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How to Write a Reflection Paper on a Movie: 4 Easy Steps

Nov 22, 2023 | Articles

Writing a reflection paper is one of those rare cases when you get to reflect on your own feelings, ideas, and opinions. Often when you write academic papers, you have to do a lot of research work, but you should use your own opinions to a minimum. Of course, you can use your thoughts in an argumentative essay, but first you must rely on some facts, research, patterns, and so on. When you write a reflection paper, you have the opportunity to express yourself and your attitude to some problem or object of art, in this case, to a film. Writing a reflection paper on a movie is not just about describing how well the movie was shot, or how well the actors performed, or how you liked the movie plot. Therefore, we have prepared a detailed article on how to write a reflection paper on a movie and hope that after reading it you will be able to cope with this task quickly and efficiently.

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Step #1 Choosing a Movie for Your Reflection Paper

There are three options. The first option, from our point of view, is the most unsuccessful. This is when you have one specific assigned movie for which you need to write a reflection paper, and you cannot change this movie to some other one. There is no choice here, you will simply try to do the maximum in describing the film, even if it is completely uninteresting to you. And the second option is when the teacher gives you several films to choose from, and you just need to choose from this list. Because you roughly understand the direction of all these films and can decide what you think will be the most interesting to reveal in your reflection paper. You can select absolutely any film, often on a specific topic, or with a specific problem, and write a reflection paper on this film. It’s even a little more difficult, because the choice is very large. We advise you not to waste a lot of time, but to take on the first film that seems deep enough and fascinating to you. When deciding a film for a reflection paper, remember that the main thing is not how well its plot develops and how you like the actors, but how easy it will be for you to analyze it and whether it contains enough material to write a high-quality and fascinating essay. An exciting film is not always an interesting option for academic work.

Step #2 Watching the Chosen Movie with Intent

We are sure that trying to teach people to watch films may seem quite strange, because there is nothing complicated about it. The idea is that you just watch the movie from start to finish, you can make some notes, and then you write what you think about it. But we want to talk about how to watch a movie so that later there is no need to return to it again and immediately write a rather deep and successful reflection paper on a movie. First, be sure to watch the movie with a notebook and take lots of notes. We recommend using an old school notebook, that is, pen and paper. Because if you take notes on your phone, you will definitely be distracted by some notifications, social networks and the like. For the same purpose, we advise you to watch the film not at once, but to divide it into two or three significant pieces, such as the beginning, the climax, and the conclusion. Or simply divide the viewing time into half an hour. Because it’s very difficult to focus for two or two and a half hours. It is much better if you watch the film very intently, but in less time. This way you can see more interesting twists, write down more quotes, and it will be easier for you to write a reflection paper on a movie efficiently and quickly.

Step #3 Preparing to Write a Reflection Paper on a Movie

How quickly and efficiently you write an essay depends on how well you prepare for it. At this stage, write down the main ideas of the key insights and messages that you want to reflect in this reflection paper. Do a little research about the film, such as the background of the director, screenwriter, and producer. See if this film has any adaptations for Indian or Korean cinema. Read, maybe this film is based on real events, or based on some book. You don’t need to watch all the adaptations, or read the book. But the received information will help you write a deeper essay and will give you fascinating ideas that you can implement in this reflection paper. During the preparation process, be sure to take notes with references. This will help you quickly structure the work cited page for this essay and add citations inside the paper.

Step #4 Structuring and Writing a Reflective Essay on a Movie

When structuring your essay, you should first summarize what the movie is about in a few sentences. Present a clear thesis statement that outlines the focus of your reflection. Then you need to divide the analysis into several parts that will cover themes, personnel connections and key turning points in the film. If you describe these three parts, you can consider that you already have a fairly high-quality and deep essay. When you write this analysis, you must understand that in the end it must correspond to your primary thesis statement. You once again rewrite this thesis statement as conclusions, based on the analysis you did above. Do not try to invent some new structure for a reflection essay on a movie, because your professor expects from you exactly the same sequence that we have now described.

Don’t forget to leave time for final polishing, namely proofreading and editing. We advise you to make the most of available services on the Internet, such as Grammarly or Hemingway. This will help you avoid mistakes that can detract from the grade of a well-written essay despite good content.

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April 12, 2018

Reflective Essay

Reflective Essay  

 Effy Mitchell 

In this essay I will reflect on my production work throughout semester one discussing how these tasks alongside wider reading helped me to develop my production skills and wider understanding of working on film and television projects. 

‘Location scouting involves finding the best location, all things considered – and there is a lot to consider’ – Maier (1994, xii). Choosing and acquiring access to a location is a process of elimination based on various factors which I will discuss in this section of the essay (Maier, 1994) .  Accessibility is a vital part of choosing a location.  Shooting locally can save travel costs and prevent the crew being tired out from long hours spent driving to locations (Rahmel, 1994). Both locations I chose, the Hawthorn Leslie and Pelaw train tracks were local to me as I do not live in York and this personally meant low travel costs and easy access for location photos.  The level of exterior accessibility you need will be dependent on the size of the production for example a large scale film like   Fi ght club  would need a lot of space around the location as well as the location itself. I took this into consideration and with both locations being in fairly quiet and cordoned off abandoned places there’s a lot of space around them for parking. ‘ Governments can make film crews jump through seemingly unnecessary hoops ‘ – shoot factory, 2015. This as well means that we do not have to inform anyone who lives close by, local councils or re direct traffic which will save budget as we won’t have to pay for any permits or for anyone to re-direct traffic.   

