Creative Writing and Literature Master’s Degree Program

Online Courses

11 out of 12 total courses

On-Campus Experience

One 1- or 3-week residency in summer

$3,220 per course

Unlock your creative potential and hone your unique voice.

Build a strong foundation in literary criticism and writing across multiple genres — including fiction, nonfiction, and drama — in our live online writing and literature program with an in-person writers’ residency at Harvard.

Program Overview

Through the master’s degree in creative writing and literature, you’ll hone your skills as a storyteller — crafting publishable original scripts, novels, and stories.

In small, workshop-style classes, you’ll master key elements of narrative craft, including characterization, story and plot structure, point of view, dialogue, and description. And you’ll learn to approach literary works as both a writer and scholar by developing skills in critical analysis.

Program Benefits

Instructors who are published authors of drama, fiction, and nonfiction

A community of writers who support your growth in live online classes

Writer's residency with agent & editor networking opportunities

Personalized academic and career advising

Thesis or capstone options that lead to publishable creative work

Harvard Alumni Association membership upon graduation

Customizable Course Curriculum

As you work through the program’s courses, you’ll enhance your creative writing skills and knowledge of literary concepts and strategies. You’ll practice the art of revision to hone your voice as a writer in courses like Writing the Short Personal Essay and Writing Flash Fiction.

Within the creative writing and literature program, you will choose between a thesis or capstone track. You’ll also experience the convenience of online learning and the immersive benefits of learning in person.

11 Online Courses

  • Primarily synchronous
  • Fall, spring, January, and summer options

Writers’ Residency

A 1- or 3-week summer master class taught by a notable instructor, followed by an agents-and-editors weekend

Thesis or Capstone Track

  • Thesis: features a 9-month independent creative project with a faculty advisor
  • Capstone: includes crafting a fiction or nonfiction manuscript in a classroom community

The path to your degree begins before you apply to the program.

First, you’ll register for and complete 2 required courses, earning at least a B in each. These foundational courses are investments in your studies and count toward your degree, helping ensure success in the program.

Getting Started

We invite you to explore degree requirements, confirm your initial eligibility, and learn more about our unique “earn your way in” admissions process.

A Faculty of Creative Writing Experts

Studying at Harvard Extension School means learning from the world’s best. Our instructors are renowned academics in literary analysis, storytelling, manuscript writing, and more. They bring a genuine passion for teaching, with students giving our faculty an average rating of 4.7 out of 5.

Bryan Delaney

Playwright and Screenwriter

Talaya Adrienne Delaney

Lecturer in Extension, Harvard University

Elisabeth Sharp McKetta

Our community at a glance.

80% of our creative writing and literature students are enrolled in our master’s degree program for either personal enrichment or to make a career change. Most (74%) are employed full time while pursuing their degree and work across a variety of industries.

Download: Creative Writing & Literature Master's Degree Fact Sheet

Average Age

Course Taken Each Semester

Work Full Time

Would Recommend the Program

Professional Experience in the Field

Pursued for Personal Enrichment

Career Opportunities & Alumni Outcomes

Graduates of our Creative Writing and Literature Master’s Program have writing, research, and communication jobs in the fields of publishing, advertising/marketing, fundraising, secondary and higher education, and more.

Some alumni continue their educational journeys and pursue further studies in other nationally ranked degree programs, including those at Boston University, Brandeis University, University of Pennsylvania, and Cambridge University.

Our alumni hold titles as:

  • Marketing Manager
  • Director of Publishing
  • Senior Research Writer

Our alumni work at a variety of leading organizations, including:

  • Little, Brown & Company
  • New York University (NYU)
  • Bentley Publishers

Career Advising and Mentorship

Whatever your career goals, we’re here to support you. Harvard’s Mignone Center for Career Success offers career advising, employment opportunities, Harvard alumni mentor connections, and career fairs like the annual on-campus Harvard Humanities, Media, Marketing, and Creative Careers Expo.

Your Harvard University Degree

Upon successful completion of the required curriculum, you will earn the Master of Liberal Arts (ALM) in Extension Studies, Field: Creative Writing and Literature.

Expand Your Connections: the Harvard Alumni Network

As a graduate, you’ll become a member of the worldwide Harvard Alumni Association (400,000+ members) and Harvard Extension Alumni Association (29,000+ members).

Harvard is closer than one might think. You can be anywhere and still be part of this world.

Tuition & Financial Aid

Affordability is core to our mission. When compared to our continuing education peers, it’s a fraction of the cost.

After admission, you may qualify for financial aid . Typically, eligible students receive grant funds to cover a portion of tuition costs each term, in addition to federal financial aid options.

What can you do with a master’s degree in creative writing and literature?

A master’s degree in creative writing and literature prepares you for a variety of career paths in writing, literature, and communication — it’s up to you to decide where your interests will take you.

You could become a professional writer, editor, literary agent, marketing copywriter, or communications specialist.

You could also go the academic route and bring your knowledge to the classroom to teach creative writing or literature courses.

Is a degree in creative writing and literature worth it?

The value you find in our Creative Writing and Literature Master’s Degree Program will depend on your unique goals, interests, and circumstances.

The curriculum provides a range of courses that allow you to graduate with knowledge and skills transferable to various industries and careers.

How long does completing the creative writing and literature graduate program take?

Program length is ordinarily anywhere between 2 and 5 years. It depends on your preferred pace and the number of courses you want to take each semester.

For an accelerated journey, we offer year round study, where you can take courses in fall, January, spring, and summer.

While we don’t require you to register for a certain number of courses each semester, you cannot take longer than 5 years to complete the degree.

What skills do you need prior to applying for the creative writing and literature degree program?

Harvard Extension School does not require any specific skills prior to applying, but in general, it’s helpful to have solid reading, writing, communication, and critical thinking skills if you are considering a creative writing and literature master’s degree.

Initial eligibility requirements can be found on our creative writing and literature master’s degree requirements page .

Harvard Division of Continuing Education

The Division of Continuing Education (DCE) at Harvard University is dedicated to bringing rigorous academics and innovative teaching capabilities to those seeking to improve their lives through education. We make Harvard education accessible to lifelong learners from high school to retirement.

Harvard Division of Continuing Education Logo

Creative Writing and Literature

Program finder image

Students enrolled in the Master of Liberal Arts program in Creative Writing & Literature will develop skills in creative writing and literary analysis through literature courses and writing workshops in fiction, screenwriting, poetry, and nonfiction. Through online group courses and one-on-one tutorials, as well as a week on campus, students hone their craft and find their voice.

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Masters in Creative Writing Programs in America

1-25 of 223 results

Harvard Graduate School of Arts and Sciences

Cambridge, MA •

Harvard University •

Graduate School

  • • Rating 4.56 out of 5   9 reviews

Other: I am Harvard Extension School student pursuing a master degree, ALM, in sustainability. I have achieved a 3.89 in this program so far and have qualified, applied, and accepted as a 'Special Student' in the Harvard Graduate School of Arts and Sciences. Through this School, I will be focusing my time at the John A. Paulson school of Engineering & Applied Sciences. Looking forward to wrapping up my final year on campus! ... Read 9 reviews

Harvard University ,

Graduate School ,

CAMBRIDGE, MA ,

9 Niche users give it an average review of 4.6 stars.

Featured Review: Other says I am Harvard Extension School student pursuing a master degree, ALM, in sustainability. I have achieved a 3.89 in this program so far and have qualified, applied, and accepted as a 'Special Student'... .

Read 9 reviews.

Brown University Graduate School

Providence, RI •

Brown University •

Brown University ,

PROVIDENCE, RI ,

Weinberg College of Arts and Sciences

Evanston, IL •

Northwestern University •

Northwestern University ,

EVANSTON, IL ,

Chatham University

Graduate School •

PITTSBURGH, PA

  • • Rating 4.32 out of 5   22

The New School

NEW YORK, NY

  • • Rating 4.46 out of 5   37

Drew University

MADISON, NJ

  • • Rating 4.21 out of 5   24

College of Arts and Science

Nashville, TN •

Vanderbilt University •

Vanderbilt University ,

NASHVILLE, TN ,

Washington University in St. Louis - Arts & Sciences

St. Louis, MO •

Washington University in St. Louis •

Washington University in St. Louis ,

ST. LOUIS, MO ,

College of Arts and Letters - University of Notre Dame

Notre Dame, IN •

University of Notre Dame •

  • • Rating 4.5 out of 5   2 reviews

Doctoral Student: The faculty at Notre Dame is excellent. The student to professor ratio makes for a wonderful one to one interaction between students and teachers. At Notre Dame, my interests, dreams, goals, research and career path matter. I loved this most. I feel taken seriously and supported with every possible resources for my mental, academic and career success. One gets many opportunities to grow talents through research, and presentations with helpful and supportive feedback from students and professors. For these reasons, I find it a place to be! On the down side, the weather is at first always a challenge for one who is not used to the harsh and gloomy midwestern winter. ... Read 2 reviews

University of Notre Dame ,

NOTRE DAME, IN ,

2 Niche users give it an average review of 4.5 stars.

Featured Review: Doctoral Student says The faculty at Notre Dame is excellent. The student to professor ratio makes for a wonderful one to one interaction between students and teachers. At Notre Dame, my interests, dreams, goals, research... On the down side, the weather is at first always a challenge for one who is not used to the harsh and gloomy midwestern winter. .

Read 2 reviews.

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Dornsife College of Letters, Arts and Sciences

Los Angeles, CA •

University of Southern California •

University of Southern California ,

LOS ANGELES, CA ,

Cornell University College of Arts & Sciences

Ithaca, NY •

Cornell University •

Cornell University ,

ITHACA, NY ,

Rackham School of Graduate Studies

Ann Arbor, MI •

University of Michigan - Ann Arbor •

  • • Rating 5 out of 5   3 reviews

Master's Student: I was nervous about attending a prestigious school like The University of Michigan but once classes started I realized that I had made the right decision. Tuition is very expensive but I love my professors and I believe that I am getting the best education in the country! ... Read 3 reviews

University of Michigan - Ann Arbor ,

ANN ARBOR, MI ,

3 Niche users give it an average review of 5 stars.

Featured Review: Master's Student says I was nervous about attending a prestigious school like The University of Michigan but once classes started I realized that I had made the right decision. Tuition is very expensive but I love my... .

Read 3 reviews.

Krieger School of Arts & Sciences

Baltimore, MD •

Johns Hopkins University •

  • • Rating 4.53 out of 5   19 reviews

Master's Student: I have yet to enroll for Fall 2023 after receiving my acceptance letter due to a delay in my need-based financial aid from JHU. However the Homewood Campus in Baltimore is beautiful and my Student Advisor, Alexis has been extremely helpful in initiating my enrollment process and answering all of my questions in a timely matter. My intended Advanced Academic Program is the accelerated (2 semester), dual-modality, 40-credit M.S. in Biotechnology, Biodefense concentration. All of the anticipated course subjects are diverse and there's even a customizable core lab course on campus (at least until Summer 2024). I can't wait and I wish you all the best in your search for academic programs or professional certifications. ... Read 19 reviews

Johns Hopkins University ,

BALTIMORE, MD ,

19 Niche users give it an average review of 4.5 stars.

Featured Review: Master's Student says I have yet to enroll for Fall 2023 after receiving my acceptance letter due to a delay in my need-based financial aid from JHU. However the Homewood Campus in Baltimore is beautiful and my Student... .

Read 19 reviews.

The Graduate School of Arts & Sciences - University of Virginia

Charlottesville, VA •

University of Virginia •

  • • Rating 4 out of 5   1 review

Alum: Very good in some areas, excellent in other areas, many academic choices available in all areas of study ... Read 1 review

University of Virginia ,

CHARLOTTESVILLE, VA ,

1 Niche users give it an average review of 4 stars.

Featured Review: Alum says Very good in some areas, excellent in other areas, many academic choices available in all areas of study .

Read 1 reviews.

Graduate School of Arts & Sciences - New York University

New York, NY •

New York University •

  • • Rating 4.8 out of 5   10 reviews

Master's Student: I am enrolled specifically in the Magazine concentration. My professors have all been helpful with helping me succeed and are willing to stay back to go over something I don't understand. There are multiple points of resources at this program. A director is your main academic advisor. Aside from that, there is a pitch specialist to assist with freelancing and two wonderful career advisors. They help with setting up mingle sessions, job fairs, and internship talks. As of now, I haven't had bad experiences, however, I will say that the program is expensive and is an awkward three semesters. Those two things aren't ideal, however, its not too much of a dealbreaker. ... Read 10 reviews

New York University ,

NEW YORK, NY ,

10 Niche users give it an average review of 4.8 stars.

Featured Review: Master's Student says I am enrolled specifically in the Magazine concentration. My professors have all been helpful with helping me succeed and are willing to stay back to go over something I don't understand. There are... .

Read 10 reviews.

