how to structure an essay a level english

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Aptitude tests, higher learning, how to structure an english literature essay, how to structure an english literature essay (as and a-level).

Understanding how to structure an essay can be difficult so we asked Hannah one of our English Literature Tutors to guide you through the process.

1.  Introduction

• Use the opening paragraph to  frame  the project, i.e. what you intend to prove/analyse in this essay to show your individual and original perspective on the text.
• Introduce the text as a  construct  making comments about  why  the text has been written and the  context  in which it has been produced.
• Include, in a succinct manner, the following: names of text and author and dates of publication/performance, some  brief  explanation of text’s reception and its context and a concise consideration of the  relevant  themes of the text.
• The key to a successful introduction is  brevity , establishing the basic facts of the text whilst employing a clear  critical  voice: this will immediately establish an academic register in your writing.

2.   Thesis

• In this section you  outline  your argument in response to the title question, clearly  sign posting  to the reader what you intend to do in the essay.
• Acknowledge the  terms  of the question to discuss what the  implications  of the question are in terms of how you are going to write your response.
• Use this section to introduce your own  interpretation  of the question, adopting an individual critical voice to show your  engagement  with the text by expressing yourself  imaginatively  and  creatively  in your writing.
• As with the introduction, the thesis should be  brief  and  succinct , giving the reader a general but engaging  summary  of what you intend to argue throughout your essay.

3.  Main Body Paragraphs

• This will make up the majority of your essay and is where you explore each point of your argument.  You want to ensure that each paragraph has one significant point which is  supported  with evidence from the text which you then unpack, explain and explore in relation to your  thesis .  Ensure that the point you make in each paragraph is  relevant  to the argument in your thesis and  sustainable  through textual evidence.
• The following outline is a useful guideline for structuring each body paragraph: (a) Point – opening the paragraph by stating the  point  you intend to make. This needs to be one of the  ideas  that is contributing to your overall  thesis . (b) Evidence from text – this can either be an  embedded quotation  that enhances or examples the point you are making about the text OR a brief description of something from the text that  supports  your idea.  Your evidence should be carefully chosen to  clearly  and  efficiently  back up the point that you are trying to prove. (c) Exploration of evidence and idea – this element of the paragraph is crucial as you are trying to  prove  an argument by bringing your point and textual evidence together to  explore  your idea.  Explain  how  your chosen quotation demonstrates your idea and  comment  on the quotation in its context, e.g. relevant remarks about how the language used by the writer shows how they are trying to achieve a particular effect.   Justify  the credibility of your argument through a  convincing  exploration of your ideas. (d)  Refer back to the thesis – having acknowledged the terms of the question and established what your argument will be in the thesis section, you need to show  how  what you have written in the body paragraph is  relevant  to your argument.  A couple of sentences on this is effective for showing how the  analysis  you have just made is  proving  the argument of your essay.
• This section is where you lay out your argument, moving from  observation  to  analysis  to write an intelligent and convincing response to the question. Be  efficient  in your choice of quotations and textual evidence; using only what you  need  shows a succinct and thought-out response.  Within these paragraphs always  signpost  where you are going with your argument to  guide  the reader through your ideas for a clear and concise writing style.

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4.   conclusion.

• The conclusion of an essay is an opportunity for you to give a final,  original  perspective on the text. It should not be a re-iteration of the introduction or a repetition of the points of your argument.  Instead, you should briefly summarise  how  the ideas you have written about overall agree or disagree with the title question and provide your  own  definitive response to the title question.
• The conclusion is where you can demonstrate your  engagement  with the text on a personal, as well as intellectual, level; it is an opportunity to be  creative  and  inventive  in your writing by offering the reader a final  insight  that they might not have thought about.  You should ensure that what you say about the text in the conclusion is something that you haven’t had the opportunity to write about in the rest of the essay.  However, keep the conclusion in  proportion  and avoid tangents that might obscure the positive points you have made previously: be original, yet concise.
• Some ways that you can conclude an essay might be: (a) Commenting on your  personal  reaction to the text. (b) Commenting on  how  the text still holds relevance for readers in the present day. (c) Commenting on  why  the text is successful as a work of literature in terms of its characters, themes or structure.

