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Creative Writing courses

Whether you’re looking to develop your own writing skills and editorial practice for your profession or for purely personal interest, our creative writing courses have much to offer you. Choose below from our range of qualifications.

Creative Writing Degrees  Degrees Also known as an undergraduate or bachelors degree. Internationally respected, universally understood. An essential requirement for many high-level jobs. Gain a thorough understanding of your subject – and the tools to investigate, think critically, form reasoned arguments, solve problems and communicate effectively in new contexts. Progress to higher level study, such as a postgraduate diploma or masters degree.

• Credits measure the student workload required for the successful completion of a module or qualification.
• One credit represents about 10 hours of study over the duration of the course.
• You are awarded credits after you have successfully completed a module.
• For example, if you study a 60-credit module and successfully pass it, you will be awarded 60 credits.

How long will it take?

Creative Writing Diplomas  Diplomas Widely recognised qualification. Equivalent to the first two thirds of an honours degree. Enhance your professional and technical skills or extend your knowledge and understanding of a subject. Study for interest or career development. Top up to a full honours degree in just two years.

Creative writing certificates  certificates widely recognised qualification. equivalent to the first third of an honours degree. study for interest or career development. shows that you can study successfully at university level. count it towards further qualifications such as a diphe or honours degree., why study creative writing with the open university.

Since 2003, over 50,000 students have completed one of our critically acclaimed creative writing modules. 

The benefits of studying creative writing with us are:

• Develops your writing skills in several genres including fiction, poetry, life writing and scriptwriting.
• Introduces you to the world of publishing and the requirements of professionally presenting manuscripts.
• Online tutor-group forums enable you to be part of an interactive writing community.
• Module workbooks are widely praised and used by other universities and have attracted worldwide sales.

Careers in Creative Writing

Studying creative writing will equip you with an adaptable set of skills that can give entry to a vast range of occupations. You’ll learn to evaluate and assimilate information in constructing an argument as well as acquiring the skills of creative and critical thinking that are much in demand in the workplace. 

Our range of courses in creative writing can help you start or progress your career as a:

Looking for something other than a qualification?

The majority of our modules can be studied by themselves, on a stand-alone basis. If you later choose to work towards a qualification, you may be able to count your study towards it.

See our full list of Creative Writing modules

All Creative Writing courses

Browse all the Creative Writing courses we offer – certificates, diplomas and degrees.

See our full list of Creative Writing courses

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Home > Postgraduate study > Postgraduate courses > Creative Writing MA (Distance Learning)

Creative Writing MA (Distance Learning)

Why choose this course.

The Creative Writing MA (Distance Learning) offers you the chance to study with a range of well-established and award-winning writers in a dynamic writing environment, but without having to relocate or give up current commitments. Taught in our virtual forums and classrooms, modules can be accessed at a time of the week to suit your schedule.

You will learn in workshops, one-to-one or in small groups, with support from practising and published writers and fellow students. Our award-winning former creative writing students include Booker-shortlisted Oyinkan Braithwaite, Joe Pierson, who won the Bridport Prize, Stefan Mohammed, awarded the Dylan Thomas Prize, Bafta-winner, Sarah Woolner, the acclaimed poet Dom Bury and celebrated novelist Faiqa Mansab. 

The non-compulsory campus days give you a chance to visit the campus and attend a relevant lecture, as well as to meet fellow workshop students. Those travelling longer distances who wish to stay longer and explore the cultural opportunities that London offers, or simply to write, are also welcome to attend events taking place on campus for the rest of the week, featuring staff, writers in residences, students and guests.

Curtis Brown Agent's Choice competition

All successful applicants who take up their place with us in September will be entered into our competition to have a consultation with Annabel White , an agent at top London literary agency Curtis Brown.

So make sure the creative work you submit with your application is your very best - it might win you a meeting with a literary agent.

Reasons to choose Kingston University

• Delivered by Distance Learning, this Creative Writing MA helps you to develop the craft of creative writing, either on a general level or through specialising in your chosen genre. Taught in virtual forums and classrooms, your studies can suit your schedule, and you will not have to relocate or give up your job.
• The creative dissertation and critical essay give you the chance to further specialise. You also explore writing in a range of forms and styles and take a module exploring critical theory and experimental/avant-garde writing.
• You will become part of Kingston's thriving community, with events such as readings, lectures from published authors, editors and agents, masterclasses and enriching discussions.
• You will have the opportunity to contribute to Kingston University's publication, Ripple, which includes fiction, poetry, reviews and creative non-fiction and is edited by students on the course.
• You'll study in workshops, learning one-on-one or in small groups with experts in your chosen area. The course is taught by a combination of:
• appointed staff - many are published authors or active researchers, which keeps your learning dynamic.
• peer review - giving you the chance to discuss your own and other students' work in a mutually-supportive environment.

The Art School Experience

As part of  Kingston School of Art , students on this course benefit from joining a creative community where collaborative working and critical practice are encouraged.

Our  workshops and studios  are open to all disciplines, enabling students and staff to work together, share ideas and explore multi-disciplinary making.

What our students say

In this video, one of our creative writing alumna and a current student discuss why they chose the course, what they enjoyed about it and why they'd recommend it to future applicants.

What you will study

The Creative Writing MA (Distance Learning) follows the same course structure as the successful and popular Creative Writing MA. You'll be taught through individual tutorials, streamed lectures and readings held at or sponsored by the University.

The Writers' Workshop module will encourage you to develop your writing 'voice' through engagement with fellow students across a range of genres (in fiction or creative non-fiction), while the Special Study module enables you to specialise in one genre, such as fiction, non-fiction, poetry or drama.

You will learn the elements of fiction, poetry and drama as well as studying relevant critical theory and trying out your own fictional experiments in the Critical Challenges module. You'll take part in online masterclasses and put all you have learned into practice in the dissertation module. It is possible to use both workshop modules and the dissertation together to work towards a substantial part of a longer piece such as a novel.

This Creative Writing MA will give you the knowledge and confidence to enter the cultural debate and to begin to identify outlets for your own writing.

Full-time students can attend two campus days, scheduled annually, usually in November and February.

Part-time students normally attend the November campus day in the first year and the February campus day in the second year.

Full-time students take two 30-credit modules each semester, including a Special Study workshop on a particular genre e.g. poetry, drama or fiction, in the second semester. You'll participate in general workshops, reading sessions and tutorials with your assigned dissertation supervisor throughout the course.

You may then choose to complete a 15,000-word 60-credit dissertation accompanied by a 3,000-word critical review, for which you'll receive one-to-one supervision as you work towards a September completion.

Core modules

Creative writing dissertation.

This module focuses on your own creative writing and research into your chosen form or genre, developed in consultation with your supervisor. You learn via one-to-one tutorials with your personal supervisor. You produce two pieces of writing:

• a creative dissertation – a portion of a novel, a body of poetry, a play screenplay or other creative form of no more than 15,000 words; and
• a critical essay of approximately 3,000 words – considering the relationships between your own writing and the literary contexts/theoretical concerns that inform published writing in your chosen genre or form.

Your supervisor must agree in advance the final structure, approximate word length and for presentation conventions of these pieces.

Special Study: Workshops in Popular Genre Writing

This online workshop module will be devoted to the creative writing of students all working in the same form and genre of their choice.  It will enable students to develop drafts in their chosen form and genre, and to master its specific codes and conventions. Draft work to be reviewed may include, for example, poetry, prose fiction, non-fiction, writing for the stage, or screenwriting, perhaps in a choice of genres such as crime writing, fantasy fiction, writing for children, historical fiction, science fiction, romance and autobiography. Students will be advised how best to strengthen their knowledge of that form or genre in order to reflect critically and constructively on their own writing.  Attention will then be given to the production of a substantial piece or a collection of pieces of creative writing that reflects their knowledge of and engagement with their chosen form or genre.

Writing the Contemporary

This module provides the opportunity to examine ways in which reading is essential to writing practice and teaches you to apply literary techniques and strategies from contemporary fiction, life writing and poetry texts to your own work. You will develop the concept of ‘reading as a writer' in order to explore how contemporary concerns are brought to the fore by artistic strategies, and examine how an understanding of these can provide models for your own creative practice. You will submit work including a reflective reading journal as well as a creative piece in a genre of your choice.

Writers' Workshop

This is a workshop-based online module in which students will present and discuss their own work and that of their peers within a group of students writing in a variety of genres and forms. The draft work presented in the module will normally include forms such as poetry, prose fiction, non-fiction, writing for the stage or screenwriting, in a variety of genres, but it may also include genres such as science fiction, romance, crime fiction, writing for children, historical fictional, and autobiography. Students will develop a strong knowledge of the writing workshop ethos, its requirements and etiquette as mutual practical criticism of peer writing will be accompanied by discussion of the scope or constraints of the various genres as well as the implications of working in various forms. Attention will be paid to the relevant components of good writing: appropriate use of language, narrative pace, dialogue, expression, characterisation and mood.

Critical Challenges for Creative Writers

The module is designed to introduce students to some issues of critical and literary theory. The module is also designed to make students more aware of how their work impacts upon wider literary, cultural, political and philosophical issues. Awareness of these theories and of some of the issues surrounding the production and reception of literary texts will stimulate them, encouraging creative and conceptual thinking. The module will explore debates about literature and the practice of creative writing through readings of essays and texts that are relevant to criticism and theory. The academic component of the assessment will support the creative work with the objective that students will also have to demonstrate critical, academic, analytical skills.

Entry requirements

Typical offer.

We normally expect applicants to have:

• A second class degree or above, or equivalent, in creative writing, English literature, literature and language, drama or theatre studies or a humanities subject.
• Applicants with academic qualifications in other subjects, or relevant work experience, will be considered on an individual basis.
• A demonstrable interest in creative writing.

You may also submit a sample of creative writing (maximum of 3,000 words) and a personal statement (maximum of 1,000 words) to support your application for this course.

International

All non-UK applicants must meet our English language requirements. For this course it is Academic IELTS of 6.5 overall with 5.5 in all elements. Please make sure you read our full guidance about English language requirements , which includes details of other qualifications we'll consider.

Applicants from one of the recognised majority English speaking countries (MESCs) do not need to meet these requirements.

Country-specific information

You will find more information on country specific entry requirements in the International section of our website.

Find your country:

• Middle East

Teaching and assessment

Continuous assessments in individual accredited modules plus assessment of final dissertation.

Guided independent study (self-managed time)

When not attending timetabled sessions, you will be expected to continue learning independently through self-study. This typically involves reading and analysing articles, regulations, policy documents and key texts, documenting individual projects, preparing coursework assignments and completing your PEDRs, etc.

Your independent learning is supported by a range of excellent facilities including online resources, the library and CANVAS, the University's online virtual learning platform.

Support for postgraduate students

At Kingston University, we know that postgraduate students have particular needs and therefore we have a range of support available to help you during your time here.

Your workload

Year 1: 5% of your time is spent in timetabled learning and teaching activity.

• Scheduled learning and teaching: 93 hours

Guided independent study (self-managed time): 1,707 hours

For part time students

• Scheduled learning and teaching: 44 hours
• Guided independent study (self-managed time): 556 hours
• Scheduled learning and teaching: 49 hours
• Guided independent study (self-managed time): 1,151 hours

Contact hours may vary depending on your modules.

Full time - Year 1

Part time - year 1, part time - year 2.

• Guided independent study (self-managed time): 1707 hours
• Guided independent study (self-managed time): 1151 hours

How you will be assessed

Assessment typically comprises portfolios and a dissertation.

The approximate percentage for how you will be assessed on this course in each full time or part time year:

Type of assessment

• Coursework: 100%

Feedback summary

We aim to provide feedback on assessments within 20 working days.

Class sizes

Class sizes are kept small for this course and usually limited to 10. However this can vary by module and academic year.

Who teaches this course?

This course is delivered by Kingston School of Art. As a student on this course, you will benefit from a lively study environment, thanks to the wide range of postgraduate courses on offer. The combination of academics and practitioners makes it a unique environment in which to further your studies and your career.

The University provides a vibrant and forward-thinking environment for study with:

• courses designed in collaboration with industry professionals  –  enabling you to keep right up to date with the latest developments in the creative and professional writing environment;
• established connections with the London arts and media scene  –  with a range of guest speakers, professors and lecturers visiting the University; and
• committed and enthusiastic staff  –  many of whom are expert practitioners as well as leading academics and researchers.
• opportunity to contribute to Kingston University's publications, such as Ripple. They include fiction, poetry, reviews and creative non-fiction and are edited by postgraduate creative writing students.

Postgraduate students may also contribute to the teaching of seminars under the supervision of the module leader.

Dr Wendy Vaizey

Course leader.

Mr Oludiran Adebayo

Mr Steven J. Fowler

Dr Marina Lambrou

Fees for this course, 2023/24 fees for this course, home 2023/24.

• full time £9,860
• part time £5,423

International 2023/24

• full time £16,200
• part time £8,910

2022/23 fees for this course

Home 2022/23.

• MA full time £9,620
• MA part time £5,291

International 2022/23

• MA full time £15,800
• MA part time £8,690

Tuition fee information for future course years

If you start your second year straight after Year 1, you will pay the same fee for both years.

If you take a break before starting your second year, or if you repeat modules from Year 1 in Year 2, the fee for your second year may increase.

Postgraduate loans

If you are a UK student, resident in England and are aged under the age of 60, you will be able to apply for a loan to study for a postgraduate degree. For more information, read the postgraduate loan information on the government's website .