Sound conditions internally and externally are something to consider as a microphone can pick up much more than the human ear (Rahmel, 1994).  The Hawthorn Leslie has no power and is the only structure on its side of the street backing onto a river. The Pelaw train tracks back onto countryside and go on for a couple of miles which means noise pollution internal and external in both locations will be minimal as there won’t be noise disruption from traffic or from things like air conditioning.  

‘This process must start early and happen quickly because it can be a long and intensive one ‘ – Rizzo ( 2013,P43). Building a relationship with the people who own the location is important and this is the key to being able to access any location, but business owners tend to be most concerned with liability (Maier, 1994) so you must have an appropriate approach depending on who you are working with. Leading with risk assessments and your safety procedures is a good idea with business owners especially with a derelict site. Arranging a deal with the owners of the sites will probably take time to establish so being in contact with them early on in the process is probably a good idea and is why location scouts are brought on so early in the process ( Chegg, 2017). 

As I have visited both locations before I was already aware of some the potential health and safety issues prior to scouting these are something to keep at the forefront of your mind. ‘The way to stay safe is to look at each shooting set up or location individually and think of what exactly could go wrong ‘ –  Moving Image Education ( 2018).  Issues can be identified with risk assessing, SWOT analysis and with help from the owners of the site (in our case A&P construction company) to ensure everyone’s safety which is vital.  

The location also needs to be appropriate for the story ( McDowell, 2017 ) for instance, the paper street house needs to be large enough to accommodate for the fact that at one point there are supposedly 20+ people living and have enough exists so that the narrator and Tyler can never be in the same room in front of Marla. Being aware of what specific creative details a location needs a film has based on what the director wants ( Maier, 2018) is integral part of being able to find an appropriate location that can then accommodate those need. 

‘Creating a script breakdown is about identifying various elements in a scene to better understand its shooting requirements’  – Studio Binder (2016). I chose a section of script from the film  Lady Bird  to work on, I chose this film because I was familiar with it and it had a variety of interesting but not overly complicated scenes for me to work on including in my script and storyboard.  

Through this task I learnt that there are many different processes to prep a script one of which is colour coding which can be useful for all members of the crew. You have to through each page looking for elements that are important ( Renee, 2016) for example I used purple to point out any object which was prominent in the scene or used by an actor which is useful to the art department, camera department and the cast. One scene had a stunt in it which consisted of Lady Bird rolling out of a moving car which required an orange highlight which is important for the whole crew to know about. Colour coding can let everyone know quickly and efficiently what each part of the script requires without covering it in wordy notes or memorising it.  

Script tramlines are used so that at a quick glance the crew can see what has and hasn’t been shot, How each scene is being shot, who is in each scene and how the script relates to their job on set. Lined scripts can also be useful for editors to give them a quick view of all available coverage at a glance ( Clarke, 2016). In summary tramlines can be useful to everyone in the production process to help everyone can make quicker decisions and for things to run smoother on set.  Script tramlines are vertical lines usually drawn in red ink which correspond with camera shot information. At first I ran into some difficulties as there are many camera shots for each piece of dialogue in the script but after some research and trial and error I figured it out. On reflection I understand how they would be useful for the camera department who could then look at the script to be able to follow how they should be shooting each part of the action as oppose to having a separate shot lit solely to work off of.  

A storyboard is at the basis of any good production. It helps string the scenes and the story together. It is a visualisation on paper. – Woodsman (2016). Storyboarding was challenging for me as I am not a very good artist, so I focused on the story board being simplistic and easily readable as it would have to be understood by many members of the crew.  I was aiming for a ‘shooting board’ which as the title suggests reflects the camera angles that are suitable for the cinematographer to use as reference ( Jew, 2013).  Story boards can be elaborate or as minimal as the film calls for but long as the layout of the location, camera angle and positioning of cast is correct the story board is usable.  

‘Light will enhance or diminish the efforts of the all the people who create sets, the costumes and the make up’ – Malkiewicz (2012 p2). This was a group task where we shot a scripted scene in the studio.  My role was lighting assistant. I discovered that the relationship with the director and other crew members is important since my role mainly involved collaborating with the other people to achieve the directors vision. Since we worked so closely with the director during the pre-production process the filming process ran quite smoothly and there were no discrepancies that got in the way of filming. Although there were some minor issues on the day I will discuss later. 

Bauman when interviewed by O’falt ( 2018) talks about how when working on  Phantom Thread  due to the low levels of light there had to be a longer experimentation period which we also encountered. We began by setting up many different kinds of lighting around the set using different filters, kinds of lights and positioning of lights to trial various ideas our director had. One of the methods we tried was creating our own filters for the blind effects but I found this very difficult as it was hard to mimic the clean lines that the shadow of the blinds create by hand. However it was still a useful technique to learn. Malkiewicz (2012) describes lights as paints in a painter’s pallet since lighting can completely change the tone or mood of a story. We wanted to do low key lighting to make the atmosphere cold and dark creating lots of shadows to fit with the tone of the story.  

An issue we faced was forgetting to note down the order in which the gels where on the light and the exact colours we used which cost us time on the second day of filming and could have caused continuity errors. Reflecting on this I learnt that balancing the creative elements and the technical elements like properly recording how each light was set up is important to remember.  

”what you do not see is as important as what you do see’  Malkiewicz (2012 p2). Throughout filming we had to make further adjustments because of things like the lights being directly in the actors in eyelines, shadows on faces and lights being able to be seen on camera. There was a light behind the door for instance which was accidently in shot that we had to move because it meant the actors could not open the door properly without it being scene. I worked alongside the production designer to solve these issues and find out the set and lights would affect one another. 

