other term for creative writing

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Creative writing synonyms

What is another word for creative writing .

• writing language
• written works
• compositions
• composition writing, language
• style language, writing
• instrumentation language, writing
• prose language, writing
• rhetoric writing
• literary texts
• works of fiction
• short stories
• storytelling
• work of imagination
• belles-lettres
• made-up story

Writing Nestling

What Is Creative Writing? (Definition & 11 Best Steps)

Creative writing is the celestial dance of words, an art form that transcends the ordinary to forge literary constellations that illuminate the human experience.

At its core, creative writing is a cosmic exploration of imagination, a journey into the uncharted realms where storytelling becomes a vehicle for self-expression, creativity, and connection.

It encompasses a diverse array of genres, from the poetic landscapes of verse to the intricate narratives of fiction and the introspective reflections of creative nonfiction.

Creative writing is both an ancient practice, rooted in the oral traditions of storytelling, and a contemporary force, shaped by the dynamic currents of literary movements and the digital age.

In this cosmic voyage of words, writers become cosmic architects, crafting worlds, characters, and emotions that resonate across the galaxies of human thought and emotion.

This exploration delves into the historical evolution, elements, genres, and the transformative process of creative writing, inviting both novice stargazers and seasoned explorers to embark on a literary odyssey through the cosmos of human imagination.

Table of Contents

What Is Creative Writing?

Creative writing is the process of expressing thoughts, ideas, and emotions through the artful use of language. Here’s a step-by-step breakdown:

Idea Generation

Start by brainstorming and generating ideas. This could be inspired by personal experiences, observations, or purely imaginative concepts.

Organize your thoughts and structure your writing. This might involve outlining the plot for a story, creating characters, or planning the flow of a poem.

Choosing a Form or Genre

Decide on the type of creative writing you want to pursue – whether it’s fiction, non-fiction, poetry, drama, or any other form.

Setting the Tone and Style

Define the tone and style of your writing. This could range from formal to informal, humorous to serious, depending on the intended effect.

Creating Characters or Themes

Develop characters, themes, or central ideas that will drive your narrative and engage your audience.

Begin writing your first draft. Allow yourself the freedom to explore ideas without worrying too much about perfection at this stage.

Review and revise your work. This involves refining your language, improving clarity, and ensuring your writing effectively communicates your intended message or story.

Pay attention to grammar, spelling, and punctuation. Edit your work to eliminate errors and enhance overall readability.

Seek feedback from peers, writing groups, or mentors. Constructive criticism can help you identify areas for improvement and refine your work.

Make final adjustments based on feedback and your own revisions. Polish your creative writing until you are satisfied with the result.

Publishing or Sharing

Decide whether you want to share your work publicly. This could involve submitting it to literary magazines, self-publishing, or simply sharing it with friends and family.

Creative writing is a dynamic and iterative process, allowing for continuous refinement and exploration of ideas.

Historical Evolution of Creative Writing

Embarking on a literary time-travel, the historical evolution of creative writing unfolds like an intricately woven tapestry, blending the whispers of ancient oral traditions with the bold strokes of individual expression that emerged during the Renaissance.

Picture storytellers captivating audiences with folk tales around ancient campfires, only to witness the metamorphosis into written words that took place during humanity’s transition from the spoken to the written word.

As the winds of change blew through literary landscapes, the Renaissance breathed life into personal narratives, and Romanticism embraced the turbulent storms of emotion.

Modernism then shattered conventional boundaries, paving the way for experimental forms that mirrored the tumultuous twentieth century.

Today, creative writing stands at the intersection of tradition and innovation, a dynamic force shaped by the echoes of the past and the untamed creativity of the present.

Origins in oral traditions

The origins of creative writing can be traced back to the rich tapestry of human storytelling woven through the fabric of oral traditions.

In the dim glow of ancient campfires, our ancestors spun tales that danced between reality and imagination, passing down knowledge, wisdom, and cultural identity from one generation to the next.

These oral narratives, often rooted in folklore and myths, were the heartbeat of communities, connecting individuals through shared stories.

From the captivating epics of Homer to the enchanting fairy tales whispered in the corners of the world, the oral tradition laid the foundation for the written word, embodying the essence of human creativity, imagination, and the innate desire to communicate through the power of narrative.

Development through literary movements

The historical journey of creative writing unfolds through the dynamic currents of literary movements, each a vibrant chapter in the evolution of human expression.

The Renaissance, a cultural rebirth, marked a pivotal shift as writers embraced the power of individual expression and departed from medieval constraints.

Romanticism followed, a tempest of emotion that stormed the structured landscapes of literature, championing nature, passion, and the sublime.

Modernism emerged as a bold departure from traditional forms, ushering in experimental narratives and fragmented perspectives that mirrored the complexities of the 20th century.

Today’s creative writing landscape, shaped by these movements, is a kaleidoscope of diverse voices and styles, a testament to the enduring influence of literary evolution on the human experience.

Elements of Creative Writing

Dive into the alchemy of creative writing, where the elements of storytelling blend and dance like cosmic particles in a celestial ballet.

Picture the plot and structure as the architectural skeleton, a blueprint for worlds yet to be born. Characters, like sentient constellations, come to life, breathing the very essence of authenticity into the narrative cosmos.

Amidst the vast expanse of setting and atmosphere, landscapes materialize like dreams, painting scenes that are both vivid and haunting.

Style and voice emerge as the enchanting melodies, each writer composing a unique symphony that resonates in the reader’s soul.

In this literary crucible, the elements fuse, giving birth to tales that are not just written but are crafted, where words become spells, and the act of creation is nothing short of magical.

Genres in Creative Writing

Step into the kaleidoscope of creative expression, where genres in creative writing are the vibrant hues that paint the literary canvas with boundless imagination.

Fiction, a realm where novel universes unfurl with every turn of the page, beckons explorers to traverse landscapes of intrigue and emotion.

Poetry, the language of the soul, weaves verses that resonate in the heart’s chambers, from the traditional sonnets to the avant-garde free forms that defy gravity.

Creative nonfiction becomes a literary mirror, reflecting the kaleidoscope of reality through memoirs and essays, blurring the lines between experience and artistry.

These genres are not mere labels; they are portals into worlds where storytelling transcends boundaries, and writers become architects of realms that captivate the mind, stir the emotions, and linger in the echoes of the reader’s imagination.

Fiction, the enchanting realm where the alchemy of words transforms imagination into reality, beckons readers into worlds unknown.

It is the literary tapestry where storytellers weave tales that dance on the precipice between reality and fantasy. Novels, the architects of this fantastical landscape, sculpt characters with palpable depth, crafting intricate plotlines that unfold like secrets waiting to be revealed.

From the classic works of timeless masters to the contemporary symphonies of emerging voices, fiction transcends time and space, inviting readers to escape the ordinary and venture into the extraordinary.

In this boundless expanse, emotions become tangible, and the echoes of imaginary footsteps resonate long after the last page is turned. Fiction is not merely a genre; it is a passport to alternate realities, a magic carpet that carries readers to places uncharted and emotions unexplored.

Poetry, the language of the heart and the echo of the soul, is an art form that transcends the boundaries of ordinary expression.

In the symphony of words, poets become maestros, conducting emotions and experiences into verses that sing with rhythm and grace.

From the structured elegance of traditional forms to the unbridled freedom of free verse, poetry captures the ineffable and distills it into the purest essence.

Every line is a brushstroke painting vivid imagery, and each stanza is a melody that resonates in the chambers of the reader’s spirit. Poets wield words like alchemists, transforming mundane moments into profound revelations.

In the delicate dance between language and emotion, poetry stands as a testament to the human capacity to turn the ordinary into the extraordinary, inviting readers to immerse themselves in the beauty of finely crafted language and the endless possibilities of the poetic imagination.

Creative Nonfiction

Creative nonfiction, a captivating blend of factual precision and artistic expression, serves as a literary bridge between the realms of truth and imagination.

In this genre, writers embark on a compelling journey of storytelling that mines the depths of reality to craft narratives as rich and engaging as any fiction.

From memoirs that illuminate the intricacies of personal experiences to thought-provoking essays that dissect the tapestry of the human condition, creative nonfiction is a mosaic of authenticity painted with the brushstrokes of literary finesse.

The genre encourages writers to artfully blur the lines between fact and narrative, weaving a tapestry that captures the essence of life in all its complexities.

It is a genre where truth is not merely recounted but elevated to the status of art, inviting readers to explore the profound and the ordinary with fresh eyes and a heightened appreciation for the power of storytelling.

The Creative Writing Process

Embark on the enigmatic odyssey of the creative writing process, where inspiration is a clandestine muse that whispers in the stillness of creativity.

The inception, a cosmic spark, ignites the imagination, unleashing a torrent of ideas that cascade like shooting stars across the writer’s mind. The drafting phase is a dance with chaos, a raw manifestation of thoughts and emotions onto the blank canvas of the page.

Yet, the revision process emerges as the phoenix rising from the literary ashes, where words transform and refine, revealing the alchemical magic of refining ideas into a harmonious narrative.

Seeking feedback becomes a cosmic conversation, where the writer navigates the cosmos of criticism to unveil hidden constellations in their work.

The creative writing process is not a linear trajectory but a celestial dance , where writers traverse the nebulae of creativity, forging galaxies of prose and poetry that linger in the reader’s universe long after the final punctuation mark.

Idea generation, the pulsating heartbeat of the creative process, invites writers into the boundless cosmos of imagination.

It is an ethereal dance with inspiration, where sparks of creativity ignite the mind like constellations in the night sky. Whether drawn from personal experiences, fleeting observations, or the whispers of dreams, ideas are the raw stardust that writers mold into narrative galaxies.

The process is as unpredictable as a meteor shower, with writers navigating the celestial expanse to capture elusive fragments of brilliance.

From the quiet corners of introspection to the cacophony of the world, the art of idea generation transforms the mundane into the extraordinary, inviting writers to embark on a cosmic odyssey where every fleeting notion has the potential to blossom into a literary supernova.

Drafting and Revising

Drafting and revising, the twin constellations of the writing process, encapsulate the transformative journey of turning nebulous ideas into polished prose.

In the initial act of drafting, writers plunge into the creative abyss, weaving words into a tapestry of raw emotions and vivid imagery.

It is an untamed exploration, where the exhilarating rush of creation takes precedence over perfection. Yet, the true alchemy occurs in the refining crucible of revision. Like a sculptor chiseling away excess stone to reveal a masterpiece, writers meticulously carve and reshape their narratives.

It is a dance with words, a delicate balancing act of preserving the authenticity of the initial draft while enhancing clarity, coherence, and resonance.

Revision is not merely correction; it is the conscious evolution of a narrative, where every nuanced change breathes new life into the prose.

The tandem of drafting and revising, akin to the ebb and flow of cosmic forces, is the dynamic heartbeat that propels a piece of writing from its embryonic stages to the polished brilliance that captivates the reader’s soul.

Publishing and Sharing

Publishing and sharing mark the culmination of a writer’s odyssey, where the crafted words are prepared to venture beyond the solitary realm of creation.

It is a moment of revelation, where the manuscript, once a private universe, prepares to meet the wider cosmos of readership.

The publishing process, be it through traditional avenues or the burgeoning world of self-publishing, involves the meticulous preparation of the work for public consumption.

The act of sharing becomes a cosmic ripple, as the writer’s voice resonates across the literary landscape, forging connections with readers who may find solace, inspiration, or sheer enjoyment in the words.

It is a dance of vulnerability and courage, as writers release their creations into the literary cosmos, hoping their narrative constellations will find a home in the hearts and minds of others.

The symbiotic relationship between writer and reader transforms the act of publishing into a shared cosmic experience, where words transcend the individual and become part of a collective literary universe.

Challenges and Rewards of Creative Writing

Navigating the cosmos of creative writing reveals a celestial dance of challenges and rewards, where each word penned is a step into the cosmic unknown.

The challenges emerge like elusive comets, from the gravitational pull of writer’s block threatening to derail creativity, to the constant cosmic quest for a harmonious balance between originality and marketability.

Yet, these challenges are the cosmic forge that tempers the writer’s mettle, honing resilience and creativity in the crucible of adversity.

The rewards, akin to dazzling supernovae, illuminate the journey. The cathartic joy of crafting a sentence that resonates, the cosmic connections formed with readers who find solace or delight in the prose – these are the celestial jewels that make the struggles worthwhile.

In the vast expanse of creative writing, challenges and rewards orbit each other like binary stars, their gravitational pull shaping the unique trajectory of every writer’s cosmic odyssey.

Overcoming writer’s block

Writer’s block, that elusive shadow cast over the creative landscape, can feel like navigating a cosmic void where inspiration is but a distant star.

It is the gravitational force that stymies the flow of words and leaves the writer stranded in a sea of blank pages. Yet, overcoming writer’s block is an act of cosmic resilience.

Writers embark on a journey through the nebulae of creativity, employing various strategies to break free from the entangled cosmic web.

Whether it’s the cosmic power of free writing to unravel mental knots or the meteoric inspiration found in changing the writing environment, overcoming writer’s block becomes a transformative process.

It is the writer’s spacecraft pushing through the cosmic fog, a testament to the indomitable spirit that seeks to create even in the face of cosmic resistance.

In this dance with the muse, writers rediscover the cosmic symphony of their imagination and emerge from the creative void with newfound brilliance.

Balancing originality and marketability

In the cosmic dance of creative writing, striking the delicate balance between originality and marketability is akin to navigating the gravitational forces of two celestial bodies.

Originality, the pulsating core of creativity, propels writers into uncharted literary realms, forging unique constellations of thought and expression.

Yet, the cosmic reality of marketability orbits nearby, where commercial considerations seek gravitational stability.

It’s an intricate interplay; too much originality may risk veering into the obscure, while an excessive focus on marketability might compromise the authenticity of the creative vision.

Writers become cosmic architects, constructing narratives that not only resonate with their individual voice but also align with the gravitational pull of audience preferences.

Balancing these cosmic forces is a perpetual challenge, requiring writers to dance on the edge of innovation while staying tethered to the gravitational pull of a wider readership.

In this cosmic balancing act, writers discover the celestial equilibrium where originality and marketability harmonize, creating literary galaxies that captivate both the cosmos of creativity and the earthly realms of audience engagement.

Impact of Creative Writing on Society

Creative writing is the cosmic echo of the human soul, resonating through the annals of time and leaving an indelible imprint on the fabric of society.

It serves as a literary constellation, illuminating the collective consciousness with narratives that mirror, challenge, and redefine societal values.

From ancient epics that shaped cultural identities to contemporary works that spark revolutions of thought, creative writing is a cosmic force that fosters empathy, dismantles prejudices, and holds a mirror to the complexities of the human experience.

It is the catalyst for societal metamorphosis, a cosmic dance that encourages dialogue, fuels revolutions, and shapes the very contours of cultural evolution.

In the vast cosmos of creative expression, the impact of writing is not merely confined to the pages; it permeates the collective psyche, becoming a celestial force that guides, questions, and ultimately shapes the destiny of societies on this cosmic voyage through time.

Educational and Professional Opportunities in Creative Writing

Embarking on the cosmic odyssey of creative writing isn’t just a journey into the realms of imagination; it’s a launchpad to educational and professional constellations that illuminate diverse career trajectories.

Creative writing programs become celestial academies, nurturing literary supernovae through workshops, mentorship, and the exploration of narrative galaxies.

The academic pursuit of the craft transforms writers into cosmic architects, honing not only their creativity but also the analytical skills essential for dissecting the intricacies of language.

Beyond the academic cosmos, the professional opportunities in creative writing are as vast as the universe itself.

Writers may navigate the celestial waters of journalism, become starry-eyed screenwriters crafting cinematic adventures, or soar as literary explorers, publishing novels that leave an indelible mark on the literary cosmos.

In the intersection of education and profession, creative writing unfolds as a cosmic tapestry where words aren’t just written but become portals to boundless opportunities in the vast expanse of the literary universe.

Frequently Asked Questions (FAQ) about What Is Creative Writing?

What exactly is creative writing, and how does it differ from other forms of writing.

Creative writing is the vibrant, expressive art of using words to craft narratives that go beyond mere conveyance of information. It stands apart by prioritizing imagination, self-expression, and often blurs the lines between reality and fiction.

How does the historical evolution of creative writing influence contemporary practices?

The historical journey of creative writing, from ancient oral traditions to the digital age, has shaped the very DNA of the craft. It influences contemporary practices by offering a rich tapestry of literary movements, styles, and themes that writers can draw inspiration from or subvert.

Can anyone become a creative writer, or is it a skill reserved for a select few?

Absolutely anyone can become a creative writer! While innate talent can be an asset, the essence of creative writing lies in practice, exploration, and the willingness to cultivate one’s unique voice and perspective.

What are the key elements that make up creative writing, and how do they contribute to the overall narrative?

The elements of creative writing, such as plot, characterization, setting, style, and voice, are the building blocks that construct the literary cosmos. They contribute by creating immersive worlds, memorable characters, and distinctive narratives that resonate with readers.

How can one overcome writer’s block, a common challenge in creative writing?

Overcoming writer’s block is like navigating through a cosmic fog. Strategies include engaging in free writing, changing the writing environment, seeking inspiration from different mediums, or simply taking a cosmic break to recharge creative energies.

Is creative writing limited to novels and poetry, or are there other genres to explore?

Creative writing spans a diverse universe of genres. While novels and poetry are prominent, there’s also creative nonfiction, flash fiction, screenplays, and more. The cosmos of creative writing is vast and welcomes exploration.

How does one balance the fine line between originality and marketability in creative writing?

Balancing originality and marketability requires navigating a cosmic dance. It involves maintaining authenticity while considering the audience’s preferences, creating a celestial equilibrium where the writer’s unique voice resonates within a broader readership.

What educational and professional opportunities are available in the field of creative writing?

The educational galaxy offers creative writing programs and degrees, nurturing writers with both theoretical knowledge and practical skills. Professionally, opportunities range from traditional publishing avenues to scriptwriting, journalism, and the expansive realm of digital content creation.

In conclusion, creative writing is a cosmic odyssey, an ever-expanding universe of imagination, expression, and connection.

From its ancient roots in oral traditions to the dynamic currents of contemporary literary movements, creative writing has evolved into a diverse and influential art form.

It is a transformative process that involves the careful balance of elements, the exploration of various genres, and the persistent journey through the challenges and rewards of crafting narratives.

Creative writing is not confined to the realms of novels and poetry; it encompasses a vast cosmos of possibilities, from memoirs to screenplays, flash fiction to creative nonfiction.

As writers embark on this celestial exploration, they become architects of worlds, sculptors of characters, and composers of narratives that resonate across the collective human experience.

The educational and professional opportunities within this realm further amplify its significance, turning creative writing into both a personal pursuit and a communal force shaping the literary landscape.

In the grand celestial tapestry of human expression, creative writing emerges as a luminous constellation, inviting writers and readers alike to traverse the cosmic expanse of imagination and storytelling.

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What is Creative Writing? A Key Piece of the Writer’s Toolbox

Not all writing is the same and there’s a type of writing that has the ability to transport, teach, and inspire others like no other.

Creative writing stands out due to its unique approach and focus on imagination. Here’s how to get started and grow as you explore the broad and beautiful world of creative writing!

What is Creative Writing?

Creative writing is a form of writing that extends beyond the bounds of regular professional, journalistic, academic, or technical forms of literature. It is characterized by its emphasis on narrative craft, character development, and the use of literary tropes or poetic techniques to express ideas in an original and imaginative way.

