 22 nd of January, 1561 in London. Bacon worked as attorney general and Lord Chancellor of England resigning after he was found guilty of bribery. This unfortunate twist in his life brought him together with his true passions i.e. Humanism and natural philosophy. Francis Bacon was an English man who was inclined towards the age of Renaissance and arts. He negated the old fashioned traditions of teachings and believed in the newness of the age. His inspirations revolved around the Aristotelian ideas of philosophical quest. Bacon negated the Aristotelianism and idealized the new teachings of renaissance humanism. He observed the world through the lens of empiricism.

He believed that one needs to experience the reality of existence in order to completely understand life. This is known to be Francis Bacon’s method of understanding science and humanity. Francis Bacon was given the title “Father of Scientific method” . In the literary world Bacon is remembered as an all-rounder.  He was a lawyer, statesman and a philosopher. Francis Bacon is remembered as a source of wisdom in the literary world.

Bacon teaches a certain principles of science in order to understand life and the world we live in we have to experience the life by living it. He stated this as the empirical scientific method. According to him this scientific method will shed light upon the important characteristics of the nature that would “eventually disclose and bring into sight all that is most hidden and secret in the universe.”

Francis Bacon’s Writing Style

Francis Bacon being an all-rounder wrote in a way that was suitable for every profession. He understood the multidimensional society very well.

Bacon often wrote for the court during his career as a statesman and counsel. In the ear 1584 Francis Bacon wrote his first political memorandum, a letter of advice to Queen Elizabeth. He even wrote a speech for entertainment purpose in the year 1592 to celebrate the anniversary of queen’s coronation. The year 1597 was the year when Bacon’s first publication, a collection of essays about politics came into the literary world. The collection was later extended and republished in 1612 and 1625.

He wrote in prose style that fitted every profession. Bacon’s take on different aspects of life such as Love, Truth and religion is evident in the literary world. The way Bacon adapted to the society around him is marvelous and a very evident feature of his writing style. Bacon stands out in the literary world due to his unique approach towards thinking.

In England three types of thought triumphed in the late 16th century: the Aristotelian teachings and Scholasticism, intellectual and aesthetic humanism, and occultism. Aristotle is considered as the epitome of knowledge and wisdom. He contributed his genius in different spheres of life and the world. In England Aristotle remained the master of philosophical teachings, despite the criticism of Aristotle’s theory of logics.

Bacon grew up studying Aristotle’s philosophical teachings. The desire of finding answers led him to understand life closely with a different prism. Opposing the Aristotelian teachings Bacon came up with his philosophical approach of trying to understand life closely by experiencing different situations. Bacon simplifies the philosophical approach for a man to understand properly. His writing is direct and to the point. His style of writing prose is easily understandable for example, in “Of Studies,” he writes “Crafty men condemn studies; simple men admire them; and wise men use them.” This phrase by Francis Bacon doesn’t require of any analysis in order to understand the meaning. His writings are self-explanatory and that proves his genius in the literary world. Bacon writes in a systematic way, without wasting his words on unnecessary information. His writings showcase how he moves logically from on subject to another.

He is considered as one of the most important Empiricists in the philosophical as well as literary world. He takes up his ideas after experiencing from life and observing it closely. For example in his essay “Of Love,” he showcases the reality of this emotion that is not just a fantasy but comprises of both good and bad attributes. He puts forth a clear vision regarding different subjects of life. Bacon’s take on life is unique and interesting as his essays are an amalgamation of both Greek and Latin phrases. A person who is decently educated would be able to understand his essays as well as the homey imagery took out from everyday life. He deliberately writes in this manner so that he reaches out to the masses equally. Be it highly educated or moderately educated. Bacon was attracted by the beauty of the nature. He merged the beauty and knowledge of nature in a manner which allows the reader to have a multidimensional vision of his teachings.

Another very important phenomenon of Bacon’s life was the teachings of occultism that is the quest of mystical parallels between man and the cosmos. It allows an individual to understand the magical elements possessed in the world by relating it to the reality. Bacon himself is known to be an occultist. His teachings revolve around the “natural magic” that the nature possesses. He provokes his readers to be vigilant on their surroundings and observe the nature closely. One should open the inner eye to feel the magical attributes of the world. Bacon believed that the human mind is fit enough to possess the worldly knowledge and must strive to decipher the knowledge by keeping an observing eye open. Even though Bacon’s literary works covered quite an extensive range of topics, all of his writings have one thing in common i.e. Bacon’s desire to make an impact through his teachings and research. He wanted to change the system of old fashion education. He believed that tradition can breathe in the air of modernity; a little acceptance is all that is required.

Bacon states “true directions concerning the interpretation of nature,” in other words he is trying to make his reader understand that the method of acquiring true knowledge is by observing and understanding the nature. Bacon researched and gathered knowledge keeping in mind the next generations. He modified the old fashion knowledge into an accessible mode of knowledge.

In the first book of Novum Organum Bacon debates the reasons of human flaw in the quest of knowledge. Earlier Aristotle discussed logical fallacies, usually found in human rationality, but Bacon was unique in observing the methods of reasoning. He invented the metaphor of “idol” to state such causes of human flaw.

Bacon played an important role as a linguist in the literary world. Language is the means of understanding the world around us. Language, like other human accomplishments, partakes of human limitations. This aspect of Bacon’s thought has been almost as persuasive as his account of natural knowledge, inspiring a long tradition of cynical rationalism, from the Enlightenment.

Bacon lived in a time when new worlds were being discovered on Earth. He negated the perception that everything is either revealed by religion or Aristotle. He challenged the grand narrative of religion and researched himself to find answers. Bacon protected the study of nature against those who measured it as either improper or perilous. He argued for a supportive and systematic method against individualism and instinct. Today Bacon is known among great philosophers as an emblem of the notion that is widely held to be misunderstood, that science is inductive.

Works Of Francis Bacon

• Of Adversity
• Of Ambition
• Of Discourse
• Of Followers and Friends
• Of Friendship
• Of Great Place
• Of Marriage and Single Life
• Of Nobility
• Of Parents and Children
• Of Simulation and Dissimulation
• Of Superstition
• Of Goodness and Goodness of Nature

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Father of English Essay – Francis Bacon!

Last updated on February 14th, 2023 at 01:27 am

The “father of the English essay” is often considered to be Francis Bacon. He was an English philosopher, statesman, and writer who lived in the 16th and 17th centuries. Bacon is best known for his essays, which are considered to be some of the earliest examples of the form in English literature. In his essays, Bacon explored a wide range of topics, including love, death, truth, anger, friendship, and more. He was known for his concise, direct writing style and his ability to convey complex ideas in simple, easy-to-understand language. Through his essays, Bacon helped establish the essay as a literary form, and he remains an important figure in the history of English literature.

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Francis Bacon

During the transition from the Renaissance to the early modern era, Sir Francis Bacon (1561–1626) was one of the most influential people in natural philosophy and the study of scientific methods.  Bacon is regarded as the father of English essay. He introduced this genre into the English language and literature by importing it from French writer Michel de Montaigne. No less important than the innovative act of importing this form was his own personal contribution to its enrichment and development. He is additionally referred to as the Father of Modern English Prose. In addition to these two very outstanding accomplishments, Bacon was a diligent classical scholar with an encyclopedic breadth of knowledge. He was a distinguished empirical scientist, a distinguished lawyer, and a significant statesman. He was a member of parliament and a superb orator. Bacon’s intellect was not entirely lofty and magnificent despite his diversity.

Francis Bacon – Notable Work & Contributions

Francis Bacon is widely considered the father of the English essay. He was a prolific writer and his essays, which were first published in 1597, are considered to be some of the earliest examples of the form in English literature. Bacon’s essays are characterized by their conciseness, directness, and their ability to convey complex ideas in simple language. He explored a wide range of topics in his essays, including love, death, truth, anger, friendship, and more.

Bacon’s essays helped establish the essay as a literary form, and his writing style and approach to essay writing influenced subsequent generations of writers. He is often credited with popularizing the essay as a form of writing and making it accessible to a wider audience.

Bacon’s essays remain widely read and studied to this day, and his contributions to the development of the English essay continue to be recognized and celebrated. He remains an important figure in the history of English literature and his essays are considered to be classic examples of the form.

Major Works-

Francis Bacon was a prolific writer and produced a number of important works in a variety of fields. Some of his major works include:

• Essays: Bacon’s essays were first published in 1597 and are considered some of the earliest examples of the essay form in English literature. He wrote about a wide range of topics, including love, death, truth, anger, friendship, and more.
• The Advancement of Learning: This work was published in 1605 and is considered one of Bacon’s most important philosophical works. In it, he outlines his views on the importance of learning and the role of science in the advancement of knowledge.
• Novum Organum: This work was published in 1620 and is considered one of Bacon’s most important scientific works. It lays the foundation for the scientific method and argues for the importance of observation and experimentation in the pursuit of knowledge.
• The New Atlantis: This work was published in 1627 and is considered one of Bacon’s most important works of fiction. It is a utopian novel that explores Bacon’s vision of a perfect society based on the principles of science and reason.
• The History of the Reign of King Henry VII: This work was published in 1622 and is considered one of Bacon’s most important works of history. It is a comprehensive history of the reign of King Henry VII and is noted for its balanced and impartial approach to its subject.

These work, which are still read and studied worldwide, show Bacon’s enormous intellectual range and his enduring influence on philosophy, science, and literature.

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Francis Bacon as Father of English Essay

Francis Bacon is regarded as the “Father of English Essay” for several reasons:

• Pioneering work: Bacon wrote some of the earliest examples of the essay form in English literature, and his essays helped establish the essay as a recognized literary genre.
• Writing style: Bacon’s essays are characterized by their conciseness, directness, and clear expression of complex ideas. He was known for his ability to convey his thoughts in simple and easily understandable language.
• Range of topics: Bacon wrote about a wide range of topics in his essays, from love and death to truth and anger. This broad scope helped to popularize the essay as a form of writing that could be used to address a variety of subjects.
• Influence: Bacon’s essays had a profound impact on subsequent generations of writers, who were inspired by his writing style and approach to essay writing. His work continues to be widely read and studied to this day, and his contributions to the development of the English essay are widely recognized.
• Legacy: Bacon’s essays remain classic examples of the essay form, and he remains an important figure in the history of English literature. His contributions to the development of the essay have been widely celebrated, and he is regarded as the “Father of the English Essay” for his pioneering work in this field.

FAQs on the Father of English Essay

Francis Bacon is widely considered to be the “Father of the English Essay.”

Bacon’s prose is distinguished by its brevity, vividness, and terseness. Concreteness, vividness, clarity, control, and force are all present in plenty. His essays are advice pieces written in short, oppositional, and epigrammatic phrases. His essays were dubbed “separated meditations” by him.

Bacon’s essays are known for their conciseness, directness, and their ability to convey complex ideas in simple language.

Bacon wrote about a wide range of topics in his essays, including love, death, truth, anger, friendship, and more.

Bacon is considered the “Father of the English Essay” because he wrote some of the earliest examples of the essay form in English literature and helped establish the essay as a recognized literary genre. He was known for his concise and direct writing style and his ability to convey complex ideas in simple language. His contributions to the development of the English essay continue to be widely recognized and celebrated.

By Gauri Malik

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Short stories, literary essays, india today english lit 1, francis bacon, the father of english essays—his prose style, introduction: .

Bacon is regarded as the father of English essays. The great title is attributed to him on the ground of his great contribution to English essay. But the term father gives the sense of the originator also. In this sense this title seems unjustified, because there was essay even before Bacon. But the form was different. It was a sort of lecture given by a great scholar to display his learning. Under the impression the readers are fools. Bacon gave a new direction to English essay. He made the essay a form to discuss topics of day to day life. It was the period of Renaissance. Therefore, Bacon wrote essays on the problems related to his contemporary society. It is his universality that his thoughts are of great importance even in this computer age.

Bacon's Contribution to the English Essay: 

Bacon's contribution to English essay can never be overvalued. Bacon has dedicated his essays to the Duke of Buckingham. There is a long list of Bacon's essays. The most important of these are: Of Truth, Of Death, Of Unity in Religion, Of Revenge, Of Adversity, Of Simulation and Dissimulation. Of Parents and Children, Of Marriage and Single Life, Of Envy, Of Love, Of Great Place, Of Boldness, Of Goodness and Goodness of Nature, Of Nobility, Of Seditions and Troubles, Of Atheism , Of Superstition, Of Travel, Of Empire, Of Counsel, Of Delays, Of Cunning, Of Wisdom for a Man's Self, Of Innovations, Of Dispatch, Of Seeming Wise, Of Friendship, Of Expense, Of the True Greatness of Kingdoms and Estates, Of Regiment of Health, Of Suspicion, Of Discourse, Of Plantations, Of Riches, Of Prophecies, Of Ambition, Of Mosques and Triumphs, Of Nature in Men, Of Custom and Education, Of Fortune, Of Usury, Of Youth and Age, Of Beauty, Of Deformity, Of Building, Of Gardens, Of Negotiating, Of Followers and Friends, Of Suitors, Of Studies, Of Faction, Of Ceremonies and Respects. Of Praise, Of Vain - glory, Of Honour and Reputation, Of Judicature, Of Anger, Of Vicissitude of Things, Of Fame. Bacon's essays seem to justify what Pope says regarding him.

Great Ideas of Practical Wisdom: 

Bacon was a utilitarian. His essays are full of great ideas of practical wisdom. For example, throughout the essay of Studies, Bacon shows his practical wisdom and comprehensiveness. Generally people give importance to either technical knowledge or practical experience but Bacon recognizes importance to both and advises to consult an experienced man if the work is at a small scale, and technically trained or learned man for managing a work at a large scale . Generally people think studies are always useful but Bacon advises to avoid excess of studies. He recognises importance of natural talent, training and practical experience. Generally people think all books are equally important but Bacon advises to study books according to their importance. He recognises importance of original texts and notes. Generally people think that reading is the only way of learning but Bacon advises to give importance to conference and writing also. Bacon shows how different subjects affect our mind also. 

Clarity of Thought and Expression: 

Bacon's belief in clarity of thought and expression is well exposed in this essay when he adopts the device of classification. He classifies purposes of studies in three parts: 

“Studies serve for delight, for ornament, and for ability.”

He brings to light not only advantages of studiers but also its disadvantages that appear when studies are used in excess. Too much study for delight develops idleness; for ornamentation develops artificiality: to take decision wholly by their rules is a bookish approach becomes the whim of a learned man. Studies mature natural talent that is perfected by practical knowledge. Natural talent too requires pruning or trimming. Books express confusing or contradictory ideas that should be limited by experience. Wicked people oppose studies, common or foolish people admire them while wise people use them. 

“Crafty men condemn studies, simple men admire them, and wise men use them.” 

In the same way he classifies followers into two parts: 

1. Followers fit to be disliked 

2. Followers to be liked 

Aphoristic Style: 

Bacon is known for the use of aphoristic style. Of Revenge is an illustration of the compact style of Bacon. Most of the sentences are terse and have that aphoristic quality about them that he is famous for. This essay is a fine illustration of Bacon's style which was unmatchable for pith and pregnancy in the conveyance of his special kind of thought. He in this essay, as elsewhere, has structured out at once a short, crisp, and firmly knit sentence of a type unfamiliar in English pregnant with rich meaning.

Proverbial Style: 

Bacon's proverbial style enables him to make proverbial statements. Here are a few examples of the proverbial style of Bacon taken from Of Revenge: 

1. “For, as for the wrong, it does but offend the law; but the revenge of that kind putteth the law out of office.” 

2. “Therefore, they do but trifle with themselves that labour in past masters.” 

3. “But base and crafty towards are like the arrow that flieth in the dark.”  

4. “This is certain, that a man that studieth revenge, keeps his own wounds green, which otherwise would heal and do well.” 

Bacon's great wisdom enables him to express thoughts of universal importance. When he expresses these thoughts in aphoristic style so many sentences of the novel seem proverbial. It encourages him to make proverbial statements. The essay, ‘Of Studies’ for example opens with a proverbial statement: 

If anybody talks about studies, he refers to this statement necessarily. The essay is full of such statements that express a general thought which is true to all. 

“To spend too much time in studies is sloth. 

For natural abilities are like natural plants, that need pruning by study; 

They perfect nature, and are perfected by experienced. 

Crafty men condemn studies, simple men admire them, and wise men use them. 

Some books are to be tasted, others to be swallowed, and some few to be chewed and digested.” 

Poetic Style: 

Bacon's prose style so often becomes poetic. It is full of poetic imagery. So often he makes use of myth making and sensuous word pictures. The essay Of Followers and Friends opens with the image of a bird. 

“Costly followers are not to be liked; lest while a man maketh his train longer, he maketh his wings shorter.” 

Bacon borrows his images from common life. Bacon uses game imagery and nature imagery. 

“For lookers - on many times see more than gamesters; and the vale best discovereth the hill.” 

Bacon cites the imagery of a hill to confirm the former imagery of players. It suggests a paradox that sometimes, the players fail in knowing their faults but the spectators who remain watching their movements closely, mark the error. Image of a hill does not require any proof for it is a general truth that: 

“The vale best discovereth the hill.” 

Bacon uses water imagery for notes and guides: 

“Some books also may be read by deputy, and extracts made of arguments, and the meaner sort of books; else distilled books are, like common distilled waters, flashy things.” 