Being a Gaffer requires strong technical knowledge as well as a creative mind for how the lights will be set and adjusted and which ones are most appropriate for what the director wants (Brinkhaus, 2010). We worked with the techs to develop our technical knowledge and to help us make decisions on what kinds of lights we should use based on our requirements. We worked on doing as this safely as we were using high powered lights that can get incredibly hot and a heavy light falling into a set or crew member could be disastrous. One of the safety issues we had was the gels staying on the lights as we had multiple layers of gels on one light to achieve a specific shade of orange. We solved this by using clips instead of tape as they were sturdier. 

For the group live task we got the opportunity to film a live performance at the York theatre royal. My role in the group was assistant floor manager. The floor manager essentially liaisons between director and crew members and manages what happens on the floor (Newby, 1997) so effective communication is key.  Since we were working a big space and spread out two were required for the filming of the event. It was useful to have multiple people to oversee the area so tasks can be carried out quickly rather than one person running around between everyone especially on bigger productions. The director having briefed everyone beforehand meant that everyone knew what was expected of them on the night and we knew how the filming was supposed to run. However during filming the director and producer often can’t see all aspects of the studio from the gallery so it’s the responsibility is that of the floor manager to keep the them informed to enable them to make quick decisions when needed ( Utterback, 2016). 

You need to have a full overview of how everything is supposed to run and the skills to understand everyone in your crew and their cues coming through the intercom system in order to keep things running smoothly ( Utterback, 2016).  On the night we ran into the issue of the walkie talkies not working. Which meant during half time we had to go in person during half time to communicate with the crew. I learnt from this that effective communication is vital during a live task as when the walkie talkies cut out this meant the producer and floor manager couldn’t do their job effectively. The floor manager in many cases is also responsible for health and safety during filming (Utterback, 2016) as they have a full overview of what’s going on, every member of our crew had to be briefed on health and safety before filming at the theatre royal however it would be my responsibility to inform everyone if something were to go wrong.  

 A floor manager can have large range of tasks that varies depending on the kind of production, but they usually work with the crew and in some cases the talent ( Carr, 2016). My main task was to collect and label the memory cards for the camera operator at the end of the night, I had to label the cards A & B so that the editor knew which footage would be on each card. In order for a live filming event to run smoothly everyone has to do their job correctly so it doesn’t create a knock on effect for example mislabelling the cards would of created confusion for the editor.  There was some minor issues on the night such as one of the cameras briefly cutting out but this was quickly dealt with the help of the tech’s. Overall the filming went well and everyone worked effectively as a team and filming a live event was a good opportunity for everyone to work on a real event and gain some experience. 

For this task I wrote  an Essay on the short film  Mas o K is sed     which is a film produced by second year students for the 48 hour film challenge. I evaluated the film whilst taking into consideration its form and production criteria which consisted of the 48 hour time limit and the two genre’s which had to be implemented which were comedy and horror.  

To evaluate the film fairly I researched the short film form to better understand what makes a good short film and what their structure is like compared to feature film. I did this by reading interviews by with established short film makers from SXSW ( O’falt 2016) and watching some short films such as  I love Sarah Jane  . This research then gave me something to compare  Masokissed     too and helped me understand why they made certain decisions. For instance putting the audience right in the centre of the story with no introductions (O’falt 2016)  is a good idea because ‘You never have enough time to tell your entire story ‘ –  Hodge interviewed by O’falt ( 2016). Which I discovered makes the audience ask a lot of questions and continue watching whilst also saving screen time . 

 I think you’re on the wrong track if you don’t choose a story that you have some personal connection with’ – Munroe (2009, P8). I had to find out what makes a bad short film so it gave me some idea of the criteria I was marking this film up against. According to Jollard (2016) some short film cliché’s include writing none personal stories that have been told many times. Authenticity seems to be an important part of a short film as they only have a short amount of time to make an emotional connection to the audience.  

‘ Horror abounds with pragmatic aesthetics’ – Sipos (2010, P28. )I then had to look at the technical choices the team made like lighting choices, camera angles and use of location and how they related to their story and genre. I mainly used wider reading into the horror genre and the  short form itself to give depth to my analysis of  Ma sokissed . An issue I encountered was having to make a lot of assumptions based on what I saw on screen as I was not involved in the production.  The consequence of which are that some of my points may not be entirely accurate for instance I assumed that using members of crew as actors was due to the time constraints when it could have been a more conscious choice as they may have acting experience. This however gave me an impartial point of view which made my evaluation quite fair. Overall with this essay I attempted to use research and evidence from the film to make informed opinions about the film this group produced.  

‘ I would view sound design more as the process of creating new sounds either from scratch or by heavily manipulating existing sounds’ – Langford (2014, P3).  In this assignment we were tasked with creating the sound for one of a few selected video clips. By either creating our own foley or using sound clips from online sound libraries like ‘ Freesfx.co.uk ‘. I ended up using mostly hard effects from these libraries for things such as the dropping of objects in the supermarket. I have very little experiencing editing at all so I found this task particularly challenging however I did complete the task and now know my editing skills are an area I need to improve upon.  

I chose a clip from  Go  (1999) because I hadn’t seen the film before and thought it was quite funny. I tried to emulate this humour with my choice of music (  Shut  Me up  by M.S.I) that was kind of ridiculous and exaggerated like the whole scene itself. The music also contrasted against the clip and which I think is similar to how the characters actions contradict their very mundane appearances and environment. I chose the music to drive the scene as too many sonic elements could be confusing ( Fougner, 2013) and too much when paired with the action on screen. I used ambience to create the soundscape of the supermarket and had to think about what kind of noises you would here there like the checkouts and other customers.  

