fully funded masters in creative writing programs

Creative Writing, M.F.A.

College of Arts and Sciences

Expand your knowledge and hone your craft with our fully funded, three-year master’s degree in creative writing, which combines the intimacy of a small program with visits by renowned authors from around the world.

Our dynamic MFA program provides a rigorous yet nurturing community where aspiring writers can compose, experiment, learn and evolve. You’ll have the chance to work with stellar faculty, which includes winners of the National Book Award, the PEN Open Book Award, the Berkshire Prize and the Iowa Poetry Prize (to name only a few).

Program Highlights

Internationally recognized faculty.

Learn from our diverse and dynamic faculty of inspiring teachers, dedicated mentors and award-winning writers.

World-Class Visiting Authors

Engage with renowned authors from around the world through the Open Book as well as our Fall Literary Festival and other series.

Hone your teaching skills and ignite a love of writing in young learners by visiting local public schools as a Split P fellow.

Cola Literary Review

Support and promote new literary work by established and emerging authors by editing our annual print journal.

What You’ll Study

Popular experiences include Fiction and Poetry workshops as well as our annual literary events. Study literature, theory of teaching composition, and electives while completing a book-length MFA project with the mentorship of faculty. Graduates have gone on to careers as authors and agents, in publishing and on the faculty at universities.

Building Skills

Gain the professional and personal intelligence it takes to have a successful career.

Creating professional written content for inclusion in scholarly journal articles, books and reports

Thinking imaginatively, generating original ideas and expressing unique perspectives through art and innovation

Aesthetic and Conceptual Awareness

Cultivating an understanding of artistic and abstract concepts, enhancing appreciation for beauty and creative expression

Foster learning by conveying knowledge, skills and concepts to students

Gathering and analyzing information to increase knowledge or solve problems

Critical Thinking

Analyzing and evaluating information to make informed decisions or judgments

Using your degree

Make your college experience the foundation for a successful future.

Learn how alumni use degrees with outcome data from Gamecock GradStats , a service of the University of South Carolina Career Center.

Potential Careers

• Fiction Writer
• Creative Writing Professor
• Literary Agent
• Journalist / Essayist

Job Titles of Alumni

• Writer and Editor
• Poetry Fellow
• English Teacher
• Assistant Professor
• Communications Specialist
• Freelance Writer

Average Alumni Salary

Five to 10 years after graduation without additional education $76,434

Workplace Settings

• Literary Journals and Magazines
• Small or Large Presses
• Literary Agencies
• Freelance Writing
• Journalism / Commentary
• Higher Education
• Yemassee Journal
• Tulsa Artist Fellowship
• Editorial Consulting
• University of South Carolina
• University of North Carolina at Asheville
• Word Life Editorial

Faculty members in the creative writing program are generous with their time and advice, while taking a light hand in shaping your experience. I have the guidance I need while being able to make my own decisions and explorations.

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Michener Center for Writers

Mfa in writing.

The Michener Center for Writers is the only Creative Writing M.F.A. program in the world that provides full and equal funding to every writer—yet it is our extraordinary faculty and sense of community that most distinguishes us. Our program is a three-year, fully-funded residency M.F.A. with a unique multi-disciplinary focus. Writers apply and are admitted in a primary genre—fiction, poetry, playwriting or screenwriting—and study in both their primary and a secondary genre(s). There are no teaching duties, a luxury that allows our Fellows to commit themselves fully to their writing. And because only twelve writers are admitted each year, our faculty can devote ample time and energy to every writer. With unparalleled support and the deeply held belief that literary art matters now more than ever, the Michener Center offers writers 3 years of unencumbered space to make the work that only they can make.

News & Events

Michener alumn frances ya-chu cowhig wins whiting award.

We’re proud to announce that Michener Center Alumnus and playwright Frances Ya-Chu Cowhig (MCW 2009) is the recipient of a 2024 Whiting Award. The Whiting… Read more

Announcing a New Dynamic Space at the Michener Center!

We can’t stop staring at our beautiful new building! The Dobie House garage has been transformed into a gorgeous, spacious, and ADA-accessible room. We recently… Read more

Event: Ross Gay Reading & Book Signing, February 29th, 6pm

We’re thrilled to welcome award-winning poet Ross Gay, who will read and sign his latest work, The Book of (More) Delights,  at the Harry Ransom… Read more

Event: Spring Faculty Reading: Jennifer Foerster & Manuel Muñoz on January 18th, 6pm

The Michener Center’s Spring 2024 Visiting Faculty members Jennifer Foerster and Manuel Muñoz will read their work at the Harry Ransom Center Prothro Theatre at… Read more

Michener Fellow Gavin Yuan Gao Wins Australia’s Prime Minister’s Award for Poetry

Michener Center Fellow Gavin Yuan Gao’s collection of poetry, At the Altar of Touch has won the Prime Minister’s Award for Poetry, one of Australia’s… Read more

Michener Fellow Lara Palmqvist Receives Humanitas Screenwriting Award

Michener Center Fellow Lara Palmqvist has been awarded the 2023 Carol Mendelsohn College Drama Award from Humanitas for her feature screenplay, The Garden. The award… Read more

MCW Alum Lauren Green Selected for Forbes 30 Under 30

Author Lauren Green (MCW ’21) has been selected for the Forbes Magazine “30 Under 30” Media Cohort for 2024. From Forbes Magazine: “Lauren Green is… Read more

Event: Reading with Carolyn Forché on November 2nd, 6pm

Poet Carolyn Forché will read her work at the Harry Ransom Center, with a reception to follow. Renowned as a “poet of witness,” Carolyn Forché… Read more

The Michener Center aims to be a welcoming, inspiring, and invigorating community where writers feel safe and supported to take chances on the page. We are extremely proud that there is no hierarchy here—all students receive equal funding—and we firmly believe that our egalitarian approach fosters a higher level of work that more competitive environments suppress.

Our MFA candidates have come from places as varied as western India, South Korea, eastern Europe, and northern Idaho. Their backgrounds and experiences lend to the pages they produce, which are unique and uniquely vital. We aren’t seeking writers of any particular aesthetic, but rather we are looking for writers whose work is distinct, urgent, and arresting.

Each year, we receive hundreds of applications for twelve seats in the cohort. We accept only full-time, in-residence candidates for the three-year program. There is no low-residency or part-time option.

Applicants must meet the UT Graduate School’s minimum requirements for consideration, which include completion of a Bachelor’s Degree prior to enrollment. The Michener Center no longer requires GRE scores.

James Michener was the Pulitzer-Prize-winning author of over 40 books, including Texas , Hawaii , and Tales of the South Pacific . In his final years, he and his wife, Mari Yoriko Sabusawa, moved to Austin, TX, where they endowed the Texas Center for Writers, a three-year MFA in Creative Writing at the University of Texas. The first cohort of Michener Fellows graduated in 1996. After Mr. Michener’s death in 1997, the Center was renamed in his honor.

To ensure both continuity and fresh perspectives, the Michener Center faculty is built with fixed and moving parts. Writers from UT’s departments of English, Theatre and Dance, and Radio-Television-Film comprise our Resident Faculty, and each year we also welcome an exciting roster of distinguished Visiting Faculty. That our faculty members—resident and visiting—are as passionate about their teaching as they are their writing is of the utmost importance. Like our students, our faculty afford the program a wealth of varied experience, an abiding sense of shared enterprise, and deep commitment to the making of literary art. For more on our outstanding faculty in each genre, visit our Faculty page .

The Best 15 Creative Writing MFA Programs in 2023

April 7, 2023

Whether you studied at a top creative writing university , or are a high school dropout who will one day become a bestselling author , you may be considering an MFA in Creative Writing. But is a writing MFA genuinely worth the time and potential costs? How do you know which program will best nurture your writing? This article walks you through the considerations for an MFA program, as well as the best Creative Writing MFA programs in the United States.

First of all, what is an MFA?

A Master of Fine Arts (MFA) is a graduate degree that usually takes from two to three years to complete. Applications require a sample portfolio for entry, usually of 10-20 pages of your best writing.

What actually goes on in a creative writing MFA beyond inspiring award-winning books and internet memes ? You enroll in workshops where you get feedback on your creative writing from your peers and a faculty member. You enroll in seminars where you get a foundation of theory and techniques. Then you finish the degree with a thesis project.

Reasons to Get an MFA in Creative Writing

You don’t need an MFA to be a writer. Just look at Nobel Prize winner Toni Morrison or bestselling novelist Emily St. John Mandel.

Nonetheless, there are plenty of reasons you might still want to get a creative writing MFA. The first is, unfortunately, prestige. An MFA from a top program can help you stand out in a notoriously competitive industry to be published.

The second reason: time. Many MFA programs give you protected writing time, deadlines, and maybe even a (dainty) salary.

Third, an MFA in Creative Writing is a terminal degree. This means that this degree allows you to teach writing at the university level, especially after you publish a book.

But above all, the biggest reason to pursue an MFA is the community it brings you. You get to meet other writers, and share feedback, advice, and moral support, in relationships that can last for decades.

Types of Creative Writing MFA Programs

Here are the different types of programs to consider, depending on your needs:

Fully-Funded Full-Time Programs

These programs offer full-tuition scholarships and sweeten the deal by actually paying you to attend them.

• Pros: You’re paid to write (and teach).
• Cons: Uprooting your entire life to move somewhere possibly very cold.

Full-Time MFA Programs

These programs include attending in-person classes and paying tuition (though many offer need-based and merit scholarships).

• Pros: Lots of top-notch programs non-funded programs have more assets to attract world-class faculty and guests.
• Cons: It’s an investment that might not pay itself back.

Low-Residency MFA Programs

Low-residency programs usually meet biannually for short sessions. They also offer one-on-one support throughout the year. These MFAs are more independent, preparing you for what the writing life is actually like.

• Pros: No major life changes required. Cons: Less time dedicated to writing and less time to build relationships.

Online MFA Programs

Held 100% online. These programs have high acceptance rates and no residency requirement. That means zero travel or moving expenses.

• Pros: No major life changes required.
• Cons: These MFAs have less name-recognition

The Top 15 Creative Writing MFA Programs Ranked by Category

The following programs are selected for their balance of high funding, impressive return on investment, stellar faculty, major journal publications , and impressive alums.

Fully Funded MFA Programs

1) johns hopkins university, mfa in fiction/poetry (baltimore, md).

This is a two-year program, with $33,000 teaching fellowships per year. This MFA offers the most generous funding package. Not to mention, it offers that sweet, sweet health insurance, mind-boggling faculty, and a guaranteed lecture position after graduation (nice). No nonfiction MFA (boo).

• Incoming class size: 8 students
• Admissions rate: 11.1%
• Alumni: Chimamanda Adiche, Jeffrey Blitz, Wes Craven, Louise Erdrich, Porochista Khakpour, Phillis Levin, ZZ Packer, Tom Sleigh, Elizabeth Spires, Rosanna Warren

2) University of Texas, James Michener Center (Austin, TX)

A fully-funded 3-year program with a generous stipend of $29,500. The program offers fiction, poetry, playwriting and screenwriting. The Michener Center is also unique because you study a primary genre and a secondary genre, and also get $3,000 for the summer.

• Incoming class size : 12 students
• Acceptance rate: a bone-chilling less-than-1% in fiction; 2-3% in other genres
•   Alumni: Fiona McFarlane, Brian McGreevy, Karan Mahajan, Alix Ohlin, Kevin Powers, Lara Prescott, Roger Reeves, Maria Reva, Domenica Ruta, Sam Sax, Joseph Skibell, Dominic Smith

3) University of Iowa (Iowa City, IA)

The Iowa Writers’ Workshop is a 2-year program on a residency model for fiction and poetry. This means there are low requirements, and lots of time to write groundbreaking novels or play pool at the local bar. Most students are funded, with fellowships worth up to $21,000. The Translation MFA, co-founded by Gayatri Chakravorti Spivak, is also two years, but with more intensive coursework. The Nonfiction Writing Program is a prestigious three-year MFA program and is also intensive.

• Incoming class size: 25 each for poetry and fiction; 10-12 for nonfiction and translation.
• Acceptance rate: 3.7%
• Fantastic Alumni: Raymond Carver, Flannery O’Connor, Sandra Cisneros, Joy Harjo, Garth Greenwell, Kiley Reid, Brandon Taylor, Eula Biss, Yiyun Li, Jennifer Croft

4) University of Michigan (Ann Arbor, MI)

Anne Carson famously lives in Ann Arbor, as do the MFA students U-Michigan’s Helen Zell Writers’ Program. This is a big university town, which is less damaging to your social life. Plus, there’s lots to do when you have a $23,000 stipend, summer funding, and health care.

This is a 2-3-year program, with an impressive reputation. They also have a demonstrated commitment to “ push back against the darkness of intolerance and injustice ” and have outreach programs in the community.

• Incoming class size: 18
• Acceptance rate: 4% (which maybe seems high after less-than-1%)
• Alumni: Brit Bennett, Vievee Francis, Airea D. Matthews, Celeste Ng, Chigozie Obioma, Jia Tolentino, Jesmyn Ward

5) Brown University (Providence, RI)

Brown offers an edgy, well-funded program in a place that doesn’t dip into arctic temperatures. Students are all fully-funded for 2-3 years with $29,926 in 2021-22. Students also get summer funding and—you guessed it—that sweet, sweet health insurance.

In the Brown Literary Arts MFA, students take only one workshop and one elective per semester. It’s also the only program in the country to feature a Digital/Cross Disciplinary Track.

• Incoming class size: 12-13
• Acceptance rate: “highly selective”
• Alumni: Edwidge Danticat, Jaimy Gordon, Gayl Jones, Ben Lerner, Joanna Scott, Kevin Young, Ottessa Moshfegh

Best MFA Creative Writing Programs (Continued) 

6) university of arizona (tucson, az).

This 3-year program has many attractive qualities. It’s in “ the lushest desert in the world ”, and was recently ranked #4 in creative writing programs, and #2 in Nonfiction. You can take classes in multiple genres, and in fact, are encouraged to do so. Plus, Arizona dry heat is good for arthritis.

This notoriously supportive program pays $20,000 a year, and offers the potential to volunteer at multiple literary organizations. You can also do supported research at the US-Mexico Border.

• Incoming class size: 9
• Acceptance rate: 4.85% (a refreshingly specific number after Brown’s evasiveness)
• Alumni: Francisco Cantú, Jos Charles, Tony Hoagland, Nancy Mairs, Richard Russo, Richard Siken, Aisha Sabatini Sloan, David Foster Wallace

7) Arizona State University (Tempe, AZ):

Arizona State is also a three-year funded program in arthritis-friendly dry heat. It offers small class sizes, individual mentorships, and one of the most impressive faculty rosters in the game. Everyone gets a $19,000 stipend, with other opportunities for financial support.

• Incoming class size: 8-10
• Acceptance rate: 3% (sigh)
• Alumni: Tayari Jones, Venita Blackburn, Dorothy Chan, Adrienne Celt, Dana Diehl, Matthew Gavin Frank, Caitlin Horrocks, Allegra Hyde, Hugh Martin, Bonnie Nadzam

FULL-RESIDENCY MFAS (UNFUNDED)

8) new york university (new york, ny).

This two-year program is in New York City, meaning it comes with close access to literary opportunities and hot dogs. NYU is private, and has one of the most accomplished faculty lists anywhere. Students have large cohorts (more potential friends!) and have a penchant for winning top literary prizes.

• Incoming class size: 40-60
• Acceptance rate: 6%
• Alumni: Nick Flynn, Nell Freudenberger, Aracelis Girmay, Mitchell S. Jackson, Tyehimba Jess, John Keene, Raven Leilani, Robin Coste Lewis, Ada Limón, Ocean Vuong

9) Columbia University (New York, NY)

Another 2-3 year private MFA program with drool-worthy permanent and visiting faculty. Columbia offers courses in fiction, poetry, translation, and nonfiction. Beyond the Ivy League education, Columbia offers close access to agents, and its students have a high record of bestsellers.

• Incoming class size: 110
• Acceptance rate: 21%
• Alumni: Alexandra Kleeman, Rachel Kushner, Claudia Rankine, Rick Moody, Sigrid Nunez, Tracy K. Smith, Emma Cline, Adam Wilson, Marie Howe, Mary Jo Bang

10) Sarah Lawrence (Bronxville, NY)

Sarah Lawrence offers speculative fiction beyond the average fiction, poetry, and nonfiction course offerings. With intimate class sizes, this program is unique because it offers biweekly one-on-one conferences with its stunning faculty. It also has a notoriously supportive atmosphere.

• Incoming class size: 30-40
• Acceptance rate: N/A
• Alumni: Cynthia Cruz, Melissa Febos, T Kira Madden, Alex Dimitrov, Moncho Alvarado

LOW RESIDENCY

11 bennington college (bennington, vt).

This two-year program boasts truly stellar faculty, and meets twice a year for ten days in January and June. It’s like a biannual vacation in beautiful Vermont, plus mentorship by a famous writer, and then you get a degree. The tuition is $23,468 per year, with scholarships available.

• Acceptance rate: 53%
• Incoming class: 40
• Alumni: Larissa Pham, Andrew Reiner, Lisa Johnson Mitchell, and others

12)  Institute for American Indian Arts (Santa Fe, NM)

This two-year program emphasizes Native American and First Nations writing. With truly amazing faculty and visiting writers, they offer a wide range of genres offered, in screenwriting, poetry, fiction, and nonfiction.

Students attend two eight-day residencies each year, in January and July, in Santa Fe, New Mexico. At $12,000 a year, it boasts being “ one of the most affordable MFA programs in the country .”

• Incoming class size : 22
• Acceptance rate: 100%
• Alumni: Tommy Orange, Dara Yen Elerath, Kathryn Wilder

13) Vermont College of Fine Arts

One of few MFAs where you can study the art of the picture book, middle grade and young adult literature, graphic literature, nonfiction, fiction, and poetry for young people. Students meet twice a year for nine days, in January and July, in Vermont. You can also do many travel residencies in exciting (and warm) places like Cozumel.

VCFA boasts amazing faculty and visiting writers, with individualized study options and plenty of one-on-one time. Tuition is $48,604.

• Incoming class size: 18-25
• Acceptance rate: 63%
• Alumnx: Lauren Markham, Mary-Kim Arnold, Cassie Beasley, Kate Beasley, Julie Berry, Bridget Birdsall, Gwenda Bond, Pablo Cartaya

ONLINE MFAS

14) university of texas at el paso (el paso, tx).

The world’s first bilingual and online MFA program in the world. UTEP is considered the best online MFA program, and features award-winning faculty from across the globe. Intensive workshops allow submitting in Spanish and English, and genres include poetry and fiction. This three-year program costs $14,766 a year, with rolling admissions.

• Alumni: Watch alumni testimonies here

15) Bay Path University (Long Meadow, MA)

This 2-year online program is dedicated entirely to nonfiction. A supportive, diverse community, Bay Path offers small class sizes, close mentorship, and a potential field trip in Ireland.

There are many tracks, including publishing, Narrative Medicine, and teaching. Core courses include memoir, narrative journalism, and the personal essay. The price is $785/credit, for 39 credits, with scholarships available.

• Incoming class size: 20
• Acceptance rate: an encouraging 78%
• Alumni: Read alumni testimonies here

Prepare for your MFA in advance:

• Best English Programs
• Best Creative Writing Schools
• Writing Summer Programs

Best MFA Creative Writing Programs – References:

• https://www.pw.org/mfa
• The Creative Writing MFA Handbook: A Guide for Prospective Graduate Students , by Tom Kealey (A&C Black 2005)
• Graduate School Admissions

Julia Conrad

With a Bachelor of Arts in English and Italian from Wesleyan University as well as MFAs in both Nonfiction Writing and Literary Translation from the University of Iowa, Julia is an experienced writer, editor, educator, and a former Fulbright Fellow. Julia’s work has been featured in  The Millions ,  Asymptote , and  The Massachusetts Review , among other publications. To read more of her work, visit  www.juliaconrad.net

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MFA in Creative Writing

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Specialize in poetry or fiction through our Master of Fine Arts in Creative Writing. Work with our award-winning poets and writers to hone your craft.  Request Info ‌

Starting your application is easy.

The MFA is a two-year, fully-funded program, consisting of workshops, interdisciplinary coursework and a final thesis of literary work. Distinguished by the one-on-one attention students receive from our faculty poets and writers, the program offers a strong, supportive start to a creative life in words.

• Admission Info ‌
• Degree Requirements ‌

Admission Info

Our program is small, so we can focus on you. We accept only about a dozen students each year, with six or seven students in fiction, and another six or seven in poetry. We offer full funding in the form of a graduate teaching assistantship to all eligible admitted applicants. Deadline to apply: Feb. 1. 

How to Apply ‌ Apply Now ‌

One of a Kind

Ours is the only Master of Fine Arts in Creative Writing in the Raleigh/Durham/Chapel Hill area.

Degree Requirements

The MFA is a 36-hour program, consisting of four workshops, six graduate-level courses and a thesis of literary work. 

Our students apprentice under master writers , and as such, prepare to become the next generation of master writers themselves. Student work produced here has been published and honored by prestigious groups such as The American Academy of Poets, Science Fiction and Fantasy Writers of America and The American Poetry Review , among others. Learn More ‌

Faculty Mentors

Our faculty of working poets and writers believe that individual attention is key: that’s what makes our program so strong. We’ll work with you as you wrangle with your words, while you polish your poems, until your manuscript is submission worthy. We want to help you fine tune your skills and launch your career.

Our poetry faculty:

• Sumita Chakraborty ( Arrow )
• Eduardo C. Corral  ( Slow Lightning ; Guillotine )
• Meg Day ( Last Psalm at Sea Level )

Our fiction faculty:

• Belle Boggs  ( The Gulf ;  The Art of Waiting )
• Carter Sickels ( The Prettiest Star, The Evening Hour )
• LaTanya McQueen ( When the Reckoning Comes, And it Begins Like This )

Retired faculty: 

• John Balaban ( Locusts at the Edge of Summer; Empires; Passing Through a Gate ; etc.)
• Wilton Barnhardt  ( Western Alliances,   Lookaway, Lookaway ;  Emma Who Saved My Life; etc.) 
• John Kessel  ( The Moon and The Other ;  Pride and Prometheus;  etc.)
• Dorianne Laux ( The Book of Men; Only As the Day is Long; Facts About the Moon ; etc.)
• Jill McCorkle  ( Old Crimes, Life After Life ;  The Cheer Leader, etc.)

Meet the Faculty ‌

"They’re a thoughtful, positive, critically savvy group."

Kij Johnson (MFA '12)

Outstanding Alumni

Sarah Grunder Ruiz

Meet 2018 MFA alumna Sarah Grunder Ruiz — and learn more about her debut novel,  Love, Lists and Fancy Ships . 

Since our MFA program was established in 2005, we’ve helped some outstanding writers find their voices. Among our alumni are:

• Therese Anne Fowler , whose fourth book, Z: A Novel of Zelda Fitzgerald , was a 2013 New York Times bestseller and was the inspiration for a TV show,  Z: The Beginning of Everything .
• Tyree Daye , whose debut poetry collection,  River Hymns , earned The American Poetry Review 's Honickman First Book Prize. Daye was also a 2019 recipient of the prestigious Whiting Award in poetry. 
• Kij Johnson , whose f irst collection of short stories,  At the Mouth of the River of Bees,  contained stories that won Nebula and Hugo Awards. Johnson now teaches at the University of Kansas.
• Noel Crook , whose debut collection, Salt Moon , won the Crab Orchard Series in Poetry First Book Award and was published by Southern Illinois University Press. 
• Alyssa Wong , who as a student in the program won the 2015 Nebula Award for Best Short Story and the 2016 World Fantasy Award for Short Fiction.  

Additional MFA Resources

• Info for Current Students ‌
• Graduate Teaching Assistantships ‌
• Thesis and Grad Timeline ‌
• NC State Literary Readings ‌
• NC State Fiction Contest ‌
• NC State Poetry Contest ‌

Contact Information

Assistant director, mfa program.

Chelsea Krieg Campus Box 8105 NC State University Raleigh, NC 27695-8105

[email protected] ‌

Graduate Services Coordinator

Ciru Mutura Campus Box 8105 NC State University Raleigh, NC 27695-8105 919.515.4106

[email protected] ‌

DEPARTMENT OF ENGLISH

• Litowitz MFA+MA Program

The Litowitz MFA+MA Program in Creative Writing and English

Program faculty, the department of english is grateful to northwestern university alumna jennifer leischner litowitz ’91 and her husband, alec litowitz for helping launch and support this program..

The Litowitz MFA+MA Program in Creative Writing offers intimate classes, the opportunity to pursue both creative and critical writing, close mentorship by renowned faculty in poetry, fiction, and creative nonfiction, and three fully supported years in which to grow as writers and complete a book-length creative project.  The Litowitz MFA+MA curriculum gives students time to deepen both their creative writing and their study of literature.  Students will receive full financial support for three academic years and two summers, a total of 33 months.  Both degrees—the MFA in Creative Writing and the MA in English—are awarded simultaneously at graduation.

Drawing on innovative scholarship, deep immersion in process, and cross-pollination between critical and creative texts, Litowitz students will complete a Capstone essay—a 20-25 page expanded version of a paper written for an English department graduate or MFA+MA seminar—by the end of their second year, and will spend their third year working on a book-length creative thesis of their own design, either within one genre or across genres.  The MFA+MA program's small size and attentive faculty will develop students' sense of literary context, the possibilities of genre, and their creative practice, while encouraging them to pursue the individual distinctiveness of their projects.