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College of Liberal Arts - University of Texas - Austin

Austin, TX •

University of Texas - Austin •

University of Texas - Austin ,

AUSTIN, TX ,

College of Liberal Arts and Human Sciences

Blacksburg, VA •

Virginia Tech •

Virginia Tech ,

BLACKSBURG, VA ,

Liberal Arts and Sciences - University of Florida

Gainesville, FL •

University of Florida •

Master's Student: Overall, the University of Florida seems to be a great school as far as rankings and attendance rates go. Despite the political turmoil going on in the state of Florida, there seems to be a relatively strong student body of undergraduate students. Graduate students, however, are less cohesive. Likely due to politics, our graduate student union is in jeopardy, and it is so difficult to get the union membership to 60%. In the Department of Sociology, Criminology, and Law, we have a very low union membership status, which is somewhat ironic considering the nature of our disciplines. The demands of balancing an assistantship and academic career are exhausting, and even more so with limited resources (financial, emotional, etc.). The faculty turnover in the dept. is also insane, likely due to the political situation that seems to be driving out all faculty members of color. Lastly, financial support is incredibly limited. All things aside, the education that I am receiving is appropriate. ... Read 1 review

Blue checkmark.

University of Florida ,

GAINESVILLE, FL ,

Featured Review: Master's Student says Overall, the University of Florida seems to be a great school as far as rankings and attendance rates go. Despite the political turmoil going on in the state of Florida, there seems to be a... .

Graduate School of Arts & Sciences - Boston University

Boston, MA •

Boston University •

Boston University ,

BOSTON, MA ,

College of Letters & Science, University of Wisconsin-Madison

Madison, WI •

University of Wisconsin •

  • • Rating 4.22 out of 5   9 reviews

Alum: Aside from being really cold, UW-Madison is a great school. Needless to say, it is one of the top schools in the U.S. with a beautiful campus that has Lake Mendota and a lot of student life to enjoy. Academic was really good too, but given how the city is college town, you can feel the emptiness when students go back home during summer break. It is known as party school too with Mifflin Street Block Party. But it is also highly academically renowned school. So you can make your campus life as fun or as beneficial as you can. There are many gyms and libraries that can handle 40k + students. In addition, you have to check out Camp Randall, the football stadium and attend The MadHatters A Cappella show. I really miss this campus except for the weather. State street has many diverse restaurants that are authentic and delicious. One of the best campuses in the world. ... Read 9 reviews

University of Wisconsin ,

MADISON, WI ,

9 Niche users give it an average review of 4.2 stars.

Featured Review: Alum says Aside from being really cold, UW-Madison is a great school. Needless to say, it is one of the top schools in the U.S. with a beautiful campus that has Lake Mendota and a lot of student life to enjoy.... .

College of Liberal Arts & Sciences - University of Illinois

Urbana, IL •

University of Illinois Urbana-Champaign •

University of Illinois Urbana-Champaign ,

URBANA, IL ,

College of Arts and Sciences - University of Miami

Coral Gables, FL •

University of Miami •

  • • Rating 4.67 out of 5   6 reviews

Master's Student: I am in graduate school and needed something online but also wanted something that was going to challenge me and provide me with a step further than my undergrad school provided. I compared many MPA programs and chose the University of Miami because the program was so similar to the in-person MPA program, taught by the same professors, and included the same courses. While entirely online, I have come to know my fellow graduate students and come to know the faculty in each of the courses I have taken. I'm currently half-way through the program and cannot wait to complete this degree! ... Read 6 reviews

University of Miami ,

CORAL GABLES, FL ,

6 Niche users give it an average review of 4.7 stars.

Featured Review: Master's Student says I am in graduate school and needed something online but also wanted something that was going to challenge me and provide me with a step further than my undergrad school provided. I compared many MPA... .

Read 6 reviews.

BYU College of Fine Arts and Communications

Provo, UT •

Brigham Young University •

Brigham Young University ,

PROVO, UT ,

College of Liberal Arts - University of Minnesota Twin Cities

Minneapolis, MN •

University of Minnesota Twin Cities •

  • • Rating 4 out of 5   2 reviews

Master's Student: The School has some management problems. However, the faculty are well trained and knowledgeable. The performance faculty are very well suited to serve the twin cities area and Minnesota as a whole. ... Read 2 reviews

University of Minnesota Twin Cities ,

MINNEAPOLIS, MN ,

2 Niche users give it an average review of 4 stars.

Featured Review: Master's Student says The School has some management problems. However, the faculty are well trained and knowledgeable. The performance faculty are very well suited to serve the twin cities area and Minnesota as a whole. .

University of Washington College of Arts & Sciences

Seattle, WA •

University of Washington •

University of Washington ,

SEATTLE, WA ,

College of Humanities and Social Sciences - NC State University

Raleigh, NC •

North Carolina State University •

  • • Rating 5 out of 5   1 review

Graduate Student: NC State's MSW program will prepare you to handle a wide variety of social work careers. The professors are amazing and teach students how to engage in various social justice activities on multiple levels. This grad program was an excellent career decision. ... Read 1 review

North Carolina State University ,

RALEIGH, NC ,

1 Niche users give it an average review of 5 stars.

Featured Review: Graduate Student says NC State's MSW program will prepare you to handle a wide variety of social work careers. The professors are amazing and teach students how to engage in various social justice activities on multiple... .

College of Arts and Humanities - University of Maryland

College Park, MD •

University of Maryland - College Park •

University of Maryland - College Park ,

COLLEGE PARK, MD ,

Florida State University - The College of Arts and Sciences

Tallahassee, FL •

Florida State University •

Florida State University ,

TALLAHASSEE, FL ,

College of Liberal and Creative Arts - San Francisco State University

San Francisco State University •

SAN FRANCISCO, CA

American University

WASHINGTON, DC

  • • Rating 4.54 out of 5   147

Florida International University

  • • Rating 4.63 out of 5   286

Showing results 1 through 25 of 223

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Master of Arts (MA) in Writing | Northwestern SPS - Northwestern School of Professional Studies

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Program Overview

Master’s in Writing

MA in Writing

Northwestern’s part-time Master of Arts in Writing program provides students the opportunity to grow as artists within the specializations of fiction, nonfiction, popular fiction, and poetry. A dual-genre specialization is also offered, as well as a publishing and professional development track that combines publishing industry-related instruction with the creative coursework of the writing workshops. The small-group workshop format allows for individual attention from published, award-winning faculty . Students also have the opportunity to learn the ropes in teaching writing, publishing, and editing. Flexible scheduling — with courses offered evenings and weekends on Northwestern’s Chicago and Evanston campuses as well as online and in hybrid format — gives students the opportunity to balance their professional, personal and writing lives. While earning their degrees, students connect with other writers at readings and other events in an artistic community that extends beyond the University into Chicagoʼs vibrant literary scene.

About the MA in Writing

Writing program goals, ma in writing courses, curriculum for ma in writing, writing faculty, master's in writing admission, tuition and financial aid for writing, registration information for writing, careers in writing.

Juan Martinez

Some of the bravest, most interesting writers I've encountered come from this program. They've lived, they've been out in the world, and they're willing to find ways to transmute that experience into compelling, transformative work.”

Students form lasting bonds with each other and with their professors. The years students have spent in the SPS creative writing program, some have told me, are the most creatively rewarding ones they've experienced.”

Christine Sneed

Teaching in Northwestern's part-time writing program has been a career highlight for me. The program is enriched by its students who come from various backgrounds and careers. The diversity of passions, insights and life experiences helps to create a truly unique and rewarding learning experience.”

  • To help students determine the strengths and weaknesses of their writing, and learn how to evaluate criticism of their work
  • To teach students how to take their writing apart, re-think and revise it
  • To show students how to experiment with different styles and forms
  • To guide students in creating a publishable manuscript or portion of one
  • To teach students how to read literature as a writer and a critic
  • To train students to teach creative writing, informed by current pedagogy and classroom experience
  • To give students the opportunity to edit an international literary magazine with their peers
  • To provide students with the tools to create strong applications for jobs in teaching, publishing, and editing

Core Courses

  • 3-4 workshops in a chosen genre: poetry, fiction, nonfiction, or popular fiction (number of workshops depends on specialization)
  • 2 graduate-level literature courses

Electives 

  • Courses drawn from MCW special topics courses, internships in teaching, publishing, and arts administration, literature courses or liberal studies courses. Students may also take an independent study courses as an elective.

Thesis 

  • MCW 590 Capstone Writing and Revision

Electives are chosen from the graduate course offerings in the Master of Arts in Literature program, creative writing special topics courses (MCW 490) and the seminars and internships (practica) in teaching and publishing. Since good writers also need to be good readers, students must take electives in literary studies. Recent electives include courses on reading poetry; the narrator in fiction, nonfiction and poetry; and writing humor. Independent studies round out the program and provide an opportunity to strengthen writing portfolios.

The final project of both the MA and MFA programs is a creative thesis, an original work of high literary merit (judged on the basis of art as well as craft). The creative thesis is structured and revised under the supervision of a faculty member (or faculty mentor) and a second reader. The project may be one long piece or a series of shorter pieces. It may include or be an expansion of work written during the student's course of study as long as it represents a culminating effort to shape stories, prose pieces, a long piece, or a group of poems into a coherent, self-sufficient work. This large-scale project supplements the smaller-scale study of craft with the invaluable experience of creating a larger work. And for students who plan to pursue book-length publication after graduation, the master's creative thesis may be the first version of a work in progress.

Northwestern also offers a part-time MFA program in Prose and Poetry .

Explore MA in Writing Courses . You can narrow your course search by day, location or instructor.

Learn from a faculty of esteemed writers in small-group workshops where instructors facilitate discussions that help students examine and address strengths and weaknesses in their writing as well as open up possibilities for re-thinking and revising. Get to know the instructors on our MA in Writing Faculty page.

Candidates for admission to the MA in Writing program must hold a bachelor's degree from a regionally accredited institution or its foreign equivalent and possess a strong academic record, preferably in English, writing or related fields. For a complete list of requirements, see the Admission page for SPS graduate programs.

Tuition for the MA in Writing program at Northwestern is comparable to similar US programs. Financial aid opportunities exist for students at Northwestern. Complete details can be found on the MA in Writing Tuition and Financial Aid pages.

Already accepted into the Master's in Writing program? Get ahead and register for your classes as soon as possible to ensure maximum efficiency in your progress. 

  • COURSE SCHEDULE & REGISTRATION
  • REGISTRATION POLICIES & CONTACTS

Northwestern University’s MA in Writing is an art degree. Students pursue the degrees in order to become better writers, able to create prose and poetry that draw on a full range of the craft. On a more practical level, MA students become better writers, which prepares them for a variety of careers. For details visit the  Writing Career Options page.

Find out more about Northwestern's MA in Writing

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DEPARTMENT OF ENGLISH

  • Litowitz MFA+MA Program

The Litowitz MFA+MA Program in Creative Writing and English

Program faculty, the department of english is grateful to northwestern university alumna jennifer leischner litowitz ’91 and her husband, alec litowitz for helping launch and support this program..

The Litowitz MFA+MA Program in Creative Writing offers intimate classes, the opportunity to pursue both creative and critical writing, close mentorship by renowned faculty in poetry, fiction, and creative nonfiction, and three fully supported years in which to grow as writers and complete a book-length creative project.  The Litowitz MFA+MA curriculum gives students time to deepen both their creative writing and their study of literature.  Students will receive full financial support for three academic years and two summers, a total of 33 months.  Both degrees—the MFA in Creative Writing and the MA in English—are awarded simultaneously at graduation.

Drawing on innovative scholarship, deep immersion in process, and cross-pollination between critical and creative texts, Litowitz students will complete a Capstone essay—a 20-25 page expanded version of a paper written for an English department graduate or MFA+MA seminar—by the end of their second year, and will spend their third year working on a book-length creative thesis of their own design, either within one genre or across genres.  The MFA+MA program's small size and attentive faculty will develop students' sense of literary context, the possibilities of genre, and their creative practice, while encouraging them to pursue the individual distinctiveness of their projects.

The Litowitz MFA+MA program provides significant exposure to a second genre in addition to the genre in which a student has been admitted. Students must take at least one out-of-genre workshop and have the option of taking more.

Over two years of coursework students will take:

In spring quarter of the second year, with advising and mentoring by the faculty, each student will complete the MA Capstone Essay.

In year three, students will be almost wholly dedicated to their creative thesis manuscripts.  Third-year students will take three quarters of the MFA Thesis Workshop/Tutorial.

Some students will complete their MFA thesis manuscript by the end of this year; others will wish to take more time.  The Graduate School permits students to submit the culminating project for the MFA at the end of full-time enrollment, or afterward.   

In all three years, students will be mentored by the faculty in the practice of their writing, the design of their projects, and regarding artistic and intellectual resources for their work.  In the teaching of creative writing and, through summer editorial work at TriQuarterly.org , students will get first-hand experience in editing a literary journal.

Visiting writers (including some anglophone international writers) will bring new perspectives to artistic practice, the three genres, and cross-genre or multi-genre work.

Students will pursue their work on our beautiful Evanston campus, amid artists, filmmakers, scholars and public intellectuals, with easy access to the vibrant literary arts scene of Chicago.

Admissions Cycle

Each year, the MFA+MA program admits new students in two of our three genres.  The genres in question rotate annually.  Information on the application process and the genres in which applications will be considered can be found here .

Creative Writing Master of Fine Arts Degree

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Hone Your Craft in the Capital City

For more than 30 years, writers have come to American University to develop their work and exchange ideas in the District’s only creative writing MFA program. Our graduate workshops provide a rigorous yet supportive environment where students explore a range of approaches to the art and craft of fiction, nonfiction, and poetry.

As an MFA student at American, you are free to pursue a single genre or explore several. You will acquire a deeper understanding of your own work and hone your skills in a collaborative setting.