For and Against Arguments: 

It is Bacon's style that he introduces arguments for and against the subject. His arguments are always logical. For example, he points out advantages and disadvantages of treating people equally or differently. 

“It is a matter of practical wisdom that man of same rank must be treated equally. If one man is given preference, he becomes rude and others feel dissatisfied. But the case is somewhat different with an able man. He must be treated with respect. It makes the able man respectful to the master and inspires others to improve their ability.”

Bacon is a practical philosopher who does not believe in imposing his thoughts on others. He gives arguments for and against the subject and leaves it to the reader to conclude according to his requirement. For example, he points out advantages as well as disadvantages of studies and its three purposes. 

“Studies provide amusement; help in improving effectiveness of speech; and improve skill and perfection; their main purpose of giving amusement is when we are alone or taking rest. They give effectiveness to conversation or discussion. They make perfect in deciding or managing things. According to Bacon experienced man perform well in special parts. But suggestions of universal importance, details and management of business are done best by trained persons. But his discussion does not end here for incoming lines he warns against the disadvantages of making excessive use of studies. Bacon points out disadvantages of studies if done unwisely. Too much study for delight develops idleness; for ornamentation develops artificiality; to take decision wholly by their rules is a bookish approach becomes the whim of a learned man. Studies mature natural talent that is perfected by practical knowledge. Natural talent too requires pruning or trimming. Books express confusing or contradictory ideas that should be limited by experience. Wicked people oppose studies, common or foolish people admire them while wise people use them. How to use studies is a more important art that is attained by practical experience. Likewise on the one hand suggests reading of books and on the others pleads for natural talent. He points out advantages as well as disadvantages of experienced man. He suggests to read some books with the help of notes or extracts made by others.”

Use of References, Quotations and Latinism: 

As regards its style, this essay shows the usual qualities that are associated with Bacon. Bacon is fond of allusions, quotations, Latin phrases and expressions, and figures of speech. We have here a reference to Ulysses, a well-known hero of Greek mythology. There is a reference to the cruelty and hard - heartedness of Inquisitors who used to be employed to inflict punishment on heretics. There is a quotation from an ancient Greek philosopher, Thales who said, in reply to the question when a man should marry: “A young man not yet, an elder man not at all.” 

Thus, Bacon is rightly called the father of English essay. His contribution to the development of English essay is great. He gave a new style to English essay.

Saurabh Gupta

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Home / Prose / Francis Bacon / Francis Bacon Prose style | Stylistic Qualities of Bacon’s Essays

Francis Bacon Prose style | Stylistic Qualities of Bacon’s Essays

Francis Bacon has widely been read all over the world not only because of his philosophy but also because of his prose style. There are certain stylistic qualities in Bacon’s essays due to which he gained fame. Generally, he is known as father of English prose. He does not only laid the foundation of English Essays but also created a proper writing style. Bacon is famous because of the charm in his stylistic qualities. F.G. Selby appreciated Bacon’s contribution in following words:

“Part of Bacon’s influence is of course due to the charm of his style” F.G. Selby – on prose style of Francis Bacon

Indeed, prose style of sir Francis Bacon is remarkable. Let’s find out some advance features in it. However, before doing so, it is necessary to have knowledge about prose style of former writers so that we can compare it with Sir Francis Bacon.

Former writers’ Prose Style:

Many writers have contributed in keeping prose up-to-date. It was already developed even then it had some drawbacks. Some of the great writers like Raleigh and Hooker were writing prose yet their style of writing was much serious as compared to Sir Francis Bacon due to which it was difficult to write on common topics. Apart from them, some skilled writers had also shortcomings in their writing styles. For instance, length of sentences was too long. Essays were too studious hence extra knowledge was required to read them. Latin words, far-fetched similes and remote metaphors created difficulties for the readers. They lead the readers into obscurity. Practice of using parenthesis was common resulted in ruining the real taste of essays.

Prose Style of Francis Bacon:

Francis Bacon reformed the English prose style by reducing all above said shortcomings. It is not wrong to say that Francis Bacon introduced a new style of prose writing. Following are some stylistic qualities of Bacon’s essays.

• Short and concise sentences.
• No Parenthesis.
• Rhythm and Coherence.
• Aphoristic style.
• Themes related to worldly wisdom.

Conciseness as one of the major stylistic qualities of Francis Bacon:

Bacon uses short and concise sentences. His purpose is to explain his philosophy in lesser words. We hardly find any essay which is too long. It is easier for him to cut short the long sentences. A message which requires a paragraph, he can convey it in fewer words and that too without loosing its meanings. Scarcely, any other writer of his era has this kind of ability. In short, he keeps his subject focused, clear and concise.

No Parenthesis:

Bacon has also removed parenthesis. He has no sentence that requires explanation; therefore, he does not need parenthesis. This stylistic quality of Bacon’s essays, increases interest of readers. Every word is self-explanatory; each sentence explains itself.

Clarity in Prose Style of Francis Bacon:

Bacon’s words and sentences are lucid and there is no ambiguity in them. There are allusions in his essays even then there is no vagueness. His style has attraction and it appeals to the readers due to clarity. He chooses simple and common words. Like previous writers, he too uses similes and metaphors but they are not far-fetched. He also gives examples mostly from everyday life experiences. Even a layman can understand his philosophy. Clarity, in this way, is another important ingredient of prose style of Sir Francis Bacon.

Rhythm and Coherence:

Besides, clarity and conciseness, coherence has its own importance. Lack of coherence in sentences means lack of interest of readers. Bacon knows it; therefore, there is a kind of rhythm in his essays. He elucidates his philosophy step by step. He divides subtopics in paragraphs. Several critics appreciate coherence in Bacon’s essays. Coherence is harmony and harmony increases the interest of readers.

Aphoristic style:

It is an epigrammatic style of writing. All above mentioned qualities fall in it. Aphoristic style prefers describing facts and truths. We know that Francis Bacon does not create Utopian world in his essays. He is known for his worldly philosophy. One can become successful in this wold if he follows him. Hence, his philosophy is based on truths and facts. He may be the meanest kind of person yet he always speaks the truth.

Aphoristic style is the combination of following qualities:

• Straightforward 
• Truthfulness
• Impartiality
• Impersonality

All above qualities are there in his essays. These make prose style of Francis Bacon charming as pointed out by F.G. Selby.

Click to read More about Aphoristic style .

So far as themes of his essays are concerned, we know that Bacon was the man of world and a politician. Most of the themes used by him are related to:

• Worldly wisdom.
• Ethical qualities.
• Government.

His experience, in every field of life, is magnificent thus he shares it with his readers. He is a moralist though his morality is related to worldly success. His thematic concept is more related to word. His approach is Machiavellian and by giving solid examples from history, he proves it right. He prefers success to honour. As an opportunist, he suggests to avail every opportunity. Effectiveness of his style forces his readers to think twice on a matter.

Weaknesses in Prose Style of Francis Bacon:

There are some weaknesses which are noteworthy. Sometimes his grammatical structure looses. He makes his sentences concise but readers see its effect directly on grammar. However, I must say that it does not affect meanings of the words. Furthermore, he uses excessive Latin phrases which sometimes create difficulty.

Conclusion:

Sir Francis Bacon is commonly known as father of English prose and essays because of his style. There is no match for him, hitherto. He had a busy life, therefore, he hardly found time for writing yet his talent of writing was unsurpassed up till now. English Literature is in debt to him for making large reformation in English prose. Indeed, he would be remembered every time an essay is written.

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Francis Bacon, Montaigne’s Rival

Bacon wrote canonical essays, steeped in realism and insight, but his true legacy may rest with the sciences .

Flemish painter Paul von Somer’s 1617 portrait of Francis Bacon handily captures the ever-inquisitive gaze of the father of empiricism. 

—Wikimedia Commons  

One of the many legends about the Titanic involves Henry Elkins Widener, a twenty-seven-year-old bibliophile who perished when the ocean liner sank in the Atlantic in 1912. 

Widener had bought a rare edition of Englishman Francis Bacon’s essays while in London, and, as one version of the story goes, he kept the vintage volume in his pocket as the ship went down, declaring, “Little Bacon goes with me.”  

It’s an apocryphal tale, perhaps, one rooted in the young and wealthy Widener’s celebrated passion for the written word. Harvard’s Harry Elkins Widener Memorial Library is named in his honor, and the more than 3,000 books he acquired in his short life are part of its collection.

What gives the story of Widener’s last moments a distinct whiff of antiquity, though, is the notion that anyone in his dying hour would be cherishing the essays of Francis Bacon, who first published them in 1597. 

The writings of Bacon (1561–1626), an Elizabethan philosopher, statesman, and pioneer of science, are still in print, but one gathers that they’re not read very much these days. In assessing the relative obscurity of another English writer, the nineteenth-century essayist Charles Lamb, author Anne Fadiman made an observation that could just as easily apply to Bacon: “It is a bad sign when a writer can be found more easily in secondhand bookstores—which, as I need hardly point out, are filled with books that people have gotten rid of—than in Barnes and Noble.” 

Bacon’s oeuvre has, indeed, become a fixture of used bookstores, as I’ve learned in picking up a few old editions of his essays among their dusty shelves over the years. Those tattered volumes offer a few clues about the rise and fall of Bacon’s popular reputation. 

“There is probably no book in all the world’s treasury of literature, which says so much in so small a compass,” author William Henry Hudson writes in introducing a 1901 edition of Bacon’s essays. Bacon did, in fact, have a genius for quickly getting to the point. His essays, which treat topics that include truth, death, adversity, empire, youth, and anger, seldom bother with clearing their throats before proclaiming their message. Here’s how he opens his essay on revenge: “Revenge is a kind of wild justice, which the more man’s nature runs to, the more law ought to weed it out; for as for the first wrong, it doth but offend the law, but the revenge of that wrong, putteth the law out of office.” 

It’s vintage Bacon, touched by a temptation to swiftly reduce the vast human pageant of emotions and impulses to a general formula. He’s like Machiavelli in this way—sharply incisive but also a little bloodless. 

Bacon seemed comfortable with this often ruthlessly pragmatic worldview. “We are much beholden to [Machiavelli] and others, that write what men do, and not what they ought to do,” he once observed. 

What one misses, in the dry certitude of Bacon’s prose, is a sense of life gradually being worked out on the page, which is what so many of us look for in a good essay. 

That ideal of the essay—the word itself translates from the French as “trial” or “attempt”—was popularized by Bacon’s contemporary, the Frenchman Michel de Montaigne, who’s widely credited with inventing the essay as we now know it. 

Bacon knew of Montaigne (1522–1592), though not as well as Bacon’s older brother Anthony, who became friends with him during a government mission to France in the final years of Montaigne’s life. By that time, Montaigne’s essays had made him a literary celebrity. Novelist Daphne du Maurier thought that Francis Bacon was envious of Montaigne. She wondered “what unacknowledged jealousy lingered through the years for Anthony’s friendship with Montaigne.” As Bacon worked on his essays, he promised Anthony that they would rival Montaigne’s. 

Du Maurier’s interest in Bacon is an intriguing part of his legacy. By the time she died at eighty-one in 1989, the English author had achieved international fame for darkly moody novels of family intrigue such as Rebecca and My Cousin Rachel . Though not as well known for literary scholarship, she nevertheless tackled two nonfiction studies of Bacon and his times, no doubt drawn to a life touched by enough angst to match any of her fictional characters. 

In his own writing, Bacon offered few personal details. That’s probably why, centuries later, Montaigne is the essayist who’s having a cultural moment, with popular studies by Sarah Bakewell and Saul Frampton, along with freshly curated editions of his essays, attesting to his continuing appeal. 

Chatty, discursive, and deeply confessional, Montaigne easily speaks to our let-it-all-hang-out standards of discourse. Whether he’s laughing at his lack of height, grieving the loss of his best friend, or musing on the family feline, Montaigne is a master at enlisting the reader as his confidante. 

Bacon, by contrast, exemplifies a writerly reticence that seems to have had its zenith at just about the time Widener and Hudson grew to manhood.  

“While Montaigne ranged the world, indulging all curiosities, mixing garrulously with everyone, Bacon kept to the narrow path,” Virginia Woolf perceptively pointed out. As Woolf also suggested, the aristocratic Bacon didn’t much care for the common touch that helps build a wide audience. With their regal air, the titles of his essays “enumerate the proper topics,” Woolf told readers. “‘Of Truth. Of Death. Of Unity in religion. Of Revenge. Of Simulation and Dissimulation.’ These were the subjects that the rulers discussed at their high tables. . . . He lives entirely in the world of great spirits and great business. The common people is contemptible.”   

An essay from the pen of Michel de Montaigne might seem familiar and direct, while Bacon was usually cooler and quick to the point. Any rivalry between the two would have been more keenly felt by the Englishman. 

—Art Resource 

If Bacon doesn’t seem much inclined to small talk in his essays, it’s perhaps because he was the quintessential man in a hurry. 

Bacon’s father, Sir Nicholas Bacon, was Lord Keeper of the Great Seal and Lord High Chancellor for Queen Elizabeth I. But after the elder Bacon died in 1579, Francis had to make his own way. 

“His eminent connections were less helpful than one might expect,” literary scholar Gordon S. Haight observed in introducing a 1942 edition of Bacon’s essays. “As the eighth child, he received nothing from his father’s estate.” Bacon studied law and elbowed his way into politics, finding an ally in the Earl of Essex. But after Essex fell out of favor with Elizabeth and was arrested for scheming against her, Bacon helped prosecute his former patron, which critics found dishonorable. 

After Elizabeth’s death in 1603, Bacon’s star quickly rose under her successor, King James. Bacon eventually became Lord High Chancellor, his eloquence helping to advance his rise. “No man,” wrote a contemporary, poet Ben Jonson, “ever spake more neatly . . . more weightily, or suffered less emptiness, less idleness, in what he uttered. . . . His hearers could not cough, or look aside from him without loss.” 

A striking feature of Bacon’s essays—and an abiding complication—is their rhetorical ambition. Bacon’s gift for the bon mot has made him a fixture in Bartlett’s Familiar Quotations , where he gets several pages. Here’s a sampling: 

“Knowledge is power.”  “If a man will begin with certainties, he shall end in doubts; but if he will be content to begin with doubts he shall end in certainties.”  “They are ill discoverers that think there is no land, when they can see nothing but sea.”  “Nature, to be commanded, must be obeyed.” 

Bacon’s writings come heavily freighted with such aphorisms, which he presumably honed in the halls of power where he frequently rose to speak. While memorable for their potency, his observations can often sound more suited to the podium than the page. One frequently gets the sense that Bacon is speaking at you, among legions in an audience, not with you, as an intimate reader. He greets us in his books as a politician rather than a friend. 

Bacon also coined a proverb that seems an apt description of his political career: “The monuments of wit survive the monuments of power.” He knew a thing or two about the vagaries of power, perhaps assuming that he would be remembered more for his literary than his government career. His political fall from grace came swiftly in 1621, when he was accused of taking bribes. He eventually pled guilty and was banished from public service. 

John Gribbin, writing about the case in his 2007 book about Bacon, notes that it was common in Bacon’s time and place for government leaders to accept money or gifts from people they dealt with on official business. Gribbin, along with others, argues that Bacon might have been singled out for prosecution because rivals wanted him gone. 

Regardless of the circumstances, the taint on Bacon’s character has endured, and it has compromised his literary standing too. “Francis Bacon’s reputation has suffered from the world’s insistence that a moralist should follow his own advice; having recognized vice and folly, he should avoid them,” Haight writes. “But in Bacon knowing and doing were as far apart as they are in others. All his life he wooed the Goddess of Getting-on, only to prove that self-seeking ends in disaster.” 

But if Bacon didn’t always practice what his essays preached, he at least had the benefit of working in a genre that tends to forgive inconsistency. We often read essays precisely because of the contradictions they reveal in the writer, perhaps in turn underlining the contradictions we feel in ourselves. There’s more than a bit of this tension in Bacon, who wrote against quick certainty even as he rushed to pat conclusions—or argued against ignorance though he sometimes seemed captive to the insularity of the royal court. 

Out of office, Bacon had more time for writing. The tradition of former politicians retiring to their estates to record their reflections is a long one, and it brings the possibility that the public figure will now be at greater ease to reveal his private face. But that kind of relaxed sensibility seemed forever at odds with Bacon’s literary persona. Even in “Of Gardens,” an essay in which he ostensibly muses on the delights of a home landscape, we get very little insight into the particulars of his garden. What unfolds instead is an archly formal treatise on horticultural design, a commentary in which neither the writer nor the reader smells the soil or feels the sun. 

There may have been deeper reasons for Bacon’s guardedness about his domestic life. Some biographers have pointed to the possibility that he was gay in a time when homosexuality was considered criminal. 

In a letter, Bacon’s mother complained that he was sleeping with one of his male servants. His marriage to Alice Barnham, who came from a politically connected family, seemed loveless. Bacon disinherited her a few months before he died, and she married a household servant ten days after Bacon passed away. 

Bacon had a famously dim view of matrimony, at least as it was defined in his day. He made his opinion clear in the opening lines of his essay “Of Marriage and Single Life”: “He that hath wife and children hath given hostages to fortune; for they are impediments to great enterprises, either of virtue or mischief. Certainly, the best works, and of greatest merit for the public, have proceeded from the unmarried or childless men, which, both in affection and means, have married and endowed the public.”   