Creative writing can take on various forms such as:

• short stories
• screenplays

It’s a way for writers to express their thoughts, feelings, and ideas in a creative, often symbolic, way . It’s about using the power of words to transport readers into a world created by the writer.

5 Key Characteristics of Creative Writing

Creative writing is marked by several defining characteristics, each working to create a distinct form of expression:

1. Imagination and Creativity: Creative writing is all about harnessing your creativity and imagination to create an engaging and compelling piece of work. It allows writers to explore different scenarios, characters, and worlds that may not exist in reality.

2. Emotional Engagement: Creative writing often evokes strong emotions in the reader. It aims to make the reader feel something — whether it’s happiness, sorrow, excitement, or fear.

3. Originality: Creative writing values originality. It’s about presenting familiar things in new ways or exploring ideas that are less conventional.

4. Use of Literary Devices: Creative writing frequently employs literary devices such as metaphors, similes, personification, and others to enrich the text and convey meanings in a more subtle, layered manner.

5. Focus on Aesthetics: The beauty of language and the way words flow together is important in creative writing. The aim is to create a piece that’s not just interesting to read, but also beautiful to hear when read aloud.

Remember, creative writing is not just about producing a work of art. It’s also a means of self-expression and a way to share your perspective with the world. Whether you’re considering it as a hobby or contemplating a career in it, understanding the nature and characteristics of creative writing can help you hone your skills and create more engaging pieces .

For more insights into creative writing, check out our articles on creative writing jobs and what you can do with a creative writing degree and is a degree in creative writing worth it .

Styles of Creative Writing

To fully understand creative writing , you must be aware of the various styles involved. Creative writing explores a multitude of genres, each with its own unique characteristics and techniques.

Poetry is a form of creative writing that uses expressive language to evoke emotions and ideas. Poets often employ rhythm, rhyme, and other poetic devices to create pieces that are deeply personal and impactful. Poems can vary greatly in length, style, and subject matter, making this a versatile and dynamic form of creative writing.

Short Stories

Short stories are another common style of creative writing. These are brief narratives that typically revolve around a single event or idea. Despite their length, short stories can provide a powerful punch, using precise language and tight narrative structures to convey a complete story in a limited space.

Novels represent a longer form of narrative creative writing. They usually involve complex plots, multiple characters, and various themes. Writing a novel requires a significant investment of time and effort; however, the result can be a rich and immersive reading experience.

Screenplays

Screenplays are written works intended for the screen, be it television, film, or online platforms. They require a specific format, incorporating dialogue and visual descriptions to guide the production process. Screenwriters must also consider the practical aspects of filmmaking, making this an intricate and specialized form of creative writing.

If you’re interested in this style, understanding creative writing jobs and what you can do with a creative writing degree can provide useful insights.

Writing for the theater is another specialized form of creative writing. Plays, like screenplays, combine dialogue and action, but they also require an understanding of the unique dynamics of the theatrical stage. Playwrights must think about the live audience and the physical space of the theater when crafting their works.

Each of these styles offers unique opportunities for creativity and expression. Whether you’re drawn to the concise power of poetry, the detailed storytelling of novels, or the visual language of screenplays and plays, there’s a form of creative writing that will suit your artistic voice. The key is to explore, experiment, and find the style that resonates with you.

For those looking to spark their creativity, our article on creative writing prompts offers a wealth of ideas to get you started.

Importance of Creative Writing

Understanding what is creative writing involves recognizing its value and significance. Engaging in creative writing can provide numerous benefits – let’s take a closer look.

Developing Creativity and Imagination

Creative writing serves as a fertile ground for nurturing creativity and imagination. It encourages you to think outside the box, explore different perspectives, and create unique and original content. This leads to improved problem-solving skills and a broader worldview , both of which can be beneficial in various aspects of life.

Through creative writing, one can build entire worlds, create characters, and weave complex narratives, all of which are products of a creative mind and vivid imagination. This can be especially beneficial for those seeking creative writing jobs and what you can do with a creative writing degree .

Enhancing Communication Skills

Creative writing can also play a crucial role in honing communication skills. It demands clarity, precision, and a strong command of language. This helps to improve your vocabulary, grammar, and syntax, making it easier to express thoughts and ideas effectively .

Moreover, creative writing encourages empathy as you often need to portray a variety of characters from different backgrounds and perspectives. This leads to a better understanding of people and improved interpersonal communication skills.

Exploring Emotions and Ideas

One of the most profound aspects of creative writing is its ability to provide a safe space for exploring emotions and ideas. It serves as an outlet for thoughts and feelings , allowing you to express yourself in ways that might not be possible in everyday conversation.

Writing can be therapeutic, helping you process complex emotions, navigate difficult life events, and gain insight into your own experiences and perceptions. It can also be a means of self-discovery , helping you to understand yourself and the world around you better.

So, whether you’re a seasoned writer or just starting out, the benefits of creative writing are vast and varied. For those interested in developing their creative writing skills, check out our articles on creative writing prompts and how to teach creative writing . If you’re considering a career in this field, you might find our article on is a degree in creative writing worth it helpful.

4 Steps to Start Creative Writing

Creative writing can seem daunting to beginners, but with the right approach, anyone can start their journey into this creative field. Here are some steps to help you start creative writing .

1. Finding Inspiration

The first step in creative writing is finding inspiration . Inspiration can come from anywhere and anything. Observe the world around you, listen to conversations, explore different cultures, and delve into various topics of interest.

Reading widely can also be a significant source of inspiration. Read different types of books, articles, and blogs. Discover what resonates with you and sparks your imagination.

For structured creative prompts, visit our list of creative writing prompts to get your creative juices flowing.

Editor’s Note : When something excites or interests you, stop and take note – it could be the inspiration for your next creative writing piece.

2. Planning Your Piece

Once you have an idea, the next step is to plan your piece . Start by outlining:

• the main points

Remember, this can serve as a roadmap to guide your writing process. A plan doesn’t have to be rigid. It’s a flexible guideline that can be adjusted as you delve deeper into your writing. The primary purpose is to provide direction and prevent writer’s block.

3. Writing Your First Draft

After planning your piece, you can start writing your first draft . This is where you give life to your ideas and breathe life into your characters.

Don’t worry about making it perfect in the first go. The first draft is about getting your ideas down on paper . You can always refine and polish your work later. And if you don’t have a great place to write that first draft, consider a journal for writing .

4. Editing and Revising Your Work

The final step in the creative writing process is editing and revising your work . This is where you fine-tune your piece, correct grammatical errors, and improve sentence structure and flow.

Editing is also an opportunity to enhance your storytelling . You can add more descriptive details, develop your characters further, and make sure your plot is engaging and coherent.

Remember, writing is a craft that improves with practice . Don’t be discouraged if your first few pieces don’t meet your expectations. Keep writing, keep learning, and most importantly, enjoy the creative process.

For more insights on creative writing, check out our articles on how to teach creative writing or creative writing activities for kids.

Tips to Improve Creative Writing Skills

Understanding what is creative writing is the first step. But how can one improve their creative writing skills? Here are some tips that can help.

Read Widely

Reading is a vital part of becoming a better writer. By immersing oneself in a variety of genres, styles, and authors, one can gain a richer understanding of language and storytelling techniques . Different authors have unique voices and methods of telling stories, which can serve as inspiration for your own work. So, read widely and frequently!

Practice Regularly

Like any skill, creative writing improves with practice. Consistently writing — whether it be daily, weekly, or monthly — helps develop your writing style and voice . Using creative writing prompts can be a fun way to stimulate your imagination and get the words flowing.

Attend Writing Workshops and Courses

Formal education such as workshops and courses can offer structured learning and expert guidance. These can provide invaluable insights into the world of creative writing, from understanding plot development to character creation. If you’re wondering is a degree in creative writing worth it, these classes can also give you a taste of what studying creative writing at a higher level might look like .

Joining Writing Groups and Communities

Being part of a writing community can provide motivation, constructive feedback, and a sense of camaraderie. These groups often hold regular meetings where members share their work and give each other feedback. Plus, it’s a great way to connect with others who share your passion for writing.

Seeking Feedback on Your Work

Feedback is a crucial part of improving as a writer. It offers a fresh perspective on your work, highlighting areas of strength and opportunities for improvement. Whether it’s from a writing group, a mentor, or even friends and family, constructive criticism can help refine your writing .

Start Creative Writing Today!

Remember, becoming a proficient writer takes time and patience. So, don’t be discouraged by initial challenges. Keep writing, keep learning, and most importantly, keep enjoying the process. Who knows, your passion for creative writing might even lead to creative writing jobs and what you can do with a creative writing degree .

Happy writing!

Brooks Manley

Creative Primer  is a resource on all things journaling, creativity, and productivity. We’ll help you produce better ideas, get more done, and live a more effective life.

My name is Brooks. I do a ton of journaling, like to think I’m a creative (jury’s out), and spend a lot of time thinking about productivity. I hope these resources and product recommendations serve you well. Reach out if you ever want to chat or let me know about a journal I need to check out!

Here’s my favorite journal for 2024: 

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adjective as in artistic, imaginative

Strongest matches

Strong match

• originative

Weak matches

• innovational
• leading-edge
• stimulating

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Example sentences.

For six years, our annual Change the World list has been a chronicle of the increasingly creative ways business is tethering profit to purpose.

We had become increasingly effective and decreasingly creative.

Hubert, who played Aunt Viv for three seasons before being replaced by Daphne Maxwell Reid, not only claimed that she had creative differences with Smith but she also alleged she was fired for getting pregnant.

Everlane later announced that the Chief Creative Officer Alexandra Spunt, who took much of the criticism, would no longer lead the creative team.

TikTok’s power goes beyond its democratized, creative essence.

It was his business acumen, his own unflagging zeal for the creative business solution, that had freed Sam to do this.

The creative team behind the new My Lai project is working out the details for set design.

Despite the acclaim and the viral popularity, the band has never lost that independant creative spirit.

It was creative thinking like this that helped it debut at number one on Billboard Top Heatseekers Chart.

For the aficionado or the neophyte, Comics is a useful overview of a richly creative period in a burgeoning art.

John Baptiste Robinet taught the gradual development of all forms of existence from a single creative cause.

Now she roved with free footsteps through the vineyards which sprang up beneath her creative pencil.

In its highest degree, imagination rises to the sphere of creative fancy, or poetic power.

Tchaikovskys creative talents, which are occasionally apparent in his symphonic works, are completely lacking in The Oprichnik.

Show me one of our young artists who can stand like Fudo in the flame of his own creative thought!

Related Words

Words related to creative are not direct synonyms, but are associated with the word creative . Browse related words to learn more about word associations.

adjective as in beautiful

• aesthetic/esthetic

adjective as in beautiful or artful

adjective as in beautiful, satisfying to senses

• imaginative
• picturesque

adjective as in clever; brilliant

• intelligent
• resourceful

adjective as in inventive

• avant-garde
• breaking new ground
• constructive

Viewing 5 / 20 related words

On this page you'll find 50 synonyms, antonyms, and words related to creative, such as: gifted, ingenious, innovative, inventive, original, and productive.

From Roget's 21st Century Thesaurus, Third Edition Copyright © 2013 by the Philip Lief Group.

Creative Writing Techniques: 39 Tips for Crafting Compelling Stories (Fully Explained)

By: Author Paul Jenkins

Posted on Published: June 20, 2023  - Last updated: July 10, 2023

Categories Writing

Creative writing is a form of self-expression that allows you to communicate your thoughts, emotions, and ideas uniquely and engagingly. Whether you’re writing a novel, a short story, a poem, or a screenplay, there are many techniques you can use to make your writing more exciting and impactful. These techniques can help you create vivid imagery, develop compelling characters, and convey complex ideas clearly and concisely.

One of the most popular creative writing techniques is the use of metaphors, which compare a characteristic of something unknown to something known. This technique adds fun and personality to your writing and can help you create vivid and memorable descriptions. Another technique is using similes, which make comparisons using “like” or “as.” Similes can be used to create visual images that help readers understand complex ideas or emotions.

Creative writing is a powerful tool that can help you connect with others, explore your thoughts and feelings, and share your unique perspective. By mastering these techniques and experimenting with different styles and forms of writing, you can unlock your full creative potential and create works of art that inspire and entertain others.

Key Takeaways

• Creative writing is a form of self-expression that allows you to communicate your thoughts, emotions, and ideas uniquely and engagingly.
• Metaphors and similes are popular creative writing techniques that can help you create vivid imagery and convey complex ideas clearly and concisely.
• By mastering different styles and forms of writing, you can unlock your full creative potential and create works of art that inspire and entertain others.

1. Metaphors: Compare a Characteristic of Something Unknown to Something Known

Metaphors are a powerful tool in creative writing that can add depth and meaning to your work. They are an analogy that compares a characteristic of something unknown to something known. They help readers understand complex ideas by relating them to something familiar.

Metaphors can describe abstract concepts, emotions, and sensory experiences. For example, you might use a metaphor to describe the feeling of falling in love as “a rollercoaster ride.” This comparison helps readers understand the ups and downs of love by relating it to something they are familiar with.

When using metaphors, it’s important to choose accurate and interesting comparisons. Avoid cliches and overused comparisons, as these can make your writing stale and unoriginal. Instead, try to create unique and unexpected comparisons to surprise and delight your readers.

To create effective metaphors, it’s also important to consider the context of your writing. Think about the tone and mood you want to convey and the themes and ideas you want to explore. You can create a more cohesive and impactful piece by choosing appropriate metaphors for your writing.

2. Similes: Make Comparisons Using ‘Like’ or ‘As’

Similes are figurative language that compare two things using the words ‘like’ or ‘as’. They are often used in creative writing to make descriptions more vivid and interesting. Here are some examples:

• The clouds were like fluffy pillows in the sky.
• Her hair was as black as coal.
• The water shimmered like diamonds in the sunlight.

As you can see, similes help create a picture in the reader’s mind by comparing something familiar to something unfamiliar. This makes your writing more engaging and memorable.

It’s important to choose appropriate comparisons that make sense when using similes. Avoid using cliches or overused comparisons, as they make your writing seem unoriginal. Instead, develop unique and creative similes that capture the essence of what you’re describing.

Here are some tips for using similes effectively in your writing:

• Use similes sparingly. While similes can be effective, overusing them can make your writing seem forced or contrived.
• Make sure your similes are accurate. Don’t use a simile that doesn’t make sense or is factually incorrect.
• Use similes to create a specific mood or tone. For example, you might use a dark or ominous simile to create foreboding in your writing.
• Experiment with different types of similes. You can use similes to compare anything from emotions to objects to natural phenomena.

3. Analogies: Draw Parallels Between Two Seemingly Unrelated Things

One of the most effective creative writing techniques is the use of analogies. Analogies allow you to draw parallels between two seemingly unrelated things, which can help your readers understand complex ideas and emotions more easily.

Analogies can be used in many different ways in creative writing. For example, you can use analogies to describe a character’s personality, explain a difficult concept, or add depth and richness to your descriptions.

To create an analogy, start by identifying two things that seem unrelated but share some common qualities. For example, you might compare a person to a tree, noting that both grow and change over time. Or you might compare a difficult situation to a storm, noting that both can be unpredictable and overwhelming.

Once you have identified your two objects, think about the qualities they share and how you can use those qualities to create a comparison. For example, if you compare a person to a tree, you might write something like: “Like a tree, she stood tall and strong, weathering the storms of life with grace and resilience.”

Analogies can be a powerful tool in creative writing, but it’s important to use them sparingly and effectively. Too many analogies can make your writing feel forced or contrived, so choose your comparisons carefully and use them only when they add something meaningful to your work.

4. Imagery: Use Vivid and Descriptive Language to Create Mental Pictures for Readers

Imagery is a powerful tool writers use to create mental pictures in the minds of their readers. Using vivid and descriptive language can transport your readers to different places, times, and emotions. Here are some tips on how to use imagery effectively in your writing:

• Use sensory details: Sensory details are descriptions that appeal to the five senses: sight, sound, smell, taste, and touch. By using sensory details, you can help your readers experience the story in a more immersive way. For example, instead of saying, “The flower looked pretty,” you could say, “The bright red petals of the rose glistened in the sun, emitting a sweet fragrance that filled the air.”
• Be specific: The more specific your descriptions, the more vivid the mental picture you create in your readers’ minds. Instead of saying, “The car drove down the street,” you could say, “The sleek, silver sports car zoomed down the winding road, its engine roaring like a lion.”
• Use metaphors and similes: Metaphors and similes are comparisons that help readers understand complex ideas by relating them to something familiar. For example, instead of saying, “She was sad,” you could say, “Her heart felt heavy like a stone sinking to the bottom of a lake.”
• Use personification: Personification is a literary device that gives human qualities to non-human things. By using personification, you can make your descriptions more engaging and memorable. For example, instead of saying, “The wind blew through the trees,” you could say, “The wind whispered secrets to the leaves, causing them to dance and rustle in the breeze.”

5. Personification: Assign Human Qualities to Non-Human Entities

Personification is a powerful literary device that can add depth and emotion to your writing. It involves assigning human qualities to non-human entities, such as animals, objects, or abstract concepts. Doing this can create a more relatable and engaging story that resonates with your readers.

When using personification, you should carefully choose the right characteristics to assign to your non-human entities. For example, you might describe a tree as “strong and steadfast” to emphasize its resilience or a river as “wild and untamed” to highlight its power and unpredictability. The key is to choose appropriate and meaningful qualities for the story you are trying to tell.

One of the benefits of using personification in your writing is that it can help you create a more vivid and memorable image in your reader’s mind. By giving non-human entities human qualities, you can help your readers understand and connect with them on a deeper level. This can make your story more engaging and enjoyable to read.

However, it’s important to use personification sparingly and appropriately. Overusing this technique can make your writing feel forced or contrived and can distract from the story you are trying to tell. Instead, strategically use personification to enhance your storytelling and create a more powerful emotional impact.

6. Show, Don’t Tell: Describe Actions, Thoughts, and Feelings Rather Than Simply Stating Them

Creative writing is all about immersing your readers in the story and making them feel like they are a part of it. One of the best ways to achieve this is by using the “Show, Don’t Tell” technique. This technique encourages you to describe actions, thoughts, and feelings rather than simply stating them. Doing so can create a more engaging and vivid story that draws readers in and keeps them hooked.

When you “show” rather than “tell,” you allow your readers to experience the story for themselves. Instead of telling them that a character is angry, for example, you can show them by describing how the character clenches their fists, grits their teeth, and scowls. This creates a more vivid image in the reader’s mind, allowing them to empathize with the character and deeply feel their emotions.

To effectively use the “Show, Don’t Tell” technique, it’s important to use descriptive language that appeals to the senses. Use vivid imagery to describe what characters see, hear, smell, taste, and touch. This will help readers feel like they are in the story and allow them to experience it more fully.

Another key aspect of this technique is to use actions to convey emotions. Instead of telling your readers that a character is sad, for example, you can show them by describing how the character slumps their shoulders, avoids eye contact, and speaks quietly. This creates a more powerful emotional impact and makes the story more engaging and interesting.

7. Repetition: Reinforce a Point or Create Emphasis by Repeating Words or Phrases

Repetition is a powerful tool in creative writing that can reinforce a point or create emphasis. Repeating words or phrases can help to drive home a message, create a sense of rhythm, and make your writing more memorable. Here are some ways to use repetition in your writing:

1. Repetition of Words

Repeating a word can be a simple yet effective way to create emphasis. It can be used to highlight a key point or to create a sense of urgency. For example, “You must study, study, study to succeed.” The repetition of “study” emphasizes the importance of studying.