Funding and bursaries

Bursaries are available from the School of Arts, Culture and Communications for students working on the Kingston University Press (KUP), Ripple magazine or other related activities (find out more and apply after you have enrolled).

Additional costs

Depending on the programme of study, there may be extra costs that are not covered by tuition fees which students will need to consider when planning their studies. Tuition fees cover the cost of your teaching, assessment and operating University facilities such as the library, access to shared IT equipment and other support services. Accommodation and living costs are not included in our fees. 

Where a course has additional expenses, we make every effort to highlight them. These may include optional field trips, materials (e.g. art, design, engineering), security checks such as DBS, uniforms, specialist clothing or professional memberships.

Our libraries are a valuable resource with an extensive collection of books and journals as well as first-class facilities and IT equipment. You may prefer to buy your own copy of key textbooks, this can cost between £50 and £250 per year.

Computer equipment

There are open-access networked computers available across the University, plus laptops available to loan . You may find it useful to have your own PC, laptop or tablet which you can use around campus and in halls of residences. Free WiFi is available on each of the campuses. You may wish to purchase your own computer, which can cost £100 to £3,000 depending on your course requirements.

Photocopying and printing

In the majority of cases written coursework can be submitted online. There may be instances when you will be required to submit work in a printed format. Printing, binding and photocopying costs are not included in your tuition fees, this may cost up to £100 per year.

Travel costs are not included in your tuition fees but we do have a free intersite bus service which links the campuses, Surbiton train station, Kingston upon Thames train station, Norbiton train station and halls of residence.

After you graduate

Some of our departmental graduates have achieved notable successes, having published short stories and novels which were started as part of their degree, and attracted good literary agents, for example:

• Oyinkan Braithwaite 's novel,  My Sister the Serial Killer , reviewed by The New Yorker and BBC Radio 4's Open Book and Front Row, has won the Crime and Thriller book of the year at the British Book Awards; Oyinkan is the first black woman to do so.  
• Grainne Murphy has recently signed a two-book deal with Legend Press. Her debut novel,  Where the Edge Is , was published in September 2020, with The Ghostlights to be published in 2021. 
• Ben Halls ' debut  The Quarry  was book of the day in The Guardian in March 2020. 
• Amy Clarke has signed a two-book deal.  Like Clockwork  is a psychological suspense novel about a true-crime podcast host who's obsessively trying to solve the decades-old cold case of a notorious Minnesotan serial killer whose victims were each one year younger than the last. It is due to be published in March/April 2021 by Houghton Mifflin Harcourt, with a second book to follow. 
• A story Seraphina Madsen wrote for the MA Critical Challenges module was published in the UK's pre-eminent literary journal, The White Review, and secured her an agent and a book deal. 
• Stevan Alcock is another MA student whose debut novel – workshopped on our MA – was published by 4th Estate.  
• Hannah Vincent is a former MFA student with novels out with Myriad Editions and Salt. 
• Myriad Editions also run a writing competition each year aimed at finding new writers, with MFA student Karly Stilling winning in 2015. This year the award was won by another current Kingston student, Sylvia Carr . Former MA (now PhD student) Joseph Pierson was a recent runner-up. 
• Julia Lewis is a former MFA student and experimental poet who has gone on to publish a wide range of work. She also rewrote MA tutor James Miller's novel Lost Boys as a collection of experimental poetry. 
• Stefan Mohamed won the Dylan Thomas Prize and has gone to have a successful career as a writer of YA fiction. 
• MA student Vicky Newham signed a two book deal for her crime series. Vicky is on the Daggers longlist for the best crime novel by a first-time author. 
• Faiqa Mansab published her debut novel  This House of Clay and Water in Pakistan and India to great acclaim and it  has been optioned by the talented Sheherzade Sheikh for screen adaptation. 
• Other successes include Susie Lynes and Lauren Forry . 
• Other former students have gone on to work in editorial posts in the publishing industry.

Why I chose Kingston

What our students and graduates say

Initially, it was a bit daunting returning to university as a mature student (in my early 50s) but as there were quite a number of us older students we soon formed a little group and in fact became quite good friends. The thing I possibly enjoyed most about Kingston was the number of workshops on offer pretty much throughout my time there. I found myself signing up for everything, from fiction to thriller to life writing courses. I just loved the vibe of being in that academic and literary environment. It was a huge privilege being able to attend workshops, free of charge, presented by some of the most esteemed literary personalities. In addition, there were publishing events that put us in direct contact with editors, agents and publishers. Weekly events hosted by Kingston Writing School were also hugely inspiring. Listening to authors relating their journeys about the long road from writing to being published was hugely encouraging and something I rarely missed.

The actual MA course and the various modules we had to complete pushed me beyond my comfort zone, particularly in poetry, which is something I'd never had a penchant for. But, thanks to my accomplished lecturers, I ended up enjoying every single one of them.

However, it was one of the extra-curricular workshops that inspired my book, Secrets of a Stewardess . The memoir/life writing workshop was hosted by John Man, author of more than 13 books. I was convinced that I was in the wrong class as I felt that I had absolutely no story to tell, but he somehow managed to coax out of me my years as an airline stewardess in the ‘80s. I also wrote a children's book (which was signed up by an agent) while I was at Kingston University, but used the memoir as part of my dissertation.

I can honestly say that completing my MA in Creative Writing at Kingston University and then being published is one of the most rewarding things I have done. It taught me that you are never too old to achieve your goals - you just need to set them and then work towards them. Studying creative writing gave me the confidence to believe that I actually could write and the whole support system offered at Kingston University, finally helped me to get published.

Secrets of a Stewardess has been published by The History Press who has done an outstanding job of marketing it. WHS Smith Travel bought 2,500 copies upfront; I have been interviewed on BBC Radio 4; I have featured on BBC World Services', The Conversation; I have been interviewed live on Talk Radio Europe; I have had a feature in The Daily Mail newspaper; I have been interviewed and photographed by The Sun newspaper and I featured in Prima magazine's August edition.

Gretchen Ryan

Links with business and industry

A range of additional events and lectures will enhance your studies and add an extra perspective to your learning. Activities for this course include:

Masterclasses

Live online masterclasses in each teaching block with distinguished professors and researchers such as Hanif Kureishi and Paul Bailey.

Distance Learning students who attend Campus Days are able to attend events and readings with publishing specialists and professionals that take place on these days. These have included agents such as Briony Woods, Jemima Hunt and others.

Overseas student visiting for Campus Days who wish to stay for a few days longer will find other lectures and events of interest to attend.

Students within reach of London are also welcome to attend events on campus such as talks from writer and film director Shelagh McLeod, Influx Press editor Sanya Semakula and writers Michael Hughes, Catherine McNamara and Susan Lynes.

Guest lectures

Weekly guest lectures by leading journalists including:

• Samira Ahmed , an award-winning journalist with 20 years' experience in print and broadcast;
• David Jenkins , editor of Little White Lies, a bi-monthly movie magazine powered by illustration;
• Richard Moynihan , Head of digital journalism, The Telegraph and
• Alex Stedman , fashion blogger at The Frugality and former style editor at Red magazine.

Regular readings through Writers' Centre Kingston, which offers an annual programme of events from talks to workshops and festivals, hosted and curated in partnership with institutions local to Kingston University and in London, from The Rose Theatre to the Rich Mix Cultural Foundation, from the Museum of Futures to Kingston First.

Lunchtime lectures

Frequent philosophy lunchtime lectures which focus on a major figure in the history of Western philosophy, introducing students to that thinker's work, usually through the discussion of one of her or his emblematic works. There are also weekly Journalism lunchtime lectures with a range of industry experts.

Ripple magazine

The literary magazine Ripple is edited by MA students, providing a platform for the publication of creative work; and a chance to get hands-on experience of the publishing process.

Research areas

Research in English literature and creative writing at Kingston University covers the following areas:

• 19th and 20th century British and American fiction;
• fictions of globalisation;
• gothic writing;
• travel writing;
• women's writing from the 18th century to the present;
• New Woman and fin de siècle fictions;
• Shakespeare;
• literature of the English Reformation period;
• postcolonial studies;
• theories of gender;
• life writing and trauma;

It focuses around the following research initiatives:

• Iris Murdoch Studies - research on the Iris Murdoch archives acquired by Kingston University in 2003/04).
• Life Narratives Research Group - bringing together best practice from all genres of life narrative work.
• Cultural Histories at Kingston - centred around the concept of the 'cultural text', the group includes scholars from the fields of literature, film, media, history, music, dance, performance, and journalism.
• Writers' Centre Kingston - a literary cultural centre dedicated to creative writing in all its forms, with an annual programme of events, talks, workshops and festivals.
• Race/Gender Matters - captures and concentrates research on theoretical, critical and creative engagements with the materiality of race, gender and language.

We also hold regular seminars and host presentations by visiting speakers.

Course changes and regulations

The information on this page reflects the currently intended course structure and module details. To improve your student experience and the quality of your degree, we may review and change the material information of this course.  Course changes explained .

Programme Specifications for the course are published ahead of each academic year.

Regulations governing this course  can be found on our website.

Related courses

Creative Writing and Publishing MA

Creative Writing MA

Creative Writing MFA

Journalism PgDip/MA

Magazine Journalism MA

Secondary Teaching leading to Qualified Teacher Status (QTS) PGCE English

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BA (Hons) Creative Writing

Part-time, online, study creative writing for your degree with oca.

Have you always wanted to write a novel, create a screenplay, or perfect your poetry? Whatever you’re looking to write, our BA (Hons) Creative Writing degree will give you the tools to achieve it.

Our BA (Hons) Creative Writing degree will empower you with effective practices, insights and skills, encouraging you to write more frequently and with more purpose than ever before. Shared experiences are reflected throughout the course, which is packed full of options so you can develop your writing in your own way and in your preferred genre.

You’ll study the basics of writing, how to remain engaged and will uncover different styles of writing, from poetry and scriptwriting to short fiction and children’s books. You’ll be encouraged to read the best writers, exploring what makes To Kill A Mockingbird so compelling, or why the script of Casablanca works so well, and then apply these techniques to your own writing.

Become the protagonist of your own story. Start writing today.

Unique online Creative Writing courses

Our BA Hons Creative Writing degree is a specialist degree covering scriptwriting, writing for children, life writing, writing a novel, poetry, and more. You can study creative writing online – completely at our own pace – while being supported by OCA’s tutors.

It aims to equip students with skills, confidence, motivation and ambition, through a learning design programme that starts from fundamental writing skills through to the contemporary professional practice in a form or genre of the student’s choice.

Students are equipped with some fundamental writing techniques applicable to all genres, before allowing students to sample poetry, screenwriting or prose writing, and can pursue the poetry or scriptwriting forms at a more advanced level and/or will have the option to try more niche forms of writing, to enable them to gain further skills and expertise.

The programme draws on creative writing pedagogy by utilising the group or workshop activity as well as the individual assignment and close study of others’ work, but accommodates OCA’s distinctive demographic and the desires of lone writers by enabling some to create alternative submissions in the form of traditional writing portfolios.

Course Structure

Our Creative Writing degree covers the full breadth of writing practice, allowing you to take the options that are of most interest to you. As of September 2021, the BA Hons Creative Arts course will deliver 3x 40 credit units in each Level of the course.*

Students are introduced to the basic skills and techniques of creative writing in the initial unit, Essential Writing Skills 1.1. In their second unit, Further Writing Skills, students will choose two options from a choice of three pathways: they can either try basic poetry or screenwriting or the prose option. These choices remain with them for their third unit at Level 1, Developing Your Writing Skills. By the end of Level 1, students will have the skills and knowledge needed to deepen their poetry, prose or scriptwriting craft at Level 2.

Students are supported in the transition from novice undergraduate to knowledgeable and independent learners, putting into practice skills acquired at Level 1 and developing a personal approach to their writing practice. The units at this stage allow students to develop skills from Level 1 in poetry or screenwriting or else to try something new and more specialised, such as writing narrative non-fiction, writing for children or teens or writing short fiction.

Students will begin to understand the iterative and skills-building requirements of creative writing, and will actively consider how their work may become outward-facing. Peer sessions with other writers will inform their writing and raise critiquing skills, with an understanding that in some cases alternative methods are more appropriate.

Level 3 equips students with knowledge, understanding and skills for continuing personal development and professional writing practice. The units provide a framework for the learners to generate projects based on the personal vision and ambition gained throughout Level 1 and Level 2. The aim is to strengthen each individual’s writing practice and inform their creative development through rigorous intellectual enquiry, resulting in a distinctive body of creative work.

*For current students enrolled to a Level of this degree prior to September 2021, existing units across all levels will remain available as ‘teach out’ units to ensure no students are disadvantaged due to the changes. Once enrolled to a new level, students will follow the new degree pathway. 

We regularly review our curriculum; therefore, the qualification described on this page – including its availability, its structure, and available units – may change over time. If we make changes to this qualification, we’ll update this page as soon as possible. Once you’ve registered or are studying this qualification, where practicable, we’ll inform you in good time of any upcoming changes. If you’d like to know more about the circumstances in which OCA might make changes to the curriculum, see our Academic Regulations or contact us . This description was last updated on 14 December 2022.

Programme Specification 2023/24 New Curriculum

This Programme Specification is for all units on the new curriculum.

Programme Specification 2023/24 Running Out Curriculum

This Programme Specification details the units and learning outcomes that are being taught out.

Creative Writing Accessibility Statements

Accessibility statements give an indication of the type and format of content, teaching, and learning activities on the course, and how these are ordinarily delivered.

Foundations

Level 1 (he4).