Anthony Bacon might also have been gay. He was once charged with sodomy in France, but Henri of Navarre intervened to spare him from prosecution. 

“Although the question of Bacon’s sexual identity will probably always remain a puzzle, the likelihood that he may have been a homosexual is undeniable,” biographer Perez Zagorin tells readers. “If this was the case, it might throw light on certain elements of his labyrinthine personality that are also reflected in his writings. Homosexuality in England was a statutory crime as well as a social misdemeanor, and Bacon was always a practitioner of the art of self-concealment. One of the maxims he included in a collection of sayings dating from around 1594 was the statement ‘I had rather know than be known.’” 

Beneath the shroud surrounding Francis Bacon’s private life, a few eccentrics have suggested an even bigger secret, speculating that he’s the real author of William Shakespeare’s works. That idea, first advanced in the nineteenth century, has been roundly dismissed by serious scholars, and on the face of it, the notion makes no sense. While Shakespeare’s plays and sonnets reveal a writer of dancing ebullience, Bacon strictly avoided flashiness on the page. 

“Bacon delighted in presenting practical suggestions for the improvement of virtually all of man’s institutions,” scholar Christopher R. Reaske points out. “His interest in practical solutions is reflected in his simple writing style. His prose was intentionally utilitarian, elevating matter over manner. His purpose, simply stated, was to persuade men that they could do just about everything a little better.” 

Bacon’s preoccupation with social improvement led him to science. He didn’t invent the scientific method as we now know it, but his arguments for the importance of reason and objective observation in drawing conclusions helped pave the way for science as a central institution in modern life. 

In The New Atlantis , a parable he wrote around 1624, Bacon envisioned a utopian society in which progress was advanced by research and discovery. His ideas helped shape the founding of the Royal Society, a seminal scientific institution, in England in 1660. Bacon also championed science in The Advancement of Learning and other works. 

“He aggressively pressed the case for practicing science to improve food production, housing, medicine, and navigation,” Robert P. Crease, a scholar of science, writes of Bacon. 

Crease also concedes Bacon’s limitations: “Today’s researchers do not rank Bacon high as a scientist. . . . He was obtuse about the science of his own day, rejecting Copernicus’s idea that the Earth moved about the Sun rather than vice versa.” 

Even so, Bacon’s idea of a world in which science informs key policy decisions resonates with special urgency as humanity wrestles with climate change and the continuing implications of the COVID-19 pandemic. Bacon, a seasoned politician and aspiring scientist, probably wouldn’t be surprised by how knotty the intersection of science and politics has become. 

A popular tale about Bacon blames his death on his passion for science. As the story goes, he was riding in his coach when he decided to perform an experiment, purchasing a gutted hen and stuffing it with snow to see how the chill helped preserve it, in the process catching a fatal chill himself. 

Gribbin, echoing others who’ve looked into the story, casts doubt on the idea of Bacon spontaneously hopping from a carriage, which “scarcely matches what is known about  Bacon’s character.” 

Surveying the available evidence, Gribbin concludes that Bacon was probably quite sick already, his decline accelerated by period remedies of saltpeter and opiates. 

The image of Bacon felled during an intellectual quest, hunched over an experiment in the snow, is probably a mythical one. But like any myth, it points to some underlying quality that’s meant to be remembered. For Francis Bacon, that hallmark was an inquiring mind. As he breathed his last on Easter Sunday—April 9, 1626—it’s safe to assume that he was asking questions until the end. 

That’s the chief thing that still makes him worth reading, whatever the limitations of Bacon’s writing or ideas. He could be smug and self-absorbed, but the ideal of a mind without borders nudged him to think more broadly. “I have taken all knowledge,” he once wrote, “to be my province.” 

Nearly four centuries after Francis Bacon’s death, the expanding reaches of that province call us to be as audacious as he was.   

Danny Heitman is the editor of Phi Kappa Phi’s Forum magazine and a columnist for the  Advocate newspaper in Louisiana. He writes frequently about arts and culture for national publications, including the Wall Street Journal and the  Christian Science Monitor.

Funding information

NEH has funded numerous projects related to Francis Bacon, including a  $308,254 grant for Six Degrees of Francis Bacon: Reassembling the Early Modern Social Network, a digital reconstruction of the early British social network.  

Republication statement

This article is available for unedited republication, free of charge, using the following credit: “Originally published as “Montaigne's Rival: Francis Bacon wrote canonical essays, steeped in realism and insight, but his true legacy may rest with the sciences” in the Spring 2022 issue of  Humanities  magazine, a publication of the National Endowment for the Humanities.” Please notify us at  [email protected]  if you are republishing it or have any questions.

The Winding Stair by Daphne du Maurier; Golden Lads by Daphne du Maurier; The Workshop and the World by Robert P. Crease; Francis Bacon by Perez Zagorin; Seven Essayists by Christopher R. Reaske; Hostage to Fortune by Lisa Jardine and Alan Stewart; Essays and New Atlantis , 1942 Classics Club Edition, introduced by Gordon S. Haight; Bacon’s Essays , with an introduction by William H. Hudson, published in 1901; At Large and At Small by Anne Fadiman; “Harvey Elkins Widener: Brief life of a theater-loving bibliophile,” in Harvard magazine, May-June 2019; The Essays of Virginia Woolf, Volume 6, edited by Stuart N. Clarke. 

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Essays by Francis Bacon

• Sir Francis Bacon
• Non-fiction
• Essay, treatise
• 16th century
• 17th century
• Collections
• Philosophical literature

THE ESSAYS OR COUNSELS, CIVIL AND MORAL, OF FRANCIS Ld. VERULAM VISCOUNT ST. ALBANS

Of Truth Of Death Of Unity in Religion Of Revenge Of Adversity Of Simulation and Dissimulation Of Parents and Children Of Marriage and Single Life Of Envy Of Love Of Great Place Of Boldness Of Goodness and Goodness of Nature Of Nobility Of Seditions and Troubles Of Atheism Of Superstition Of Travel Of Empire Of Counsel Of Delays Of Cunning Of Wisdom for a Man’s Self Of Innovations Of Dispatch Of Seeming Wise Of Friendship Of Expense Of the True Greatness of Kingdoms and Estates Of Regiment of Health Of Suspicion Of Discourse Of Plantations Of Riches Of Prophecies Of Ambition Of Masques and Triumphs Of Nature in Men Of Custom and Education Of Fortune Of Usury Of Youth and Age Of Beauty Of Deformity Of Building Of Gardens Of Negotiating Of Followers and Friends Of Suitors Of Studies Of Faction Of Ceremonies and Respects Of Praise Of Vain-glory Of Honor and Reputation Of Judicature Of Anger Of Vicissitude of Things Of Fame

THE RIGHT HONORABLE

MY VERY GOOD LORD

THE DUKE OF BUCKINGHAM

HIS GRACE, LORD

HIGH ADMIRAL OF ENGLAND

EXCELLENT LORD:

SALOMON saies; A good Name is as a precious oyntment; And I assure my selfe, such wil your Graces Name bee, with Posteritie. For your Fortune, and Merit both, have been Eminent. And you have planted Things, that are like to last. I doe now publish my Essayes; which, of all my other workes, have beene most Currant: For that, as it seemes, they come home, to Mens Businesse, and Bosomes. I have enlarged them, both in Number, and Weight; So that they are indeed a New Worke. I thought it therefore agreeable, to my Affection, and Obligation to your Grace, to prefix your Name before them, both in English, and in Latine. For I doe conceive, that the Latine Volume of them, (being in the Universall Language) may last, as long as Bookes last. My Instauration, I dedicated to the King: My Historie of Henry the Seventh, (which I have now also translated into Latine) and my Portions of Naturall History, to the Prince: And these I dedicate to your Grace; Being of the best Fruits, that by the good Encrease, which God gives to my Pen and Labours, I could yeeld. God leade your Grace by the Hand. Your Graces most Obliged and faithfull Servant,

FR. ST. ALBAN

WHAT is truth? said jesting Pilate,and would not stay for an answer. Certainly there be, that delight in giddiness, and count it a bondage to fix a belief; affecting free-will in thinking, as well as in acting. And though the sects of philosophers of that kind be gone, yet there remain certain dis- coursing wits, which are of the same veins, though there be not so much blood in them, as was in those of the ancients. But it is not only the difficulty and labor, which men take in finding out of truth, nor again, that when it is found, it imposeth upon men’s thoughts, that doth bring lies in favor; but a natural, though corrupt love, of the lie itself. One of the later school of the Grecians, examineth the matter, and is at a stand, to think what should be in it, that men should love lies; where neither they make for pleasure, as with poets, nor for advan- tage, as with the merchant; but for the lie’s sake. But I cannot tell; this same truth, is a naked, and open day-light, that doth not show the masks, and mummeries, and triumphs, of the world, half so stately and daintily as candle-lights. Truth may perhaps come to the price of a pearl, that showeth best by day; but it will not rise to the price of a diamond, or carbuncle, that showeth best in varied lights. A mixture of a lie doth ever add pleasure. Doth any man doubt, that if there were taken out of men’s minds, vain opinions, flattering hopes, false valuations, imaginations as one would, and the like, but it would leave the minds, of a number of men, poor shrunken things, full of melancholy and indisposition, and unpleasing to themselves?

One of the fathers, in great severity, called poesy vinum daemonum, because it fireth the imagina- tion; and yet, it is but with the shadow of a lie. But it is not the lie that passeth through the mind, but the lie that sinketh in, and settleth in it, that doth the hurt; such as we spake of before. But how- soever these things are thus in men’s depraved judgments, and affections, yet truth, which only doth judge itself, teacheth that the inquiry of truth, which is the love-making, or wooing of it, the knowledge of truth, which is the presence of it, and the belief of truth, which is the enjoying of it, is the sovereign good of human nature. The first creature of God, in the works of the days, was the light of the sense; the last, was the light of reason; and his sabbath work ever since, is the illumina- tion of his Spirit. First he breathed light, upon the face of the matter or chaos; then he breathed light, into the face of man; and still he breatheth and in- spireth light, into the face of his chosen. The poet, that beautified the sect, that was otherwise in- ferior to the rest, saith yet excellently well: It is a pleasure, to stand upon the shore, and to see ships tossed upon the sea; a pleasure, to stand in the win- dow of a castle, and to see a battle, and the adven- tures thereof below: but no pleasure is comparable to the standing upon the vantage ground of truth (a hill not to be commanded, and where the air is always clear and serene), and to see the errors, and wanderings, and mists, and tempests, in the vale below; so always that this prospect be with pity, and not with swelling, or pride. Certainly, it is heaven upon earth, to have a man’s mind move in charity, rest in providence, and turn upon the poles of truth.

To pass from theological, and philosophical truth, to the truth of civil business; it will be ac- knowledged, even by those that practise it not, that clear, and round dealing, is the honor of man’s nature; and that mixture of falsehoods, is like alloy in coin of gold and silver, which may make the metal work the better, but it embaseth it. For these winding, and crooked courses, are the goings of the serpent; which goeth basely upon the belly, and not upon the feet. There is no vice, that doth so cover a man with shame, as to be found false and perfidious. And therefore Montaigne saith pret- tily, when he inquired the reason, why the word of the lie should be such a disgrace, and such an odious charge? Saith he, If it be well weighed, to say that a man lieth, is as much to say, as that he is brave towards God, and a coward towards men. For a lie faces God, and shrinks from man. Surely the wickedness of falsehood, and breach of faith, cannot possibly be so highly expressed, as in that it shall be the last peal, to call the judgments of God upon the generations of men; it being foretold, that when Christ cometh, he shall not find faith upon the earth.

MEN fear death, as children fear to go in the dark; and as that natural fear in children, is increased with tales, so is the other. Certainly, the contemplation of death, as the wages of sin, and passage to another world, is holy and relig- ious; but the fear of it, as a tribute due unto nature, is weak. Yet in religious meditations, there is some- times mixture of vanity, and of superstition. You shall read, in some of the friars’ books of mortifica- tion, that a man should think with himself, what the pain is, if he have but his finger’s end pressed, or tortured, and thereby imagine, what the pains of death are, when the whole body is corrupted, and dissolved; when many times death passeth, with less pain than the torture of a limb; for the most vital parts, are not the quickest of sense. And by him that spake only as a philosopher, and nat- ural man, it was well said, Pompa mortis magis terret, quam mors ipsa. Groans, and convulsions, and a discolored face, and friends weeping, and blacks, and obsequies, and the like, show death terrible. It is worthy the observing, that there is no passion in the mind of man, so weak, but it mates, and masters, the fear of death; and therefore, death is no such terrible enemy, when a man hath so many attendants about him, that can win the combat of him. Revenge triumphs over death; love slights it; honor aspireth to it; grief flieth to it; fear preoccupateth it; nay, we read, after Otho the em- peror had slain himself, pity (which is the tender- est of affections) provoked many to die, out of mere compassion to their sovereign, and as the truest sort of followers. Nay, Seneca adds niceness and satiety: Cogita quamdiu eadem feceris; mori velle, non tantum fortis aut miser, sed etiam fastidiosus potest. A man would die, though he were neither valiant, nor miserable, only upon a weariness to do the same thing so oft, over and over. It is no less worthy, to observe, how little alteration in good spirits, the approaches of death make; for they appear to be the same men, till the last instant. Augustus Caesar died in a compliment; Livia, con- jugii nostri memor, vive et vale. Tiberius in dissi- mulation; as Tacitus saith of him, Jam Tiberium vires et corpus, non dissimulatio, deserebant. Ves- pasian in a jest, sitting upon the stool; Ut puto deus fio. Galba with a sentence; Feri, si ex re sit populi Romani; holding forth his neck. Septimius Severus in despatch; Adeste si quid mihi restat agendum. And the like. Certainly the Stoics bestowed too much cost upon death, and by their great prepara- tions, made it appear more fearful. Better saith he, qui finem vitae extremum inter munera ponat naturae. It is as natural to die, as to be born; and to a little infant, perhaps, the one is as painful, as the other. He that dies in an earnest pursuit, is like one that is wounded in hot blood; who, for the time, scarce feels the hurt; and therefore a mind fixed, and bent upon somewhat that is good, doth avert the dolors of death. But, above all, believe it, the sweetest canticle is’, Nunc dimittis; when a man hath obtained worthy ends, and expectations. Death hath this also; that it openeth the gate to good fame, and extinguisheth envy. – Extinctus amabitur idem.

IN RELIGION

RELIGION being the chief band of human so- ciety, it is a happy thing, when itself is well contained within the true band of unity. The quarrels, and divisions about religion, were evils unknown to the heathen. The reason was, because the religion of the heathen, consisted rather in rites and ceremonies, than in any constant belief. For you may imagine, what kind of faith theirs was, when the chief doctors, and fathers of their church, were the poets. But the true God hath this attribute, that he is a jealous God; and therefore, his worship and religion, will endure no mixture, nor partner.We shall therefore speak a few words, concerning the unity of the church; what are the fruits thereof ; what the bounds; and what the means.

The fruits of unity (next unto the well pleasing of God, which is all in all) are two: the one, towards those that are without the church, the other, towards those that are within. For the former; it is certain, that heresies, and schisms, are of all others the greatest scandals; yea, more than corruption of manners. For as in the natural body, a wound, or solution of continuity, is worse than a corrupt humor; so in the spiritual. So that nothing, doth so much keep men out of the church, and drive men out of the church, as breach of unity. And there- fore, whensoever it cometh to that pass, that one saith, Ecce in deserto, another saith, Ecce in pene- tralibus; that is, when some men seek Christ, in the conventicles of heretics, and others, in an outward face of a church, that voice had need continually to sound in men’s ears, Nolite exire, – Go not out. The doctor of the Gentiles (the propriety of whose vocation, drew him to have a special care of those without) saith, if an heathen come in, and hear you speak with several tongues, will he not say that you are mad? And certainly it is little better, when atheists, and profane persons, do hear of so many discordant, and contrary opinions in re- ligion; it doth avert them from the church, and maketh them, to sit down in the chair of the scorners. It is but a light thing, to be vouched in so serious a matter, but yet it expresseth well the deformity. There is a master of scoffing, that in his catalogue of books of a feigned library, sets down this title of a book, The Morris-Dance of Heretics. For indeed, every sect of them, hath a diverse pos- ture, or cringe by themselves, which cannot but move derision in worldlings, and depraved politics, who are apt to contemn holy things.

As for the fruit towards those that are within; it is peace; which containeth infinite blessings. It establisheth faith; it kindleth charity; the outward peace of the church, distilleth into peace of con- science; and it turneth the labors of writing, and reading of controversies, into treaties of mortifica- tion and devotion.

Concerning the bounds of unity; the true plac- ing of them, importeth exceedingly. There appear to be two extremes. For to certain zealants, all speech of pacification is odious. Is it peace, Jehu,? What hast thou to do with peace? turn thee be- hind me. Peace is not the matter, but following, and party. Contrariwise, certain Laodiceans, and lukewarm persons, think they may accommodate points of religion, by middle way, and taking part of both, and witty reconcilements; as if they would make an arbitrament between God and man. Both these extremes are to be avoided; which will be done, if the league of Christians, penned by our Savior himself, were in two cross clauses thereof, soundly and plainly expounded: He that is not with us, is against us; and again, He that is not against us, is with us; that is, if the points funda- mental and of substance in religion, were truly discerned and distinguished, from points not merely of faith, but of opinion, order, or good in- tention. This is a thing may seem to many a matter trivial, and done already. But if it were done less partially, it would be embraced more generally.