The Litowitz MFA+MA program provides significant exposure to a second genre in addition to the genre in which a student has been admitted. Students must take at least one out-of-genre workshop and have the option of taking more.

Over two years of coursework students will take:

In spring quarter of the second year, with advising and mentoring by the faculty, each student will complete the MA Capstone Essay.

In year three, students will be almost wholly dedicated to their creative thesis manuscripts.  Third-year students will take three quarters of the MFA Thesis Workshop/Tutorial.

Some students will complete their MFA thesis manuscript by the end of this year; others will wish to take more time.  The Graduate School permits students to submit the culminating project for the MFA at the end of full-time enrollment, or afterward.   

In all three years, students will be mentored by the faculty in the practice of their writing, the design of their projects, and regarding artistic and intellectual resources for their work.  In the teaching of creative writing and, through summer editorial work at TriQuarterly.org , students will get first-hand experience in editing a literary journal.

Visiting writers (including some anglophone international writers) will bring new perspectives to artistic practice, the three genres, and cross-genre or multi-genre work.

Students will pursue their work on our beautiful Evanston campus, amid artists, filmmakers, scholars and public intellectuals, with easy access to the vibrant literary arts scene of Chicago.

Admissions Cycle

Each year, the MFA+MA program admits new students in two of our three genres.  The genres in question rotate annually.  Information on the application process and the genres in which applications will be considered can be found here .

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Litowitz Creative Writing Graduate Program

Degree requirements.

Learn more about the program by visiting the Department of English

See related Interdisciplinary Clusters and Certificates

Degree Types: MFA+MA

This new, fully-funded MFA+MA in Creative Writing and English program offers intimate classes, the opportunity to pursue both creative and critical writing, and close mentorship by renowned faculty in poetry, fiction, and creative nonfiction. Our three-year curriculum gives students time to deepen both their creative writing and their study of literature. Students will receive support for three academic years, and two summers, to complete both degrees – an MFA in Creative Writing and an MA in English.

Drawing on innovative scholarship, deep immersion in process, and cross-pollination between critical and creative texts, students will complete book-length thesis projects of their own design, either within or across genres, and a substantial essay on literary texts. The program's small size and attentive faculty will develop students' sense of literary context, while encouraging them to pursue the distinctiveness of their projects.

In addition to their studies, students will be guided in the teaching of creative writing and, through summer editorial work at TriQuarterly.org , the editing of a literary journal.

Students will pursue their work on our beautiful Evanston campus, amid artists, filmmakers, scholars and public intellectuals, with easy access to the vibrant literary arts scene of Chicago.

Additional resources:

• Department website
• Program handbook(s)

Program Statistics

Visit Master's Program Statistics for statistics such as program admissions, enrollment, student demographics and more.

Program Contact

Contact Nathan Mead Graduate Program Assistant 847-491-3341

The following requirements are in addition to, or further elaborate upon, those requirements outlined in  The Graduate School Policy Guide .

Course Requirements

May be taken outside the English department with permission of Creative Writing DGS.

Other Degree Requirements

• First Year Review
• Satisfactory completion of an article-length literary critical essay in the late spring of year two. This 20-25 page capstone essay will typically be an expanded version of an essay written for an English Department graduate seminar, revised in response to comments from, and as appropriate in consultation with, the seminar instructor.
• Satisfactory completion of an MFA Thesis: the first draft of a book-length work of original fiction, creative nonfiction, poetry, or mixed-genre work.

Last Updated: September 12, 2023

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MFA Programs Database

• Help Keep This Database Current

Our MFA database includes essential information about low- and full-residency graduate creative writing programs in the United States and other English-speaking countries to help you decide where to apply.

Adelphi University

Poetry: Jan-Henry Gray, Maya Marshall Prose: Katherine Hill, René Steinke, Igor Webb

Albertus Magnus College

Poetry: Charles Rafferty, Paul Robichaud Fiction: Sarah Harris Wallman Nonfiction: Eric Schoeck

Alma College

Poetry: Leslie Contreras Schwartz, Jim Daniels, Benjamin Garcia Fiction: Karen E. Bender, Shonda Buchanan, Dhonielle Clayton, S. Kirk Walsh Creative Nonfiction: Anna Clark, Matthew Gavin Frank, Donald Quist, Robert Vivian

American University

Poetry: Kyle Dargan, David Keplinger Fiction: Dolen Perkins-Valdez, Stephanie Grant, Patricia Park Nonfiction: Rachel Louise Snyder

Antioch University

Poetry: Victoria Chang Prose: Lisa Locascio

Arcadia University

Poetry: Genevieve Betts, Michelle Reale Fiction: Stephanie Feldman, Joshua Isard, Tracey Levine, Eric Smith Literature: Matthew Heitzman, Christopher Varlack, Elizabeth Vogel, Jo Ann Weiner

Poetry: Genevieve Betts, Michelle Reale Fiction: Stephanie Feldman, Joshua Isard, Tracey Levine, Eric Smith

Arizona State University

Poetry: Sally Ball, Natalie Diaz, Eunsong Kim, Alberto Álvaro Ríos, Safiya Sinclair Fiction: Matt Bell, Jenny Irish, Tara Ison, Mitchell Jackson, T. M. McNally Creative Nonfiction: Sarah Viren

Ashland University

Poetry: Aria Aber, Dexter Booth, Marcelo Hernandez Castillo, Adam Gellings, Tess Taylor, Vanessa Angélica Villareal

Fiction: Kirstin Chen, Brian Conn, Edan Lepucki, Sarah Monette, Nayomi Munaweera, Vi Khi Nao, Naomi J. Williams, Kyle Winkler

Nonfiction: Cass Donish, Kate Hopper, Lauren Markham, Thomas Mira y Lopez, Lisa Nikolidakis, Terese Mailhot, Kelly Sundberg

Augsburg University

Poetry: Jim Cihlar, Michael Kleber-Diggs Fiction: Stephan Eirik Clark, Lindsay Starck Nonfiction: Anika Fajardo, Kathryn Savage Playwriting: Alice Eve Cohen, Carson Kreitzer, TyLie Shider Screenwriting: Stephan Eirik Clark, Andy Froemke

Ball State University

Poetry: Katy Didden, Mark Neely Fiction: Cathy Day, Sean Lovelace Nonfiction: Jill Christman, Silas Hansen Screenwriting: Rani Deighe Crowe, Matt Mullins

Bard College

Mirene Arsanios, CA Conrad, Hoa Nguyen, Christopher Perez, Cedar Sigo, Julian Talamantez Brolaski, Roberto Tejada, Monica de la Torre, Simone White

Bath Spa University

Poetry: Lucy English, Carrie Etter, Tim Liardet, John Strachan, Samantha Walton, Gerard Woodward Fiction: Gavin James Bower, Celia Brayfield, Alexia Casale, Lucy English, Nathan Filer, Aminatta Forna, Maggie Gee, Samantha Harvey, Philip Hensher, Steve Hollyman, Emma Hooper, Claire Kendal, Kate Pullinger, C.J. Skuse, Gerard Woodward Nonfiction: Celia Brayfield, Richard Kerridge, Stephen Moss Scriptwriting: Robin Mukherjee

Poetry: Lucy English, Carrie Etter, Tim Liardet, Gerard Woodward Fiction: Gavin James Bower, Celia Brayfield, Nathan Filer, Aminatta Forna, Maggie Gee, Samantha Harvey, Philip Hensher, Claire Kendal, Kate Pullinger, Gerard Woodward Nonfiction: Richard Kerridge, Stephen Moss

Bay Path University

Mel Allen, Leanna James Blackwell, Jennifer Baker, Sari Botton, Melanie Brooks, María Luisa Arroyo Cruzado, Áine Greaney, Shahnaz Habib, Jessica Handler, Ann Hood, Susan Ito, Karol Jackowski, Yi Shun Lai, Anna Mantzaris, Meredith O’Brien, Lisa Romeo, Kate Whouley

Bennington Writing Seminars at Bennington College

Current Faculty: Poetry: Michael Dumanis, Carmen Giménez, Dana Levin, Randall Mann, Craig Morgan Teicher, Mark Wunderlich Fiction: Jai Chakrabarti, Monica Ferrell, Manuel Gonzales, Deirdre McNamer, Stuart Nadler, Téa Obreht, Katy Simpson Smith, Taymour Soomro, Claire Vaye Watkins, Toya Wolfe Nonfiction: Eula Biss, Jenny Boully, Saeed Jones, Sabrina Orah Mark, Shawna Kay Rodenberg, Hugh Ryan

Binghamton University

Poetry: Tina Chang, Joseph Weil Fiction: Thomas Glave, Leslie L. Heywood, Liz Rosenberg, Jaimee Wriston-Colbert, Alexi Zentner Nonfiction: Leslie L. Heywood

Bluegrass Writers Studio at Eastern Kentucky University

Poetry: Julie Hensley, Young Smith Fiction: Julie Hensley, Nancy Jensen, Robert D. Johnson Nonfiction: Nancy Jensen, Robert D. Johnson, Evan J. Massey

Boise State University

Poetry: Martin Corless-Smith, Sara Nicholson, Taryn Schwilling Fiction: Mitch Wieland (Director), Anna Caritj Creative Nonfiction: Clyde Moneyhun

Boston University

Poetry: Andrea Cohen, Karl Kirchwey, Robert Pinsky Fiction: Leslie Epstein, Jennifer Haigh, Ha Jin

Boston University—MFA in Literary Translation

Odile Cazenave, Margaret Litvin, Petrus Liu, Christopher Maurer, Roberta Micaleff, Robert Pinsky (advising), Stephen Scully, Sassan Tabatabai, J. Keith Vincent, William Waters, Anna Zielinska-Elliott

Bowling Green State University

Poetry: Abigail Cloud, Sharona Muir, F. Dan Rzicznek, Larissa Szporluk, Jessica Zinz-Cheresnick Fiction: Joe Celizic, Lawrence Coates, Reema Rajbanshi, Michael Schulz

Brigham Young University

Poetry: Kimberly Johnson, Lance Larsen, Michael Lavers, John Talbot Fiction: Chris Crowe, Ann Dee Ellis, Spencer Hyde, Stephen Tuttle Nonfiction: Joey Franklin, Patrick Madden

Brooklyn College

Poetry: Julie Agoos, Ben Lerner Fiction: Joshua Henkin, Madeleine Thien Playwriting: Dennis A. Allen II, Elana Greenfield

MFA Program in Creative Writing

The Creative Writing Program offers the MFA degree, with a concentration in either poetry or fiction. MFA students pursue intensive study with distinguished faculty committed to creative and intellectual achievement.

Each year the department enrolls only eight MFA students, four in each concentration. Our small size allows us to offer a generous financial support package that fully funds every student. We also offer a large and diverse graduate faculty with competence in a wide range of literary, theoretical and cultural fields. Every student chooses a special committee of two faculty members who work closely alongside the student to design a course of study within the broad framework established by the department.

Students participate in a graduate writing workshop each semester and take six additional one-semester courses for credit, at least four of them in English or American literature, comparative literature, literature in the modern or Classical languages or cultural studies (two per semester during the first year and one per semester during the second year). First-year students receive practical training as editorial assistants for  Epoch, a periodical of prose and poetry published by the creative writing program. Second-year students participate as teaching assistants for the university-wide first-year writing program. The most significant requirement of the MFA degree is the completion of a book-length manuscript: a collection of poems or short stories, or a novel, to be closely edited and refined with the assistance of the student’s special committee.

MFA program specifics can be viewed here: MFA Timeline Procedural Guide

Special Committee

Every graduate student selects a special committee of faculty advisors who works intensively with the student in selecting courses and preparing and revising the thesis. The committee is comprised of two Cornell creative writing faculty members: a chair and one minor member. An additional member may be added to represent an interdisciplinary field. The university system of special committees allows students to design their own courses of study within a broad framework established by the department, and it encourages a close working relationship between professors and students, promoting freedom and flexibility in the pursuit of the graduate degree. The special committee for each student guides and supervises all academic work and assesses progress in a series of meetings with the students.

At Cornell, teaching is considered an integral part of training for a career in writing. The field requires a carefully supervised teaching experience of at least one year for every MFA candidate as part of the program requirements. The Department of English, in conjunction with the First-Year Writing Program, offers excellent training for beginning teachers and varied and interesting teaching in this university-wide program. These are not conventional freshman composition courses, but full-fledged academic seminars, often designed by graduate students themselves. The courses are writing-intensive and may fall under such general rubrics as “Portraits of the Self,” “American Literature and Culture,” “Shakespeare” and “Cultural Studies,” among others. A graduate student may also serve as a teaching assistant for an undergraduate lecture course taught by a member of the Department of Literatures in English faculty.

All MFA degree candidates are guaranteed two years of funding (including a stipend , a full tuition fellowship and student health insurance).

• Graduate Assistantship with EPOCH . Students read submissions, plan special issues and assume other editorial and administrative responsibilities.
• Summer Teaching Assistantship, linked to a teachers' training program. Summer residency in Ithaca is required.
• Teaching Assistantship
• Summer Fellowship (made possible by the David L. Picket ’84 Fund and The James McConkey Master of Fine Arts Creative Writing Award for Summer Support, established by his enduringly grateful student, Len Edelstein ’59)

Optional MFA Lecturer Appointments Degree recipients who are actively seeking outside funding/employment are eligible to apply to teach for one or two years as a lecturer. These positions are made possible by an endowment established by the late Philip H. Freund ’29 and a bequest from the Truman Capote Literary Trust.

Admission & Application Procedures

The application for Fall 2024 admission will open on September 15, 2023 and will close on December 15, 2023 at 11:59pm EST. Please note that staff support is available M-F 9am-4pm.

Eligibility : Applicants must currently have, or expect to have, at least a BA or BS (or the equivalent) in any field before matriculation. International students, please verify degree equivalency here . Applicants are not required to take the GRE test or meet a specified GPA minimum.

To Apply:  All applications and supplemental materials must be submitted on-line through the Graduate School application system . While completing your application, you may save and edit your data. Once you click “submit,” your application will be closed for changes. Please proofread your materials carefully. Once you pay and click submit, you will not be able to make any changes or revisions.

DEADLINE: Dec. 15, 11:59 p.m. EST . This deadline is firm. No applications, additional materials or revisions will be accepted after the deadline.

MFA Program Application Requirements Checklist

• Academic Statement of Purpose Please use the Academic Statement of Purpose to describe, within 1000 words: (1) your academic interests, (2) your academic background, preparation, and training, including any relevant professional experiences, (3) your reasons for pursuing graduate studies in this specific program, and (4) your professional goals.
• Personal Statement Your Personal Statement should provide the admissions committee with a sense of you as a whole person, and you should use it to describe how your background and experiences influenced your decision to pursue a graduate degree. Additionally, it should provide insight into your potential to contribute to a community of inclusion, belonging, and respect where scholars representing diverse backgrounds, perspectives, abilities, and experiences can learn and work productively and positively together. Writing your Personal Statement provides you with an opportunity to share experiences that provide insights into how your personal, academic, and/or professional experiences demonstrate your ability to be both persistent and resilient, especially when navigating challenging circumstances. The statement also allows you to provide examples of how you engage with others and have facilitated and/or participated in productive collaborative endeavors. Additionally, it provides you with an opportunity to provide context around any perceived gaps or weaknesses in your academic record. Content in the Personal Statement should complement rather than duplicate the content contained within the Academic Statement of Purpose, which should focus explicitly on your academic interests, previous research experience, and intended area of research during your graduate studies. A complete writing prompt is available in the application portal.
• Three Letters of Recommendation Please select three people who best know you and your work. Submitting additional letters will not enhance your application. In the recommendation section of the application, you must include the email address of each recommender. After you save the information (and before you pay/submit), the application system will automatically generate a recommendation request email to your recommender with instructions for submitting the letter electronically. If your letters are stored with a credential service such as Interfolio, please use their “online application delivery” feature and input the email address assigned to your stored document, rather than that of your recommender’s. The electronic files will be attached to your application when they are received and will not require the letter of recommendation cover page. Please do not postpone submitting your application while waiting for us to receive all three of your letters. We will accept recommendation letters until December 30,11:59pm EST . For more information please visit the Graduate School's page on preparing letters of recommendations .
• Transcripts Scan transcripts from each institution you have attended, or are currently attending, and upload into the academic information section of the application. Be sure to remove your social security number from all documents prior to scanning. Please do not send paper copies of your transcripts. If you are subsequently admitted and accept, the graduate school will require an official paper transcript from your degree-awarding institution prior to matriculation.
• English Language Proficiency Requirement All applicants must provide proof of English language proficiency. For more information, please view the  Graduate School’s English Language Requirement .
• Fiction applicants:  Your sample must be between 6,000 and 10,000 words, typed, double-spaced, in a conventional 12- or 14-point font. It may be an excerpt from a larger work or a combination of several works.
• Poetry applicants:  Your sample must be 10 pages in length and include a combination of several poems, where possible.

General Information for All Applicants

Application Fee: Visit the  Graduate School for information regarding application fees , payment options, and fee waivers . Please do not send inquires regarding fee waivers.

Document Identification: Please do not put your social security number on any documents.

Status Inquiries:  Once you submit your application, you will receive a confirmation email. You will also be able to check the completion status of your application in your account. If vital sections of your application are missing, we will notify you via email after the Dec. 15 deadline and allow you ample time to provide the missing materials. Please do not inquire about the status of your application.

Credential/Application Assessments:  The admission review committee members are unable to review application materials or applicant credentials prior to official application submission. Once the committee has reviewed the applications and made admissions decisions, they will not discuss the results or make any recommendations for improving the strength of an applicant’s credentials. Applicants looking for feedback are advised to consult with their undergraduate advisor or someone else who knows them and their work.

Review Process:  Application review begins after the submission deadline. Notification of admissions decisions will be made by email or by telephone by the end of February.

Connecting with Faculty and/or Students: Unfortunately, due to the volume of inquiries we receive, faculty and current students are not available to correspond with potential applicants prior to an offer of admission. Applicants who are offered admission will have the opportunity to meet faculty and students to have their questions answered prior to accepting. Staff and faculty are also not able to pre-assess potential applicant’s work outside of the formal application process. Please email [email protected] instead, if you have questions.

Visiting: The department does not offer pre-admission visits or interviews. Admitted applicants will be invited to visit the department, attend graduate seminars and meet with faculty and students before making the decision to enroll.

Transfer Credits: Transfer credits are not available toward the MFA program.

Admissions FAQ

For Further Information

Contact [email protected]

MFA in Creative Writing Graduation Readings

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Master of Fine Arts in Fiction and Poetry

The University of Miami’s MFA Program in Creative Writing offers a fully funded, two-year course of study in the writing of poetry, fiction, or cross-genre literature while providing substantial training in the teaching of creative writing and composition. Students may apply to receive a third year of funding, during which graduate students focus on professional development and publication as they continue to teach undergraduate writing courses. The program features a broad multilingual focus in a vibrant, multicultural city unlike any other. Enrollment is kept deliberately small to maximize student-teacher interaction, and faculty at UM are supportive of the linguistic and cultural differences that writers bring to their art.

Full Funding

The James Michener Fellowships and Teaching Assistantships support all our graduate students. Awards include a full tuition waiver and an annual stipend. MFA candidates teach one section of Introduction to Creative Writing per semester during their second year in the program or one section each of Creative Writing and Composition.

The Third Year

Students who proceed into a third year will teach Creative Writing and Composition, with additional professional development options in literary magazine editing and communications/public outreach. They will receive faculty mentorship towards professional development.

Graduates of the MFA in Creative Writing have gone on to publish award-winning novels, books of poetry, and creative nonfiction; have been awarded Stegner Fellowships and other residencies; and have gone on to find employment in teaching and publishing.

Curriculum Requirements 

Third Year Option:

ENG 820  is required for third year students. Students make take up to 6 credits in electives during their third year.

Required electives must be literature or forms courses, or other graduate courses at the university.

Sample Plan of Study

The MFA in Creative Writing Program provides its students with a thorough understanding of how to write publishable novels, collections of stories, and books of poetry in order to contribute to the global literary canon; a range of critical and craft-based strategies in order to attain their creative and artistic vision; the skills needed to establish their own expertise, voice and style within the literary genre of their choice; the necessary preparation for careers in the production of contemporary literatures and arts administration within and outside of the academy; and training to teaching in two- and four-year colleges and in research universities. In addition to guiding our students in the writing and revision of their creative theses, we work to assist them in publishing their books, developing a forum for the reading of these works, and obtaining appropriate employment.

Student Learning Outcomes

• Students will demonstrate a thorough understanding of how to write publishable novels, collections of short stories and books of poetry in order to contribute to the global literary cannon.
• Students will master a range of critical and craft-based strategies in order to attain their creative and artistic vision and demonstrating the skills needed to establish their own expertise, voice and style within the literary genre of their choice by submitting a final portfolio and by participating in the Closing Conversation.
• Students will cultivate the necessary skills for careers in the production of contemporary literatures and arts administration.

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MFA in Creative Writing

The Master of Fine Arts Program in Creative Writing at The Ohio State University is designed to help graduate students develop to the fullest their talents and abilities as writers of poetry, fiction and creative nonfiction. Creative writing classes are conducted as workshops or tutorials, and there are numerous opportunities for related study both within and beyond the Department of English.  All students are fully funded for three years in a program that is well known for its sense of community and a faculty that is as committed to teaching as to their own writing.

Approximately 36 graduate students are taught by tenure track, visiting and affiliated (Film Studies) faculty, who also teach in the undergraduate program. Graduate student TAs teach introductory and intermediate special topics undergraduate creative writing courses, undergraduate literary publishing, as well as first-year and second-year writing (required courses for all Ohio State undergraduates). TAs teach two classes a year, one in autumn and one in spring. In addition, they have the opportunity to work as editors of Ohio State's prize-winning, nationally distributed literary magazine, The Journal , and to serve on the editorial staff of our two annual book prizes, one in poetry and one in prose.

Course offerings are varied and numerous. Special topics graduate workshops (in the long poem, in characterization, in literary translation, in humor writing, and so on) ensure that, in addition to "regular" workshops, opportunities abound for experimentation. Our graduate program includes coursework designed for "crossing over," such as, poetry workshops for MFA fiction writers or essayists with little experience writing poems; and "forms" classes in prosody, the novel, the memoir, novellas, for example. 

Screenwriting for MFAs is offered regularly, and many students also elect to study playwriting or writing for performance as an elective. Some MFAs choose to pursue the Graduate Interdisciplinary Specialization in the Fine Arts (GISFA), which allows them to take graduate courses in other arts disciplines. Indeed, Ohio State's size and breadth offer our students the chance to explore many disciplines that enrich their study and practice of creative writing.

ABOUT THE PROGRAM

Core faculty.

Marcus Jackson is the director of the Creative Writing Program. He earned a BA from the University of Toledo and continued his poetry studies at New York University (NYU) and as a Cave Canem fellow. His poems have appeared in such publications as  The American Poetry Review ,  The New Yorker  and  Tin House . His first collection of poetry,  Neighborhood Register , was released in 2011, and his second collection,  Pardon My Heart  (Northwestern University Press/TriQuarterly Books) came out in 2019. Please visit Marcus Jackson's  website . Email:   [email protected]

Kathy Fagan Grandinetti  is the author of five books of poems:  Sycamore  (Milkweed Editions, 2017);  The Raft , a National Poetry Series Award Winner;  MOVING & ST RAGE , winner of the 1998 Vassar Miller Prize for Poetry;  The Charm  (2002); and  LIP  (2009). Her poems have been widely anthologized and her work has appeared in such publications as  Poetry ,  The Paris Review ,  FIELD ,  The Kenyon Review ,  Slate ,  Ploughshares ,  The New Republic  and  Blackbird . She is the recipient of fellowships from the National Endowment for the Arts (NEA), the Ingram Merrill Foundation, The Frost Place and the Ohio Arts Council. Director of the Creative Writing Program, she continues to serve as advisor to  The Journal , for which she and Michelle Herman were awarded the 2004 Ohioana Award for Editorial Excellence. Fagan is also series editor for The Ohio State University Press/ The Journal  Wheeler Poetry Prize. Please visit Kathy Fagan's  website . Email:  [email protected]

Lee Martin  is the author of the novels  The Bright Forever ( a finalist for the 2006 Pulitzer Prize in Fiction);  River of Heaven ;  Quakertown ;  Break the Skin ; and  Late One Night . He has also published three memoirs:  From Our House ,  Turning Bones  and  Such a Life . His first book was the short story collection,  The Least You Need To Know , and a new collection,  The Mutual UFO Network , was published in 2018. His craft book,  Telling Stories: The Craft of Narrative and the Writing Life , came out in 2017. He is the co-editor of  Passing the Word: Writers on Their Mentors.  His fiction and nonfiction have appeared in such places as  Harper's, Ms., Creative Nonfiction, The Georgia Review, The Kenyon Review, Fourth Genre, River Teeth, The Southern Review, Prairie Schooner, Glimmer Train, The Best American Mystery Stories  and  The Best American Essays . He is the winner of the Mary McCarthy Prize in Short Fiction and fellowships from the National Endowment for the Arts and the Ohio Arts Council. He was the winner of the 2006 Alumni Award for Distinguished Teaching from Ohio State, where he is a College of Arts and Sciences Distinguished Professor of English. Please visit Lee Martin's  website . Email:   [email protected]

Elissa Washuta  is a member of the Cowlitz Indian Tribe and a writer of personal essays and memoir. She is the author of three books:  Starvation Mode,   My Body Is a Book of Rules , named a finalist for the Washington State Book Award, and  White Magic , named a finalist for the 2022 PEN Open Book Award. With Theresa Warburton, she is co-editor of the anthology  Exquisite Vessel: Shapes of Native Nonfiction,  forthcoming from University of Washington Press. Her work has appeared in  Salon ,  The Chronicle of Higher Education ,  BuzzFeed  and elsewhere. She has received fellowships and awards from the National Endowment for the Arts, Artist Trust, 4Culture, Potlatch Fund and Hugo House. Please visit Elissa Washuta's website . Email: [email protected]

Nick White is the author of the story collection  Sweet and Low  and the novel  How to Survive a Summer.  His fiction and essays have appeared in  The Kenyon Review, The Literary Review, Indiana Review, Guernica  and elsewhere. A native of Mississippi, he earned a PhD in English and creative writing from The University of Nebraska-Lincoln. Please visit Nick White's  website . Email: [email protected]

Affiliated faculty

Angus Fletcher  is the Black List and Nicholl award-winning screenwriter of MIDDLE EARTH (produced by Bob Shaye and Michael Lynne, directed by Michel Apted), WEE FREE MEN (produced by Allison Thomas and Gary Ross, based on the novel by Terry Pratchett), and VARIABLE MAN (produced by Isa Dick and Electric Shepherd, based on the novella by Philip K. Dick). He earned his PhD from Yale and has published articles on dramatic ethics and practice in Critical Inquiry, New Literary History, The Journal of the History of Philosophy, and a dozen other academic journals. His book Evolving Hamlet appeared on Palgrave in 2011, and his research and writing has been supported by grants from the National Endowment for the Humanities, the National Science Foundation, and the Mellon Foundation. Prior to coming to Ohio State, he taught at USC, Stanford and Teach for America. Email: [email protected]

Alumni of the MFA Program in Creative Writing have had their fiction, poetry and creative nonfiction appear in  The Best American Essays, The Best New American Voices, The Best American Travel Writing, Tin House, Southern Review, Kenyon Review, Gettysburg Review, Glimmer Train, Creative Nonfiction, Fourth Genre, River Teeth, The Yale Review, Poetry, American Poetry Review, New Criterion, Field, Iowa Review, The Paris Review, Prairie Schooner, North American Review, Ploughshares, The Washington Post Magazine, The New York Times Magazine, Quarterly West, Epoch, Five Points , and other notable venues.