For the level

Level 2 (HE5)

Level 3 (he6), breakdown of costs..., more information.

With the OCA, you can study a BA (Hons) degree in our flexible online learning model at approximately one third the cost of a degree at a traditional physical university.

Students study and pay for the course on a unit-by-unit basis, so you only pay for the course as you enrol to each unit.

This course is eligible for a part-time tuition fee loan from Student Finance England, Wales and Northern Ireland, or you can self-fund the course and break down costs even further through the deposit and instalment option.  Find out more about your funding options  here .

You will require regular use of a computer or laptop and internet access. Most essential reading materials can be accessed through the digital library services and eBooks.

Students are responsible for sourcing and, where necessary, purchasing any additional software and resources specified. These can be around £400 at Level 1, £500 at Level 2, and £550 at Level 3. Where possible, open or freeware equivalents will be discussed alongside industry standard options.

On this course, you’ll need some type of word document software, such as Microsoft Word and a place to keep your learning logs and journals – this could be digital or handwritten, though your assignments will need to be typed. If you choose to study Scriptwriting, you may need some software to support this.

You may be eligible for any student discounts on computer equipment and software by using your student email, and you can find out more information about student discounts  here .

Our courses are designed with open access in mind, meaning you don’t need specific subject qualifications to enrol.

You can review the study requirements  here so you’re prepared for online study at higher education. This will include a good standard of English and IT literacy skills.

We accept enrolments for our BA (HONS) courses in monthly intakes throughout the year.

Review the key enrolment deadlines on the link below.

How to Apply

Our part-time degree courses are completed on average between 6 and 9 years. The degree is structured into three levels (instead of three years) so you’re able manage study around other commitments.

Once enrolled, you’ll have a maximum of 12 years to complete your degree course. There are unit and level timeframes within the overall degree time frame, and you’ll need a minimum of 10 study hours per week to keep on track. To find out more about course duration and managing your time, click here .

Your course materials are accessible online through the virtual learning environment, OCA Learn, where you’ll also have access to student forums, a subject space, the student handbook and the online library. You’ll work primarily from a set text of course materials and resources, but can also sign up to webinars, workshops and study groups in addition to your core learning.

Once you’ve completed the required assignments within a course unit and received tutor feedback, you’ll submit a portfolio of work to an assessment event. This gives you the opportunity to develop your work before you have it formally assessed to achieve credits towards your degree.

Upon completing the BA (Hons) Creative Writing degree, as a fully-fledged creative writer you could embark on being a novelist, a poet, a scriptwriter – you name it, you can do it. Prospects have great tips on what it is to be a professional writer. They also cover the many roles you could take on, freshly equipped with your degree.

While you’re pursuing your dream of becoming a professional writer, you can find a range of options to support your art while you write that amazing script or novel. Some include:

• Marketing Professional
• Communications specialist
• Editor / Copywriter

In May 2022 the Department for Culture, Media, & Sport  estimated there were some 2.3 million jobs  in the UK creative industries, and  post pandemic the Creative Industries are growing faster than the UK economy  as a whole.

The Academic Regulations for Subsidiary Institutions of The Open University are applicable to all taught courses offered by the Open College of the Arts (OCA).

You can review the Academic Regulations on our policy page .

Get started with our BA (Hons) Creative Writing degree here!

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About You: Entry Requirements (1/3)

OCA offers open access courses, meaning you can start studying something you may have been interested in for years but haven't been able to pursue. What we are interested in is your aptitude and enthusiasm for your chosen subject.

You don’t need specific subject related qualifications to study with us, however there are minimum entry requirements you need to meet to ensure you have the right tools to get started.

English Language

As your legal nationality features on the majority English speaking countries list or you are a continuing student, you do not need to provide evidence of English Language proficiency. You will still need to confirm that you have a good standard of English to study this course.

You have indicated a legal nationality that is not featured on the majority English speaking countries list as provided by the CEFR. You must provide evidence of your English language proficiency equating to B2 of the CEFR.

You can evidence you meet this requirement through one of the following documents:

- A Secure English Language Test (SELT) from an approved provider, taken two years or less before the date of enrolment to the course. IELTS for UKVI or IELTS Academic may be accepted as meeting these requirements, provided the student has achieved a minimum score of 5.5 in each of the four elements of language learning. - Have successfully completed an academic course (not professional or vocational) at Bachelors degree level or above from an educational institution in the UK or in a majority English speaking country as listed below. - A passport provided as evidence of nationality of a majority English speaking country as listed above. - TOEFL (Test of English as a Foreign Language) iBT taken two years or less before the date of enrolment to the course, with minimum scores in each of the four elements of language learning as follows: reading 18, listening 17, speaking 20 and writing 17. - Cambridge English B2 First qualification with scale range 160-179 taken in the last two years as of the date of enrolment to the course. - An online Duolingo test. You would need an overall score of 90 or above to meet Level B2 of the CEFR, and a minimum score of 85 in each category (providing your overall score is still above 90).

• I confirm I have a good standard of English
• Upload English Language Evidence Here (Required) We recommend uploading a PDF or image file. Max. file size: 100 MB.

About You: Entry Requirements (2/3)

As our courses are hosted on the virtual learning platform, OCA Learn, it is essential that you have access to a laptop or computer, and can easily manage a range of basic functions through ICT. This includes being able to;

• I have a good level of IT literacy and am confident with using web-based technologies.
• I have regular access to a computer/laptop with internet access.

About You: Entry Requirements (3/3)

Distance learning is great for anyone who wants to be creative, expand their skills and/or gain a qualification on your own terms. A lot of our ­­­students study alongside other commitments such as work, childcare and health issues, adding distance learning to their existing lifestyle.

Self-motivation is key to a successful distance learning student. You will be able to set aside several study hours per week and be comfortable working independently. As a higher education student, you are responsible for your studies and managing your time effectively, and will need a minimum of 10 study hours per week complete within the maximum time frames available.

• I confirm I have at least 10 study hours a week available
• I can dedicate this many study hours per week (Required)
• You do not have enough study hours per week available. You need at least a minimum of 10 study hours to complete a degree within the available time frames.
• Your dedicated study hours per week suggests that you will complete your degree course in 9 years.
• Your dedicated study hours per week suggests that you will complete your degree course in 8 years.
• Your dedicated study hours per week suggests that you will complete your degree course in 7 years.
• Your dedicated study hours per week suggests that you will complete your degree course in 6 years.

About You: Issues that may affect your learning

• 95 No known impairment, health condition or learning difference
• 51 Learning difference such as dyslexia, dyspraxia or AD(H)D
• 53 Social/communication conditions such as a speech and language impairment or an autistic spectrum condition
• 54 Long-term illness or health condition such as cancer, HIV, diabetes, chronic heart disease, or epilepsy
• 55 Mental health condition, challenge or disorder, such as depression, schizophrenia or anxiety
• 56 Physical impairment (a condition that substantially limits one or more basic physical activities such as walking, climbing stairs, lifting or carrying)
• 57 D/deaf or have a hearing impairment
• 58 Blind or have a visual impairment uncorrected by glasses
• 59 Development condition that you have had since childhood which affects motor, cognitive, social and emotional skills, and speech and language
• 96 An impairment, health condition or learning difference not listed above
• 98 Prefer not to say
• 99 Not available

Learning Difficulty

If you think you may have a SpLD but do not have a formal diagnosis, please take a look at the Adult Checklist on the British Dyslexia Association website: https://www.bdadyslexia.org.uk/screening

This does not confirm a diagnosis itself but may give an indication as to whether you should consider looking into a formal diagnosis.

A full diagnostic test is required for UK students to access support via the Disabled Students Allowance process. For OCA students who need help to pay for a diagnostic test, you may be able to apply for part-funding towards a diagnostic assessment via OCA’s Learner Support Scheme.

If you already have a full (post-16) diagnostic assessment, we would encourage you to apply for additional support via the Disabled Students Allowance process. You will need to get reassessed if you had this done when you were under 16 years old.

Disabled Students Allowance (DSA)

If you are eligible for Student Finance, you may wish to consider applying for Disabled Students Allowance (Student Finance). This has been invaluable to many of our students. Students may be awarded a mentor which provides regular face-to-face interaction to support you with your planning and motivation, or software and equipment may be awarded to help you study the course depending on your needs. It's all individual - they will look at what the requirements of the course are, where your areas of difficulty may be due to your symptoms and let you know what options there are that could help.

We advise students applying for DSA to enrol to the course when DSA is in place, however you can start before this - the decision is yours. DSA applications can take 14 weeks to process, so please consider this when selecting your start date later on.

You can still apply for DSA even if you are a part through your studies.

• I have reviewed how DSA might be able to support me and do not wish to apply for DSA support.
• Only when DSA is approved
• On a set date regardless if DSA is in place or not
• I have a medical condition or disability meaning I require physical course materials.
• I do not have a medical condition or disability meaning I require physical course materials.
• My residential address
• Please provide a delivery address (Required) If you are have indicated you are studying this course in UK, your delivery address must also be UK address Street Address Address Line 2 City County / State / Region ZIP / Postal Code Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua and Barbuda Argentina Armenia Aruba Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bonaire, Sint Eustatius and Saba Bosnia and Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory Brunei Darussalam Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Cape Verde Cayman Islands Central African Republic Chad Chile China Christmas Island Cocos Islands Colombia Comoros Congo Congo, Democratic Republic of the Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d'Ivoire Denmark Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard Island and McDonald Islands Holy See Honduras Hong Kong Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Korea, Democratic People's Republic of Korea, Republic of Kuwait Kyrgyzstan Lao People's Democratic Republic Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar Namibia Nauru Nepal Netherlands New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island North Macedonia Northern Mariana Islands Norway Oman Pakistan Palau Palestine, State of Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Poland Portugal Puerto Rico Qatar Romania Russian Federation Rwanda Réunion Saint Barthélemy Saint Helena, Ascension and Tristan da Cunha Saint Kitts and Nevis Saint Lucia Saint Martin Saint Pierre and Miquelon Saint Vincent and the Grenadines Samoa San Marino Sao Tome and Principe Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia and the South Sandwich Islands South Sudan Spain Sri Lanka Sudan Suriname Svalbard and Jan Mayen Sweden Switzerland Syria Arab Republic Taiwan Tajikistan Tanzania, the United Republic of Thailand Timor-Leste Togo Tokelau Tonga Trinidad and Tobago Tunisia Turkmenistan Turks and Caicos Islands Tuvalu Türkiye US Minor Outlying Islands Uganda Ukraine United Arab Emirates United Kingdom United States Uruguay Uzbekistan Vanuatu Venezuela Viet Nam Virgin Islands, British Virgin Islands, U.S. Wallis and Futuna Western Sahara Yemen Zambia Zimbabwe Åland Islands Country
• Please tell us about any health issues, disability or caring responsibilities that may affect your learning.

Course Information

Students must achieve 360 credits to complete their BA Hons course, which is structured into three 120 credit levels. Students begin at Level 1, and enrol on a unit by unit basis. Each level is made up of three 40 credit units.

The first number of the unit name indicates the level of study, and the second number of the unit indicates what order they unit should be studied at that level e.g. unit 1.1 is the first unit at Level 1.

• Select which course unit of the degree you are enrolling to (Required) Please select... 1.1 Essential Writing Skills (new students select this) 1.2 Further Writing Skills 1.3 Developing Your Writing Skills 2.1 Investigation and Experiment 2.2 Skill and Proficiency 2.3 Innovation and Challenge 3.1 Practice and Research 3.2 Your Work in Progress 3.3: Reaching Your Audience Writing 1: Writing Skills Visual Studies 1:  Creative Arts Today Writing 1: Starting Your Novel Writing 1: The Art of Poetry Writing 1: Scriptwriting Writing 2: Writing for Children Writing 2:  Writing Short Fiction Writing 2: Poetry – Form and Experience Writing 2: Life Writing Writing 2: Moving on with Scriptwriting Writing 3: Independent Project
• Enrol before progression discussion complete
• Enrol after progression discussion complete

OCA has intake points throughout the academic year between August 2023 and July 2024.

If you are funding through Student Finance, the tuition fee loan application process can take between 4 – 6 weeks. To help keep your study plans on track, we recommend applying for Student Finance at least six weeks before your preferred intake month, but don’t worry if your funding application isn’t approved in time. We’ll keep your enrolment pending until you receive your outcome and then get you to the next available intake.

• Which intake point would you like to join? (Required) 3rd June 2024 (deadline to apply 15 May 2024) 1st July 2024 (deadline to apply 12 June 2024) Please select an intake point to join. Please note that  the cut off to join an intake is two works before the stated start date of the course. If you select a start date after the deadline has already passed, you will automatically be deferred to the following intake.
• I understand that the fee for this unit is £1,650, or a deposit of £495 followed by 6 monthly instalments of £192.50.
• I understand that the fee for this unit is £2,475, or a deposit of £550 followed by 10 monthly instalments of £192.50.
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Creative Writing (Distance Learning)

• Entry year 2024
• Duration Part time 24 Months

Top reasons to study with us

Enjoy literary events in Lancaster's Castle Quarter

World Top 40 QS World Subject Rankings 2023 (English Language & Literature)

Partners with Wordsworth Grasmere in the English Lake District

Why Lancaster?