2. Repetition of Phrases

Repeating a phrase can create a sense of rhythm in your writing. It can also reinforce a point or create a memorable image. For example, “The night was dark, dark as coal, dark as the inside of a coffin.” The repetition of “dark” creates a vivid image in the reader’s mind.

3. Repetition of Structure

Repeating a structure can be used to create a sense of order or to emphasize a point. For example, “First, you must study. Then, you must practice. Finally, you must perform.” The repetition of “you must” creates a sense of order and emphasizes the importance of each step.

4. Repetition of Sound

Repeating a sound can be used to create a sense of rhythm or to emphasize a point. For example, “The rain pattered on the roof, splattered on the windows, and chattered on the pavement.” The repetition of the “at” sound creates a sense of rhythm and emphasizes the sound of the rain.

8. Alliteration: Use the Repetition of Consonant Sounds at the Beginning of Words

One creative writing technique that can add a musical quality to your writing is alliteration. Alliteration is the repetition of consonant sounds at the beginning of words close to each other. By using alliteration, you can create a rhythmic and memorable effect that can enhance the overall impact of your writing.

One common use of alliteration is in poetry, where it can help create a certain mood or tone. For example, consider the famous line from Edgar Allan Poe’s “The Raven”: “Once upon a midnight dreary, while I pondered, weak and weary.” The repetition of the “w” sound in “weak” and “weary” creates a sense of weariness and melancholy that fits the mood of the poem.

Alliteration can also be used in prose to create emphasis or to draw attention to certain words or phrases. For example, you might use alliteration to highlight the importance of a particular character or object. Consider this sentence: “The shimmering sword sliced through the darkness, sending sparks flying.” The repetition of the “s” sound in “shimmering,” “sword,” and “sparks” draws attention to the sword and its action, making it stand out in the sentence.

When using alliteration, it’s important to avoid overdoing it. Too much alliteration can become distracting or even annoying to the reader. Instead, use alliteration sparingly and strategically, focusing on the words and sounds most impacting your writing.

9. Assonance: Repeat Vowel Sounds Within Words

Assonance is a powerful tool to add rhythm and melody to your writing. It is a literary technique that involves repeating vowel sounds within words. The repetition of these sounds creates a musical effect that can add emphasis, mood, and tone to your writing.

Assonance is not the same as rhyme, which involves repeating the same sound at the end of words. Instead, assonance focuses on repeating vowel sounds within words, regardless of whether the words rhyme. For example, “The rain in Spain falls mainly on the plain” is an example of assonance, as the “ai” sound is repeated throughout the sentence.

Assonance can be used in a variety of ways to enhance your writing. Here are a few examples:

• Create a musical effect: By repeating vowel sounds, you can create a musical effect that can add rhythm and melody to your writing. This can help your writing flow more smoothly and make it more engaging to read.
• Emphasize certain words or phrases: By repeating vowel sounds in certain words or phrases, you can draw attention to them and make them stand out. This can help you emphasize important points or create a mood or tone in your writing.
• Add depth and complexity: By using assonance, you can add depth and complexity to your writing. This can help you create more nuanced and layered, more satisfying writing .

10. Onomatopoeia: Use Words That Imitate the Sounds They Represent

You should consider using onomatopoeia to make your writing more vivid and engaging. Onomatopoeia is the use of words that imitate the sounds they represent. This literary device can help you create a more immersive experience for your readers by allowing them to hear the sounds in their minds as they read.

Onomatopoeia can be used in a variety of ways. You can use it to describe nature’s sounds, like birds chirping or leaves rustling. You can also use it to describe the sounds of objects, like the beep of a car horn or the clanging of pots and pans in the kitchen. Onomatopoeia can even be used to describe the sounds of emotions, like the thumping of a heart or the sigh of relief.

One of the advantages of using onomatopoeia is that it can help you create a more sensory experience for your readers. Using words that imitate the sounds they represent, you can help your readers hear the sounds in their minds as they read. This can make your writing more engaging and memorable.

Another advantage of using onomatopoeia is that it can help you create a more realistic and authentic experience for your readers. Using words that imitate the sounds they represent can help your readers feel like they are in the scene with your characters. This can help you create a stronger emotional connection with your readers and make your writing more impactful.

Here are a few examples of onomatopoeia that you can use in your writing:

• Sizzle: This word imitates the sound of something cooking on a hot surface, like a steak on a grill.
• Buzz: This word imitates the sound of a bee or other insect flying around.
• Hiss: This word imitates the sound of air escaping from a tire or a snake slithering through the grass.
• Thump: This word imitates the sound of something heavy hitting the ground, like a book falling off a shelf.

11. Anaphora: Repeat the Same Word or Phrase at the Beginning of Successive Clauses

Anaphora is a rhetorical device that can create a powerful effect in your writing. It involves repeating the same word or phrase at the beginning of successive clauses or sentences. This repetition can help to emphasize an idea, create a rhythm, and make your writing more memorable.

When you use anaphora, you start each sentence or clause with the same word or phrase. This repetition can help to create a sense of unity and cohesion in your writing. It can also help emphasize a particular point or idea you want to convey to your reader.

Anaphora is often used in speeches and other forms of persuasive writing. For example, Martin Luther King Jr.’s “I Have a Dream” speech is full of examples of anaphora. In this speech, King repeatedly repeats the phrase “I have a dream” to emphasize his vision of a better future.

Using anaphora in your writing can help to create a similar effect. Repeating a word or phrase can create a sense of anticipation in your reader. They will be waiting for the next instance of that word or phrase, which can help to keep them engaged with your writing.

Here are some tips for using anaphora effectively in your writing:

• Choose a word or phrase that is important to your message.
• Use anaphora sparingly. Too much repetition can become tedious for your reader.
• Vary the length and structure of your sentences to keep your writing interesting.
• Experiment with different words and phrases to see which ones work best for your message.

12. Epistrophe: Repeat the Same Word or Phrase at the End of Successive Clauses

Epistrophe is a creative writing technique where the writer repeats the same word or phrase at the end of successive clauses or sentences. This technique is also known as epiphora. Epistrophe is used in poetry, speeches, and prose to create emphasis and rhythm.

Epistrophe is similar to anaphora when the writer repeats the same word or phrase at the beginning of successive clauses or sentences. The difference between the two is that epistrophe repeats the word or phrase at the end of the sentence, while anaphora repeats it at the beginning.

One famous example of epistrophe is from Abraham Lincoln’s Gettysburg Address: “Government of the people, by the people, for the people, shall not perish from the earth.” In this example, Lincoln repeats the phrase “of the people, by the people, for the people” at the end of each clause, creating a powerful and memorable effect.

Epistrophe can be used to create a sense of finality or to emphasize a particular point. It can also create a sense of rhythm or musicality in the writing. When using epistrophe, it’s important to choose a word or phrase that is meaningful and impactful, as repetition can quickly become tedious if it’s not used effectively.

13. Anadiplosis: Repeat the Last Word of One Clause at the Beginning of the Next Clause

Anadiplosis is a powerful literary device used in creative writing to create a sense of rhythm and repetition. In Anadiplosis, you repeat the last word of one clause at the beginning of the next clause. This technique is often used to emphasize a particular word or phrase and to create a sense of continuity in the text.

Anadiplosis is commonly used in poetry, speeches, and other forms of creative writing. It is a versatile technique that can be used to create various effects. For example, Anadiplosis can create a sense of urgency or build momentum in a narrative.

Anadiplosis can also create a sense of symmetry or balance in a text. By repeating a word or phrase, you can create a sense of harmony and order in your writing. This technique can be especially effective with literary devices like alliteration or rhyme.

Here are some examples of Anadiplosis in action:

• “Fear leads to anger. Anger leads to hate. Hate leads to suffering.” – Yoda, Star Wars.
• “The love of wicked men converts to fear; That fear to hate, and hate turns one or both To worthy danger and deserved death.” – William Shakespeare, Richard II.
• “When I give, I give myself.” – Walt Whitman, Song of Myself.

14. Chiasmus: Reverse the Order of Words in Two Parallel Phrases

Chiasmus is a literary device that reverses word order in two parallel phrases. It is a rhetorical device commonly used in literature, speeches, and other forms of creative writing. The word “chiasmus” comes from the Greek word “Kiasmos,” which means “crossing” or “x-shaped.”

Chiasmus is a powerful tool for writers because it can create a sense of balance and symmetry in a sentence. It can also help to emphasize a particular point or idea. By reversing the order of words, writers can create a memorable and impactful phrase that sticks with the reader.

Here are a few examples of chiasmus in action:

• “Ask not what your country can do for you, ask what you can do for your country.” – John F. Kennedy
• “You forget what you want to remember, and you remember what you want to forget.” – Cormac McCarthy, The Road
• “It is not the years in your life but the life in your years that counts.” – Adlai E. Stevenson

Notice how each of these examples has a similar structure. The first phrase sets up an idea, and the second phrase reverses the order of words to create a memorable and impactful statement.

When using chiasmus in your writing, it’s important to ensure that the reversed phrases make sense and flow well. It’s also important to use chiasmus sparingly, as overusing it can make your writing seem contrived or forced.

15. Adnomination: Repeat Words with the Same Root, Differing in One Sound or Letter

Adnomination is a literary device that involves repeating words with the same root but differing in one sound or letter. This technique can create a particular sound and effect in text. It can also be used to describe the repetition of a word but in a different sense. Adnomination is used frequently for emphatic contrast or punning.

Using adnomination can add emphasis and depth to your writing. It can help to create a poetic effect, making your writing more memorable and engaging for your readers. Adnomination can also help to create a sense of rhythm and flow in your writing.

Here are a few examples of adnomination:

• “She was the light of his life, the fire in his soul, and the wind in his sails.”
• “The city was a maze of streets, alleys, and avenues.”
• “The cat sat on the mat, looking fat and happy.”

As you can see from these examples, adnomination can create a sense of repetition and rhythm in your writing. It can also create a sense of contrast or comparison between different words.

When using adnomination in your writing, it’s important to use it sparingly. Overusing this technique can make your writing feel forced and contrived. Instead, try to use adnomination naturally and organically to your writing style.

16. Flashbacks: Reveal Past Events to Provide Context or Deepen Characterization

Flashbacks are a powerful tool that can reveal past events and provide context to your story. By taking the reader back in time, you can deepen the characterization of your protagonist, reveal important backstories, and create a more complex and nuanced narrative.

When using flashbacks, it’s important to be strategic. You don’t want to disrupt the flow of your story or confuse your reader. Here are some tips to help you use flashbacks effectively:

• Use flashbacks sparingly. Too many flashbacks can be disorienting and disrupt the flow of your story. Use them only when necessary to provide context or deepen characterization.
• Make sure your flashbacks are relevant. Your flashbacks should directly relate to the main story and help move the plot forward.
• Use clear transitions. Make it clear to your reader when moving into a flashback and returning to the present. You can use formatting, such as italics or a change in tense, to help differentiate between the two.
• Don’t rely on flashbacks to provide exposition. While flashbacks can be a great way to reveal important backstories, they shouldn’t be used as a crutch to provide exposition. Make sure your story is strong enough to stand on its own.

17. Dialogue: Use Conversations Between Characters to Convey Information and Develop Relationships

Dialogue is essential for creative writers to convey information and develop relationships between characters. You can reveal their personalities, motivations, and conflicts by writing conversations between characters. Dialogue can also move the plot forward and create tension in the story.

When writing dialogue, it is important to make it sound natural and believable. People do not always speak in complete sentences and often interrupt each other. Use contractions, slang, and regional dialects to make the dialogue more authentic. However, avoid using too much jargon or technical language that may confuse the reader.

To make the dialogue more engaging, use body language and gestures to show how the characters feel. For example, if a character is nervous, they may fidget or avoid eye contact. They may clench their fists or raise their voice if they are angry. These nonverbal cues can add depth and complexity to the conversation.

When writing dialogue, it is important to remember that every character has a voice and personality. Each character should have a unique way of speaking, with their vocabulary, tone, and syntax. This can help the reader distinguish between characters and make them more memorable.

18. Monologue: Allow a Character to Express Their Thoughts or Feelings in an Extended Speech

Monologues are an effective tool in creative writing that allows characters to express their thoughts or feelings in an extended speech. This technique is often used in theater but can also be used in books, movies, and other mediums. Monologues can be addressed to other characters in the scene, or they can be one character talking to themselves or the audience.

To write a compelling monologue, you must first understand your character’s motivations, fears, and desires. This will help you create a speech that is authentic and believable. You should also consider the setting and tone of the scene. Is the character angry, sad, or happy? Is the scene serious or humorous?

A good monologue will have a clear beginning, middle, and end. It should also be concise and to the point. Avoid rambling or going off on tangents. Use descriptive language and vivid imagery to engage the reader and bring the scene to life.

When writing a monologue, it’s important to remember that it should reveal something about the character. It should provide insight into their personality, beliefs, and values. It should also advance the plot or reveal something important about the story.

19. Symbolism: Use Objects, Characters, or Events to Represent Abstract Ideas or Concepts

Symbolism is a powerful literary device that can add depth and meaning to your writing. It uses objects, characters, or events to represent abstract ideas or concepts. Doing so can create a richer and more complex narrative that engages your readers on multiple levels.

One of the most important things to remember when using symbolism is that the symbol should be closely related to what it represents. A strong symbol usually shares key characteristics with whatever it is meant to symbolize or is related to it in some other way. For example, a dove symbolizes peace because of its gentle nature and association with religious stories.

Characters can also be symbolic. They can represent specific ideas or concepts or embody broader themes or motifs. For example, in “The Great Gatsby,” the character of Jay Gatsby represents the American Dream, while the character of Daisy Buchanan represents the corruption and superficiality of the wealthy elite.

Events can also be symbolic. They can represent larger societal issues or personal struggles. For example, in “To Kill a Mockingbird,” the trial of Tom Robinson represents the racial inequality and injustice prevalent in the American South during the 1930s.

When using symbolism, it’s important to remember that it should enhance your story rather than detract from it. Don’t use symbols just to use them; make sure they serve a purpose and add meaning to your narrative.

20. Irony: Create a Contrast Between What Is Expected and What Actually Occurs

Irony is a useful tool in creative writing that can help you create a contrast between what is expected and what actually occurs. Using irony, you can create a sense of surprise, humor, or even tragedy in your writing. There are three types of irony: verbal, situational, and dramatic.

Verbal Irony

Verbal irony is when a character says one thing but means the opposite. This type of irony is often used for comedic effect. For example, if a character says, “I just love being stuck in traffic for hours,” when they don’t enjoy it, that’s verbal irony.

Situational Irony

Situational irony is when the opposite of what is expected happens. This type of irony can create a sense of surprise or even tragedy. For example, if a firefighter’s house burns down, that’s situational irony.

Dramatic Irony

Dramatic irony is when the audience knows something that the characters do not. This type of irony can create tension and suspense in your writing. For example, if the audience knows that a character is about to be betrayed, but the character does not, that’s dramatic irony.

21. Hyperbole: Use Exaggeration for Emphasis or Effect

When it comes to creative writing, one technique that can be particularly effective is hyperbole. Hyperbole is a figure of speech that exaggerates something for emphasis or effect. Using hyperbole, you can create vivid images, convey strong emotions, and add humor to your writing.

Hyperbole can be used in a variety of ways. For example, you might use it to describe a character in your story. Instead of saying that your protagonist is “tall,” you might exaggerate and say they are “towering over everyone in the room.” This helps to create a stronger image in the reader’s mind and emphasizes the character’s physical presence.

Another way to use hyperbole is to add humor to your writing. For example, you might describe a character’s reaction to a situation exaggeratedly, such as saying they “nearly died of shock” when they received unexpected news. This can add a lighthearted touch to your writing and make it more engaging for readers.

When using hyperbole, it’s important to balance exaggeration and believability. While hyperbole is meant to be an exaggeration, it shouldn’t be so extreme that it becomes unbelievable or ridiculous. It’s also important to use hyperbole sparingly, as too much can make your writing feel over-the-top and tiresome.

22. Understatement: Minimize the Importance of Something for Emphasis or Humor

Understatement is a creative writing technique that involves intentionally representing something as less significant than it is. It is the opposite of hyperbole, which exaggerates the importance of something. Understatement is used to downplay the value or importance of something, often to create emphasis or humor.

Using understatement can be an effective way to make a point without being too direct or confrontational. It can also create a sense of irony or humor in your writing. For example, if you are writing a story about a character who has just won the lottery, you might use understatement to describe their reaction to the news. Instead of saying they were ecstatic, you could say they were “moderately pleased” or “mildly surprised.”

One of the benefits of using understatement is that it can create a sense of humility in your writing. It can show that you know the limitations of your knowledge or perspective. For example, if you write an opinion piece on a controversial topic, you might use understatement to acknowledge other valid viewpoints. You could say, “While it is true that some people believe X, others might argue Y.”

Another benefit of understatement is that it can create a sense of surprise or shock in your writing. By downplaying the importance of something, you can create a sudden shift in tone that catches the reader off guard. For example, if you are writing a horror story, you might use understatement to describe a gruesome scene. Instead of describing the blood and gore in graphic detail, you might say “there was a small amount of blood on the floor.”

23. Juxtaposition: Place Contrasting Elements Side by Side to Highlight Their Differences

Juxtaposition is a powerful tool in creative writing that involves placing two contrasting elements side by side to highlight their differences. This technique can create tension, irony, humor, or convey social or political commentary. By juxtaposing, you can draw attention to the differences between the two elements and create a more vivid and compelling narrative.

Juxtaposition can be used in various ways in creative writing. For example, you can use it to compare and contrast characters, settings, themes, or ideas. This technique can effectively highlight the differences between two characters or settings and create a sense of conflict or tension.

Another way to use juxtaposition is to create irony. By placing two seemingly unrelated elements, you can create a sense of irony that can be both humorous and thought-provoking.

For example, in George Orwell’s Animal Farm, the pigs who lead the revolution and establish a new social order are eventually revealed to be just as corrupt and oppressive as the humans they overthrew. This juxtaposition creates a powerful irony and underscores the novel’s social and political commentary.

Juxtaposition can also be used to create mood and atmosphere. By placing two contrasting elements side by side, you can create a sense of tension or unease that can add depth and complexity to your writing.

For example, in Edgar Allan Poe’s “The Masque of the Red Death,” the opulent and decadent party that the protagonist attends is juxtaposed with the looming presence of the Red Death, creating a sense of dread and foreboding that adds to the story’s horror and suspense.

24. Parallelism: Use Similar Grammatical Structures to Create Balance and Rhythm

Parallelism is a writing technique that uses similar grammatical structures to create balance and rhythm within a sentence. Using parallelism, you repeat a specific grammatical pattern throughout a sentence or paragraph. This repetition creates a sense of rhythm and balance, making your writing more engaging and memorable.

Parallelism can be used in many different ways, including:

• Creating lists: When you list items in your writing, you can use parallelism to make the list more readable and memorable. For example: “She loved to dance, sing, and act.”
• Emphasizing important points: Parallelism can be used to emphasize important ideas or concepts in your writing. For example: “You must work hard, study diligently, and never give up if you want to succeed.”
• Comparing and contrasting: Parallelism can also be used to compare and contrast ideas in your writing. For example: “He was both kind and cruel, generous and selfish, all at the same time.”