A challenge I encountered was finding sound clips to match the noise of things being taken off of the shelves and put into the girl’s pockets as there were no specific noises for that as well as things falling onto the floor out of frame as I had to guess when they would hit the floor and hope it seemed realistic. Creating my own sounds could have been a solution for this. However, I ended up using things that sounded right even if they weren’t accurate for example I used the sound of leaves falling for the sound of the green beans being thrown up into the air. I did struggle with the volumes of each sound clip as some clips ending up drowning out other sound effects I used which made the soundscape seem really flat especially when the music came in. Layering sound is an important part of creating a soundscape (Powell, 2015) and a skill I need to develop as every sound should be heard / at the right volume for the clip.  

To conclude I think both my practical skill development and wider reading contributed to my personal development as a filmmaker throughout this semester. I was not entirely successful in all of my tasks however I did reflect on these mistakes to not make them again in the future. There is a great deal of personal, creative, technical and theoretical knowledge that needs to be combined in order to be successful in production and I will continue to develop these skills in my work at university.  

Bibliography  

Bauman, Micheal interviewed by O’fault, Chris. 2018.  How Paul Thomas Anderson Dirtied-Up ‘Phantom Thread’ to Avoid the Polish of ‘The Crown’. [ Website Article]. Available at: http://www.indiewire.com/2017/12/phantom-thread-paul-thomas-anderson-cinematography-1201909965/. [ Accessed on 10.04.2018]. 

Brinkhaus, Andrew. (2010). The role of a Gaffer . [ Website Article]. Available at: https://cinematography.wonderhowto.com/news/role-gaffer-0114468/. [ Accessed on 10.04.2018]. 

Carr, Tim. 2016). Meet the this morning team – Floor manager Tim Carr.  [ Youtube Video]. Available at: https://www.youtube.com/watch?v=qb61rQr30y8. [ Accessed on 04.10.2018]. 

Clarke, Amy. ( 2016).  How to line a film script . [ Website Article]. Available at: https://www.amyclarkefilms.com/blog/how-to-line-a-film-script. [ Accessed on 10.04.2018]. 

Chegg. (2017).  Location Scout.  [ Website article]. Available at:    http://www.chegg.com/career-center/explore/location-scout. [ Accessed on 10.04.2018]. 

Fougner, Jon. (2013).  [ Website article].   8 Tips for Making Your Film Sound Great from the Industry’s Top Sound Designers and Execs. Available at:  http://www.indiewire.com/2013/02/8-tips-for-making-your-film-sound-great-from-the-industrys-top-sound-designers-and-execs-41471/. [ Acessed on 11.04.2018] 

Go . (1999). [ Film]. Directed by Doug Liman. Las Vegas, Banner Entertainment.  

I  Love Sarah Jane.  ( 2008). [ Film]. Directed by Spencer Susser. Australia, Aquarius Films. 

Jolland, Stephanie. ( 2012). 7 Rules for writing short films. [ Website article]. Available at: https://www.raindance.org/7-rules-for-writing-short-films/. [ Acessed on 11.04.2018].  

Lady Bird.  (2018). [ Film]. Directed by Greta Gerwig. Sacramento, California. A24. 

Langford, Simon. ( 2014).  Digital Audio Editing.  Oxon, Focal Press. 

Fight Club . (1999). [ Film]. Directed by David Fincher. California. Regency enterprises.  

Maier, Robert .  (1994) .  L ocation   scouting and management handbook .  Newton, Focal Press. 

Malkiewicz, Kris. ( 2012).   Film Lighting: Talks with Hollywood’s Cinematographers and Gaffers . New york, Touch Stone. 

Massokissed . [ Film]. Directed by Sam Gladstone. York, Socks and sandals Films.  

McDowell, Alex. ( 2017).  Alex McDowell Design Manchester . [ Youtube video]. Available at: https://www.youtube.com/watch?v=NsgJHrLFf5k. [ Accessed on 04.10.2018]. 

Moving Image Education. (2018).  Health and Safety. [ Website article].  Available from: https://movingimageeducation.org/create-films/production/the-production-department/health-and-safety/ [ Accessed on 10.04.2018].  

 Munroe, Robert. (2009).  Ho w  not to make a short  film.   New York, Harper Collins. 

Newby, Julian. (1997)   Inside Broadcasting.  London, Routledge. 

O’falt, Chris. ( 2012).  SXSW 2016: What is the key to writing a good short film script.  [ Website article ]. Available at: http://www.indiewire.com/2016/03/sxsw-2016-what-is-the-key-to-writing-a-good-short-film-script-58016/. [ Accessed on 11.04.2018].  

Powell, Dan. (2013).  5 Independent Films  With  Great Sound  Design .[ Website Article]. Available at: https://www.raindance.org/5-independent-films-with-great-sound-design/. [ Accessed on 11.04.2018]. 

Rahmel, Dan. (2013).  Nuts and Bolts Filmmaking: Practical Techniques for the Guerilla Filmmaker.   Burlington, Focal press. 

Renee, V. (2016).   A Step-by-Step Guide to Breaking Down a Script for Production.  [ Website article ]. Available at: https://nofilmschool.com/2016/02/step-step-guide-breaking-down-script-production. [ Accessed on 10.04.2018]. 

Rizzo, Michael . (2013) .  The Art Direction Handbook for Film . Burlington, Focal Press.  

Shoot Factory. (2015).  ESSENTIAL INFORMATION FOR BECOMING A FILM LOCATION SCOUT.   [ Website article]. Available at: http://www.shootfactory.co.uk/essential-information-for-becoming-a-film-location-scout/. [ Accessed on 10.04.2018].  