• Study from anywhere in the world, whenever it suits you, with our online tutorials and conferences
• Sharpen your writing with detailed individual feedback from a published author in your chosen genre
• Join us for a summer school on campus to spend time with our friendly community, share your work and learn from brilliant writers
• Learn from published writers who specialise in long prose fiction, memoir, short stories, poetry and work for stage and screen
• Work towards your ambition of being a published writer – we’ll help you turn your passion into a career path

We believe distance learning should be like a book – you should be able to pick it up and put it down when it suits you. By studying with us, you can benefit from invaluable one-to-one support from one of our published writers and work on your writing project without changing your lifestyle.

A global community

The DLMA Creative Writing at Lancaster has an established track record of success: our list of graduates who have published their work speaks for itself. Studying with us, you’ll become part of our diverse community of students who connect with each other from all corners of the globe, each bringing their unique personal experiences and cultural perspectives to the course.

Supporting your success

To support your writing project, you’ll learn from detailed online one-to-one tutorials and group conferences. We’ll match you with a published writer in your chosen genre who will be your personal tutor throughout the programme. As well as this one-to-one support, you’ll take part in virtual conferences where you’ll share your work with other students and members of our expert team.

Unmissable summer school

In the summer term of your first year, we run a week-long summer school on campus. Past students have travelled to Lancaster from locations ranging from the USA to Singapore. While this is an optional part of the programme, previous participants have said this is a highlight of the programme as they have the chance to meet other students in person, join interactive workshops and review their progress face-to-face.

During this exciting week, you’ll also benefit from interacting with professionals such as agents, publishers and writers who join us from across the UK. You’ll also take part in a field trip to the Wordsworth Trust in the beautiful Lake District.

Your department

• English Literature and Creative Writing Faculty of Arts and Social Sciences

Master's Programmes in Creative Writing at Lancaster University

Discover the key features of studying a master's degree in Creative Writing at Lancaster University. Our Creative Writing courses offer flexible study options, to allow the opportunity for you learn in the way that suits you best.

The DLMA Creative writing is taught by a dedicated team of award-winning, critically-acclaimed authors of fiction, poetry and script. The staff may change from time to time, but the following gives you a good idea of our current team.

by Professor Jenn Ashworth

by Sarah Corbett

by Tajinder Hayer

by Conor O'Callaghan

by Professor Paul Farley

by Michelene Wandor

by Eoghan Walls

by Professor Emeritus & Course Founder Graham Mort

Many of our past students have gone on to publish their work and make a career out of their passion for writing. So, if you’ve always wanted to get your work published, this course is for you.

We’ll give you the support you need to become the best writer you can be, and our staff will share their own experiences with you to inspire you on your journey.

Other students have combined their writing with careers in teaching. Journalism and the media are also potential career paths.

Published graduates

Many of our graduates have gone on to successful publishing careers. You too might become one of these.

by Amali Rodrigo

by Barbara Schoichet

by Ruth Taaffe

by Nguyan Phan Que Mai

by Jacob Anthony Ramirez

by Helen Taylor

by Liz Monument

by Gail Kirkpatrick

Entry requirements

Academic requirements.

2:1 degree in a related subject is normally required. We will also consider applications on an individual basis where you have a degree in other subjects, have a 2:2 or equivalent result or extensive relevant experience. You should clearly be able to demonstrate how your skills have prepared you for relevant discussions and assessments during postgraduate study.

Please contact us for more information.

If you have studied outside of the UK, we would advise you to check our list of international qualifications before submitting your application.

Additional Requirements

As part of your application you also need to provide

• A portfolio of original writing (no more than 12 poems or 20 pages of prose/scriptwriting) showing potential for publication.
• An outline (approximately 300-400 words) of your proposed project, which is the single point of assessment and is submitted at the end of the course. This could be a collection of short stories, poems, a script, extracts from a longer fiction, creative non-fiction, or life writing piece.

English Language Requirements

We may ask you to provide a recognised English language qualification, dependent upon your nationality and where you have studied previously.

We normally require an IELTS (Academic) Test with an overall score of at least 7.0, and a minimum of 6.5 in each element of the test. We also consider other English language qualifications .

Contact: Admissions Team +44 (0) 1524 592032 or email [email protected]

Course structure

You will study a range of modules as part of your course, some examples of which are listed below.

Information contained on the website with respect to modules is correct at the time of publication, but changes may be necessary, for example as a result of student feedback, Professional Statutory and Regulatory Bodies' (PSRB) requirements, staff changes, and new research. Not all optional modules are available every year.

The distance learning MA in Creative Writing is a two-year part-time course. It allows the convenience of study from home, enabling online tutorials with a professional writer who will respond to your work through detailed written reports. The course accommodates a range of writing, from poetry to fictional forms and is mediated through a simple virtual learning environment. Our approach is student-centred and designed to support a writing project that you will outline at the point of application.

Personal online tutorials are held twice a term and you will also participate in termly online conferences, sharing work and critical perspectives with other students. There is a week-long optional Summer school at the end of the first year. This takes the form of an intensive week of workshops, and provides a valuable addition to the course when you can meet your tutors and fellow students as well as industry professionals such as writers, editors and agents.

Fees and funding

General fees and funding information

There may be extra costs related to your course for items such as books, stationery, printing, photocopying, binding and general subsistence on trips and visits. Following graduation, you may need to pay a subscription to a professional body for some chosen careers.

Specific additional costs for studying at Lancaster are listed below.

College fees

Lancaster is proud to be one of only a handful of UK universities to have a collegiate system. Every student belongs to a college, and all students pay a small College Membership Fee  which supports the running of college events and activities. Students on some distance-learning courses are not liable to pay a college fee.

For students starting in 2023 and 2024, the fee is £40 for undergraduates and research students and £15 for students on one-year courses. Fees for students starting in 2025 have not yet been set.

Computer equipment and internet access

To support your studies, you will also require access to a computer, along with reliable internet access. You will be able to access a range of software and services from a Windows, Mac, Chromebook or Linux device. For certain degree programmes, you may need a specific device, or we may provide you with a laptop and appropriate software - details of which will be available on relevant programme pages. A dedicated  IT support helpdesk  is available in the event of any problems.

The University provides limited financial support to assist students who do not have the required IT equipment or broadband support in place.

For most taught postgraduate applications there is a non-refundable application fee of £40. We cannot consider applications until this fee has been paid, as advised on our online secure payment system. There is no application fee for postgraduate research applications.

For some of our courses you will need to pay a deposit to accept your offer and secure your place. We will let you know in your offer letter if a deposit is required and you will be given a deadline date when this is due to be paid.

The fee that you pay will depend on whether you are considered to be a home or international student. Read more about how we assign your  fee status .

If you are studying on a programme of more than one year’s duration, the tuition fees for subsequent years of your programme are likely to increase each year. Read more about  fees in subsequent years .

Scholarships and bursaries

You may be eligible for the following funding opportunities, depending on your fee status and course. You will be automatically considered for our main scholarships and bursaries when you apply, so there's nothing extra that you need to do.

Unfortunately no scholarships and bursaries match your selection, but there are more listed on scholarships and bursaries page.

If you're considering postgraduate research you should look at our funded PhD opportunities .

We also have other, more specialised scholarships and bursaries - such as those for students from specific countries.

Browse Lancaster University's scholarships and bursaries .

Similar courses

English literature and creative writing.

• Creative Writing PhD
• Creative Writing (modular) MA
• Creative Writing with English Literary Studies MA
• English Literary Research MA
• English Literary Studies MA
• English Literary Studies with Creative Writing MA
• English Literature PhD
• English Literature and Creative Writing PhD
• Gender Studies and English MA

David Craig Memorial Fund

Level of Study: Master's degree

Details of Award: The David Craig Writing Award was set up in David’s memory by his four children, Marian, Peter, Donald and Neil, and his wife Anne Spillard Craig, with the support of Lancaster University. One award is made each year to a student starting a Master’s programme in Creative Writing . The award is made on the basis of the student having applied and received an offer to join the programme, and a short statement about how they would use the award. We look for evidence that the award will help them become a successful writer whose work connects experience, place, and history.

Important Information

The information on this site relates primarily to 2024/2025 entry to the University and every effort has been taken to ensure the information is correct at the time of publication.

The University will use all reasonable effort to deliver the courses as described, but the University reserves the right to make changes to advertised courses. In exceptional circumstances that are beyond the University’s reasonable control (Force Majeure Events), we may need to amend the programmes and provision advertised. In this event, the University will take reasonable steps to minimise the disruption to your studies. If a course is withdrawn or if there are any fundamental changes to your course, we will give you reasonable notice and you will be entitled to request that you are considered for an alternative course or withdraw your application. You are advised to revisit our website for up-to-date course information before you submit your application.

More information on limits to the University’s liability can be found in our legal information .

Our Students’ Charter

We believe in the importance of a strong and productive partnership between our students and staff. In order to ensure your time at Lancaster is a positive experience we have worked with the Students’ Union to articulate this relationship and the standards to which the University and its students aspire. View our Charter and other policies .

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• Postgraduate study
• Taught degree programmes A‑Z
• Creative Writing (online distance learning)

Postgraduate taught  

Creative Writing (online) MLitt: Online distance learning

Note: This programme is also delivered on campus. To find out more about this programme or the research opportunities available, visit our Creative Writing subject page

If you're a talented and ambitious writer looking to develop your craft and take your writing to the next level, Glasgow's renowned Creative Writing MLitt is ideal. Develop your writing practice wherever you are in the world by gaining creative and critical skills on this exciting and supportive online course.

• Online distance learning
• Academic contact: Dr Colin Herd  [email protected]
• Teaching start: September
• MLitt: 12 months full-time; 24 months part‑time

Register your interest for more information

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Why this programme

• Our MLitt in Creative Writing is delivered within a clear three-part structure, focused on creative, critical and editorial skills.
• Our Creative Writing programme has gained an excellent reputation with writers, agents and publishers. The University's writing courses are among the most challenging and popular in the UK.
• These courses have helped launch the careers of an impressive list of acclaimed authors including, but not limited to: Anne Donovan, Helen Sedgwick, Kirsty Logan, Jen Hadfield, JL Williams, Louise Welsh, Zoe Strachan, Elizabeth Reeder and many others.
• You'll be taught by successful and well-regarded writers who specialise across diverse genres. We are happy to supervise students working in established genres but just as keen to see students mix genres or create new forms. In addition, you'll be able to tap into the University's strong network of literary agents and publishers, as well as an impressive list of published alumni. 
• This online programme is 1 year full time. If you are already working full time or have family commitments, the course can also be completed on a part-time flexible study basis over 2 years.
• Listen to our podcast: Stories from Glasgow – Writing Space with Dr Oliver K. Langmead .
• Read From Glasgow to Saturn, our literary journal .

Programme structure

The full-time programme consists of the following courses. The part-time programme consists of the same courses split over two years.

• CREATIVE WRITING: CRAFT AND EXPERIMENTATION 1 (DL)
• CREATIVE WRITING: EDITING AND PUBLICATION 1 (DL)
• CREATIVE WRITING WORKSHOP (DLEARNING)
• CREATIVE WRITING: CRAFT AND EXPERIMENTATION 2 (DL)   Option 1
• READING & WRITING DEATH & DYING DL   Option 2
• CREATIVE WRITING: EDITING AND PUBLICATION 2 (DL)

Summer Semester

• CREATIVE WRITING PORTFOLIO (PGT) (DLEARNING)

Programme outcomes

• Experiment with a range of voices, techniques and genres and consider major creative and editorial engagements
• Develop a critical understanding of a diverse creative, theoretic and critical texts
• Develop editorial skills
• Gain an understanding of literary techniques and ideas
• Access the work and thought of a wide range of literary artists
• Produce extended portfolios of creative and editorial work
• Understand the writing context (audience, publishing in all its forms, the legal framework, modes of transmission)
• Become disciplined in writing regularly in a stimulating workshop and tutorial environment in which writing skills can be acquired, discussed and honed
• Be part of a stimulating and critical peer group that reads, engages with, and appraises one others work
• Understand the means of literary transmission and how these means affect your own work
• Meet, hear and talk to professional writers and individuals from publishing and other transmission industries
• Display an understanding of the mechanisms (historical and contemporary) of literary textual transmission and other forms of transmission (including performance) in their various technological, commercial and artistic aspects

"I can honestly say that the programme was the best thing that has ever happened for my writing." Nichola Deadman, Creative Writing student

Programme alteration or discontinuation The University of Glasgow endeavours to run all programmes as advertised. In exceptional circumstances, however, the University may withdraw or alter a programme. For more information, please see: Student contract .

Career prospects

Skills gained in the study of our Creative Writing MLitt may lead to career opportunities in literary and cultural fields such as editing, publishing and arts development. Many of our alumni are successful authors. Our graduates have also gone into journalism, publishing, and a range of other professions. Positions held by recent graduates include managing director, freelance writer, author, copywriter and community arts worker.

Fees & funding

Tuition fees for 2024-25

• Full-time fee: £10650
• Part-time fee: £1184 per 20 credits

International & EU

• Full-time fee: £22140

Part-time fees:

• UK :  £1,184 per 20 credits (180 credits in total)
• International & EU : £2,460 per 20 credits (180 credits in total)

The credits are split: 

• Year 1 : 80 credits (4 x £1,184 / £2,460) for Craft & Experimentation 1 and 2, and Workshops
• Year 2 : 100 credits (5 x £1,184 / £2,460) for Editing & Publication 1 and 2, and Portfolio

Additional fees

• Fee for re-assessment of a dissertation (PGT programme): £370
• Submission of thesis after deadline lapsed: £350
• Registration/exam only fee: £170

Funding opportunities

• UK Study Online Scholarship

The UK Study Online scholarship is open to UK, EU and international students taking online undergraduate and postgraduate courses. 