Below are just a few of these outstanding alumni poets and writers.

Maggie Smith  is the author of  Weep Up  (Tupelo Press, forthcoming 2018);  The Well Speaks of Its Own Poison  (Tupelo Press 2015), winner of the Dorset Prize and the 2016 Independent Publisher Book Awards Gold Medal in Poetry  Lamp of the Body  (Red Hen Press 2005), winner of the Benjamin Saltman Award; and three prizewinning chapbooks. Her poems regularly appear in journals such as  The Paris Review, The Southern Review, The Gettysburg Review, Plume, Virginia Quarterly Review,  and  Guernica . The recipient of fellowships from the National Endowment for the Arts, the Ohio Arts Council, the Sustainable Arts Foundation, and elsewhere, Smith is a freelance writer and editor in Bexley, Ohio, and she serves as a consulting editor to the  Kenyon Review . (MFA, 2003) Maggie Smith's website . 

Photo credit: Lauren Powell

Claire Vaye Watkins  (MFA, 2011) is the author of the novel  Gold, Fame, Citrus  (2015) and  Battleborn  , a collection of stories (2012).  Battleborn  was awarded The Story Prize and the 2013 Dylan Thomas Prize and listed by the  San Francisco Chronicle  as one of the Best Books of 2012. Watkins was awarded an American Academy Arts & Letters Prize in 2012 and has received fellowships from the Writers’ Conferences at Sewanee and Bread Loaf. Her stories and essays have appeared in  Granta ,  One Story,   The Paris Review ,  Ploughshares ,  Glimmer Train ,  Best of the West 2011 , and  Best of the Southwest 2013.  Watkins is an assistant professor at Bucknell University and the co-director, with Derek Palacio, of the Mojave School, a non-profit creative writing workshop for teenagers in rural Nevada.

For more information about Watkins, her work, and the Mojave School, visit her website .

Photo credit: Heike Steinweg

Donald Ray Pollock  (MFA, 2009) is the author of the novel  The Devil All the TIme  (2011) and  Knockemstiff  (2008), a collection of stories. Pollock grew up in southern Ohio. At 17, He dropped out of high school to work in a meatpacking plant and then spent 32 years employed in a paper mill in Chillicothe, Ohio.  Knockemstiff  won the 2009 PEN/Robert Bingham Fellowship, and  The Devil All the Time  was listed by Esquire as one of the Three Books Every Man Should Read. Pollock's work has appeared in  Third Coast, The Journal ,  Sou’wester ,  Chiron Review ,  River Styx ,  Boulevard ,  Folio, Granta ,  The New York Times Book Review ,  Washington Square , and  The Berkeley Fiction Review . He is the 2012 recipient of the Grand Prix de Littérature Policière, the most prestigious award for crime and detectives novels in France.

For more information about Pollock and his work, visit his website .

Yona Harvey  (MFA, 2001) is a literary artist living in Pittsburgh, Pennsylvania. She is the author of the poetry collection  Hemming the Water  (Four Way Books: New York), which won the Kate Tufts Discovery Award from Claremont Graduate University.

She is also the recipient of an Individual Artist Grant in literary nonfiction from The Pittsburgh Foundation. Her poems can be found in  jubilat, Gulf Coast, Callaloo, West Branch,  and various journals and anthologies, including  A Poet’s Craft: A Comprehensive Guide to Making and Sharing Your Poetry  (Ed. Annie Finch). She lives not far from where jazz pianist and composer Mary Lou Williams grew up. Williams married the spiritual to the secular in her music, and is a regular muse in Yona’s writing. She is an assistant professor in the Writing Program at the University of Pittsburgh.

Visiting Writer John Murillo

Friday, September 22, 2023, at 5 p.m. in Denney Hall 311

John Murillo is the author of the poetry collections  Up Jump the Boogie  (Cypher 2010, Four Way Books 2020), finalist for both the Kate Tufts Discovery Award and the Pen Open Book Award and  Kontemporary Amerikan Poetry (Four Way 2020), winner of the Kingsley Tufts Poetry Award and the Poetry Society of Virginia’s North American Book Award and finalist for the PEN/Voelcker Award for Poetry, Believer Poetry Award, Maya Angelou Book Award, Hurston/Wright Foundation Legacy Award and the NAACP Image Award.  His other honors include the Four Quartets Prize from the T.S. Eliot Foundation and the Poetry Society of America, two Larry Neal Writers Awards, a pair of Pushcart Prizes, the J Howard and Barbara MJ Wood Prize from the Poetry Foundation, an NYSCA/NYFA Artist Fellowship, and fellowships from the National Endowment for the Arts, the Bread Loaf Writers Conference, Fine Arts Work Center in Provincetown, Cave Canem Foundation and the Wisconsin Institute for Creative Writing.   

Visiting Writer Melissa Faliveno

Friday, November 3, 2023, at 4 p.m. in Denney Hall 311

Melissa Faliveno is the author of the debut essay collection  TOMBOYLAND , named a Best Book of 2020 by NPR, New York Public Library, Oprah Magazine and Electric Literature and recipient of a 2021 Award for Outstanding Literary Achievement from the Wisconsin Library Association. Her essays, interviews and reviews have appeared in  Esquire, Paris Review, Bitch, Literary Hub, Ms Magazine, Brooklyn Rail  and  Prairie Schooner , among others, and in the anthology  SEX AND THE SINGLE WOMAN: 24 WRITERS REIMAGINE HELEN GURLEY BROWN’S CULT CLASSIC (Harper Perennial, 2022). Melissa is the Fall 2022 Distinguished Visiting Writer in the MFA program at UNC–Wilmington, was the 2020-21 Kenan Visiting Writer at UNC–Chapel Hill, and has also taught creative writing at Kenyon College, Sarah Lawrence College, Catapult and to incarcerated men, high school students and adults in and around New York City.

Visiting Writer Thao Thai

Friday, February 23, 2024, at 4 p.m. in Denney Hall 311

Thao Thai is a writer based out of Ohio, whose work has been published or is forthcoming in the  Los Angeles Review of Books, WIRED, Real Simple, Catapult, The Sunday Long Read, Cup of Jo  and other publications. Thao’s debut novel,  Banyan Moon , is set to come out in June of 2023 (Mariner|HarperCollins). The novel has already been selected as an Indie Next pick, Indies Introduce Title, Book of the Month pick and the HarperCollins Lead Read of Summer 2023. Thao received her MFA in Creative Writing from the Ohio State University in 2012.

Visiting Writer Daisy Hernández

Friday, October 28, 2022 at 4 p.m. in Denney Hall 311

Daisy Hernández is the author of  The Kissing Bug: A True Story of a Family, an Insect, and a Nation’s Neglect of a Deadly Disease  (Tin House, 2021), which won the PEN/Jean Stein Book Award and was selected as an inaugural title for the National Book Foundation’s Science + Literature Program.  The Kissing Bug  was named a top 10 nonfiction book of 2021 by  Time  magazine and was a finalist for the New American Voices Award. Daisy is also the author of the award-winning memoir,  A Cup of Water Under My Bed  (Beacon Press, 2014), and co-editor of the classic feminist anthology,  Colonize This! Young Women of Color on Today’s Feminism  (Seal Press, 2002). Her essays and fiction have appeared in numerous publications, and she has reported for  National Geographic, The Atlantic, The New York Times  and  Slate .

Visiting Writer Yona Harvey

Friday, November 18, 2022 at 4 p.m. in Denney Hall 311

Yona Harvey is the author of the poetry collections  You Don’t Have to Go to Mars for Love  (Four Way Books, 2020), which won the Believer Book Award for Poetry, and  Hemming the Water  (Four Way Books, 2013), which won the Kate Tufts Discovery Award. She co-wrote  Marvel’s World of Wakanda  with Roxane Gay, as well as  Black Panther & the Crew  with Ta-Nehisi Coates. Yona has worked with teenagers writing about mental health issues in collaboration with  Creative Nonfiction  magazine and is a 2022 Guggenheim Fellow. She is also a 2001 alumna of the Ohio State University’s MFA in Creative Writing Program.

Visiting Writer Jamel Brinkley

Friday, March 3, 2023 at 4 p.m. in Denney Hall 311

Jamel Brinkley is the author of  A Lucky Man: Stories  (Graywolf Press, 2018), which was a finalist for the National Book Award, the Story Prize, the John Leonard Prize, the PEN/Robert W. Bingham Prize and the Hurston/Wright Legacy Award; and winner of a PEN Oakland Award and the Ernest J. Gaines Award for Literary Excellence. Jamel’s writing has appeared in  A Public Space, The Paris Review, Ploughshares, Gulf Coast, The Threepenny Review, Glimmer Train, American Short Fiction, The Believer  and  Tin House , and it has been anthologized twice in  The Best American Short Stories . Jamel was also the 2016-2017 Carol Houck Smith Fellow at the Wisconsin Institute for Creative Writing, a 2018-2020 Wallace Stegner Fellow at Stanford University, and he has been awarded a 2021 O. Henry Prize.

Visiting Writer Laura van den Berg

Friday, October 1, 2021 at 4 p.m. virtually. 

Laura van den Berg was born and raised in Florida. Her most recent collection of stories, I Hold a Wolf by the Ears , was published by FSG in July and named a “best summer read” by The New York Times, Time Magazine, Esquire, Harper’s Bazaar and Entertainment Weekly , among others. She is the author of two previous collections, The Isle of Youth (FSG, 2013) and What the World Will Look Like When All the Water Leaves Us (Dzanc Books, 2009) and the novels Find Me (FSG, 2015) and The Third Hotel (FSG, 2018). The Third Hotel was a finalist for the Young Lions Fiction Award, an IndieNext Pick, a Powell’s Books Indispensable Pick and named a “best book of 2018” by over a dozen publications. Laura’s honors include the Rosenthal Family Foundation Award from the American Academy of Arts & Letters, the Bard Fiction Prize, a MacDowell Colony Fellowship, a Civitella Ranieri Foundation Fellowship, a Pushcart Prize, an O. Henry Award and the Jeannette Haien Ballard Writer’s Prize.

Visiting Writer LaTanya McQueen

Friday, November 5, 2021 at 4 p.m. in Denney Hall 311

McQueen’s novel  When the Reckoning Comes  was published with Harper Perennial , an imprint of HarperCollins . She’s also the author of  And It Begins Like This , an essay collection. She received her MFA from Emerson College, her PhD from the University of Missouri, was the 2017-2018 Robert P. Dana Emerging Writer Fellow at Cornell College and is currently an Assistant Professor of English and Creative Writing at Coe College. She writes both fiction and nonfiction and has been published in  Carve Magazine, Passages North, Bennington Review, Fugue, Ninth Letter, Grist, The Florida Review, Black Warrior Review, Fourteen Hills, New Orleans Review, Nimrod, New South and Booth . She’s won the Disquiet Literary Prize and the Walker Percy Prize in Fiction.

Visiting Writer Ilya Kaminsky

Friday, March 4, 2022 at 5:30 p.m. in Denney Hall 311

Ilya Kaminsky was born in Odessa, former Soviet Union in 1977, and arrived to the United States in 1993, when his family was granted asylum by the American government. He is the author of  Deaf Republic  (Graywolf Press) and  Dancing In Odessa  (Tupelo Press) and co-editor and co-translated many other books, including  Ecco Anthology of International Poetry  (Harper Collins) and  Dark Elderberry Branch: Poems of Marina Tsvetaeva  (Alice James Books). His work won The Los Angeles Times Book Award, The Anisfield-Wolf Book Award, The National Jewish Book Award, the Guggenheim Fellowship, The Whiting Award, the American Academy of Arts and Letters' Metcalf Award, Lannan Fellowship, Academy of American Poets’ Fellowship, NEA Fellowship,  Poetry  magazine's Levinson Prize, and was also shortlisted for the National Book Award, National Book Critics Circle Award, Neustadt International Literature Prize and T.S. Eliot Prize (UK).

Visiting Writer Aimee Nezhukumatathil

Friday, March 26, 2021, at 4 p.m. on Zoom

Aimee Nezhukumatathil is the author of the New York Times best selling illustrated collection of nature essays and Kirkus Prize finalist, World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments  (2020, Milkweed Editions), which was chosen as Barnes and Noble’s Book of the Year. She has four previous poetry collections: Oceanic (Copper Canyon Press, 2018), Lucky Fish (2011), At the Drive-In Volcano  (2007) and Miracle Fruit  (2003), the last three from Tupelo Press. Her most recent chapbook is Lace & Pyrite , a collaboration of garden poems with the poet Ross Gay. Her writing appears twice in the Best American Poetry Series , The New York Times Magazine , ESPN , Ploughshares , American Poetry Review  and Tin House .

Visiting Writer Liza Wieland

Friday, September 13, 2019 at 4 p.m. in Denney Hall 311

Liza Wieland is the author of eight works of fiction and a volume of poems. She has received fellowships from the National Endowment for the Arts, the Christopher Isherwood Foundation and the North Carolina Arts Council. She is the 2017 winner of the Robert Penn Warren Prize from the Fellowship of Southern Writers. Her novel,  A Watch of Nightingales , won the 2008 Michigan Literary Fiction Award and her previous novel,  Land of Enchantment , was a longlist finalist for the 2016 Chautauqua Prize. She lives in Oriental, North Carolina, and she teaches at East Carolina University.

Native Craft Reading Series presents Billy-Ray Belcourt

Wednesday, September 18, 2019 at 4 p.m. in Denney Hall 311

Billy-Ray Belcourt (he/him) is a writer and academic from the Driftpile Cree nation. He is a PhD candidate and 2018 Pierre Elliott Trudeau Foundation Scholar in the Department of English and Film Studies at the University of Alberta; his doctoral project is a creative-theoretical one called "The Conspiracy of NDN Joy." He is also a 2016 Rhodes Scholar and holds an MSt in women's studies from the University of Oxford and Wadham College. In the First Nations Youth category, Belcourt was awarded a 2019 Indspire Award, which is the highest honor the Indigenous community bestows on its own leaders. In January 2020, he will be an assistant professor of Indigenous creative writing at the University of British Columbia.

Visiting Writer Nicole Sealey

Friday, October 18, 2019 at 4 p.m. in Denney Hall 311 MFA Workshop: Saturday, October 19 in Denney Hall 311

Born in St. Thomas, U.S. Virgin Islands and raised in Apopka, Florida, Nicole Sealey is the author of  Ordinary Beast , finalist for the PEN Open Book and Hurston/Wright Legacy Awards, and  The Animal After Whom Other Animals Are Named , winner of the Drinking Gourd Chapbook Poetry Prize. Her other honors include a 2019 Rome Prize, the Stanley Kunitz Memorial Prize from The American Poetry Review, the Poetry International Prize and a Daniel Varoujan Award, grants from the Elizabeth George and Jerome Foundations, as well as fellowships from the Bread Loaf Writers’ Conference, CantoMundo, Cave Canem, MacDowell Colony and the Poetry Project. Her work has appeared in  The New Yorke r and elsewhere. Sealey holds an MLA in Africana studies from the University of South Florida and an MFA in creative writing from New York University. Formerly the executive director at Cave Canem Foundation, she is a 2019-2020 Hodder Fellow at Princeton University.

Visiting Writer Robert Fieseler

Friday, January 10, 2020 at 4 p.m. in Denney Hall 311

Robert W. Fieseler is the 2019 National Lesbian and Gay Journalists Association "Journalist of the Year" and the acclaimed debut author of  Tinderbox: The Untold Story of the Up Stairs Lounge Fire and the Rise of Gay Liberation , winner of the Edgar Award in Best Fact Crime and Lambda Literary's Judith A. Markowitz Award for Emerging Writers. He graduated co-valedictorian from the Columbia Journalism School and lives with his husband and dog in New Orleans.

Visiting Writer Dan Kois

Friday, January 24, 2020 at 4 p.m. in Denney Hall 311 MFA Workshop: Saturday, January 25 in Denney Hall 311

Dan Kois is the author of  How to Be a Family  and the co-author of  The World Only Spins Forward .

Visiting Writer Amy Fusselman

Wednesday, September 12 at 4:30 p.m. at the Wexner Center for the Arts Bookstore

Amy Fusselman  is a writer, artist and publisher based in New York City. She is the author of three books of nonfiction:  Savage Park: A Meditation on Play, Space and Risk for Americans Who Are Nervous, Distracted and Afraid to Die  (Houghton Mifflin Harcourt, 2015);  The Pharmacist’s Mate  (McSweeney’s, 2013); and  8  (McSweeney’s, 2013). Her new book,  Idiophone , was released from Coffee House Press on July 3rd, 2018. Her writing has appeared in  ARTnews, Ms., The New York Times, Artnet, The Believer, McSweeney’s Internet Tendency,  and  The Atlantic , among other places. Fusselman is the publisher at  Ohio Edit , a digital art and literary journal that offers 99-cent downloadable essays  on thought-provoking topics. 

Visiting Writer Danez Smith

Reading: Friday, September 14 at 4:30 p.m. in 311 Denney Hall. MFA Student Workshop: Saturday, September 15.

Danez Smith  is a Black, queer, poz writer and performer from St. Paul, MN. Danez is the author of  Don’t Call Us Dead  (Graywolf Press, 2017), a finalist for the National Book Award, and  [insert] boy  (YesYes Books, 2014), winner of the Kate Tufts Discovery Award and the Lambda Literary Award for Gay Poetry. Danez is also the author of two chapbooks,  hands on your knees  (2013, Penmanship Books) and  black movie  (2015, Button Poetry), winner of the Button Poetry Prize. They are the recipient of fellowships from the Poetry Foundation, the McKnight Foundation, and is a 2017 National Endowment for the Arts Fellow. Danez's work has been featured widely including in/on  Buzzfeed, The New York Times, PBS NewsHour, Best American Poetry, Poetry Magazine,  and on the Late Show with Stephen Colbert. Danez is a member of the Dark Noise Collective and is the co-host of VS with Franny Choi, a podcast sponsored by the Poetry Foundation and Postloudness. 

Visiting Writer Alice McDermott

Reading: Friday, September 28 at 4:30 p.m. in 311 Denney Hall. MFA Student Workshop: Saturday, September 29.

Alice McDermott ’s first novel,  A Bigamists' Daughter , was published to wide acclaim in 1982.  That Night  (1987), her second novel, was a finalist for the Pulitzer Prize, the National Book Award, and for the  Los Angeles Times  Book Prize.  At Weddings and Wakes  (1992), her third novel, became a  New York Times  bestseller.  Charming Billy  (1998), won the National Book Award. Ms. McDermott's other books include  Child of My Heart  and  After This .  Ms. McDermott received her BA from the State University of New York at Oswego, and her MA from the University of New Hampshire. She has taught at the University of California at San Diego and American University, has been a writer-in-residence at Lynchburg and Hollins Colleges in Virginia, and was lecturer in English at the University of New Hampshire. Her short stories have appeared in  Ms., Redbook, Mademoiselle  and  Seventeen . The recipient of a Whiting Writers Award, Ms. McDermott is currently writer-in-residence at Johns Hopkins University in Baltimore. 

Visiting Writer Melissa Febos

Reading: Friday, March 1 in 311 Denney Hall. Time: 4 p.m. MFA Student Workshop: Saturday, March 2.

Melissa Febos  is the author of the critically acclaimed memoir,  Whip Smart  (St. Martin’s Press 2010) and the essay collection,  Abandon Me  (Bloomsbury 2017), which  The New Yorker  called “mesmerizing,” and was an Indie Next Pick and named a Best Book of 2017 by  Esquire, Book Riot, The Cut, Electric Literature, The Brooklyn Rail, Bustle, Refinery29, Salon , and  The Rumpus . The recipient of an MFA from Sarah Lawrence College, she is currently Assistant Professor of Creative Writing at Monmouth University. She serves on the Board of Directors of VIDA: Women in Literary Arts, the PEN America Membership Committee, and co-curated the Manhattan reading and music series, Mixer, for ten years. She curates literary events, teaches workshops, and speaks widely. The daughter of a sea captain and a psychotherapist, she was raised on Cape Cod and lives in Brooklyn. 

Native Craft Reading Series presents Tommy Pico

Friday, April 13, 2018 at 4 p.m. in Denney 311

Tommy “Teebs” Pico  is the founder and editor-in-chief of birdsong, an antiracist/queer-positive collective, small press and zine that publishes art and writing. The author of absentMINDR (VERBALVISUAL, 2014)—the first chapbook APP published for iOS mobile/tablet devices—Pico was a Queer/Art/Mentors inaugural fellow and a 2013 Lambda Literary fellow in poetry and has published poems in BOMB, Guernica, [PANK] and elsewhere. Originally from the Viejas Indian reservation of the Kumeyaay nation, he now lives in Brooklyn, where he co-curates the reading series Poets With Attitude (PWA) with Morgan Parker.

Visiting Writer Gabe Habash

Friday, April 6, 2018 at 4 p.m. in Denney 238

Columbus native Gabe Habash comes back to read from his debut novel,  Stephen Florida .  Hanya Yanagihara, author of  A Little Life , says, "In  Stephen Florida , Gabe Habash has created a coming-of-age story with its own, often explosive, rhythm and velocity. Habash has a canny sense of how young men speak and behave, and in Stephen, he's created a singular character: funny, ambitious, affecting, but also deeply troubled, vulnerable and compellingly strange. This is a shape-shifter of a book, both a dark ode to the mysteries and landscapes of the American West and a complex and convincing character study."  Gabe is currently the fiction reviews editor for  Publishers Weekly . He holds an MFA from New York University.

Visiting Writer Lina María Ferreira Cabeza-Vanegas (creative nonfiction)

Friday, February 23, 2018 at 4 p.m. in Denney 311 MFA Student Workshop: Saturday, February 24

Lina María Ferreira Cabeza-Vanegas received a 2016 Writer’s Award from the Rona Jaffe Foundation. Her nonfiction book,  Don’t Come Back , was released in 2017 from Mad River Books, an imprint of the Ohio State Press. She has MFA degrees in both creative nonfiction and literary translation, both from the University of Iowa. She is also the author of  Drown Sever Sing .

Native Craft Reading Series presents Toni Jensen

Reading:  Monday, November 13, 2017 at 4:30 p.m. in 311 Denney Hall

Toni Jensen ’s first story collection,  From the Hilltop , was published through the Native Storiers Series at the University of Nebraska Press. Her stories have been published in journals such as  Ecotone ,  Denver Quarterly , and  Fiction International  and have been anthologized in  New Stories from the South ,  Best of the Southwest , and  Best of the West: Stories from the Wide Side of the Missouri . She’s working on a collection-in-progress, called  Cowboyistan , about fracking and the sex trafficking of Indigenous women. She teaches in the Programs in Creative Writing and Translation at the University of Arkansas. She is Métis.

Visiting Writer Garth Greenwell (fiction)

Reading:  Saturday, November 4, 2017 at 5 p.m. in 311 Denney Hall MFA Student Workshop:  Saturday, November 4, 2017

Garth Greenwell  is the author of  What Belongs to You , which won the British Book Award for Debut of the Year, was longlisted for the National Book Award, and was a finalist for six other awards, including the PEN/Faulkner Award, the James Tait Black Memorial Prize, and the  Los Angeles Times  Book Prize. A  New York Times Book Review  Editors' Choice, it was named a Best Book of 2016 by over fifty publications in nine countries, and is being translated into eleven languages. His short fiction has appeared in  The New Yorker, The Paris Review ,  A Public Space , and  VICE , and he has written criticism for  The New Yorker , the  London Review of Books , and the  New York Times Book Review , among others. He lives in Iowa City.