Students sit with their eyes on the work on the table in front of them

A Program of Study That Gets Results

This two-year, 36-credit-hour MFA program integrates writing, literary journalism, translation, and the study of literature to prepare students for a range of career possibilities. Write, give feedback, and receive guidance from a close-knit community of respectful peers and faculty. In the MFA program, you'll find lawyers, military veterans, musicians, teachers, and business executives who are passionate about the written word.

Connect with accomplished professors and the resources you need to reach your goal. Our faculty members have been featured in a variety of media and publications including the New Yorker , the New York Times , National Public Radio, Bill Moyers & Co., and the Washington Post.

Dolen Perkins-Valdez speaking to attendees at an event

Prominent Authors Dedicated to Your Success

Our faculty of award-winning poets, novelists, translators, and nonfiction writers will help you help you hone your craft and pursue your career as a writer. You will receive instruction and guidance from successful authors published by university presses and major publishers, including Houghton Mifflin, Scribner, Vintage Books, Viking Press, and WW Norton. Our active and engaged faculty members are regularly featured in top media outlets such as The New York Times, New Yorker, Washington Post, Chicago Tribune, and New Republic ; in literary journals like Kenyon Review, Ploughshares, and Shenandoah ; and on television and radio.

Library of Congress

A City For Writers

Living and learning in the nation's capital provides numerous benefits for MFA students. We partner with organizations like the National Endowment for the Arts, Library of Congress, 826DC, Writopia Labs, and Folger Shakespeare Library to facilitate opportunities for our students.

Our students have recently published books with WW Norton, Copper Canyon, University of Wisconsin Press, and MIT Press. They have been featured on This American Life , Poets & Writers , in Creative Nonfiction , Psychology Today , and more.

We Know Success

97% of graduates are employed, in grad school, or both 6 months after graduation.

Our alumni have gone on to work for organizations including:

  • Catalogue for Philanthropy: Greater Washington
  • EEO ClassIn
  • Fulbright Association
  • Goodwin University
  • PEN/Faulkner Foundation
  • Shout Mouse Press
  • Street Sense Media
  • The Building People
  • W. W. Norton & Company, Inc

Publications

Poster for Folio. A taxi in front of a streetlight.

Folio is a nationally recognized literary journal sponsored by the College of Arts and Sciences at American University in Washington, DC. Since 1984, we have published original creative work by both new and established authors. Past issues have included work by Michael Reid Busk, Billy Collins, William Stafford, and Bruce Weigl, and interviews with Michael Cunningham, Charles Baxter, Amy Bloom, Ann Beattie, and Walter Kirn. We look for well-crafted poetry and prose that is bold and memorable.

News & Notes

visiting authors collage

Writers Series Brings Leading Authors and Thinkers to Campus this Fall

Recent award-winning publications by our MFA alumni :

  • Valzhyna Mort won the 2021 International Griffin Prize for her third poetry collection, Music for the Dead and Resurrected (FSG, 2020), which was named one of the best poetry books of 2020 by The New York Times.
  • Field Study by Chet’la Sebree won the 2020 Academy of American Poets James Laughlin Award; Mistress  won the 2018 New Issues Poetry Prize.
  • "The Niece" by Yohanca Delgado was selected for the Distinguished Stories list in Best American Short Stories 2020 .
  • Trouble Sleeping  by Abdul Ali won the 2014 New Issues Poetry Prize.
  • Daydreamers by  Jonathan Harper was named a Kirkus Indie Books of the Month Selection.

book cover

Rachel Louise Snyder recounts how her mother’s death left her unmoored and untoward in her new memoir .

Kyle Dargan served as editor for The Memory Librarian: And Other Stories of Dirty Computer  with Janelle Monáe.

Dolen Perkins-Valdez (Literature) won the 2023 NAACP Image Award for fiction for her most recent novel, Take My Hand . 

Ralvell Rogers

Ralvell Rogers MFA, Creative Writing

More about ralvell.

MFA Creative Writing candidate Ralvell Rogers is making his mark on the literary world.

My time at AU has been brilliant in the fact that I've already learned much about what it means to be a Writer with a capital "W" and more importantly, a literary scholar. Though there is an obvious focus on our course work, it's been made clear to me that our work isn't exactly all that matters in the classroom. We are continuously connecting our work in class to the lives that we live on a daily basis and the world that we all live in, and I think that is very important for writers and entrepreneurs in the publishing sector because we are essentially the historians of our respective generations.

He is the author of The Kansas City Boys Choir: Providing Hope for Tomorrow , which has been endorsed by luminaries Kevin Powell, G.S. Griffin, and Congressman Emanual Cleaver II. Ralvell has also established his own publishing company, Ambitious Stories, LLC, out of Kansas City, MO. He founded it earlier this year to focus on "often unheard, yet riveting and inspiring stories from the heart."

Valzhyna Mort, credit: Tanya Kapitonava

Valzhyna Mort MFA Creative Writing

More about valzhyna.

Alumna Valzhyna Mort has gained international acclaim for her third poetry collection, Music for the Dead and Resurrected (FSG, 2020), which won the 2021 International Griffin Prize and was named one of the best poetry books of 2020 by the New York Times . Publishers Weekly called this work in their starred review, "poems of reclamation and resurrection; to live in them is to confront the hard work of witness." The New Yorker wrote in its review, "Memory, metaphor, and myth intermingle to sometimes nightmarish effect in this collection by a Belarus-born poet. Mort excavates the individual and communal traumas wrought by a violent and repressive national history, and calls herself 'a test-child exposed to the burning reactor of my grandmother’s memory.'" Mort teaches poetry, literature, and translation at Cornell University.

Look inside the Creative Writing MFA

For more than 40 years, writers have come to American University to develop their work and exchange ideas in the District’s only creative writing MFA program.

Frequently Asked Questions

What is the application deadline for a merit award.

The application deadline is February 1. All applications are automatically considered for merit awards. After February 1, the program continues to consider applications, but cannot guarantee those applicants will be considered for merit awards.

What is the MFA thesis?

The required MFA thesis consists of an original, book-length manuscript. It may be a novel, a novella, a memoir or collection of stories, creative nonfiction, or poems. The thesis is due approximately a month before the end of the student's final semester.

How long does it take to earn the MFA degree at American University?

Most students complete the 36-credit degree in 2 years. Full-time study is 9 credits (3 classes) per semester. Others pursue their degree part-time, taking 1-2 classes per semester as best fits their schedules. All workshops, and many literature courses, are offered at night, so that students with full-time jobs can still complete their coursework.

What does the admissions committee look for in an applicant's writing sample?

The committee regards the writing sample as the most important part of the application. It's therefore important that you pay close attention to the manuscript guidelines (see below). Send what you feel is your strongest work that shows your demonstrated talent. It is not important to the committee whether or not work has been previously published.

Those submitting applications in poetry should send no more than 12 poems or 15 pages (with no more than one new or continuing poem per page). If submitting fiction/nonfiction, please submit 15-25 pages. While the catalog calls for a 25-page writing sample, we value quality over quantity. We are interested in seeing only your very best work, which can consist of one or more stories or works of creative nonfiction or an excerpt from a novel. If you send an excerpt from a novel, please include a brief description of the work as a whole.

Still have questions? Email [email protected] .

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Bass School of Arts, Humanities, and Technology

masters in literature and creative writing

Literature Graduate Programs

Join our community of scholars, creative writers, and translators who share a commitment to transnational and interdisciplinary approaches to literary study and practice.

Our graduate programs in literature provide a flexible context to pursue research across a wide range of literary traditions, critical approaches, and theoretical debates. In addition to coursework in literary studies, you’ll have the opportunity to participate in creative writing and/or literary translation workshops as well as seminars in other disciplines such as film studies, the history of ideas, philosophy, and the visual and performing arts.

Doctor of Philosophy in Literature

Students pursuing the PhD in literature may, if their coursework supports it, submit a translation or creative writing project as part of their dissertation.

Forty-five semester credit hours of which at least 24 are taken as organized graduate-level courses in Literature (LIT).

Required Courses: 36 semester credit hours 

LIT 6300  Proseminar in Literary Studies

ARHM 6310  Team-Taught Interdisciplinary Seminar

LIT 7300  Academic Writing Workshop

18 semester credit hours of organized graduate-level  LIT  courses

9 semester credit hours of  LIT 8305  Field Exam Preparation

Elective Courses: 9 semester credit hours

Nine semester credit hours of electives in any graduate-level courses.

Students in all PhD programs in the Bass School of Arts, Humanities, and Technology are expected to demonstrate intermediate-level reading proficiency in a foreign language (equivalent to two years of foreign-language study at the undergraduate level). Students must fulfill the language requirement before scheduling doctoral field examinations. 

As part of its approval of a dissertation proposal, the Graduate Studies Committee will consider the appropriateness of a candidate’s language preparation for the research or creative project. Faculty members chairing field examinations and dissertations should ensure that students possess the necessary language proficiency to carry out their proposed doctoral research. 

The requirement can be satisfied upon enrollment in a PhD program by demonstrating evidence of one or more of the following: 

  • Completion of a second-semester, intermediate-level foreign language course or higher (e.g., an undergraduate literature course in a foreign language) with a grade of B or better. 
  • Completion of a graduate course taught in a foreign language or with more than 25% of its required readings in a foreign language. 
  • An undergraduate major, graduate degree, or certificate in a foreign language. 
  • Successful completion of graded coursework at a foreign university at which the primary language of instruction is not English. 
  • A degree in any discipline from a foreign university at which the primary language of instruction is not English. 

The requirement can be satisfied during graduate study at UT Dallas in one of the following ways: 

  • Completion of a second-semester, intermediate-level foreign language course or higher at UT Dallas or elsewhere with a grade of B or better. 
  • Successful completion of  LIT 6326 : Translation Workshop with a grade of B or better. 
  • Successful completion of one of the following:  HUMA 6330 : French Workshop;  HUMA 6331 : Spanish Workshop;  HUMA 6333 : German Workshop with a grade of B or better.
  • Passing a written translation exam in an approved foreign language at UT Dallas.

The doctoral field examination consists of two written sections and an oral defense. The examining committee, composed of three members of the faculty (at least two of whom are faculty in the Literature Program), oversees definition and preparation of the two broad examination fields. Initial committee formation must take place during the semester in which students complete thirty-six semester credit hours of coursework, which will typically be followed by nine semester credit hours of  LIT 8305 : Field Exam Preparation. Students complete their doctoral field examination ideally during the semester in which they complete 45 semester credit hours, but no later than the semester in which they complete 54 semester credit hours.

Students are formally advanced to PhD candidacy when they have successfully completed the doctoral field examinations and received final approval for dissertation topics. Students should submit a preliminary dissertation proposal for consideration during the oral section of the doctoral field examination. After that examination, a four-person supervising committee is formed, normally from the examining committee plus an additional faculty member, to oversee dissertation work. The supervising committee must then approve a formal dissertation proposal before the student submits it to the Graduate Studies Committee for final approval.

Each candidate then writes a doctoral dissertation, which is supervised and defended according to general University regulations.

Toni Muñoz-Hunt

Toni Muñoz-Hunt,

PhD in Literature, Spring 2021

“Shortly after I received my undergraduate degree, I was looking for an institution with a strong interdisciplinary education where I could make my way and fashion my own academic plan. I met with a few local universities, and I felt most at home when I stepped foot onto this wonderfully diverse campus.”

Master of Arts in Literature

The MA in Literature can provide you with a flexible context to pursue research across a wide range of literary traditions, critical approaches and theoretical debates. In addition to coursework in literary studies, you’ll have the opportunity to participate in creative writing and/or literary translation workshops as well as seminars in other disciplines, such as film studies, the history of ideas, philosophy and the visual and performing arts.

Choose between the professional option (coursework only and no foreign language requirements) and the research option (coursework with foreign language requirements plus a portfolio). If you choose the research option, you may, if your coursework supports it, submit a translation or creative writing project as part of your portfolio.

Thirty-three semester credit hours of which at least 18 semester credit hours are taken as organized graduate-level courses in Literature (LIT).

Required Courses: 21 semester credit hours 

LIT 6300 : Proseminar in Literary Studies

15 semester credit hours of organized graduate-level  LIT  courses

Free Electives: 12 semester credit hours 

Twelve semester credit hours of electives in any graduate-level courses.

Students in the professional option must complete 33 semester credit hours of coursework. They are not required to complete a portfolio or meet the foreign language requirement.

Students in the research option must complete 33 semester credit hours of coursework, fulfill a foreign language requirement, and complete a portfolio.

The research option MA degree requires demonstrated proficiency in an approved foreign language. The requirement can be satisfied upon enrollment in the MA program by demonstrating evidence of one or more of the following: 

  • Successful completion of one of the following:  HUMA 6330 : French Workshop;  HUMA 6331 : Spanish Workshop;  HUMA 6333 : German Workshop with a grade of B or better. 
  • Passing a written translation exam in an approved foreign language at UT Dallas. 

Two research papers or a creative project plus a scholarly essay originating in or completed for graduate courses are revised and presented in a portfolio for evaluation by a master’s committee.

Graduate Certificate in Creative Writing

The Graduate Certificate in Creative Writing focuses on the theory and practice of creating literary works.

The certificate consists of four graduate creative writing workshops, which can be completed in one genre or in more than one genre.

More information on this certificate can be found in the University Catalog .

Graduate Certificate in Literary Translation

The Graduate Certificate in Literary Translation focuses on the history, theory, and practice of literary translation. Students will learn to study and produce literary translations.