Please see  UK Study Online for more details.

• Postgraduate Student Loan (Scotland and EU)

Eligible full-time and part-time students, undertaking an eligible postgraduate course, can apply for a tuition fee loan up to a maximum of £7,000 towards their course. Eligible full-time postgraduate students can apply for a living-cost loan of up to £4,500.  

This support extends to online Masters or Postgraduate Diplomas, and not to the online Postgraduate Certificate courses.

For more information visit the SAAS website .

• Postgraduate Tuition Fee Loans England only (PTFL)

If you’re an English student looking to study a taught Masters programme in Glasgow then you can apply for a student loan. Students from England are able to apply for a non-means tested   Postgraduate Master’s Loan  of up to £11,570   to help with course fees and living costs. You have to  repay your Postgraduate Master’s Loan  at the same time as any other student loans you have. You’ll be charged interest from the day you get the first payment.

If you’re studying by distance learning, you can also apply.

• Alumni Discount

In response to the current unprecedented economic climate, the University is offering a 20% discount on all Postgraduate Research and full Postgraduate Taught Masters programmes to its alumni, commencing study in Academic session 2024/25. This includes University of Glasgow graduates and those who have completed a Study Abroad programme, International Summer School programme or the Erasmus Programme at the University of Glasgow. The discount applies to all full-time, part-time and online programmes. This discount can be awarded alongside most University scholarships.

• Postgraduate Loans for Welsh Students

If you are a Welsh student looking to study a postgraduate programme* in Glasgow then you can apply for a student loan in exactly the same way as you would for a Welsh University.

* does not apply to Erasmus Mundus programmes

Postgraduate Master's Finance

If you’re starting a full-time or part-time Postgraduate Master’s course (taught or research based) from 1 August 2019, you can apply for Postgraduate Master's Finance and receive up to £17,000 as a combination of grant and loan:

• a maximum grant of £6,885 and loan of £10,115 if your household income is £18,370 and below
• a grant of £1,000 and loan of £16,000 if your household income is not taken into account or is above £59,200.

For more information visit  Student Finance Wales

Postgraduate Doctoral Loan

If you’re starting a full-time or part-time postgraduate Doctoral course (such as a PhD) from 1 August 2019 you can apply for a Postgraduate Doctoral Loan of up to £25,700.

• Postgraduate Student Loan (NI)

If you are a Northern Irish student looking to study a taught Masters programme* in Glasgow then you can apply for a student loan in exactly the same way as you would for a University in Northern Ireland.

Northern Irish students are able to apply for non-means-tested tuition fee loans of up to £5,500, to help with the costs of funding.

For more information visit  www.studentfinanceni.co.uk/types-of-finance/postgraduate  .

The scholarships above are specific to this programme. For more funding opportunities search the scholarships database

Entry requirements

• You will normally have a 2:1 Honours degree (or equivalent), though this is not a pre-requisite.
• The primary basis for admission is the appraisal of a portfolio of your creative work.
• You submit a portfolio of original work (poetry, fiction, life-writing or other prose, drama, and in some instances a portfolio of translation work). A maximum of 20 pages (one side only, double spaced throughout) per submission will be considered, and the portfolio can contain prose, verse, script, or a combination of these.
• We also require two letters of reference. Your referees should include an academic and a creative referee where possible. Where this is not possible, you can provide referees from other areas who can vouch that you are who you say you are and that your work and achievements are your own. It is particularly helpful if these referees are familiar with your writing and can provide references on that basis.

English language requirements

For applicants whose first language is not English, the University sets a minimum English Language proficiency level.

International English Language Testing System (IELTS) Academic module (not General Training)

• 7.0 with no subtests under 7.0
• Tests must have been taken within 2 years 5 months of start date. Applicants must meet the overall and subtest requirements using a single test.

Common equivalent English language qualifications

Toefl (ibt, my best or athome).

• 94; with Reading 24; Listening 24; Speaking 23; Writing 27
• Tests must have been taken within 2 years 5 months of start date. Applicants must meet the overall and subtest requirements , this includes TOEFL mybest.

Pearsons PTE Academic

• 66 with no subtest less than: Listening 66;Reading 68; Speaking 65; Writing 82

Cambridge Proficiency in English (CPE) and Cambridge Advanced English (CAE)

• 185 overall, no subtest less than 185

Oxford English Test

• Oxford ELLT 8
• R&L: OIDI level no less than 8 with Reading: 27-28 and Listening: 20
• W&S: OIDI level no less than 8.

Trinity College Tests

Integrated Skills in English II & III & IV: ISEII Pass with Pass in all sub-tests.

University of Glasgow Pre-sessional courses

Tests are accepted for 2 years following date of successful completion.

Alternatives to English Language qualification

• students must have studied for a minimum of 2 years at Undergraduate level, or 9 months at Master's level, and must have complete their degree in that majority-English speaking country and within the last 6 years
• students must have completed their final two years study in that majority-English speaking country and within the last 6 years

For international students, the Home Office has confirmed that the University can choose to use these tests to make its own assessment of English language ability for visa applications to degree level programmes. The University is also able to accept UKVI approved Secure English Language Tests (SELT) but we do not require a specific UKVI SELT for degree level programmes. We therefore still accept any of the English tests listed for admission to this programme.

For further information about English language requirements, please contact the Recruitment and International Office using our  enquiry form

How to apply

To apply for a postgraduate taught degree you must apply online. We cannot accept applications any other way.

Please check you meet the Entry requirements for this programme before you begin your application.

As part of your online application, you also need to submit the following supporting documents:

• A copy (or copies) of your official degree certificate(s) (if you have already completed your degree)
• A copy (or copies) of your official academic transcript(s), showing full details of subjects studied and grades/marks obtained
• Official English translations of the certificate(s) and transcript(s)
• One reference letter on headed paper
• Evidence of your English language ability (if your first language is not English)
• Any additional documents required for this programme (see Entry requirements for this programme)
• A copy of the photo page of your passport (Non-EU students only)

You have 42 days to submit your application once you begin the process.

You may save and return to your application as many times as you wish to update information, complete sections or upload supporting documents such as your final transcript or your language test.

For more information about submitting documents or other topics related to applying to a postgraduate taught programme, see  how to apply for a postgraduate taught degree

Guidance notes for using the online application

These notes are intended to help you complete the online application form accurately; they are also available within the help section of the online application form. 

If you experience any difficulties accessing the online application, see  Application System Help .

• Name and Date of birth:  must appear exactly as they do on your passport. Please take time to check the spelling and lay-out.
• Contact Details : Correspondence address. All contact relevant to your application will be sent to this address including the offer letter(s). If your address changes, please contact us as soon as possible.
• Choice of course : Please select carefully the course you want to study. As your application will be sent to the admissions committee for each course you select it is important to consider at this stage why you are interested in the course and that it is reflected in your application.
• Proposed date of entry:  Please state your preferred start date including the month and the year. Taught masters degrees tend to begin in September. Research degrees may start in any month.
• Education and Qualifications : Please complete this section as fully as possible indicating any relevant Higher Education qualifications starting with the most recent. Complete the name of the Institution (s) as it appears on the degree certificate or transcript.
• English Language Proficiency : Please state the date of any English language test taken (or to be taken) and the award date (or expected award date if known).
• Employment and Experience : Please complete this section as fully as possible with all employments relevant to your course. Additional details may be attached in your personal statement/proposal where appropriate.

Reference : Please provide one reference. This should typically be an academic reference but in cases where this is not possible then a reference from a current employer may be accepted instead. Certain programmes, such as the MBA programme, may also accept an employer reference. If you already have a copy of a reference on letter headed paper then please upload this to your application. If you do not already have a reference to upload then please enter your referee’s name and contact details on the online application and we will contact your referee directly.

Application deadlines

September 2024, all applicants.

As there is extremely high demand for places on this degree programme, the University has established an application process with application rounds. This process aims to ensure fairness and equity to applicants and should support applications being open for the full admission cycle.

Round 1 application dates

1 October 2023 to 19 November 2023 . You will receive our decision on your application by 3 February 2024 .

Round 2 application dates

20 November 2023 to 18 February . You will receive our decision on your application by 24 March 2024 .

Round 3 application dates

19 February 2024 to 27 May . You will receive our decision on your application by 8 July 2024.

Round 4 application dates

28 May 2024 to 1 July . You will receive our decision on your application by 11 August 2024 .  

As we receive a great number of applications, prospective students are only allowed to apply once per year.

More information about this programme

• Core and optional courses
• Creative Writing at Glasgow

Related programmes

Online postgraduate.

• See the range of online postgraduate taught programmes available

Creative Writing

• Creative Writing [MLitt]

English Literature

• English Literature [MLitt]
• English Literature: American Modern Literature [MLitt]
• English Literature: Fantasy [MLitt]

more related English Literature programmes

Related links

• About postgraduate study
• How to apply for a postgraduate taught degree
• Postgraduate research opportunities A-Z
• How to apply for a postgraduate research degree
• Fees and funding

Postgraduate events

Open Days, information sessions, campus tours, events near you

Postgraduate prospectus

• +44 (0)1482 251819
• +44 (0)7360 538906
• [email protected]
• Get in touch

MA in Creative Writing (Online)

Transform your passion for reading into the ability to produce prose worthy of public recognition . 

• WHAT YOU LEARN
• COURSE MODULES
• HOW YOU'RE ASSESSED
• ENTRY REQUIREMENTS
• CAREER PROSPECTS

Course details

Additional costs:   due to the nature of the subject, and copyright restrictions placed on institutional libraries by some publishers, students will need to purchase some core texts.

Support with your application:   Contact our course adviser team today for application advice.

Why this MA in Creative Writing?

It was Hull where Philip Larkin lived and worked at the University's Brynmor Jones Library for 30 years, writing most of his best work. A seafaring city that connected outwards and brought some of the exotic back to northern England.

Embracing Hull's global-facing outlook, MA Professor and accomplished author Martin Goodman describes the University's MA Creative Writing as an inspiring and collegial environment for online students who want to develop their distinctive voice as a creative writer.

There is also the option to attend face-to-face events , as you seek public recognition and become a valued, active member of a vibrant international creative writing community.

What you learn

Transform your passion for reading into the ability to produce prose worthy of public recognition. Whatever your genre of preference, be it literary fiction, nonfiction, or the likes of fantasy, mystery or romance – you will have the opportunity to hone your creative writing skills and discover the techniques seminal writers have used to significant effect:

push your creative boundaries and give shape to a strong and original creative voice

expand your knowledge of the literary canon and acquire the art of reading as a literary writer 

gain an in-depth knowledge of structure which will help you towards a deeper understanding of your writing process 

become conversant with a range of textual elements such as the use of dialogue, point of view, perspective and sensory detail and apply learned technique to your preferred writing genre 

take your place within the international creative writing community. Critique the work of others and engender the view of published writers as colleagues from who you can learn 

• develop your practice as a creative writer, understand the editing and re-drafting process necessary to produce prose of a publishable standard.

Your questions answered Programme Director Dr Chris Westoby answers some key questions about the course, including which modules you'll study, how you'll learn online, and the entry requirements.

[upbeat music plays throughout]

Dr Chris Westoby: So there are five modules over the course of two years. You're introduced to the programme with The Writer's Craft, which is designed by our programme founder, Martin Goodman. The Writer's Craft teaches you key writing concepts at MA level, how to analyze the work of exemplary authors and locate what makes their writing successful, so that you may apply such skills within your own practice, and you work upon and strengthen your unique writing voice.

This acts as your your foundation, your springboard, from which you launch into the central three genre specific modules. So you have Writing the Short Story, Writing from Life and Writing the Novel where you study and practice specific modes of writing in-depth.

By the end of these four taught modules, you'll be well equipped and raring to embark upon The Writer's Portfolio. This double length and double weighted module sees you liftoff into an extended writing project of your own design.

With the support of a supervisor chosen to help bring out the very best in your work. You learn through a a combination of writing exercises, lectures, guided critical reading, discussion, forums, workshops and webinars.

Well, this is hard to quantify because everyone works at different speeds, which is absolutely fine and part of what we're proud to accommodate. There are also extra elements to each model, which some students may wish to engage in such as further recommended reading.

Our standard entry requirements are a 2:2 BA honours degree or international equivalent.

However, we also recognize other forms of prior experience and therefore encourage anyone who is interested in the programme to get in touch.

Your application may discuss where your career has taken you so far and why this equips you with the skills designed to join this program. You might discuss other writing courses you've attended, which have provided a strong foundation. You might discuss inroads you have made into publication, all of which shows that you are ready to start sharing your work and have practiced polishing it.

Or you may simply demonstrate the strength of your potential as a writer through your creative writing sample.

Even without the standard entry requirements, you may be the ideal candidate for this programme. There are a number of non standard ways in which you may be considered, so please do get in touch.

Your assigned course advisor will help you form an application that lets your unique strengths shine.

Student work

Dear Isobel

Bedtime Stories for Kids

The Watcher Of The Night Sky (Book 1)

Post-Midnight Blues

Festa: A Year of Italian Celebrations - Recipes and Recollections

Mental Health Home Group Material

Into Your Blues

Pack of Lies

The Twinkling Of An Eye

Distant Voices: An anthology of stories

Course modules.

This masters degree allows you to develop your confidence and craft as a writer within a supportive, creative environment.

You study the following compulsory modules.