Of this I may give only this advice, according to my small model. Men ought to take heed, of rend- ing God’s church, by two kinds of controversies. The one is, when the matter of the point contro- verted, is too small and light, not worth the heat and strife about it, kindled only by contradiction. For, as it is noted, by one of the fathers, Christ’s coat indeed had no seam, but the church’s vesture was of divers colors; whereupon he saith, In veste varietas sit, scissura non sit; they be two things, unity and uniformity. The other is, when the matter of the point controverted, is great, but it is driven to an over-great subtilty, and obscurity; so that it becometh a thing rather ingenious, than substantial. A man that is of judgment and under- standing, shall sometimes hear ignorant men dif- fer, and know well within himself, that those which so differ, mean one thing, and yet they themselves would never agree. And if it come so to pass, in that distance of judgment, which is be- tween man and man, shall we not think that God above, that knows the heart, doth not discern that frail men, in some of their contradictions, intend the same thing; and accepteth of both? The nature of such controversies is excellently expressed, by St. Paul, in the warning and precept, that he giveth concerning the same, Devita profanas vocum novi- tates, et oppositiones falsi nominis scientiae. Men create oppositions, which are not; and put them into new terms, so fixed, as whereas the meaning ought to govern the term, the term in effect gov- erneth the meaning.There be also two false peaces, or unities: the one, when the peace is grounded, but upon an implicit ignorance; for all colors will agree in the dark: the other, when it is pieced up, upon a direct admission of contraries, in funda- mental points. For truth and falsehood, in such things, are like the iron and clay, in the toes of Nebuchadnezzar’s image; they may cleave, but they will not incorporate.

Concerning the means of procuring unity; men must beware, that in the procuring, or reuniting, of religious unity, they do not dissolve and deface the laws of charity, and of human society. There be two swords amongst Christians, the spiritual and temporal; and both have their due office and place, in the maintenance of religion. But we may not take up the third sword, which is Mahomet’s sword, or like unto it; that is, to propagate religion by wars, or by sanguinary persecutions to force consciences; except it be in cases of overt scandal, blasphemy, or intermixture of practice against the state; much less to nourish seditions; to author- ize conspiracies and rebellions; to put the sword into the people’s hands; and the like; tending to the subversion of all government, which is the ordinance of God. For this is but to dash the first table against the second; and so to consider men as Christians, as we forget that they are men. Lucretius the poet, when he beheld the act of Aga- memnon, that could endure the sacrificing of his own daughter, exclaimed: Tantum Religio potuit suadere malorum.

What would he have said, if he had known of the massacre in France, or the powder treason of England? He would have been seven times more Epicure, and atheist, than he was. For as the tem- poral sword is to be drawn with great circumspec- tion in cases of religion; so it is a thing monstrous to put it into the hands of the common people. Let that be left unto the Anabaptists, and other furies. It was great blasphemy, when the devil said, I will ascend, and be like the highest; but it is greater blasphemy, to personate God, and bring him in saying, I will descend, and be like the prince of darkness; and what is it better, to make the cause of religion to descend, to the cruel and execrable actions of murthering princes, butchery of people, and subversion of states and governments? Surely this is to bring down the Holy Ghost, instead of the likeness of a dove, in the shape of a vulture or raven; and set, out of the bark of a Christian church, a flag of a bark of pirates, and assassins. Therefore it is most necessary, that the church, by doctrine and decree, princes by their sword, and all learnings, both Christian and moral, as by their Mercury rod, do damn and send to hell for ever, those facts and opinions tending to the support of the same; as hath been already in good part done. Surely in counsels concerning religion, that coun- sel of the apostle would be prefixed, Ira hominis non implet justitiam Dei. And it was a notable observation of a wise father, and no less ingenu- ously confessed; that those which held and per- suaded pressure of consciences, were commonly interested therein., themselves, for their own ends.

REVENGE is a kind of wild justice; which the more man’ s nature runs to, the more ought law to weed it out. For as for the first wrong, it doth but offend the law; but the revenge of that wrong, putteth the law out of office. Certainly, in taking revenge, a man is but even with his enemy; but in passing it over, he is superior; for it is a prince’s part to pardon. And Solomon, I am sure, saith, It is the glory of a man, to pass by an offence. That which is past is gone, and irrevocable; and wise men have enough to do, with things present and to come; therefore they do but trifle with themselves, that labor in past matters. There is no man doth a wrong, for the wrong’s sake; but thereby to purchase himself profit, or pleasure, or honor, or the like. Therefore why should I be angry with a man, for loving himself better than me? And if any man should do wrong, merely out of ill-nature, why, yet it is but like the thorn or briar, which prick and scratch, because they can do no other. The most tolerable sort of revenge, is for those wrongs which there is no law to remedy; but then let a man take heed, the revenge be such as there is no law to punish; else a man’s enemy is still before hand, and it is two for one. Some, when they take revenge, are desirous, the party should know, whence it cometh. This is the more gener- ous. For the delight seemeth to be, not so much in doing the hurt, as in making the party repent. But base and crafty cowards, are like the arrow that flieth in the dark. Cosmus, duke of Florence, had a desperate saying against perfidious or neglecting friends, as if those wrongs were unpardonable; You shall read (saith he) that we are commanded to forgive our enemies; but you never read, that we are commanded to forgive our friends. But yet the spirit of Job was in a better tune: Shall we (saith he) take good at God’s hands, and not be content to take evil also? And so of friends in a proportion. This is certain, that a man that studieth revenge, keeps his own wounds green, which otherwise would heal, and do well. Public revenges are for the most part fortunate; as that for the death of Caesar; for the death of Pertinax; for the death of Henry the Third of France; and many more. But in private revenges, it is not so. Nay rather, vindic- tive persons live the life of witches; who, as they are mischievous, so end they infortunate.

Of Adversity

IT WAS an high speech of Seneca (after the manner of the Stoics), that the good things, which belong to prosperity, are to be wished; but the good things, that belong to adversity, are to be admired. Bona rerum secundarum optabilia; ad- versarum mirabilia. Certainly if miracles be the command over nature, they appear most in adver- sity. It is yet a higher speech of his, than the other (much too high for a heathen), It is true greatness, to have in one the frailty of a man, and the security of a God. Vere magnum habere fragilitatem homi- nis, securitatem Dei. This would have done better in poesy, where transcendences are more allowed. And the poets indeed have been busy with it; for it is in effect the thing, which figured in that strange fiction of the ancient poets, which seemeth not to be without mystery; nay, and to have some approach to the state of a Christian; that Hercules, when he went to unbind Prometheus (by whom human nature is represented), sailed the length of the great ocean, in an earthen pot or pitcher; lively describing Christian resolution, that saileth in the frail bark of the flesh, through the waves of the world. But to speak in a mean. The virtue of pros- perity, is temperance; the virtue of adversity, is fortitude; which in morals is the more heroical virtue. Prosperity is the blessing of the Old Testa- ment; adversity is the blessing of the New; which carrieth the greater benediction, and the clearer revelation of God’s favor. Yet even in the Old Testament, if you listen to David’s harp, you shall hear as many hearse-like airs as carols; and the pencil of the Holy Ghost hath labored more in de- scribing the afflictions of Job, than the felicities of Solomon. Prosperity is not without many fears and distastes; and adversity is not without com- forts and hopes. We see in needle-works and em- broideries, it is more pleasing to have a lively work, upon a sad and solemn ground, than to have a dark and melancholy work, upon a lightsome ground: judge therefore of the pleasure of the heart, by the pleasure of the eye. Certainly virtue is like precious odors, most fragrant when they are incensed, or crushed: for prosperity doth best discover vice, but adversity doth best discover virtue.

Of Simulation AND DISSIMULATION

DISSIMULATION is but a faint kind of pol- icy, or wisdom; for it asketh a strong wit, and a strong heart, to know when to tell truth, and to do it. Therefore it is the weaker sort of politics, that are the great dissemblers.

Tacitus saith, Livia sorted well with the arts of her husband, and dissimulation of her son; attri- buting arts or policy to Augustus, and dissimula- tion to Tiberius. And again, when Mucianus encourageth Vespasian, to take arms against Vitel- lius, he saith, We rise not against the piercing judgment of Augustus, nor the extreme caution or closeness of Tiberius. These properties, of arts or policy, and dissimulation or closeness, are indeed habits and faculties several, and to be distin- guished. For if a man have that penetration of judgment, as he can discern what things are to be laid open, and what to be secreted, and what to be showed at half lights, and to whom and when (which indeed are arts of state, and arts of life, as Tacitus well calleth them), to him, a habit of dis- simulation is a hinderance and a poorness. But if a man cannot obtain to that judgment, then it is left to bim generally, to be close, and a dissembler. For where a man cannot choose, or vary in parti- culars, there it is good to take the safest, and wari- est way, in general; like the going softly, by one that cannot well see. Certainly the ablest men that ever were, have had all an openness, and frankness, of dealing; and a name of certainty and veracity; but then they were like horses well managed; for they could tell passing well, when to stop or turn; and at such times, when they thought the case indeed required dissimulation, if then they used it, it came to pass that the former opin- ion, spread abroad, of their good faith and clear- ness of dealing, made them almost invisible.

There be three degrees of this hiding and veil- ing of a man’s self. The first, closeness, reservation, and secrecy; when a man leaveth himself without observation, or without hold to be taken, what he is. The second, dissimulation, in the negative; when a man lets fall signs and arguments, that he is not, that he is. And the third, simulation, in the affirmative; when a man industriously and ex- pressly feigns and pretends to be, that he is not.

For the first of these, secrecy; it is indeed the virtue of a confessor. And assuredly, the secret man heareth many confessions. For who will open himself, to a blab or a babbler? But if a man be thought secret, it inviteth discovery; as the more close air sucketh in the more open; and as in con- fession, the revealing is not for worldly use, but for the ease of a man’s heart, so secret men come to the knowledge of many things in that kind; while men rather discharge their minds, than impart their minds. In few words, mysteries are due to secrecy. Besides (to say truth) nakedness is un- comely, as well in mind as body; and it addeth no small reverence, to men’s manners and actions, if they be not altogether open. As for talkers and futile persons, they are commonly vain and credu- lous withal. For he that talketh what he knoweth, will also talk what he knoweth not. Therefore set it down, that an habit of secrecy, is both politic and moral. And in this part, it is good that a man’s face give his tongue leave to speak. For the discovery of a man’ s self, by the tracts of his countenance, is a great weakness and betraying; by how much it is many times more marked, and believed, than a man’s words.

For the second, which is dissimulation; it fol- loweth many times upon secrecy, by a necessity; so that he that will be secret, must be a dissembler in some degree. For men are too cunning, to suffer a man to keep an indifferent carriage between both, and to be secret, without swaying the bal- ance on either side. They will so beset a man with questions, and draw him on, and pick it out of him, that, without an absurd silence, he must show an inclination one way; or if he do not, they will gather as much by his silence, as by his speech. As for equivocations, or oraculous speeches, they can- not hold out long. So that no man can be secret, except he give himself a little scope of dissimula- tion; which is, as it were, but the skirts or train of secrecy.

But for the third degree, which is simulation, and false profession; that I hold more culpable, and less politic; except it be in great and rare mat- ters. And therefore a general custom of simulation (which is this last degree) is a vice, using either of a natural falseness or fearfulness, or of a mind that hath some main faults, which because a man must needs disguise, it maketh him practise simulation in other things, lest his hand should be out of use.

The great advantages of simulation and dissi- mulation are three. First, to lay asleep opposition, and to surprise. For where a man’s intentions are published, it is an alarum, to call up all that are against them. The second is, to reserve to a man’s self a fair retreat. For if a man engage himself by a manifest declaration, he must go through or take a fall. The third is, the better to discover the mind of another. For to him that opens himself, men will hardly show themselves adverse; but will fair let him go on, and turn their freedom of speech, to freedom of thought. And therefore it is a good shrewd proverb of the Spaniard, Tell a lie and find a troth. As if there were no way of discovery, but by simulation. There be also three disadvantages, to set it even. The first, that simulation and dissi- mulation commonly carry with them a show of fearfulness, which in any business, doth spoil the feathers, of round flying up to the mark. The sec- ond, that it puzzleth and perplexeth the conceits of many, that perhaps would otherwise co-operate with him; and makes a man walk almost alone, to his own ends. The third and greatest is, that it depriveth a man of one of the most principal in- struments for action; which is trust and belief. The best composition and temperature, is to have openness in fame and opinion; secrecy in habit; dissimulation in seasonable use; and a power to feign, if there be no remedy.

AND CHILDREN

THE joys of parents are secret; and so are their griefs and fears. They cannot utter the one; nor they will not utter the other. Children sweeten labors; but they make misfortunes more bitter. They increase the cares of life; but they mitigate the remembrance of death. The perpetuity by generation is common to beasts; but memory, merit, and noble works, are proper to men. And surely a man shall see the noblest works and foun- dations have proceeded from childless men; which have sought to express the images of their minds, where those of their bodies have failed. So the care of posterity is most in them, that have no posterity. They that are the first raisers of their houses, are most indulgent towards their children; beholding them as the continuance, not only of their kind, but of their work; and so both children and creatures.

The difference in affection, of parents towards their several children, is many times unequal; and sometimes unworthy; especially in the mothers; as Solomon saith, A wise son rejoiceth the father, but an ungracious son shames the mother. A man shall see, where there is a house full of children, one or two of the eldest respected, and the young- est made wantons; but in the midst, some that are as it were forgotten, who many times, never- theless, prove the best. The illiberality of parents, in allowance towards their children, is an harmful error; makes them base; acquaints them with shifts; makes them sort with mean company; and makes them surfeit more when they come to plenty. And therefore the proof is best, when men keep their authority towards the children, but not their purse. Men have a foolish manner (both par- ents and schoolmasters and servants) in creating and breeding an emulation between brothers, dur- ing childhood, which many times sorteth to dis- cord when they are men, and disturbeth families. The Italians make little difference between chil- dren, and nephews or near kinsfolks; but so they be of the lump, they care not though they pass not through their own body. And, to say truth, in nature it is much a like matter; insomuch that we see a nephew sometimes resembleth an uncle, or a kinsman, more than his own parent; as the blood happens. Let parents choose betimes, the vocations and courses they mean their children should take; for then they are most flexible; and let them not too much apply themselves to the disposition of their children, as thinking they will take best to that, which they have most mind to. It is true, that if the affection or aptness of the children be extra- ordinary, then it is good not to cross it; but gener- ally the precept is good, optimum elige, suave et facile illud faciet consuetudo. Younger brothers are commonly fortunate, but seldom or never where the elder are disinherited.

Of Marriage

AND SINGLE LIFE

HE THAT hath wife and children hath given hostages to fortune; for they are impedi- ments to great enterprises, either of virtue or mis- chief. Certainly the best works, and of greatest merit for the public, have proceeded from the un- married or childless men; which both in affection and means, have married and endowed the public. Yet it were great reason that those that have chil- dren, should have greatest care of future times; unto which they know they must transmit their dearest pledges. Some there are, who though they lead a single life, yet their thoughts do end with themselves, and account future times imperti- nences. Nay, there are some other, that account wife and children, but as bills of charges. Nay more, there are some foolish rich covetous men, that take a pride, in having no children, because they may be thought so much the richer. For per- haps they have heard some talk, Such an one is a great rich man, and another except to it, Yea, but he hath a great charge of children; as if it were an abatement to his riches. But the most ordinary cause of a single life, is liberty, especially in certain self-pleasing and humorous minds, which are so sensible of every restraint, as they will go near to think their girdles and garters, to be bonds and shackles. Unmarried men are best friends, best masters, best servants; but not always best sub- jects; for they are light to run away; and almost all fugitives, are of that condition. A single life doth well with churchmen; for charity will hardly water the ground, where it must first fill a pool. It is indifferent for judges and magistrates; for if they be facile and corrupt, you shall have a ser- vant, five times worse than a wife. For soldiers, I find the generals commonly in their hortatives, put men in mind of their wives and children; and I think the despising of marriage amongst the Turks, maketh the vulgar soldier more base. Cer- tainly wife and children are a kind of discipline of humanity; and single men, though they may be many times more charitable, because their means are less exhaust, yet, on the other side, they are more cruel and hardhearted (good to make severe inquisitors), because their tenderness is not so oft called upon. Grave natures, led by custom, and therefore constant, are commonly loving hus- bands, as was said of Ulysses, vetulam suam praetu- lit immortalitati. Chaste women are often proud and froward, as presuming upon the merit of their chastity. It is one of the best bonds, both of chastity and obedience, in the wife, if she think her hus- band wise; which she will never do, if she find him jealous. Wives are young men’s mistresses; com- panions for middle age; and old men’s nurses. So as a man may have a quarrel to marry, when he will. But yet he was reputed one of the wise men, that made answer to the question, when a man should marry, – A young man not yet, an elder man not at all. It is often seen that bad husbands, have very good wives; whether it be, that it raiseth the price of their husband’s kindness, when it comes; or that the wives take a pride in their patience. But this never fails, if the bad husbands were of their own choosing, against their friends’ consent; for then they will be sure to make good their own folly.