MFA Alumna Molly Patterson

Reading:  Tuesday, October 24, 2017 at 4 p.m. in 311 Denney Hall

Molly Patterson  was born in St. Louis and lived in China for several years. Her work has appeared in several magazines, including  The Atlantic Monthly  and  The Iowa Review . She was the 2012-2013 Writer-in-Residence at St. Albans School in Washington, D.C., and is the recipient of a Pushcart Prize. Her debut novel,  Rebellion , was published by Harper (HarperCollins) in August 2017.

Visiting Poet Tarfia Faizullah

Reading:  Friday, October 20, 2017 at 4:30 p.m. in 311 Denney Hall MFA Student Workshop:  Saturday, October 21, 2017

Bangladeshi American poet  Tarfia Faizullah  grew up in Midland, Texas. She earned an MFA from the Virginia Commonwealth University program in creative writing. Her first book,  Seam  (2014), won the Crab Orchard Series in Poetry First Book Award. Faizullah’s honors and awards include an Associated Writers Program Intro Journals Award, a Dorothy Sargent Rosenberg Prize, a Copper Nickel Poetry Prize, a Ploughshares’Cohen Award, and a Bread Loaf Writers’ Conference Margaret Bridgman Scholarship in Poetry. A Kundiman fellow, she lives in Detroit where she teaches at the University of Michigan and is an editor for the Asian American Literary Review and Organic Weapon Arts Chapbook Series. Her second book is  Registers of Illuminated Villages  (Graywolf Press, 2018).

Visiting Writer Camille Dungy

Co-sponsored by project narrative.

Panel Discussion "A Conversation about Camille Dungy's Writing": Tuesday, September 19 at 4 p.m. in 311 Denney Hall Reading:  Wednesday, September 20, 2017 at 11 a.m. in 311 Denney Hall 

Camille T. Dungy  is the author of four collections of poetry:  Trophic Cascade  (Wesleyan UP, 2017),  Smith Blue  (Southern Illinois UP, 2011),  Suck on the Marrow  (Red Hen Press, 2010), and  What to Eat, What to Drink, What to Leave for Poison  (Red Hen Press, 2006). Her debut collection of personal essays is  Guidebook to Relative Strangers  (W. W. Norton, 2017). Dungy’s honors include an American Book Award, two Northern California Book Awards, two NAACP Image Award nominations, and a California Book Award silver medal. Her poems and essays have been published in Best American Poetry, The 100 Best African American Poems, nearly thirty other anthologies, and over one hundred print and online journals.

Lia Purpura

April 7-9, 2017

Lia Purpura is the author of three collections of essays ( Rough Likeness, On Looking,  and  Increase ) in addition to a collection of translations and three books of poems. A Finalist for the National Book Critics Circle Award (for  On Looking ), she has also been awarded a Guggenheim Fellowship, an NEA Fellowship, a Fulbright Foundation Fellowship (Translation, Warsaw, Poland), and three Pushcart Prizes. Lia Purpura is Writer in Residence at the University of Maryland, Baltimore County, in Baltimore, MD and teaches at the Rainier Writing Workshop  in Tacoma, WA. Recently, she has served as Bedell Visiting Writer at the University of Iowa’s MFA Program in Nonfiction.  www.liapurpura.com

Carl Phillips

October 22-23, 2016

Carl Phillips  is the author of numerous books of poetry, including  Reconnaissance ,  Silverchest ,  Double Shadow ,  Quiver of Arrows: Selected Poems 1986-2006 , and  Riding Westward . His honors include the 2006 Academy of American Poets Fellowship, an Award in Literature from the American Academy of Arts and Letters, the Pushcart Prize, the Academy of American Poets Prize, induction into the American Academy of Arts and Sciences, and fellowships from the Guggenheim Foundation and the Library of Congress. Phillips served as a Chancellor of the Academy of American Poets from 2006 to 2012. He is Professor of English and of African and African American Studies at Washington University in St. Louis, where he also teaches in the Creative Writing Program.

Benjamin Percy

September 23-25, 2016 

Benjamin Percy is the author of three novels, the most recent among them  The Dead Lands   (Grand Central/Hachette, April 2015), a post apocalyptic reimagining of the Lewis and Clark saga. He is also the author of   Red Moon  (Grand Central/Hachette, May 2013) and  The Wilding  (Graywolf Press, 2010), as well as two books of short stories,  Refresh, Refresh  (Graywolf Press, 2007) and  The Language of Elk  (Grand Central/Hachette, 2012; Carnegie Mellon University Press, 2006).  His craft book —  Thrill Me: Essays on Fiction  — will be published by Graywolf Press in October of 2016. And his next novel,  The Dark Net , is due out in 2017 with Houghton Mifflin Harcourt. He also writes the Green Arrow and Teen Titans series at DC Comics.  His honors include a fellowship from the National Endowment for the Arts, the Whiting Writers’ Award, two Pushcart Prizes, the Plimpton Prize, and inclusion in Best American Short Stories and Best American Comics. He is a member of the WGA screenwriters’ guild and has sold scripts to FOX and Starz. He currently has several film and TV projects in development. 

Stuart Dybek

November 20-22, 2015

Stuart Dybek is the author of three books of fiction: I Sailed With Magellan , The Coast of Chicago , and Childhood and Other Neighborhoods . Both I Sailed With Magellan and The Coast of Chicago were New York Times Notable Books, and The Coast of Chicago was a One Book One Chicago selection.  Among Dybek’s numerous awards are a PEN/Malamud Prize “for distinguished achievement in the short story,” a Lannan Award, a Whiting Writers Award, an Award from the Academy of Arts and Letters, several O.Henry Prizes, and fellowships from the NEA and the Guggenheim Foundation. 

Meghan Daum

January 29-31, 2016

Meghan Daum is the author of four books, most recently the collection of original essays The Unspeakable: And Other Subjects of Discussion . She is also the editor of Selfish, Shallow and Self-Absorbed: Sixteen Writers on the Decision Not To Have Kids . Her other books include the essay collection My Misspent Youth , the novel The Quality of Life Report , and Life Would Be Perfect If I Lived In That House , a memoir. Since 2005, Meghan has been an opinion columnist at The Los Angeles Times, covering cultural and political topics. She is the recipient of a 2015 Guggenheim Fellowship and is currently an adjunct associate professor in the M.F.A. Writing Program at Columbia University's School of the Arts.

Natalie Diaz

February 19-21, 2016

Natalie Diaz was born in the Fort Mojave Indian Village in Needles, California. She is Mojave and an enrolled member of the Gila River Indian community. She is the author of the poetry collection When My Brother Was an Aztec (2012). Her honors and awards include the Nimrod/Hardman Pablo Neruda Prize for Poetry, the Louis Untermeyer Scholarship in Poetry from Bread Loaf, the Narrative Poetry Prize, and a Lannan Literary Fellowship. Diaz lives in Mohave Valley, Arizona, where she works with the last speakers of Mojave and directs a language revitalization program. 

BOOKS THAT COOK: The Making of a Literary Meal, A Food Writing Extravaganza

Thursday, March 26, 2015, Denney Hall 311 Food Writing Panel at 3 p.m. Reading at 4 p.m. Cooking Class (off-campus) at 6 p.m. (more details below and on  this flyer [pdf] )

Organized like a cookbook, Books that Cook:  The Making of a Literary Meal is a collection of American literature written on the theme of food.  The literary works within each section are an extension of these cookbooks, while the cookbook excerpts in turn become pieces of literature — forms of storytelling and memory-making all their own.  Each section offers a delectable assortment of poetry, prose and essays, and the selections all include at least one tempting recipe to entice readers to cook this book.    Edited by OSU alumni  Jennifer Cognard-Black  and  Melissa A. Goldthwaite , and including work by OSU creative writing professor  Kathy Fagan .

Food Writing Panel from 3-4 p.m. featuring:

Melissa Goldthwaite , Editor,  Books that Cook Jennifer Cognard-Black , Editor,  Books that Cook Colleen Leonardi , Managing Editor,  Edible Columbus Mike Bierschenk , Food Writer,  Optional Kitchen Nancy Yan , Lecturer, The Ohio State University Newark Jonathan Buehl , Associate Professor, Ohio State English

Literary Reading from 4-5 p.m. featuring:

Jennifer Cognard-Black , Editor,  Books that Cook Melissa Goldthwaite , Editor,  Books that Cook Kathy Fagan , Poet and Professor, MFA Faculty, OSU

Cooking Class (Hors d'Oeuvres) from 6-8 p.m.

with  Sarah Lagrotteria , Cooking Instructor and Recipe Editor for  Edible Columbus  at The Seasoned Farmhouse Cooking School in Clintonville

Gail Caldwell

Saturday, November 8, 2014 at 8 p.m. OSU Bookstore - Barnes & Noble Event Space, Second Floor 1598 N. High Street

Gail Caldwell was the chief book critic for The Boston Globe and the winner of the 2001 Pulitzer Prize for Criticism. Her work was noted for “her insightful observations on contemporary life and literature.” She wrote  A Strong West Wind: A Memoir  (2006) about her native Texas, and Let's Take the Long Way Home (2010), a memoir of her friendship with author Caroline Knapp. Her latest book, New Life, No Instructions, was released in April 2014.  She has a Samoyed named Tula. 

Zadie Smith

Thursday, November 13, 2014 Mershon Auditorium/Wexner Center for the Arts 1871 N. High Street 5 p.m.

As of 2012, Zadie Smith has published four novels, all of which have received substantial critical praise. In 2003, she was included on Granta's list of 20 best young authors, and was also included in the 2013 list.[ She joined New York University's Creative Writing Program as a tenured professor on September 1, 2010. Smith has won the Orange Prize for Fiction in 2006 and her novel  White Teeth  was included in Time magazine's TIME:  100 Best English-language Novels from 1923 to 2005 list.

Presented by the President and Provost's Diversity Lecture and Cultural Arts Series, with co-host The Humanities Institute.

Friday, January 16, 2015 at 7 p.m. OSU Bookstore - Barnes & Noble Event Space, Second Floor 1598 N. High Street

Jamaal May is a poet, editor and educator from Detroit, where he taught poetry in public schools and worked as a freelance audio engineer and touring performer. He is the author of  Hum  (2013), winner of the Beatrice Hawley Award, and two poetry chapbooks ( The God Engine  and  The Whetting of Teeth ). A graduate of Warren Wilson's MFA program for writers, Jamaal teaches in the Vermont College of Fine Arts MFA program.  

Sarah Shun-Lien Bynum

Friday, February 6, 2015 at 8 p.m. OSU Bookstore - Barnes & Noble Event Space, Second Floor 1598 N. High Street

Sarah Shun-lien Bynum is the author of two novels,  Ms. Hempel Chronicles , a finalist for the 2009 PEN/Faulkner Award, and  Madeleine Is Sleeping , a finalist for the 2004 National Book Award and winner of the Janet Heidinger Kafka Prize. The recipient of a Whiting Writers’ Award and an NEA Fellowship, she was named one of “20 Under 40” fiction writers by the New Yorker. She lives in Los Angeles and teaches in the Graduate Writing Program at Otis College of Art and Design. 

January 25, 2014 OSU Bookstore - Barnes & Noble Event Space, Second Floor 1598 N. High Street 8 p.m.

Dan Chaon is the acclaimed author of  Among the Missing , which was a finalist for the National Book Award, and  You Remind Me of Me , which was named one of the best books of the year by  The Washington Post ,  Chicago Tribune ,  San Francisco Chronicle ,  The Christian Science Monitor , and  Entertainment Weekly , among other publications. Chaon’s fiction has appeared in many journals and anthologies, including  The Best American Short Stories ,  Pushcart Prize , and  The O. Henry Prize Stories . He has been a finalist for the National Magazine Award in Fiction, and he was the recipient of the 2006 Academy Award in Literature from the American Academy of Arts and Letters. Chaon lives in Cleveland, Ohio, and teaches at Oberlin College, where he is the Pauline M. Delaney Professor of Creative Writing. 

November 25, 2013 311 Denney Hall 164 W. 17th Avenue 3 p.m.

Born in Miami,  Joy Castro  is the author of the novel Hell or High Water and the memoir The Truth Book . She teaches literature, creative writing, and Latino studies at the University of Nebraska-Lincoln, and her work has appeared in Fourth Genre , Seneca Review  and The New York Times Magazine . 

Terrance Hayes

November 16, 2013 OSU Bookstore - Barnes & Noble Event Space, Second Floor 1598 N. High Street 7:30 p.m.

Terrance Hayes  was born in Columbia, South Carolina in 1971. He received a BA from Coker College in Hartsville, South Carolina, and an MFA from the University of Pittsburgh writing program. He is the author of  Lighthead  (Penguin, 2010), which won the National Book Award for Poetry;  Wind in a Box  (2006);  Hip Logic  (2002), which won the 2001 National Poetry Series and was a finalist for the Los Angeles Times Book Award; and  Muscular Music  (1999), winner of the Kate Tufts Discovery Award. He has received many honors and awards, including a Whiting Writers Award, a Pushcart Prize, three Best American Poetry selections, as well as fellowships from the National Endowment for the Arts Fellowship and the Guggenheim Foundation. He is professor of creative writing at the University of Pittsburgh. 

Hope Edelman

October 20, 2013 OSU Bookstore - Barnes & Noble Event Space, Second Floor 1598 N. High Street 4 p.m.

Hope Edelman  holds a bachelor's degree in journalism from Northwestern University and a master's degree in writing from the University of Iowa. She is the author of six nonfiction books: the international bestseller  Motherless Daughters  (1994), which was published in sixteen countries and translated into eleven languages;  Letters from Motherless Daughters  (1995), an edited collection of letters from readers;  Mother of My Mother  (1999), which looks at the depth and influence of the grandmother-granddaughter relationship;  Motherless Mothers  (2006), about the experience of being a mother when you don't have one; and  The Possibility of Everything  (2009), her first book-length memoir, set in Topanga Canyon, California, and Belize. In 2012 she collaborated with actors and filmmakers Martin Sheen and Emilio Estevez to help them write their father-son memoir,  Along the Way .    

To find dates, times and locations for these events, check the event calendar.

• Alumni Writers Extravaganza The Alumni Writers Extravaganza is a celebration of Ohio State alumni creative writers and of creating writing at The Ohio State University. This major event takes place every three years. The next AWE will be in 2021. Please check back for more information as it becomes available. 
• Editors Panel This event, coordinated by the Writer's Guild, provides MFA students, as well as the greater university and Columbus community, with the opportunity to get firsthand advice from editors and, in some cases, literary agents. MCs ask questions provided to them by students. 

Epilog is an annual public performance which showcases creative work by third-year students in the MFA Program in Creative Writing. Epilog is an opportunity for the public to discover the prose and poetry that is being created by current MFA students. Following brief introductions by creative writing faculty, participating students give readings of their poetry, essays and stories in a formal, gala-like atmosphere. Chapbooks including selections from each of the presenting students are available at the event. This event is sponsored by the Writer's Guild.

• Student-Faculty Readings Twice each semester, a faculty member teams up with several MFA students to give a reading that is open to all. These events are a special showcase for the MFA students to read their work.
• Mother Tongue (MoTo) Mother Tongue evenings offer MFA students an opportunity to read work to their peers in a spirited setting off campus. Students often dedicate much time and creativity to their introductions of one another, fostering an entertaining evening rich with camaraderie. This event is coordinated by the Writer's Guild.
• Native Craft Reading Series

Writer's Guild

Each Ohio State University MFA candidate is a member of Writers Guild, an organization dedicated to enhancing student life and the university community through fundraisers, social activities, industry panels and recognition of graduating classmates. Its board serves as a liaison between graduate students and faculty to discuss developments and communicate news.

English Graduate Organization

The English Graduate Organization is a professional development, networking and advocacy group for all graduate students in the English department. EGO allows graduate students to have a tangible impact on departmental decisions and policies. Elected to specific committees, EGO officers coordinate academic and social events, serve on faculty committees and act as liaisons between graduate students and administration, providing a crucial voice in discussions that affect students’ day-to-day lives and future careers. In addition to promoting the interests of a dynamic graduate student body, EGO offers a valuable opportunity for its officers to prepare for service responsibilities in a profession that thrives on self-governance. EGO officers can vote at monthly English Department Council meetings, which all graduate students can attend.

The award-winning literary journal of The Ohio State University,  The Journal  contributes significantly toward the literary landscape of Ohio and the nation.  The Journal  seeks to identify and encourage emerging writers while also attracting the work of established writers to create a diverse and compelling magazine. 

The Young Writers Workshop is a week-long summer program for high school students in Columbus City Schools, charter schools in the City of Columbus, South-Western City Schools, and Reynoldsburg City Schools. Each year, the Ohio State creative writing faculty choose 30 students from the application pool to come live on campus and study writing with writers from around the country, including current students in and alumni of the Department of English's MFA Program in Creative Writing. Students are selected based on the promise of their writing — we don’t ask for grades or letters of recommendation, just a statement of intent and writing samples. The program is entirely funded by a generous donor, and all participating students receive full scholarships. 

Students attend daily workshops and courses taught by Ohio State faculty, graduate alumni and graduate students and have time to work on their own writing every day as well as attend readings, sessions with visiting writers in various fields, and other events, and participate in an open mic reading of their own work. The program concludes with a capstone event honoring the students and their families.

The deadline for all awards is  Wednesday, February 21, 2024, at 11:59 pm EST . Please open the attachment below for award information, submission links and instructions.

To view a list of award winners, visit the Graduate Student Awards page.

Students in the MFA program must complete 39 semester hours of graduate-level course work, including:

• English 6763.01 Graduate Workshop in Poetry (3 credits)
• English 6763.02 Graduate Workshop in Poetry for MFA Students in Fiction or Creative Nonfiction (3 credits)
• English 6765.01 Graduate Workshop in Fiction (3 credits)
• English 6765.02 Graduate Workshop in Fiction for MFA Students in Poetry or Creative Nonfiction (3 credits)
• English 6768 Graduate Workshop in Creative Nonfiction (3 credits)
• English 6768.02 Graduate Workshop in Creative Nonfiction for MFA Students in Poetry or Fiction (3 Credits)
• English 6769 Graduate Workshop in Creative Writing - Special Topics (3 credits)
• English 6764 Graduate Workshop in Screenwriting (3 credits)
• Nine (9) hours of English other than creative writing courses. A maximum of 3 hours of Independent Study may be counted toward fulfilling this requirement.  English 6781 (Introduction to the Teaching of First-Year English) may be counted toward  this total. Students are encouraged, but not required, to choose additional courses from OSU's broad offerings in literary studies, including the study of narrative, as well as folklore, film, linguistics and other areas.
• Three (3) hours of a course in literary forms (English 7871). Forms of Poetry and Forms of Fiction or Nonfiction are offered every year.  Topics vary; this course may be repeated.
• Three (3) hours of electives in related areas (e.g., other art forms such as music, theater or the visual arts; philosophy; history; literature as offered by departments other than our own, such as foreign language departments; comparative studies–or another relevant course approved by the student's advisor).  Courses must be taken at the graduate level (5000 level or above).  (Other elective courses, not counted toward credits required for graduation, may be taken at any level.)
• Nine (9) hours of creative thesis tutorial (English 8998); and an approved creative thesis, followed by an oral defense.

APPLICATION INFORMATION

All admitted students are fully funded for our three-year MFA program in Creative Writing. In addition, all students receive either a graduate teaching associateship, a Graduate School fellowship or a combination of the two. Funding is renewed on a yearly basis as long as the student maintains satisfactory academic progress.

• Graduate teaching associateships:  Departmental funding is most often in the form of a graduate teaching associateship, for which the student receives a stipend of at least $17,000 for the nine-month academic year. The Department of English also subsidizes 85% of student health insurance premiums and provides a tuition waiver for all GTAs. Students are responsible for COTA bus, student activity, Student Union and Recreation Center fees. Students on GTA appointments teach one course per term during the regular academic year.
• Graduate School fellowships:  In addition to the funding provided by the Department of English, the Graduate School awards  University and Enrichment Fellowships  on a competitive basis to students who are new to graduate education at Ohio State. The Department of English's admissions committee submits nominations to the Graduate School’s competition, and a selection committee reviewing nominations from across all graduate programs in the university awards the fellowships. Students may not apply directly for fellowship support. Each graduate program has a limited number of students who may be nominated for fellowship consideration. All Graduate School fellowships provide a monthly stipend, academic tuition and fees and a subsidy of 85% of the student health insurance premiums. These fellowships are nonrenewable and may not be deferred. 

The Graduate Admissions Committee for the Department of English will accept applications to the MFA program from students with an undergraduate degree from an accredited college or university.

The Graduate School requires that those admitted have an undergraduate grade point average of at least 3.0 on a scale of 4 (where 4.0=A) and at least a 3.0 on all previous graduate work. Our departmental criteria are higher: A GPA of at least 3.2 overall is preferred. Coursework in a foreign language is not required for admission.

If you have already earned an MFA in creative writing or are in the process of completing an MFA program in creative writing, you are not eligible for admission to our program. 

Submit all following items through the  Graduate Admissions Office :

• Application form and fee:  If you are interested in a fee waiver, please visit  this Graduate and Professional Admissions webpage .
• Three letters of recommendation: Please have your recommenders submit letters electronically using the link that will be provided when you select this option in the online application. Our preference is that your recommenders be faculty who have taught you or writers familiar with your work, as these are likely to be most useful to us.  But we understand that for those who have been out of school for some time and those who have not participated in writing workshops or conferences, this may be impossible. You will not be penalized for this, but we do ask that you choose your recommenders carefully from among the options you do have — those who have had the opportunity to work with you or supervise your work, for example. 
• Transcripts or record of marks for each university-level school attended:  Visit  this Graduate and Professional Admissions page   for detailed information about transcript submission. Send transcripts to the Office of Graduate and Professional Admissions; do not send transcripts to the Department of English. Include English translation of each of any foreign documents. Please do not send transcripts of course work taken at Ohio State as the Office of Graduate and Professional Admissions will obtain them directly from the Office of the University Registrar (at no cost to you).
• Personal statement  (one to two single-spaced pages): that describes your background as a writer and your purpose in pursuing this degree; this statement should address your writing interests and can also briefly describe your interest and/or experience in teaching.
• Creative writing sample:  15 to 25 pages of poetry; or 20 to 40 double-spaced pages of fiction; or 20 to 40 double-spaced pages of nonfiction. On the application uploader, upload your creative writing sample to the “Writing Sample” option. The writing sample is the most important part of your application. Please note that admission is to a single genre, so applicants should choose carefully the genre in which they wish to be considered.
• Curriculum vitae/resume  of no more than two pages.

Please note: As of autumn 2018, the Department of English at Ohio State no longer requires GRE scores for applications to its PhD or MFA programs. 

Incomplete applications will not be considered.

If your native language is not English:

• 600 Paper-based TOEFL 
• 100 Internet-based TOEFL (IBT)
• 8.0 IELTS 

All admissions to the MFA program are made for the autumn semester only; the application portal for autumn 2024 will open on September 1, 2023. The application deadline for domestic applicants is December 4, 2023, and the application deadline for international applicants is November 27, 2023

Students must apply online and submit all materials (Graduate Admissions and Department requirements) electronically through the  Office of Graduate Admissions . Please note that your recommenders will receive an email from the university 1-3 days after you submit your application and they should follow the instructions in that email for uploading their letters.

• Do you accept applications for genre fiction? While we don’t in any way dislike or discourage genre fiction, our program is known for its literary fiction, nonfiction and poetry instructors and graduates. Familiarizing yourself with them and their work might be your best and most productive research as you consider to which programs you will apply.  
• Can I talk to current students and/or faculty at Ohio State? We very much appreciate your interest in our program, and we wish that all prospective students had the opportunity to speak with current students and/or faculty. With the volume of applications we receive each year, however, we are unfortunately unable to accommodate these requests. Admitted students are invited to attend our open house in the spring and meet current students and faculty members at that time.  
• I don’t have the required amount of English coursework listed on this page. What should I do? We would encourage you to apply. If your writing sample and application materials match what the committee is looking for, the credit requirement will be waived. It will not negatively impact your application in any way.  
• Can I apply for a fee waiver? If you are interested in applying for a fee waiver, please visit  this  webpage. Please note that the “PGD Program” option is unavailable to students applying for admission to the Department of English.  
• What if my recommenders don’t know me in a creative writing capacity? Our preference is that your recommenders be faculty who have taught you or writers familiar with your work, as these are likely to be most useful to us. However, we understand that for those who have been out of school for some time, and those who have not participated in writing workshops or conferences, this may be impossible. You will not be penalized for this, but we do ask that you choose your recommenders carefully from among the options you do have — those who have had the opportunity to work with you or supervise your work, for example.

For questions that can't be answered by the information above, the Creative Writing Program can be reached by  email   or by phone ( 614-247-9670 ).

[pdf] - Some links on this page are to Adobe .pdf files requiring the use of Adobe Reader. If you need these files in a more accessible format, please contact  [email protected] .

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The 10 Best Creative Writing MFA Programs in the US

The talent is there. 

But the next generation of great American writers needs a collegial place to hone their craft. 

They need a place to explore the writer’s role in a wider community. 

They really need guidance about how and when to publish. 

All these things can be found in a solid Master of Fine Arts in Creative Writing degree program. This degree offers access to mentors, to colleagues, and to a future in the writing world. 

A good MFA program gives new writers a precious few years to focus completely on their work, an ideal space away from the noise and pressure of the fast-paced modern world. 

We’ve found ten of the best ones, all of which provide the support, the creative stimulation, and the tranquility necessary to foster a mature writer.