The certificate consists of four courses: two foundational courses in the theory and practice of translation; one of two advanced courses in translation studies; and a seminar or workshop related to the student’s area of research.

Program Highlights

Students reading at a discussion session

Research Opportunities

Our graduate students conduct and present research national and internationally. See graduate student accomplishments.

Faculty Mentors

Our faculty members will help you gain the knowledge, skills and support you need for a rewarding career. Meet Literature faculty .

Dr. Nomi Stone

Dr. Nomi Stone

Assistant professor of literature and creative writing

“I love the hybridity and cross-pollination at UT Dallas. I’m an anthropologist and a poet — a scholar who also writes creatively — so this is just the exact right fit for me. Braiding these things together is my passion. I haven’t seen a place that does collaboration as well as this place. I see a real investment in bringing seemingly disparate things together.”

Contact Information

Dr. Charles Hatfield Associate Professor and Program Head Phone: 972-883-2780 Email:  [email protected]

Kelly Erb Graduate Academic Advisor Phone: 972-883-6176 Email:  [email protected] Office:  JO 4.508C

Graduate Advising Bass School of Arts, Humanities, and Technology The University of Texas at Dallas, JO31 800 W. Campbell Road Richardson, TX 75080-3021 Phone: 972-883-4706 Email:  [email protected]

Office of Admission and Enrollment 800 W. Campbell Road Richardson, TX 75080-3021 972-883-2270 or 1-800-889-2443 [email protected] utdallas.edu/enroll

Doctoral Application Deadlines

Ma application deadlines.

  • Degrees, Minors & Certificates
  • Graduate Student Writing Resources

Reach out to us  to get more information about your program of interest.

Review the Bass School’s  graduate application process and requirements.

Southern New Hampshire University

Online Students

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International Students

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Campus Students

For All Campus Programs

SNHU graduate, Felicia Ramos-Peters working on her computer. With the text Felicia Ramos-Peters '14

Online MFA in Creative Writing Master of Fine Arts

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Earn an MFA in Creative Writing Online

  • $637/credit (48 credits total)
  • Transfer up to 12 graduate credits
  • 100% online – no residency required
  • Four fiction genres to choose from
  • Career-focused certificate included
  • No application fee or GRE/GMAT scores required

Online MFA in Creative Writing Program Overview

Share your story with the world and let the power of storytelling take your career to new heights with an online Master of Fine Arts (MFA) in Creative Writing . As one of the only programs available that encourages a focus on genre fiction, our online MFA lets you hone your craft in an area specific to your strengths and interests. You'll also learn about the business side of creative writing, preparing you to market your work in the real world.

While most MFA programs require a residency, Southern New Hampshire University's online MFA in Creative Writing can be completed entirely online, with no travel necessary.

“Traditional MFA programs, whether full-time or low residency, are out of reach for many writers,” said Paul Witcover , associate dean of creative writing. “The SNHU online MFA was designed to make the MFA experience accessible to all fiction writers, opening the door to diverse voices excluded for too long from the literary conversation. Our program is dedicated to giving writers the tools to succeed on the page and beyond it.”

Graduates leave the program with a completed and revised novel in one of our four offered genres: Contemporary, Young Adult, Romance and Speculative. With the included certificates in either online teaching of writing or professional writing , you'll have the skills to support your writing career, no matter where it takes you.

.st0{fill:#21386D;} What You'll Learn

  • The business and technical sides of professional writing
  • How to navigate the publishing ecosystem, identify agents and editors, and market your work to appeal to decision-makers
  • Using social media to gain a following and build your brand
  • How to teach writing in a classroom setting

.cls-1 { fill: #21386d; } How You'll Learn

At SNHU, you'll get support from day 1 to graduation and beyond. And with no set class times, 24/7 access to the online classroom and helpful learning resources along the way, you'll have everything you need to reach your goals.

Why Emily Chose Online MFA in Creative Writing

The Value of an Online MFA

Emily Jones ’20 embraced a transformational experience through the online MFA in Creative Writing program, which supported her in taking her writing career to the next level. “I can now say, without even a hint of imposter syndrome, that I am a writer,” said Jones. “And that is because of Southern New Hampshire University.”

Career Outlook

According to the U.S. Bureau of Labor Statistics, writers and authors made a median annual salary of $69,510 in 2021, while editors made $63,350. 1

Paul Witcover with the text Paul Witcover

“Our mission is to give students a degree and associated practical skills they can use to forge successful pathways in academia, business, or by blazing their own career trail,” said Paul Witcover , associate dean of creative writing.

Earning one of the included certificates in online teaching of writing or professional writing will also be an invaluable addition to your resume for part-time, full-time and freelance jobs in a variety of fields, including:

  • Higher education. Instruct writing courses in higher education settings. In 2021, postsecondary teachers made a median annual wage of $79,640, and you can expect to see a 12% growth in available positions through 2031, according to the BLS. 1
  • Advertising. Use your storytelling skills in a way that influences consumer action. As a copywriter, you could find yourself doing any number of writing projects from crafting emails and ads to writing entire commercials.
  • Marketing. If you're more comfortable with long-form prose, many businesses have invested in content writers who create quality content such as blog posts, ebooks and podcasts to attract and retain customers.
  • Entertainment. Good at building suspense or setting up punchlines? From movies and plays to comedy and podcasts, being a good storyteller and writer is important to finding success in the entertainment industry.
  • History. Every person's life has a plot, but it takes writers like you to tell their stories in a compelling way. Help readers relive the experiences of historic figures and pop culture icons as a biographer.

Higher Education

Instruct writing courses in higher education at a college or university, either in-person or online.

Advertising

Influence consumer action through copywriting, from print ads to digital advertising and broadcast commercials.

Create written content such as blog posts, ebooks and podcasts to attract and retain customers.

Entertainment

From movies and plays to comedy and podcasts, writers often find success in the entertainment industry.

The U.S. Bureau of Labor Statistics (BLS) predicts favorable job growth in postsecondary education. And while statistics are not available for all job settings mentioned above, the BLS reports the following:

.cls-1 { fill: #21386d; } Job Growth

The BLS predicts an 8% growth in available postsecondary teaching positions through 2032. 1

.cls-1 { fill: #21386d; } Potential Salary

Writers and authors made a median annual salary of $73,150 in 2022, while editors made $73,080 and postsecondary teachers made $80,840. 1

Understanding the Numbers When reviewing job growth and salary information, it’s important to remember that actual numbers can vary due to many different factors — like years of experience in the role, industry of employment, geographic location, worker skill and economic conditions. Cited projections do not guarantee actual salary or job growth.

Start Your Journey Toward an Online MFA in Creative Writing

If you're looking to earn your Master of Fine Arts online, you've found the right program. Even though there are no residency requirements, you'll still interact frequently with other students and faculty members in asynchronous discussions, critique workshops and within our online writer’s community, where students come together to share industry news, extend writing tips and develop critique partnerships.

Jamilla Geter with the text Jamilla Geter

"I liked MFA-514 (Advanced Studies in Genre Literature) best," said student Jamilla Geter . "It was a great look into the different genres. It really helped me narrow down what genre I wanted to write in."

Felicia Warden with the text Felicia Warden

"Though it was not writing exactly, its connection to it – especially in our digital world – was made clear almost immediately," she said. "Writing is not just providing content of value to your readers, but also creating avenues of access so those readers can find your content. This course helped me to understand that and to learn how I can create those avenues."

Besides allowing you to focus on your own creative interests, part of our 48-credit online MFA curriculum requires you to choose from 2 certificate offerings designed to round out your education and better prepare you for a multitude of writing-related careers.

The first choice is a Graduate Certificate in Online Teaching of Writing , which is tailored to those who see themselves teaching in an online classroom setting as a supplement to their writing careers. Students practice approaches to editing and coaching, learning how to establish a virtual instructor presence and cultivate methods for supporting and engaging students within online writing communities.

Learn more about the online teaching of writing graduate certificate .

Students can also choose the Graduate Certificate in Professional Writing , which highlights the technical and business opportunities available to writers. Students will develop a range of skills, such as copywriting, social media, marketing principles and/or content generation, learning many of the freelancing skills integral to today’s project-driven economy.

Learn more about the professional writing graduate certificate .

All of our courses are taught by accomplished authors and industry professionals who know both the craft and business of creative writing. They will work closely with you to develop both your creative and professional skill set.

"All instructors within my program were extremely knowledgeable and helpful," Warden said. "I learned a lot about the different career paths my instructors chose. ... The course instruction, along with their anecdotal experiences, helped in offering knowledge in different areas of our field.

MFA Program Thesis

The thesis for the Online MFA in Creative Writing is required to be a novel of at least 50,000 words in one of the four genres the program offers: Contemporary, Young Adult, Romance, and Speculative.

Every Southern New Hampshire University online MFA student who graduates from the program will do so with a revised novel manuscript in their chosen genre, which is completed in a three-course thesis series. Throughout your tenure in the program, you can either work on a singular idea that you will develop during the three thesis courses, or you can begin a new project for your thesis. You can also combine elements of the four genres offered in the program for your thesis. For example, your thesis might be a YA Speculative Fiction novel.

Kathleen Harris with the text Kathleen Harris

"My three thesis classes for the MFA degree were the most helpful," said Kathleen Harris '21 . "I was actually writing a book as my thesis, so it was both enjoyable and advantageous for the degree. And it was the end of a very long milestone of accomplishments."

Minimum Hardware Requirements Component Type   PC (Windows OS)   Apple (Mac OS)   Operating System  Currently supported operating system from Microsoft.   Currently supported operating system from Apple.  Memory (RAM)  8GB or higher  8GB or higher  Hard Drive  100GB or higher  100GB or higher  Antivirus Software  Required for campus students. Strongly recommended for online students.  Required for campus students. Strongly recommended for online students.  SNHU Purchase Programs  Visit Dell   Visit Apple   Internet/ Bandwidth  5 Mbps Download, 1 Mbps Upload and less than 100 ms Latency  5 Mbps Download, 1 Mbps Upload and less than 100 ms Latency  Notes:   Laptop or desktop?   Whichever you choose depends on your personal preference and work style, though laptops tend to offer more flexibility.  Note:   Chromebooks (Chrome OS) and iPads (iOS) do not meet the minimum requirements for coursework at SNHU. These offer limited functionality and do not work with some course technologies. They are not acceptable as the only device you use for coursework. While these devices are convenient and may be used for some course functions, they cannot be your primary device. SNHU does, however, have an affordable laptop option that it recommends: Dell Latitude 3301 with Windows 10.  Office 365 Pro Plus  is available free of charge to all SNHU students and faculty. The Office suite will remain free while you are a student at SNHU. Upon graduation you may convert to a paid subscription if you wish. Terms subject to change at Microsoft's discretion. Review system requirements for  Microsoft 365 plans  for business, education and government.  Antivirus software:  Check with your ISP as they may offer antivirus software free of charge to subscribers.  if (typeof accordionGroup === "undefined") { window.accordionGroup = new accordion(); } accordionGroup.init(document.getElementById('f756dce5bd874c61855f6f6e92d88470')); University Accreditation

New England Commission of Higher Education

Tuition & Fees

Tuition rates for SNHU's online degree programs are among the lowest in the nation. We offer a 25% tuition discount for U.S. service members, both full and part time, and the spouses of those on active duty.

Tuition rates are subject to change and are reviewed annually. *Note: students receiving this rate are not eligible for additional discounts.

Additional Costs: Course Materials ($ varies by course). Foundational courses may be required based on your undergraduate course history, which may result in additional cost.

Frequently Asked Questions

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Related programs.

Northeastern University Graduate Programs

College of Social Sciences & Humanities

The Master of Arts in English launches students into the study of literature, writing, and rhetoric at the graduate level. The program offers two years of intensive study in the major fields of British and American literature, covering the debates and approaches that animate the discipline of English. Our MA graduates are fully prepared to proceed to study at the doctoral level, and their training in critical thinking, language skills, and cultural history has also proven to be fruitful preparation for a range of careers outside of academia.

The Master of Arts program gives students broad exposure to the current state of literary studies—its history, its methodologies, its ever-changing canon, and its production of new knowledge. The program offers study in all areas of English and American literature, and in rhetorical criticism, the teaching of writing, and the role of rhetorical practices in shaping disciplinary, institutional, and cultural knowledges and identities. The graduate program in English encompasses a spectrum of traditional literary fields from the medieval period to postmodernism, as well as rhetoric and composition, linguistics, and digital humanities. Research and teaching in interdisciplinary areas, including American studies, African-American studies, gender studies, and cultural studies, are also well represented within the program. At Northeastern University, graduate students in English may take full advantage of the opportunities that the greater Boston area affords as the site of rich cultural and educational resources.

Learn more about the Master of Arts in English from the College of Social Sciences and Humanities .

More Details

Unique features.