THERE be none of the affections, which have been noted to fascinate or bewitch, but love and envy. They both have vehement wishes; they frame themselves readily into imaginations and suggestions; and they come easily into the eye, especially upon the present of the objects; which are the points that conduce to fascination, if any such thing there be. We see likewise, the Scripture calleth envy an evil eye; and the astrologers, call the evil influences of the stars, evil aspects; so that still there seemeth to be acknowledged, in the act of envy, an ejaculation or irradiation of the eye. Nay, some have been so curious, as to note, that the times when the stroke or percussion of an envi- ous eye doth most hurt, are when the party envied is beheld in glory or triumph; for that sets an edge upon envy: and besides, at such times the spirits of the person envied, do come forth most into the outward parts, and so meet the blow.

But leaving these curiosities (though not un- worthy to be thought on, in fit place), we will handle, what persons are apt to envy others; what persons are most subject to be envied themselves; and what is the difference between public and private envy.

A man that hath no virtue in himself, ever en- vieth virtue in others. For men’s minds, will either feed upon their own good, or upon others’ evil; and who wanteth the one, will prey upon the other; and whoso is out of hope, to attain to another’s virtue, will seek to come at even hand, by depress- ing another’s fortune.

A man that is busy, and inquisitive, is com- monly envious. For to know much of other men’s matters, cannot be because all that ado may con- cern his own estate; therefore it must needs be, that he taketh a kind of play-pleasure, in looking upon the fortunes of others. Neither can he, that mindeth but his own business, find much matter for envy. For envy is a gadding passion, and walk- eth the streets, and doth not keep home: Non est curiosus, quin idem sit malevolus.

Men of noble birth, are noted to be envious towards new men, when they rise. For the distance is altered, and it is like a deceit of the eye, that when others come on, they think themselves, go back.

Deformed persons, and eunuchs, and old men, and bastards, are envious. For he that cannot pos- sibly mend his own case, will do what he can, to impair another’s; except these defects light upon a very brave, and heroical nature, which thinketh to make his natural wants part of his honor; in that it should be said, that an eunuch, or a lame man, did such great matters; affecting the honor of a miracle; as it was in Narses the eunuch, and Agesi- laus and Tamberlanes, that were lame men.

The same is the case of men, that rise after ca- lamities and misfortunes. For they are as men fallen out with the times; and think other men’s harms, a redemption of their own sufferings.

They that desire to excel in too many matters, out of levity and vain glory, are ever envious. For they cannot want work; it being impossible, but many, in some one of those things, should surpass them. Which was the character of Adrian the Em- peror; that mortally envied poets, and painters, and artificers, in works wherein he had a vein to excel.

Lastly, near kinsfolks, and fellows in office, and those that have been bred together, are more apt to envy their equals, when they are raised. For it doth upbraid unto them their own fortunes, and pointeth at them, and cometh oftener into their remembrance, and incurreth likewise more into the note of others; and envy ever redoubleth from speech and fame. Cain’s envy was the more vile and malignant, towards his brother Abel, because when his sacrifice was better accepted, there was no body to look on. Thus much for those, that are apt to envy.

Concerning those that are more or less subject to envy: First, persons of eminent virtue, when they are advanced, are less envied. For their for- tune seemeth , but due unto them; and no man envieth the payment of a debt, but rewards and liberality rather. Again, envy is ever joined with the comparing of a man’s self; and where there is no comparison, no envy; and therefore kings are not envied, but by kings. Nevertheless it is to be noted, that unworthy persons are most envied, at their first coming in, and afterwards overcome it better; whereas contrariwise, persons of worth and merit are most envied, when their fortune continueth long. For by that time, though their virtue be the same, yet it hath not the same lustre; for fresh men grow up that darken it.

Persons of noble blood, are less envied in their rising. For it seemeth but right done to their birth. Besides, there seemeth not much added to their fortune; and envy is as the sunbeams, that beat hotter upon a bank, or steep rising ground, than upon a flat. And for the same reason, those that are advanced by degrees, are less envied than those that are advanced suddenly and per saltum.

Those that have joined with their honor great travels, cares, or perils, are less subject to envy. For men think that they earn their honors hardly, and pity them sometimes; and pity ever healeth envy. Wherefore you shall observe, that the more deep and sober sort of politic persons, in their greataess, are ever bemoaning themselves, what a life they lead; chanting a quanta patimur! Not that they feel it so, but only to abate the edge of envy. But this is to be understood, of business that is laid upon men, and not such, as they call unto themselves. For nothing increaseth envy more, than an unnecessary and ambitious engrossing of business. And nothing doth extinguish envy more, than for a great person to preserve all other infe- rior officers, in their full lights and pre-eminences of their places. For by that means, there be so many screens between him and envy.

Above all, those are most subject to envy, which carry the greatness of their fortunes, in an insolent and proud manner; being never well, but while they are showing how great they are, either by outward pomp, or by triumphing over all opposi- tion or competition; whereas wise men will rather do sacrifice to envy, in suffering themselves some- times of purpose to be crossed, and overborne in things that do not much concern them. Notwith- standing, so much is true, that the carriage of greatness, in a plain and open manner (so it be without arrogancy and vain glory) doth draw less envy, than if it be in a more crafty and cunning fashion. For in that course, a man doth but dis- avow fortune; and seemeth to be conscious of his own want in worth; and doth but teach others, to envy him.

Lastly, to conclude this part; as we said in the beginning, that the act of envy had somewhat in it of witchcraft, so there is no other cure of envy, but the cure of witchcraft; and that is, to remove the lot (as they call it) and to lay it upon another. For which purpose, the wiser sort of great persons, bring in ever upon the stage somebody upon whom to derive the envy, that would come upon them- selves; sometimes upon ministers and servants; sometimes upon colleagues and associates; and the like; and for that turn there are never wanting, some persons of violent and undertaking natures, who, so they may have power and business, will take it at any cost.

Now, to speak of public envy. There is yet some good in public envy, whereas in private, there is none. For public envy, is as an ostracism, that eclipseth men, when they grow too great. And therefore it is a bridle also to great ones, to keep them within bounds.

This envy, being in the Latin word invidia, goeth in the modern language, by the name of discontentment; of which we shall speak, in hand- ling sedition. It is a disease, in a state, like to infec- tion. For as infection spreadeth upon that which is sound, and tainteth it; so when envy is gotten once into a state, it traduceth even the best actions thereof, and turneth them into an ill odor. And therefore there is little won, by intermingling of plausible actions. For that doth argue but a weak- ness, and fear of envy, which hurteth so much the more, as it is likewise usual in infections; which if you fear them, you call them upon you.

This public envy, seemeth to beat chiefly upon principal officers or ministers, rather than upon kings, and estates themselves. But this is a sure rule, that if the envy upon the minister be great, when the cause of it in him is small; or if the envy be general, in a manner upon all the ministers of an estate; then the envy (though hidden) is truly upon the state itself. And so much of public envy or discontentment, and the difference thereof from private envy, which was handled in the first place.

We will add this in general, touching the affec- tion of envy; that of all other affections, it is the most importune and continual. For of other affec- tions, there is occasion given, but now and then; and therefore it was well said, Invidia festos dies non agit: for it is ever working upon some or other. And it is also noted, that love and envy do make a man pine, which other affections do not, because they are not so continual. It is also the vilest affec- tion, and the most depraved; for which cause it is the proper attribute of the devil, who is called, the envious man, that soweth tares amongst the wheat by night; as it always cometh to pass, that envy worketh subtilly, and in the dark, and to the prejudice of good things, such as is the wheat.

THE stage is more beholding to love, than the life of man. For as to the stage, love is ever matter of comedies, and now and then of tragedies; but in life it doth much mischief; sometimes like a siren, sometimes like a fury. You may observe, that amongst all the great and worthy persons (whereof the memory remaineth, either ancient or recent) there is not one, that hath been transported to the mad degree of love: which shows that great spirits, and great business, do keep out this weak passion. You must except, nevertheless, Marcus Antonius, the half partner of the empire of Rome, and Appius Claudius, the decemvir and lawgiver; whereof the former was indeed a voluptuous man, and inordinate; but the latter was an austere and wise man: and therefore it seems (though rarely) that love can find entrance, not only into an open heart, but also into a heart well fortified, if watch be not well kept. It is a poor saying of Epicurus, Satis magnum alter alteri theatrum sumus; as if man, made for the contemplation of heaven, and all noble objects, should do nothing but kneel be- fore a little idol, and make himself a subject, though not of the mouth (as beasts are), yet of the eye; which was given him for higher purposes. It is a strange thing, to note the excess of this passion, and how it braves the nature, and value of things, by this; that the speaking in a perpetual hyper- bole, is comely in nothing but in love. Neither is it merely in the phrase; for whereas it hath been well said, that the arch-flatterer, with whom all the petty flatterers have intelligence, is a man’s self; certainly the lover is more. For there was never proud man thought so absurdly well of him- self, as the lover doth of the person loved; and therefore it was well said, That it is impossible to love, and to be wise. Neither doth this weakness appear to others only, and not to the party loved; but to the loved most of all, except the love be reci- proque. For it is a true rule, that love is ever re- warded, either with the reciproque, or with an inward and secret contempt. By how much the more, men ought to beware of this passion, which loseth not only other things, but itself! As for the other losses, the poet’s relation doth well figure them: that he that preferred Helena, quitted the gifts of Juno and Pallas. For whosoever esteemeth too much of amorous affection, quitteth both riches and wisdom. This passion hath his floods, in very times of weakness; which are great prosperity, and great adversity; though this latter hath been less observed: both which times kindle love, and make it more fervent, and therefore show it to be the child of folly. They do best, who if they cannot but admit love, yet make it keep quarters; and sever it wholly from their serious affairs, and actions, of life; for if it check once with business, it troubleth men’s fortunes, and maketh men, that they can no ways be true to their own ends. I know not how, but martial men are given to love: I think, it is but as they are given to wine; for perils commonly ask to be paid in pleasures. There is in man’s nature, a secret inclination and motion, towards love of others, which if it be not spent upon some one or a few, doth naturally spread itself towards many, and maketh men become humane and charitable; as it is seen sometime in friars. Nuptial love maketh mankind; friendly love perfecteth it; but wanton love corrupteth, and embaseth it.

Of Great Place

MEN in great place are thrice servants: ser- vants of the sovereign or state; servants of fame; and servants of business. So as they have no freedom; neither in their persons, nor in their ac- tions, nor in their times. It is a strange desire, to seek power and to lose liberty: or to seek power over others, and to lose power over a man’s self. The rising unto place is laborious; and by pains, men come to greater pains; and it is sometimes base; and by indignities, men come to dignities. The standing is slippery, and the regress is either a downfall, or at least an eclipse, which is a melan- choly thing. Cum non sis qui fueris, non esse cur velis vivere. Nay, retire men cannot when they would, neither will they, when it were reason; but are impatient of privateness, even in age and sick- ness, which require the shadow; like old towns- men, that will be still sitting at their street door, though thereby they offer age to scom. Certainly great persons had need to borrow other men’s opinions, to think themselves happy; for if they judge by their own feeling, they cannot find it; but if they think with themselves, what other men think of them, and that other men would fain be, as they are, then they are happy, as it were, by report; when perhaps they find the contrary within. For they are the first, that find their own griefs, though they be the last, that find their own faults. Certainly men in great fortunes are strangers to themselves, and while they are in the puzzle of business, they have no time to tend their health, either of body or mind. Illi mors gravis incubat, qui notus nimis omnibus, ignotus moritur sibi. In place, there is license to do good, and evil; whereof the latter is a curse: for in evil, the best condition is not to win; the second, not to can. But power to do good, is the true and lawful end of aspiring. For good thoughts (though God accept them) yet, towards men, are little better than good dreams, except they be put in act; and that cannot be, without power and place, as the vantage, and commanding ground. Merit and good works, is the end of man’s motion; and conscience of the same is the accomplishment of man’s rest. For if a man can be partaker of God’s theatre, he shall like- wise be partaker of God’s rest. Et conversus Deus, ut aspiceret opera quae fecerunt manus suae, vidit quod omnia essent bona nimis; and then the sab- bath. In the discharge of thy place, set before thee the best examples; for imitation is a globe of pre- cepts. And after a time, set before thee thine own example; and examine thyself strictly, whether thou didst not best at first. Neglect not also the examples, of those that have carried themselves ill, in the same place; not to set off thyself, by tax- ing their memory, but to direct thyself, what to avoid. Reform therefore, without bravery, or scan- dal of former times and persons; but yet set it down to thyself, as well to create good precedents, as to follow them. Reduce things to the first institution, and observe wherein, and how, they have degen- erate; but yet ask counsel of both times; of the ancient time, what is best; and of the latter time, what is fittest. Seek to make thy course regular, that men may know beforehand, what they may expect; but be not too positive and peremptory; and express thyself well, when thou digressest from thy rule. Preserve the right of thy place; but stir not questions of jurisdiction; and rather as- sume thy right, in silence and de facto, than voice it with claims, and challenges. Preserve likewise the rights of inferior places; and think it more honor, to direct in chief, than to be busy in all. Embrace and invite helps, and advices, touching the execution of thy place; and do not drive away such, as bring thee information, as meddlers; but accept of them in good part. The vices of authority are chiefly four: delays, corruption, roughness, and facility. For delays: give easy access; keep times appointed; go through with that which is in hand, and interlace not business, but of necessity. For corruption: do not only bind thine own hands, or thy servants’ hands, from taking, but bind the hands of suitors also, from offering. For integrity used doth the one; but integrity professed, and with a manifest detestation of bribery, doth the other. And avoid not only the fault, but the sus- picion. Whosoever is found variable, and changeth manifestly without manifest cause, giveth sus- picion of corruption. Therefore always, when thou changest thine opinion or course, profess it plainly, and declare it, together with the reasons that move thee to change; and do not think to steal it. A servant or a favorite, if he be inward, and no other apparent cause of esteem, is commonly thought, but a by-way to close corruption. For roughness: it is a needless cause of discontent: severity breedeth fear, but roughness breedeth hate. Even reproofs from authority, ought to be grave, and not taunting. As for facility: it is worse than bribery. For bribes come but now and then; but if importunity, or idle respects, lead a man, he shall never be without. As Solomon saith, To re- spect persons is not good; for such a man will transgress for a piece of bread. It is most true, that was anciently spoken, A place showeth the man. And it showeth some to the better, and some to the worse. Omnium consensu capax imperii, nisi im- perasset, saith Tacitus of Galba; but of Vespasian he saith, Solus imperantium, Vespasianus mutatus in melius; though the one was meant of sufficiency, the other of manners, and affection. It is an assured sign of a worthy and generous spirit, whom honor amends. For honor is, or should be, the place of virtue; and as in nature, things move violently to their place, and calmly in their place, so virtue in ambition is violent, in authority settled and calm. All rising to great place is by a winding star; and if there be factions, it is good to side a man’s self, whilst he is in the rising, and to balance himself when he is placed. Use the memory of thy prede- cessor, fairly and tenderly; for if thou dost not, it is a debt will sure be paid when thou art gone. If thou have colleagues, respect them, and rather call them, when they look not for it, than exclude them , when they have reason to look to be called. Be not too sensible, or too remembering, of thy place in conversation, and private answers to suitors; but let it rather be said, When he sits in place, he is another man.

Of Boldness

IT IS a trivial grammar-school text, but yet worthy a wise man’s consideration. Question was asked of Demosthenes, what was the chief part of an orator? he answered, action; what next? action; what next again? action. He said it, that knew it best, and had, by nature, himself no ad- vantage in that he commended. A strange thing, that that part of an orator, which is but superficial, and rather the virtue of a player, should be placed so high, above those other noble parts, of invention, elocution, and the rest; nay, almost alone, as if it were all in all. But the reason is plain. There is in human nature generally, more of the fool than of the wise; and therefore those faculties, by which the foolish part of men’s minds is taken, are most potent. Wonderful like is the case of boldness in civil business: what first? boldness; what second and third? boldness. And yet boldness is a child of ignorance and baseness, far inferior to other parts. But nevertheless it doth fascinate, and bind hand and foot, those that are either shallow in judg- ment, or weak in courage, which are the greatest part; yea and prevaileth with wise men at weak times. Therefore we see it hath done wonders, in popular states; but with senates, and princes less; and more ever upon the first entrance of bold per- sons into action, than soon after; for boldness is an ill keeper of promise. Surely, as there are mounte- banks for the natural body, so are there mounte- banks for the politic body; men that undertake great cures, and perhaps have been lucky, in two or three experiments, but want the grounds of science, and therefore cannot hold out. Nay, you shall see a bold fellow many times do Mahomet’s miracle. Mahomet made the people believe that he would call an hill to him, and from the top of it offer up his prayers, for the observers of his law. The people assembled; Mahomet called the hill to come to him, again and again; and when the hill stood still, he was never a whit abashed, but said, If the hill will not come to Mahomet, Mahomet will go to the hill. So these men, when they have promised great matters, and failed most shame- fully, yet (if they have the perfection of boldness) they will but slight it over, and make a turn, and no more ado. Certainly to men of great judgment, bold persons are a sport to behold; nay, and to the vulgar also, boldness has somewhat of the ridicu- lous. For if absurdity be the subject of laughter, doubt you not but great boldness is seldom without some absurdity. Especially it is a sport to see, when a bold fellow is out of countenance; for that puts his face into a most shrunken, and wooden pos- ture; as needs it must; for in bashfulness, the spirits do a little go and come; but with bold men, upon like occasion, they stand at a stay; like a stale at chess, where it is no mate, but yet the game cannot stir. But this last were fitter for a satire than for a serious observation. This is well to be weighed; that boldness is ever blind; for it seeth not danger, and inconveniences. Therefore it is ill in counsel, good in execution; so that the right use of bold per- sons is, that they never command in chief, but be seconds, and under the direction of others. For in counsel, it is good to see dangers; and in execution, not to see them, except they be very great.