We looked at graduate departments from all regions, public and private, all sizes, searching for the ten most inspiring Creative Writing MFA programs. 

Each of these ten institutions has assembled stellar faculties, developed student-focused paths of study, and provide robust support for writers accepted into their degree programs. 

To be considered for inclusion in this list, these MFA programs all must be fully-funded degrees, as recognized by Read The Workshop .

Creative Writing education has broadened and expanded over recent years, and no single method or plan fits for all students. 

Today, MFA programs across the country give budding short story writers and poets a variety of options for study. For future novelists, screenwriters – even viral bloggers – the search for the perfect setting for their next phase of development starts with these outstanding institutions, all of which have developed thoughtful and particular approaches to study.

So where will the next Salinger scribble his stories on the steps of the student center, or the next Angelou reading her poems in the local bookstore’s student-run poetry night? At one of these ten programs.

Here are 10 of the best creative writing MFA programs in the US.

University of Oregon (Eugene, OR)

Starting off the list is one of the oldest and most venerated Creative Writing programs in the country, the MFA at the University of Oregon. 

Longtime mentor, teacher, and award-winning poet Garrett Hongo directs the program, modeling its studio-based approach to one-on-one instruction in the English college system. 

Oregon’s MFA embraces its reputation for rigor. Besides attending workshops and tutorials, students take classes in more formal poetics and literature.  

A classic college town, Eugene provides an ideal backdrop for the writers’ community within Oregon’s MFA students and faculty.  

Tsunami Books , a local bookseller with national caché, hosts student-run readings featuring writers from the program. 

Graduates garner an impressive range of critical acclaim; Yale Younger Poet winner Brigit Pegeen Kelly, Cave Canem Prize winner and Guggenheim fellow Major Jackson, and PEN-Hemingway Award winner Chang-Rae Lee are noteworthy alumni. 

With its appealing setting and impressive reputation, Oregon’s MFA program attracts top writers as visiting faculty, including recent guests Elizabeth McCracken, David Mura, and Li-young Lee.

The individual approach defines the Oregon MFA experience; a key feature of the program’s first year is the customized reading list each MFA student creates with their faculty guide. 

Weekly meetings focus not only on the student’s writing, but also on the extended discovery of voice through directed reading. 

Accepting only ten new students a year—five in poetry and five in fiction— the University of Oregon’s MFA ensures a close-knit community with plenty of individual coaching and guidance.

Cornell University (Ithaca, NY)

Cornell University’s MFA program takes the long view on life as a writer, incorporating practical editorial training and teaching experience into its two-year program.

Incoming MFA students choose their own faculty committee of at least two faculty members, providing consistent advice as they move through a mixture of workshop and literature classes. 

Students in the program’s first year benefit from editorial training as readers and editors for Epoch , the program’s prestigious literary journal.

Teaching experience grounds the Cornell program. MFA students design and teach writing-centered undergraduate seminars on a variety of topics, and they remain in Ithaca during the summer to teach in programs for undergraduates. 

Cornell even allows MFA graduates to stay on as lecturers at Cornell for a period of time while they are on the job search. Cornell also offers a joint MFA/Ph.D. program through the Creative Writing and English departments.

Endowments fund several acclaimed reading series, drawing internationally known authors to campus for workshops and work sessions with MFA students. 

Recent visiting readers include Salman Rushdie, Sandra Cisneros, Billy Collins, Margaret Atwood, Ada Limón, and others. 

Arizona State University (Tempe, AZ)

Arizona State’s MFA in Creative Writing spans three years, giving students ample time to practice their craft, develop a voice, and begin to find a place in the post-graduation literary world. 

Coursework balances writing and literature classes equally, with courses in craft and one-on-one mentoring alongside courses in literature, theory, or even electives in topics like fine press printing, bookmaking, or publishing. 

While students follow a path in either poetry or fiction, they are encouraged to take courses across the genres.

Teaching is also a focus in Arizona State’s MFA program, with funding coming from teaching assistantships in the school’s English department. Other exciting teaching opportunities include teaching abroad in locations around the world, funded through grants and internships.

The Virginia C. Piper Center for Creative Writing, affiliated with the program, offers Arizona State MFA students professional development in formal and informal ways. 

The Distinguished Writers Series and Desert Nights, Rising Stars Conference bring world-class writers to campus, allowing students to interact with some of the greatest in the profession. Acclaimed writer and poet Alberto Ríos directs the Piper Center.

Arizona State transitions students to the world after graduation through internships with publishers like Four Way Books. 

Its commitment to the student experience and its history of producing acclaimed writers—recent examples include Tayari Jones (Oprah’s Book Club, 2018; Women’s Prize for Fiction, 2019), Venita Blackburn ( Prairie Schooner Book Prize, 2018), and Hugh Martin ( Iowa Review Jeff Sharlet Award for Veterans)—make Arizona State University’s MFA a consistent leader among degree programs.

University of Texas at Austin (Austin, TX)

The University of Texas at Austin’s MFA program, the Michener Center for Writers, maintains one of the most vibrant, exciting, active literary faculties of any MFA program.

Denis Johnson D.A. Powell, Geoff Dyer, Natasha Trethewey, Margot Livesey, Ben Fountain: the list of recent guest faculty boasts some of the biggest names in current literature.

This three-year program fully funds candidates without teaching fellowships or assistantships; the goal is for students to focus entirely on their writing. 

More genre tracks at the Michener Center mean students can choose two focus areas, a primary and secondary, from Fiction, Poetry, Screenwriting, and Playwriting.

The Michener Center for Writers plays a prominent role in contemporary writing of all kinds. 

The hip, student-edited Bat City Review accepts work of all genres, visual art, cross genres, collaborative, and experimental pieces.  

Recent events for illustrious alumni include New Yorker publications, an Oprah Book Club selection, a screenwriting prize, and a 2021 Pulitzer (for visiting faculty member Mitchell Jackson). 

In this program, students are right in the middle of all the action of contemporary American literature.

Washington University in St. Louis (St. Louis, MO)

The MFA in Creative Writing at Washington University in St. Louis is a program on the move: applicants have almost doubled here in the last five years. 

Maybe this sudden growth of interest comes from recent rising star alumni on the literary scene, like Paul Tran, Miranda Popkey, and National Book Award winner Justin Phillip Reed.

Or maybe it’s the high profile Washington University’s MFA program commands, with its rotating faculty post through the Hurst Visiting Professor program and its active distinguished reader series. 

Superstar figures like Alison Bechdel and George Saunders have recently held visiting professorships, maintaining an energetic atmosphere program-wide.

Washington University’s MFA program sustains a reputation for the quality of the mentorship experience. 

With only five new students in each genre annually, MFA candidates form close cohorts among their peers and enjoy attentive support and mentorship from an engaged and vigorous faculty. 

Three genre tracks are available to students: fiction, poetry, and the increasingly relevant and popular creative nonfiction.

Another attractive feature of this program: first-year students are fully funded, but not expected to take on a teaching role until their second year. 

A generous stipend, coupled with St. Louis’s low cost of living, gives MFA candidates at Washington University the space to develop in a low-stress but stimulating creative environment.

Indiana University (Bloomington, IN)

It’s one of the first and biggest choices students face when choosing an MFA program: two-year or three-year? 

Indiana University makes a compelling case for its three-year program, in which the third year of support allows students an extended period of time to focus on the thesis, usually a novel or book-length collection.

One of the older programs on the list, Indiana’s MFA dates back to 1948. 

Its past instructors and alumni read like the index to an American Literature textbook. 

How many places can you take classes in the same place Robert Frost once taught, not to mention the program that granted its first creative writing Master’s degree to David Wagoner? Even today, the program’s integrity and reputation draw faculty like Ross Gay and Kevin Young.

Indiana’s Creative Writing program houses two more literary institutions, the Indiana Review, and the Indiana University Writers’ Conference. 

Students make up the editorial staff of this lauded literary magazine, in some cases for course credit or a stipend. An MFA candidate serves each year as assistant director of the much-celebrated and highly attended conference . 

These two facets of Indiana’s program give graduate students access to visiting writers, professional experience, and a taste of the writing life beyond academia.

University of Michigan, Ann Arbor (Ann Arbor, MI)

The University of Michigan’s Helen Zell Writers’ Program cultivates its students with a combination of workshop-driven course work and vigorous programming on and off-campus. Inventive new voices in fiction and poetry consistently emerge from this two-year program.

The campus hosts multiple readings, events, and contests, anchored by the Zell Visiting Writers Series. The Hopgood Awards offer annual prize money to Michigan creative writing students . 

The department cultivates relationships with organizations and events around Detroit, so whether it’s introducing writers at Literati bookstore or organizing writing retreats in conjunction with local arts organizations, MFA candidates find opportunities to cultivate a community role and public persona as a writer.

What happens after graduation tells the big story of this program. Michigan produces heavy hitters in the literary world, like Celeste Ng, Jesmyn Ward, Elizabeth Kostova, Nate Marshall, Paisley Rekdal, and Laura Kasischke. 

Their alumni place their works with venerable houses like Penguin and Harper Collins, longtime literary favorites Graywolf and Copper Canyon, and the new vanguard like McSweeney’s, Fence, and Ugly Duckling Presse.

University of Minnesota (Minneapolis, MN)

Structure combined with personal attention and mentorship characterizes the University of Minnesota’s Creative Writing MFA, starting with its unique program requirements. 

In addition to course work and a final thesis, Minnesota’s MFA candidates assemble a book list of personally significant works on literary craft, compose a long-form essay on their writing process, and defend their thesis works with reading in front of an audience.

Literary journal Great River Review and events like the First Book reading series and Mill City Reading series do their part to expand the student experience beyond the focus on the internal. 

The Edelstein-Keller Visiting Writer Series draws exceptional, culturally relevant writers like Chuck Klosterman and Claudia Rankine for readings and student conversations. 

Writer and retired University of Minnesota instructor Charles Baxter established the program’s Hunger Relief benefit , aiding Minnesota’s Second Harvest Heartland organization. 

Emblematic of the program’s vision of the writer in service to humanity, this annual contest and reading bring together distinguished writers, students, faculty, and community members in favor of a greater goal.

Brown University (Providence, RI)

One of the top institutions on any list, Brown University features an elegantly-constructed Literary Arts Program, with students choosing one workshop and one elective per semester. 

The electives can be taken from any department at Brown; especially popular choices include Studio Art and other coursework through the affiliated Rhode Island School of Design. The final semester consists of thesis construction under the supervision of the candidate’s faculty advisor.

Brown is the only MFA program to feature, in addition to poetry and fiction tracks, the Digital/Cross Disciplinary track . 

This track attracts multidisciplinary writers who need the support offered by Brown’s collaboration among music, visual art, computer science, theater and performance studies, and other departments. 

The interaction with the Rhode Island School of Design also allows those artists interested in new forms of media to explore and develop their practice, inventing new forms of art and communication.

Brown’s Literary Arts Program focuses on creating an atmosphere where students can refine their artistic visions, supported by like-minded faculty who provide the time and materials necessary to innovate. 

Not only has the program produced trailblazing writers like Percival Everett and Otessa Moshfegh, but works composed by alumni incorporating dance, music, media, and theater have been performed around the world, from the stage at Kennedy Center to National Public Radio.

University of Iowa (Iowa City, IA)

When most people hear “MFA in Creative Writing,” it’s the Iowa Writers’ Workshop they imagine. 

The informal name of the University of Iowa’s Program in Creative Writing, the Iowa Writers’ Workshop was the first to offer an MFA, back in 1936. 

One of the first diplomas went to renowned writer Wallace Stegner, who later founded the MFA program at Stanford.

 It’s hard to argue with seventeen Pulitzer Prize winners and six U.S. Poets Laureate. The Iowa Writers’ Workshop is the root system of the MFA tree.

The two-year program balances writing courses with coursework in other graduate departments at the university. In addition to the book-length thesis, a written exam is part of the student’s last semester.

Because the program represents the quintessential idea of a writing program, it attracts its faculty positions, reading series, events, and workshops the brightest lights of the literary world. 

The program’s flagship literary magazine, the Iowa Review , is a lofty goal for writers at all stages of their career. 

At the Writers’ Workshop, tracks include not only fiction, poetry, playwriting, and nonfiction, but also Spanish creative writing and literary translation. Their reading series in association with Prairie Lights bookstore streams online and is heard around the world.

Iowa’s program came into being in answer to the central question posed to each one of these schools: can writing be taught? 

The answer for a group of intrepid, creative souls in 1936 was, actually, “maybe not.” 

But they believed it could be cultivated; each one of these institutions proves it can be, in many ways, for those willing to commit the time and imagination.

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Our MFA in Creative Writing

Our three-year MFA program provides students with graduate study and professional training in the writing of fiction and poetry with our distinguished graduate faculty.

The Master of Fine Arts (MFA) in Creative Writing is a terminal degree awarded by the University of Illinois. Our three-year MFA program provides students with graduate study and professional training in the writing of fiction and poetry with our distinguished graduate faculty :  Ángel García , Janice Harrington , Amy Hassinger , Christopher Kempf ,  Ted Sanders , Alex Shakar , Corey Van Landingham,  and David Wright .

The primary goal of the MFA in Creative Writing is to give literary artists time and space to work on perfecting their art. Students will teach creative writing and produce a book-length, publishable manuscript. Students will also gain extensive experience in literary editing and publishing while enrolled in the program.

Teaching Assistantships, Fellowships, and Tuition Waivers

The MFA program at the University of Illinois is fully funded. Students accepted into the program will receive full tuition waivers, guaranteed teaching assistantships, and partial-fee waivers for the duration of the program, as long as they remain in good standing and make reasonable progress toward their degree.

Stipends for MFA students are competitive and the low cost of living in the area is quite reasonable. In their first year, all entering MFA candidates will receive a 1/1 teaching assistantship (one class each semester). In their second year, students will receive a 2/1 assistantship, with opportunities for teaching-load reduction in the form of publishing-job-training graduate assistantships with our award-winning literary magazine,  Ninth Letter.  In their third year, students will again receive a 1/1 teaching assistantship.

Most semesters, teaching assignments will be in the undergraduate rhetoric program. MFA students will also teach at least one undergraduate creative-writing workshop, with an opportunity to teach additional undergraduate classes in creative writing. In recent semesters, MFA students have taught CW 104 Fiction Writing I, CW 106 Poetry Writing I, and CW 200 Reading for Writers, among other courses. 

For application requirements and instructions, please visit  Application Requirements for Prospective Students .

Life in Champaign-Urbana

Life in C-U combines some of the best aspects of life in a city with the benefits of a small-town environment.

Accessibility :

• Low cost of living, affordable housing, and green spaces within half a mile of every home
• Free, award-winning mass transit for all U of I students
• Proximity to major cities with Chicago, St. Louis, and Indianapolis only a few hours away

Arts & Culture:

• Krannert Center for the Performing Arts and Krannert Art Museum
• Vibrant local live music scene
• Public art and murals throughout the area, seasonal fairs and festivals

Food & Drink:

• A food scene reflecting the diversity of the country’s second largest international population at a public university
• A wide range of bars and local breweries to suit anyone’s taste

The faculty of the Creative Writing Program represent a diverse range of writing and teaching styles and interests. Faculty members work and teach actively in a wide variety of genres and media, including poetry, fiction, creative nonfiction, juvenile fiction, theater, and film. Faculty members have received numerous awards and fellowships, including the Los Angeles Times Book Prize in Fiction, the O’Henry Prize in fiction, the Pushcart Prize, the A. Poulin Jr. Poetry Prize, the Kate Tufts Discovery Prize, the Levis Prize, the William Peden Prize, the FC2 National Fiction Competition, the Academy of American Poets Award, the Bakeless Prize, the Wallace Stegner fellowship, and fellowships from the NEA, Guggenheim Foundation, Yaddo, MacDowell, CantoMundo, Bread Loaf, Sewanee, and many others.

Follow the links below to learn more about our MFA program's core faculty members:

Ángel García

Janice N. Harrington

Amy Hassinger

Christopher Kempf

Ted Sanders

Alex Shakar

Corey Van Landingham

David Wright

Ninth Letter

Ninth Letter , the University of Illinois's award-winning literature and arts magazine, is a semi-annual publication featuring emerging and established writers of fiction, nonfiction, poetry, and other genres undefined, as well as visual artists   working in a variety of mediums. This collaborative energy comes together in a highly-designed format, both in print and on the web.

Ninth Letter  is dedicated to providing educational opportunities to all interested MFA candidates. Students may enroll in the  Ninth Letter - based literary publishing course and will have the opportunity to work as assistants on the editorial staff alongside the journal’s faculty editors: Amy Hassinger (Fiction Editor), Ja nice N. Harrington  (Poetry Editor) and Christopher Kempf  (Creative Nonfiction Editor).

Students in UIUC's MFA in Creative Writing program hail from a wide range of educational and cultural backgrounds, and their work in prose and poetry explores an extensive range of literary styles. While enrolled in the program, students past and present have published writing in  AGNI ,  Alaska Quarterly Review ,   The Believer ,  Cincinnati Review ,  Colorado Review ,  Copper Nickel ,  Georgia Review ,  Kenyon Review ,  Missouri Review ,  Paris Review , and elsewhere.  Additionally, recent MFA book publications include Laura Adamczyk's  Island City  (Macmillan, 2023); Lillian-Yvonne Bertram's  Negative Money  (Soft Skull, 2023); Chekwube Danladi's  Semiotics  (University of Georgia Press, 2020), winner of the 2019 Cave Canem Poetry Prize; Katherine Gaffney's  Fool in a Blue House  (University of Tampa Press, 2023), winner of the 2022  Tampa Review  Prize; Matthew Minicucci's  DUAL  (Acre, 2023); and Jess Tanck's  Winter Here  (University of Georgia Press, 2024), winner of the 2022 Georgia Poetry Prize.

Carrie Johnson (Poetry)

Deon Robinson (Poetry)

Nina Sannes (Fiction)

Andrea Sielicki (Fiction)

Zach Simon (Poetry)

Second Year

Matthew Fash (Poetry)

Justine Mercado (Poetry)

David Miller (Fiction)

Jason Pfister (Fiction)

Erin Stoodley (Poetry)

Hannah Thorpe (Fiction)

Isabella Escamilla (Poetry)

David Foley (Poetry)

Gabriella Hoggatt (Fiction)

Callan Latham  (Poetry)

Tyler Moore (Fiction)

Garrett Stack (Fiction)

• MFA Course Requirements 
• Application Requirements for Prospective Students
• Upcoming Events

Campus:   Virginia Tech Blacksburg Campus,  Instructions: Residential/On Campus

Program Overview

Our three-year M.F.A. degree offers tracks in Poetry and Fiction, and all students are fully and equally funded via GTA-ships of more than $20,000 per year. We encourage cross-genre experimentation, offer additional courses in creative nonfiction, playwriting, new media creative writing, and literary editing, and all students have the opportunity to teach creative writing and composition, as well as serve as editors of our literary journal,  The New River Journal .

Why choose this program?

Our three-year M.F.A. degree offers tracks in Poetry and Fiction, and all students are fully and equally funded via GTA-ships of more than $20,000 per year. We encourage cross-genre experimentation, offer additional courses in creative nonfiction, playwriting, new media creative writing, and literary editing, and all students have the opportunity to teach creative writing and composition, as well as serve as editors of our literary journal, The New River Journal .

In the years since the program started, we’ve been consistently ranked among the top 30 programs in the country by Poets & Writers in their  M.F.A. rankings .

The faculty members in our creative writing program at Virginia Tech are accomplished, prize-winning, innovative, and diverse: Ed Falco ,  Evan Lavender-Smith ,  Khadijah Queen ,  Lucinda Roy , Sophia Terazawa , and Matthew Vollmer .

Our program is small—we admit 4–5 students a year in each genre—and we pride ourselves on the diversity and rigor of our program, our respect for our students’ voices, our financial support for our students, the individual attention students receive from faculty, and our robust  Visiting Writers Series . 

Our  students  and  alumni  are exceptional; they have  published books , received prestigious awards and fellowships for their writing, and gone on to further success as writers, teachers, and professionals.

All students have the opportunity to to hold editorial positions and gain publishing experience working on the digital journal, The New River Journal .

Emily Morrison Prizes in Fiction and Poetry, and other M.F.A. writing awards offered each year.

What You'll Study

The M.F.A. in Creative Writing is designed to be completed in three years. Students may specialize in Fiction or Poetry. A minimum of 49 hours is required for this terminal degree. A series of creative writing workshops, courses in form and theory, new media writing, composition pedagogy, and literature and theory electives are designed for students wishing to pursue careers as writers or writer/scholars at the college level. Students also have the opportunity to work as editors on The New River: a Journal of Digital Writing and Art . A creative thesis, a written final exam, and an oral defense are required.

The 49 hours required for the degree must be distributed as follows:

• Creative Writing Workshops: 15 hours (6704/Fiction, 6714/Poetry, 6724/Playwriting, 6734/Creative Nonfiction, 6744/New Media Writing); at least 9 hours must be in the designated specialty; students are encouraged to explore other genres in 6 hours of workshops.
• Form and Theory Courses: 6 hours (5734/Form and Theory of Fiction, 5744/Form and Theory of Poetry).
• GTA Training and Composition Pedagogy: 3 hours.
• Creative Writing Pedagogy and Practicum: 3 hours.
• Editing a Literary Journal (5774): 6 hours 
• Research & Thesis (5994): 6 hours; a book-length creative thesis (a collection of poetry; a collection of short stories, or a novel)
• Graduate English courses: 9 hours; students may use an independent study in Editing a Digital Journal to help fulfill this requirement.

Admissions Requirements

• Minimum GPA 3.0 (4 Scale)
• TOEFL/ IELTS score Required  (If Applicable)

Learn more 

Tuition and Fee

Tuition & Fee Rates

Funding Opportunities

The Department of English has a limited number of  graduate assistantships and fellowships  available for students applying for full time study on the Blacksburg Campus. Entering students can apply for such funding as part of their admissions application.  No separate application  required.

• All students equally and fully funded through Graduate Teaching Assistantships.
• GTA-ships include tuition remission, health insurance, and stipends of more than $20,000 per year for all three years of the program

Find out what loans are available as a graduate student and other opportunities.

How to Apply?

Visit the Admission Requirements page for information on how to apply, including requirements, deadlines, and application fee.

Course List

Course List 

Plan of Study

Download Plan of Study

Applications Deadlines

Deadline is Jan. 15, 2024. 

Visit Campus

Visit Campus / Attend an Open House

Contact Program Leader

Matthew Vollmer 431 Shanks Hall  540-231-8322 [email protected]

Contact Program Specialist

Marie Trimmer Graduate Programs Coodinator 310 Shanks Hall 540-231-4659  [email protected]

Meet Our M.F.A. Students

Our Students

Current Students

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Matthew Vollmer 431 Shanks Halll 540-231-8322l [email protected]

Faculty In Creative Writing

• --> General Item Ed Falco -->
• --> General Item Khadijah Queen -->
• --> General Item Evan Lavender-Smith -->
• --> General Item Matthew Vollmer -->
• --> General Item Lucinda Roy -->
• --> General Item Sophia Terazawa -->

Literary Awards 

• Creative non-fiction nomination
• Emily Morrison prize for fiction
• Emily Morrison prize for poetry 

Faculty Bookshelf

Related Programs

English (M.A)  

Rhetoric and Writing (Ph.D.)

University of South Florida

Department of English

TAMPA | ST. PETERSBURG | SARASOTA-MANATEE

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Creative writing mfa.

The Master of Fine Arts in Creative Writing at the University of South Florida is a funded three-year degree.  MFA students receive a full tuition waiver and the teaching assistantship comes with a stipend and health insurance. Each year we accept an average of nine students who write comics, creative nonfiction, fiction, and poetry.

Our award-winning faculty include John Fleming, Julia Koets, Jarod Roselló, Natalie Scenters-Zapico, Heather Sellers (program director), and Jake Wolff. We value children’s literature, YA, eco literature, speculative fiction, historical fiction, documentary poetics, poetry of mindfulness, formal poetry, memoir, lyric essay, and hybrid and experimental work, alongside traditional genres.

Our program is tightly knit and sincerely supportive. Workshops are positive and generative. We offer many opportunities for students to read their work publicly, to participate in writing groups and internships, and to work in literary editing and publishing. Saw Palm , our literary magazine, gives students hands-on editorial experience.

As part of the Literary Editing and Publishing course, students have started literary magazines, edited anthologies, written book reviews and weekly columns, and started freelance copyediting and writing businesses. The Spoonbill Reading Series allows MFAs to read alongside faculty. A monthly Nonfiction Salon is open to all writers. The USF Lecture Series and the USF Humanities Institute bring in guest speakers. Recent visitors to the creative writing program include Jericho Brown, Terrance Hayes, Chen Chen, and Naomi Nye.

MFAs typically take three courses and teach two courses. Our teaching training is superb. First year MFAs teach first year writing in our thriving and diverse undergraduate program; they are supported by a pedagogy practicum and official mentoring. Second year students have the opportunity, as courses are available, to teach creative writing courses. A creative writing pedagogy practicum, one of the few in the country, prepares students to design and deliver high quality introductory creative writing courses.

• College of Arts & Sciences
• Department of English

Creative Writing M.F.A.

A Good MFA Program is Hard to Find

A good MFA program is hard to find, but we believe the MFA Program at Georgia College & State University in Milledgeville, Georgia offers unique opportunities for MFA students dedicated to the craft and purpose of creative writing. GCSU’s famous alumna, Flannery O’Connor, lived in Milledgeville on her farm, Andalusia, and of our beautiful, Southern town, she wrote "When in Rome, do as you done in Milledgeville." Our MFA students certainly get a lot done in their three years in Milledgeville.