Sipos, Thomas. (2010).  Horror Film Aesthetics: Creating the Visual Language of  Fear. North Carolina, Mcf arland and Company  inc.  

Studio Binder. ( 2016).  How to Break Down a Script . [ Website Article]. Available at: https://www.studiobinder.com/blog/free-script-breakdown-sheet/. ( Accessed on 10.04.2018). 

Jew, Anson. (2013) .  Professional Storyboarding: Rules of Thumb.  Burlington, Focal press. 

Utterback, Andrew. ( 2016).  Studio Television Production and Directing: Concepts, Equipment, and Procedures.  New York, Focal press. 

Woodsman Film Company. ( 2016).  The importance of storyboarding in filmmaking.  [ Website article]. Available at: http://www.thewoodsmanfilm.com/importance-storyboarding-filmmaking/. [ Acessed on 10.04.2018].  

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January 5, 2019

3MD004 – Production Design and Cinematography

48 film challenge evaluation, 2md001 – portfolio.

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Lights, Camera, Reflect: The Art of Crafting Movie Summaries

Introduction

In our fast-paced world, filled with an abundance of visual narratives and stories, reflection papers stand as a beacon of deeper understanding and personal connection. Think about the countless movies you've watched, the books you've read, the interviews you've encountered, and the academic courses you've undertaken. Each of these experiences can leave an indelible mark on one's soul, but how often do we truly stop and reflect on them? That's where the art of reflection writing comes in, allowing both students and film review professionals to bridge the gap between passive consumption and active introspection. From academic assignments in film and theater studies to personal reflection projects on a poignant movie or a transformative course, reflection papers have found their unique niche in the realm of academic writing, film analysis, and beyond.

Reflection Paper Definition

What is a reflection paper.

A reflection paper is a unique blend of personal experience and academic tone. Unlike mere summaries or reviews, reflection papers typically dive deep into an individual's emotional and intellectual response to a topic, whether it's a movie plot, a course topic, or a book's core idea. It's an opportunity to relate personal experience, alter beliefs or thoughts, and evaluate the strong and weak points of the subject matter.

How is it different from regular reviews or summaries?

While reviews often hinge on evaluating the quality or effectiveness of a piece, using criteria set by viewer attitude or professional standards, reflection papers incorporate the student's point of view and personal experiences. Summaries, on the other hand, focus solely on providing a concise overview of the material. In contrast, reflection papers go beyond the surface, often delving into how the material influenced the main idea or evoked personal feelings.

Why Write a Reflection Paper on a Movie?

Movies are more than just a source of entertainment; they are a reflection of society, a mirror to our souls, and a powerful medium that can subvert genre expectations and provoke thought. When we watch a film, we aren't just passive observers; we engage, relate, and often see fragments of our own stories within the narrative. Writing a reflection paper on a movie provides an avenue to articulate these connections, to explore the intricacies of character development, plot twists, and overarching themes. It pushes one to not just appreciate the artistry of filmmaking but to critically analyze and reflect upon its impact on our beliefs, emotions, and worldview. In essence, it transforms a casual viewer into a reflective critic, fostering a deeper appreciation and understanding of the world of cinema.

Writing Tips for an Effective Reflection Paper

Reflection papers offer a unique blend of personal insight and academic analysis. Crafting a well-written reflection paper involves introspection, critical thinking, and clear articulation of thoughts. While the essence of the paper should be genuine and personal, there are certain guidelines and writing tips that can elevate your reflective essay writing. Here's a roadmap to guide you:

Start Your Reflection Paper

Setting the right tone from the outset is pivotal to drawing your readers into your world of reflection. Here's how you can kickstart your reflective journey:

• Engage with a Hook: Begin with a compelling anecdote, question, or observation related to the movie or topic you're reflecting on. This should capture the essence of your reflection.
• Relate Personal Experience: Highlight a personal connection or emotion tied to the movie plot or character. This offers a window into your unique perspective.
• Outline Your Main Idea: Clearly state the core idea or the main takeaway you want the reader to grasp by the end of your paper.

Reread, Rewrite, Edit

An effective reflection paper is not just about pouring your thoughts onto paper, but ensuring those thoughts are clear, concise, and well-articulated:

• Reread for Flow: Once your initial thoughts are down, read through your paper to ensure ideas cross smoothly from one to another.
• Rewrite for Clarity: Reframe sentences or paragraphs that seem convoluted or detract from your main point.
• Edit for Precision: Pay attention to grammar, punctuation, and writing style. A polished paper not only reflects your thoughts but showcases your dedication to the writing process.

Subverting Genre Expectations

Cinema is an evolving art form, and sometimes movies subvert genre expectations, challenging our preconceived notions. Addressing these nuances in your reflection can offer a deeper layer of analysis:

• Identify the Unexpected: Note moments or elements in the movie that seemed out of place for its genre or challenged typical conventions.
• Analyze the Purpose: Reflect on why the filmmaker might have chosen to deviate from the norm. Was it to create a specific emotional response, convey a unique message, or perhaps offer a critique?
• Connect to Personal Reflection: Relate how these unexpected elements influenced your perspective or emotions. Did they enhance your viewing experience, confuse you, or prompt deeper thought?

By incorporating these tips into your writing process, you'll be well on your way to crafting a reflective paper that resonates with readers and offers a rich analysis of your chosen topic.