When using parallelism, it’s important to ensure that your repeating structures are truly parallel. This means that they should have the same grammatical form and structure. For example, if you use parallelism to create a list, each item should be structured similarly. This will make your writing more clear and compelling.

In addition to creating balance and rhythm, parallelism can help you convey your ideas more effectively. Repeating a specific grammatical pattern can draw attention to important ideas and make them more memorable. This can be especially useful when trying to persuade or convince your readers.

25. Oxymoron: Combine Contradictory Terms to Create a Striking Effect

An oxymoron is a figure of speech that combines two contradictory terms to create a striking effect. This literary device is often used in creative writing to add depth and complexity to a text. Oxymorons can create a sense of irony or humor or emphasize a point.

Oxymorons consist of two words that have opposite meanings. For example, “bittersweet,” “jumbo shrimp,” and “living dead” are all examples of oxymorons. These terms may seem contradictory, but when used together, they create a unique and memorable image in the reader’s mind.

When using oxymorons in your writing, it’s important to consider the context in which they are used. An oxymoron can be used to create a sense of irony or humor, but it can also be used to emphasize a point. For example, “cruel kindness” can highlight the negative impact of well-intentioned actions.

Oxymorons can also be used to create memorable and impactful descriptions. For example, the phrase “silent scream” creates a vivid image of a person expressing intense emotion without making a sound. Similarly, the phrase “dark light” can describe a situation where light and darkness are present.

26. Paradox: Present a Seemingly Contradictory Statement That Reveals a Deeper Truth

Paradox is a literary device that involves presenting a statement that appears contradictory but, upon further examination, reveals a deeper truth or meaning. It’s a powerful technique that can add depth and complexity to your writing.

One classic example of a paradox is the statement, “Less is more.” At first glance, this statement seems to contradict itself. How can less be more? But upon closer inspection, we can see that the statement reveals a more profound truth: that sometimes, simplicity is more effective than complexity.

Another example of a paradox is the statement, “The enemy of my enemy is my friend.” This statement appears contradictory because how can someone who is also an enemy be considered a friend? But upon closer examination, we can see that this statement reveals a deeper truth: sometimes, people with a common enemy can work together towards a common goal.

Paradoxes can be used in a variety of ways in creative writing. They can add depth and complexity to characters, reveal hidden meanings and truths, and create a sense of mystery and intrigue. When using paradoxes in your writing, it’s vital to ensure they are relevant to the story and add value to the reader’s understanding.

To create a paradox, consider the theme or message you want to convey in your writing. Think about how you can present a statement that appears contradictory but reveals a deeper truth. Consider using contrasting words or phrases, such as “love and hate” or “life and death,” to create a sense of tension and intrigue.

27. Pun: Use a Play on Words for Humor or Emphasis

Puns are a popular literary device that can add humor and emphasis to your writing. A pun is a play on words involving words with similar sounds but different meanings. Puns can be used for comedic effect, to create irony, or to add depth to your writing.

To use a pun in your writing, you need to identify words or phrases that have multiple meanings or that sound similar to other words. For example, you could use a pun by saying, “I’m reading a book on anti-gravity. It’s impossible to put down!” This pun relies on the double meaning of “put down,” which can mean physically placing something down and losing interest.

Puns can also be used to create irony or to add depth to your writing. For example, you could use a pun in a serious piece of writing to draw attention to a particular point. This can be an effective way to add emphasis to your message without being too heavy-handed.

When using puns, it’s important not to overdo them. Too many puns can be distracting and can take away from the overall message of your writing. Instead, use puns sparingly and strategically to add humor or emphasis where needed.

28. Foreshadowing: Hint at Future Events in the Story

Foreshadowing is a literary technique that hints at future events in a story. It is a powerful tool that builds suspense, creates tension, and keeps readers engaged. By foreshadowing, you can prepare your readers for what’s to come and make the story more satisfying when the events finally unfold.

There are several ways to use foreshadowing in your writing. One common method is to use symbolism. For example, you might use a recurring image or object to hint at something that will happen later in the story. This can help create a sense of continuity and add depth to your writing.

Another way to use foreshadowing is through dialogue. You can use your characters’ conversations to hint at future events or big reveals. This can be a joke, an offhand comment, or even something unsaid that adds personality to your characters while planting the seed for later revelations.

Foreshadowing can also be used to create dramatic irony. This is when the reader knows something that the characters do not, which can create tension and anticipation. For example, if a character is planning a surprise party, but the reader knows that the guest of honor hates surprises, the reader will be on the edge of their seat waiting for the reveal.

When using foreshadowing, it’s essential to strike a balance. You don’t want to give away too much information too soon, but you also don’t want to be so subtle that your readers miss the hints altogether. It’s a delicate dance, but foreshadowing can be a powerful tool in your creative writing toolbox.

29. Euphemism: Use a Mild or Indirect Expression to Replace a Harsh or Blunt One

In creative writing, euphemism is a technique used to substitute a harsh or blunt expression with a mild or indirect one. It helps to convey a message without being offensive or unpleasant. Euphemism is often used in literature to add depth and subtlety to a character’s dialogue or to describe sensitive subjects.

For example, instead of saying, “he died,” a writer might use the euphemism “he passed away,” which conveys the same meaning but more gently and respectfully. Similarly, instead of saying, “She’s fat,” a writer might use the euphemism “She’s curvy” or “She’s full-figured,” which are less harsh and more positive.

Euphemism can also be used to create irony or humor. For instance, in George Orwell’s novel “Animal Farm,” the pigs use euphemisms to manipulate the other animals and justify their actions. They refer to stealing food as the “readjustment of rations” and executions as “sending to the knacker.”

However, it’s important to use euphemisms carefully and appropriately. Overuse can make writing sound insincere or cliché. It’s also important to consider the context and audience. What may be an appropriate euphemism in one situation may not be in another.

30. Stream of Consciousness: Write from the Perspective of a Character’s Thoughts and Feelings

Stream of consciousness is a writing technique that captures the natural flow of a character’s extended thought process. This technique is often used to convey the character’s thoughts and feelings realistically, and it can be a powerful tool for immersing the reader in the story.

To write from the perspective of a character’s thoughts and feelings using the stream-of-consciousness technique, you need to incorporate sensory impressions, vague ideas, unusual syntax, and rough grammar. Your writing may not flow logically, but it will be more authentic and reflect the character’s inner world.

One way to get started with stream-of-consciousness writing is to imagine that you are the character and try to write down everything that comes to mind. Don’t worry about grammar or punctuation at first; focus on capturing the character’s thoughts and feelings as they come. You can always go back and edit later.

Another technique is to use a prompt or trigger to get the character’s thoughts flowing. For example, you could write about a specific event or memory important to the character or use a sensory detail like a smell or sound to evoke a particular emotion.

Remember that stream-of-consciousness writing can be challenging for readers who are used to more traditional storytelling techniques. To make your writing more accessible, you can use formatting tools like italics or bold text to indicate when the character is thinking versus speaking or paragraph breaks to signal a shift in the character’s thoughts.

31, Epistolary: Tell a Story Through Letters, Diary Entries, or Other Documents

Epistolary writing is a technique that involves telling a story through letters, diary entries, or other documents. This technique can create a sense of intimacy between the reader and the characters and provide a unique perspective on the story.

To write an epistolary story, you should first develop a narrative arc. This means you should clearly understand your story’s beginning, middle, and end before you start writing. Once you have this in mind, you can start thinking about the letters or other documents that will make up your story.

One of the advantages of epistolary writing is that it allows you to create a sense of immediacy and intimacy that is difficult to achieve with other techniques. By using letters or diary entries , you can give the reader a direct insight into the thoughts and feelings of your characters. This can be particularly effective if you write a story dealing with complex emotions or relationships.

Another advantage of epistolary writing is that it allows you to experiment with different voices and styles. Because a different character writes each letter or diary entry, you can use this technique to create a sense of diversity and variety in your story. This can be particularly effective if you are writing a story that deals with multiple perspectives or points of view.

32. Magic Realism: Blend Elements of the Fantastical with the Everyday

Magic realism is a literary genre that combines fantastical elements with the everyday. It is a unique and fascinating technique that allows writers to create a world that is both familiar and strange, where magical and supernatural events are presented as a regular part of everyday life.

In magic realism, the fantastic is not presented as something extraordinary or unknown but as a part of the world. This creates a sense of wonder, enchantment, and connection to the world around us.

To write in the magic realism genre, you need to blend the fantastical with the everyday seamlessly and believably. This can be achieved by using a variety of techniques, such as:

• Subtle Magic: In magic realism, magic is often presented subtly , with small, everyday events taking on a magical quality. For example, a character might be able to see the future, or a tree might have the power to heal the sick.
• Symbolism and Metaphor: Magic realism often uses symbolism and metaphor to convey its message. For example, a character might be represented by an animal, or a magical event might represent a larger theme or idea.
• Mixing Genres: Magic realism often blends different genres, such as fantasy, horror, and romance, to create a unique and compelling story.
• Magical Realism vs. Fantasy: It is important to note that magical realism differs from fantasy. In fantasy, the magical elements are presented as something separate from the real world, while in magic realism, they are presented as an integral part of it.

33. Anthropomorphism: Give Human Traits to Animals or Objects

Anthropomorphism is a literary device attributing human traits to non-human things, such as animals or objects. This technique can add depth and complexity to your writing, allowing you to explore human emotions and experiences through the lens of non-human characters.

When using anthropomorphism, it’s important to balance realism and fantasy. While you want your non-human characters to be relatable and engaging, you also want them to be believable within the context of your story. Consider the following tips when incorporating anthropomorphism into your writing:

• Use specific details to create a vivid and realistic portrayal of your non-human characters. Think about their physical appearance, mannerisms, and behaviors and how they might differ from those of humans.
• Avoid relying too heavily on stereotypes or clichés when creating your non-human characters. Instead, draw on real-life observations and experiences to create unique and nuanced personalities.
• Consider the implications of giving human traits to non-human characters. How might this affect the themes and messages of your story? What commentary might you be making on human nature and society?

34. Allegory: Use a Story or Characters to Represent Abstract Ideas or Moral Lessons

Allegory is a powerful technique in creative writing that allows you to convey complex or abstract ideas through characters, events, or symbols. An allegory is a narrative in which the characters and events represent abstract ideas or moral lessons. This literary device is often used to convey political or social commentary or to explore philosophical or religious themes.

The use of symbolism is key to creating a compelling allegory. Symbols are objects, characters, or events that represent something beyond their literal meaning. When used in an allegory, symbols can represent abstract concepts or ideas in a way that is more accessible to the reader.

For example, George Orwell’s Animal Farm is an allegory in which the animals represent different factions of society, and the story’s events represent the Russian Revolution and the rise of Stalinism. Using animal characters and events that mirror real-world historical events allows the reader to connect with the story deeper and understand the underlying message.

Allegories can be used to explore a wide range of themes and ideas, from political and social commentary to personal growth and spiritual enlightenment. Some common themes explored through allegory include the struggle between good and evil, the nature of humanity, the search for truth and meaning, and the consequences of greed and corruption.

35. In Medias Res: Begin the Story in the Middle of the Action

One of the most effective ways to hook your readers is to start your story in media res, Latin for “in the middle of things.” This technique involves beginning your story during action rather than with exposition or background information. By plunging your readers into the middle of the story, you can immediately capture their attention and keep them engaged.

To use in media res effectively, you need to start with a scene that is both interesting and relevant to the story. This scene should raise questions in the reader’s mind and create a sense of urgency. For example, you might start a mystery novel with the detective already on the killer’s trail or a romance novel with the couple amid a heated argument.

One advantage of starting in media res is that it allows you to avoid the pitfalls of exposition. You can reveal this information through action and dialogue rather than telling your readers about the characters and their backgrounds. This not only makes your story more engaging but also helps to create a more immersive reading experience.

However, it’s important to remember that in media res is not appropriate for every story. If your story requires a lot of exposition or background information, starting in media res may confuse your readers and make it difficult for them to follow the plot. Additionally, if you start your story too far into the action, you may miss important opportunities to establish character and setting.

36. Frame Narrative: Use a Story Within a Story to Provide Context or Commentary

A frame narrative, also known as a frame story or framing device, is a literary technique that uses a story within a story to provide context or commentary. It is a powerful tool for writers who want to tell a complex story with multiple layers of meaning. Using a frame narrative, you can create a rich, immersive world that draws readers in and keeps them engaged.

In a frame narrative, the outer story serves as a frame or container for the inner story. The outer story provides context and commentary on the inner story, and the inner story provides depth and complexity to the outer story. This technique can create various effects, from suspense and mystery to humor and satire.

One of the most famous examples of a frame narrative is “The Canterbury Tales” by Geoffrey Chaucer. In this work, a group of pilgrims travels to Canterbury and decides to pass the time by telling stories. Each pilgrim tells a story, resulting in a collection of stories within a story. This technique allows Chaucer to explore various themes and ideas, from love and marriage to religion and politics.

Another example of a frame narrative is “One Thousand and One Nights,” also known as the Arabian Nights. This work is a collection of Middle Eastern and South Asian stories and folk tales compiled in Arabic during the Islamic Golden Age. The frame story is about a Persian king who marries a new bride every day and executes her the next morning.

To avoid this fate, the clever Scheherazade tells the king a story every night but leaves it unfinished, promising to finish it the next night. This goes on for 1,001 nights, and by the end, the king has fallen in love with Scheherazade and spares her life.

37. Unreliable Narrator: Use a Narrator Whose Credibility Is in Question

When it comes to creative writing, one technique that can be used to add depth and complexity to a story is the use of an unreliable narrator. An unreliable narrator is a character who tells the story but whose credibility is in question. This can be achieved through deliberate deception or unintentional misguidedness, forcing the reader to question the narrator’s reliability.

Using an unreliable narrator can add intrigue to a story, as the reader is forced to question the truthfulness of what they are being told. This can create a sense of tension and uncertainty that can keep the reader engaged throughout the story. Additionally, an unreliable narrator can explore themes of perception, truth, and memory as the reader is forced to consider what is real and imagined.

There are several ways to create an unreliable narrator in your writing. One way is to use a first-person point of view, as this allows the reader to see the story through the eyes of the narrator. This can make it easier to create a sense of intimacy with the character but also make it harder to trust their version of events.

Another way to create an unreliable narrator is to use a mentally unstable or emotionally compromised character. This can make it harder for the reader to separate truth from fiction, as the character’s perception of reality may be skewed. Villains, insane people, fools, liars, or hypocrites can all be examples of unreliable narrators.

38. Multiple Narrators: Tell the Story from the Perspectives of Different Characters

If you want to add depth and complexity to your story, consider using multiple narrators. This technique allows you to tell the story from different characters’ perspectives, providing a more nuanced view of the events and allowing the reader to see the story from different angles.

To use multiple narrators effectively, it’s important to choose characters whose perspectives are compelling and distinct. You want to avoid confusing the reader, so make sure each character has a distinct voice and point of view. Consider the following tips:

• Choose characters who have different backgrounds, experiences, and goals. This will allow you to explore different aspects of the story and add complexity to the plot .
• Use chapter headings or other markers to indicate when the perspective is changing. This will help the reader track who narrates the story and prevent confusion.
• Be consistent with the point of view. If you use first-person narration for one character, stick with that for the entire chapter or section. This will help maintain consistency and clarity.
• Use multiple narrators to reveal different aspects of the story. For example, one character might have access to information that the others do not, or they might interpret events differently based on their own experiences and biases.

39. Cliffhanger: End a Chapter or Scene with Suspense to Keep Readers Engaged

One of the most effective techniques to keep readers engaged is to end a chapter or scene with a cliffhanger. A cliffhanger is a writing device that creates suspense and leaves the reader wanting more. It can be a sudden twist in the plot, a revelation, or a question left unanswered.

You must build tension and anticipation throughout the chapter or scene to create a cliffhanger. You can do this by introducing a problem or challenge the protagonist must overcome. As tension builds, you can escalate the stakes and introduce new obstacles that complicate the situation.

When you reach the end of the chapter or scene, you should leave the reader with a sense of uncertainty or anticipation. You can do this by ending with a question, a revelation, or a sudden twist in the plot. The key is creating a sense of urgency that makes the reader want to turn the page and discover what happens next.

Here are some tips for creating effective cliffhangers:

• Keep it short and sweet: A cliffhanger should be no more than a few sentences long. It should be concise and to the point, leaving the reader with a clear sense of what is at stake.
• Use strong verbs: To create a sense of urgency, use strong verbs that convey action and movement. Avoid weak or passive language that slows down the pace of the story.
• Leave the reader with a question: A cliffhanger should leave the reader with a question that needs to be answered. This can be a question about the plot, the characters, or the setting.
• Escalate the stakes: As the tension builds, you should escalate the stakes and make the situation more difficult for the protagonist. This will create a sense of urgency and keep the reader engaged.

Frequently Asked Questions

What are some common creative writing techniques used in literature.

Many creative writing techniques are used in literature, but some of the most common ones include imagery, symbolism, foreshadowing, and flashbacks.

Imagery uses vivid descriptions and sensory details to create a mental picture in the reader’s mind. Symbolism represents abstract ideas or concepts using objects, characters, or actions. Foreshadowing uses hints or clues to suggest what will happen later in the story. Flashbacks are scenes that occur in the past and are used to provide background information or reveal something important about a character or event.

How can descriptive writing techniques be used to enhance storytelling?

Descriptive writing techniques can enhance storytelling by creating a vivid and immersive experience for the reader. By using sensory details such as sights, sounds, smells, and textures, you can transport your reader to the world you’ve created and make them feel like they’re a part of the story. Descriptive writing can also create mood and atmosphere, reveal character traits, and set the tone for the story.

What are some examples of persuasive writing techniques?

Persuasive writing techniques convince the reader to take a particular action or adopt a particular point of view. Some standard techniques include emotional appeals, such as fear or desire, to get the reader to act. Another technique is using logic and reasoning to present a strong argument for your point of view. You can also use rhetorical questions, repetition, and other persuasive devices to make your argument more compelling.

How can identifying different writing techniques improve my writing?

Identifying different writing techniques can improve your writing by giving you a better understanding of how to use them effectively. By studying the techniques used by other writers, you can learn how to create more engaging characters, build tension and suspense, and create a more immersive world for your readers. You can also learn different techniques to achieve different effects, such as creating a sense of mystery or building empathy for your characters.

What are some of the most important elements when using creative writing techniques?

When using creative writing techniques, it’s important to consider the audience you’re writing for, the genre you’re writing in, and the purpose of your writing. It would help if you also considered the tone and style of your writing and the pacing and structure of your story. It’s important to use techniques appropriate for your story and help you achieve your desired effect.

What are some examples of different types of creative writing beyond fiction and poetry?

Creative writing encompasses various genres and styles, including memoirs, personal essays, screenplays, and even video game scripts. Some writers also use creative writing techniques in non-fiction, such as journalism and academic writing. The key to using creative writing techniques effectively is to adapt them to the specific genre and style of writing you’re working in.

Blogs for English Excellence

How to Use Vocabulary in Creative Writing to Make Brilliant Stories

If you want to be a writer or really like writing, it’s important to know that vocabulary in creative writing is very important – as it can help you be the best writer you can be.

Creative writing is the way for people to express themselves and share their imaginative stories with others. It doesn’t follow regular writing rules, so it allows writers to create stories, poems, and essays that deeply connect with the readers’ emotions. When you are writing in a creative approach, it is very important to have a large and strong set of words that you know and understand well. This allows you to express your thoughts clearly, create strong mental pictures, and provoke feelings in your readers’ mind.