What makes us unique? We take pride in the fact that the MFA Program at Georgia College is a fully-funded, full-residency 3-year MFA program. All students admitted to our MFA program receive a Graduate Assistantship for all 3 years that includes a stipend and tuition remission. Self-funded students are accepted in special circumstances. We offer everything you could find at flagship state universities, but because we are part of a small, public Liberal Arts university, our students are immediately welcomed into a close-knit, creative community. We sponsor a Visiting Writers series, bringing nationally-renowned writers to campus each semester, as well as a graduate student reading series. Our award-winning faculty work closely with students not only as workshop teachers, but as professional mentors.

The MFA Program offers workshops in fiction, creative nonfiction, and poetry, and because we believe in expanding creative possibility and passions for our students, we require students to take cross-genre workshops. Students may write their thesis in fiction, poetry or creative nonfiction. In addition to workshops, students take creative writing seminars in Poetry & Poetics or Prose Forms, pedagogy classes on the teaching of writing, and courses on literature and special topics.

Additionally, we offer courses in journal design and editing, so students get hand-on publishing and graphic design experience. Students are able to put their practical skills to creative and purposeful good use while serving as members of the editorial staff of  Arts & Letters , our national literary journal, and one of the premier journals of the Southeast.

We are fully-funded: all students receive full tuition remission as well as a Graduate Assistantship. As part of this assistantship, students gain real-world teaching experience, and work at our Writing Center as tutors, teach undergraduate Composition, and teach in our Early College Program which is modeled on the Writers in the Schools Program. This real world teaching experience is essential for those students who hope to continue with teaching careers and/or community service careers.  We also participate in the Peace Corps Paul D. Coverdell Fellows Program which offers assistantships to Peace Corps volunteers.

Finally, the Arts & Letters Journal Editing Fellowship is open to applicants with at least one year of experience in journal publishing and/or editing, desktop publishing and design (preferably with InDesign), and/or marketing and promotion (including social media). The Fellowship offers recipients the opportunity to further develop both editorial and managerial skills over their three years in the MFA program, working closely with Arts & Letters’ Editor and Art Director (for more information about this specific fellowship, refer information under Assistantships ). 

Faculty and graduate students alike all practice what we preach and teach at GCSU!

Our 42-hour program is designed to be a three-year program (although other options may be possible for those students that already have an MA Degree) and most students follow a plan that emphasizes course work in the first year and thesis work in the second and third years.

We welcome you to learn more about our admission application process and opportunities for graduate assistantships and other financial aid.

Check out the new design of the  Arts & Letters   website !

We now have a dynamic platform that is more efficient and responsive, and we’ve packaged it in a prettier and more user-friendly design. We are also now connected across a number of social networks, including  Facebook ,  Twitter ,  Tumblr , and  Google+ , so that our readers can keep up on  Arts & Letters  news, reading periods, information on upcoming issues, and prizes.

Visiting Writer Series          

African writers festival.

DEGREE REQUIREMENTS

Prospective students for our Master of Fine Arts in Creative Writing program usually apply late fall/early winter for the following fall semester. Applications must be complete by Feb.1 for students who wish to be considered for an MFA assistantship (learn more about assistantships and other financial aid available to graduate students). 

Application Process, Part One:

Domestic Applicants: Submit the completed  on-line graduate application  ($35 fee) and required materials to  Graduate Admissions . Application and required materials must be submitted by February 1 :

• The completed on-line graduate application plus $35 fee to Graduate Admissions. 
• Georgia College & State University The Graduate School Graduate Admissions Office Campus Box 107 Milledgeville, GA 31061       
• OFFICIAL undergraduate or graduate transcripts (even if still in progress). If you are in your final year of undergraduate studies, you can still be admitted to the program, though final admission will be contingent upon receiving final transcripts upon your graduation from your undergraduate institution.

Questions? Contact  Graduate Admissions .

International Applicants: If you are an International Student please submit the completed  International Graduate Application For Admission  and required materials to the International Education Center . To ensure timely delivery of materials and for application to receive full consideration, application and required materials should be submitted by January 1 :

• The completed   International Graduate Application For Admission .
• Georgia College & State University International Education Center Campus Box 49 Milledgeville, GA 31061     

Questions? Contact the International Education Center .

Application Process, Part Two:

Domestic and International applicants, attach the following materials to the application or email to the Graduate School, [email protected] .

• A writing sample in your thesis genre (please label as fiction, poetry, or creative nonfiction). Submission should indicate the genre to which you are applying: poetry, fiction, or creative nonfiction. Submit up to 10 pages of poems (typed, single-spaced, no more than 1 poem per page); or submit up to 20 pages of prose, one or two short stories or creative nonfiction essays/memoir excerpt (typed and double- spaced). 
• A statement of purpose  (about 500 words, typed, double-spaced). Please address your goals as a writer. Tell us why you wish to pursue an MFA in Creative Writing with us, rather than follow another path. Surprise us.  Address as well how the program's offering of tutoring opportunities in the Writing Center and teaching duties in the classroom will help you reach your goals.
• Résumé or CV . 
• Last Name_Genre_Portfolio
• Last Name_Genre_SOP
• Last Name_Genre_Resume CV

 Questions? Contact the MFA program . NOTE:  You will also need to provide verification of lawful presence (PDF ) to Graduate Admissions . Graduate admissions needs this information before we can accept students into the program. Additionally, before you can register for classes, the required  immunization certificate (PDF)  must be submitted to the Registrar's office . We do NOT require GRE scores.

The MFA program web pages provide program-specific information; however, you will find other important information at  graduate admissions , the university registrar , financial aid  and other GC web sites/offices. International students should contact the  International Student Center  for admission guidance.

Evaluation of Your Application 

Your writing portfolio is the primary credential we review in evaluating your application for admission (writing samples are reviewed by a faculty committee who teach in the student’s thesis genre). Your letters of recommendation and statement of purpose are also important, since they will address your skill and accomplishment as a writer. Because our students also take required classes in Poetry & Poetics or Prose Forms, Teaching Creative Writing and non-creative writing courses in literature, criticism, linguistics or other subjects, your transcripts will also help us make our final, holistic evaluation of your application.  We begin to review applications after Feb.1. In order to maintain small classes and individual, intensive mentorship of thesis work, our admission process is competitive. Our first step is to inform students (usually early to mid-March) whether or not they’ve been admitted to our program. Our second step is to determine MFA assistantship offers and wait lists (see  The Graduate School  for details about graduate assistantships).

Any Questions?

Call us at 478-445-3509, or send an email . For Graduate Admissions questions, call 478-445-6289.

All application materials must be completed and received by Feb.1 if you wish to be considered for an MFA program-sponsored graduate assistantship (or “G.A.”). Please include a résumé with the application materials you send to the MFA program. Provide any information that best describes your skills and experience, including (but not limited to, and not necessarily in this order):

• Education (any specific or special studies, experiences, or projects?)
• Tutoring, teaching, or mentoring skills, experience
• Editing/publishing experience (print journal, newspaper, web, etc.)
• Communication skills (including social media/networking)
• Tech skills (InDesign, web editing programs, Photoshop, other Adobe software; experience with Microsoft office or Apple iBooks Author?
• Any other skills/experiences you’d like to emphasize
• List 3 references (those submitting your letters of recommendation)

Applications received by Feb.1, and selected for acceptance to the MFA program, will then be reviewed to determine applicants that will be offered MFA-sponsored assistantships. Faculty committees (in each genre) review these applications holistically, based on the quality of the writing sample, potential for graduate study in an academic setting, and depth of experience (as reflected by the applicant’s statement of purpose, letters of recommendation, transcripts and résumé). The committee then ranks the accepted applications. When rankings are complete, the MFA Coordinator contacts applicants to make assistantship offers or to discuss and clarify a candidate’s placement on an assistantship waiting list. Once offered an MFA G.A., the applicant is encouraged to make a decision as soon as possible, but a final decision will be due no later than April 15.

Assistantships

Kinds of assistantships available to our graduate students:

Most MFA-sponsored first year graduate assistants  (or “G.A.s”) are assigned hours as “writing consultants” in the university  Writing Center. Other MFA G.A.s divide their hours between the Writing Center and the MFA/ Arts & Letters  office, the Flannery O’Connor Review  office, or our teaching writing in the schools  Early College  project. MFA-sponsored graduate assistantships include a stipend (current stipend is $8,600 per year) and full-tuition remission (but does not include mandatory student fees and, unless eligible to be waived, mandatory student insurance). The  GCSU Budget Office  posts current tuition and fees; information about student insurance is available at  United Healthcare .

Teaching Fellowships  require a secondary application process, due to additional credentials required for teaching college-level classes. Students who have been awarded MFA-sponsored G.A.s are eligible to apply for a Teaching Fellowship if a) they already hold an M.A. in English, or b) they have completed 18 hours of graduate credit in English, in addition to meeting other criteria. MFA students who are eligible will apply to the Department of English and Rhetoric (submitting materials through Georgia College & State University careers or some other means, as determined by the Chair). Note: Students are expected to teach during their second and third years of the program; failure to earn enough course credit to teach classes or failure to meet other expected criteria for teaching may result in the forfeiture of the student’s assistantship.

The  Arts & Letters Journal Editing Fellowship at Georgia College encourages graduate studies for students with at least one year of experience in journal publishing and/or editing, desktop publishing and design (preferably with InDesign), and/or marketing and promotion (including social media). Students interested in applying for this Fellowship should also have excellent organizational and proofreading skills.  The Fellowship offers recipients the opportunity to further develop both editorial and managerial skills over their three years in the MFA program, working closely with Arts & Letters ’ Editor and Art Director. In the first year, the A&L Fellow works in the capacity of Assistant Managing Editor, helping the current Managing Editor in the completion of office duties—everything from social media postings to honing InDesign skills to updating the Web Site. In the second and third year, the Fellow takes over as Managing Editor. Managing Editor duties include distributing and monitoring reading (submission) loads, InDesgning the journal and readying it to send to the printer, managing Sendinblue campaigns, and running proofreading sessions. The Managing Editor also is encouraged to represent the journal at the annual AWP Conference, as funding allows. Qualified applicants who wish to pursue the Journal Editing Fellowship should initially contact Dr. Kerry Neville, who coordinates the MFA Program.

The Journal Editing Fellowship is awarded to an incoming student every other year, and includes a stipend for summer work, much of which can be done remotely. The Fellowship is typically awarded in the spring semester prior to the student’s first (fall) semester. The fellowship will be awarded to a qualified recipient in 2023.

Arts & Letters , a nationally known literary journal in continuous biannual print publication since 1999, publishes innovative fiction, poetry, and creative nonfiction by emerging and established writers, and offers annual prizes in four genres, as well a prize for ‘unclassifiable’ work. Recent representative authors include Wes Civilz, Marianne Boruch, Keith Wilson, Rodney Jones, James Allen Hall, Lina Ferreira Cabeza-Vanegas, and George Singleton.

In addition, other university assistantships outside the MFA program may be an option for students accepted to our program (typically, these G.A.s offer a lower stipend but still include a full in-state or out-of-state tuition waiver). The MFA coordinator will discuss this option with applicants accepted to the program but who do not receive an MFA-sponsored G.A.

Scholarships and other Financial Aid

Some MFA scholarships (subject to funding availability) are awarded, in addition to the stipend and tuition waiver, to students on MFA-sponsored assistantships. The program coordinator will discuss these awards (if available) with students offered MFA G.A.s. ALL enrolled and returning university students (in good academic standing) can apply for other scholarships (some related to the MFA in Creative Writing program, some not), such as the Flannery O’Connor Alumni Scholarship and the Dorrie Neligan Creative Writing Scholarships.

Student loans are also available to MFA students through the university Financial Aid Office. Whether or not you’re interested in applying for a student loan, accepted applicants may wish to complete the student loan  FAFSA application . Discuss your options with GCSU’s Financial Aid Office .

Quick Info For Assistantships:

• In 2019-2020, 22 of 28 MFA students had assistantships, and 6 had other university assistantships/appointments.
• MFA GAs include a stipend and full tuition waiver (in-state OR out-of-state tuition).
• Applicants offered MFA GAs are encouraged to make a decision early but final decisions are due by April 15.
• MFA GAs are assigned hours in the  Writing Center  (some GAs split hours with another assignment in our program).
• Students awarded MFA GAs apply to be Teaching Fellows their second year (if eligible) through a separate process via the Department of English.  
• MFA GAs usually earn 18 hours in ENGL graduate credit their first year (required for Teaching Fellow eligibility).
• Teaching Fellows are typically assigned CORE classes (ENGL 1101, 1102) and ENGL 2208: Intro to Creative Writing.
• Stipends for assistantships are paid in five equal installments each semester (fall/spring).
• Assistantships do not cover required student fees or student insurance (may be eligible to waive).

MFA students are eligible for a variety of scholarships, some related, some not related, to Creative Writing, as well as student loans.   

Graduate Assistantships in the Writing Cente r   

Graduate Consultant

Interdisciplinary Writing Coordinator

Resources Coordinator    

The Peace Corps Paul D. Coverdell Fellows Program at Georgia College encourages graduate studies for Returned Peace Corps volunteers (RCPV’s). Fellows who are accepted to participating graduate programs in their field are awarded assistantships that relate to their experience and training in the Peace Corps.

Upon successful completion of their Peace Corps Volunteer assignment, RCPV’s can apply to the Georgia College MFA Program (the application process is the same as for all applicants, but see the Peace Corps website for more information about RCPV eligibility requirements).

Peace Corps Volunteers who wish to pursue these Coverdell Fellowships should initially contact Kerry Neville , who coordinates the Coverdell Fellows Program on behalf of the university. 

Assistantships are typically awarded in the spring for positions beginning fall semester. For that reason, potential Coverdell Fellows should make formal application by Feb.1 prior to the fall semester they plan to matriculate. The formal application must include the Peace Corps Description of Service (DOS) Certification of Service document:  https://www.peacecorps.gov/returned-volunteers/support-services/certifi…  " 

Early College

Typically,  Peace Corps Coverdell Fellows in the MFA program at Georgia College help to organize and mentor our Early College writing-in-the-schools project. Early College is a public school housed at the Georgia College campus, serving students from Baldwin and Putnam counties. Georgia College undergraduate majors, under the supervision of MFA students and faculty, mentor seventh graders in the Early College program and help them to publish a literary journal called  The Peacock’s Feather .

Georgia College Early College was initially supported by funding from the Bill and Melinda Gates Foundation, for which the program remains grateful.

Most students complete the MFA program in three years. To meet MFA requirements, students take a minimum of 18 credit hours in the first year and 12 credit hours in the second and third years. Note: for students on MFA assistantships who are eligible to teach, there are additional teaching/pedagogy courses and other requirements designed to support and prepare Teaching Fellows.

A Typical Sample Plan for MFA Coursework : 

All students take 34 hours of coursework: ENGL-MFA 4-semester credit hour courses (28 hours); ENGL 3-semester credit hour courses (6 hours):

12 hours: 5000-level and 6000-level courses in the student's major writing genre (3 courses): ENGL 5021, ENGL 6021 and ENGL 6025 (poetry genre); ENGL 5012, ENGL 6012 and ENGL 6026 (creative nonfiction genre); ENGL 5022, ENGL 6022 and ENGL 6026 (fiction genre).

4 hours: Course in non-thesis genre workshop (1 course); ENGL 5011, 5012, 5021, or 5022. Note that 5000-level workshops in a genre are the prerequisite for 6000-level seminars in a genre (see electives section below).

12 hours: Electives chosen from ENGL 5011, 5012, 5021, 5022, 6012, 6021, 6022, 6024, 6025, 6026 (these courses are repeatable; some have prerequisites; approved ENGL 5950 MFA Special Topics may also be chosen (no more than 8 hours of MFA Special Topics courses may count towards elective requirements).

6 hours: Non-MFA ENGL 5000-6000 level courses (at least one course at the 6000 level).

All students also complete the MFA Thesis (8 hours). All students must complete a thesis, with the accompanying critical essay, as well as complete a successful thesis defense in order to graduate. The thesis is intended to be a book-length project. A prose thesis must be a minimum of 100 pages, and a poetry thesis must be a minimum of 35 pages. Students have to complete a thesis in the genre of their specialization; we do permit hybrid thesis projects that are written to be a singular combination, but we do not permit hybrid thesis projects that are a compilation of stories, essays, and poems thrown together to create page length. The thesis defense is an oral defense of your thesis, attended by the thesis director, the thesis committee members, and the student, and is scheduled at least 2 weeks before the end of your final term.

English Course Descriptions from graduate Course cAtalog

Total Credits required: 42

If I write in multiple genres, do I have to choose just one to submit in my application?

Yes, choose one for your application. Still our program does encourage study in a second genre -- in fact, we require each student to take at least one workshop out-of-genre. 

How do you choose which genre to apply in? Submit your best work. We accept candidates primarily on the merits of the writing sample. You will be expected to write your thesis in the genre you submitted.

For my writing sample, can I submit a chapter of a novel-in-progress? What if I don’t have a full 15 pages I’m proud of for my sample?

A chapter is fine, or a completed short story/essay. However, the more complete, the better. Quality over quantity.

Do I need a BA in Writing or English to apply?

No. We've had students in the past with various undergraduate degrees. If you have a strong sample, apply. However, we do review transcripts to see if students have completed some humanities courses (in English or other fields); and although there is no minimum G.P.A., almost all of our applicants have been successful students, earning 3.0 or higher in their academic studies.

How many courses do Teaching Fellows teach each semester?

Here’s the standard procedure (per semester) for G.A. Teaching Fellows:

1st year: Graduate Assistants work in the Writing Center as Consultants OR Writing Center + Journal office or Early College; and serve as readers for Arts & Letters Journal. 2nd year: Graduate Assistant Teaching Fellows teach 2 classes; OR Journal or Early College  + Teach 1 class; and serve as readers for Arts & Letters Journal. 3rd year: Teach 2 classes; and serve as readers for Arts & Letters Journal.

The exception is for candidates who already have an MA. They are eligible to begin teaching two classes the first year and continue that for all three years. However, all students on MFA assistantship must undergo a further application/review process before they will be assigned teaching duties.

What is the stipend and tuition remission that your students receive if offered an MFA graduate assistantship?

The current stipend given to those with an MFA assistantship is $8,600 per year. In addition, many MFA assistantships include scholarship funds (amounts vary). MFA assistantships also include full tuition remission for in-state or out-of-state tuition (student fees, however, are not covered).

There are also other university assistantships available to which MFA students may apply. These assistantships offer smaller stipends, but usually include full tuition remission (again, student fees are not covered).

There is a student health insurance plan that meets the requirements of the new Affordable Health Care Act that students purchase or they may waived the student insurance if they have another qualified insurance plan.

What is the difference between an MFA assistantship and Peace Corp Coverdell Fellows?

How many applications do you typically receive and how many do you accept.

We typically review over 100 applications each year for the program.  We enroll about 7 new students each year, with a balanced number in each of the three thesis genres (fiction, poetry, and creative nonfiction). Typically, seven MFA assistantships are assigned to new students accepted in the program; other students might be offered other university assistantships or seek out other funding support. The three-year program enrolls about 25 students total.

What constitutes a good recommender?

It's important to have professional recommenders (i.e., employer supervisors, established writers, college professors). Ideally, these people can speak to your ability to work and handle graduate classes and speak to the quality of your writing. You may choose different sorts of people to speak to your different qualities. These should not be friends or family members.

If I’m reapplying, what do I need to do?

You will not need to re-submit everything, and there is no fee for second-time applicants. You will need to contact Graduate Admissions and the MFA program to announce that you are re-applying. We suggest submitting to the MFA program an updated manuscript and your statement of purpose and resume. You do NOT need to re-submit transcripts, unless you've taken a class at another college since you last applied.

* NOTE You will need to submit again a new application to the Graduate Admissions office.  You may use your old letters of recommendation, or submit new letters. . 

Our Current Students

Collin Bishoff, Caleb Bouchard, Timothy Connors, Marybeth Cooper, Keely Hopkins, Dalton Monk, Kelly Piggott, Courtney Schmidt, and William Warren.

 Mary Alsobrooks, Auden Eagerton, Avery James, Natalie Mau, and Lori Tennant. 

CREATIVE NONFICTON

Paul Bryant, Mary-Kate Burns, Megan Duffy, William Gerdes-McClain, Nicholas Green, Charlotte Lauer, Amelia Longo, and Denechia Powell

Writers Who Publish

Although we don’t expect incoming students to have published their work, since our program began in 2001, our students have been publishing their poems, stories, and essays in many national journals. GC students have published in such journals as  Backwards City Review, Big Muddy, Bloom, Cimarron Review, Colorado Review, Crazyhorse, Cream City Review, Descant, Dos Passos Review, Eclipse, International Poetry Review, McSweeney’s, Meridian, Nimrod, Pebble Lake, Poet Lore, Quick Fiction, Rattle, Redivider, River Teeth, Salt Hill, Santa Clara Review, Spinning Jenny, Thema, Touchstone  and many others.

Alumni Donors Thank You

• Danny Bauer
• Ashlee Crews
• Steve Lavender
• Shawn Parkinson
• Daniel Plunkett
• William Torgerson
• Gwendolyn Turnbull
• Christopher Varn

Our alumni have been up to many great things, and we are excited to share just a few with you here.  In addition to being published in many journals, our alumni have been winning awards and publishing collections, including: 

• Ashlee Adams Crews's  (fiction, 2006) story “Bird Feed” (in "McSweeney’s) won a Pushcart Prize in 2010. Her story “Church Time” won NC State’s 2011 James Hurst Prize. In 2012, her collection, Called Out , was a finalist for the Flannery O’Connor Award for Short Fiction, and in 2013 she received the "Rona Jaffe Foundation Writers’ Award." Read her story “Restoration”  online at "Shenandoah. "
• Kristie Robin Johnson’s (creative nonfiction, 2018) essay collection, High Cotton, will be published in summer of 2020 by. One of her essays will appear in the forthcoming anthology, We Got This: Solo Mom Stories of Grit, Heart, and Humor, from She Writes press. She is the recipient of an artist grant from the Greater Augusta Arts Council, and her writing has been nominated for a Pushcart Prize and received honorable mention in the AWP Intro to Journals Project. She teaches English at Oconee Fall Line Technical College and Georgia Military College.
• Mike McClelland’s  (fiction, 2017) collection of short fiction, Gay Zoo Day : Tales of Seeking and Discovery" (2017) published by Beautiful Dreamer Press, won the Independent Book Publishers Association's Silver Benjamin Franklin Award for LGBT Literature. His creative work has appeared in publications such as the Boston Review, Entropy, Queen Mob's Tea House , and others, and has been widely anthologized, most recently in Gents: Steamy Stories from the Age of Steam , which was nominated for a Lambda Literary Award. His work has been recognized as a semifinalist for the Conium Prize and the Saints and Sinners Short Story Contest. In 2018, he was invited to read his work and present at the annual TEDMED conference in Palm Springs alongside speakers like NBA star Dikembe Mutombo, Surgeon General Jerome Adams, and writer Nayomi Munaweera.
• Miller Oberman’s  (poetry, 2006) poetry collection, The Unstill Ones , a collection of poems and Old English translations, was published in the fall, 2017 by the Princeton Series of Contemporary Poets. Oberman is a past recipient of the Poetry Foundation's Ruth Lilly Fellowship. His collection Useful was a finalist for the 2012 National Poetry Series. Read “Old English Rune Poem,” a new translation  published in "Poetry" (July/August 2013).
• T.J. Sandella  (poetry, 2013) has been chosen as one of the Best New Poets 2014. He has also won awards including the William Matthews Poetry Prize (2014, Asheville Poetry Review), the Academy of American Poets Prizes and the Elinor Benedict Poetry Prize. 
• Will Torrey  (fiction, 2010) won "Zone 3's" 2011 Editors' Prize for his story "Trajabar." Read his August 2013 "Working Writers Series"interview online at "The Missouri Review."
• Bill Torgerson ’s (fiction, 2007) most recent novel is  Horseshoe (Cherokee McGhee, 2012). He teaches at St. John’s University. Check out his blog “The Torg”.

Keep in touch with all our outstanding alumni as well as current MFA students and happenings at the program’s  Facebook page !

Milledgeville: A Literary Community

Georgia College offers a unique setting for students interested in pursuing their MFA in Creative Writing. Our university is small (about 6,500 students), located in historic downtown Milledgeville, former capital of Georgia from 1803-1868 and location of Andalusia, historic home of writer Flannery O’Connor.

Milledgeville  is in the heart of Georgia, only 90 miles from Atlanta and an easy drive to the beaches of Savannah and Tybee Island or to the foothills of North Georgia. Milledgeville was the state capital from 1803 to 1868 and is the site of the newly restored Old State Capitol and Old Governor’s Mansion.

The historic downtown features shops, restaurants and taverns just two blocks from campus. The climate is warm, with mild winters and "zero" annual average snowfall. Our community offers places where writers can have a cup of coffee, meet friends and relax. Downtown restaurants, coffee shops, and stores blend small town and college town living into an ideal setting for serious writers.

You might recognize a place or character from the short stories of Flannery O’Connor or Alice Walker (who grew up in nearby Eatonton). Andalusia is the farm where author Flannery O’Connor lived from 1951 to 1964. O’Connor was living at her farm when she completed all of her published books of fiction. Andalusia is open to the public (see their website for more information). 