  • Master’s students may be nominated for scholarships
  • Opportunities for involvement in cutting-edge research in centers including the NULab for Texts, Maps, and Networks; the Writing Center; the Digital Scholarship Group; and the Humanities Center as well as with individual faculty
  • The department has strong graduate faculty in the fields of American literature; transatlantic and Caribbean studies; digital humanities; writing and rhetoric

Graduates of our MA program are able to:

  • Employ primary and secondary materials to analyze critical debates within subfields of English studies
  • Demonstrate expertise in the history, theories, and methods of three chosen subfields of English studies pertinent to the student’s plan of research and teaching
  • Formulate and defend original and critically significant arguments, communicating them effectively in genres relevant to English studies (e.g., research papers, conference presentations, digital projects)
  • Design and conduct sustained, sophisticated, independent research using primary and secondary sources in order to make a critical contribution to subfields within English studies

Career Outlook

Many successful MA English graduates have been accepted to well-regarded PhD programs throughout the country, including Cornell, Loyola University Chicago, Notre Dame, Princeton, Rensselaer Polytechnic Institute, the State University of New York at Buffalo, the University of California-Davis, the University of Massachusetts-Amherst, University of Minnesota, and the University of Washington. Others have found the program valuable for enhancing their credentials and opening opportunities for advancement in a variety of fields, including teaching, publishing, writing, law, and business.

Looking for something different?

A graduate degree or certificate from Northeastern—a top-ranked university—can accelerate your career through rigorous academic coursework and hands-on professional experience in the area of your interest. Apply now—and take your career to the next level.

Program Costs

Finance Your Education We offer a variety of resources, including scholarships and assistantships.

How to Apply Learn more about the application process and requirements.

Requirements

  • Application
  • Application fee
  • Personal statement
  • Three letters of recommendation
  • Unofficial transcripts from all institutions attended
  • English proficiency for international applicants
  • Writing sample

Are You an International Student? Find out what additional documents are required to apply.

Admissions Details Learn more about the College of Social Sciences and Humanities admissions process, policies, and required materials.

Admissions Dates

Industry-aligned courses for in-demand careers..

For 100+ years, we’ve designed our programs with one thing in mind—your success. Explore the current program requirements and course descriptions, all designed to meet today’s industry needs and must-have skills.

View curriculum

Northeastern's signature experience-powered learning model has been at the heart of the university for more than a century. It combines world-class academics with professional practice, allowing you to acquire relevant, real-world skills you can immediately put into action in your current workplace. This makes a Northeastern education a dynamic, transformative experience, giving you countless opportunities to grow as a professional and person.

Our Faculty

Northeastern University faculty represents a broad cross-section of professional practices and fields, including finance, education, biomedical science, management, and the U.S. military. They serve as mentors and advisors and collaborate alongside you to solve the most pressing global challenges facing established and emerging markets.

View English Department Faculty...

Theo Davis

Neal Lerner

Erika Boeckeler

Erika Boeckeler

Elizabeth Maddock Dillon

Elizabeth Maddock Dillon

By enrolling in Northeastern, you’ll gain access to students at 13 campus locations, 300,000+ alumni, and 3,000 employer partners worldwide. Our global university system provides students unique opportunities to think locally and act globally while serving as a platform for scaling ideas, talent, and solutions.

Below is a look at where our Humanities & Social Sciences alumni work, the positions they hold, and the skills they bring to their organization.

Where They Work

  • Commonwealth of Massachusetts
  • City of Boston
  • Liberty Mutual Insurance
  • Fidelity Investments
  • State Street

What They Do

  • Business Development
  • Community and Social Services
  • Media and Communication

What They're Skilled At

  • Public Speaking
  • Social Media

Learn more about Northeastern Alumni on  Linkedin .

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Master of Arts in Literature

Program description.

The master of arts in literature brings together literary scholars, theorists, creative writers, and literary translators who share a commitment to transnational and interdisciplinary approaches to literary study and practice.  

In addition to seminars in literary studies, students have the opportunity to participate in workshops in creative writing and literary translation, as well in seminars in a wide range of other disciplines, such as film studies, the history of ideas, philosophy, and the visual and performing arts. Students in the master’s program elect either a professional option (coursework only) or a research option (coursework plus research portfolio). Students whose primary interest is in creative writing or literary translation have the option to apply to receive graduate certificates in those areas. 

The master’s in literature provides students with a rigorous foundation in the discipline of literary studies and a broad understanding of global literary traditions, critical approaches, and theoretical debates. At UT Dallas, the study of literature is not divided across departments of English, Spanish, French, German, and East Asian literature; instead, the study of literature takes place in a single program that encompasses not only English literature but also the literatures of Africa, Asia, Europe, and Latin America. Creative writing and literary translation are integral parts of the Graduate Program in Literature at UT Dallas, and one of the core values of the program is that the dialogue between creative and critical practitioners is essential.  

Other benefits include: 

  • World-Class Faculty : The program is led by faculty in the literature program who are leading scholars, theorists, creative writers and literary translators. 
  • Comprehensive Curriculum : Courses in the master’s program will introduce students to new ideas, methodologies, and competencies while preparing them to succeed in both careers in secondary and postsecondary education as well as a wide range of careers outside higher education. 
  • Location : Situated in the greater Dallas region—recently rated by Forbes magazine as the #1 “Best City for Jobs” — UT Dallas provides students with easy access to employers and internship opportunities, not to mention a large and supportive alumni population. 

Career Opportunities

In addition to law schools and PhD programs, graduates of the literature master’s program are well-prepared for positions in both public and private sectors, such as: 

  • Teacher/instructor 
  • Writer 
  • Editor 
  • Publisher 
  • Administrator 
  • Translator 
  • Journalist 

Career settings for graduates of the master’s in literature may include higher education, non-profits, cultural and historical organizations, publishing houses, government agencies, international development organizations, museums and archives, business/corporate entities, and independent consulting. 

Marketable Skills

Review the marketable skills for this academic program.

Application Deadline and Requirements

Please take note of all  application deadlines and visit the  Apply Now webpage to begin the application process. See the literature program website for additional information. 

Applicants to the literature master’s degree program should have: 

  • A baccalaureate degree (BA or MA) or its equivalent from an accredited institution of higher education in an arts and humanities field. 
  • Letters of Recommendation: Applicants must submit 3 letters of recommendation from individual able to judge the candidate’s potential for success in the master’s degree program. 
  • Admissions Essay: Applicants must submit a 650-word narrative essay, which should be reflective rather than factual. The essay should address the applicant’s academic interests and goals and indicate how the master’s program would enable such pursuits. 
  • International applicants must submit a TOEFL score of at least 80 on the internet-based test.  Scores must be less than two years old. See the Graduate Catalog for additional information regarding English proficiency requirements for international applicants. 

Contact Information

Literature Graduate Programs Email: [email protected]

Dr. Charles Hatfield Associate Professor and Program Head Phone: 972-883-2780 Email: [email protected]

Graduate Advising Pia K. Jakobsson Phone: 972-883-4706 Email: [email protected]

Graduate Admissions Phone: 972-883-6176 Email: [email protected] Request Bass School Graduate Program Information

Harry W. Bass Jr. School of Arts, Humanities, and Technology The University of Texas at Dallas, JO31 800 W. Campbell Road Richardson, TX 75080-3021

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Literary Arts

Graduate students in Brown's Literary Arts MFA program may choose to focus in one of three tracks – Fiction, Poetry, or Digital/Cross Disciplinary Writing. The Graduate School has notified candidates regarding admission decisions for Fall 2024 in all three tracks: Cross-Disciplinary, Fiction and Poetry.

The two-year program is structured to allow graduate student writers maximum possible time for creative and intellectual exploration. Students attend two courses each semester: the writing workshop and an elective in the first three semesters (with an additional half-course in pedagogy in semesters two and three); and in the final semester an independent study for completing the thesis as well as an elective.

Elective courses may be selected from among the full offerings of the Brown University curriculum. In years past, students have taken courses in literature, history, philosophy, theater and performance studies, modern culture and media, religious studies, and foreign languages. Studio fine arts courses and translation workshops are often appropriate choices – as are workshops offered on special topics or in other genres. 

The thesis may be a substantial work of fiction or poetry, or a substantial digital or cross-disciplinary project. It is intended to represent the student’s achievement during the two years in residency at Brown.

Application deadline

Applications  may be submitted from 30 September to 11:59 pm ET on 15 December 2023. If seeking a fee waiver , the deadline is 1 December.

Learn More About the Program

Graduate program handbook, learn about applying, financial information.

Request Info

Courses & Schedule

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Waitlist/course, withdrawals and refunds, more resources you may be looking for:, professional creative nonfiction writing: master’s degree.

Capture the attention of your audience with creative nonfiction writing that sparks interest and inspires action. From personal essay to memoir, literary journalism to travel writing, find your voice and tell your story. You’ll progress toward mastering the fundamentals of narrative nonfiction that connects with an audience while discovering and cultivating behavior to sustain your creative efforts.

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At a Glance

Classes Begin April 1

Term Length 10 Weeks

Master's Degree Tuition $38,688

Format Asynchronous and Hybrid Online

Duration As few as 18 months

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Skills You’ll Learn

Identify and analyze key elements of creative nonfiction writing

Define your audiences and write in ways that move and entertain them

Assess your own writing and learn how to enhance its strengths and eliminate its weaknesses

Annual Schedule 5

Master of Arts in  Professional Creative Writing with a concentration in Professional Creative Nonfiction Writing  requires completion of 48 credit hours (12 courses).

Core Courses

Concentration courses, elective courses.

Learn the scope of activity, historical development, and future direction of the industry. These courses provide a foundation that you'll draw on throughout your concentration and elective courses. The capstone serves as the culminating academic experience in which you'll explore a problem of practice in your field of study.

Focus on a specific professional area within the larger industry sector and master the skills needed to excel in that area.

Elective courses may be chosen from among non core and concentration courses in the Professional Creative Writing program, and you may also select courses in other University College graduate programs.

Your academic advisor will help you select electives that align with your career and personal goals.

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Linda Sanders

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L.A. Jennings

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Joseph Hutchison

Jonah bornstein.

masters in literature and creative writing

Jenn Zukowski

masters in literature and creative writing

Jeff Schwartz

masters in literature and creative writing

Hilary Leftwich

Sample schedule.

Plan out your schedule and determine your preferred timeline for completing your master's degree—finish in as few as 18 months or take up to five years.

Interested in a graduate certificate?

Explore our four and six course graduate certificates in Professional Creative Nonfiction Writing .

Take a Course Before You Apply

We know how important it is to get started when you’re ready and that’s why you can enroll in a course before you officially apply.

Career Outcomes

Predicted outcomes for graduates of professional creative nonfiction writing.

Nonfiction writing is on the rise and consumers are even willing to spend more on nonfiction titles, according to a Smashwords survey. According to Publishers Weekly, adult nonfiction had the largest gains in sales compared to other genres.

The U.S. Bureau of Labor Statistics predicts that employment for writers and authors is projected to grow 9% through 2030. Writers and authors who adjust their work for online content and social media may have an advantage.

Writer and Author Salary: National Average

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Job database dedicated to DU students and alumni

Résumé and cover letter guidance

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Hear from Our Students

Theme: job satisfaction.

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Professional Creative Writing

Flexible online classes.

We understand the demands of balancing work, friends and family, and school can be challenging. That's why at University College, you can complete your program entirely online. Our online learning platform makes it easy to work anywhere at any time.

Accreditation

masters in literature and creative writing

University College programs maintain the highest level of accreditation offered by The Higher Learning Commission, one of the regional accrediting bodies recognized by the federal government. The University of Denver and all of its academic programs are regionally accredited by this commission, and regional accreditation is the highest standard for universities in the United States.

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Writers' Workshop

Graduate program.

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The MFA in Creative Writing

A studio program in poetry or fiction in a unesco city of literature, program overview.

The Program in Creative Writing at the University of Iowa, known informally as the Iowa Writers' Workshop, offers a Master of Fine Arts degree in English, a terminal degree that qualifies graduates to teach creative writing at the college level. 

dey house on a sunny day

While working toward their degree, graduate students will work with and learn from established poets and prose writers and make substantial progress in their creative projects. 

The MFA program requires full-time residency in Iowa City, which offers students the chance to learn from one another and take advantage of the academic resources of our research university.

Twenty to twenty-five new students in each of the two genres come to Iowa City to join the program each year.

30 Pulitzer Prize winners

20 macarthur genius grant recipients, 19 national book award winners, 8 u.s. poets laureate, graduate courses.

Writers' Workshop courses, divided into workshops and seminars, comprise the core of the MFA degree curriculum. Taught by Writers' Workshop faculty, these classes are designed to help students develop their fiction and poetry while building a deeper understanding of the contemporary literary landscape and the many diverse literary traditions that might inform their work. Students often use these courses to start new creative projects or deepen and develop the projects they've already begun.

Margot Livesey at a podium

Workshops are the heart of the MFA degree and a defining element of our program. All Writers' Workshop graduate students take a workshop each semester with one of the program faculty. The workshop, a group of 8-12 writers, becomes each student's mini-cohort for the semester. Over the course of a semester, every student submits their creative work one or (often) more times to be read and discussed.

In addition to workshops, Writers' Workshop faculty offer seminars on a variety of literary topics. Seminars are designed specifically for writers and are intended to feed their creative work and process. Each seminar typically focuses on a specific topic relevant to writers honing their craft.

Other Courses

Graduate students may take classes outside of the department in any of many fields at the University of Iowa. These classes might be creative (screenwriting, bookmaking, translation) or scholarly (languages, history, literature). Students can also take advantage of professional seminars and training offered by the Graduate College.