Overall, excellent essay-writing must be logical, persuasive and creative, teaming your personal engagement with the text with the ability to observe, analyse and argue a series of coherent and concise points.  A well-written essay demonstrates a thorough understanding of the text as well as a unique perspective on a range of ideas presented in the text.  Logical argument, close knowledge of the text and an individual response will make your essay stand out from the crowd.

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• Example of a great essay | Explanations, tips & tricks

Example of a Great Essay | Explanations, Tips & Tricks

Published on February 9, 2015 by Shane Bryson . Revised on July 23, 2023 by Shona McCombes.

This example guides you through the structure of an essay. It shows how to build an effective introduction , focused paragraphs , clear transitions between ideas, and a strong conclusion .

Each paragraph addresses a single central point, introduced by a topic sentence , and each point is directly related to the thesis statement .

As you read, hover over the highlighted parts to learn what they do and why they work.

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Other interesting articles, frequently asked questions about writing an essay, an appeal to the senses: the development of the braille system in nineteenth-century france.

The invention of Braille was a major turning point in the history of disability. The writing system of raised dots used by visually impaired people was developed by Louis Braille in nineteenth-century France. In a society that did not value disabled people in general, blindness was particularly stigmatized, and lack of access to reading and writing was a significant barrier to social participation. The idea of tactile reading was not entirely new, but existing methods based on sighted systems were difficult to learn and use. As the first writing system designed for blind people’s needs, Braille was a groundbreaking new accessibility tool. It not only provided practical benefits, but also helped change the cultural status of blindness. This essay begins by discussing the situation of blind people in nineteenth-century Europe. It then describes the invention of Braille and the gradual process of its acceptance within blind education. Subsequently, it explores the wide-ranging effects of this invention on blind people’s social and cultural lives.

Lack of access to reading and writing put blind people at a serious disadvantage in nineteenth-century society. Text was one of the primary methods through which people engaged with culture, communicated with others, and accessed information; without a well-developed reading system that did not rely on sight, blind people were excluded from social participation (Weygand, 2009). While disabled people in general suffered from discrimination, blindness was widely viewed as the worst disability, and it was commonly believed that blind people were incapable of pursuing a profession or improving themselves through culture (Weygand, 2009). This demonstrates the importance of reading and writing to social status at the time: without access to text, it was considered impossible to fully participate in society. Blind people were excluded from the sighted world, but also entirely dependent on sighted people for information and education.

In France, debates about how to deal with disability led to the adoption of different strategies over time. While people with temporary difficulties were able to access public welfare, the most common response to people with long-term disabilities, such as hearing or vision loss, was to group them together in institutions (Tombs, 1996). At first, a joint institute for the blind and deaf was created, and although the partnership was motivated more by financial considerations than by the well-being of the residents, the institute aimed to help people develop skills valuable to society (Weygand, 2009). Eventually blind institutions were separated from deaf institutions, and the focus shifted towards education of the blind, as was the case for the Royal Institute for Blind Youth, which Louis Braille attended (Jimenez et al, 2009). The growing acknowledgement of the uniqueness of different disabilities led to more targeted education strategies, fostering an environment in which the benefits of a specifically blind education could be more widely recognized.

Several different systems of tactile reading can be seen as forerunners to the method Louis Braille developed, but these systems were all developed based on the sighted system. The Royal Institute for Blind Youth in Paris taught the students to read embossed roman letters, a method created by the school’s founder, Valentin Hauy (Jimenez et al., 2009). Reading this way proved to be a rather arduous task, as the letters were difficult to distinguish by touch. The embossed letter method was based on the reading system of sighted people, with minimal adaptation for those with vision loss. As a result, this method did not gain significant success among blind students.

Louis Braille was bound to be influenced by his school’s founder, but the most influential pre-Braille tactile reading system was Charles Barbier’s night writing. A soldier in Napoleon’s army, Barbier developed a system in 1819 that used 12 dots with a five line musical staff (Kersten, 1997). His intention was to develop a system that would allow the military to communicate at night without the need for light (Herron, 2009). The code developed by Barbier was phonetic (Jimenez et al., 2009); in other words, the code was designed for sighted people and was based on the sounds of words, not on an actual alphabet. Barbier discovered that variants of raised dots within a square were the easiest method of reading by touch (Jimenez et al., 2009). This system proved effective for the transmission of short messages between military personnel, but the symbols were too large for the fingertip, greatly reducing the speed at which a message could be read (Herron, 2009). For this reason, it was unsuitable for daily use and was not widely adopted in the blind community.