Reflection Paper Format

When it comes to crafting a reflection paper, it's essential to maintain a structured approach while allowing room for personal insights. Here's a standard format to guide your reflection writing:

• Introduction: Begin with a brief overview of the subject – be it a movie, a book, or any other topic. Share a hint about your personal reaction or main takeaway.
• Personal Reaction: Detail your immediate reaction or feelings after engaging with the subject.
• Analysis: Dive into the reasons behind your reactions. Discuss the elements of the movie plot or themes of the book and relate them to your personal experiences.
• Evaluation: Critically assess the work. Were there strong or weak points? How did it alter or confirm your beliefs or thoughts?
• Conclusion: Sum up your reflections, drawing connections to the broader context. Maybe relate it to a larger theme, societal issues, or personal growth.

How to Write a Reflection Paper: Step-by-Step

Crafting an impactful reflection paper involves a thoughtful process. Here's a step-by-step guide to help you navigate through it:

Choose a Topic

Every reflection starts with an experience or a subject. Whether you're focusing on a current film, an academic course, an interview, or even a book, ensure that it's something that resonated with you or sparked a significant reaction.

Write a Reflection Paper Outline

Organizing your thoughts can make the writing process smoother and more coherent. Here's a basic template to help:

• Subject of reflection
• Personal initial reaction
• Personal Experience: How you relate to the subject
• Analytical Thoughts: Dissecting the topic, drawing parallels, critiquing aspects
• Broader Connections: Linking to broader themes or societal observations
• Personal growth or future reflections

Drafting the Reflection

With your outline as the backbone, start fleshing out your thoughts:

• Be Genuine: Reflective essay writing thrives on authenticity.
• Be Descriptive: Paint a vivid picture of your experiences and reactions.
• Maintain Academic Tone: While personal, strive for a balance between casual narration and academic writing.

Revise and Finalize

Even the most experienced writers don't get it perfect the first time:

• Proofread: Look for grammar, punctuation, and spelling errors.
• Review for Flow: Ensure ideas transition smoothly and maintain a cohesive narrative.
• Seek Feedback: If possible, have someone read your paper to get an external perspective. Their insights might help you see areas for improvement.

Remember, reflection papers are as much about the journey of introspection as they are about the final piece. Embrace the process, and your genuine insights will undoubtedly shine through.

Reflection Paper Examples

Navigating the landscape of reflection papers becomes simpler when you have examples to guide your way. Here are some samples to illuminate the process:

Free Reflection Paper Example

Movie: The Shawshank Redemption

After watching The Shawshank Redemption , my initial reaction was an overwhelming sense of hope. The film, set against the backdrop of a prison, beautifully captures the essence of friendship, resilience, and redemption. What stood out to me was Andy Dufresne's unwavering spirit. Even in the darkest corners of Shawshank, he found ways to breathe life and hope, be it through music or his secret escape plan. The movie serves as a poignant reminder that freedom is a state of mind.

Reflection Movie Review Samples

Horror: Get Out

Jordan Peele's Get Out is not just a horror film; it's a chilling commentary on racism. The movie subverted my genre expectations, using horror tropes to emphasize the real-life terror of racial prejudice.

Romantic Comedy: Crazy Rich Asians

Reflecting on Crazy Rich Asians , I'm struck by its dual narrative. On one hand, it's a delightful rom-com with lavish parties and heartwarming moments. Yet, it also delves into the cultural clashes and the burden of family expectations.

Varieties of Reflection Papers

Reflection papers aren't just confined to movies. Their versatility spans across books, interviews, courses, and more.

Reflection Paper on a Book

When writing reflections on books, it's vital to combine your emotional responses with an analysis of the plot, characters, and themes. Relate personal experiences that resonate with the book's events or messages.

Reflection Paper on an Interview

Whether you've conducted a personal interview or watched a famous one, your reflection should capture the essence of the dialogue, the emotions evoked, and any newfound insights or learnings.

Reflection on a Course

Reflecting on academic courses involves summarizing the content while weaving in personal experiences. Discuss the course's impact, its strong and weak points, and its influence on your academic or personal growth.

Critical Reflection Paper

A critical reflection goes beyond surface-level observations. It delves deep into analytical thought, questioning assumptions, and challenging established norms. It's about viewing the subject from multiple angles and offering a well-rounded perspective.

Self-Reflection Papers

Distinct from other reflection papers, self-reflection papers focus inward. They're introspective examinations of personal experiences, growth, and future aspirations. Such papers allow you to contemplate life events, decisions, and milestones, offering a platform for self-awareness and growth.

Reflection papers, whether on movies, books, or personal experiences, offer a powerful medium for introspection and analysis. They're not just summaries; they're personal journeys interspersed with analytical thought. Whether you're reflecting on a blockbuster movie or an

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How to Write a Reflection Paper on a Movie

Students have to write a great variety of academic papers. They have various purposes, and it makes them unique. A certain piece may become your favorite assignment of the worst nightmare. Some students struggle with writing a reflection paper on a movie. It demands to clearly explain the main purpose and the general atmosphere of a certain piece of cinematography. You should focus on a certain motif that has provoked certain feelings and emotions in you. The task is surely interesting.

In the meanwhile, students may not be able to clearly reflect their thoughts on paper. Even if they understand everything, they struggle, and it inevitably leads to a loss of vital grades. Some folks request professional help from custom writing websites whose experts may write papers for you . For sure, you will need to find and pay someone online. However, you should not consider this solution as the common way out. It can be used when you don’t have any other possibility to handle this and other academic tasks. Therefore, we propose to read this informative guide attentively. It describes how to write a flawless reflection paper on a movie.

Treat It as a Literature Piece

You have surely written multiple reflection papers on books, literary analyses, book reports, and reviews. They are quite similar to a reflection paper on a movie. You should reconsider everything you have seen on the screen. However, a reflection project differs a bit. You should not retell the entire plot. The main task is to choose one theme and stick to it.