Workshop Faculty

Visiting writers.

faculty sitting at a desk, looking at the camera

Every year the Writers' Workshop brings a number of distinguished writers to Iowa City to teach workshops and seminars. Recent visitors include Carmen Maria Machado, Tom Drury, Margaret Ross, Sarah Thankam Mathews, and Garth Greenwell. The Visiting Writer program allows graduate students to build working relationships with established writers working in a variety of genres at different stages in their careers. These relationships are often meaningful to students as they progress through their literary careers after the Workshop.

Readings & Events

Throughout the semester, writers come to give readings, Q&As, and master classes in the Frank Conroy Reading Room. Recent visitors include Karen Russell, Ayad Akhtar, Arinze Ifeakandu, D.A. Powell, John Irving, and Sheila Heti.

The "After the Workshop" series offers students insight into publishing and career options. Every year, agents ask to visit the Workshop to meet with students.

Creative Community

While courses are the core of the Writers' Workshop experience, engaging with fellow students has proven just as key to our writers' growth. Iowa City provides an ideal environment for our community of about 100 writers to live, socialize, work on projects, and inspire one another. Writers' Workshop graduate students run several reading series in town, edit the Black Poetry Review , volunteer at community organizations, hang out in back yards and at local eating establishments, and provide for each other a support system, a sounding board, motivation, inspiration, and friendship.

The University of Iowa is also home to a range of creative disciplines, each of which offers additional opportunities for engagement. Writers' Workshop graduate students often take part in events with the International Writing Program, the Nonfiction Writing Program, the Spanish MFA Program, the Translation Program, and other creative disciplines. In recent years, graduate students have assembled a Workshop band, have sung in the University choir, auditioned for theater productions, and have taken part in various social organizations on campus.

Application Requirements

Overview of Graduate Degrees in Literature and Creative Writing

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About western.

masters in literature and creative writing

  • International

Master of Arts in Literature and Creative Writing

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By connecting creative writing practice to ideas and creative work from the arts and sciences, the Master of Arts in Literature and Creative Writing offers you the opportunity to think across creative, critical and disciplinary categories, and to produce either works of scholarship or creative writing (or related creative work that crosses into other areas including music, art, performance and film).

Full Time: 1.5 Years (Available Part Time)*

Next Start Date

04 March 2024

22 July 2024

Closing Date

Indicative annual fee from $11,885

Additional Information

Program Code: 1831

CRICOS Code: 092783B

  • CAREERS & ALUMNI
  • FEES & SCHOLARSHIPS

Arts in Literature and Creative Writing at Western

masters in literature and creative writing

Save Money on Course Fees

Postgrad study just got more affordable with subsidised Commonwealth Supported Places available for this degree and eligible domestic students. Apply Now! Places are limited.

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What you can expect to study

The program structure is outlined in our handbook . Here you can view all of the subjects you will be studying.

Career Opportunities

As a graduate of this degree, you can look forward to a broad range of exciting career opportunities in different sectors and industries. Below are some examples of the possible careers you can pursue with this degree:

  • Cultural analysis
  • Communications

Entry requirements for domestic students

Please consult the handbook for more information regarding entry requirements for this course.

You can read more about special requirements here.

Entry requirements for international students

**Please note, if this course lists a part-time option, this is not available to International Students on a Student Visa.

You can read more about  international academic entry requirements here.

Indicative annual fee

Apply as a domestic student.

If you are a domestic student, you can apply through our Western Application system which is free of charge.

Domestic students are:

  • Australian Citizens
  • New Zealand Citizens
  • Australian permanent residents
  • Australian permanent humanitarian visa holders

Scholarships

Western Sydney University recognises and rewards students who demonstrate community engagement, outstanding academic ability and superior leadership skills. Donor-funded scholarships are also available, providing support for students based on both academic achievements and equity considerations. There are also scholarships available for specific degrees. 

Apply as an International Student

If you are an international student, you can apply for free through our international student application system or through an agent representative . International students are:

  • Not an Australian citizen;
  • Not a New Zealand citizen; and
  • Not a permanent resident of Australia.

Admission to Western Sydney University is on the basis of meeting minimum academic and English language requirements . For more information about tuition fees and other costs, visit the Fees and Costs page .

When you apply to Western, you’re automatically assessed for a Scholarship, no additional application required! We’re offering multi-year scholarships (for up to 3 years) valued at $6,000 or $3,000 and even 50% off tuition fees. Scholarships are awarded on academic merit.

Want to know more?

We're here to provide clarity. If you're uncertain about your study journey, enquire about our program today and gain the confidence to move forward. Australian students 1300 897 669 International students +61 2 9852 5499

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OTHER STUDY OPTIONS

Bachelor of arts.

Full Time: 3 Years (Available Part Time)*

Bachelor of Creative Industries

Master of arts (tesol).

Full Time: 2 Years (Available Part Time)*

Master of Arts Translation and Interpreting Studies

The tuition fees quoted above are the fees for the normal full-time study load of the program (80 credit points) per annum. International students will be subject to a variable fee regime; i.e. enrolled students will be required to pay fees during their program based on the approved fee for each calendar year. Fee changes (if any) will occur at 1 January each calendar year. Students who extend their program past the normal finish date of the program will be required to pay additional fees based on the prevailing fee level. Western Sydney University is a multi-campus institution. The University reserves the right to alter the location of its programs between campuses and other locations as necessary. Students should be aware of the possibility of change of location for the whole or part of programs for which they enrol and should plan for the need to travel between Western Sydney campuses.

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Postgraduate study

Creative Writing MSc

Awards: MSc

Study modes: Full-time

Funding opportunities

Programme website: Creative Writing

The community has been one of my favourite parts. The department has very warm and encouraging staff. Some of my classmates are now close friends, and we still workshop stories across time zones, and complain to each other about writing - and not writing! Bhavika Govil, prize-winning fiction writer MSc in Creative Writing, 2020

Discovery Day

Join us online on 18th April to learn more about postgraduate study at Edinburgh

View sessions and register

Programme description

Based in the first UNESCO World City of Literature, this one-year, full-time taught Masters programme is tailored towards your practice in either fiction or poetry.

There is a strong practical element to the programme, helping you develop your creative skills through:

  • presenting your work for peer discussion
  • hearing from guest writers and other professionals on the practicalities of life as a writer

You will also sharpen your critical skills through:

  • seminars exploring the particulars of your chosen form
  • option courses in literature, helping you move from theoretical considerations to practical applications

The programme culminates with the publication of ‘From Arthur’s Seat,’ an anthology of student work.

Why Edinburgh

Literature has been taught here for over 250 years, and today Edinburgh thrives on its designation as the first UNESCO World City of Literature. The city is home to the National Library of Scotland and the Scottish Poetry Library, and a number of celebrated publishing outlets, from Canongate and Polygon, to Luath Press, Birlinn and Mariscat. The University hosts the prestigious James Tait Black Awards, established in 1919 and one of the oldest literary prizes in Britain.

There are lots of opportunities to write and share your work, from ‘The Student,’ the UK’s oldest student newspaper (founded in 1887 by Robert Louis Stevenson), to The Selkie, which was founded by Creative Writing students in 2018 to showcase work by people who self-identify as underrepresented.

Around the city, you will find:

  • library readings and bookshop launches
  • spoken word gigs
  • cabaret nights
  • poetry slams
Edinburgh isn’t just historic – it’s a modern hub for literature. That’s part of what makes the city great for writing.

Austin Crowley, MSc in Creative Writing, 2023

We team teach our programme so that you benefit from the input of a range of tutors, as well as your fellow students and our Writer in Residence, the poet and author Michael Pedersen, who also co-ordinates a range of student writing prizes and our annual industry and networking event.

The academic staff you will be working with are all active researchers or authors, including well-published and prize-winning writers of poetry, prose fiction and drama. They include:

  • Dr Jane Alexander - Fiction
  • Dr Lynda Clark
  • Dr Patrick Errington - Poetry/Fiction
  • Dr Miriam Gamble - Poetry
  • Professor Alan Gillis - Poetry
  • Dr Jane McKie - Poetry
  • Dr Allyson Stack - Fiction
  • Kim Sherwood - Fiction
  • Alice Thompson - Fiction

Programme structure

Over the duration of the programme, you will:

  • take two core courses, both worth 40 credits
  • two optional courses chosen from a wide range of subjects, both worth 20 credits

The core activities in Creative Writing are:

  • tutor-led workshops, in which you will present your work-in-progress and critique the work of your fellow students
  • regular seminars exploring techniques and issues specific to your practice (either fiction or poetry) and the statements and theories of practitioners

Optional courses

We have a large number of option courses to choose from, including preferred courses for fiction and poetry (which will be offered to Creative Writing students in the first instance), and courses from across the Department of English Literature and the School of Literatures, Languages and Cultures.

Visiting speakers

Throughout the programme, you will be expected to attend readings and talks by visiting speakers. Early on, these will be from published writers and, later, advisors from the writing business: literary agents, magazine editors and publishers.

Dissertation

The final element of the programme is your dissertation, a piece of creative writing (worth 60 credits) written with the advice and support of a designated supervisor.

Fiction dissertations are between 15,000 words and 20,000 words, and poetry dissertations between 25 and 30 pages.

Find out more about compulsory and optional courses

We link to the latest information available. Please note that this may be for a previous academic year and should be considered indicative.

Learning outcomes

On successful completion of this course, you should be able to:

  • identify, conceptualise and define formal elements of craft in your chosen field (poetry or fiction) within published works and within works by your peers
  • remain open to criticism and respond effectively and creatively to feedback on your own creative work
  • work from initial conception through multiple drafts to the final version of a creative piece within your chosen field (fiction or poetry)
  • transfer editorial skills and creative abilities from one context to another
  • analyse creative works within your chosen field (fiction or poetry), work with a focus on craft effectiveness, and articulate strengths and weaknesses in a piece of writing in a constructive manner

Career opportunities

Over the course of this programme, you will complete a body of creative work that has been rigorously peer reviewed.

Our students go on to careers in a wide variety of fields, including:

  • arts administration
  • web and audio book editing
  • script and ghost writing
  • gaming narrative design

Some decide to extend their studies and take a PhD with us.

Many of our alumni go on to achieve literary success, publishing novels and short story and poetry collections, and winning awards. Our graduates’ recent successes include:

debut novels from:

  • Amanda Block (The Lost Storyteller, published by Hodder Studio)
  • Karin Nordin (Where Ravens Roost, published by Harper Collins)
  • Marielle Thompson (Where Ivy Dares to Grow, published by Kensington Books)
  • August Thomas (Liar’s Candle, published by Simon and Schuster)
  • Rosie Walker (Secrets of a Serial Killer, published by One More Chapter)
  • Mark Wightman (Waking the Tiger, published by Hobeck Books and shortlisted for Scottish Crime Debut of the Year 2021)

debut short story collections from:

  • Dayle Furlong (Lake Effect, published by Cormorant Books)
  • Dima Alzayat (Alligator and Other Stories, shortlisted for the James Tait Black Award for Fiction)
  • a non-fiction debut from Sonali Misra (21 Fantastic Failures, published by Rupa Publications India)

debut poetry collections from:

  • Rebecca Tamás (WITCH, published by Penned in the Margins)
  • Naomi Morris (Hyperlove, published by Makina Books)
  • Aileen Ballantyne (Taking Flight, published by Luath Press)
  • the 2022 Edwin Morgan Poetry Award, won by Alyson Kissner
  • the 2021 Brotherton Poetry Prize, won by Lauren Pope
  • the 2021 Pontas & JJ Bola Emerging Writers Prize, won by Bhavika Govil

Meet our graduates

From Arthur’s Seat – stories from the heart of Edinburgh

Tim Tim Cheng

  • Bhavika Govil
  • Dima Alzayat

What's the best type of masters programme for you?

Entry requirements.

These entry requirements are for the 2024/25 academic year and requirements for future academic years may differ. Entry requirements for the 2025/26 academic year will be published on 1 Oct 2024.

A UK 2:1 honours degree, or its international equivalent, in any discipline. This will often be in a directly related subject like English Literature/Creative Writing, but we welcome applicants from all academic backgrounds.

Applicants who are entered into selection will be asked to provide a sample of written work to enable their suitability for the programme to be assessed.

Students from China

This degree is Band C.

  • Postgraduate entry requirements for students from China

International qualifications

Check whether your international qualifications meet our general entry requirements:

  • Entry requirements by country
  • English language requirements

Regardless of your nationality or country of residence, you must demonstrate a level of English language competency at a level that will enable you to succeed in your studies.

English language tests

We accept the following English language qualifications at the grades specified:

  • IELTS Academic: total 7.0 with at least 6.5 in each component. We do not accept IELTS One Skill Retake to meet our English language requirements.
  • TOEFL-iBT (including Home Edition): total 100 with at least 23 in each component. We do not accept TOEFL MyBest Score to meet our English language requirements.
  • C1 Advanced ( CAE ) / C2 Proficiency ( CPE ): total 185 with at least 176 in each component.
  • Trinity ISE : ISE III with passes in all four components.
  • PTE Academic: total 70 with at least 62 in each component.

Your English language qualification must be no more than three and a half years old from the start date of the programme you are applying to study, unless you are using IELTS , TOEFL, Trinity ISE or PTE , in which case it must be no more than two years old.

Degrees taught and assessed in English

We also accept an undergraduate or postgraduate degree that has been taught and assessed in English in a majority English speaking country, as defined by UK Visas and Immigration:

  • UKVI list of majority English speaking countries

We also accept a degree that has been taught and assessed in English from a university on our list of approved universities in non-majority English speaking countries (non-MESC).