Nevertheless, Barbier’s military dot system was more efficient than Hauy’s embossed letters, and it provided the framework within which Louis Braille developed his method. Barbier’s system, with its dashes and dots, could form over 4000 combinations (Jimenez et al., 2009). Compared to the 26 letters of the Latin alphabet, this was an absurdly high number. Braille kept the raised dot form, but developed a more manageable system that would reflect the sighted alphabet. He replaced Barbier’s dashes and dots with just six dots in a rectangular configuration (Jimenez et al., 2009). The result was that the blind population in France had a tactile reading system using dots (like Barbier’s) that was based on the structure of the sighted alphabet (like Hauy’s); crucially, this system was the first developed specifically for the purposes of the blind.

While the Braille system gained immediate popularity with the blind students at the Institute in Paris, it had to gain acceptance among the sighted before its adoption throughout France. This support was necessary because sighted teachers and leaders had ultimate control over the propagation of Braille resources. Many of the teachers at the Royal Institute for Blind Youth resisted learning Braille’s system because they found the tactile method of reading difficult to learn (Bullock & Galst, 2009). This resistance was symptomatic of the prevalent attitude that the blind population had to adapt to the sighted world rather than develop their own tools and methods. Over time, however, with the increasing impetus to make social contribution possible for all, teachers began to appreciate the usefulness of Braille’s system (Bullock & Galst, 2009), realizing that access to reading could help improve the productivity and integration of people with vision loss. It took approximately 30 years, but the French government eventually approved the Braille system, and it was established throughout the country (Bullock & Galst, 2009).

Although Blind people remained marginalized throughout the nineteenth century, the Braille system granted them growing opportunities for social participation. Most obviously, Braille allowed people with vision loss to read the same alphabet used by sighted people (Bullock & Galst, 2009), allowing them to participate in certain cultural experiences previously unavailable to them. Written works, such as books and poetry, had previously been inaccessible to the blind population without the aid of a reader, limiting their autonomy. As books began to be distributed in Braille, this barrier was reduced, enabling people with vision loss to access information autonomously. The closing of the gap between the abilities of blind and the sighted contributed to a gradual shift in blind people’s status, lessening the cultural perception of the blind as essentially different and facilitating greater social integration.

The Braille system also had important cultural effects beyond the sphere of written culture. Its invention later led to the development of a music notation system for the blind, although Louis Braille did not develop this system himself (Jimenez, et al., 2009). This development helped remove a cultural obstacle that had been introduced by the popularization of written musical notation in the early 1500s. While music had previously been an arena in which the blind could participate on equal footing, the transition from memory-based performance to notation-based performance meant that blind musicians were no longer able to compete with sighted musicians (Kersten, 1997). As a result, a tactile musical notation system became necessary for professional equality between blind and sighted musicians (Kersten, 1997).

Braille paved the way for dramatic cultural changes in the way blind people were treated and the opportunities available to them. Louis Braille’s innovation was to reimagine existing reading systems from a blind perspective, and the success of this invention required sighted teachers to adapt to their students’ reality instead of the other way around. In this sense, Braille helped drive broader social changes in the status of blindness. New accessibility tools provide practical advantages to those who need them, but they can also change the perspectives and attitudes of those who do not.

Bullock, J. D., & Galst, J. M. (2009). The Story of Louis Braille. Archives of Ophthalmology , 127(11), 1532. https://​doi.org/10.1001/​archophthalmol.2009.286.

Herron, M. (2009, May 6). Blind visionary. Retrieved from https://​eandt.theiet.org/​content/​articles/2009/05/​blind-visionary/.

Jiménez, J., Olea, J., Torres, J., Alonso, I., Harder, D., & Fischer, K. (2009). Biography of Louis Braille and Invention of the Braille Alphabet. Survey of Ophthalmology , 54(1), 142–149. https://​doi.org/10.1016/​j.survophthal.2008.10.006.

Kersten, F.G. (1997). The history and development of Braille music methodology. The Bulletin of Historical Research in Music Education , 18(2). Retrieved from https://​www.jstor.org/​stable/40214926.

Mellor, C.M. (2006). Louis Braille: A touch of genius . Boston: National Braille Press.

Tombs, R. (1996). France: 1814-1914 . London: Pearson Education Ltd.

Weygand, Z. (2009). The blind in French society from the Middle Ages to the century of Louis Braille . Stanford: Stanford University Press.