For example, you have chosen to reflect Joan Rowling’s Harry Potter and the Philosopher’s Stone. The movie involves various themes, and the theme of love is one of them. You can choose it as your topic. The theme of love is regularly met in most literature pieces and movies. It is “eternal,” and people always discuss how and why it appears, as well as what does it mean. According to the movie, the love of Harry’s mother had rescued his life when he was only 1 year old. It has destroyed the body of an evil wizard called Voldemort. As Harry turned 11, he faced the wizard once again, and though his mother died, her love rescued him again. The evil wizard felt no love at all, and it was his greatest weakness that did not allow him to prevail. You can reflect on the feelings and emotions you felt when the theme of love appeared in the movie.

Of course, you ought to watch the movie at least once. It’s good if you are allowed to choose what movie to describe. You may choose any well-known piece because you know everything about it. In case you are assigned a movie, you should find time to watch it.

It’s not easy to comprehend everything from a single review. If you have additional time, watch it at least twice. Focus on a concrete topic and develop it in your reflection paper.

Take Notes Instantly

A smart student always takes instant notes on the matter. Not all students have a good memory , and even the best of us may forget about something vital. The outcomes may be adverse, and the lacking element may deprive you of many grades. Therefore, take notes while you watch the movie.

Sometimes it is very hard to remember what feelings you experienced during the review. Their brightness withers away, and your reflection may lack reality and fullness. If you record them instantly, you will avoid this problem

Gather All the Possible Facts on the Topic

It’s vital to do some research. This common rule is applied to any scientifically-based project. However, a movie reflection paper is not a reflection of the entire story. Some unknown facts may shed more light on the motif you have chosen. Give heed to –

The cast; Historic events; Locations; Characters of the main heroes; Critics, etc.

Perhaps one actor refused to play the role, and his substitute wasn’t convincing. Thus, you may write: “If Anthony Hopkins played this role, the movie would have been much better because he perfectly shows empathy.” You may also write something like this: “Due to the historical period the movie involved, I’m not convinced that the motif of racial equality suits the plot.”

Do Not Repeat the Story

Many students repeat the same error – they retell the whole movie plot. We remind once again – a reflection paper on a movie focuses on a certain theme and does not retell the plot entirely. You can mention the scenes that are closely related to the chosen issue. You should not –

Retell the plot from the beginning to the end;

Pay attention to costume design;

Dwell upon music supervision;

Mention the lighting, visual support, etc.

Remember that you should avoid critique of the entire piece.

Have a Plan and Follow the Structure

It’s logical and effective to create an outline of your project. It makes you disciplined and organizes the whole process of writing.

The typical outline includes:

Introduction . The part where you familiarize your reader with the movie and explain why you have chosen a certain theme.

Main body. It develops the thesis statement, provides concrete examples from the movie, and justifies your choice.

Conclusion . Summarizes the job done and interprets the outcomes.

Additional tip: Set strict deadlines to control your time.

Edit and Proofread

The last stage of your reflection paper on a movie is to revise it several times. Thus, you increase the chance to avoid unwanted mistakes. A revision stage helps to check:

Grammar; Spelling; Punctuation; Style; Word choice; Plot development; Clearness of delivery; Readability, etc.

Keep in mind the tips and tricks we have mentioned in our informative guide on writing a reflection paper . They are universal and will surely suit whatever movie you need to reflect. Use them wisely, and you will sufficiently increase your chances to enjoy success and get an A+ grade.

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Take a breath. Take a deep breath. Those of us who have the luxury of taking breathing for granted get to choose when we think about drawing air into our lungs—to center our thoughts, to relax, to sing, to blow up a balloon, to run. For people with lung diseases like cystic fibrosis (CF), every breath is a struggle, a triumph, and a painful reminder that it may be the last. 

Just a few decades ago, the life expectancy for those born with CF was 10. So it is only recently that people like the teenagers with CF in “Five Feet Apart” lived long enough to truly understand their disease and their limitations. 

Stella (a radiant Haley Lu Richardson ) checks into the hospital for help with an infection as though it is her second home. The medical staff are all old friends, especially Barb ( Kimberly Hebert Gregory ), a compassionate nurse. Stella knows all the routines and she knows what to bring for comfort, including her stuffed panda, the laptop she uses for her vlog updates about living with CF, and the pictures from her bedroom wall.

Stella knows that her best case scenario, a lung transplant, may only work for five years, but in the CF medical relay race, the best case scenario is always just to last long enough for better treatment to be invented.

In the meantime, Stella knows that her best coping mechanisms are feeling in control of her “regimen” of care, organizing the meds cart, taking her pills with chocolate pudding, and visiting the babies in the neonatal intensive care unit.

Her best friend Poe ( Moises Arias ) is back in the hospital, too. And so is Will ( Cole Sprouse ) another teenage CF patient, there to receive an experimental drug. While Stella is ultra, even hyper-cooperative in her treatment, hoping to be able to get the lung transplant, Will is a cynic and a rebel, in part because his prognosis is not as hopeful. Even if the medication is successful, the B-cepacia infection has made him ineligible for a transplant. Stella presses him to keep up with his regimen, and he agrees if she will let him draw her.

Love stories always have to have a reason to keep the couple apart and in this case, that means literally apart. Because of their vulnerability to infection, CF patients have to stay at least six feet from each other. They are like Romeo and Juliet if the Montagues were bacteria and the Capulets were a set of new lungs.

Latex gloves, no touching, and six feet between them at all times. As Stella falls for Will she says, “After all CF has taken from me, I don’t mind stealing one foot back.” And so they have a date, still within the walls of the hospital (apparently hospitals have swimming pools) using a five-foot pool cue to measure their distance. And then, because they are teenagers, they take some very big risks.