  • Approved universities in non-MESC

If you are not a national of a majority English speaking country, then your degree must be no more than five years old* at the beginning of your programme of study. (*Revised 05 March 2024 to extend degree validity to five years.)

Find out more about our language requirements:

Fees and costs

Scholarships and funding, featured funding.

If you are intending to study full time on this Creative Writing programme, you are eligible for a William Hunter Sharpe Memorial Scholarship which will contribute towards your tuition fees.

You do not need to apply for this scholarship – all eligible candidates who apply for the programme by Monday 6 May 2024 will be considered for them and contacted if successful.

  • Find out more about the William Hunter Sharpe Memorial Scholarship and other scholarships in literatures, languages and cultures

UK government postgraduate loans

If you live in the UK, you may be able to apply for a postgraduate loan from one of the UK’s governments.

The type and amount of financial support you are eligible for will depend on:

  • your programme
  • the duration of your studies
  • your tuition fee status

Programmes studied on a part-time intermittent basis are not eligible.

  • UK government and other external funding

Other funding opportunities

Search for scholarships and funding opportunities:

  • Search for funding

Further information

  • Phone: +44 (0)131 650 4086
  • Contact: College of Arts, Humanities & Social Sciences Admissions Office
  • School of Literatures, Languages & Cultures
  • 50 George Square
  • Central Campus
  • Programme: Creative Writing
  • School: Literatures, Languages & Cultures
  • College: Arts, Humanities & Social Sciences

Select your programme and preferred start date to begin your application.

MSc Creative Writing - 1 Year (Full-time)

Application deadlines.

Due to high demand, the school operates a number of selection deadlines. We will make a small number of offers to the most outstanding candidates on an ongoing basis, but hold the majority of applications until the next published selection deadline when we will offer a proportion of the places available to applicants selected through a competitive process.

Please be aware that applications must be submitted and complete, i.e. all required documents uploaded, by the relevant application deadline in order to be considered in that round. Your application will still be considered if you have not yet met the English language requirement for the programme.

Deadlines for applicants applying to study in 2024/25:

(Revised 27 March 2024 to extend Round 3 application deadline)

  • How to apply

You must submit one reference with your application.

The online application process involves the completion of a web form and the submission of supporting documents.

You should supply a portfolio of writing.

  • For poetry, this should be six (6) pages of poetry, starting a new page for each new poem of 14 lines or over.
  • For fiction, this should be a complete story or stories, or an equivalent amount from a longer work (between 2,500 and 3,500 words).

These are firm limits.

If you are undecided about whether to apply for fiction or poetry, you should send a sample of both, i.e. six (6) pages of poetry and 2,500-3,500 words of fiction (if offered a place it will be for one or the other).

Work in other forms (for example journalism, life writing or advertising) will not be considered.

Personal statement

When writing your personal statement, consider the following questions:

  • What do you most hope to learn/gain from a Creative Writing degree, and why is ours the programme for you?
  • Tell us about your writing: what are you interested in and why? Are there aspects of your current practice you're particularly proud of? Things you know you need to work on?

What (if any) prior experience do you have of studying Creative Writing?

Guidance on the application process and supporting documents

All supporting documents, including references, must be uploaded to the online application system by the deadline date.

Find out more about the general application process for postgraduate programmes:

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How to Apply

Mfa creative writing (low-residency).

Applications for our August 2024 Low-Residency MFA in Creative Writing cohort are currently being accepted. Admissions is rolling and applications will be accepted until the program is full.

Priority deadline: February 16, 2024.

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April guide to the arts at the U

Joel Lamere (center), professor and director of the graduate program in the School of Architecture, conducts a review of first year graduate students' first project of the semester in The Thomas P. Murphy Design Studio Building.

By Brittney Bomnin Garcia [email protected] 03-29-2024

Explore a roundup of events this month, including concerts, exhibitions, and undergraduate student presentations during the annual Research, Creativity, and Innovation Forum. Learn more about The U Creates —the University’s digital hub for the arts, culture, and creative expression—and view the full calendar of events .

VIEW ALL: Bill Cosford Cinema | Center for the Humanities | Jerry Herman Ring Theatre | Frost School of Music | Lowe Art Museum | School of Architecture | University Libraries | UM Art Galleries

Saturday, April 6, 7:30 p.m. | in person and streaming, purchase tickets

Frost Music Live!: Schubertiade for Violin and Piano

Frost School of Music’s piano professors will join renowned violinist Charles Castleman to unveil the magic of Franz Schubert. A tradition that began in 1815 honoring the then 18-year-old Schubert, the Schubertiade originated as an unpublicized, informal concert of his music, but quickly spread throughout Europe, and eventually to the United States. Purchase tickets .

Newman Recital Hall, Knight Center for Music Innovation, 5513 San Amaro Dr, Coral Gables, FL 33146

Monday, April 8, 6:30 p.m. | in person, free event

Book Talk: ‘Roman Satire’

With particular attention to authorial and national identity, artistic self-definition, and literary reception, Jennifer Ferriss-Hill, professor of classics and senior associate dean for faculty affairs and college diversity at the College of Arts and Sciences, shows how four ancient Latin poets—Lucilius, Horace, Persius, and Juvenal—asked and answered these questions between the second century BCE and the second century CE as they invented and reinvented the genre of Roman verse Satire. Save your seat .

Books & Books, 265 Aragon Ave., Coral Gables, FL 33134

masters in literature and creative writing

Tuesday, April 9, noon | virtual, free event

Slow Looking with the Lowe: Highlights from the Campus Art Collection

During this virtual program, Tola Porter, Lowe Art Museum educator for academic and public programs, will lead participants through a 30-minute mindful and interactive session exploring selected artworks from the Lowe’s collection. Sign up now .

Lowe Art Museum, 1301 Stanford Drive, Coral Gables, FL 33146

Wednesday, Apr. 10, noon to 4 p.m. | in person, free event

Research, Creativity, and Innovation Forum (RCIF)

The Office of Undergraduate Research and Community Outreach offers students from all disciplines the opportunity to present their research to a wide audience consisting of their peers, faculty and staff members, and the larger University community. In collaboration with the Center for the Humanities, RCIF has added a panel presentation component this year for students and peers to develop their presentation skills and further engage with their research in the humanities. Learn more .

Donna E. Shalala Student Center, 1330 Miller Drive, Miami, FL 33146

Thursday, April 11, 4 p.m. | in person, free event

Edith Bleich Lecture Series: Jennifer V. Evans, professor of history at Carleton University in Canada

In her lecture, “Why We Need Queer Kinship Now More Than Ever,” Evans asks how the queer and trans past has often been drawn upon to make a series of claims about liberal democracy itself, including the place of identity in rights-based discourses of experience, policy, and governance. Register now .

Otto G. Richter Library, Third Floor Conference Room, 1300 Memorial Drive, Coral Gables, FL 33146

Thursday and Friday, April 11–12 | in person, purchase tickets

Smart Cities MIAMI 2024

The School of Architecture, in collaboration with the Frost Institute for Data Science and Computing, will host the 8th Annual Smart Cities Conference . This event will explore the theme of artificial intelligence in design, offering a platform to delve into the cutting-edge advancements shaping the future of architecture. Registration is $50 per person.

Lakeside Village Expo Center, 1280 Stanford Drive, Coral Gables, FL 33146

masters in literature and creative writing

Saturday, April 13, 6 p.m. | in person, free event

M.F.A. in Creative Writing thesis reading

Graduate students Guillermo Leon, Dorie Spangler, and Swetha Siva, who are pursuing Master of Fine Arts in Creative Writing, will share their thesis. This event is open to the public.

Thursday April 17, 6 p.m. | in person, free event

Lowe Connects: Exploring Art, Marine Biology, and Engineering to Address Climate Challenges

U-Link partners from the departments of art and art history, marine biology, and engineering will speak about the connection between scientific research, engineering, and art. Guests will learn about the ways that the University of Miami is catalyzing interdisciplinary collaboration to advance knowledge on the impacts of climate change and other stressors, and the development of practical solutions to meet society’s changing needs. Register now .

Mindfulness programs are offered virtually at 4 p.m. on Wednesdays and in person at 10:30 a.m. on Thursdays at the Otto G. Richter Library.

Friday and Saturday, April 19-20 and Friday and Saturday, April 26-27 | in person, purchase tickets

‘Urinetown, the Musical’

Join the revolt in a dystopian future where water is worth its weight in gold, and one of the most basic human needs is under the control of an evil bureaucracy. Wickedly witty, this Tony Award- winning musical satire pokes fun at politics, social irresponsibility, capitalism, and musical theater itself. University students and staff and faculty members can use code THSUTOWN before selecting their seats to receive a discount. University students can obtain free entry to an 8 p.m. show Thursday, April 25, by presenting a valid ’Cane ID. Purchase tickets .

Jerry Herman Ring Theatre, 1312 Miller Drive, Coral Gables, FL 33146

Saturday, April 20, 6 p.m. | in person, free event

Catherine Kramer: ‘Known/Unknown’

On view from April 5 through April 26, the University community is invited to the opening reception of “Known/Unknown,” an exhibition by Master of Fine Arts candidate Catherine Kramer. Drawing inspiration from Swiss psychiatrist and psychoanalyst Carl Jung and his process of active imagination, Kramer intentionally works with subconsciously produced imagery while creating her artwork. Learn more .

University of Miami Wynwood Gallery, 2750 NW Third Ave., Suite 4, Miami, FL 33127

On view now through Saturday, April 20 | in person

The Annual Juried Exhibition

Organized by the Department of Art and Art History and hosted by the Lowe Art Museum, the exhibition features works of art across various media created by undergraduate and graduate students at the University of Miami. Learn more .

Monday, April 22, 4 p.m. | in person and streaming, free event

Adobe Scholars Reception

Meet and engage with the 2023-2024 Adobe Scholars as they share the results of their projects. This event is free to attend and open to the public. The online component of this hybrid event will be hosted using Zoom software. Sign up to participate .

masters in literature and creative writing

Monday, April 22, 7:30 p.m. | in person, free event

‘Sing Sing’

Attend a sneak preview of “Sing Sing,” the story of an inmate at the infamous Sing Sing Correctional Facility in Ossining, NY, who forms a theater troupe with his fellow prisoners. Admission is free. Registration is required .

Bill Cosford Cinema, Dooly Memorial 225, 5030 Brunson Drive, Coral Gables, FL 33146

Thursday April 25, 6 p.m. | in person, free event

ArtLab | Miya Ando: Sky Writing lecture and reception

Join the Lowe for a talk and reception featuring artist Miya Ando to celebrate the ArtLab 2024 exhibition, Miya Ando: Sky Writing, on view through Saturday, June 1. This student-curated exhibition features multimedia works by Miya Ando, whose oeuvre explores nature’s ever-changing moods and the fragility of human existence. Register to attend .

Thursday, April 25, 7:30 p.m. | in person and streaming, purchase tickets

Frost Music Live!: Michel Camilo and the Frost Latin Jazz Orchestra

Born in the Dominican Republic and raised in New York, Michel Camilo bridges the genres of jazz, classical, popular and world music with his artistry and virtuosity. The Grammy, Latin Grammy, and Emmy Award-winner joins forces for one night only with the Frost Latin Jazz Orchestra and Cuban drummer Dafnis Prieto. Purchase tickets .

Maurice Gusman Concert Hall, Frost School of Music, 1314 Miller Drive, Coral Gables, FL 33146

Saturday, April 27, 7:30 p.m. | in person and streaming, purchase tickets

Frost Music Live!: Beethoven’s 9th

The Frost Symphony Orchestra season finale presents a symphonic masterwork alongside four American orchestral miniatures by Augusta Reed Thomas, Bernard Rands, Daren Hagan, and Chen Yi. Purchase tickets .

Featured: RCIF Humanities Hub

As part of the Research, Creativity, and Innovation Forum, the Humanities Hub will feature representatives from the University's humanities departments to provide attendees with information about the humanities as well as answers to specific questions about fields of study, research pursuits, and career opportunities. The Humanities Hub aims to create a stronger connection between research and the humanities within the undergraduate student body and also promotes the different ways in which students can get involved in the humanities.

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  • Post published: March 26, 2024

WRAC Faculty and Graduate Students Collaborate to Teach Undergraduate Writing Courses

Before enrolling in a writing course at MSU, undergraduates might view writing as a solitary act: performed alone by a creative professional, or as a one-way conversation between an author and invisible readers. But across the Department of Writing, Rhetoric, and Cultures (WRAC), faculty invite their students to challenge these traditional notions. 

In both graduate and undergraduate settings, WRAC courses push beyond one-dimensional conceptions of writing in favor of collaboration and community-building. Whether they’re pursuing a Minor in Writing (MiW), a Professional and Public Writing (P2W) degree, or simply fulfilling a writing requirement, students from all majors have the opportunity to develop their definitions of writing and apply them to their professional aspirations. 

In the spirit of collaboration, Assistant Professors Dr. Margaret Morris and Dr. Bree Straayer teamed up with Ethan Voss and Mary Murdock , both graduate students in the Master of Arts (MA) in Rhetoric and Writing program , to teach two P2W courses this spring semester: 

  • Writing in Corporate Contexts (WRA 333), taught by Dr. Morris and Voss
  • Writing in the Public Interest (WRA 331), taught by Dr. Straayer and Murdock

These graduate-faculty partnerships enrich the experiences of undergraduates and the learning outcomes of all involved. 