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

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An essay is a focused piece of writing that explains, argues, describes, or narrates.

In high school, you may have to write many different types of essays to develop your writing skills.

Academic essays at college level are usually argumentative : you develop a clear thesis about your topic and make a case for your position using evidence, analysis and interpretation.

The structure of an essay is divided into an introduction that presents your topic and thesis statement , a body containing your in-depth analysis and arguments, and a conclusion wrapping up your ideas.

The structure of the body is flexible, but you should always spend some time thinking about how you can organize your essay to best serve your ideas.

Your essay introduction should include three main things, in this order:

• An opening hook to catch the reader’s attention.
• Relevant background information that the reader needs to know.
• A thesis statement that presents your main point or argument.

The length of each part depends on the length and complexity of your essay .

A thesis statement is a sentence that sums up the central point of your paper or essay . Everything else you write should relate to this key idea.

A topic sentence is a sentence that expresses the main point of a paragraph . Everything else in the paragraph should relate to the topic sentence.

At college level, you must properly cite your sources in all essays , research papers , and other academic texts (except exams and in-class exercises).

Add a citation whenever you quote , paraphrase , or summarize information or ideas from a source. You should also give full source details in a bibliography or reference list at the end of your text.

The exact format of your citations depends on which citation style you are instructed to use. The most common styles are APA , MLA , and Chicago .

Cite this Scribbr article

If you want to cite this source, you can copy and paste the citation or click the “Cite this Scribbr article” button to automatically add the citation to our free Citation Generator.

Bryson, S. (2023, July 23). Example of a Great Essay | Explanations, Tips & Tricks. Scribbr. Retrieved April 2, 2024, from https://www.scribbr.com/academic-essay/example-essay-structure/

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Shane Bryson

Shane finished his master's degree in English literature in 2013 and has been working as a writing tutor and editor since 2009. He began proofreading and editing essays with Scribbr in early summer, 2014.

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• A-Level English Literature >

How do I structure an English literature essay at A-Level?

Structuring an English literature essay at A-Level can be broken down into the following steps:

• Understand the question and develop a thesis statement: Begin by reading the question carefully and identifying what it is asking you to do. Develop a thesis statement that clearly answers the question and sets out the main argument you will be making in your essay.
• Plan your essay: Create an outline for your essay that includes an introduction, body paragraphs, and a conclusion. Decide on the main points you want to make in each paragraph and the evidence you will use to support them.
• Write the introduction: Start with a strong opening sentence that grabs the reader’s attention and introduces the topic. Provide background information and context for the text you will be analyzing, and end with your thesis statement.
• Write the body paragraphs: Each body paragraph should begin with a topic sentence that relates to your thesis statement and introduces the main point you will be making. Use evidence from the text to support your argument, and explain how the evidence supports your point. Make sure to analyze the evidence and explain how it relates to your argument rather than just summarizing it.
• Write the conclusion: Summarize the main points you made in your essay and restate your thesis statement. End with a final thought that ties your argument together and leaves the reader with something to think about.
• Edit and proofread: Read through your essay carefully and make sure that it flows well, that your arguments are clear and supported by evidence, and that there are no grammatical or spelling errors.

Remember to also use relevant literary terms and techniques to support your analysis, and to provide quotations from the text to back up your arguments.

The key elements of a well-structured English literature essay at A-Level include a clear thesis statement, well-planned body paragraphs with topic sentences and evidence to support your arguments, and a conclusion that summarizes your main points and restates your thesis.

To develop a thesis statement for your English literature essay, begin by carefully reading and analyzing the text. Identify the key themes and literary techniques used by the author and develop a statement that clearly answers the question and sets out the main argument you will be making in your essay.

The best way to plan your English literature essay at A-Level is to create an outline that includes an introduction, body paragraphs, and a conclusion. Decide on the main points you want to make in each paragraph and the evidence you will use to support them.

To write clear body paragraphs for your English literature essay, begin each paragraph with a topic sentence that relates to your thesis statement and introduces the main point you will be making. Use evidence from the text to support your argument, and explain how the evidence supports your point.

To analyze literary texts effectively in your English literature essay at A-Level, look for literary techniques used by the author, such as imagery, symbolism, and metaphor. Use quotes from the text to support your analysis and explain how these techniques contribute to the meaning of the text.

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