It is tempting to dismiss this story as “sick-lit” but director Justin Baldoni balances the compelling specifics of CF with the larger questions we all face about creating meaning in a world of uncertainty and loss. And he does it with two gifted and appealing young stars, especially Richardson, whose exquisitely expressive face shows us every hope, fear, hesitation, regret, and longing Stella is feeling. 

Baldoni clearly learned a great deal from his “My Last Days” television series documenting the lives of terminally ill people, including a teenager with CF, and he shows sensitivity and insight in exploring these issues within a fictional story. He makes the most of the way he uses the hospital setting, the atrium lobby with its drab, sturdy institutional furniture. As Stella and Will fall in love, it seems warmed by their tenderness and excitement.

Even healthy young people can die. Illness can devastate families, emotionally and financially. It is scary to love someone and it can be even scarier to let someone love you, especially when you are embarrassed by your scars. We all try to find a way to feel in control of something, whether it is by lining up pill boxes on a meds cart and doing what we are told or by putting an “Abandon all hope ye who enter here” sign on a hospital door and ignoring good advice. “We don’t have time for delicacy,” one character says, in their case because they may not live a “normal” lifespan, but in reality, films like this remind us we could all do better at making sure we get the most from the time we have.   

Nell Minow is the Contributing Editor at RogerEbert.com.

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Film credits.

Five Feet Apart (2019)

Rated PG-13 for thematic elements, language and suggestive material.

116 minutes

Cole Sprouse as Will

Haley Lu Richardson as Stella

Moisés Arias as Poe

Kimberly Hebert Gregory as Nurse Barb

Parminder Nagra as Dr. Noor Hamid

Claire Forlani as Meredith

• Justin Baldoni
• Mikki Daughtry
• Tobias Iaconis

Cinematographer

• Frank G. DeMarco
• Angela M. Catanzaro
• Brian Tyler
• Breton Vivian

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Reflection Movie Reviews Samples For Students

28 samples of this type

No matter how high you rate your writing abilities, it's always a worthy idea to check out a competently written Movie Review example, especially when you're dealing with a sophisticated Reflection topic. This is exactly the case when WowEssays.com directory of sample Movie Reviews on Reflection will come in handy. Whether you need to come up with a fresh and meaningful Reflection Movie Review topic or survey the paper's structure or formatting peculiarities, our samples will provide you with the required data.

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Critic’s Pick

‘Reflection’ Review: Through a Looking Glass of Horrors

The film, set against the backdrop of fighting in the Donbas region in 2014, would be bracing and haunting even if it weren’t so timely.

• Share full article

By Ben Kenigsberg

“Reflection” is interested in the impact of casual violence on everyday life, right from its opening tableau: a lengthy shot in which the protagonist, a surgeon, Serhiy (Roman Lutskyi), chats with Andriy (Andrii Rymaruk), the man now living with Serhiy’s ex-wife (Nadiya Levchenko) and helping raise their daughter. The daughter (Nika Myslytska) prepares for a paintball battle in the background. Soon the sounds of that barrage drown out the men’s friendly conversation about artillery and medical supplies.

The situation seems all the more charged if you know that “Reflection,” written, directed, photographed and edited by Valentyn Vasyanovych, is a Ukrainian film. It would be a bracing, haunting work even if it weren’t so timely. The movie premiered last year, before Russia attacked Ukraine in February, and it begins in November 2014, against the backdrop of fighting by Russian-backed separatists in the Donbas region. (It is a follow-up of sorts to Vasyanovych’s “Atlantis,” set in 2025 in the ostensible aftermath of that conflict. That film now plays like a dispatch from an alternate timeline — grim, but not as grim as 2025 will look after a much wider war.)

“Reflection” follows Serhiy on a mission to the front, where his van gets lost and he is captured. The movie principally unfolds in fixed long shots, but when the camera moves, it is startling: What appears to be a single take follows Serhiy as he is interrogated, tortured, led to a basement, hosed down and, as he shivers, commanded to inspect a corpse for signs of life. This, and cremation, will be his job until the second half, when the horrors he has witnessed go provocatively, largely unmentioned. As the cryptic final moments suggest, “Reflection” is a film about how war requires people to comprehend the unspoken and unseen.

Reflection Not rated. In Ukrainian and Russian, with subtitles. Running time: 2 hours 5 minutes. In theaters and on virtual cinemas .

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Home — Essay Samples — Education — Class Reflection — Reflecting On Filmmaking Process

Film Production Experience: a Reflective Paper

• Categories: Class Reflection

About this sample

Words: 3557 |

18 min read

Published: Nov 22, 2018

Words: 3557 | Pages: 8 | 18 min read

Table of contents

Film production: reflective essay, works cited, what i learned.

• Allen, W. (Director). (Year). Title of Woody Allen film [Film]. Production Company.
• Boggs, J. M., & Petrie, D. W. (2019). The art of watching films. McGraw-Hill Education.
• Bordwell, D., & Thompson, K. (2017). Film art: An introduction. McGraw-Hill Education.
• Corrigan, T. (2016). A short guide to writing about film. Pearson.
• Giannetti, L. (2014). Understanding movies. Pearson.
• Katz, S. D. (2017). Film directing shot by shot: Visualizing from concept to screen. Michael Wiese Productions.
• Rabiger, M. (2015). Directing: Film techniques and aesthetics. CRC Press.
• Rea, P., & Irving, D. (2014). Producing and directing the short film and video. CRC Press.
• Thompson, R. J. (2018). Writing for visual media. Routledge.
• Wurtzel, D. (2015). The complete idiot's guide to independent filmmaking. Alpha Books.

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