Of Goodness & GOODNESS OF NATURE

I TAKE goodness in this sense, the affecting of the weal of men, which is that the Grecians call philanthropia; and the word humanity (as it is used) is a little too light to express it. Good- ness I call the habit, and goodness of nature, the inclination. This of all virtues, and dignities of the mind, is the greatest; being the character of the Deity: and without it, man is a busy, mischievous, wretched thing; no better than a kind of vermin. Goodness answers to the theological virtue, char- ity, and admits no excess, but error. The desire of power in excess, caused the angels to fall; the desire of knowledge in excess, caused man to fall: but in charity there is no excess; neither can angel, nor man, come in dan ger by it. The inclination to good- ness, is imprinted deeply in the nature of man; in- somuch, that if it issue not towards men, it will take unto other living creatures; as it is seen in the Turks, a cruel people, who nevertheless are kind to beasts, and give alms, to dogs and birds; inso- much, as Busbechius reporteth, a Christian boy, in Constantinople, had like to have been stoned, for gagging in a waggishness a long-billed fowl. Errors indeed in this virtue of goodness, or charity, may be committed. The Italians have an ungra- cious proverb, Tanto buon che val niente: so good, that he is good for nothing. And one of the doctors of Italy, Nicholas Machiavel, had the confidence to put in writing, almost in plain terms, That the Christian faith, had given up good men, in prey to those that are tyrannical and un- just. Which he spake, because indeed there was never law, or sect, or opinion, did so much mag- nify goodness, as the Christian religion doth. Therefore, to avoid the scandal and the danger both, it is good, to take knowledge of the errors of an habit so excellent. Seek the good of other men, but be not in bondage to their faces or fancies; for that is but facility, or softness; which taketh an honest mind prisoner. Neither give thou AEsop’s cock a gem, who would be better pleased, and hap- pier, if he had had a barley-corn. The example of God, teacheth the lesson truly: He sendeth his rain, and maketh his sun to shine, upon the just and unjust; but he doth not rain wealth, nor shine honor and virtues, upon men equally. Common benefits, are to be communicate with all; but pe- culiar benefits, with choice. And beware how in making the portraiture, thou breakest the pattern. For divinity, maketh the love of ourselves the pat- tern; the love of our neighbors, but the portraiture. Sell all thou hast, and give it to the poor, and fol- low me: but, sell not all thou hast, except thou come and follow me; that is, except thou have a vocation, wherein thou mayest do as much good, with little means as with great; for otherwise, in feeding the streams, thou driest the fountain. Neither is there only a habit of goodness, directed by right reason; but there is in some men, even in nature, a disposition towards it; as on the other side, there is a natural malignity. For there be, that in their nature do not affect the good of others. The lighter sort of malignity, turneth but to a crassness, or frowardness, or aptness to oppose, or difficulties, or the like; but the deeper sort, to envy and mere mischief. Such men, in other men’s ca- lamities, are, as it were, in season, and are ever on the loading part: not so good as the dogs, that licked Lazarus’ sores; but like flies, that are still buzzing upon any thing that is raw; misanthropi, that make it their practice, to bring men to the bough, and yet never a tree for the purpose in their gar- dens, as Timon had. Such dispositions, are the very errors of human nature; and yet they are the fittest timber, to make great politics of; like to knee tim- ber, that is good for ships, that are ordained to be tossed; but not for building houses, that shall stand firm. The parts and signs of goodness, are many. If a man be gracious and courteous to strangers, it shows he is a citizen of the world, and that his heart is no island, cut off from other lands, but a conti- nent, that joins to them. If he be compassionate towards the afflictions of others, it shows that his heart is like the noble tree, that is wounded itself, when it gives the balm. If he easily pardons, and remits offences, it shows that his mind is planted above injuries; so that he cannot be shot. If he be thankful for small benefits, it shows that he weighs men’s minds, and not their trash. But above all, if he have St. Paul’s perfection, that he would wish to be anathema from Christ, for the salvation of his brethren, it shows much of a divine nature, and a kind of conformity with Christ himself

Of Nobility

WE WILL speak of nobility, first as a portion of an estate, then as a condition of particu- lar persons. A monarchy, where there is no nobil- ity at all, is ever a pure and absolute tyranny; as that of the Turks. For nobility attempers sover- eignty, and draws the eyes of the people, somewhat aside from the line royal. But for democracies, they need it not; and they are commonly more quiet, and less subject to sedition, than where there are stirps of nobles. For men’s eyes are upon the business, and not upon the persons; or if upon the persons, it is for the business’ sake, as fittest, and not for flags and pedigree. We see the Switzers last well, notwithstanding their diversity of religion, and of cantons. For utility is their bond, and not respects. The united provinces of the Low Coun- tries, in their government, excel; for where there is an equality, the consultations are more indif- ferent, and the payments and tributes, more cheerful. A great and potent nobility, addeth majesty to a monarch, but diminisheth power; and putteth life and spirit into the people, but presseth their fortune. It is well, when nobles are not too great for sovereignty nor for justice; and yet maintained in that height, as the insolency of inferiors may be broken upon them, before it come on too fast upon the majesty of kings. A numerous nobility causeth poverty, and inconvenience in a state; for it is a surcharge of expense; and besides, it being of necessity, that many of the nobility fall, in time, to be weak in fortune, it maketh a kind of disproportion, between honor and means.

As for nobility in particular persons; it is a rev- erend thing, to see an ancient castle or building, not in decay; or to see a fair timber tree, sound and perfect. How much more, to behold an ancient noble family, which has stood against the waves and weathers of time! For new nobility is but the act of power, but ancient nobility is the act of time. Those that are first raised to nobility, are com- monly more virtuous, but less innocent, than their descendants; for there is rarely any rising, but by a commixture of good and evil arts. But it is reason, the memory of their virtues remain to their pos- terity, and their faults die with themselves. Nobil- ity of birth commonly abateth industry; and he that is not industrious, envieth him that is. Besides, noble persons cannot go much higher; and he that standeth at a stay, when others rise, can hardly avoid motions of envy. On the other side, nobil- ity extinguisheth the passive envy from others, towards them; because they are in possession of honor. Certainly, kings that have able men of their nobility, shall find ease in employing them, and a better slide into their business; for people naturally bend to them, as born in some sort to command.

Of Seditions

AND TROUBLES

SHEPHERDS of people, had need know the calendars of tempests in state; which are com- monly greatest, when things grow to equality; as natural tempests are greatest about the Equinoc- tia. And as there are certain hollow blasts of wind, and secret swellings of seas before a tempest, so are there in states:

–Ille etiam caecos instare tumultus Saepe monet, fraudesque et operta tunescere bella.

Libels and licentious discourses against the state, when they are frequent and open; and in like sort, false news often running up and down, to the dis- advantage of the state, and hastily embraced; are amongst the signs of troubles. Virgil, giving the pedigree of Fame, saith, she was sister to the Giants:

Illam Terra parens, irra irritata deorum, Extremam (ut perhibent) Coeo Enceladoque sororem Progenuit.-

As if fames were the relics of seditions past; but they are no less, indeed, the preludes of seditions to come. Howsoever he noteth it right, that seditious tumults, and seditious fames, differ no more but as brother and sister, masculine and feminine; es- pecially if it come to that, that the best actions of a state, and the most plausible, and which ought to give greatest contentment, are taken in ill sense, and traduced: for that shows the envy great, as Tacitus saith; conflata magna invidia, seu bene seu male gesta premunt. Neither doth it follow, that because these fames are a sign of troubles, that the suppressing of them with too much severity, should be a remedy of troubles. For the despising of them, many times checks them best; and the going about to stop them, doth but make a wonder long-lived. Also that kind of obedience, which Tacitus speaketh of, is to be held suspected: Erant in officio, sed tamen qui mallent mandata impe- rantium interpretari quam exequi; disputing, ex- cusing, cavilling upon mandates and directions, is a kind of shaking off the yoke, and assay of dis- obedience; especially if in those disputings, they which are for the direction, speak fearfully and tenderly, and those that are against it, audaciously.

Also, as Machiavel noteth well, when princes, that ought to be common parents, make them- selves as a party, and lean to a side, it is as a boat, that is overthrown by uneven weight on the one side; as was well seen, in the time of Henry the Third of France; for first, himself entered league for the extirpation of the Protestants; and pres- ently after, the same league was turned upon him- self. For when the authority of princes, is made but an accessory to a cause, and that there be other bands, that tie faster than the band of sovereignty, kings begin to be put almost out of possession.

Also, when discords, and quarrels, and factions are carried openly and audaciously, it is a sign the reverence of government is lost. For the motions of the greatest persons in a government, ought to be as the motions of the planets under primum mobile; according to the old opinion: which is, that every of them, is carried swiftly by the highest motion, and softly in their own motion. And therefore, when great ones in their own particular motion, move violently, and, as Tacitus expresseth it well, liberius quam ut imperan- tium meminissent; it is a sign the orbs are out of frame. For reverence is that, wherewith princes are girt from God; who threateneth the dissolving thereof; Solvam cingula regum.

So when any of the four pillars of government, are mainly shaken, or weakened (which are relig- ion, justice, counsel, and treasure), men had need to pray for fair weather. But let us pass from this part of predictions (concerning which, neverthe- less, more light may be taken from that which followeth); and let us speak first, of the materials of seditions; then of the motives of them; and thirdly of the remedies.

Concerning the materials of seditions. It is a thing well to be considered; for the surest way to prevent seditions (if the times do bear it) is to take away the matter of them. For if there be fuel pre- pared, it is hard to tell, whence the spark shall come, that shall set it on fire. The matter of sedi- tions is of two kinds: much poverty, and much dis- contentment. It is certain, so many overthrown estates, so many votes for troubles. Lucan noteth well the state of Rome before the Civil War,

Hinc usura vorax, rapidumque in tempore foenus, Hinc concussa fides, et multis utile bellum.

This same multis utile bellum, is an assured and infallible sign, of a state disposed to seditions and troubles. And if this poverty and broken estate in the better sort, be joined with a want and necessity in the mean people, the danger is imminent and great. For the rebellions of the belly are the worst. As for discontentments, they are, in the politic body, like to humors in the natural, which are apt to gather a preternatural heat, and to inflame. And let no prince measure the danger of them by this, whether they be just or unjust: for that were to imagine people, to be too reasonable; who do often spurn at their own good: nor yet by this, whether the griefs whereupon they rise, be in fact great or small: for they are the most dangerous discontentments, where the fear is greater than the feeling. Dolendi modus, timendi non item. Besides, in great oppressions, the same things that provoke the patience, do withal mate the courage; but in fears it is not so. Neither let any prince, or state, be secure concerning discontentments, be- cause they have been often, or have been long, and yet no peril hath ensued: for as it is true, that every vapor or fume doth not turn into a storm; so it is nevertheless true, that storms, though they blow over divers times, yet may fall at last; and, as the Spanish proverb noteth well, The cord breaketh at the last by the weakest pull.

The causes and motives of seditions are, innova- tion in religion; taxes; alteration of laws and cus- toms; breaking of privileges; general oppression; advancement of unworthy persons; strangers; dearths; disbanded soldiers; factions grown des- perate; and what soever, in offending people, joineth and knitteth them in a common cause.

For the remedies; there may be some general preservatives, whereof we will speak: as for the just cure, it must answer to the particular disease; and so be left to counsel, rather than rule.

The first remedy or prevention is to remove, by all means possible, that material cause of sedition whereof we spake; which is, want and poverty in the estate. To which purpose serveth the opening, and well-balancing of trade; the cherishing of manufactures; the banishing of idleness; the re- pressing of waste, and excess, by sumptuary laws; the improvement and husbanding of the soil; the regulating of prices of things vendible; the moder- ating of taxes and tributes; and the like. Generally, it is to be foreseen that the population of a king- dom (especially if it be not mown down by wars) do not exceed the stock of the kingdom, which should maintain them. Neither is the population to be reckoned only by number; for a smaller num- ber, that spend more and earn less, do wear out an estate sooner, than a greater number that live lower, and gather more. Therefore the multiply- ing of nobility, and other degrees of quality, in an over proportion to the common people, doth speed- ily bring a state to necessity; and so doth likewise an overgrown clergy; for they bring nothing to the stock; and in like manner, when more are bred scholars, than preferments can take off .

It is likewise to be remembered, that forasmuch as the increase of any estate must be upon the foreigner (for whatsoever is somewhere gotten, is somewhere lost), there be but three things, which one nation selleth unto another; the commodity as nature yieldeth it; the manufacture; and the vec- ture, or carriage. So that if these three wheels go, wealth will flow as in a spring tide. And it cometh many times to pass, that materiam superabit opus; that the work and carriage is more worth than the material, and enricheth a state more; as is notably seen in the Low-Countrymen, who have the best mines above ground, in the world.

Above all things, good policy is to be used, that the treasure and moneys, in a state, be not gath- ered into few hands. For otherwise a state may have a great stock, and yet starve. And money is like muck, not good except it be spread. This is done, chiefly by suppressing, or at least keeping a strait hand, upon the devouring trades of usury, ingrossing great pasturages, and the like.

For removing discontentments, or at least the danger of them; there is in every state (as we know) two portions of subjects; the noblesse and the commonalty. When one of these is discontent, the danger is not great; for common people are of slow motion, if they be not excited by the greater sort; and the greater sort are of small strength, except the multitude be apt, and ready to move of themselves. Then is the danger, when the greater sort, do but wait for the troubling of the waters amongst the meaner, that then they may declare themselves. The poets feign, that the rest of the gods would have bound Jupiter; which he hearing of, by the counsel of Pallas, sent for Briareus, with his hundred hands, to come in to his aid. An em- blem, no doubt, to show how safe it is for mon- archs, to make sure of the good will of common people. To give moderate liberty for griefs and dis- contentments to evaporate (so it be without too great insolency or bravery), is a safe way. For he that turneth the humors back, and maketh the wound bleed inwards, endangereth malign ulcers, and pernicious imposthumations.

The part of Epimetheus mought well become Prometheus, in the case of discontentments: for there is not a better provision against them. Epime- theus, when griefs and evils flew abroad, at last shut the lid, and kept hope in the bottom of the vessel. Certainly, the politic and artificial nourish- ing, and entertaining of hopes, and carrying men from hopes to hopes, is one of the best antidotes against the poison of discontentments. And it is a certain sign of a wise government and proceeding, when it can hold men’s hearts by hopes, when it cannot by satisfaction; and when it can handle things, in such manner, as no evil shall appear so peremptory, but that it hath some outlet of hope; which is the less hard to do, because both particu- lar persons and factions, are apt enough to flatter themselves, or at least to brave that, which they believe not.

Also the foresight and prevention, that there be no likely or fit head, whereunto discontented per- sons may resort, and under whom they may join, is a known, but an excellent point of caution. I understand a fit head, to be one that hath great- ness and reputation; that hath confidence with the discontented party, and upon whom they turn their eyes; and that is thought discontented, in his own particular: which kind of persons, are either to be won, and reconciled to the state, and that in a fast and true manner; or to be fronted with some other, of the same party, that may oppose them, and so divide the reputation. Generally, the divid- ing and breaking, of all factions and combinations that are adverse to the state, and setting them at distance, or at least distrust, amongst themselves, is not one of the worst remedies. For it is a desper- ate case, if those that hold with the proceeding of the state, be full of discord and faction, and those that are against it, be entire and united.

I have noted, that some witty and sharp speeches, which have fallen from princes, have given fire to seditions. Caesar did himself infinite hurt in that speech, Sylla nescivit literas, non po- tuit dictare; for it did utterly cut off that hope, which men had entertained, that he would at one time or other give over his dictatorship. Galba un- did himself by that speech, legi a se militem, non emi; for it put the soldiers out of hope of the dona- tive. Probus likewise, by that speech, Si vixero, non opus erit amplius Romano imperio militibus; a speech of great despair for the soldiers. And many the like. Surely princes had need, in tender matters and ticklish times, to beware what they say; especially in these short speeches, which fly abroad like darts, and are thought to be shot out of their secret intentions. For as for large discourses, they are flat things, and not so much noted.

Lastly, let princes, against all events, not be without some great person, one or rather more, of military valor, near unto them, for the repressing of seditions in their beginnings. For without that, there useth to be more trepidation in court upon the first breaking out of troubles, than were fit. And the state runneth the danger of that which Tacitus saith; Atque is habitus animorum fuit, ut pessimum facinus auderent pauci, plures vellent, omnes paterentur. But let such military persons be assured, and well reputed of, rather than factious and popular; holding also good correspondence with the other great men in the state; or else the remedy, is worse than the disease.