Because writing takes fire in the readers' mind, in this module, you will examine a wide range of literary works. Focusing primarily on textual elements including; sentence length and flow, perspective, choices of tense you will develop an understanding of how writers achieve their effects. Presented with sections of exemplary writing, you will move from your own visceral responses (e.g., excitement, intrigue, fear) to tracking how the writer deploys elements of craft to trigger desired emotions and atmosphere.

Short stories allow emerging writers to complete narrative arcs and establish a reputation through published works before tackling the longer form of a novel. In this module not only will you develop an appreciation of short stories from a range of international writers, but you will take the short story form and make it your own. Note that this module will also cover two sub-genres within the form; micro-fiction and flash fiction.

This module will introduce you to a wide range of nonfiction prose with a particular focus on travel writing, the essay, memoir, nature writing, and true-crime. You will produce your portfolio of work while practising a range of narrative nonfiction forms within a supportive, peer-driven environment.

What is it about an opening chapter of a novel that makes it virtually impossible to put it down? Throughout this module, you will improve upon your novel writing skills. The critique of your writing in a workshop setting will help you develop a keen awareness of narrative and narration along with a deep understanding of archetypes as an essential part of storytelling. As you develop plot and structure, you will employ editing and redrafting techniques to produce work you are proud to publish.

Creative writing is a rewarding process which requires immense personal discipline. In this module, you will receive guidance on how to structure your writing practice in this respect. Your prose portfolio (up to 15,000 words) represents the culmination of your MA Creative Writing programme. Here you will demonstrate your originality of ideas, grasp of technique and craft, presenting a unique and accomplished body of work to a publishable or near publishable standard.

Hear from our Alumni

Hear their stories, discover their motivations and the obstacles they overcame, and gain valuable insider perspectives.

Join us in May 24

What are the entry requirements.

A minimum 2.2 Bachelor Honours degree  or international equivalent . Applicants who do not meet this requirement may still be considered, but will need to present examples of relevant published work with their application

A creative writing sample (fiction or non-fiction) of 1,500 to 2,000 words

• A personal statement of around 300-500 words. Click here for details of what should be included

An IELTS 6.0 score (with minimum 5.5 in each skill) if your first language isn’t English (or other English language proficiency qualifications accepted by the University of Hull )

One professional or academic reference

If you're unsure whether you're eligible to apply, please get in touch with our friendly course adviser team for advice:

“I chose Hull because I wanted to study somewhere where I would be pushed to break free from my comfort zone."

How you're assessed.

All assessments for the course are based on coursework and submitted online. There are no exams. 

Assessment methods

Your performance on the course will be assessed through a range of methods including:

ongoing tutor and peer feedback

practical work, including group projects and discussion forums

Written assessments

You’ll also be asked to complete a variety of written assessments including:

Critical and creative responses, where you provide examples of crafting skills in work that interests you, and then provide short writing samples that utilise those techniques in your own work

Prose portfolios, comprising one or two pieces of original work

Commentary pieces, describing your ambitions and intent for your prose portfolios

Get more detailed information on the course assessment methods page:

Teaching team

Professor Martin Goodman

Dr Christopher Westoby

Dr Karina Lickorish Quinn

Dr Mick Jackson

Dr Kate Horsley

Barbara Henderson

Tim Hannigan

Dr Megan Hayes

Dr Elizabeth Watkinson

KR Moorhead

Maggie Hamand

Broaden your horizons with face-to-face events.

At the University of Hull, we believe it’s important for students to feel a sense of connectedness, whether they’re studying on campus or online. This is why we hold up to two face-to-face events per year with creative workshops, talks from visionary academics, and a glance into the UK’s thriving creative writing community. Students from previous events have:  

• Formed lasting friendships with fellow creatives  
• Refined their creative writing style on the back of discussion and constructive criticism  
• Drawn inspiration from new perspectives and literary genres  
• Picked up insider knowledge on how to get their work published   

Want to flex your creative muscles, meet your tutors in-person, or form a rapport with like-minded people? You can do all this and more, while exploring topics outside of your course modules. Stay tuned for updates on our face-to-face events – we’d love to have you join us!  

What makes this course stand out? Hear from Programme Founder Professor Martin Goodman about what sets this Creative Writing masters degree apart.

[inspirational music plays throughout]

Hello I'm Martin Goodman, Professor of Creative Writing here at the University of Hull. I'm Director of this MA Online Creative Writing program. And I'm a writer like you. So part of our program here is to welcome fellow writers and encourage you to be the best writer you can be. This course for anybody who wants to take their creative writing seriously, for whom it's something very important. It's probably been very private 'til now, but you're ready to share it, and you're ready to share it, ideally in this online environment. This suits you. Writing is quite a private thing that happens on paper. But we know we have to share it at some times if we're going to reach other readers. So this is what we aim to do with you. The way this course works is to bring you through several different modules. The first one is writer's craft, where we will examine other writers and exemplary pieces of writing and their techniques, how they make their writing work and other readers' minds. And then you build up these skills as you're going through modules about writing the story of writing the novel, writing from life, and then you're released into an extended piece of writing, and that is where you're following the form that most appeals to you. We designed this course to help you build yourself into being the complete prose writer. For me, it's actually been very important to try out all of these fields. So I write novels, I write short stories. I also write non-fiction, I write biographies, I write travel pieces, I write reviews. All of these things are part of what makes a writer able to sustain a living in the world. And you don't have to always be working from your imagination. There's always something you can go to. And in each of these, you're also building up your own skills. So if your main desire in life is to be a novelist, the skills that you can find from learning how to write the creative nonfiction, writing from life, or how to build a little character arc within a short story. These are all essential to you. Every little piece of skill that you develop in writing any form will go into the form of your choosing. It's very important to me that we create a protected space around you. So you're not writing according to what some publisher takes as being that fits my box. You're writing the best work that can emerge from yourself inside this protected space, so it's not judgmental at all. We're completely free. We're saying, begin to yourself and write from that hidden space inside of you. I know that a lot of students are really bursting with their creative writing and looking for feedback, but they find it very hard to get into the classroom. Sometimes it's not good if you're a quiet person to have to face the bustle of a classroom, to have to put out your writing at this particular moment. It's much simpler to do that in your own time, to sort of breathe in. You post it online, and then other people can review it in their own time. That's really what this online course is doing. It is connecting the world through brilliant writers. 

Career prospects

By studying this course, you should gain the confidence and practical skills necessary to produce creative writing of a publishable or near-publishable standard, in your genre of choice.

Want to get published?

Programme Director Dr Chris Westoby discusses how studying creative writing at Hull led to his first book:

You'll also gain valuable transferrable skills which are in-demand across the creative industries and beyond.

MA Creative Writing graduates often go into successful careers in a broad range of industries, such as

professional writing/authorship

marketing and PR

heritage and tourism

journalism and broadcasting

museum curating

Ready to apply?

Our step-by-step application process is easy to follow.

The University of Hull and its digital courses provider, Hull Online Limited, delivered in partnership with Cambridge Education Group Digital (CEGD), will only use your personal data to contact you in relation to our courses. For further information, please see the privacy policy .

Creative Writing Online Bachelor and Master Degree Courses in the UK

Salary of all uk graduates of creative writing, salary of all uk graduates of all subjects, jobs & career perspectives, career perspectives for creative writing.

15 months after graduation, graduates of this subject were asked about their current circumstances of employment, what they do, and whether their activities and perspectives are directly related to their studies.

What graduates are doing after 15 months

Current jobs.

Among graduates of Creative Writing who indicated that they are working, the percentage below represents the number who “agree” or “strongly agree” with the statements about their job.

Job in line with future plans

Utilise skills from studies, work is meaningful, specialisations within creative writing.

• Playwriting
• Poetry Writing

Entry Requirements / Admissions

Which online degrees can you earn in creative writing.

• The following degrees are offered for Creative Writing studies:
• Bachelor of Arts (Honours) - BA (Hons)
• Master of Arts - MA
• Master of Fine Arts - MFA (PG)
• Doctor of Philosophy - PhD

Are online degrees in Creative Writing as respected as traditional degrees among employers?

MA Creative Writing

Elevate your skills as a writer, course details.

online and part-time

Start dates

January, May and September

Next welcome week

27 May 2024

Next course start date

3 June 2024

Application deadline

17 May 2024

Total course fee

Want to learn more about this course?

Join our virtual Q&A: Exploring Environmental Narratives through Creative Writing & Photography. Book your place to attend on 16 April at 17.30 GMT.

Course overview

Develop an array of transferable skills on our MA Creative Writing course. Throughout your studies, we’ll encourage you to reflect on your own practice, explore the fundamental duty of the writer, and guide you in honing your creative identity.  

Unlike other courses, we place a special emphasis on the ethical and environmental aspects of creative writing. You’ll develop the unique ability to combine the art of storytelling with a deep commitment to environmental consciousness. As a graduate, you’ll stand out because you can harness your discipline to respond to the climate crisis and drive positive change in the world.  

By looking at a vast spectrum of literary genres and theoretical approaches, you’ll cultivate a holistic understanding of your craft. Coupled with a broad range of real-world insights into the contemporary publishing industry, you’ll be set to succeed as a published professional writer.   

Our course modules also highlight the importance of collaboration and constructive feedback in bringing creative ideas to life. On top of this, you’ll have unique opportunities to get involved with industry-specific events like the Writing the Earth symposium.   

As a graduate of Arts University Bournemouth, you’ll join a vibrant, thriving community with environmental ethics at its core. Armed with industry-ready skills and a global network, the opportunities you’ll have are boundless.  

Course modules

Our academics have designed this course to explore every facet of your craft. the breadth of theoretical and practical knowledge you acquire will help you position yourself in today’s literary publishing scene. through the common thread of a reflective journal, you’ll also document your own transformative journey., the writer as researcher (15 credits).

In this introductory module, we’ll orient you with f oundational knowledge and appropriate research methods . You ’ ll be challenged to reframe your practice , charting your journey as a writer- researcher and proposing a research paper at a student-led Research Symposium . This starting point will give you a clear focus for the rest of the programme .  

The Craft of the Writer (15 credits)

Together, we’ll deep-dive into all the practical elements of the writer’s craft – from notebook use and idea generation to drafting and exchanging feedback . You’ll also interrogate the concepts surrounding the lore of the writer – fro m ‘inspiration’ to ‘writer’s block ’. This will encourage you to break down your methodology and reflect on it intensively .  

The Writer in the World (15 credits)

In this module we’ll take a wider view, looking at where the writer fits into the culture and societ y around them. This will involve considering their ethics, culture , activism, and public image . Y ou ’ll then develop a public-facing platform which articulates your emergent identity as a writer.  

Im/Possible Worlds (15 credits)

T ogether, we’ll explore a range of imaginative genres across the full spectrum, from the grittily realistic to the wildly fantastic (e.g., science fiction, weird, speculative, solarpunk ) . You’ll explore how these often-subversive stories challenge geo political le adersh ip and cultural norms, creating a space for intellectual growth and inclusive representation. With a profound understanding of these stories , you'll develop your own prose narrative sample .  

Writing in the Anthropocene (15 credits)

The Anthropocene is the current geological age, where human activity predominantly impact s the climate and environment. I n this module, we’ll explore how the climate crisis and the UN’s sustainability goals can be woven into your literary vision. Together with your cohort, you’ll look at both classic and contemporary works to see how they engage with these pressing issues.  

Publishing in the 21st Century (15 credits)

Through current trends, emergent forms, and new opportunities, we’ll examine what distinguishes a 21 st Century publication from literature that precedes it. With input from a variety of industry professionals – including agents, editors, publishers, book designers, and booksellers – you’ll learn about print and publishing culture from a multi-faceted perspective .  

Advanced Poetics (15 credits)

In this module, we’ll explore the power of linguistic nuance, individual word choices, and layout choices . Through the lens of current trends, emergent forms, and both classical and contemporary poe ts , you’ll develop a deep understanding of the current poetry scene. We’ll also help you cultivate your communication skills in online open mics, sharing your poetry and critical feedback with fellow students.  

Transmedia Storytelling (15 credits)

With a focus on script-writing and emerging technologies, we’ll encourage you to think far b eyond traditional literary formats . We’ll consider screenplays, podcasts, audio drama, graphic novels, interactive fiction and role-playing games, to name just a few. You’ll also hear avant-garde perspectives from guest speakers at the forefront of contemporary practice.  

The Proposal (15 credits)

We’ll support you in developing a professional proposal for what will be not only your Major Project , but also a real-world industry submission. You’ll research available markets and emergent publishing trends to identify a focus. By the end of this module, you’ll be capable of confidently pitching substantial creative ideas – an essential skill for flourishing in your future career .  

Major Project (45 credits)

This module is the culmination of all the rigorous self-reflection, skills, and knowledge you've acquired throughout the course. You’ll produce a final written piece in a format of your choice (e.g., novel extract, short fiction, poetry, audio drama, stage script), accompanied by a critical reflective essay.  

Your Course Leader

Dr Kevan Manwaring's research focuses on the ecological imaginary in fantasy and other creative forms. An academic consultant for BBC 4’s The Secret Life of Books, and a contributor to BBC Radio 3’s Free Thinking, he has much experience as a spoken word performer, panellist, and guest speaker. He blogs as the Bardic Academic .  

"Dedicated writing time, quality professional guidance, and a constructively critical, supportive environment are some of the most valuable things a writer can give themselves."

Dr Kevan Manwaring | Course Leader, MA Creative Writing

Entry requirements

We encourage applications from students with a broad range of qualifications and we welcome students from all educational backgrounds. We’ll take into account the knowledge and skills that you have developed outside the classroom, as well as your previous qualifications.