With Vocavive App , we have been helping students learn and master a strong collection of important English vocabulary. Having this kind of collection of a wide range of words helps writers express their ideas clearly and genuinely, making their creative ideas come alive on paper.

In this article, we will further discuss the words that can greatly help you to create a well-crafted story. We will give you helpful advice and tips to improve your writing skills – which includes choosing the right words, avoiding using the same words too much, and using good transitions.

Let’s get started?

Exploring the Significance of Vocabulary in Creative Writing

Creative writing is incredibly important because it lets us express ourselves and connect with others. It allows us to unleash our imagination, share personal stories, and evoke emotions in readers. The best kind of Creative writings have a great storytelling . They are full of rich expressions that take the reader through a journey.

Now, when it comes to writing effectively, having a good vocabulary is vital. Why?

A wide range of words helps us to convey our thoughts, emotions, and visuals in the best possible way. The work gets easier for the writer. But is it only that?

It also enables us to create vivid imagery in readers’ minds, develop intriguing characters, and construct realistic worlds. Numerous research studies have demonstrated this link between a strong vocabulary and writing proficiency. Research conducted by the Educational Testing Service (ETS) reveals that a larger vocabulary enhances the quality and complexity of writing. When we know and use a variety of words, our writing becomes more creative, clear, and profound.

Another study published in the Journal of Educational Psychology found that students with an extensive vocabulary tend to produce more engaging and captivating stories.

Overused Words That Will Make Your Writing Sound Weak

Using a variety of words is important when writing creatively. However, we should try not to use words and phrases which have been used too much in creative writing. We might use those words thinking it will improve the richness, when in fact, it can do the opposite. Those commonly used and overused words can make our writing sound boring and unoriginal.

Let’s look at a list of commonly used words that we should be careful not to use too much.

• Awesome – The word “awesome” is used too much and doesn’t give enough details to describe something impressive or remarkable.
• Beautiful – A word that is often used without giving any specific details or personal viewpoints.
• Brilliant – The word “brilliant” is often used to say something is really good or smart, but it might sound overused.
• Cool – An informal word that many people use a lot, but it doesn’t give a clear meaning anymore.
• Cute – Often used to describe something charming or appealing, but it can be used too much and become unoriginal.
• Different – Different is a word that is commonly used to describe something but doesn’t give much information or understanding about it.
• Simple – Simple things are repeated too much and don’t have much meaning, so they don’t show all the details or difficulties involved.
• Great – A word that is often used but it doesn’t provide many details and can be unoriginal.
• Nice – A word that is used too much and doesn’t have enough clear details to describe something well.
• Really – Often used as a word that doesn’t have much meaning and doesn’t make things clearer or more important.
• Amazing – Often used without giving details or showing the real specialness of something.
• Surprising – Used too much and doesn’t have a strong effect because people use it to describe things that happen or experiences that they have frequently.
• Breathtaking – It has been used so much that it lost some of its power and impact.
• Difficult – Often used without giving specific details or explanations about the difficulties being talked about.
• Compelling – Means when something is persuasive or captivating, but it is often used too much and lacks originality.
• Important – Often used to highlight significance without giving different viewpoints or specific details.
• Dramatic – Often used to describe something intense or powerful, but can be unoriginal.
• Effective – Effective is a word we use a lot but it doesn’t tell us much and doesn’t give us any new or special information about what we’re talking about.
• Encouraging – Means giving support or motivation, but it is often used without giving examples or details to explain why it is encouraging.
• Exciting – A word that people use too much, and it’s not very specific in describing the real nature or specialness of an exciting experience or event.
• Fabulous – Frequently used to describe something exceptional or marvelous, but its frequent usage has diminished its impact.
• Fantastic – Often employed as a generic term to convey excitement or positivity, but can lack specificity and originality.
• Fascinating – A common choice to describe something intriguing or captivating, but its frequent usage can make it sound clichéd.
• Fortunate – Frequently used without providing unique details or perspectives on the nature of the good fortune.
• Genius – Overused to describe exceptional intelligence or talent, but its frequent use can diminish its impact.
• Helpful – A commonly used term that lacks specificity, failing to convey the specific ways in which something or someone is helpful.
• Incredible – Often used generically to express disbelief or awe, but its frequent usage can dilute its impact.
• Inspiring – Frequently used to describe something that motivates or encourages, but can sound clichéd without offering specific examples.
• Interesting – A generic term used to convey engagement or curiosity, but its overuse can make it sound unoriginal.
• Magnificent – Frequently used to describe something grand or impressive, but its frequent usage can lessen its impact.
• Memorable – Often used without providing specific details or insights into what makes something truly memorable.
• Outstanding – A common descriptor for excellence, but its overuse can make it sound less impactful or unique.
• Powerful – Frequently used to convey strength or influence, but its frequent usage can make it lose some of its impact.
• Remarkable – Often used to describe something extraordinary or noteworthy, but its frequent usage can diminish its impact.
• Significant – A frequently used term to express importance or meaning, but its overuse can make it sound clichéd.
• Spectacular – Often used to describe something visually stunning or impressive, but its frequent usage can make it lose impact.
• Striking – Frequently used to describe something visually or emotionally impactful, but its overuse can diminish its effect.
• Substantial – A common term used to convey importance or size, but its overuse can make it sound generic or lacking in specificity.
• Successful – Often used without providing specific criteria or context for defining success.
• Surprising – Frequently used to convey unexpectedness, but its overuse can make it sound less impactful or genuine.
• Terrific – A commonly used term to express enthusiasm or positivity, but its frequent usage can make it sound clichéd.
• Unique – Often used to describe something one-of-a-kind or distinct, but its frequent usage can diminish its impact.
• Valuable – Frequently used to express worth or importance, but its overuse can make it sound less impactful or specific.
• Vivid – A commonly used term to describe something vibrant or intense, but its frequent usage can make it sound unoriginal.
• Wonderful – Often employed as a generic term to convey delight or positivity, but its frequent usage can diminish its impact.
• Worthwhile – Frequently used to express value or significance, but its overuse can make it sound less impactful or meaningful.

Use these 14 Types of Transition Vocabulary In Creative Writing

Effective transitions help connect ideas and make it easier for readers to follow along with the story or information. By using connecting words and phrases, writers often make their work easier to understand and flow better. Here are the Transition Words and Phrases you should keep in your volt.

Addition: again, also, besides, too, furthermore, moreover, in addition, first, second, third, next, lastly

Contrast: but, however, nevertheless, on the other hand, conversely, yet, although, even though, while, whereas

Comparison: similarly, likewise, in the same way, as, just as, than, like

Cause and Effect: because, therefore, thus, hence, as a result, consequently, so, for this reason, due to

Time: after, before, during, since, then, when, while, afterwards, next, finally, initially

Sequence: first, second, third, next, then, afterward, finally, to begin with, to start with

Emphasis: indeed, in fact, certainly, of course, truly, really, definitely, undoubtedly

Restatement: in other words, to put it another way, that is, as I said, in short

Clarification: to be more specific, to clarify, in other words, that is to say

Summarization: in summary, to sum up, all in all, in conclusion, to conclude

Example: for example, for instance, to illustrate, as an illustration, as shown

Concession: admittedly, it is true that, I agree that, I grant that, I will admit that

Refutation: however, on the contrary, yet, still, nevertheless, in spite of

Concluding Remarks: to conclude, in conclusion, in summary, to sum up, all in all

Question: How do I Use These Transition Words to Create a More Compelling Read?

To make your paragraphs flow better, it’s important to keep a few practical tips around you that connect your ideas smoothly. First, think carefully about how to move smoothly from one idea to another in your writing. Plan out the order that makes the most sense for your thoughts.

By doing this, you can find out where you need to use transition words and phrases to help readers understand how ideas are connected. Try out different connectors like “also,” “however,” or “likewise,” to keep your readers interested and add some variety to your writing.

Make sure to think about the situation and what you want to say when you write. Choose words that clearly show how your ideas connect to each other. It’s important to put transitions in the right places in sentences to make sure the writing flows smoothly and makes sense. You can put them at the start, in the middle, or at the end of sentences.

Vocabulary Gems to Dazzle Your Teacher in Essay Writing

As students, we often find ourselves striving to impress our teachers with well-crafted answer scripts. Beyond accurate content, an impressive essay demands the strategic use of vocabulary to showcase our language prowess and command over the subject matter. Let’s take a look at it with an example.

Before Using Vocabulary:

Imagine you are writing an essay about the American Revolution. In the fayirst scenario where there is no vocabulary, your essay may read like this –

“The American Revolution was a significant event in history. The colonists fought against British rule for their freedom.”

After Using Vocabulary:

Now, let’s see the same essay with an improved vocabulary usage –

“The American Revolution stands as a pivotal milestone in history, epitomizing the relentless spirit of the colonists who valiantly waged a battle for their emancipation from British dominion .”

Which one do you think has more richness?

See, the “after” scenario here elevates the description of the American Revolution by incorporating words like “pivotal milestone,” “relentless spirit,” and “valiantly waged a battle.”

Your classroom might have 20+ students. To stand out from the general crowd, you can use vocabulary like these. It not only demonstrates a more nuanced understanding of the said topic, but it also brilliantly captures the attention of the reader, including your teacher. She might feel more convinced to give you an A.

How to use specific words, descriptive language, and figurative language in creative writing

When describing emotions, shy away from simplistic and overused terms, such as “happy” or “sad”, or “very important”. Instead, try to opt for colorful alternatives that bring your characters’ feelings to life. For instance, rather than stating “The boy was happy,” say “The boy was grinning ear to ear, his eyes twinkling with excitement.” Such descriptions allow your readers to experience the joy alongside the character.

You also need to pay attention to employing descriptive language that adds depth and color to your writing. For example, replace mundane phrases like “The sky was blue” with a more captivating expression. It could be “The sky was a brilliant azure blue, stretching out like a vast ocean.” When you are using such rich language, your readers can feel as though they’re witnessing the scene firsthand.

Coming to figurative language, utilize similes, metaphors, and personification. This will leave a lasting impact on your audience who want to enjoy and feel connected to your story. For example, if you had to merely write an expression such as “The boy was strong” – you could very well say “The boy was as strong as an ox.” When this is done, the comparison to “an ox” not only conveys strength but also makes the description more memorable for the reader.

In Conclusion

In your journey as a budding writer, remember that mastering vocabulary in creative writing is not just a skill but a powerful tool for self-expression and captivating your readers. It is a skill that is essential for any writer, but it is especially important for creative writers. When you have a wide vocabulary, you have a wider range of tools to express yourself and bring your stories to life. You can use more precise language to describe your characters, settings, and events.

So don’t be afraid to experiment with new words. The more you use them, the more comfortable you will become with them, and the better your writing will be.

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The Ultimate Glossary of Writing Terms

I still clearly remember the day I learned what “WIP” meant. I was a newbie on a writing forum, and everybody was using special writing terms like “WIP.” It got to the point where I wanted to scream: What’s a WIP? And why don’t I get one tooooooo? Then I googled it. Oh. Work-in-progress. That’s what it means. Of course.

As with any specialized occupation, writing comes complete with an equally specialized lexicon. Nowadays, I take for granted terms like “WIP,” “MC,” “ deus ex machin a,” and “head hopping.” But there was a day when all I could do was slack my mouth and glaze out in confusion.

Raise your hand if you’ve ever felt this way.

Introducing the Ultimate Glossary of Writing Terms

Action beat.

A description of the actions (gestures, facial expressions, or even thoughts) that accompany a speaking character’s words. An action beat should be included in the same paragraph as the dialogue as an indication that the person performing the action is also the person speaking.

For further study:

• Action Beats

Active Voice

The opposite of passive voice.

Active Voice:  Beautiful giraffes roam the Savannah.

Passive Voice: The Savannah is roamed by beautiful giraffes.

In active voice, the person or thing performing the action serves as the subject of the sentence. In passive voice, the subject is the person or thing being acted upon . In linguistics, the actor in a sentence is called the “agent,” and the passive receiver of action is called the “patient.” These are independent of “subject” and “object,” but which is which determines the voice of the verb.

• Active Voice vs. Passive Voice: How to Use Both to Get the Most Out of Your Writing

Alliteration

A stylistic literary device identified by the repeated sound of the first consonant in a series of multiple words, or the repetition of the same sounds at the beginning of words or in stressed syllables of a phrase.

Example: P eter P iper p icked a p eck of p ickled p eppers.

For further study

• 4 Tricks for Picking the Perfect Word

Alpha Reader

An alpha reader is among the first to read a completed manuscript (MS) or work-in-progress (WIP) and is usually a close friend of the writer. The role of the alpha reader is to provide cheerleader-like support and encouragement rather than constructive criticism.

See also:  Beta Reader

• Is Now the Time for an Alpha Reader?

A person (or force) standing in opposition to the protagonist.

• How to Choose the Right Antagonist for Your Story
• How to Write Multiple Antagonists
• Evil, Insane, Envious, and Ethical: The Four Major Types of Antagonists

Antagonistic Force

Whatever is standing in opposition to the protagonist’s goal. Could be a human, but could also be an inanimate obstacle.

• What if Your Antagonist Isn’t a Person?
• The Pixar Way to Think About Story Conflict

A protagonist who lacks conventional heroic qualities such as idealism, courage, and morality. These individuals often possess dark personality traits such as disagreeableness, dishonesty, and aggressiveness.

Examples: Captain Mal in Firefly or Holden in  The Catcher in the Rye .

• 4 Ways to Make Your Antihero Deliciously Irresistible

A “type” of character, which is commonly repeated across literature.

Examples: The Mentor, the Magician, etc.

• 8 ½ Character Archetypes You Should Be Writing
• Three Character Archetypes in Fiction

“As you know, Bob…” A method of dumping exposition through dialogue, infamous for its awkwardness and lack of realism. It involves an otherwise unnecessary conversation between two characters that the author forces on them solely to inform readers of what the characters both already know. Writers often choose this technique to reveal important background information without taking readers out of the story, but it usually works against them by taking the characters out of the story instead.

• The Sneaky Secret Life of “As You Know, Bob…”

Back Matter

The additional parts of a book, appearing after the main body of the text (i.e., acknowledgements, historical notes, explanatory notes, end notes, an afterword, index, bibliographies, and appendixes). Also called End Matter.

Information about past events or thoughts that shaped the characters or story world.

• Backstory: The Importance of What Isn’t Told
• The #1 Problem With Backstory (and Its Simple Fix)
• Give Me 3 Minutes and I’ll Give You a Better (and Darker) Backstory
• The Only Rule About Backstory That Matters
• When Not to Tell Your Character’s Backstory

An important event or turning point within a story.

• The Units of Story: The Beat

Beta Reader

Beta readers provide feedback during the writing and/or editing process. They are not explicitly proofreaders or editors, but can serve in that context. Elements highlighted by beta readers encompass things such as plot holes, continuity problems, characterization, and believability. The beta might also assist the author with fact-checking.

For further study :

• A Quick Guide to Beta Reader Etiquette
• 15 Places to Find Your Next Beta Reader
• Relax! Beta Readers Aren’t Scary: Here Are 3 Truths About Them

Black Moment/Low Moment

The part of the story when everything looks hopeless and the situation is at its lowest point. Usually coincides with the Third Plot Point.

• How to Figure Out the Worst Thing That Can Happen to Your Character
• Creating Stunning Character Arcs, Pt. 12: The Third Plot Point
• The Secrets of Story Structure, Pt. 9: The Third Act

A short summary of what the book is about, meant to hook the reader.

• How to Write a Book Blurb That Sells

Burly Detective Syndrome

Frequently referring to a character by a description (“the burly detective”), usually out of fear of overusing the character’s name or pronoun (see Stutter).

• Most Common Writing Mistake: Referencing Characters by Title Rather Than Name

The name of the author printed at the head of the article or on the cover of the book.

Character Arc

The personal/inner transformation the protagonist undergoes over the course of the story. Usually, the character learns something through the main conflict in order to become a better person by the story’s end.

For further study: 

• How to Write Character Arcs

Chekhov’s Gun

This is a dramatic principle that requires every single element within a story to be necessary and irreplaceable. The term was coined when Anton Chekhov wrote a letter to A.S. Lazarev, indicating that if a loaded gun is present in one scene it should be fired in a subsequent scene in order to avoid being superfluous. If you give something attention, such as the gun, it must be because it has some import later in the narrative.

• Chekhov’s Gun: What It Is and How to Use It
• Setup and Payoff: The Two Equally Important Halves of Story Foreshadowing

A genre fiction centered on contemporary women and women’s issues that is often written in a light, humorous tone. Generally, it deals with the protagonist and her relationships with family, friends, and/or romantic interests. Often referred to as women’s commercial fiction.

Any situation in a story that has been used too many times in literature, to the point it loses meaning and/or becomes cheesy.

• Turn Clichés on Their Heads
• Are You Creating Your Own Personal Clichés?
• 3 Ways to Make Clichés Work in Your Writing

Cliffhanger

The ending of a chapter or book in a moment of high suspense and tension, used to compel readers to read on or buy the next book in an installment.

• Is the Cliffhanger Ending Overrated?

Climactic Moment

The moment in the Climax where the overall goal is reached or not reached. This is the moment when the protagonist defeats the antagonist or visa versa.

• Want Readers to Adore Your Book? Learn How to Ace Your Climactic Moment
• Creating Stunning Character Arcs, Pt. 14: The Climax
• How to Structure a Whammy of a Climax
• The Secrets of Story Structure, Pt. 10: The Climax

Climactic Turning Point

The beginning of the Climax, halfway through the Third Act (at approximately the 88% mark in the book).

The finale of the story, featuring the final and decisive confrontation between the protagonist and the antagonistic force, determining whether or not the protagonist will succeed or fail in gaining the main plot goal. Takes place in the final eighth of the story (the second half of the Third Act), starting around the 88% mark, and lasting until the last or next-to-last scene.

• Creating Stunning Character Arcs: The Climax
• What Is the Role of Theme in a Story’s Climax?

The overarching opposition fueling the entire plot of a story and presenting obstacles to the protagonist on a macro and micro level.

• What’s the Difference Between Conflict and Tension?
• Most Common Writing Mistakes, Pt. 31: One-Dimensional Conflict
• The Four Different Types of Conflict in Dialogue
• 5 Ways to Keep Readers Riveted With Conflict

Contagonist

A term unique to Dramatica ’s list of archetypes. As defined by Melanie Anne Phillips and Chris Huntley, the Contagonist “hinders and deludes the Protagonist, tempting it [ sic ] to take the wrong course or approach.”

• What’s a Contagonist? (How to Keep Story Conflict High Without the Antagonist)

Content Editing

A content editor looks at the big picture: character arcs, plot arcs, tone, and pacing. Also may comment on POV issues and/or narrative voice. A content edit is the first edit a story should go through after the rough edges have been knocked off the first draft.

• Your Novel Is a Hot Mess! How to Edit Your Book
• 5 Steps to a Thorough Book Edit

Copy Editing

The process of ensuring that a piece of writing is correct and consistent in terms of grammar, spelling, and punctuation; that it is logically structured and audience-appropriate; and that the intended meaning of the text is communicated clearly through suitable word choice and style.