I HAD rather believe all the fables in the Leg- end, and the Talmud, and the Alcoran, than that this universal frame is without a mind. And therefore, God never wrought miracle, to convince atheism, because his ordinary works con- vince it. It is true, that a little philosophy inclineth man’s mind to atheism; but depth in philosophy bringeth men’s minds about to religion. For while the mind of man looketh upon second causes scat- tered, it may sometimes rest in them, and go no further; but when it beholdeth the chain of them, confederate and linked together, it must needs fly to Providence and Deity. Nay, even that school which is most accused of atheism doth most dem- onstrate religion; that is, the school of Leucippus and Democritus and Epicurus. For it is a thousand times more credible, that four mutable elements, and one immutable fifth essence, duly and eter- nally placed, need no God, than that an army of infinite small portions, or seeds unplaced, should have produced this order and beauty, without a divine marshal. The Scripture saith, The fool hath said in his heart, there is no God; it is not said, The fool hath thought in his heart; so as he rather saith it, by rote to himself, as that he would have, than that he can thoroughly believe it, or be persuaded of it. For none deny, there is a God, but those, for whom it maketh that there were no God. It ap- peareth in nothing more, that atheism is rather in the lip, than in the heart of man, than by this; that atheists will ever be talking of that their opinion, as if they fainted in it, within themselves, and would be glad to be strengthened, by the consent of others. Nay more, you shall have atheists strive to get disciples, as it fareth with other sects. And, which is most of all, you shall have of them, that will suffer for atheism, and not recant; whereas if they did truly think, that there were no such thing as God, why should they trouble themselves? Epi- curus is charged, that he did but dissemble for his credit’s sake, when he affirmed there were blessed natures, but such as enjoyed themselves, without having respect to the government of the world. Wherein they say he did temporize; though in secret, he thought there was no God. But certainly he is traduced; for his words are noble and divine: Non deos vulgi negare profanum; sed vulgi opini- ones diis applicare profanum. Plato could have said no more. And although he had the confidence, to deny the administration, he had not the power, to deny the nature. The Indians of the West, have names for their particular gods, though they have no name for God: as if the heathens should have had the names Jupiter, Apollo, Mars, etc., but not the word Deus; which shows that even those bar- barous people have the notion, though they have not the latitude and extent of it. So that against atheists, the very savages take part, with the very subtlest philosophers. The contemplative atheist is rare: a Diagoras, a Bion, a Lucian perhaps, and some others; and yet they seem to be more than they are; for that all that impugn a received re- ligion, or superstition, are by the adverse part branded with the name of atheists. But the great atheists, indeed are hypocrites; which are ever handling holy things, but without feeling; so as they must needs be cauterized in the end. The causes of atheism are: divisions in religion, if they be many; for any one main division, addeth zeal to both sides; but many divisions introduce atheism. Another is, scandal of priests; when it is come to that which St. Bernard saith, non est jam dicere, ut populus sic sacerdos; quia nec sic populus ut sacerdos. A third is, custom of profane scoffing in holy matters; which doth, by little and little, de- face the reverence of religion. And lastly, learned times, specially with peace and prosperity; for troubles and adversities do more bow men’s minds to religion. They that deny a God, destroy man’s nobility; for certainly man is of kin to the beasts, by his body; and, if he be not of kin to God, by his spirit, he is a base and ignoble creature. It destroys likewise magnanimity, and the raising of human nature; for take an example of a dog, and mark what a generosity and courage he will put on, when he finds himself maintained by a man; who to him is instead of a God, or melior natura; which courage is manifestly such, as that creature, with- out that confidence of a better nature than his own, could never attain. So man, when he resteth and assureth himself, upon divine protection and favor, gathered a force and faith, which human nature in itself could not obtain. Therefore, as atheism is in all respects hateful, so in this, that it depriveth human nature of the means to exalt it-

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Who was Francis Bacon and what was his contribution to English Literature?

Francis Bacon was a busy man of affairs. Known popularly as “The father of English Essays”, his essays have an evergreen freshness and an intellectual power.

Biography of Bacon

At the age of 12, he went to Cambridge, but left the university early, declaring the whole plan of education to be irrational. He demanded 3 things: The free investigation of nature, the discovery of facts instead of theories, and the verification of results by experiments rather by argument. Today we call it science, but at that time it was revolutionary.

Contribution In English Literature

Bacon used to write in the Elizabethan Era. He has given us a true picture of the English society of his time. We remain indebted for the aphorisms his essays carry. They are filled with sensuousness and wit. He does not talk plainly about what he favors, rather he presents a balance sheet of advantages and disadvantages.

Best of His Quotes

“If a man will begin with certainties, he shall end in doubts; but if he will be content, to begin with, doubts, he shall end in certainties.”

“Reading maketh a full man, writing an exact man".

“Age appears best in four things:   old wood to burn, old wine to drink, old friends to trust and old authors to read.”

Such wisdom packed quotes can come out of essays of a famous philosopher and essayist like Bacon. Where else would you get such treasures of knowledge?

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Francis Bacon as an Essayist

Francis Bacon was a philosopher , essayist and a Father of English Essay. He was heavily influenced by Michel de Montaigne and propagated the Renaissance enlightenment of knowledge. Bacon wrote many influential essays in a precise , lucid and concise manner that reflects his well verse on words and deep understanding of knowledge. He is also considered as the father of Empiricism.

As an essayist, he adopted an aphoristic style of writing. An aphorism is a very short witty clever saying that is intended to highlight the truth. It is used to persuade the audience and invoke reasoning skills. Bacon was talented and used aphorisms in all of his essays by making a general statement. Some of this statements are quoted in everyday lives of the people. ”Of Studies” is an essay where he opens the essay with an aphoristic style of “study serves for delight, for ornament, and for ability.” The three ideas on studies are revealed all together in one go where studies function to serve pleasure , for creativity and for the ability to reason and think. All this ideas are put forth in a simple and lucid statement that is short but witty and clear.

In addition to this, he uses analytical method to give a lengthy ideas on three important facts on studies. He has given literally insights where he shows that “Some books are to be tasted, others to be swallowed, and some few to be chewed and digested; that is, some books are to be read only in parts; others to be read, but not curiously; and some few to be read wholly, and with diligence and attention. Some books also may be read by deputy, and extracts made of them by others; but that would be only in the less important arguments and the meaner sort of books, else distilled books are like common distilled waters, flashy things”. This lines are compacted with ideas on studies where three ideas on studies go hand in hand. The first idea is that studies are used for delight that occurs in privateness and relaxation. The second idea is that studies offer a discourse which is the ornament for creativity and studies also gives the ability to judge , think and reason the ”disposition of business”.

Francis Bacon’s essays are impersonal in nature. He was able to subtract his own self and personality from the discourse of his essays. He did not give personal opinion about that would arise subjectivity in his essays. He exemplified the use of references to Greek and Latin resources to address his ideas such as Julius Caesar and Brutus as well as Bible in is essays. For instance , in ”Of Studies” he gives readers an insight on the ideas related to studies and Renaissance enlightenment without involving himself and his opinions on certain ideas. The readers only analyse the text and interpret the ideas associated on the subject discourse and the use of aphoristic style adds a heavy ornament of creativity that attracts his thoughts on the subject without including himself.

Bacon also used paradoxes or antithesis in his essays. He was a witty essayist who included both the pros and cons of every subject discourse. For instance , in his essay “Of Marriage and Single Life ” , Bacon states that “He that hath wife and child hath given hostages to fortune; for they are impediments to great enterprises either of virtue or mischief. Bacon has almost weighing the pros and cons of every question that he makes it where he balances both the merits and demerits of a marriage. He tries to give a definite answer to the issue after balancing it with both advantages and disadvantages but readers often make their own conclusions after reading his essay.

Summary of A.G Gardiner On Shaking Hands

Bacon also uses allusions in his essays. He makes references to other classical fables, Greek mythology and Roman writers. It also makes him a man of wisdom. With the help of allusions, he gives his ideas a greater weight and serves to make his point stronger and clear. In the essay ”Of Marriage and Single Life” , he alludes to Ulysses and a quotation from Thales, an ancient Greek philosopher. He elaborates that loving husband should be serious and loyal that gives a strong argument for the essay. Allusions serve in his essay to give a better understanding of the knowledge he wants to give to the world.He used allusion as a reference to Penelope, who is the wife of Ulysses, the King of Ithaca and the Greek hero in the Trojan War. She must have grown middle aged by the time Ulysses returned to her after twenty years, at the end of his wanderings and adventures. The allusion here is to the circumstances of Ulysses refusing to marry and live with the goddess Calypso, though she offered to make him immortal like. This allusion more clearly illustrates the topic to the reader that men of a serious bent of mind usually follow conventions and are steady in their love for their wives.

Critical Analysis of Francis Bacon Of Friendship

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The Works of Francis Bacon/Volume 1/Essays/Of Friendship

XXVII. OF FRIENDSHIP.

It had been hard for him that spake it to have put more truth and untruth together in few words than in that speech, "Whosoever is delighted in solitude, is either a wild beast or a god:" for it is most true, that a natural and secret hatred and aversation towards society, in any man, hath somewhat of the savage beast; but it is most untrue, that it should have any character at all of the divine nature, except it proceed, not out of a pleasure in solitude, but out of a love and desire to sequester a man's self for a higher conversation: such as is found to have been falsely and feignedly in some of the heathen; as Epimenides, the Candian; Numa, the Roman; Empedocles, the Sicilian; and Apollonius of Tyana; and truly and really in divers of the ancient hermits and holy fathers of the church. But little do men perceive what solitude is, and how far it extendeth; for a crowd is not company, and faces are but a gallery of pictures, and talk but a tinkling cymbal where there is no love. The Latin adage meeteth with it a little: "magna civitas, magna solitudo;" because in a great town friends are scattered, so that there is not that fellowship, for the most part, which is in less neighbourhoods: but we may go farther, and affirm most truly, that it is a mere and miserable solitude to want true friends, without which the world is but wilderness; and even in this sense also of solitude, whosoever in the frame of his nature and affections is unfit for friendship, he taketh it of the beast, and not from humanity.

A principal fruit of friendship is the ease and discharge of the fulness and swellings of the heart, which passions of all kinds do cause and induce. We know diseases of stoppings and suffocations are the most dangerous in the body; and it is not much otherwise in the mind; you may take sarza to open the liver, steel to open the spleen, flower of sulphur for the lungs, castareum for the brain; but no receipt openeth the heart but a true friend, to whom you may impart griefs, joys, fears, hopes, suspicions, counsels, and whatsoever lieth upon the heart to oppress it, in a kind of civil shrift or confession.

It is a strange thing to observe how high a rate great kings and monarchs do set upon this fruit of friendship whereof we speak: so great, as they purchase it many times at the hazard of their own safety and greatness: for princes, in regard of the distance of their fortune from that of their subjects and servants, cannot gather this fruit, except (to make themselves capable thereof) they raise some persons to be as it were companions, and almost equals to themselves, which many times sorteth to inconvenience. The modern languages give unto such persona the name of favourites, or privadoes, as if it were matter of grace, or conversation; but the Roman name attaineth the true use and cause thereof, naming them "participes curarum;" for it is that which tieth the knot: and we see plainly that this hath been done, not by weak and passionate princes only, but by the wisest and most politic that ever ​ reigned, who have oftentimes joined to themselves some of their servants, whom both themselves have called friends, and allowed others likewise to call them in the same manner, using the word which is received between private men.

L. Sylla, when he commanded Rome, raised Pompey (after surnamed the Great) to that height, that Pompey vaunted himself for Sylla's overmatch; for when he had carried the consulship for a friend of his, against the pursuit of Sylla, and that Sylla did a little resent thereat, and began to speak great, Pompey turned upon him again, and in effect bade him be quiet; for that more men adored the sun rising than the sun setting. With Julius Cæsar, Decimus Brutus had obtained that interest, as he set him down in his testament for heir in remainder after his nephew; and this was the man that had power with him to draw him forth to his death: for when Cæsar would have discharged the senate, in regard of some ill presages, and specially a dream of Calpurnia, this man lifted him gently by the arm out of his chair, telling him he hoped he would not dismiss the senate till his wife had dreamed a better dream; and it seemeth his favour was so great, as Antonius, in a letter which is recited verbatim in one of Cicero's Philippics, calleth him "venefica,"—"witch;" as if he had enchanted Cæsar. Augustus raised Agrippa (though of mean birth) to that height, as, when he consulted with Mæcenas about the marriage of his daughter Julia, Mæcenas took the liberty to tell him, that he must either marry his daughter to Agrippa, or take away his life: there was no third way, he had made him so great. With Tiberius Cæsar, Sejanus had ascended to that height as they two were termed and reckoned as a pair of friends. Tiberius, in a letter to him, saith, "hæc pro amicitiâ nostra non occultavi;" and the whole senate dedicated an altar to Friendship, as to a goddess, in respect of the great dearness of friendship between them two. The like, or more, was between Septimius Severus and Plantianus; for he forced his eldest son to marry the daughter of Plantianus, and would often maintain Plantianus in doing affronts to his son: and did write also, in a letter to the senate, by these words: "I love the man so well, as I wish he may over-live me." Now, if these princes had been as a Trajan, or a Marcus Aurelius, a man might have thought that this had proceeded of an abundant goodness of nature; but being men so wise, of such strength and severity of mind, and so extreme lovers of themselves, as all these were, it proveth most plainly, that they found their own felicity (though as great as ever happened to mortal men) but as an half piece, except they might have a friend to make it entire; and yet, which is more, they were princes that had wives, sons, nephews; and yet all these could not supply the comfort of friendship.

It is not to be forgotten what Comineus observeth of his first master, Duke Charles the Hardy, namely, that he would communicate his secrets with none; and least of all, those secrets which troubled him most. Whereupon he goeth on, and saith that towards his latter time that closeness did impair and a little perish his understanding. Surely Comineus might have made the same judgment also, if it had pleased him, of his second master, Lewis the Eleventh, whose closeness was indeed his tormentor. The parable of Pythagoras is dark but true, "Cor ne edito,"—"eat not the heart." Certainly, if a man would give it a hard phrase, those that want friends to open themselves unto are cannibals of their own hearts: but one thing is most admirable, (wherewith I will conclude this first fruit of friendship,) which is, that this communicating of a man's self to his friend works two contrary effects, for it redoubleth joys, and cutteth griefs in halfs; for there is no man that imparteth his joys to his friend, but he joyeth the more: and no man that imparteth his griefs to his friend, but he grieveth the less. So that it is, in truth, of operation upon a man's mind of like virtue as the alchymists use to attribute to their stone for man's body, that it worketh all contrary effects, but still to the good and benefit of nature: but yet, without praying in aid of alchymists, there is a manifest image of this in the ordinary course of nature; for, in bodies, union strengtheneth and cherisheth any natural action; and, on the other side, weakeneth and dulleth any violent impression; and even so it is of minds.

The second fruit of friendship is healthful and sovereign for the understanding, as the first is for the affections; for friendship maketh indeed a fair day in the affections from storm and tempests, but it maketh daylight in the understanding, out of darkness and confusion of thoughts: neither is this to be understood only of faithful counsel, which a man receiveth from his friend; but before you come to that, certain it is, that whosoever hath his mind fraught with many thoughts, his wits and understanding do clarify and break up, in the communicating and discoursing with another; he tosseth his thoughts more easily; he marshalleth them more orderly; he seeth how they look when they are turned into words: finally, he waxeth wiser than himself; and that more by an hour's discourse than by a day's meditation. It was well said by Themistocles to the King of Persia, "That speech was like cloth of Arras, opened and put abroad; whereby the imagery doth appear in figure; whereas in thoughts they lie but as in packs." Neither is this second fruit of friendship, in opening the understanding, restrained only to such friends as are able to give a man counsel, (they indeed are best,) but even without that a man learneth of himself, and bringeth his own thoughts to light, and whetteth his wits as against a stone, which itself cuts not. In a word, a man were better relate himself to a ​ statue or picture, than to suffer his thoughts to pass in smother.

Add now, to make this second fruit of friendship complete, that other point which lieth more open, and falleth within vulgar observation: which is faithful counsel from a friend. Heraclitus saith well in one of his enigmas, "Dry light is ever the best," and certain it is, that the light that a man receiveth by counsel from another, is drier and purer than that which cometh from his own understanding and judgment: which is ever infused and drenched in his affections and customs. So as there is as much difference between the counsel that a friend giveth, and that a man giveth himself, as there is between the counsel of a friend and of a flatterer; for there is no such flatterer as is a man's self, and there is no such remedy against flattery of a man's self as the liberty of a friend. Counsel is of two sorts; the one concerning manners, the other concerning business: for the first, the best preservative to keep the mind in health is the faithful admonition of a friend. The calling of a man's self to a strict account is a medicine sometimes too piercing and corrosive; reading good books of morality is a little flat and dead; observing our faults in others is sometimes improper for our case; but the best receipt (best I say to work and best to take) is the admonition of a friend. It is a strange thing to behold what gross errors and extreme absurdities many (especially of the greater sort) do commit for want of a friend to tell them of them, to the great damage both of their fame and fortune: for, as St. James saith, they are as men "that looks sometimes into a glass, and presently forget their own shape and favour:" as for business, a man may think, if he will, that two eyes see no more than one; or, that a gamester seeth always more than a looker-on; or, that a man in anger is as wise as he that hath said over the four and twenty letters; or, that a musket may be shot off as well upon the arm as upon a rest; and such other fond and high imaginations, to think himself all in all: but when all is done, the help of good counsel is that which setteth business straight: and if any man think that he will take counsel, but it shall be by pieces; asking counsel in one business of one man, and in another business of another man; it is well, (that is to say, better, perhaps, than if he asked none at all,) but he runneth two dangers; one, that he shall not be faithfully counselled; for it is a rare thing, except it be from a perfect and entire friend, to have counsel given, but such as shall be bowed and crooked to some ends which he hath that giveth it: the other, that he shall have counsel given, hurtful and unsafe, (though with good meaning,) and mixed partly of mischief, and partly of remedy; even as if you would call a physician, that is thought good for the cure of the disease you complain of, but is unacquainted with your body; and, therefore, may put you in a way for a present cure, but overthroweth your health in some other kind, and so cure the disease, and kill the patient: but a friend, that is wholly acquainted with a man's estate will beware, by furthering any present business, how he dasheth upon other inconvenience; and, therefore, rest not upon scattered counsels; they will rather distract and mislead, than settle and direct.