There are two different routes to entry: the  standard   and  non-standard   routes. Admissions staff will assess entries to determine which route is appropriate for you when you apply.

Students accepted on the standard route are given offers based on qualifications and supporting documentation alone. If you do not have a qualification at the designated level or in a subject not directly related to the course to which you are applying, you’ll be contacted to request a portfolio , and/or given an interview date.

You'll usually have BA (Hons) Degree graded at 2.2 or above, or an equivalent UK or international qualification in creative writing or the following related subjects: english literature, english language, screenwriting, journalism, writing for games, business writing, or any humanities subject.

As an overseas applicant, you’ll need to validate your proficiency in English. We accept a range of English language qualifications: 

• Cambridge Certificate of Advanced English (CAE) grade C
• Cambridge Certificate of Proficiency in English (CPE) grade C
• Certificate of Attainment in English (London Board) level 5 or 6
• IELTS score of 6.0 or above with at least 5.5 in each band
• TOEFL iBT score of 80 or above with 19 in speaking, and 18 in listening, reading and writing
• Pearson PTE score of 64 and over, with a score of 59 in each component

IELTS, Pearson, and TOEFL scores must be less than two years old at the time the course commences to be valid. 

If you don’t have the standard academic qualifications, you could still be considered for entry if there’s sufficient evidence to indicate that you can fulfil the objectives of the course of study and achieve the standard of the final award. An example of this would be to showcase a portfolio of work as requested by the admissions team.

We also welcome applications from anyone with other qualifications or work experience that demonstrates appropriate knowledge and skills to study at postgraduate level.

Fees and funding

The fees that you pay AUB help provide the necessary services and training for you to complete your course. There are a number of different ways that you can pay for your tuition.

How to apply

Head to our online application form to apply directly to us. We encourage applications from students with a broad range of qualifications – we'll take into account the knowledge and skills that you've developed outside the classroom as well.

Meet your Industry Patron

Michelle Zeitlin

MA Creative Writing Industry Patron

We’re delighted to welcome Michelle as the patron of our course and have her help our students reach their full potential. Michelle's role involves:

• Being actively involved in ensuring that the programme is grounded in industry practice and sets students up for success
• Acting as a vital connection between the industry itself and the course
• Holding exclusive talks for students
• Helping students put their work on the map and contextualising projects

View profile

Careers and opportunities in Creative Writing

The versatile, distinctive skillset you acquire on this course will open up a wide variety of options for your future – in terms of both employment and further academic study. Projects such as the anthology submission will be viable for industry publishing, and through your final project, you’ll already have first-hand experience delivering an outstanding pitch.  

You’ll also benefit from guidance as part of the AUB Course Industry Patron scheme: a formal connection with a creative writing practitioner who offers unique collaborative opportunities and close relations within the industry. 

The project management, collaboration, market analysis and critical thinking skills you develop will increase your chances of employability as a writing professional – whether your goal is to be a freelance writer, in-house author, or publisher. On top of this, you’ll develop core soft skills surrounding resilience and flexibility that are highly sought-after in today’s fast-changing global economy.

Here are just a few of the options you could pursue as an MA Creative Writing graduate: 

You could also pursue opportunities in research, lecturing, lexicography, and communications.

Join us in May 2024

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Course details

Getting started in creative writing (online).

There are no time-tabled sessions on this course. Using a specially designed virtual learning environment this online course guides students through weekly pathways of directed readings and learning activities. Students interact with their tutor and the other course participants through tutor-guided, text-based forum discussions. There are no ‘live-time’ video meetings meaning you can study flexibly in your own time under the direct tuition of an expert. For further information please click here

This course gives avid readers the skills necessary to turn a love of the written word into a practical experience. It introduces the key characteristics of creative writing, and students are supported with stage-by-stage guidance as they assimilate and put into practice a range of critical and creative methods. In addition to tutor feedback on the course assignments, participants will be encouraged to discuss one another's writing in the course forums, and will be given guidance on offering constructive and useful criticism.

Beginning with an introduction to writing fiction, this course leads students step-by-step through the essentials of the craft – including characterization, plotting, description, dialogue and editing – towards an enhanced understanding of how novels and stories are written. There are also individual sessions on special topics – such as constructing an effective opening sequence, using imagery creatively, and working with experimental or other distinctive genres – and the emphasis throughout is upon developing an individual voice and a confident style while working in a wholly supportive environment.

For information on how the courses work, please click here .

Programme details

Unit 1: Getting Started

• Getting acquainted with one another and the course
• Autobiographical input
• Working with notes
• Practising discussion and critique of fiction-writing

Unit 2: Voice

• Developing an individual emphasis
• Pace and style

Unit 3: Descriptive Writing

• Scene-making: Sharpening the senses
• Fashioning a world

Unit 4: Point-of-view

• Who tells the story? Owns the story?
• Making choices about 1st, 2nd and 3rd person narrative

Unit 5: Character

• Constructing individuals
• Back-stories

Unit 6: Dialogue

• Writing the authentic, the important and the plausible simultaneously

Unit 7: Plot and Momentum

• Patterns of Story
• From story to plot

Unit 8: Genre and Length

• Choices that shape the stories we read
• What we expect
• How we may differ

Unit 9: Theme

• What kind of a story will you tell?

Unit 10: Re-writing and Editing

• Finishing, polishing, re-making, re-telling, expanding and cutting

We strongly recommend that you try to find a little time each week to engage in the online conversations (at times that are convenient to you) as the forums are an integral, and very rewarding, part of the course and the online learning experience.

Recommended reading

To participate in the course you will need to have regular access to the Internet. All of the primary texts (short stories) used as examples in the course are available online, and in each unit you will find a link to the appropriate websites. Recommended, but not required:

• Lodge, David, ed., The Art of Fiction (Penguin, 1992) ISBN: 0140174923

Certification

Credit Application Transfer Scheme (CATS) points 

To earn credit (CATS points) for your course you will need to register and pay an additional £10 fee for each course you enrol on. You can do this by ticking the relevant box at the bottom of the enrolment form or when enrolling online. If you do not register when you enrol, you have up until the course start date to register and pay the £10 fee. 

See more information on CATS point

Coursework is an integral part of all online courses and everyone enrolled will be expected to do coursework, but only those who have registered for credit will be awarded CATS points for completing work at the required standard. If you are enrolled on the Certificate of Higher Education, you need to indicate this on the enrolment form but there is no additional registration fee. 

Digital credentials

All students who pass their final assignment, whether registered for credit or not, will be eligible for a digital Certificate of Completion. Upon successful completion, you will receive a link to download a University of Oxford digital certificate. Information on how to access this digital certificate will be emailed to you after the end of the course. The certificate will show your name, the course title and the dates of the course you attended. You will be able to download your certificate or share it on social media if you choose to do so. 

Please note that assignments are not graded but are marked either pass or fail. 

Cherry Gilchrist

Cherry Gilchrist is a writer, lecturer and tutor. She is the author of a wide range of books including titles on Russian mythology, life story writing, feminine archetypes, alchemy and family history. Publishers include Piatkus, Weiser, and Penguin. Her blog Cherry’s Cache on diverse topics is regularly enjoyed by several hundred readers. As a writing tutor, she has also taught for the University of Exeter, Marlborough Summer School, Cheltenham Literature Festival, and many other venues including cruise ships. Her interests are history, nature and travel, and she lives in the Devon estuary town of Topsham. She is currently training to be a Exeter Red Coat city guide. Cherry gained her degree from New Hall, Cambridge, and holds a post-graduate diploma from the University of Bath Spa.

Dr Louis Greenberg

Louis Greenberg is a writer and fiction editor with a doctorate in modern English literature. Under his own name and co-writing as S.L. Grey, he has published nine novels including  The Mall ,  The Apartment  and Exposure , a mystery about an immersive theatre group. Louis has studied scriptwriting, theatre set design and film finance, and two of his books are in film development. An Advanced Professional member of the Chartered Institute of Editing and Proofreading, Louis has edited fiction for several major publishers .

Mr Jeremy Hughes

Jeremy Hughes has published two novels – Wingspan (2013) and Dovetail (2011). He was awarded first prize in the PoetryWales competition and was short-listed for an Eric Gregory Award. He also publishes short fiction, life writing and reviews. He studied for the Master’s in creative writing at Oxford.

Course aims

This course aims to provide students with insight into the major aspects affecting creative writing, and enable them to use these features confidently in their own writing.

Teaching methods

• Introductory section, outlining key areas of work within each unit.
• Description of required reading and recommended reading.
• Presentation of materials taken from additional (eg. online) sources, relevant to each unit.
• Online discussion forum.
• Online personal study diary.
• Area for short responses to literary extracts from key texts.
• Tutor responses to forum and exercises.
• Assessment and feedback.

Learning outcomes

By the end of this course students will be expected to understand:

• Key features (such as point-of-view, dialogue, etc) in a fictional work.
• The practical use of such characteristics in their own writing.
• How to use these aspects of technical expertise with increased skill and confidence.

By the end of this course students will be expected to have gained the following skills:

• The ability to recognize and name key features in literature.
• Knowledge of what effects these features produce and how to undertake their use.
• Increased confidence in their own use of such features as enhancements to the development of an individual 'voice' in creative writing.

Assessment methods

You will be set two pieces of work for the course. The first of 500 words is due halfway through your course. This does not count towards your final outcome but preparing for it, and the feedback you are given, will help you prepare for your assessed piece of work of 1,500 words due at the end of the course. The assessed work is marked pass or fail.

English Language Requirements

We do not insist that applicants hold an English language certification, but warn that they may be at a disadvantage if their language skills are not of a comparable level to those qualifications listed on our website. If you are confident in your proficiency, please feel free to enrol. For more information regarding English language requirements please follow this link: https://www.conted.ox.ac.uk/about/english-language-requirements

Application

Please use the 'Book' or 'Apply' button on this page. Alternatively, please complete an Enrolment form for short courses | Oxford University Department for Continuing Education

Level and demands

FHEQ level 4, 10 weeks, approx 10 hours per week, therefore a total of about 100 study hours.

IT requirements

This course is delivered online; to participate you must to be familiar with using a computer for purposes such as sending email and searching the Internet. You will also need regular access to the Internet and a computer meeting our recommended minimum computer specification.

Terms & conditions for applicants and students

Information on financial support

View a sample page to see if this course is for you

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• Our Patron of Writing
• Tutors & team
• What to expect
• Feedback guidelines
• Timetable at a glance

Introduction to Creative Writing

Writing Poetry

• Life Writing & Memoir Writing

Writing Short Stories

• Writing for Children and Young Adults

Writing Flash Fiction

Novella Writing

Fiction Workshop Course

• Writing about Nature

Prioritise Your Writing

Editing Your Own Work

• Publishing Demystified
• Your Course Idea

Sunday Masterclasses

• Immersive Summer School
• Drop-in groups
• Talks & Events
• Summer School Showcase
• Student blog

A welcoming online home for all creative writers

Writing Room is all about helping you make space for creative writing in your week. Join us live online for small-group writing courses, friendly discussions and quiet work sessions from Monday to Friday in term times. Check in as often or as little as suits your schedule. Enjoy finding support and inspiration to become the writer you want to be. Read more...

View our timetable at a glance!

BRAND NEW COURSE: Nature Writing Workshop - read more...

Read award winning poet Hannah Lowe on why creative writing courses matter...

Short creative writing courses, hosted live online

Life Writing & Memoir

Writing for Children & YA

Immersive Summer Schools

Weekly drop-ins for students, hosted live online

Monday Start Your Week

Thursday Writing Hour

Feedback Friday

Events, talks & writing support

Events & talks

Mentoring & consultancy

Steve Thompson Bursaries

I WAS TRULY AMAZED

“ An amazing resource for anyone who loves writing at any level. I was truly amazed to discover so much going on. ”

POSITIVE ENCOURAGEMENT

“ What was particularly useful was the positive encouragement from people who could dissect writing in a meaningful way. ”

COMMUNITY THAT BUILDS

“ It's a community that builds as you move from one course to another. You'd be hard put to find that on a Creative Writing MA at 100x the price. ”

DIVERSITY OF STUDENTS

“ I love the incredible generosity of the teachers and the high level of the input from them. I also love the diversity of the students, such a different and interesting profile compared to when I have done other courses. ”

Anon from student survey

NO SNOBBERY!

“ Great, informative, reasonably priced courses. Friendly. No snobbery! It's a very open community, open to all levels of experience, yet it seems to attract writers who are keen to be professionally minded. ”

Writing Room is a registered Community Interest Company: a non-profit arts organisation committed to serving the interests of our diverse community of creative writers.

Email us at, [email protected], or get in touch using the form, about our courses.

© Writing Room CIC Photography © Ruth Guthrie unless stated

Online Writing Courses

Your story starts here

Courses for all experience levels

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Learn from the greatest writers, ken follett.

Write fiction that sells

Carol Ann Duffy

Find your poetic voice

Lee Child

Make a career out of writing novels.

Alan Moore

Write magical fiction and equip yourself for a writing career.

Julia Donaldson

Learn from the bestselling author of The Gruffalo.

Jed Mercurio

Create your own incredible TV series.

Malorie Blackman

Write and publish Young Adult fiction with the celebrated author of over 70 books.

Taking an online writing course can help you sharpen your writing skills, whether you’re just starting out or have been dabbling in writing for years. 

Learning to write from the comfort of your own home gives you the time and space to adapt your story ideas at your own pace. From novel writing to screenwriting, writing for children or literary fiction, there’s an online writing course for everyone. So pick up that pen, fire up your laptop, and get ready to write that bestseller.