• How to Edit Fiction: Watch Me Correct My Own Story in Real Time
• 6 Tips for How to Organize Your Novel’s Edits
• 5 Ways to Trim Your Book’s Word Count

Court Intrigue

A subcategory of epic fantasy that’s currently popular and is the fantasy equivalent of Dumas’s The Three Musketeers . Good examples of this are Robin Hobbs’s Assassin trilogy, George R. R. Martin’s A Song of Ice and Fire series, Martha Wells’s The Element of Fire , and Dave Duncan’s The King’s Blades trilogy.

A mystery novel that usually features a bloodless crime, with very little violence, sex, or coarse language (but not always a pure “clean read”). Usually, the person solving the crime is an amateur and has the support/friendship of a police officer/detective/medical examiner. Readers usually identify with the main character because they are positive and socially acceptable (even their small faults).

Creative Nonfiction

The use of literary style and writing technique to tell a true story. It’s an embellishment, but only for the sake of telling a story that teaches a lesson or conveys a change of heart or mind. Narrative, dialogue, setting, and voice are just a few creative writing tools used to grab a reader’s interest and leave them changed somehow at the end.

• What Non-Fiction Authors Can Teach Novelists

Critique Partner/Critter

A partner with whom a writer exchanges manuscript critiques, in order to get knowledgeable feedback about how to improve a story. Critique partners receive no payment, only your critique of their own writing in return. (See also Beta Reader and Alpha Reader.)

• Questions for Critique Partners
• When You’ve Chosen the Wrong Critique Partner

Cyberpunk explores the fusion between man and machine. A key element is the perfection of the Internet and virtual reality technology. In a cyberpunk novel, characters can experience and interact with computers in a 3D graphic environment so real it feels like a physical landscape. The society in which cyberpunk is set tends to be heavily urban and usually somewhat anarchic or feudal. The “father of cyberpunk” is William Gibson, author of the seminal cyberpunk novel Neuromancer . Other authors defining this ever-evolving virtual reality include Neal Stephenson and Rudy Rucker.

The wrap up after the story is done. The wind down from the action of the Climax. Sometimes not included in the full arc of the story, but tells afterward details.

• Creating Stunning Character Arcs, Pt. 15: The Resolution
• The Secrets of Story Structure, Pt. 11: The Resolution
• The Characteristic Moment Belongs at the End of Your Book Too

Deus Ex Machina

Literally translates “god from a machine” and was originally a reference to the “god” (played by an actor lowered onto the stage on a “machine”) who descended at the end of the Greek and Roman plays to solve all the mortal characters’ problems and put everything in order for a happy ending.

• Deus Ex Machina : Latin for “Don’t Do This in Your Story”

Deuteragonist

A secondary protagonist and the driver of a subplot. Can be a sidekick.

Developmental Editing

Editing concerned primarily with the structure and content of a book that starts near the beginning of the manuscript’s life. A developmental editor works to give the book focus and direction (mostly towards what is “marketable”) by helping to develop author’s ideas, and so will point out inconsistencies in aspects such as logic, voice, and audience.

For further reading:

• What Is a Developmental Editor and What Can You Expect?

Words spoken by a character, conventionally enclosed in quotation marks. Dialogue should sound realistic, without attempting to reproduce real speech verbatim. Indirect dialogue, also known as reported speech, is a narrative summary of dialogue.

• Get Rid of On-the-Nose Dialogue Once and For All
• How to Write Funny Dialogue

Dialogue Tags

Dialogue tags and/or action beats let readers know which character is speaking.

• Most Common Writing Mistakes: How Not to Use Speaker Tags and Action Beat

A subgenre related to steampunk, although it is driven more by the culture of the 1920s through the early 1950s. Technology is strongly influenced by diesels.

• Storming: A Dieselpunk Adventure

Fiction of almost or exactly one hundred words, but not over. Something you write for fun. Or practice. Or both. Both is good.

Dumb Mechanic

Where a character explains something to a character who doesn’t know anything about the subject. For example, a mechanic explains what is wrong with a machine to someone who knows nothing about mechanics. It’s vital the ignorant character’s lack of knowledge be realistic and believable.

See also, “As you know, Bob” (i.e., a character telling another character something they both know.) The Dumb Mechanic is slightly better than “As you know, Bob,” but the core problem is the same.

• Are You Making Your Characters (and Yourself) Look Stupid?

This describes an imagined community, society, or world, in which everything is unpleasant or undesirable. It is the opposite of utopian, and literally means “bad place.”

The additional parts of a book, appearing after the main body of the text (i.e., acknowledgements, historical notes, explanatory notes, end notes, an afterword, index, bibliographies, and appendixes). Also called Back Matter.

Epic Fantasy

Sweeping in scope, epic fantasy usually concerns a battle for rulership of a country, empire, or entire world. Drawing heavily upon archetypal myths and the quintessential struggle between a few good people against overwhelming forces of evil, epic fantasy is best represented by author J.R.R. Tolkien’s classic The Lord of the Rings trilogy. Other authors of epic fantasy include New York Times ‘ bestselling Raymond E. Feist ( The Serpentwar Saga ) and Adam Lee ( The Dominions of Irth ). Some other popular epic fantasy authors are Robert Jordan, David Eddings, and Terry Brooks.

A separate section at the end of a work often commenting on the work as a whole and/or serving as an addendum.

• How to Write an Epilogue That Works
• One Way to Tell if Your Prologue (and Epilogue) Is Unnecessary

The part of the story where background information about characters, events, setting, etc., is provided.

A genre of speculative fiction. Sci-fi typically aims for scientific plausibility, while fantasy often incorporates magical systems. Stories may contain elements of both or be exclusive to one or the other, but all such stories explore fantastic worlds and scenarios.

• Fantasy Worldbuilding Questions
• One Handy Way to Add Instant Originality to Your Fantasy Novel
• Waiter! There’s a Smphurphle in My Fantasy Novel: Do’s and Don’ts of Made-Up Words
• Are You Asking These Important Questions About Your Fantasy Setting?

The opening act in your story. In the classic Three-Act structure, the First Act comprises the first quarter of the story. It is primarily concerned with introducing characters, settings, and stakes, as well as setting up the main conflict. It includes such important structural moments as the Hook, the Inciting Event, and the Key Event. It ends with the First Plot Point.

• The Secrets of Story Structure: The First Act
• Creating Stunning Character Arcs: The First Act
• How to Take the Guesswork Out of What Scenes Belong in Your First Act

First Person

A point of view in which readers “see” through the eyes of the main character. It uses pronouns such as “I” and “me.”

For example: “I walked into the house.”

• 3 Ways You Can Use a First-Person Narrator to Tell a Better Story
• Don’t Even Think About Using First-Person Unless…
• Most Common Writing Mistakes: Is Your First-Person Narrator Overpowering Your Story?

First Pinch Point

An important structural turning point that occurs in the First Half of the Second Act at the 37% mark. It emphasizes the threat of the antagonistic force, shows what is at stake for the protagonist in the conflict, and introduces important new clues about the nature of the conflict.

• What Are Pinch Points? And How Can They Make Your Book Easier to Write?

First Plot Point

The first major plot point in the story, marking the end of the First Act and the beginning of the Second. It takes place around the 25% mark. This is where the protagonist fully encounters the story’s conflict in a way that the choice to leave behind the Normal World of the First Act and enter the “adventure world” of the Second Act.

• Never Confuse the Key Event and the First Plot Point in Your Book Again!
• The Secrets of Story Structure: The First Plot Point
• Creating Stunning Character Arcs: The First Plot Point

Short narration that breaks a story’s linear time sequence by showing the past.

• Most Common Writing Mistakes: Are Your Flashbacks Flashy or Flabby?

Flash Fiction

Extremely short fiction. Some flash fiction markets have a limit of 50 words, while others allow up to 1,000 words. Like longer fiction, flash fiction includes conflict and resolution, but some elements may be implied and left to readers’ imaginations. Due to its extreme brevity, flash fiction tends to focus on a single turning point or revealing moment.

Flashforward

Short narration that breaks a story’s linear time sequence by showing the future.

• Hook Readers With a Sneak Peek
• Foreshadowing

Involves planting hints early on in a book to prepare readers for important revelations and events that occur later in the story.

Front Matter

The material preceding the main body/text of a work: including the title pages, printing/publishing data and/or a table of contents, foreword, preface, author’s note, dedication, etc.

A category of fiction (e.g., romance, mystery, or fantasy). “Genre fiction” is generally considered popular fiction as opposed to literary fiction.

• Definitions of Fiction Categories and Genres
• What Is Genre Fiction?
• Literary Fiction vs. Genre Fiction

Ghost Writer

One who undertakes the physical labor of writing an article, book, or memoir for someone else, usually in secret. One who produces written content as a third party for someone else, nominally for a fee in exchange for all credit for said written content belonging to someone else.

• 5 Writing Lessons I Learned Ghostwriting for New York Times Bestsellers

Happily Ever After. Romance writers use this to describe a genre as well as a moment. “A great HEA read.” Or, “you do get your HEA?” Most often seen with Harlequin and the “cozy” genre.

Head Hopping

A common gaffe that occurs when the narrative breaks “out of POV” and jumps without warning from the perspective of one character into the perspective of another.

• Most Common Writing Mistakes: Head-Hopping POV

Hero’s Journey

The Hero’s Journey is a narrative structure or pattern, identified by Joseph Campbell as being the common thread in many historical and mythological stories and purported to be the strongest psychological storyform. At its most basic level is it is a classic adventure storyform, featuring a hero who must overcome opposition and save his world. However, it can be applied to vastly different types of stories. Also known as the Monomyth.

• The Writer’s Journey by Christopher Vogler
• The Hero’s Journey: An Author’s Guide to Plotting

Historical Fiction

A literary genre where the plot takes place in the past, often (but not always) including historical figures.

• 7 Easy Ways to Research a Historical Novel
• Why Your Novel May Not Be Historical Fiction After All

Any moment of interest designed to “hook” a reader’s curiosity. Specifically, it applies to the opening Hook in the book’s first chapter, which piques reader curiosity about the plot and protagonist and convinces them to read the book.

• The Secrets of Story Structure: The Hook
• How to Drive Your Readers Wild With Hints and Story Hooks—Without Frustrating Them
• Think You Wrote a Great Hook for Your Book’s Beginning? Find Out Why It May Not Be Enough

Refers to well-known, respected publishing houses.

Impact Character

A character who is a strong catalyst for change in the protagonist, causing inner conflict and helping put the plot into motion.

• The Impact Character: Why Every Character Arc Needs One

Inciting Event/Incident

The moment that “officially” kicks off a story’s main conflict/plot. This is the protagonist’s first brush with the conflict—the Call to Adventure, which the character will start out by rejecting to some degree. Usually takes place after the story’s initial set-up, at the 12% mark, halfway through the First Act. This is the first prominent turning point in the story.

• Your Book’s Inciting Event: It’s Not What You Think It Is
• The Secrets of Story Structure: Inciting Event and Key Event
• Maximize Your Story’s Inciting Event

An undesirable writing method in which the author “dumps” information or extensive description on the reader all at once, instead of weaving the information into the action of the story.

• Most Common Writing Mistakes: Info Dumps
• This Is How to Transform Info Dumps Into Exciting Plot Reveals
• How to Use Dialogue to Avoid Lengthy Info Dumps

In Medias Res

The Latin term for “in the middle,” which is applied to idea of beginning a story in the middle of things .

• Dostoevsky and the Art of In Medias Res
• In Medias Res : How to Do It and How Not to

Internal Dialogue

Reproduces a character’s thoughts and is often (though not always) indicated by italics.

• The Do’s and Don’ts of Internal Monologue
• 5 Ways to Write Character Thoughts Worth More Than a Penny

If the Inciting Event is what gets your plot rolling, the Key Event is what sucks your protagonist into that plot. Even if you have a great big Inciting Event (like, say, the beginning of a war), it can’t affect your character until the Key Event drags him into the mess (as would happen if he were drafted into the Army).

Books for children.

Line Editing

This form of editing means going over a manuscript line by line and editing it for grammar errors as you go. It doesn’t entail any extensive rewriting, but there may be some use of color editing to liven up flat prose, and there may be some reduction of redundancies (such as repeated information). This type of editing may include the use of a style guide, such as the Chicago Manual of Style.

• Is a Professional Editor a Waste of Money?

Single sentence story summary, specifically used as pitch. See Premise Sentence.

• 6 Reasons a Premise Sentence Strengthens Your Story

Love Interest

A principle secondary character for whom the protagonist has romantic interest (and/or the romantic subplot itself).

• How to Take Advantage of Your 4 Most Important Characters

MARY SUE (female), MARTY-STU (male)

Begun by fan fiction writers but now a part of writers’ general vocabulary. A derogatory term for a character who is able to do everything, with unrealistic abilities.

• How to Spot (and Kill) Your Mary Sue Characters

Short for Main Character. The lead of the story.

• Protagonist and Main Character— Same Person? The Answer May Transform Your Story!

An experienced adviser who offers—sometimes reluctantly—to show the hero “the way.” Usually a trustworthy ally, the mentor figure will often impart an object or piece of information that will prove vital later in the hero’s quest. The name itself comes from a character in Homer’s The Odyssey . Examples include: Obi-Wan Kenobi from Star Wars , Gandalf from Lord of the Rings , and “Irv” in Cool Runnings (a less trustworthy mentor figure).

• 4 Ways to Write a Thought-Provoking Mentor Character

Main Female Character. The female lead in a romance story. Usually gets the guy in the end.

Middle Grade fiction, targeted to children ages 8 to 12 years old. Typically features a main character in the same age range and avoids “mature” content such as graphic violence or sexually explicit material. That’s not to say the stories are simplistic, of course.

Microfiction

Extremely short fiction. Some flash fiction markets have a limit of 50 words, while others allow up to 1,000 words. Like longer fiction, flash fiction includes conflict and resolution, but some elements may be implied for the sake of brevity and left to readers’ imaginations. Due to its extreme brevity, flash fiction tends to focus on a single turning point or revealing moment. (See Flash Fiction.)

The Second Major Plot Point in a story’s structure. It occurs in the middle of the book, halfway through the Second Act, at the 50% mark. This is where the protagonist experiences a Moment of Truth, which allows a better understanding of the antagonistic force and the external conflict, as well as the internal conflict driving the character arc. It signals a shift from the reactive phase of the first half into the active phase of the second half.

• The Secrets of Story Structure: The Midpoint
• Creating Stunning Character Arcs: The Midpoint
• How the Perfect Midpoint Moves Your Protagonist From Reaction to Action
• How to Transform Your Story With a Moment of Truth

Main Male Character. The male lead in a romance story. Usually gets the girl in the end.

An image or phrase with thematic significance that is repeated throughout the book.

• Strengthening a Thematic Motif Through Repetition

MPS: Missing Parent Syndrome

The rather common occurrence in which the protagonist is underage but the parents and/or guardians are somehow left out for the majority of the plot. This can be due to death (Frodo in Lord of the Rings ) or boarding school ( Harry Potter ) or visitation to another world ( Narnia ) or just about any other reason.

“Manuscript.” A yet unpublished work, whether written or typed.

New Adult (Fiction) is aimed at an older age group than Young Adult (12-18) and focuses on new adult experiences such as the first serious relationship, first serious job, going to college, and moving out on their own.

The overall progression of a story. Also, specifically, the summary aspects of the writing, as distinct from dialogue, direct thoughts, and “shown” action. “Internal narrative” is told from a character’s point of view and, often, in his or her voice.

• Keep Your Story Moving With a Cohesive Narrative
• 6 Steps to Create a Fantastic Narrative Voice
• Top 4 Editing Tricks for Creating a Seamless Narrative

Normal World

The initial setting in the story, meant to illustrate the characters’ lives before they meet with the story’s main conflict. This world may be destructive to the protagonist (in which case, the protagonist must learn to move away from it and live without it), or it may be healthy (in which case, the protagonist will have to leave it in order to defend it). The Normal World may be a definitive setting, which will change at the beginning of the Second Act, when the character enters the “adventure world” of the main conflict. However, it may also be more metaphorical, in which case the setting itself will not switch to a new setting, but rather the conflict will change the setting around the protagonist.

• Creating Stunning Character Arcs: The Normal World
• 5 Misconceptions About Your Story’s Normal World
• Provide Contrast Using Your Character’s Normal World

A fictional prose work with a relatively long and often complex plot, usually divided into chapters, in which the story traditionally develops through the thoughts and actions of its characters.

A story that runs from around 40K to 50K words. Normally, it has no subplot and no more than two POV characters. One of the harder forms to sell traditionally, though this is changing.

• 3 Reasons You Should Consider Writing a Novella Right Now

A short novel that is often about romantic relationships and is usually not very serious. Word count is 7,500 to 17,500 words.

A type of point of view (POV), in which the narration is told from an omniscient or “all-knowing” perspective (sometimes the author’s, sometimes just generally), in which things the characters would have no way of knowing are shared with readers. One of the most difficult types of POV to do well.

• What Every Writer Ought to Know About the Omniscient POV

On the Nose

A poor style of writing that presents the story in a way that is too straightforward, without irony or subtext. Especially common in dialogue, in which characters always say exactly what they’re thinking or feeling.

Your manuscript has been submitted, usually by your agent, to a list of editors at publishing houses who may or may not have agreed to read it.

A sketch of every event that makes up the structure of a story, which is written before a first draft to edit out any structural weak spots beforehand.

• How to Outline Your Novel
• What Should Your Book Outline Look Like? [Free Download]

The rate at which a story progresses and events unfold.

• Here Are Five Great Ways to Pace Your Story
• 4 Pacing Tricks to Keep Readers’ Attention
• 5 Ways to Use Pacing to Write a Powerful Story

Writers who prefer to write “by the seat of their pants,” meaning without previous outlining.

• Can You Structure if You’re a Pantser?
• The Mirror Moment: A Method for Both Plotters and Pantsers
• Thinking About Outlining Your Novel? One Pantser’s Story

A speculative fiction genre that involves elements such as vampires, shapeshifters, fairies, elves, etc. Often set in modern-day urban settings. Often romantic in nature.

• How to Tell the Difference Between Fantasy and Paranormal

A writer who prefers to write a book after going through an outlining process.

Passive Voice

The opposite of active voice.

Examples:  

Active Voice: Beautiful giraffes roam the Savannah.

• To Be or Not To Be: In Defense of the Passive Voice

Pinch Point

A scene or event that adds pressure to the heroes and reminds readers of the antagonist’s plan or presence within the narrative. One of two turning points that take place in the Second Act (at the 37% and 62% marks, respectively).

One of the major turning points in a story’s structure. See also First Plot Point, Midpoint, and Third Plot Point.

• What Are Plot Points?
• Are Your Plot Points Too Weak?
• A Matter of Timing: Positioning Your Major Plot Points Within Your Story
• Point of View

The first stage of the writing process, which generally includes brainstorming, planning, mapping, researching, and outlining. Prewriting encompasses everything a writer does before beginning the first draft, and it accomplishes such goals as determining the intended theme, organizing plot points, and establishing characters. See also Outlining.

• 6 Tasks You’ll Love Yourself for Checking Off Your NaNo Pre-Writing List

A separate, introductory section to a work.

• Skip the Prologue!
• When Not to Skip the Prologue
• Find Out if Your Prologue Is Destroying Your Story’s Subtext

Proofreader

Someone reading through a completely edited work to find and/or correct typographical errors (i.e., typos).

Protag/Protagonist

The character whom the story is about and who is most directly affected by the antagonist. This character may be the narrator/POV character (such as Harry Potter or Katniss Everdeen), or the protagonist may be a character who is viewed by someone else (as Atticus Finch and Heathcliff are viewed by Scout and Nelly Dean, respectively).