WRA 333: Writing in Corporate Contexts

In WRA 333, Dr. Morris and Voss invite students to read, analyze, and produce the kinds of writing that function as “glue” in corporate communications: from public-facing messages and crisis response to business emails and even group chats. 

Through a series of four projects, students reflect on prior experiences and apply their unique knowledge sets to their future roles, professional contexts, and responsibilities. Together, Dr. Morris and Voss engage students in a mixture of audience analysis, writing production, and presentations, with a continual emphasis on professionalism and corporate leadership.

Dr. Morris frames conversations about corporate work with Dare to Lead , written by researcher, professor, and storyteller Brené Brown . After reading Brown’s book, students are asked to present core concepts from the text and articulate their strengths and opportunities for leadership development. Through this work, “students begin to take on their own markers of leadership, and hopefully begin to understand that leadership – and writing – isn’t about being perfect, but rather vulnerable and self-correcting,” Dr. Morris said. 

masters in literature and creative writing

These aims are reinforced by the students’ final two projects, which ask them to create plans for success as future leaders and writers in corporate environments. Each student reflects on the course in a letter, in which they articulate their intentions as young writers entering a fast-changing workforce.

A Partnership Built on Past Experiences

Dr. Morris brings real-world corporate experience and over twenty years of teaching experience to her classroom. This is her second time teaching WRA 333 as well as collaborating with Voss; last fall, the duo co-taught WRA 370, an introductory course in grammar and editing.

As an undergraduate at the University of Minnesota, Voss’ two favorite courses were “Technical and Professional Writing” and “Editing, Critique, and Style.” In addition to sharing relevant knowledge from his undergraduate years, Voss offers his perspectives as a young adult and current student to connect with undergraduates in WRA 331, many of whom are seniors. 

masters in literature and creative writing

“I was in their position not too long ago, so I’m often asking: ‘How can we prepare these students to launch into the next phase of life?’” Voss said. 

As a former writer in a corporate setting, Dr. Morris also understands the particular nature of corporate environments that many of her students will enter after graduating this spring. 

“When students get to the workplace, they’re going to be writing a lot,” Dr. Morris said. “In a corporate setting, you have to be in good relationships with people across the organization, so you can gather the information you need and write it up in a way that meets the needs and expectations of your audience.”

In anticipation of these demands, Dr. Morris and Voss ask their students to write across different modes of writing while attending closely to their audiences, which involves analysis and research to better understand the needs of hypothetical readers. In the classroom, peers function as readers and supporters, so Dr. Morris and Voss strive to foster a communal space where students feel comfortable sharing, brainstorming, and writing together. 

masters in literature and creative writing

“One of my primary aims as a P2W Professor is to create a small community in every classroom where people really know each other, their strengths and weaknesses, and trust in the process of sharing their writing,” Dr. Morris said. 

Intentional community-building is especially vital in classrooms with varied academic interests. In WRA 333 alone, represented majors include Neuroscience, Textile and Apparel, Japanese, Communications, Political Science and Theory, and Experience Architecture. Students often enroll in P2W courses like WRA 333 to fulfill requirements for the MiW or complete a writing elective, so P2W faculty – and teaching assistants like Voss – work with students from diverse backgrounds.

By getting to know these students “on a more granular level,” Dr. Morris said, she can tailor their activities and teams to align with their educational goals and personal needs. “Every class, we check in and try to be honest with each other. We share a lot of laughter, and then we forge forward.”

Co-Teaching = Co-Learning

Collaborating with Voss – who will complete his MA in Rhetoric and Writing this spring and begin a Ph.D. program next fall – “lets me perceive new ways to come into the classroom and infuse it with life and knowledge,” Dr. Morris reflected. She attributes the success of their collaboration to shared pedagogical values, enthusiasm, and overall “synergy.” 

“Ethan and I have complementary values of building community, listening to students, and centering students in our pedagogy,” Dr. Morris described. She contends that the students in WRA 333 also benefit from their collaboration, as they get to work with both a long-time professor and former corporate professional and a younger educator with newer theory and praxis. 

Both Dr. Morris and Voss bring their enthusiasm for relationship-building via writing, as well as their shared belief in the value of pedagogical partnerships in higher education. “In teaching settings, there’s so much value in observation, but even more in the process of actively engaging your ideas and putting them into practice,” Dr. Morris said. “Most of the time, students are so eager to learn that they’re forgiving about your learning process as a teacher.” It can take years to develop one’s “teacherly identity,” Dr. Morris noted – and she’s still doing it alongside Voss. 

Preparing Students for Future Work – and Future Writing

The impending job search can feel daunting for many students, so Voss and Dr. Morris take measures to ground their class in the present moment with supportive check-ins and a “Dumb Question of the Day” – usually supplied by Voss – that imbue the classroom with honesty and a therapeutic dose of humor. 

These pedagogical moves support the professional and personal success of undergraduates, as well as Voss’ personal journey as a graduate student. After completing his Ph.D., Voss sees himself teaching in a First-Year Writing Program and eventually working as a Director. From there, he plans to eventually transition into other leadership roles, but always circling back to his original love for higher education, classroom community, and the students who define this work.

In this specific course and across his pedagogy, Voss views the classroom as a space to gather and “foster the development of genuinely good people: ones who can leave as leaders and understand the importance of engaging with other people, exactly as they are.” 

“Regardless of whether they go into a corporate setting or somewhere else, we want students to make genuine changes in the spaces they enter,” Voss said. 

Voss and Dr. Morris recently submitted a presentation proposal to talk about their co-teaching experience at the Spring 2024 Teaching and Learning Conference , hosted by the Center for Teaching and Learning Innovation. They look forward to completing the semester together and sharing about their collaboration with a larger community of teachers, researchers, and writers.

WRA 331: Writing in the Public Interest

Across the hall, Murdock and Dr. Straayer teach undergraduates about nonprofit writing in WRA 331. While acknowledging their roles as teachers first, they also wear “the hats of clients, such that students are creating deliverables that would be used in a nonprofit communications strategy or a real community,” Murdock reflected. 

masters in literature and creative writing

Dr. Straayer offered a similar sentiment. “As a class, we’re really invested in understanding what reading and writing look like in community spaces, and not just in higher education.” 

In keeping with this community-centric vision, Dr. Straayer and Murdock incorporate a mixture of projects and learning modalities into WRA 331. Across assignments, they emphasize hands-on creation and thinking about the complexities of writing for nonprofit organizations, especially compared to corporate settings. 

The course is structured around five assignments, beginning with an introductory project that asks students to analyze and adjust an example of nonprofit communication with significant room for improvement. Students get a chance to play with design in a low-stakes environment, familiarize themselves with writing in the nonprofit sphere, and “make constructive changes and see what challenges arise in the process,” Dr. Straayer described. Students find that while “it’s easy to critique a writing sample, it’s much harder to make it ‘right,’” she said.  

This foundational assignment prepares students for the remaining four projects, which collectively ask them to consider the role of audience, storytelling, and personal values when communicating on behalf of a nonprofit organization. The course simulates the challenges and affordances of writing for nonprofits, whether on a freelance or in-house basis: through case studies, rhetorical analysis of common documents, project management, and ongoing reflection. 

masters in literature and creative writing

In the students’ third project, which explores the role of storytelling in the nonprofit world, Dr. Straayer asks students to consider the ethics of communicating other people’s stories. “We consider what it looks like to give others agency in the composition practice – because in the nonprofit world, so much of writing is storytelling,” Dr. Straayer said. In this specific project but also throughout the course, Dr. Straayer and Murdock focus on preparing students to enter a nonprofit setting with care and intention. 

“We want to prepare students to listen and understand their own positionality and lens through which they view the world, so when they’re working with communities, they understand how to work with a certain kind of sensitivity and thinking,” Dr. Straayer described. “When we tell stories in nonprofit spaces, we want to honor the people we’re working with and show them in the fullness of who they really are, and ensure that we’re not just shedding one light.”

Replicating Community Work in the Writing Classroom

Prior to teaching in WRAC, Dr. Straayer worked for three years at the Literacy Center of West Michigan and oversaw their program for parents learning English. As a graduate student at MSU, Dr. Straayer worked with English Language Learners at Bethany Christian Services; and during the summers, she taught at Grand Rapids Community College as an English Fast Track Instructor. These highly immersive experiences – centered around one-on-one relationships – continue to inform Dr. Straayer’s teaching philosophy in WRA 331.

Dr. Straayer also has ample experience mentoring younger professionals like Murdock, who originally got involved in WRA 331 to fulfill the internship requirement for her MA concentration in Professional Writing and Technical Communication. On a more personal level, Murdock views this internship as an opportunity to expand the definition of teaching, particularly as it relates to her professional interests in nonprofit work.

“Teaching happens everywhere,” Murdock said. “Even though I’m not currently interested in classroom teaching as a career, I find that teaching happens across professional spaces and roles: in nonprofit leadership, project management, even user experience and design work.”

Murdock incorporates various pedagogical tools and experiences from her work in the Cube – a publishing and user experience research center in WRAC – to give undergraduates in WRA 331 an experience she called “workplace-light.” 

“When you’re presenting something to a client, explaining ‘here’s what we did, and here’s why,’ or running workshops to get feedback on a prototype – these conversations are pedagogical in a lot of ways,” she said. 

masters in literature and creative writing

Collaboration, Community, and Cross-Cultural Communication

This Spring semester, the majority of students in WRA 331 are non-writing majors, ranging from Studio Art to Political Science. The course bridges a range of learners and experiences, enhancing the relevance of collaboration and cross-cultural understanding in the classroom. 

Outside the classroom, Dr. Straayer and Murdock collaborate regularly to plan for their next class and reflect on the last. “We’re both learning to teach this class for the first time,” Murdock explained. “It’s been really cool to bring my knowledge and experiences to this setting and see students practice project management, especially since undergraduates don’t usually get asked to take on these roles in their classes.”

As she looks forward to graduating in the spring, Murdock is actively applying to communications roles in mission-driven organizations. Reflecting on her development as a writer and professional, she loves helping undergraduates recognize and honor their passions, interests, and abilities. “A lot of this co-teaching experience has involved confidence-building: helping students recognize their own affinities and leverage them for class projects,” Murdock said. 

Dr. Straayer plays a parallel supportive role for Murdock and other young professionals. As a former graduate student, Dr. Straayer was recognized for her mentorship of new teaching assistants ; and now, as a working teacher, she maintains her commitment to advising new educators. “I want to help them develop curriculum, see their strengths as teachers, and ultimately lean into what they’re good at and not try to be something they’re not in the classroom,” she shared. 

Figuring out “your window into pedagogy” takes time, Dr. Straayer said, but these semester-long collaborations give graduate students like Murdock and Voss the time, space, and community to explore their pedagogical values – and, perhaps most challengingly, how to translate them into structured classroom activities. “How do you funnel all of your teaching values into one moment?” Dr. Straayer mused. “It’s a tough question.”

Dr. Straayer makes time at the end of each day to sit with this question, reflect on what went well in the classroom, and consider which areas might call for revision or more structured collaboration with Murdock or other teachers in the department. “It’s so fun and helpful working with Mary, getting to know the students, seeing their energy, and hearing their discussions,” Dr. Straayer said. 

In both WRA 331 and WRA 333, the lines between teacher, learner, and writer are productively blurry – and in these collaborative communities, moments of teaching and learning are always unfolding. 

For more information about the MiW, P2W major, and the graduate program in Rhetoric and Writing, please visit the WRAC website . 

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Writing Studio

Wed. 4/10 – undergraduate creative writing symposium and arts showcase – full event schedule and presenter program now available online.

Posted by Writing Studio and Tutoring Services on Tuesday, March 26, 2024 in All Events , Calendar , News , News & Events , UWSymposium .

This colorful image promotes attendance at the 2024 Undergraduate Creative Writing Symposium and Arts Showcase being held Wednesday, April 10, in Alumni Hall.

2024 UCWS Schedule at a Glance

When:  Wednesday, April 10, 3:00-6:00 PM |  Where:  Alumni Hall, 2nd Floor

  • 3:00-3:15:  Welcome and Opening Remarks
  • 3:15-4:10:   Spotlight Panel (fiction, nonfiction, and poetry)
  • 4:15-5:00:   Session 1 – Panel A (fiction) and Panel B (nonfiction)
  • 5:15-6:00:   Session 2 – Panel C (poetry)

For more information, visit the full 2024 UCWS web-based program .

From 3:00-6:00 pm. all attendees are encouraged to make time to peruse the adjoining Vanderbilt Undergraduate Arts Showcase.

The 2024 UCWS kicks off in Alumni Hall with Opening Remarks at 3:00 p.m., followed by student presentation panels begin at 3:15 p.m, 4:15 p.m., and 5:15 p.m., during which our featured student authors will share and reflect on their poetry, fiction, non-fiction, and more.

Visit the  2024 Undergraduate Writing Creative Symposium web-based program page to see who is presenting where and when and read short bios our presenters as well as abstracts of their featured creative pieces.

This year’s theme, “Finding Our Voices, Entering into Dialogue,” spotlights students’ emergent voices as they dare to grow as writers, exploring, experimenting, and answering the call to join a wider dialogue through earnest engagement with the words and views of others.

The Writing Studio thanks our symposium co-sponsors: The Martha Rivers Ingram Commons and the Vanderbilt Libraries.

Please contact us at  [email protected] .

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