Learn to write

Writing is a craft. While some writers are born with an innate natural ability to weave together plot, setting and character into a story, even the most established writers can benefit from brushing up on their craft once in a while. 

Through a creative writing course you can learn how to create compelling, believable characters that your readers will grow to love. You’ll learn how to depict settings and evoke a sense of place for your story. Plus you’ll learn the importance of plot and how to keep a sense of pace in your storytelling.

Learning to write fiction online can boost your confidence and finally empower you to commit that brilliant novel idea to paper.

What you can learn

Our online writing courses cover a range of topics. Each course is designed to teach you the basics of storytelling and will help you to:

• Find inspiration for story ideas
• Identify themes for your writing
• Write for a specific genre
• Plot out your story structure
• Develop authentic characters
• Create the setting and evoke a sense of place
• Write convincing dialogue
• Find your own writer’s voice
• Deal with writer’s block
• Adopt a writing habit

As well as learning the craft of writing, our courses offer a glimpse into the processes and methods used by some of the world’s most successful authors. 

Learn to write with Lee Child

Discover the tools to write - and the secrets to getting published - with one of the world's most successful authors.

Explore our online creative writing courses

At BBC Maestro we offer a range of online writing classes from some of the world’s best writers. 

Learn how to write children’s books with the author of The Gruffalo, Julia Donaldson . Or take tips from bestselling children’s author David Walliams . Find out how to craft timeless children’s stories and create characters that kids (and their parents!) will never forget.

Acclaimed novelist, Malorie Blackman , shares all her writing tips and tricks in her course. This comprehensive course covers the writing process, structuring your story and how to write convincing dialogue.

Master storyteller, Alan Moore , takes you on a wild and enchanting ride through his creative process. From inventive language and world-building, to crafting unforgettable characters, you'll learn all the tools you need to become a maestro of the written word.

Or if you prefer to write for the screen, Line of Duty creator Jed Mercurio teaches a masterclass in screenwriting . In his course you can learn everything from creating a TV pilot to techniques to build tension and suspense.

Ready to learn how to write like a professional? Sign up for an online writing course and kick start your writing journey today.

Want to learn it all?

You can buy a single course, or you can access every course for one annual fee with a BBC Maestro subscription.

From creative cuisine to powerful prose, get ready to learn something new today.

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The Home of Creative Writing

Festival of writing.

Arvon is a charity that runs creative writing courses, events and retreats both in-person and online. Our courses are tutored by leading authors and include a powerful mix of workshops and individual tutorials, with time and space to write, free from distractions of everyday life. Grants and concessions are available to help with course fees.

ARVON COURSES & RETREATS

• Non-Fiction

Online Writing Week: Memoir

Translate your experience into memoir and bring your stories to life

Apr 8-May 6

Online 5-Week Evening Course: Non-Fiction

Creating compelling worlds in your non-fiction

Masterclass: Poetry and Dictionaries

Chasing new meaning into the light

How I Write: Ciaran Thapar

Q&A and Reading

Online Writing Day: Short Story

Liberation through constraint

Online Writing Week: Historical Fiction

Retrieving histories

• Screenwriting

Residential Writing Week: Screenwriting

Adapting from source to screen

How I Write: Yvonne Battle-Felton

“Every time I’ve taught at Arvon - going back over fifteen years now - I’ve seen how much difference just a handful of days can make in the life of writers. There’s a perfect mix of tutorials, writing time, socializing, and discussion - all those elements come together to create an atmosphere in which writing projects move in that longed-for but often unattainable direction: forward.”

— Kamila Shamsie

ARVON AT HOME

Our online programme of courses, events and writing support

Virtual versions of our famous Writing Weeks, plus Masterclasses, free How I Write events, Online Writing Weekends, Writing Days and more . . . all accessible from the comfort of your sofa.

SUPPORT ARVON NORTH

Arvon North is an ambitious capital project to adapt Lumb Bank into a beacon of creativity for the North

Help us transform Lumb Bank into an engine-house for creative writing development in the North of England, connecting the rich literary collateral of the region with a community of writers locally, regionally, nationally and globally.

CLOCKHOUSE WRITERS' RETREAT

Give your writing the time and space it deserves with Arvon’s dedicated Writers Retreat at The Clockhouse

The Clockhouse is specifically designed for writers on retreat. It has four apartments for writers, each with bedroom, study-lounge and bathroom. All food is provided for you, so you can spend your time as you please.

DONATE TO ARVON

Do you believe that everyone should have the opportunity to unlock their creative potential?

Arvon is a charity that believes everyone deserves the freedom to imagine, write and explore ideas regardless of their age or financial background.

OUR SCHOOLS & GROUPS WORK

We offer residential weeks for schools, young people and adult groups.

Our weeks for schools and groups follow the same pattern as our adult course programme – led by two professional writers, with tutorials, group workshops, and time and space to write.

ARVON BLOGS

SI Leeds Literary Prize 2024

07 Mar 2024 / General

A writing prize that helps discover exciting new talent from underrepresented groups will be accepting entries again next month. The SI…

Arvon and Creative Minds Calderdale to Develop Writing for Change Project

28 Feb 2024 / News

Arvon and Creative Minds Charity, hosted by South West Yorkshire Partnership NHS Foundation Trust, are embarking on an exciting project aimed…

My Arvon Journey: Gráinne O’Hare

27 Feb 2024 / My Arvon Journey

When I logged on to my first online Arvon workshop, it was autumn 2022 and already chilly at my writing desk;…

My Arvon Week: Debi Barry

27 Feb 2024 / My Arvon Week

Friendships are formed over food, (or a glass of wine in my case!) and cemented over shared life experiences – so…

JOIN OUR MAILING LIST

Want to know what's coming up in the next week? Arvon’s newsletter is the best way to avoid missing out on anything - from new and upcoming courses, to Arvon giveaways and writing and self-development opportunities.

FIND A COURSE OR RETREAT

• Inua Ellams' Spring Season
• Residential Writing Week
• Online Writing Week
• Masterclass
• Masterclass Recording
• How I Write
• Online Five Week Course
• Residential Tutored Retreat
• Online Writing Day
• Residential Retreat
• Children and Young People's Events
• Starting to Write
• Children & YA
• Short Story
• Totleigh Barton

Privacy Overview

Writing Your Novel – Three Months

Applications, ← back to courses.

Our flagship online Writing Your Novel course is designed for writers who are serious about developing their novel to its full potential.

With weekly teaching and workshopping on our interactive platform, plus one-to-one tutorials, and advice from renowned authors and literary agents, this course will help you hone your craft and make real progress with your story. Our compact three-month schedule and online learning environment makes this the ideal course for writers with busy calendars in need of flexibility as well as comprehensive advice and an energetic burst of motivation.

You will join a group of 15 writers tutored by Christopher Wakling, author of six acclaimed novels and much-loved creative writing tutor. Teaching will cover how to create a strong narrative arc and convincing characters, as well as key techniques that will help you bring your story to life, from dialogue to description, tone and style.

In addition to the weekly teaching and workshopping – which is flexibly timed so you can take part at a time that suits you each week – you’ll also attend exclusive live industry masterclasses on Zoom featuring insights from authors, agents and publishers. When the course ends, you’ll be given the opportunity to share your work with literary agents from Curtis Brown and C&W.

Over 200 of our students have gone on to become commercially published authors, including Bonnie Garmus, author of the multi-million copy bestseller, Lessons in Chemistry . Previous students of our three-month online course include Heather Darwent ( The Things We Do to Our Friends ), Emilia Hart ( Weyward ), Julie Ma ( Happy Families ) and Rachel Marks ( Saturdays at Noon ). Whether you're in the early stages of writing, halfway through a first draft or embarking on a major rewrite – this course will give you the push you need to get the most out of your novel.

This course runs from 4 March to 1 July 2024.

The tuition I thought was excellent – a big shout here for Chris Wakling – and focused on writing a real book that might even get published in the real world.

Christopher Wakling

Christopher Wakling is the author of seven acclaimed novels and three adventures for children, including  What I Did ,  The Devil’s Mask  and  On Cape Three Points . Born in 1970, he read English at Oxford, then worked as a farm hand, teacher and lawyer, before turning to writing full-time in 2001. As well as writing fiction, Christopher is a travel writer for the  Independent . He is also the Royal Literary Fund Fellow at Bristol University and has tutored numerous creative-writing courses for Curtis Brown Creative and The Arvon Foundation.

Read our interview with Christopher to discover more about his writing and approach to teaching creative writing.

Read interview with Christopher

VIDEO SPEAKERS

Course modules include exclusive pre-recorded teaching videos from these expert author-tutors.

WHAT DOES THIS COURSE GIVE YOU?

• Flexible study: Teaching for this course is entirely online, meaning that you can take part from anywhere in the world, at a time that suits you. The course is delivered via interactive forum discussions with your tutor and fellow students alongside pre-recorded teaching videos on our bespoke learning platform, which we have developed exclusively for our students. The only ‘live’ elements of this course (taking place at set times) are the Zoom industry masterclasses and your one-to-one-tutorials. Timings of these sessions will always be confirmed in advance.
• A community of writers:  Our selective applications process means that you will be writing your novel in a peer group of 15 students working at a high level. Many of our former students have found trusted readers with us and formed strong working friendships that go on long after the course is over.
• Expert teaching:  Christopher will post weekly teaching notes and lead discussions on a variety of novel-writing topics on our interactive online learning platform, and set homework tasks to further your learning. Through the teaching, workshopping and tutorials, they will work with you to help you write the story you want to tell.
• Teaching videos:  In addition to the teaching from Christopher, each module will open with exclusive videos and notes covering a range of topics such as plotting, characterisation, point-of-view and editing – all written and delivered by our expert tutor team (see featured video speakers below).
• Writing workshops:  Your work will be workshopped by the group twice during the course. Workshops centre on 3,000-word extracts from your novel-in-progress, and discussion takes place on our learning platform with students and the tutor posting written comments across the week. These sessions offer in-depth feedback from your student group and tutor and are also designed to help develop your self-editing skills.
• One-to-one tutorials:  You’ll get two 45-minute, one-to-one tutorials with Christopher. Tutorials will be based on 3,000-word extracts from your novel-in-progress and will address your specific concerns and questions. Towards the end of the course, all students will also get a 45-minute one-to-one with an experienced CBC editor or a Curtis Brown/C&W literary agent who will read up to 6,000 words from your novel-in-progress plus your synopsis. Tutorials will take place via phone call or Zoom.
• Industry masterclass:  Join a special live Zoom session with a leading literary agent and an author, they will answer your questions, speaking exclusively to you about writing, editing and the submissions process, and share their experience of real-life publication journeys.
• Synopsis & agent letter advice:  We’ll give you the vital ingredients needed for a great synopsis and pitch letter. Individual feedback will come from experienced members of the CBC editorial team and/or a Curtis Brown/C&W literary agent – delivered via the learning platform.
• End-of-course submission:  All students will be invited to submit their 3,000-word novel opening, plus a synopsis, to be shared with the agent teams at Curtis Brown and C&W as well as a select group of agents from other UK-based agencies. This is not a formal submission but a chance to give the agents a taste of what you’re working on. When you are ready to submit formally – no matter how long after your course has finished – the CBC team will provide guidance and support with your submission to the Curtis Brown and C&W agents.
• Alumni services:  At the end of your course,you’ll be given access to a range of exclusive writing services, available only to the alumni of our selective courses. These services include one-to-one mentoring, full manuscript reports and submission reports on your pitch package. Read more about the opportunities available to our alumni  here .

MASTERCLASS SPEAKERS

Students will attend a special live Zoom session with a leading literary agent and an author.

COURSE SCHEDULE & DELIVERY

This course is ideal for people seeking flexibility, so they can write and study at times that suit them. Please note that precise dates of masterclass sessions and details of course speakers are subject to change.

WEEK 1 – INSPIRATION & READING AS WRITERS

Week 2 – openings, week 3 – writing from life, week 4 – story, plotting & planning, week 5 – spring break, week 6 – voice and narrative point of view, week 7 – characterisation, week 8 – synopsis, week 9 – description, tone & style, week 10 – dialogue, week 11 – building suspense, week 12 – endings, week 13 – editing and rewriting, week 14 – agent letter/pitch workshop, week 15 – course conclusion, week 16 – end of course submission, course fees.

The course fee of £1,800 (inc VAT) per student is payable, in full, by bank transfer. Funds must reach our bank account before the course begins. If you are unable to pay the full fee upfront, let us know and we can arrange an instalment plan.

READY TO APPLY?

Please apply with the first 3,000 words of the novel you’d like to work on during the course, and a synopsis of no more than a page (both need to be in the same document, as you can only upload ONE file in the application below).

The CBC team will select applicants based on the quality of the writing sample provided. The deadline for applications is midnight, end of day Sunday 4 Feb, and we will respond to applicants by Thursday 8 Feb.

We read all application material promptly after the closing date and make our selection of students within a week. However, if you require an earlier response from us in order to be able to take part in this course, please email us with full details and we will consider and respond on a case-by-case basis.

SCHOLARSHIP AVAILABLE

This scholarship, sponsored by bestselling author Gillian McAllister, will award one disabled writer a free place on our online Writing Your Novel – Three Months course. Find out more and apply by clicking the button below. Deadline Sun 11 Feb 2024.

Gillian McAllister Novel-Writing Scholarship for Disabled Writers

Three months of expert novel-writing tuition and insights from literary agents delivered flexibly. Instalment plan available. Scholarship place.