• 3 Ways to Choose the Right Protagonist
• The Only Reason You Should Ever Choose a Protagonist

Query Letter

A letter written when seeking representation from a literary agent. It describes your story and shows agents why your book is worth their time and effort and is a good fit for their agency.

• How to Write a Great Query Letter

Query Trenches

Generally refers to looking for representation from a literary agent (although it is possible to directly query publishers).

Red Herring

A false clue meant to mislead the reader. It creates a false trail for the reader to follow. A red herring can be an object, a character, part of the setting, etc.

The final section of the story—usually the last two to three scenes in the final chapter. This is where any final loose ends are resolved after the main conflict has already been decided.

• The Secrets of Story Structure: The Resolution
• Creating Stunning Character Arcs: The Resolution

The power to evoke enduring images, memories, and emotions.

Rising Action

A series of events within the book’s conflict building up—with greater and greater tension—to the story’s Climax.

A fiction genre focusing on romantic love.

• Romance University

R&R: Revise and Resend/Resubmit

An agent or editor saw something they liked in your work but felt it need a significant revision. They’d like you to make the changes they suggested and resubmit it. It doesn’t necessary mean they’ll take it though.

A scene is a sequence of events that happens at a particular place and time and that moves the story forward. The scene consists mostly of “showing” though it may contain some “telling.” The scene has a particular structure that gives the story motion.

• How to Structure Scenes in Your Story
• How to Write Interesting Scenes
• 7 Questions You Have About Scenes vs. Chapters

Scene Sequence

A series of scenes with an overall related focus. A sequence has a unified focus which can usually be summed up in a simple idea (e.g., a rescue, a wedding, a trial, a battle). Scene sequences have their own defined beginning, middle, and end within the overall story.

The division of a Scene into a scene (the action that happens when a character has a goal , then conflict interferes with that goal and there is an outcome ) and its sequel (the character reacting to the previous outcome, then facing a dilemma , and finally making a decision about it that will determine what the character’s goal is in the next Scene).

• Learn How to Structure Your Scenes–in 5 Minutes!
• Incidents and Happenings: Scenes That Aren’t Actually Scenes

Science Fiction

Aka Sci-Fi. Fiction that incorporates scientific elements such as futuristic societies, advanced technology, and alien worlds. Though usually aiming for scientific plausibility, it ranges in realism from currently understood physics and biology to highly speculative science.

(A) A self-contained story that continues within the world of a previous story. It typically follows the characters, setting, or themes from the original, but with a new story premise and problem.

(B) The second half of a Scene, following the scene (goal, conflict, disaster). It contains the reaction, dilemma, and decision that the character has in response to the events of the scene.

• How to Write a Sequel That’s BETTER Than the First Book

Serial Fiction

Novel (or longer) length fiction written in installments and published at regular intervals, either on a blog, in a magazine, or as small e-books.

• How the Amazon Kindle Serials Program Works

Every character has his opposite, which allows the author to draw important contrasts and plumb the depths of his theme. Just like the Antagonist is the opposite of the Protagonist, the Skeptic character archetype is the opposite of the Sidekick. This is someone who doubts everything, particularly the Protagonist’s choices.

The middle act in your story. In the classic Three-Act structure, the Second Act comprises the biggest part of the story, from the 25% mark to the 75% mark. It is primarily concerned with developing the main conflict. It includes such important structural moments as the First Pinch Point, the Midpoint, and the Second Pinch Point. It begins with the First Plot Point and ends with the Third Plot Point.

• The Secrets of Story Structure: The First Half of the Second Act
• The Secrets of Story Structure: The Second Half of the Second Act

Second Pinch Point

An important structural turning point that occurs in the Second Half of the Second Act at the 62% mark. It emphasizes the threat of the antagonistic force, shows what is at stake for the protagonist in the conflict, and introduces important new clues about the nature of the conflict.

Second Plot Point

See Midpoint.

More than one book telling the same or related stories.

• Creating a Book Series: Great Idea or Think Again?
• FAQ: How to Write Character Arcs in a Series
• How to Outline a Series of Bestselling Books

The physical place in which the story’s events happen.

• 16 Ways to Make Your Setting a Character in Its Own Right
• 4 Setting Questions That Will Deepen Your Characters
• Ineffective Setting Descriptions

Science Fiction, aka Sci-Fi. Fiction that incorporates scientific elements such as futuristic societies, advanced technology, and alien worlds. Though usually aiming for scientific plausibility, it ranges in realism from currently understood physics and biology to highly speculative science.

Science Fiction & Fantasy. A combined genre of speculative fiction. Sci-fi typically aims for scientific plausibility, while fantasy often incorporates magical systems. Stories may contain elements of both or be exclusive to one or the other, but all such stories explore fantastic worlds and scenarios.

The period of time when you put aside your work in progress, in order to be able to come back to it later with fresh eyes.

• Why You Should Walk Away From Your Writing

Short Story

A story too short to be divided into chapters, usually under 7,500.

• Let’s Write a Short Story

(In contrast to Telling): Conveying an atmosphere, emotion, or mood by relating the movements or expressions of objects or players rather than stating facts about them.

Showing: The boughs bowed and swayed, dumping their icy load onto the quivering children.

Telling: The frightened children got soaked by a load of snow falling from the branches.

Showing: His face paled and his hands trembled as he slunk through the doorway.

Telling: He felt nervous and hesitated to enter the room.

• Showing and Telling: The Quick and Easy Way to Tell the Difference
• Most Common Writing Mistakes: Are Your Verbs Showing or Telling?
• Most Common Writing Mistakes, Pt. 33: Telling Important Scenes, Instead of Showing
• 3 Tips for Improving Show, Don’t Tell
• 8 Quick Tips for Show, Don’t Tell

Sidekicks, by definition, are almost always with the main character, which allows the conflict to be ongoing. A person who helps and spends a lot of time with someone who is usually more important, powerful, etc.

• Why Your Hero Needs a Yappy Sidekick

Speaker Tags

In its most basic form, this consists of the speaker’s name and a speech-related verb ( said , shouted , asked , etc.). Often the simplest way of indicating which character is speaking.

• Most Common Writing Mistakes: How Not to Use Speaker Tags and Action Beats
• Most Common Writing Mistakes: Avoiding “Said”

Speculative Fiction

Speculative fiction is a fiction genre speculating about worlds that are unlike the real world in various important ways. In these contexts, it generally overlaps one or more of the following: science fiction, fantasy, horror, supernatural, superhero, utopian, dystopian, apocalyptic, post-apocalyptic, and alternate history. It is often used as an umbrella term for science fiction and fantasy when considered as a single genre. The term is used this way in academic and ideological criticism of these genres, as well as by some readers, writers, and editors of these genres.

• What Is Speculative Fiction?

Standalone Book

Either a book that is not part of a series, or a book that is part of a series but does not depend on the other books in the series to make sense. Used most often in the former sense to indicate a book that has no sequels.

Standard Manuscript Format

The standard way editors, agents, and publishers want your manuscript formatted before you send it to them.

The cover page should be separate from the rest of the manuscript. It should include:

– name of the manuscript and author (or pen name) – approximate word count (rounded to the nearest hundred) – Your name, address, phone number, e-mail, and website – Your agent’s details (if you have an agent)

font: Twelve point, Times New Roman or Courier New Black.

margins: One-inch margins on all four sides.

indent: Half-inch paragraph indentations for the first line of each and every paragraph.

space: Double space; no extra line between paragraphs.

align: Align left.

page numbering: Number pages beginning with the actual story (don’t count or put page numbers on the title page).

scene breaks: Indicate scene breaks by inserting a blank line and centering the number sign (#) in the center of the line.

page header: Include your last name, the manuscript’s title, and the page number in the page header of every page except for the title page. Align the header to the right.

chapters: Begin chapters on new pages (insert a page break or format using styles). Center the chapter title, even if it’s only Chapter One (or Chapter 1), about one-third of the way down the page. Skip a couple of lines and begin the text of the chapter.

end: Center a number sign (#) on an otherwise blank line one double-spaced line down from the final line of text of the final chapter or epilogue at the end of the manuscript. Or write The End. (The end should be labeled so an agent or editor isn’t looking for extra pages that aren’t there.)

italics: Use italics for italicized words (versus underlining them).

character spacing: Use a single character space, not two spaces, between sentences.

The standard document format is MS Word (.doc) If you have a newer version of MS Word, Open Office, Pages, or something else, save the document in .doc (This is usually found somewhere like, File>>Save As, “MS Word 97-2003 (.doc)” Almost everyone can read .doc files.)

Finally, check the publisher or agent’s website. Some will have specific fonts, spacing, or other ways they want things done that might vary slightly from the general guidelines.

• Formatting 101: how to format your novel for submission

A subgenre of fantasy fiction which is largely determined by its setting, which is typically an alternative-Victorian reality, laden with steam-powered technology. Corsets are optional.

Using the same word or phrase twice, recently enough that the reader remembers it; depends partly on how distinctive the word is. Can be distracting if not used intentionally.

A subcategory of a major genre. For example, “sword and sorcery” and “portal fantasy” are subgenres within the fantasy genre, while “cozy” and “noir” are subgenres within the mystery genre.

A secondary thread of the story, with its own beginning, middle, and end, the subplot may or may not be directly connected to the main plot, and generally involves supporting characters.

• 5 Tips for Organizing Subplots
• Can a Character’s Arc Be a Subplot?
• Does Your Story Need Subplots?

Substantive Editing

A detailed and complete editing of a book, involving not just suggestions for the overall story, but also line-by-line editing of the prose itself. This is the most intensive type of editing.

The meaning beneath the dialogue—what the speaker really means, even though it’s being said directly.

• Subtext: The Art of Iceberging
• I Just Figured Out What All My Favorite Stories Have in Common—and It Blew My Mind
• The Only 5 Ingredients You Need for Story Subtext

A description of the book’s content. Sometimes written as marketing copy—with a hook and no spoilers—to convince readers to buy the book. Sometimes written as a complete description of the plot—including spoilers—to convey the entire story to a potential agent or editor.

A detailed description of your story’s complete plot (including spoilers and the ending), written in either one or three pages, for the purpose of sharing with a literary agent.

A line of text—usually a short, tantalizing sentence—which appears under the title of the book on the front cover and also in catalogue listings.

(In contrast to Showing): Conveying information by stating facts about them, instead of relating the movements or expressions of objects or players.

• Telling Important Scenes, Instead of Showing
• Are Your Verbs Showing or Telling?
• Three Places Where You Should Tell Instead of Show

The moral statement at the heart of the story, usually a general, universal principle, which is then conveyed via the story’s specific message, as proven by the protagonist’s character arc and specifically his inner conflict between a Lie and a Truth.

• Plot, Character, and Theme: The Greatest Love Triangle in Fiction
• Want a Powerful Theme for Your Novel? Play Devil’s Advocate!
• What’s the Difference Between Your Story’s Theme and Its Message?

The final act in your story. In the classic Three-Act structure, the Third Act comprises the final quarter of the story, from the 75% mark to the 100% mark. It is primarily concerned with the final, climactic confrontation between the protagonist and the antagonistic force. It begins with the Third Plot Point, includes the Climax, and ends with the Resolution.

• The Secrets of Story Structure: The Third Act
• Creating Stunning Character Arcs: The Third Act
• How to Write a Flat Character Arc: The Third Act
• How to Write a Negative Character Arc: The Third Act

Third Person

The uninvolved narrator of the story, who refers to the actual players by name or as he/she/they, e.g.: “Peter ran in and hugged Susan.” Contrast this with a “first-person narrative,” e.g.: “When I saw Susan at the bar, I ran up and hugged her.”

• Everything You Need to Know About Writing a 3rd-Person POV

Third Plot Point

The Third Plot Point in a story’s structure occurs in between the Second and Third Acts, at the 75% mark. This is where the protagonist experiences the lowest moment of defeat and is faced with a choice about whether the quest is worth the effort—symbolically representing whether or not the character will embrace or reject the Lie. The character then enters the Climax ready for the final confrontation with the antagonistic force.

• Creating Stunning Character Arcs: The Third Plot Point

Three-Act Structure

The three-act structure is an approach to story structure that divides a fictional narrative into three parts, often called the Setup, the Confrontation, and the Resolution.

• Structuring Your Novel
• 5 Secrets of Story Structure

A story element or plot device that is particular to certain genres or stories, to the point they become a storytelling cliche. Examples include love triangles in Young Adult fiction or the “chosen one” in fantasy and science fiction.

Turning Point

A major moment in the story when the plot “turns” by changing in a dramatic way, almost always as the result of a “reveal” or twist that presents the characters with new information about the conflict.

Unreliable Narrator

The narrator’s unreliability might be obvious to the reader throughout, it might be revealed gradually, or it might come as a revelation that provides a major plot twist. Common examples are Vladimir Nabakov’s Humbert Humbert from Lolita  and Alex from A Clockwork Orange . A lesser known example is Micky DeWitt from Flank Street .

Upmarket Fiction

A type of fiction that is an amalgamation between commercial fiction (something with a wide audience that fits into a typical genre) and literary fiction (something that doesn’t fit exactly into a standard genre classification). Upmarket fiction can appeal to audiences of both commercial and literary fiction. It offers exceptional writing that doesn’t fit into a mold, yet has the potential for mass appeal.

Urban Fantasy

A subcategory of contemporary fantasy, urban fantasy is set in a contemporary city. Often co-existing with the familiar city life is a hidden, magical aspect of the city frequently including magical creatures. Charles de Lint is one of the primary authors of urban fantasy. To some extent, Mark Helprin’s A Winter’s Tale is an urban fantasy as well as Neil Gaiman’s Neverwhere .

The tenor and style of a story’s narrative. Authorial voice is the “sound” unique to the author. However, each author can and will use multiple variations of voice for each character’s POV and dialogue as well.

• Writing Voice: 6 Things You Need to Know to Improve It
• What Every Writer Needs to Know About Finding Your Writing Voice

World Building

(A) The act of designing a story world, including its culture, language, technology, magic, biology, landscape, history, etc. The author does this to build a consistent backdrop for the story. It is especially important for science fiction and fantasy (and even historical novels), in which the story world may be much different from the world readers inhabit.

(B) The art of distilling the elements of a story world, building the world within the minds of readers. This can be done through setting descriptions, exposition, dialogue, or character actions and interactions. In most cases, avoid info-dumping exposition and AYKB dialog. Instead, weave in the worldbuilding as a seamless part of the story itself.

• How to Decide if You Should Use a Real-Life Setting in Your Story

Young Adult (Fiction), a genre aimed at adolescents ages 12-18. Often told in first-person with fast pacing. Focuses on new, fresh, “first time” experiences and coming-of-age experiences. There is often a strong romantic subplot. This genre, like romance, includes many other subgenres under it such as YA Romance, YA Fantasy, and YA Mystery.

Work-in-progress. The story or novel the author is currently writing.

An adjective for when you say a writerly thing. If you wear a blazer with leather patches on your sleeves and sit at a coffee shop with your laptop, it could be said that you’re being writerly. 😉

Writer’s Block

A state in which the writer doesn’t know how to proceed with writing. It can result from simply not knowing what should happen next in the story, or from larger life issues, such as depression.

• Conquering Writer’s Block and Summoning Inspiration
• 7 Things to Try When Writing Is Hard
• Are You Struggling to Be Creative? This Might Be Why

The “vomit” draft, part of pre-writing. The writer “vomits” up whatever story ideas they have without concern as to structure, consistency, or sense. Used to a) explore world/worldbuild, b) explore/develop characters/character interactions c) develop and/or test plot elements d) anything the author wants.

Can You Think of Any Terms This Glossary Is Missing?

Help me turn this into a tool we can all reference and that will help other authors understand what it is we’re talking about when we use crazy terms like “logline,” “pinch point,” and “MS.” Post your suggestions and definitions in the comments, and I’ll update the list.

Wordplayers, tell me your opinion! What writing terms aren’t listed here and should be? Tell me in the comments!

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K.M. Weiland is the award-winning and internationally-published author of the acclaimed writing guides Outlining Your Novel , Structuring Your Novel , and Creating Character Arcs . A native of western Nebraska, she writes historical and fantasy novels and mentors authors on her award-winning website Helping Writers Become Authors.

What a fantastic idea, K.M.!

Here we go…

Words spoken by a character, normally enclosed in quotation marks. Dialogue should sound realistic, without attempting to reproduce real speech verbatim.

Internal dialogue reproduces a character’s thoughts, and is often (though not always) indicated by italics.

Indirect dialogue, also known as reported speech, is a narrative summary of dialogue that’s taken place.

Dialogue tags and/or action beats let the reader know which character is speaking.

https://www.helpingwritersbecomeauthors.com/8-tips-for-awesome-dialogue/

https://www.helpingwritersbecomeauthors.com/on-the-nose-dialogue/

THIRD PERSON The uninvolved narrator of the story, who refers to the actuals players by name or as he/she/they, e.g. “Peter ran in and hugged Susan”. Contrast this with a ‘first-person narrative’, which may be present tense (“I gape at the sight of Susan standing at the bar, rush up and hug her tight.”) or past tense (“When I saw Susan at the bar, I ran up and hugged her.”)

TAGLINE A line of text – usually a short, tantalizing sentence – which appears under the Title of the book on the front cover and also in catalogue listings, e.g.: Title: Aquila Tagline: Can Silvanus Escape That God?

SHOWING (In contrast to TELLING): Conveying an atmosphere, emotion or mood by relating the movements or expressions of objects or players rather than stating facts about them, e.g. “The boughs bowed and swayed, casting their icy load onto the quivering children” instead of “The frightened children got soaked by a load of snow falling from the branches.” Or “His face was white and his hands trembled as he slunk through the doorway” instead of “He felt nervous and hesitated to enter the room.”

A genre fiction centered on contemporary women and women’s issues that is often written in a light, humorous pace, and that generally deals with the protagonist and her relationships with family, friends and/or romantic partners. Often referred to as women’s commercial fiction.

MENTOR An experienced advisor who offers – sometimes reluctantly – to show the hero “the way”. Usually a trustworthy ally, the mentor figure will often impart an object or piece of information that will prove vital later in the hero’s quest. The name itself comes from a character in Homer’s The Odyssey.

Examples include: Obi-Wan Kenobi from Star Wars, Gandalf from Lord of the Rings, and “Irv” in Cool Runnings (a less-trustworthy mentor figure).

Good stuff, thx!

Trope—A story element or plot device that is particular to certain genres or stories, to the point where they become a storytelling cliche. Examples include love triangles in young adult fiction or the “chosen one” most common in fantasy and science fiction.

Protag/Protagonist—The character whom the story is about and who is most directly affected by the antagonist. This character may be the narrator/POV character (such as Harry Potter or Katniss Everdeen) or the protagonist may be a character who is viewed by someone else (as Atticus Finch and Heathcliff are viewed by Scout and Nelly Dean, respectively).

MC – Short for Main Character. The lead of the story.

Info Dump – An undesirable writing method where the author “dumps” a lot of information or extensive description on the reader all at once, instead of weaving the information into the action of the story.

Anti-Hero – A character who is not the main Antagonist, or a supporting character of the Protagonist, but one who opposes the hero or the hero’s ideas in some way.

An ANTI HERO is a protagonist who lacks conventional heroic qualities such as idealism, courage, and morality. These individuals often possess dark personality traits such as disagreeableness, dishonesty, and aggressiveness.