Learn More About Milledgeville

Dr. Kerry James Evans

• PhD Florida State University; MFA Southern Illinois University-Carbondale
• At GCSU since 2020

Dr. Kerry James Evans is the author of the poetry collection, Bangalore , a Lannan Literary Selection. He is the recipient of a National Endowment for the Arts Fellowship and a Walter E. Dakin Fellowship from Sewanee Writers' Conference, and he has taught poetry workshops, poetic forms and theory, and other courses at Florida State University and at Tuskegee University where he was an Assistant Professor. His poems have appeared in Agni, Narrative, Ploughshares , and other journals.

Dr. Martin Lammon (Professor Emeritus) 

• Poetry, Creative Nonfiction
• Ph.D., M.A. Ohio University
• At GCSU 1997-2020

Martin Lammon has won awards for both his poetry and creative nonfiction. His collection of poems,  News from Where I Live , won the Arkansas Poetry Award, and his poems and essays have appeared in such journals as  The Gettysburg Review, Hotel America, The Iowa Review, Ploughshares, Poet Lore, Poets and Writers and The Southern Review . Poems published in  Nimrod  were awarded a Pablo Neruda Prize. His essays about living in Costa Rica have been published in  The Iowa Review , Zone 3 , and  The Chattahoochee Review  (winner of the Lamar York Prize for Creative Nonfiction).From 1997-2018, he was the Fuller E. Callaway endowed Flannery O'Connor Chair in Creative Writing. In 2007, he was selected for GC’s Distinguished Professor Award.

Dr. Kerry Neville

• Fiction, Creative Nonfiction
• Ph.D., University of Houston
• At GCSU since 2016
• Coordinator of the MFA and Undergraduate Creative Writing Program

Kerry Neville received her PhD in Creative Writing from the University of Houston, her BA from Colgate University, and was most recently an Assistant Professor of English at Allegheny College.  She is the author of the short fiction collection,  Remember To Forget Me , and of the award-winning short fiction collection,  Necessary Lies .  She is also a contributor to The Huffington Post, The Washington Post, and The Fix.  Her essays and stories have been named Notables in Best American Short Stories and Best American Essays. She has twice received the Dallas Museum of Art Prize for Fiction, and has also been awarded The John Guyon Prize in Literary Nonfiction,The Texas Institute of Letters/Kay Cattarulla Prize for the Short Story, and the Short Story Book of the Year Prize from Independent Publisher Magazine. She is faculty for the FrankMcCourt/University of Limerick Summer Writing School. She was a 2018 Fulbright Scholar and taught in the M.A. Creative Writing Program at University of Limerick in Ireland

Laura Newbern

• MFA Warren Wilson College; M.A. English-Creative Writing, New York University
•  At GCSU since 2005

Laura Newbern's collection of poems,  Love and the Eye , won the 2010 First Book Award from Kore Press. She’s also received the prestigious Writer's Award from the Rona Jaffe Foundation, which recognizes outstanding emerging women writers. She teaches poetry workshops, poetics, and other courses. Laura is currently the Editor of  Arts & Letters . Her poems have been published in such journals as  The Atlantic, Poetry, TriQuarterly  and other journals. Newbern also expresses her creative interests through black and white photography.

Peter Selgin

• Creative Nonfiction, Fiction
• MFA, The New School
• At GCSU since 2012

Peter Selgin’s latest essay collection, The Kuhreihen Melody (Serving House Books) was named a finalist for the 2019 BIG OTHER Book Award for Nonfiction and an excerpt from his novel Duplicity was a finalist for the 2019 Craft First Chapter Contest. His memoir,  The Inventors , (Hawthorn Press) was named a Best Memoir of 2016 by Library Journal. His essay, “My New York: A Romance in Eight Parts,” was chosen by Paul Theroux for inclusion in Best American Travel Writing, 2014. His memoir,  Confessions of a Left-Handed Man : An Artist’s Memoir (University of Iowa Press, 2011), was short-listed for the 2012 William Saroyan International Prize; the title essay was selected for Best American Essays 2006. He is the author of  Drowning Lessons  (University of Georgia Press, 2008), winner of the 2007 Flannery O’Connor Award for Fiction;  Life Goes to the Movies, a novel, two books on the craft of fiction writing, and several children’s books. He has had a dozen notable essay citations in BAE anthologies. His stories and essays have appeared in the  Missouri Review, Colorado Review, Boulevard, Glimmer Train, Fourth Genre, Creative Nonfiction, Salon.com, Alaska Quarterly Review, The Sun , and other publications. Other honors include the Missouri Review Editors’ Prize, a Dana Award for the Essay, and a Eugene O’Neill National Playwrights’ Conference Award for his play,  A God in the House , based on Dr. Kevorkian and his suicide machine. He teaches fiction, creative nonfiction, journal design, editing, and production, and other courses. He is also creative nonfiction editor of  Arts & Letters .

Dr. Chika Unigwe

• PhD University of Leiden, Holland; degrees from the University of Nigeria, Nsukka and the KU Leuven Belgium

Dr. Chika Unigwe is the author of Better Never than Late, De Zwarte Messias, Night Dancer, On Black Sisters Street, De Feniks, Meulenhoff-Manteau, and two children's Readers, Ije at School and A Rainbow for Dinner . Her short stories have appeared in different anthologies including in Watchlist, New Daughters of Africa, and Lagos Noir . Her fellowships include but are not limited to a  Rockefeller Foundation Fellow at the Bellagio Centre, Italy , a UNESCO-Aschberg Fellow at the Civitella Ranieri Centre in Umbertide, Italy, a SYLT Fellow in Germany and a writing fellow at Cove Park, Scotland. She was a special guest  lecturer at Tubingen University, Germany, and a Bonderman Assistant Professor of Practice at Brown University.  She has won a BBC short story competition, a commonwealth short story prize, has been shortlisted for the Caine Prize for African Writing and awarded a 2016 Pushcart Prize Special Mention. In 2012, she won the $100,000 Nigeria Prize for Literature, Africa's most important literary prize. She has judged literary prizes including the 2017 Man Booker International Prize.

Graduate Assistantships in the Writing Center

Resources Coordinator

Creative Writing

A fully funded M.F.A. program that combines creative and scholarly work, undergraduate teaching, and professionalization opportunities.

Quick Links

• Enrolling in Undergraduate Intermediate Workshops
• Creative Writing Minor
• Writers Here and Now Event Series
• Jiménez-Porter Writers' House
• Stanley Plumly Lecture Series

The M.F.A. Program in Creative Writing is nationally ranked and our graduates are the recipients of many distinguished awards and fellowships.

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Our Faculty

Lillian-yvonne bertram.

Associate Professor, English Director, MFA Program in Creative Writing, English

Professor, English

3103 Tawes Hall College Park MD, 20742

Gabrielle Lucille Fuentes

Associate Professor, English

3120 Tawes Hall College Park MD, 20742

Emily Mitchell

3122 Tawes Hall College Park MD, 20742

Rion Amilcar Scott

3234 Tawes Hall College Park MD, 20742

Joshua Weiner

3113 Tawes Hall College Park MD, 20742

Program Coordinator

Lindsay bernal.

Academic Coordinator, MFA Program in Creative Writing, English MFA Program in Creative Writing, English

2116E Tawes Hall College Park MD, 20742

Emeritus Faculty

Michael collier.

Emeritus Professor, English

Former Faculty

Elizabeth arnold.

3101 Tawes Hall College Park MD, 20742

Program Requirements

The Master of Fine Arts Program in Creative Writing offers concentrations in fiction and poetry and requires a creative thesis. The course requirements include both writing workshops and literature courses.  

Course Requirements

• Four writing workshops in your concentration (poetry or fiction: English 688 or ENGL 689, respectively).
• Four graduate (600- or 700-level) literature courses.
• At least one semester of Studies in Narrative Form (English 789), if your concentration is fiction, or Studies in Poetic Form (English 788), if your concentration is poetry.
• NOTE: Forms courses are repeatable and can be taken outside of your concentration for elective credit.
• One graduate-level (600-level or above) course outside the English Department, or one 400-level English course elective within the English Department.

Beginning in the second year, MFA students register for English 799 (thesis research) under the direction of a member of the creative writing faculty, write as a thesis a book-length manuscript of fiction or poetry.

Mentoring Credit

All MFA students are required to complete one credit of pedagogical or professional mentoring each semester: either ENGL878 or ENGL898.

A Letter from the M.F.A. Program Faculty

Dear Prospective Students,

Our MFA program is committed to social justice and antiracism. Our workshop process decenters whiteness and amplifies BIPOC voices, as we aim to create a space of equity for writing and collaboration and encourage extending creative practice into the world.  What is the writing that is happening now, that is looking to the future and creating a viable community?  The answer starts in the work of your imagination, your dedication to the craft, and your sense that this matters beyond the act of writing. Our commitment is to you. 

Each fall, we welcome three poets and three fiction writers into the MFA Program, a studio-based fine arts program devoted to the development and mentoring of the next generation of poets and fiction writers. 

Our attention is to your original writing and to you, the writer; our aim is to help you become the writer you envision for yourself.  As fully funded writers, selected by the program faculty from an applicant pool of over 200, you’ll spend two to three years taking workshops, literature courses, and creative forms courses, meeting one-on-one with our faculty, and gaining valuable experience teaching undergraduate workshops, academic writing, and literature courses.

Our varied individual teaching philosophies share the conviction that the hard work of drafting and revising original stories and poems is grounded in reading and studying exemplary works.  Literary history, innovative poetic and narrative form, and the experience of the writer all come into play through the shaping hand of art.

During the second and third years of the program, MFA students develop a thesis (a book-length collection of poetry or short fiction, a novel, or a hybrid project) under the direction of the MFA faculty. Students have the opportunity to work closely with each program faculty member in the genre of concentration during their time at UMD.

Completion of the thesis culminates in the occasion of a thesis defense with several faculty members, and a celebratory public reading, at which each student is introduced by their faculty mentor.

The MFA core curriculum includes practica in teaching creative writing (in the first semester) and finishing the thesis (in the last semester), plus a set of professionalization courses to prepare you for a career in creative writing.  Our program emphasizes one-on-one mentoring and personal attention to your development as a writer in the world. 

The Writers Here & Now reading series, co-sponsored and -curated by the Jiménez-Porter Writers’ House (UMD’s undergraduate residential college devoted to creative writing), brings writers of national and international prominence to the University of Maryland each year, both to read and meet with students in the graduate and undergraduate workshops. Recent visiting writers include Leslie Nneka Arimah, Jennifer Chang, Jos Charles,  Alexander Chee, Jennine Capó Crucet, Natalie Diaz, Danielle Evans, Ross Gay, Louise Glück, Kaitlyn Greenidge, Terrance Hayes, Mitchell S. Jackson, John Keene, Yiyun Li, Claudia Rankine, Cristina Rivera Garza, Evie Shockley, Ocean Vuong, and Javier Zamora.  We also invite program alumni to read in the series and visit with the MFAs.

Our program faculty and alumni include recipients of the following awards and honors: ●    Agnes Lynch Starrett Prize ●    Amy Lowell Poetry Traveling Scholarship ●    Guggenheim Fellowship ●    Italo Calvino Prize ●    National Book Award ●    National Endowment for the Arts Literature Fellowship ●    NAACP Image Award ●    National Jewish Book Award ●    National Poetry Series competition ●    New York Public Library Young Lions Prize ●    Rome Prize ●    Rona Jaffe Foundation Writers’ Award ●    Whiting Writers’ Award

They have received Stegner, Hodder, Radcliffe Institute, and Provincetown Fine Arts Work Center fellowships, and their work has been featured in the following publications: ●    The Atlantic ●    Best American Poetry ●    Harvard Review ●    Los Angeles Review of Books ●    The Nation ●    The New Republic ●    The New Yorker ●    New York Review of Books ●    New York Times ●    Paris Review ●    Poetry ●    Threepenny Review ●    Washington Post ●    Yale Review

Our alumni have started their own literary journals online and in print: ●    The Account ●    Asian American Literary Review ●    AzonaL ●    B O D Y ●    Leavings ●    Oversound ●    Smartish Pace

They have continued their formal studies in doctoral programs at Florida State University, the University of Houston, the University of Illinois–Chicago, the University of Missouri, the University of Utah, and other top programs. And they have taught in universities, colleges, and high schools around the country and abroad, serving communities and fostering the literary arts.

We thank you for your interest in our program.  We urge you to review the department website to get a further sense of whether or not the MFA at Maryland is right for you.  And we wish you the very best in your writing.

M.F.A. Application Instructions

Submit the complete application and all supporting materials by December 14, 2023 —for the Fall 2024 term. (We do not accept applications for the Spring term.) Please note that the system will close promptly at midnight, so you will be unable to edit your application past 11:59pm on December 14, 2023. 

University of Maryland's Graduate Application Process

The University of Maryland’s Graduate School accepts applications through its application system . Before completing the application, applicants are asked to check the Admissions Requirements site for specific instructions.

As required by the Graduate School, all application materials are to be submitted electronically:

• Graduate Application
• Non-refundable application fee ($75) for each program to which an applicant applies.
• Unofficial transcripts of your entire college/university record (undergraduate and graduate), including records of any advanced work done at another institution. Electronic copies of these unofficial transcripts must be uploaded along with your online application. Official transcripts will be required after an applicant is admitted to the program.
• Three Letters of Recommendation . In your online application, please complete the information requested for your recommenders and ask them to submit their letters electronically. The strongest letters of recommendation are written by individuals who are familiar with your fiction or poetry and can speak about you as a writer.
• Statement of Purpose . The statement, which should not exceed 1000 words, should address your creative interests, relevant aspects of your educational experience, and your reasons for applying to our program.
• A single Creative Writing Sample in the genre in which you are applying: for fiction, 15 pages (double-spaced); for poetry, 10-15 pages (single-spaced). To ensure that your application package is processed accurately, you must specify your genre (fiction OR poetry) in the online application.

Note: We DO NOT require--or recommend--that applicants to the MFA Program in Creative Writing submit GRE scores.

The electronic submission of application materials helps expedite the review of an application. Completed applications are reviewed by a faculty admissions committee in each genre. The recommendations of the poetry and fiction committees are submitted to the Dean of the Graduate School, who will make the final admission decision. Students seeking to complete graduate work at the University of Maryland for degree purposes must be formally admitted to the Graduate School by the Dean.

Information for International Graduate Students

The University of Maryland is dedicated to maintaining a vibrant international graduate student community. The Office of International Students and Scholars Services (ISSS) is a valuable resource of information and assistance for prospective and current international students.  International applicants are encouraged to explore the services they offer, and contact them with related questions.

The University of Maryland Graduate School offers admission to international students based on academic information; it is not a guarantee of attendance.  Admitted international students will then receive instructions about obtaining the appropriate visa to study at the University of Maryland which will require submission of additional documents.  Please see the Graduate Admissions Process for International Applicants for more information.

Applicants are encouraged to direct any technical issues and questions related to the admissions process to the Graduate School ([email protected]; 301-405-3644)

Prospective M.F.A. Student FAQs

If, after reading this list, you still have unanswered questions, please contact us.

• Where do I apply on-line? You can apply now via the Graduate School's website .  
• When is the application deadline?  December 14, 2023 at 11:59 pm (EST)
• Does your program admit students for the Spring semester? No.
• What is the most important part of the application? The creative writing sample is the single most important element of a successful application to the MFA Program in Creative Writing. Of course, the Creative Writing faculty look closely at all of the other materials in the application file.
• Is it possible to meet with the Creative Writing faculty and/or staff to discuss the admissions process? Unfortunately, the faculty and/or staff do not have the time to meet with prospective applicants. We do, however, strongly encourage applicants who have been accepted into the program to visit during the spring semester to meet with faculty, staff, and current students and attend a graduate-level course.
• When are admissions decisions made? Admissions decisions are made in March.
• Should the fiction writing sample be one piece or several pieces? The fiction writing sample can be either a novel excerpt, a short story, or several short stories, as long as the writing sample does not exceed 15 double-spaced pages.
• Can I submit creative work in more than one genre and/or apply in more than one genre? No. All MFA applicants must apply within one genre (fiction or poetry) and submit work only within that chosen genre.
• Does Maryland offer an MFA in Creative Nonfiction? No. However, a workshop in Creative Nonfiction is offered occasionally, and MFA students are welcome to take it as an elective.
• Does the program offer a low-residency option? No.
• What kind of financial award packages does the program offer? Each year, the program accepts 6 applicants (3 fiction writers and 3 poets), who are fully funded by Teaching Assistantships for up to three years of graduate study. Our financial award packages include a stipend of about $25,000 per academic year and 60 credit hours of tuition remission (10 credit hours of tuition remission per semester) over three years of study. MFA students do not teach during their first year in the program. They teach two classes during their second year and four classes during the optional third year of study.
• How do I put myself in the running for funding? No separate application is required. Please see the question above.
• When are decisions made about program-awarded aid (fellowships and teaching assistantships) ?  In March. We fully fund all 6 applicants who we've accepted. Our offer letter details the program-awarded financial package.
• Where can I find information on tuition and fees? Student Financial Services and Cashiering provides a chart of tuition and fees for Graduate Students by credit hour and residency classification (resident and non-resident).
• Do MFA students ever attend the program part-time? No. Since our MFA students are fully funded  they must remain enrolled on a full-time basis (taking at least 6 credits per semester).
• What time do the MFA students take classes? Most graduate English classes are offered once a week, Monday-Thursday, either from 3:30-6pm or from 6:30-9pm. Fiction and poetry workshops are on Wednesdays from 3:30-6pm. Students must be enrolled continuously—unless they petition the Graduate School for a medical leave of absence or for a waiver of continuous registration and such petitions are approved.
• Does your program accept letters of recommendation via Interfolio? The Graduate School does not accept letters of recommendation via Interfolio. However, if Interfolio is your only option to submit your letters of recommendation, then please arrange for Interfolio to send your dossier electronically to the MFA Program Coordinator, Lindsay Bernal: [email protected] . (Lindsay will confirm the receipt of the dossier.) Please note that this alternative is a work-around: though the MFA faculty reviewers will be given access to your Interfolio dossier, your letters will continue to appear as missing from your online application.
• Does your program require applicants to submit GRE scores? No.
• Does your program waive the application fee? The Graduate School, not the Program, processes all application fee waiver requests. For more information about application fee waivers, including the eligibility guidelines, please visit the Graduate School’s website .

Featured Alumni

Poet shara mccallum mfa ’96 named 2023 guggenheim fellow.

The fellowship will support McCallum’s upcoming project, a collection of poems in response to Jamaican visual art.

Elizabeth Acevedo Has Written Her First Novel for Adults–and It’s Full of Magic

Creative Writing M.F.A. alum is profiled in TIME on her newest novel, Family Lore .

Jewish Folklore Goes Queer in Alum’s New Novel

The mystical and mundane meet in story inspired by Temim Fruchter's Eastern European family matriarchs.

"Wave House" by Professor Elizabeth Arnold Wins Poetry Society of America William Carlos Williams Award

English professor elizabeth arnold dies at 65, “bitter water opera" in briefly noted book reviews, professor lillian-yvonne bertram and hoa nguyen ’91 receive foundation for contemporary arts grants to artists, accepting submissions: sadat poetry and music for justice and peace competitions, umd creative writing at awp 2024, poetry nfts are having a moment, lillian-yvonne bertram to read from 'negative money', upcoming events, creative writing mfa capstone reading.

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Creative Writing Program

The New School invites you to join a community of diverse writers, become part of New York City’s publishing world, and build a network of support on campus and beyond. Our prestigious MFA Creative Writing program is designed to help you develop your writing in supportive workshops and literature seminars led by an internationally recognized faculty and renowned authors.

books published annually by alumni and faculty

annual writing events, including the National Book Awards Finalist Reading

of admitted MFA students awarded merit-based university scholarships (2020–2021)

MFA in Creative Writing

As an MFA student at The New School, you can choose your concentration—in Arts Writing, Fiction, Nonfiction, Poetry, or Writing for Children and Young Adults—and receive personalized faculty mentorship and faculty and peer critiques. Innovative courses in publishing and multimedia storytelling engage you in the development of literature. Popular graduate minors include Impact Entrepreneurship and Transmedia and Digital Storytelling . Or you can apply to WriteOn NYC! , a New School–funded fellowship program providing MFA students with high-quality teaching experience in area middle schools and high schools. All students benefit from evening classes and events, which enable them to work or attend responsibilities during the day while enrolled in a  full-time program.

Related Programs

In addition to the renowned MFA in Creative Writing, The New School offers other programs and opportunities for writing students. These include noncredit courses and summer intensives, as well as an undergraduate major in the Bachelor’s Program for Adults and Transfer Students, the Writing and Democracy Honors Program, and undergraduate minors in related fields. Summer Writing Intensive Continuing Education Courses Writing & Democracy Honors Program BA in Creative Writing Undergraduate Creative Writing Courses

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The Writer’s Life in NYC

Creative Writing students come to The New School from across the United States and around the world to live the writer's life in New York City. Evenings with agents and editors, offered exclusively for MFA students, provide informal opportunities to meet publishing professionals.

The New School Bookshelf

We are proud to feature books recently published by The New School's Creative Writing community.

Sigrid Nunez, Faculty

Hurricane Child

Kacen callender, mfa '14.

The Impeachers

Brenda wineapple, faculty.

The January Children

Safia elhillo, mfa '15.

Mira Jacob, Faculty and MFA '01

Events & news.

In Conversation: Honor Moore and Brigid Hughes

School of Media Studies | Creative Writing Program Recognition Ceremony and Receptions

• The Vera List Center for Art and Politics Presents New School New Books Event Series
• Adrian Madlener, History of Design and Curatorial Studies ’18, Explores Design Through Writing and Research
• The Vera List Center for Art and Politics Hosts Reading Room Featuring Faculty Books
• Richard Barone, School of Jazz and Contemporary Music Faculty Member, Debuts New Book about Music Scene in 1960’s Greenwich Village
• New Faculty Achievements from Across The New School Include Fellowships, Grants, and More
• Alexandra Kleeman, SPE Assistant Professor of Writing, Awarded Guggenheim Fellowship in Fiction

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To apply to any of our Master's, Doctoral, Professional Studies Diploma, and Graduate Certificate programs, complete and submit the New School Online Application.

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Master of Fine Arts Degree

Master of fine arts degree in creative writing.

Indiana University’s graduate program in Creative Writing offers three years of fully-funded study leading to a Master of Fine Arts degree.

Our award-winning faculty works hands-on with candidates throughout a three-year program focused on the learning, application, and integration of craft concepts and the generation and workshopping of original student poetry and fiction. Your thesis is a book-length manuscript in the genre of your choice.

Our graduate program is relatively small, currently enrolling fewer than thirty students. We normally accept eight new students each year (four in fiction, four in poetry), and work to recruit a strong and diverse class.

View M.F.A. requirements in our Student Portal    Apply to our M.F.A. program

Why is our M.F.A. in Creative Writing three years long?

We believe that while it usually takes only two years for writers to do the requisite course work for the M.F.A., support of your work shouldn’t end there. Our program offers a third funded year to allow for more time to write your graduate thesis, which we hope will be a strong step toward your first published book. Writers need time, ideally funded time, and we offer it. In fact, many of our graduates in poetry and fiction have gone on to publish books that began as thesis projects written largely during their three years in Bloomington.

Support for your studies

Each student in our program receives a Student Academic Appointment (SAA) in the form of a teaching assistantship that offers a tuition remission for up to 12 credit hours per semester and 6 in the summer in the College of Arts and Sciences, student health insurance, and a partial fee waiver. Each SAA also includes a stipend of at least $19,000 which we are able to enhance with $2,000 IU Creative Writing fellowships to help cover fees.

The SAA normally involves teaching 2 to 3 courses per year, in a mix of composition, creative writing, and rhetoric courses, depending on undergraduate enrollments. Because continued funding after the first year is based on teaching and merit, this guarantee is contingent upon demonstration of satisfactory progress toward your degree (including passing required pedagogy courses), continuous enrollment, and maintenance of a cumulative GPA of at least 3.0 throughout your graduate career.

Diversity & Inclusion

The M.F.A. Program has a strong commitment to, and history of, diversity and inclusion. Applicants to the program frequently cite the diversity of its faculty and student body as an important factor in their decision to seek admission.

At present time over half of our M.F.A. students are African American, Latino/a, Asian American, or Native American. We have also sought to make the program a congenial and supportive environment for LGBTQ+ students, international students, first-generation college students, and students who are single parents.

Our program makes every effort to recruit the strongest and most diverse annual entering class of students possible and offers students of color the Neal-Marshall Graduate Fellowships in Creative Writing in addition to all of our other fellowship lines. See Fellowships and Awards for further information.

View diversity resources at IU

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Our offices are not currently open to in-person walk-ins, but we are here to help.

If you are an MFA student and you have any questions for our advising staff or would like to schedule a Zoom meeting, please contact us at [email protected] .

We appreciate your flexibility, and we hope everyone stays healthy.  If/when we are able to re-open in-person advising, we will update you.

MFA in Writing

Welcome. The MFA Program in Writing welcomes brave and innovative writers and encourages the formation of mutually-supportive, inspiring literary communities. The program is small, with typically 4 to 8 new students admitted and funded each year. The intimate nature of the program allows students to work very closely with writing faculty and each other within the quarterly cross-genre workshop.

The MFA program is a two-year full-time, in-person program foregrounding the interconnectedness of literary arts practice, modes of production and distribution, and the rigorous study of literatures, arts, and cultures. The program offers the option of extending to a third year; the majority of students choose to do so.

All graduate writing workshops are cross-genre and often interdisciplinary, investigating and often undermining a studio-versus-academic distinction in advanced literary education. Moreover, the program encourages interdisciplinary research and holistic approaches to teaching and learning. Therefore, teaching creative-critical reading and writing skills as a Teaching Assistant is a popular choice among all Writing students in the MFA program, most of whom are eligible for scholarships and fellowships in addition to union-represented compensation for Teaching Assistant work.