After these two noble fruits of friendship, (peace in the affections, and support of the judgment,) followeth the last fruit, which is, like the pomegranate, full of many kernels; I mean, aid and bearing a part in all actions and occasions. Here the best way to represent to life the manifold use of friendship, is to cast and see how many things there are which a man cannot do himself: and then it will appear that it was a sparing speech of the ancients, to say, "that a friend is another himself; for that a friend is far more than himself." Men have their time, and die many times in desire of some things which they principally take to heart: the bestowing of a child, the finishing of a work, or the like. If a man have a true friend, he may rest almost secure that the care of those things will continue after him; so that a man hath, as it were, two lives in his desires. A man hath a body, and that body is confined to a place; but where friendship is, all offices of life are, as it were, granted to him and his deputy; for he may exercise them by his friend. How many things are there which a man cannot, with any face, or comeliness, say or do himself? A man can scarce allege his own merits with modesty, much less extol them: a man cannot sometimes brook to supplicate, or beg, and a number of the like: but all these things are graceful in a friend's mouth, which are blushing in a man's own. So again, a man's person hath many proper relations which he cannot put off. A man cannot speak to his son but as a father; to his wife but as a husband; to his enemy but upon terms: whereas a friend may speak as the case requires, and not as it sorteth with the person: but to enumerate these things were endless; I have given the rule, where a man cannot fitly play his own part, if he have not a friend, he may quit the stage.

This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.

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Francis Bacon and his Muse, George Dyer

A lthough his work and personal reputation were still highly controversial, Francis Bacon received official consecration when his first retrospective exhibition opened in May 1962 at London’s Tate Gallery. For the artist, it was a major step in a career that would lead to every art world honour – and a kind of international stardom that very few artists ever achieve.

Among the telegrams congratulating him on the event, one amid the general jubilation stopped him in his tracks: Peter Lacy, a violent but vulnerable alcoholic with whom he was caught in a tumultuous love affair, had died in Tangier. Bacon saw Lacy’s death as a suicide by alcohol (three bottles of whisky per day) deliberately timed to coincide with his first real breakthrough. He mourned Lacy as the only man he had really loved and remained convinced that he might never experience another intimate relationship again.

Exuberant and gregarious by nature, Bacon nevertheless resumed his round of the bars and drinking clubs of Soho with a wide circle of friends, drifters and hangers-on. One evening, a handsome young man joined in the merry throng by offering to buy a round of drinks. Bacon was quick to appreciate both George Dyer’s directness and his athletic build. He was also intrigued by his background as an East Ender born into a life of petty crime. Like Oscar Wilde, who had gone there to ‘feast with panthers’ before him, Bacon was fascinated by the East End’s mystique as a lawless area where bourgeois values were scorned and tough, working-class young men might be seduced. Bacon’s lovers had previously come from a leisured, well-off background similar to his own. Dyer represented a new, almost Nietzschean ideal of virile youth unfettered by moral constraints. A few months after I met and began interviewing the artist in summer 1963, Dyer had become the focus of Bacon’s obsessive affections.

The early days of their affair were light-hearted and touching in a father-son kind of way, since in age the two men were separated by a quarter of a century. Their behaviour together also frequently bordered on the comic, with Bacon playing the sophisticated older man to the East Ender’s bafflement at the ‘ways up West’ as they moved from champagne at the Ritz to dinner in an elegant restaurant and gambling in a Mayfair casino. Their duo act became particularly entertaining at private views of Bacon’s work where Dyer (whom Bacon called ‘Sir George’) openly derided the paintings on view (‘I fink they’re ‘orrible,’ he would venture in a thick, nasal Cockney) while reeling off the prices they fetched in amazement.

For a while Dyer’s antics, which included wresting priceless vintages from haughty wine waiters to fill every glass to the brim, amused Bacon and his entourage. Once he could rely on his older friend to fund his new, lavish lifestyle, Dyer gave up up his ‘career’ as a burglar, not least because he had been frequently caught and imprisoned. But he felt increasingly purposeless and began drinking heavily day and night. The situation worsened once Bacon, disappointed to find a gentle soul where he had expected a ruthless, whip-wielding dominator, began distancing himself from their affair.

Increasingly desperate, Dyer set about trashing Bacon’s belongings and paintings, and at one point planted marijuana in the artist’s studio after tipping off the police to initiate a search. This manoeuvre resulted in a court case during which, although he was eventually acquitted, Bacon was subjected to unwelcome media attention and landed with hefty legal fees. The relationship unravelled further, but since so many portraits of Dyer were included in the major Bacon retrospective at the Grand Palais in Paris in autumn 1971, the artist felt obliged to invite his former lover to the opening. Although he had followed a strictly non-alcoholic regime until then, poor Dyer went back on the drink with a vengeance once he arrived in Paris and, shortly before the show opened, killed himself by ingesting massive doses of sleeping tablets and alcohol. As if pursued by the Furies that haunt his paintings, Bacon found himself once again torn in two by the highest critical acclaim and the most bitter guilt and grief.

A lthough he often spoke derisively about Bacon’s art, Dyer had found in the portraits of himself a new notoriety. If he could no longer claim any criminal prowess, he was known as a famous artist’s companion and muse. In the end he achieved considerably more, since he would be commemorated after his death in the greatest (so-called ‘black’) triptychs Bacon ever painted. What singles Dyer out more especially in Bacon’s work is that the large number of pictures of him can now be seen as one of the great pictorial stories, featuring Dyer, the clumsy crook and tender tough guy, the debonair athlete and hopeless alcoholic, in a variety of memorable roles and scenes.

‘Story telling’ had long been a dirty word in the artist’s vocabulary, evoking the once popular Victorian narrative painters whom English Modernists – and none more so than Bacon – reviled and rejected root and branch. Yet in George Dyer we can trace the history of a love affair in all its more fraught and dramatic moods – George in a rage, George calmed after coition, George bewildered by drugs and drink – as well as in more tender and even playful guises. Tender and playful: whoever would ever imagine those words being applied to the maestro of the macabre, the ‘satanically influential’ nihilist and prophet of existential doom? Yet we find George on a wobbly bicycle; George with a dog, inspired by the police’s drug-sniffer hound; George wearing a flat cap; George watching himself in a mirror; George staring, as if hypnotized, at a blind cord. These scenes of ordinary daily life, in themselves portending nothing, are transformed into lasting icons through the inventiveness of the artist’s visual imagination: fleeting appearances captured so alive that they go on breathing and transforming under our eyes.

What then of that most enigmatic, and perhaps most intimate, of Bacon’s portraits, George Dyer Crouching ? Bacon frequently wanted to seal secrets into his pictures, like a miser hiding his gold. I remember, when we were discussing a large picture he had just finished after looking at some favourite Muybridge photographs, Bacon exclaimed ‘Well, that’s one the critics won’t get!’. The artist had good reason for such caution, since he believed that as soon as an image could be explained, it was bled of its mystery, and hence its power. In this highly charged portrait, I think he succeeded more than usual since the fleshy apparition hovering on a gangplank over a well-like structure serenely defies analysis, hinting that Bacon had gone further here than ever in his manipulations of the endlessly fluid, suggestive medium of oil paint. My own, tentative reading is that the image refers to Dyer’s stay in a sanatorium (possibly when he underwent apomorphine cures for addiction), or even in a sauna, given the inclusion of the otherwise inexplicable, knotted handkerchief that Englishmen used to wear on their heads during a hot spell. Similarly, one is hard put to identify the green and black protuberances sprouting from the head like horns, although they lend the head a Minotaur-like look and, as we know from Bacon himself, Picasso was never very far from his mind. One detail – the white linen opposite the figure – can be securely interpreted, however, given a note in Bacon’s diary, dated 4 January 1966, that reads: ‘George crouching looking at shirt.’

"In this highly charged portrait, I think he succeeded more than usual since the fleshy apparition hovering on a gangplank over a well-like structure serenely defies analysis, hinting that Bacon had gone further here than ever in his manipulations of the endlessly fluid, suggestive medium of oil paint. "

Dyer is presented in an almost simian pose, squatting on his haunches, with one long limb drooping down towards the structure’s plughole. For all the body’s Michelangelesque contours, the figure looks as much animal as man, a theme explored recently in the Royal Academy’s exhibition, ‘Francis Bacon: Man and Beast’. The figure comes across as confined, almost caged, as if Dyer had been corralled into some sexual, possibly sadomasochistic, captivity. Contradictorily, the figure also looks about to leap into its strange, circular arena – which in turn resembles the tubs in which Degas, an artist Bacon revered, posed his female figures bathing and drying themselves.

Through the flurry of red, green, white, pink and black brush marks raining down, brutally, making and unmaking the head, the most alarming detail jumps out: a single, reptilian eye that stares out of the scumbled pigment fixedly at the viewer. The eye is Bacon himself, and that complex, glittering organ contains all the paradoxes and predictions that the artist explored through a lifetime of creating images that would resonate down the generations to come. It challenges all comers. Sixty years after this unquiet image was begotten, we approach it, much as the ancients approached their sybils and their soothsayers, clamouring for an answer to the riddles of existence.

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In May, All Eyes (and Wallets) in the Art World Turn to New York

Other cities have game, but springtime in the Big Apple brings a concentration of fairs, auctions and shows without parallel.

By Ted Loos

Sometimes it seems as though the collectors, dealers, curators and advisers who power the art world will fly anywhere on the map to see a show or buy an artwork. Even a deadly pandemic could only delay the proliferation of events of a truly global market.

In March, the art fair buffet included Frieze Los Angeles , Art Dubai and Art Basel Hong Kong , but there also were major auctions in London. This month, the opening of the legendary Venice Biennale was the noncommercial center of gravity, though buyers had opportunities at art fairs in Brussels, Chicago and Dallas.

But in May, that diffusion turns to concentration, and all eyes turn to New York for what may be the busiest single art month of the year anywhere, including hubs like Los Angeles and Miami.

“Our business is cyclical, and May is a peak,” said David Zwirner, one of the world’s most powerful dealers, who runs multiple spaces in New York and in other art capitals like Paris, London and Hong Kong.

“There’s a psychology that’s been grandfathered in for collectors,” Zwirner said. “This is the time they are forced into making decisions. A couple times a year, they are ready to step up. If I’m honest, I don’t have that in January.”

It all started with auctions.

Since the late 1970s, Sotheby’s and Christie’s , the two auction behemoths, have staged some of their most important Impressionist, modern and contemporary art sales in New York in May (November is the other prestige season).

The same is true this year, with the big sales scheduled for the week of May 13. At Sotheby’s, the 1966 “Portrait of George Dyer Crouching” by Francis Bacon goes on the block, and at Christie’s one major offering is the Brice Marden abstraction “Event” (2004-7); both paintings are estimated at $30 million to $50 million.

Since 2012, when Frieze New York was established, art fairs have also clustered in the city in spring, syncing their schedules to take place close to the auctions and their attendant previews.

Now, Frieze New York (Thursday through May 5) is closely followed by the New York edition of the European Fine Art Foundation fair, TEFAF New York (May 10-14) and the Independent (May 9-12), plus at least a half-dozen more around the city.

The primary reason for the activity, Zwirner said, is a deep bench of buyers. “There are some buildings on the Upper East Side with more collectors than in some midsize European towns,” he said.

Pamela Joyner, a philanthropist and collector known for her focus on abstract art by African Americans and members of the global African diaspora, said she thought that recent power shifts in other places reinforced New York’s primacy.

Those shifts include the emergence of Seoul as an Asian art market capital to rival Hong Kong, and the complicated post-Brexit status of London — where the modern art market arguably started in the 18th century, when Sotheby’s and Christie’s were founded.

“New York is the safe haven,” said Joyner, who splits her time between the city and the Lake Tahoe area in Nevada. She serves as a trustee for four museums, including the Museum of Modern Art.

“I think New York is more the center of the art world now than it has been the last decade,” she said. “With all of this movement, there’s a default or consolidation to what is known.”

The season’s familiar rhythms are a bonus, she said. “The predictability of the schedule is a safety blanket,” Joyner added.

J. Tomilson Hill, a managing director of the hedge fund Two Sigma, is a prolific New York collector who, in 2019, established the Hill Art Foundation , which has an exhibition space in the Chelsea neighborhood. His varied specialties include Renaissance and Baroque bronzes, as well as modern and contemporary works.

Hill is making his own addition to the busy May mix. Beginning May 3, the Hill Art Foundation will feature a solo presentation by the artist Mika Tajima, known for her paintings, sculptures and installations that incorporate data and science.

Having one’s own public exhibition space affords a lot of latitude, but nonetheless Hill times his spring exhibition to sync up with the fairs and auctions — the gravitational power of the schedule is strong.

“We want traffic from collectors who may be traveling from out of town,” said Hill, who also serves on the board of directors of Gagosian gallery and on the advisory board of Christie’s. “We want people to see the show.”

In Hill’s opinion, collectors have become more sophisticated. “The market has gotten really good at discerning what’s a 10 and what’s an 8,” he said.

Although such fine distinctions may be the realm of top collectors, Hill added that he thought that art fairs also serve an educational role in New York, where large numbers of casual visitors have a chance to stroll the aisles. “You get a greater incidence of first-time fair goers,” Hill said, compared with events in other places, like, say, the small Dutch city of Maastricht, which draws loyal TEFAF devotees.

The abundance of options is illustrated by the fact that Frieze takes place at the Shed in Hudson Yards, just a few blocks from the gallery-packed blocks of Chelsea.

Instead of being superfluous, Frieze organizers say the location is synergistic.

“People come to the fair and then they look for the next activity they’re doing,” said Christine Messineo, director of Americas. “The conversation starts and then it leads them to a gallery an hour later. You can’t recreate that anywhere but in New York City.”

Frieze is now owned by the sports and entertainment conglomerate Endeavor, which last year bought the Armory Show , a fair that takes place in New York in September. The purchase was proof that organizers believe that collectors have an appetite for multiple events in the city throughout the year.

Kristell Chadé , the executive director of fairs at Frieze, said that there was a “relatively limited overlap between the two fairs — less than 10 galleries.”

Moreover, Chadé said that Frieze and the Armory Show were complementary, given that “the price points are more varied” at the Armory Show, which last year had 225 dealers, while Frieze had 68.

Messineo noted that “Frieze New York is an international fair welcoming global visitors,” and that this year, there will also be dealers from Guatemala, the Philippines, Colombia, Brazil, Mexico and South Africa participating in the event.

Some visiting collectors will also attend the auctions, or the auction previews, which are free and open to the public.

“Increasingly, we think people are designing their calendar around these events,” said Brooke Lampley, head of global fine art for Sotheby’s, speaking of both fairs and auctions.

Lampley said that Sotheby’s wanted to “capitalize on and align with” other events as much as possible.

“Friends of mine who want to start collecting art, I always tell them to go to an art fair,” she said. “They get to see so much at once. It’s a great way to start orienting your eye and your taste.”

New York’s hugely dense and varied museum scene — which this season features, among other big shows, a new edition of the Biennial at the Whitney Museum of American Art — is a major attraction for collectors, and the auction houses see a market opportunity.

“Trust me, my sales team is actively canvassing owners of works by artists in the Biennial,” Lampley said, of stocking her sales with artists who are in the public eye. “It’s a message of validation and recognition, and the meeting point of the curatorial and commercial.”

You probably will not see Joyner raising a paddle — she watches the auctions online and then bids on the phone. “I never attend auctions in person,” she said. “I don’t want to broadcast what my parameters are.”

But she goes to the previews and attends the larger art fairs, as does Hill. “People sometimes buy a work without seeing it in person, and to me, that’s nuts,” Hill said.

That interest in being in the same room with art is what keeps the gallery scene humming along, playing its part in the larger ecosystem — and not all of it is at Zwirner’s high-flying level. The dealers who eventually end up at Frieze New York have to start somewhere. (Fairs are expensive for galleries, and organizers are choosy about who they include.)

David Pagliarulo, 28, started the gallery David Peter Francis in March with a group show, in a third-floor space in Chinatown. “The show was about beginning, what it means to jump off the cliff,” Pagliarulo said of the opening exhibition, which featured works by Peter Hujar, Matt Keegan and Kathryn Kerr.

Pagliarulo formerly worked at other galleries, including Marinaro, before opening his own, and the solo show in his new gallery, opening Friday, features work by the photographer Gonzalo Reyes Rodriguez, including the image “Kyle/David” (2024).

Perhaps Hill and Joyner will not make it down to Chinatown, but, based on the gallery’s jam-packed opening night in March and the number of motivated collectors on hand in the city in May, someone likely will.

As Pagliarulo put it, “The density here is to everyone’s advantage.”

An earlier version of this article misstated the name of the art fair taking place from May 10-14. It is the European Fine Art Foundation fair, not the European Fine Art Fair.

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