Program participants are encouraged to focus exclusively on writing, teaching, research, and art-making during their residency, allowing writers to integrate pedagogical training and artistic practice as a way to prepare for future scholarly endeavors while creating a book-length work of literature. To that end, each quarterly cross-genre workshop discusses writing-in-progress and published works in terms of poetics, prosody, and literary conventions alongside the interrelationship between aesthetic intervention/ experiment and radical social change across cultures, nations, regions, and movements.

While each writer’s extra-departmental coursework is flexible, program participants are expected to take five workshops. The cross-genre workshops function less as editorial sessions or as explications of craft techniques than as vibrant skill-sharing intellectual roundtables. UCSD’s writers generate dazzlingly diverse collaborations in writing and literary/arts events, many of which result in various forms of publication. Both faculty and graduate projects tend to repurpose, interweave, hack, and muddle generic categories and/or radically elasticize their conventions.

UC San Diego is a tier-one research university respected internationally for untangling mysteries and manifesting world-altering possibilities in the arts, humanities, and sciences. The MFA in Writing is part of the Department of Literature, a world literature department with a focus on critical theory, social justice, and cultural, ethnic, and gender studies, where faculty members work in multiple languages, geographies, and historical periods. All graduate writing workshops are offered in English, but program participants may work with Literature and extra-departmental faculty on bilingual or multilingual projects, including works in translation.

With ties to   Visual Arts ,   Music ,   Ethnic Studies ,   Science Studies ,  the   Clarion Science Fiction and Fantasy Writers' Workshop  and the   Arthur C. Clarke Center for Human Imagination , along with other departments, centers, and programs, unprecedented entanglements of artistic and scholarly experimentation are encouraged. The MFA program co-exists with a thriving undergraduate writing major and benefits from the long-established   New Writing Series   and the   Archive for New Poetry . Current MFA Writing Faculty include   Kazim Ali , Amy Sara Carroll ,  Ben Doller ,   Camille Forbes ,   Lily Hoang ,   Jac Jemc ,  Casandra Lopez ,  Brandon Som , Anna Joy Springer , and Marco Wilkinson . Emeriti Writing Faculty include   Rae Armantrout   and   Eileen Myles .

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MFA Admission 2024

Application Period 9/6/2023 - 12/6/2023

Decision Notifications February - April 2024

Program Begins Fall 2024

[ Admission Overview  ]

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Fully Funded MFA Programs in Creative Writing

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Fully Funded MFA Programs in Creative Writing was originally published on ProFellow

Fully funded MFA programs in Creative Writing offer a financial aid package for full-time students that includes full tuition remission as well as an annual stipend or salary during the entire program, which for Master’s degrees is usually 1-2 years. Funding usually comes with the expectation that students will teach or complete research in their field of study. Not all universities fully fund their Master’s students, which is why researching the financial aid offerings of many different programs, including small and lesser-known schools both in the U.S. and abroad, is essential. To read more and see the full list, view the full article here.

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Art is Expensive. Your Education doesn't have to be.

Find Your Program in 5 Minutes or Less

Many schools have rolling admissions, which means you can start a program in a few weeks!

Education is expensive, and a degree in art is no exception. Between the tough choices of paying back massive student loans from an undergrad degree and the financial doom of more loans from graduate school, it’s easy to say no to more schools. An MFA can be an expensive degree, and it's almost never a good idea to go into a lot of debt for this degree. 

Suppose an alternative path existed? Picture attending university sans the burden of tuition fees. Imagine acquiring money as you pursue an MFA degree. Albeit it might seem somewhat fantastical, this scenario genuinely transpires.  

The thing is, there are fully funded programs available out there for a wide variety of subjects—even those that fall under the “arts.”  Some of the best schools in the country offer full funding as a recruitment tactic to make it easier to attract top talent and students. Many MFA programs fully fund their students, while others will fund based solely on merit. 

Of course, it’s not like they’re just handing out free money. For the school to pay for education, students have to meet stringent admission requirements. But hey, if you’re willing to work hard and go the extra step to prove that you’re hungry, there are big prizes out there.

Related Online Master's Programs That Might Interest You

What is full funding , the school's side of the deal.

Getting into a fully funded MFA program is an awesome way to get an education, but its also a deal where both the school and the student have an obligation to fulfill. On the school's side, that usually means waiving the cost of tuition for the student. The definition of full funding varies from school to school when it comes to MFA programs. Generally, though, schools define it as covering the cost of tuition in addition to any combination of the following: 

• A modest stipend for living expenses (based on the aver age cost of living in the area) 
• Health insurance coverage
• Waives certain fees that the program may have (registration costs, health fees, student activity fees, etc. )

The amount a school can award depends mainly on how much “budget” it has for the program. The number of qualified applicants and the needs of individual students also play a big factor in how much is available to go around.

In truth, certain learners face rejection not due to a lack of qualifications, but rather because insufficient financial resources preclude their acceptance. The other reality is that some students are accepted into programs because of the student's own deep pockets - the school wouldn't have to pay for the student.  Because of all this, program sizes are sometimes kept quite small - 10-12 students in total.

The phrase that schools like to use when it comes to full funding is “enough to live on.” This is the amount that they think is enough to live on as a student per year and is what determines the amount they award students as a stipend.  An academic stipend is designed to replace the potential income you could be earning as an employee instead of being a student. 

Examine the implications of the following scenario:

Suppose an MFA program grants a yearly stipend of $12,000 while concurrently absorbing tuition fees. Consequently, students are relieved from concerns regarding educational expenses (excluding textbooks and supplementary resources) but must still contend with housing, sustenance, and additional outlays. The stipend's intent is to alleviate these financial burdens.

Put another way, you’re not going to be rich off of a fully funded program, and you won’t be able to live like royalty. You’ll still have to be smart with your money, find affordable housing, and maybe eat instant ramen when the funds get low, but at least you won’t be going into MASSIVE debt. 

The Student Side of the Deal

If we look at the relationship here as Cost of tuition + Stipend = Employee salary , then it makes sense that a student in a fully funded MFA program is essentially being "paid" to go to school. What, then, must a postgraduate scholar undertake to satisfy their part of the agreement?

• Teach undergraduate classes
• Attend conferences
• Deliver lectures
• Serve as a teacher's assistant
• Assist with various tasks and research projects
• ....? (They can come up with some really unique/fun/crazy assignments)

And while juggling all this work,  most important of all, a student has to have strong grades and be a good student.

Contemplate the following perspective: The educational institution effectively bestows upon you a bursary (covering tuition fees) whilst concurrently remunerating your attendance (the stipend designated for living expenditures). Admittedly, the monetary value of certain stipends may be modest for subsistence; nonetheless, their cumulative worth equates to a minimum of $30,000 or more.

Numerous MFA programs exist nationwide; however, a mere handful boast full funding. To facilitate your search, we have endeavored to compile an assortment of the most exemplary programs across the nation.

John Hopkins University

Stipend amount offered: $30,500 Benefits Offered: Tuition, Health Insurance

John Hopkins University tops off our list as the school with the most generous teaching fellowship. With a substantial allocation of $30,500, this program ranks among the nation's most generously financed initiatives, transcending various fields, particularly within the realm of artistic disciplines. The two-year Master of Fine Arts in fiction and poetry offers intensive seminars focused on diverse readings, small workshops, one-on-one advising, and frequent interaction with published writers. Naturally, given its status as one of the nation's premier institutions, gaining admittance to the program proves highly challenging. Each year only four poets and four fiction writers are admitted.  These lucky students are fully funded and they teach one class a semester for three semesters - giving them lots of time to refine their craft.

University of Texas - Michener Center for Writers

Stipend amount offered: $27,500 Benefits Offered: Tuition

The MFA in writing program at the University of Texas Michener is a three-year full-time program. Students are admitted based on their main field of concentration - fiction, poetry, playwriting or screenwriting. Each admitted student receives a fellowship of $27,500 from the Michener fellowship. The late author James Michener and his wife Mari Subasawa Michener put together this fellowship to support students as they progress in their studies. Students may also apply for professional development funds to attend writing conferences, residencies fund research or travel, or to use as a summer stipend while writing a project. The money comes with a story:  with each year's incoming student class, Michener would admonish, "Don't waste your time or my money." Great advice even 21 years after his death.

Cornell University

Stipend amount offered: $26,426 Benefits Offered: Tuition, health insurance

The Creative Writing Program at Cornell University offers concentrations in poetry or fiction. As a competitive program, only eight students are admitted each year, four in each concentration. This small size allows the school to offer generous financial support packages that fully funds each student. A notable advantage of this program entails each participant selecting a dedicated committee comprising two faculty members. These mentors collaborate with the student to tailor a curriculum aligned with the individual's pursuits. Furthermore, the program guarantees two years of financial support for all enrolled students. During the first year, students are assigned a graduate assistantship with EPOCH magazine, Cornell's publication of fiction, poetry, and more. In the second year, students are then assigned a teaching assistantship.

Rutgers University - Newark

Stipend amount offered: $26,000 Benefits Offered: Tuition, health insurance

The Rutgers University - Newark MFA program is a studio/research program that allows writers to study literature as they work to create it. This program differs from other MFA programs in that it gives students a chance to fulfill the credit requirements by choosing unique Electives Concentrations, enabling students to work in a wide range of genres. For example, those that choose Literature/Book Arts will work with photographer Nick Kline to create and design a chapbook of their own work. Performance/Media Studies gives students the chance to study writing for the stage or television with playwright Michele Rittenhouse, and urban and narrative journalism with Rob Snyder, or jazz influences with Lewis Porter. This unique approach ensures that students will have an educational experience unlike anything else in the country.  Students are typically offered a Teaching Assistantship and will be required to teach composition classes.

Vanderbilt University

"Creative Writing has been a vital part of the Vanderbilt English Department for nearly a century," reads the first sentence on Vanderbilt's website. Unquestionably, Vanderbilt's MFA in creative writing stands among the nation's most esteemed and munificent programs, devised to cultivate gifted authors and poets. Nestled in Nashville, Tennessee, Vanderbilt epitomizes a harmonious fusion of avant-garde Southern culture and artistic vigor. The program extends comprehensive financial support to new enrollees; however, in their second year, students acquire the prospect of instructing an introductory creative writing workshop for a single term.

Washington University in St. Louis

Stipen d amount offered: $22,830 Benefits Offered: Tuition, Health insurance

This school is located where St. Louis City meets St. Louis County, right across one of the largest urban parks in the country. Washington University in St. Louis is known throughout the region as an academic powerhouse. A distinguishing feature of this program is its status as one of the rare MFA initiatives that forego the GRE requirement for admission. Spanning a two-year duration with a group of 20 to 25 students, attendees are encouraged to delve into fiction, poetry, and creative nonfiction as their primary focus. Annually, the institution welcomes an eclectic assembly of poets, fiction authors, and nonfiction writers to the department, enriching students' exposure to a wide spectrum of literary creators. The school is able to offer all new students full and equal financial aid in the form of a University Fellowship, which allows students to live somewhat comfortably in a relatively inexpensive city. Additionally, there are two university wide fellowships available that graduate students can apply for that carry a stipend of $31,296.

University of Michigan, Ann Arbor

Stipen d amount offered: $22,000 Benefits Offered: Tuition, Health insurance

The University of Michigan has a well proven reputation in academics and in the college sports world.  The creative writing MFA is no different. The Helen Zell Writer's program is a two-year, fully funded MFA in creative writing where students focus on fiction or poetry. This program's faculty is what makes it stand out from other programs. They have collectively written, translated, and edited more than fifty books and won numerous awards. But beyond accomplishments and accolades, the program really seeks to get at the heart of why writing is important - "to push back against the darkness of intolerance and injustice, to give voice to perspectives that might otherwise be silenced." At the end of two years of courses, students must submit an MFA thesis. Following a successful defense of it, students are granted a third-year residency in Ann Arbor, writing and engaging in community service work of their choice, $25000 per fellow.

University of Illinois, Urbana - Champaign

Stipen d amount offered: $21,493 (scaled) Benefits Offered: Tuition, Health insurance, Partial fee waiver

The University of Illinois, a renowned global research and educational establishment, houses the nation's third most extensive library, boasting in excess of eight million volumes—an impressive literary collection. The MFA program here provides students an opportunity to take classes and study with distinguished faculty. The program's paramount objective is to afford writers the opportunity and environment to refine their craft. Financial assistance is granted to all admitted students for the duration of the three year curriculum. Predominantly, this support is delivered via teaching assistantships, with a select number of fellowships accessible However, the funding is scaled. The first year of support is set at 33%, where students earn $10,586 and teach one class a semester.  In the second and third years, students receive 67% appointments that take them to around $21,493. There are supplemental fellowship funds that are awarded to beef up the stipend.

University of California Irvine

Stipen d amount offered: $20,050 Benefits Offered: Tuition, Health insurance (medical, dental, vision)

The University of California, Irvine, ranks among the most favored institutions for inhabitants of Southern California. The MFA program here is designed for students that are committed to perfecting their craft. The programs primary aspiration is to guide its students in crafting enduring works of fiction or poetry. Each year more than 500 applicants apply to the program, and only twelve are selected. The program's intimate scale guarantees ample opportunities for students to engage with faculty members and obtain the requisite, individualized guidance for their endeavors. Within this three year initiative, participants are granted financial aid through teaching assistantships, including tuition fellowships for those residing out of state. These students are required to teach one undergraduate composition or creative writing class per quarter for a total of three courses per academic year.

University of Cincinnati

Stipend amount offered: $20,000 Benefits Offered: Tuition

The University of Cincinnati is home to a thriving creative writing program that features the talents of distinguished award winning writers. Established in 1819 the University of Cincinnati's English graduate program has held a significant position within the institution for over a century, as one of the earliest to provide an advanced graduate curriculum. Students have the option to concentrate their pursuits within four primary domains: creative writing, literary and cultural studies, professional writing, and rhetoric and composition. Funding is based on academic credit, and the school offers a University Graduate Scholarship that awards financial aid based on academic merit. The graduate assistantship award provides a stipend in addition to a UGS award. Students will be required to teach one section of English Composition per term, with three office hours each week (in total, working for approximately 20 hours per week).

University of Virginia

Stipen d amount offered: $20,000 Benefits Offered: Tuition, Enrollment fees, Health insurance

In addition to its esteemed reputation, the University of Virginia acknowledges the myriad challenges faced by students during their inaugural year in a novel program. As they acclimate to graduate life, forge new connections, keep abreast of coursework, and foster creativity, the initial year can prove taxing. Consequently, the University of Virginia distinguishes itself as one of the select programs that relieve first-year students of teaching duties, enabling them to concentrate on their writing. During the second year, the fellowship income drops to $10,000 from $20,000, but students earn $10,000 as teaching income for teaching one class per term (usually an introductory level creative writing workshops like Introduction to Poetry Writing or Fiction Writing). Funding is simultaneously allocated to all students, eliminating the need for them to vie for financial support throughout their tenure at UVA. Following the completion of their second year, students may pursue an additional year of teaching assistance. This third year of funding will depend on performance in the MFA program, teaching evaluations, and a successfully defended thesis at the end of the second year.

University of Maryland

Stipen d amount offered: $19,700 Benefits Offered: Tuition

The University of Maryland's MFA program holds a prestigious national ranking, boasting alumni who have garnered numerous accolades and fellowships. It is part of a rich literary community and shares fiction and poetry readings at nearby schools like Georgetown, Howard, John Hopkins, George Mason, George Washington, American University, the PEN/Faulkner, and a variety of local bookstores.  As a program designed to help aspiring writers perfect their ability to compose poems, stories, and novels, this program gives students a chance to study in intensive studios while doing practical work within their chosen genres. The MFA also requires students to study literature in order to broaden their perspectives. This is a highly competitive program. Each year only four fiction writers and four poets are admitted and fully funded by Teaching Assistantships. The funding arrangement generally anticipates a two year program completion, offering a stipend of $18100 in the initial year and $19700 in the subsequent year. First year students instruct a single class, whereas second year students assume responsibility for three classes during their final year.

Iowa State University

Stipen d amount offered: $19,200 Benefits Offered: Tuition, Health insurance

The three year MFA program in Creative Writing and Environment is unique in the academic world because it goes beyond study in creative writing-poetry, fiction, nonfiction, and drama. Instead, it emphasizes the idea that writers can identify and explore their stories in the natural world and environmental imagination. Indeed, the program delves into the manner in which our surroundings mold our perspectives and subsequently influence our interpretation of narratives and visuals. This program is a combination of creative writing workshops, literature coursework, environmental fieldwork experience, interdisciplinary studies in courses outside of English, and one-on-one work with mentors. Ames is an affordable city, so the stipend offered by the program goes a long way to having a comfortable life as a student.

University of Iowa Writer's Workshop

Stipen d amount offered: $19,000 Benefits Offered: Tuition, Health insurance

The Iowa Writer's workshop is an MFA program that results in the submission of a creative thesis (a book of poetry, novel, or a collection of stories). This program generally accepts up to fifty students each year - 25 in fiction and 25 in poetry. The program offers financial assistance to learners through teaching assistantships, research assistantships, and fellowships. These fellowships and assistantships usually provide tuition scholarships or full tuition remission. The quantity of the stipend is subject to change based on the duration of a learners involvement in the program. (For instance, a one-quarter time student will receive a smaller sum than a full-time student.)

University of Florida, Gainesville

Stipen d amount offered: $18,067 Benefits Offered: Tuition

The webpage for the MFA program in creative writing at the University of Florida, Gainesville greets you with a promise that if the program were half as warm and welcoming as the text on the website, you'd be happy here. Although it is among the most established writing programs in the country its longstanding reputation has kept it as one of the academic writing community's best kept secrets. This is a remarkable fact given the program's undeniable reputation for excellence in writing education. They are ranked highly by Poets & Writers and have a very high job placement rate. This program believes that good writing comes not just from talent and practice but also from the counseling that comes from other writers. To ensure alignment with faculty strengths and interests, the program actively recruits students who are the most suitable candidates. Students may not be the most accomplished writers, but they are accomplished in ways that the faculty can work with. Still, it's a competitive program as more than 500 people apply each year, and only six students are selected in each genre.

University of Oregon

Stipen d amount offered: $18,000 Benefits Offered: Tuition, Student fee reduction, Health insurance

The creative writing program at the University of Oregon is a two-year residency with concentrations in poetry or fiction. Like many writing programs, this program emphasizes the importance of workshopping, integrating concentrated time for craft seminars and individualized reading tutorials. This is a rigorous program that is meant to challenge aspiring writers and is a program taught by faculty that went through similar rigorous apprenticeships. All incoming students are funded with a teaching appointment, meaning that they are not merely assistants to a class taught by a faculty member but instead are the ones solely responsible for the course. First-year students teach one course per 11-week term for a total of three courses in the year (usually an introduction to fiction, or poetry class). Second-year students usually teach a composition class on a similar schedule for a total of three courses in the year.  10 Graduate students are accepted by the program annually.

Purdue University

Stipen d amount offered: $18,000 Benefits Offered: Tuition, Student free reduction, Merit Raises

Purdue Universitys Creative Writing Program is a place where budding artists can work on their craft and seek the mentorship of internationally renowned faculty. Ultimately it is a program that is a destination for those that are interested in careers as writers, editors, teachers, non profit administrators, arts administrators, and more. With a remarkable student faculty ratio of approximately 3.5 to 1 this three year program is fully funded and considered one of the best in the country. In the first two years students focus on completing their coursework while dedicating the third year to their thesis. Additionally students are obligated to teach one course per semester. After the first year they can opt to teach extra courses to earn supplemental payments beyond the standard base stipend of $13000 for 10 months.

Louisiana State University

Stipen d amount offered: $16,500 (with a B.A) $17,000 (with an M.A.) Benefits Offered: Tuition

Located near the vibrant city of New Orleans, the MFA program at Louisiana State University is a three-year, generously funded program that is home to writers seeking to push their writing abilities. In a program designed for students to work closely with faculty, students are encouraged to find their unique voice as they work to write in traditional, hybrid, and new media genres. This MFA program encourages students to also seek learning outside of just English and literature. It emphasizes critical discussions about arts and culture, politics and history, and a wide variety of topics. MFA students are awarded a teaching assistantship and are only required to each class per semester. One of the true benefits of attending this program is its location. Because New Orleans and Baton Rouge are considered unique American cultural and artistic hubs, students are able to participate in many celebrations of art throughout the year.

Syracuse University

Stipen d amount offered: $17,220 Benefits Offered: Tuition

At Syracuse University, aspiring writers can partake in a three-year MFA program, which provides a chance to learn, refine, and express their creative writing skills alongside fellow artists. This program is known for having a close-knit community that is genuinely concerned with helping each other grow in their artistic endeavors. It is a competitive program to get into, however. Only six poets and six fiction writers are admitted each year. But these twelve students get to work closely with eight full-time faculties and at least one renowned visiting writer each year. Each student is awarded a full tuition scholarship and a stipend - though some of these scholarships are configured to include teaching classes in the Writing Program. Ultimately, the belief of Syracuse University is that students should not be laden down with massive student loan payments when they graduate. "Talen, not wealth, is the sole prerequisite for admission."

University of Arizona

Stipend amount offered: $16,120 (with master's degree) $14,808 (no master's degree) Benefits Offered: Tuition, Health Insurance Does not cover: Books, Course Fees

The University of Arizona prides itself on being a future thinking university with a focus on the world of tomorrow. Recognizing the importance of creative writing and humanities in society, this school offers a fully funded MFA program in Creative Writing. This three year program provides opportunities for research and travel, allowing students to focus on poetry, fiction, or nonfiction while also promoting genre crossing work. Generally, students are offered a graduate teaching assistantship position teaching one or two sections of first year writing (or creative writing) to undergraduates and are eligible to receive additional awards, funding, and research grants.

University of Miami

Stipen d amount offered: $15,965 Benefits Offered: Tuition

University of Miamis MFA is a program that prides itself in being located in a metropolis of polyglot communities this program places special emphasis on multilingual craft and gives writers a unique opportunity to hone their abilities in a vibrant multicultural city. This multicultural and multilingual approach allows students to write from different linguistic modalities such as regional dialects, and slang, and technical jargon. Students are encouraged to go beyond superficial language patterns and to really delve into the unique culture and history of different linguistic backgrounds. The James Michener Fellowships and Teaching Assistantships support all graduate students in the program. MFA students are required to teach one section of Introduction to Creative Writing per semester during their second year of the program. During the optional third year students are required to teach two sections of composition per semester and will receive faculty mentorship towards professional development.

Arizona State University

Stipend amount offered: $15,000 (per year) Benefits offered: Tuition waiver, health insurance

Renowned for its MFA program, Arizona State University boasts distinguished faculty members and accomplished alumni as evidence of its success. Through small classes, intimate workshops, and one on one mentoring, students are encouraged to push their writing abilities in a number of different genres. When students are admitted to the program and submit a teacher assistantship application, they are awarded a teaching assistantship and stipend. Each teaching assistantship carries a three course per year load. Students in Arizona State Universitys MFA program must enroll in a minimum of six credit hours each semester. Students of the program also have additional opportunities to receive creative research fellowships, attend conferences like the Desert Nights, Rising Stars Writers Conference, moderate panels at conferences, and more.

University Of Alabama, Tuscaloosa

Stipend amount offered: $13,500 Benefits Offered: Tuition, Health Insurance Does not cover: Books, Course Fees

The University of Alabama in Tuscaloosa hosts a creative writing MFA program, featuring workshops, forms courses, and literature classes that encourage students to explore various writing styles. In addition to the programs academic excellence students choose UA for its distinguished reputation as one of the most esteemed schools in the state. This program guarantees up to four years of full financial support. Students that are accepted into the program automatically qualify for graduate assistantships which also include a stipend of $13140 paid over nine months. All incoming students are also automatically considered for additional financial awards, including "Graduate Council Fellowships, McNair Fellowships, and Truman Capote Scholarships.

University of Arkansas

Stipend amount offered: $12,000 (per year for students with BA) $12,600 (with MA or equivalent)  Benefits offered: Tuition waiver

This university overlooking the Ozark mountains has been home to academics for more than 140 years. Upon acceptance into the University of Arkansas MFA program students are obliged to teach two courses per semester. However, during their fourth year in the program, they are only required to teach one course. As a well-funded program, nearly all students of the program are awarded teacher assistantships. Students also have the opportunity to compete each year for several Walton Fellowships of $14,000 and several James T. Whitehead and Lily Peter Fellowships of $1,000 or greater. On top of this, learners worth $4,000 per year for up to four years may be awarded to academically qualified candidates. In other words, do well in your classes and earn money. Translation learners that are working on Middle-Eastern languages are also eligible for non teaching fellowships of $12,000 per year.

Pfeiffer University

Score: 100.0

While most educational institutions require a sizeable commitment to complete degree programs, Pfeiffer University is an exception to the rule. The University offers a wide variety of online courses and degree programs that provide a more straightforward process for students who may have other commitments to fulfill. Like many other online degree programs, Pfeiffer University allows students in their online courses to work on thei

Niche.com awards it an overall grade rating of 'B-' for diversity, athletics, and value, and, according to the U.S. News and World Report, it sits at #44 in Top Performers on Social Mobility. The university offers courses both in traditional classroom settings and through the online format. A few of the most popular majors include Business, Health Professions, and Parks and Recreation. East Central University holds accreditation from the Higher Learning Commission and is recognized as an institution of high renown throughout the Oklahoma state college system.

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