Like Captain Mal in Firefly or Holden in The catcher in the rye

I still don’t understand the concept of the anti-hero for some reason.

It is tricky. I think there are several definitions out there. Sometimes they are even split into Anti-Hero and Anti-Villain, but I still think that the application within stories of an Anti-Hero is pretty broad.

If you are still having difficulty, consider this, an Anti-hero is a hero who doesn’t act like a hero and who probably doesn’t want to be a hero or ‘good’ in the typical sense of the word. An anti-villain is a villain who acts more like a hero, but who ultimately proves themselves a villain even if they are ‘soft’. There are plenty of good broad definitions out there, but this helped me think of it in a broad sense.

Let’s use the example of a evil lab. Inside the lab there are innocent people. The protag needs to destroy the lab. A hero would try to get all the innocent people out before blowing it up. While an anti-hero may just blow it up. In an anti-hero’s mind, the ends justify the means.

Thanks, all the examples are very helpful. Sounds like an antihero can play up a lot of drama.

STUTTER (WRITING)

BURLY DETECTIVE SYNDROME

Frequently referring to a character by a description (“the burly detective”), usually out of fear of overusing the character’s name or pronoun (see Stutter (Writing)).

Cool never heard of these.

May I add R&R? This one was driving me crazy when I was reading it. I had to search everywhere for the definition!

R&R: Revise and Resend/Resubmit An agent or editor saw something they liked in your work but felt it need a significant revision. They’d like you to make the changes they suggested and resubmit it. It doesn’t necessary mean that they’ll take it though.

Good one. Never heard of it either.

1) An antagonistic character who bears personality traits commonly associated with noble and heroic characters

2) A heroic character who bears personality traits commonly associated with villainous or disreputable characters.

This is a popular one today. Third time I read it and it still makes no sense to me. Think my brain is shutting down and rebooting.

“Point-of-view”

Whoo! You’re today’s super-definer!

HISTORICAL FICTION

A literary genre where the plot takes place in the past, often (but not always) including historical figures

So the only difference between regular fiction and historical is the time period correct?

As I understand it, that’s fairly accurate. Within that, though, excellently written historical fiction also tends to focus in a much deeper way on the details of bringing an unfamiliar era to life (which would be approached much differently/taken for granted in a story with a more contemporary setting).

As time passes, though, the historical “cut-off” date is always bumping up, so as you can see, the line between the two is sometimes rather transparent. 😉

For a bit more, you can read Katie’s article here: https://www.helpingwritersbecomeauthors.com/why-your-novel-may-not-be-historical/

What a great idea! Awesome list worth sharing.

A separate section at the end of a work often commenting on the work as a whole/serving as an addendum.

CLIMATIC MOMENT-the moment in the climax where the overall goal is reached or not reached, the moment when the protagonist defeats the antagonist or visa versa

YA-young adult, usually a genre

BLURB-a short summary of what the book is about, meant to hook the reader

Pacing–the rate at which a story progresses and events unfold.

I wish I knew more about the pacing process. Some books are paced differently than others and wonder is there a method to the madness.

Most issues with pacing have to do with story structure. Check out Katie’s Structure series for more information (and the Story Structure Database for plenty of examples).

Stories can be divided into four roughly equal parts (Act 1, Act 2A, Act 2B, Act 3), each with its own mission relative to the story’s development, and the turning points (“Plot Points”) between them form the major story pacing milestones. Actually, you can divide the story even further with the Inciting Incident, two Pinch Points, and the Climax at the odd eighth marks.

Story structure is all about keeping things balanced and well-paced. If you can hit all the major milestones where they need to go, all the while raising stakes, conflict, and tension right up to the climax, your story’s pacing should take care of itself.

Wow, that’s awesome. That’s what I need to master. The elements of story structure. Thank you!

Oh, and the difference in pacing that you sense for different stories is more likely due to different types of conflict or story problem than to any difference in structure. Lots of action-based conflict will feel faster paced than relationship drama, but everything will still follow the same basic structure behind the scenes.

That’s true. I definitely sense it in movies and books. Didn’t know it was due to differences in conflict though. But looking back it makes perfect sense. Hindsight is 20/20 right?

Some books were unevenly paced in different parts but the overall story was great. The one I’m thinking of had a lot of relationship drama, so pace seemed slower.

Storming was very balanced in its entirety so I didn’t really notice the pace so much. I just felt drawn into the story. Finished Cinder and had the same feeling. Currently reading the Einstein Prophecy and it’s having the same balanced affect on me. The ones that are balanced tend to be page turners!

With cars if your tires are not balanced it could be a bumpy, not so pleasant ride. It seems even more so with story structure. Cool. I think I’m finally learning something!

If I drank, I’d grab a cool one.

Ditto what Scrutinizer said. Pacing demands are different for different types of stories, but the key is to make it so seamless that readers don’t even think about it. Glad you felt that way about Storming !

“As you know, Bob…”

A method of dumping exposition through dialog, infamous for its awkwardness and lack of realism. It involves an otherwise unnecessary conversation between two characters that the author forces on them solely to inform the reader of what the characters both already know. Writers often choose this technique to avoid taking the reader out of the story to reveal important background information, but it usually works against them by taking the characters out of the story instead.

For further study: https://www.helpingwritersbecomeauthors.com/as-you-know-bob/

This one is funny. Had a hardy chuckle! I’m definitely guilty of AYKB.

Holy fudgeknuckles Batman, what a great idea! I Love it.

One of the most recent definitions I’ve thoroughly enjoyed is that of the impact character in relation to engineering character arcs. SO AWESOME. Seems like this impact character/s are strong catalysts for change in the protagonist causing inner conflict and help put the plot into motion. This has greatly helped my understanding of the story.

IMPACT CHARACTER=

1. “Impact character” probably isn’t at the top of your list. But it should be. Because you can’t create a character arc without one.

2. “Impact character” is the term coined by Dramatica authors Melanie Anne Phillips and Chris Huntley to describe what is just as accurately termed by editor Roz Morris the “catalyst character.” This is the character who slams into your protagonist, catalyzes him into change, and has a major impact on his life.

3. The impact character is the one who enables, empowers, or sometimes just plain forces another character(s) to change.

4. The impact character may be a friend, or he may be a foe.

5. If the antagonist represents the story’s outer conflict, then the impact character represents the inner conflict.

6. Just like the antagonist, the impact character is a conflict-causer. Just like the antagonist, he’s at odds with the protagonist. But unlike the antagonist, the conflict isn’t necessarily the result of opposing goals. Rather, its core is the opposing worldviews of the protagonist and the impact character. The protagonist believes the Lie; the impact character (lucky dog!) already knows the Truth.

Even in posting this I learned something new! Conflict helps produce plot. What’s a plot without conflict right? It’d be a pretty stale story. The conflict can be external and internal, and both are essentially related to the antagonist and impact character. So if I understand this correctly the impact character is the catalyst for change in the protagonist helping him/her overcome the inner conflict that enables them to overcome the outer conflict represented by the evil antagonist to achieve their goal to live happily ever after….or not.

Further reading: https://www.helpingwritersbecomeauthors.com/impact-character-2/

BETA READER

(paraphrasing from Google as it seemed like an excellent summary)

“Beta readers provide feedback during the writing and/or editing process and are not explicitly proofreaders or editors, but can serve in that context. Elements highlighted by beta readers encompass things such as plot holes and problems with continuity, characterization, and believability. In fiction and non-fiction, the beta might also assist the author with fact-checking.”

Novella: a story that runs around 40K to 50K words. Normally, it has no subplot and no more than two POV characters. One of the harder forms to sell traditionally, though I’ve ready recently this is changing.

Good one! I knew it was shorter but didn’t know the details.

Mimesis: where syntax echoes, mimes the narrative.

I’ll have research this one.

(And btw, did I mention that I LOVE this whole idea?! THANK YOU SO MUCH! ;D)

YA – Young Adult (Fiction), a genre aimed at adolescents ages 12 -18. Often told in first person with fast pacing. Focuses on new, fresh, ‘first time’ experiences and coming of age experiences, and there is often a strong romantic subplot. This is a genre that, like Romance, includes many other genres under it such as YA Romance, YA Fantasy, and YA Mystery. Differentiate from NA – New Adult (Fiction) which is aimed at an older age group and focuses on new adult experiences such as the first serious relationship, first serious job, going to college, and moving out on their own.

“Manuscript” (In writing lingo: a yet unpublished work whether written or typed)

Unreliable narrator. The narrator’s unreliability might be obvious to the reader throughout, it might be revealed gradually, or it might come as a revelation that provides a major plot twist. Common examples are Vladimir Nabakov’s Humbert Humbert, and Alex from A Clockwork Orange. A lesser known example is Micky DeWitt from Flank Street.

Alliteration: A stylistic literary device identified by the repeated sound of the first consonant in a series of multiple words, or the repetition of the same sounds of the same kinds of sounds at the beginning of words or in stressed syllables of a phrase.

PROOFREADER

Someone reading through a completely edited work to find and/or correct typographical errors (i.e. typos).

SUBTEXT: is the meaning beneath the dialogue; what the speaker really means, even though he’s not saying it directly. As humans, we often don’t articulate our thoughts exactly.

Subtext in Dialogue – The Writer’s Toolbox – Ask The Writer – Gotham … https://www.writingclasses.com › toolbox

I’d like to add “on submission” or “on sub” especially juxtaposed with being “in the query trenches”.

I recently heard two writers who are in the query trenches referring to themselves as being on sub and realized there is some confusion out there about the difference between the two.

Query Trenches: generally refers to looking for representation from a literary agent (although it is possible to directly query publishers)

On sub: your MS has been submitted, usually by your agent, to a list of editors at publishing houses who may or may not have agreed to read it.

Oh, that also makes me wonder if “house” was on your list, referring to publishers.

Perfect! Thanks, Merriam. I added “House” as well.

I am building a similar list myself, going beyond the ordinary of literary terms and picking what I think should be learned by all writers. A few of your words are on my lists. I welcome you to look through my list to see if it helps you. I did words for the A to Z challenge. I would list them here, but there are nearly 70 words.

AtoZ 2014: http://writing.chrisvotey.com/atoz-2014/ AtoZ 2015: http://writing.chrisvotey.com/atoz-2015/

Awesome! Thanks, Chris.

Kidlet: 1. a diminutive child. 2. term of endearment between parent/child; older to younger sibling.

Thank you, sincerely, for this resource. Definitely raised hand (!), baffled by various terms, WIP, MC, YA et al.

Hah. That made me laugh so hard I almost have to include in the glossary. 😉

LOL… that’s great, so glad to hear! 😀

Of all the things I’ve almost been included in, this would rank among the top!

Can’t credit for the idea, although sadly my memory fails to provide me with the name of whoever came up with the idea.

These definitions almost seems to be too simplistic.

1. Sidekicks, by definition, are almost always with the main character, which allows the conflict to be ongoing https://www.helpingwritersbecomeauthors.com/why-your-hero-needs-yappy-sidekick/

2. a person who helps and spends a lot of time with someone who is usually more important, powerful, etc. (Merriam-Webster)

You go, you guys! This is awesome. We’ll have this puppy filled out before you know it.

A scene is a sequence of events that happens at a particular place and time and that moves the story forward. The scene consists mostly of “showing” though it may contain some “telling.” The scene has a particular structure that gives the story motion. Showing using the following tools: • Action. • Dialogue. • Interior Monologue. • Interior Emotion. • Sensory Description. Telling using the following tools: • Narrative Summary • Exposition • Description

I like this one. Thx!

Creative Nonfiction:

The use of literary style and writing technique to tell a true story. It’s an embellishment, but only for the sake of telling a story that teaches a lesson or conveys a change of heart or mind. Narrative, dialogue, setting, and voice are just a few creative writing tools used to grab a reader’s interest and leave them changed somehow at the end.

I echo many of the other commenters: this is a great idea!

Here’s a definition you could add:

COPY EDITING

For Further Reading:

https://www.helpingwritersbecomeauthors.com/how-i-self-edit-my-novels-15-steps-from/

Nice. I’ll have to follow that link for more info. Thx.

If you are going to include AYKB, you should also have the Dumb Mechanic dialogue.

Dumb Mechanic Where a character explains something to a character who doesn’t know what they are talking about. The example from the name is a mechanic explaining what is wrong with a machine to someone who knows nothing about mechanics. It’s vital that the lack of knowledge needs be real and believable. It also needs to be limited to the needs of the moment. So a gear-head stopping to fix a lawyer’s car might explain a air bubble in the gas line, if that was the problem, but not how an engine works in detail.

I’m learning stuff here too! I’d never heard it called that.

Here’s one that wasn’t on the list but which you might want to include:

The first stage of the writing process, which generally includes brainstorming, planning, mapping, researching, and outlining. Prewriting encompasses everything a writer does before beginning the first draft, and it accomplishes such goals as determining the intended theme, organizing plot points, and establishing characters.

https://www.helpingwritersbecomeauthors.com/6-tasks-youll-love-yourself-for-checking-off-your-nano-pre-writing-list/

https://www.helpingwritersbecomeauthors.com/book/outlining-your-novel/

Good one! Thanks!

SWEET. I absolutely adore prewriting. I’ve never heard it defined like this.

At first I was like “Pshaw! I know tons of writing terms! And then I started to scroll down the page and my mouth dropped open. MFC? SF? SFF? What? I need this index! What a brilliant idea, K.M.Weiland. 😀

Hah. I’m learning stuff too!

ALPHA READER

See also: BETA READER

I’ve provided a personal take on the subject here: http://www.iennivens.com/advice-for-new-writers-in-an-age-of-interactivity . Feel free to link to or borrow from my post if you find it helpful in clarifying the role.

Nice! Never heard of the alpha reader.

The glossary idea is great with lots of good info. Although I feel like a babe taking in his mother’s milk, growing and making sense of the world around him.

Gotta go, think I’ve got a poopy diaper.

Thank you for all your contributions!

I should be thanking you for all of your contributions ?

Tried my best to come up with some definitions. I hope this helps!

FIRST PERSON A point of view where the main character of a story is also the narrator. The reader “sees” through the eyes of the main character, so to speak. It uses pronouns such as “I,” and “me.” E.g., “I walked into the house.”

EXPOSITION The part of the story where background information about characters, events, setting, etc. is provided. Generally, the exposition can be found at the beginning of the story. However, other background information can be placed throughout the story as it is needed.

I’m amazed you didn’t have “writer’s block” entered. Could it be a case of… you know?

Hah. Must have been. Please feel free to add your definition!

In case you haven’t already Googled this.

Novellette A short novel that is often about romantic relationships and is usually not very serious. Word count is 7,500 to 17,500 words.

Thanks K.M. This is very cool and a lot of work. Cant’ wait to see the final version.

If you have “Scene,” you should probably also have “Sequel”:

For further study: https://www.helpingwritersbecomeauthors.com/how-to-write-a-sequel-thats-better-than-the-first-book/ https://www.helpingwritersbecomeauthors.com/how-to-structure-scenes/ https://www.helpingwritersbecomeauthors.com/structuring-your-scenes-pt-7-three/

To finish up the acronyms:

MMC: “Main Male Character” The male lead in a romance story. Usually gets the girl in the end.

MFC: “Main Female Character” The female lead in a romance story. Usually gets the guy in the end.

MG: Middle Grade fiction, targeted to children ages 8 to 12 years old. Typically features a main character in the same age range and avoids “mature” content such as graphic violence or sexually explicit material. That’s not to say the stories are simplistic, of course.

SF: Science Fiction, aka Sci-Fi. Fiction that incorporates scientific elements such as futuristic societies, advanced technology, and alien worlds. Though usually aiming for scientific plausibility, it ranges in realism from currently understood physics and biology to highly speculative science.

SFF: Science Fiction & Fantasy. A combined genre of speculative fiction. Sci fi typically aims for scientific plausibility, while fantasy often incorporates magical systems. Stories may contain elements of both or be exclusive to one or the other, but all such stories explore fantastic worlds and scenarios.

And speaking of SFF,

Worldbuilding:

(A) The act of designing a story world, including its culture, language, technology, magic, biology, landscape, history, etc. The author does this to build a consistent backdrop for her story. It is especially important for science fiction and fantasy (and even historical novels), where the story world may be much different from the world that the readers inhabit.

(B) The art of distilling the elements of a story world, building the world within the minds of readers. This can be done through setting descriptions, exposition, dialog, or character actions and interactions. In most cases, avoid info-dumping exposition and AYKB dialog. Instead, weave in the worldbuilding as a seamless part of the story itself.

For further study: https://www.helpingwritersbecomeauthors.com/are-you-asking-these-important/

GHOST WRITER

One who undertakes the physical labor of writing an article, book, or memoir for someone else, usually in secret.

One who produces written content as a third party for someone else, nominally for a fee in exchange for all credit for said written content belonging to someone else.

On another note, I will pay whatever you ask for this book when it’s done.

For now, it’s a totally free resource!

Your description for alliteration is a good one, but for newbies adding an example would be helpful too. “Peter Piper Picked a Peck of Pickled Peppers”

For Passive Voice: on FB the other day, I saw a post that said, “If you can add ‘by aliens’ at the end of the sentence, then it’s passive voice.” Example: “The light was left on in the kitchen—by aliens.” 😀 Give them an example to correct it: “James left the light on in the kitchen.” Gotta say, when I first started writing, passive voice is one that drove me nuts and nearly had me bashing my computer.

Chekhov’s Gun – This is a dramatic principle that requires every single element within a story to be necessary and irreplaceable. The term ‘Chekhov’s Gun’ was coined when Chekhov wrote a letter to A.S. Lazarev, stating that if you have a loaded gun in one scene, it must be fired in one of the subsequent scenes in order to avoid being superfluous. If you give something attention, such as the gun, it must be because it has some import later in the narrative.

Scene structure: the division of a Scene into a scene (the action that happens when a character has a goal, then conflict interferes with that goal and there is an outcome) and its sequel (the character reacting to the previous outcome, then facing a dilemma, and finally making a decision about it that will determine what the character’s goal is in the next Scene)

Plotter: a writer who prefers to write a book /after/ going through an outlining process

Pantser: a writer who prefers to write “by the seat of his/her pants,” meaning, without previous outlining

Outline: a sketch of every event that makes up the structure of a story, which is written before a first draft to edit out any structural weak spots beforehand

Archetype: a ‘type’ of character which is commonly repeated across literature: the mentor, the magician, etc.

Cliché: any situation in a story that has been used too many times in literature, and becomes cheesy to readers.

Cliffhanger: the ending of a chapter or book in a moment of high suspense and tension, used to compel readers to read on or buy the next book in an installment.

Dystopia: genre of literature that focuses on a form of organization of society in the future (typically post-apocalyptic) that is dysfunctional.

Flashback: short narration that breaks a story’s linear time sequence by showing the past.

Flashforward: short narration that breaks a story’s linear time sequence by showing the future.

LOVE INTEREST

The additional parts of a book appearing after the main body of the text (i.e. acknowledgements, historical notes, explanatory notes, end notes, an afterword, index, bibliographies, and appendixes). Also called Back Matter.

Dystopian: This describes an imagined community, society, or world, in which everything is unpleasant or undesirable. It is the opposite of utopian, and literally means ‘bad place’.

Love this! Here are my offerings.

MARY SUE (fem.) (MARTY-SUE – (male.)) – began by fan fiction writers but now in writers general vocab. A derogatory term for a character than is able to do everything, the perfect heroine, with ultimate abilities. Not always a female, but can be used to describe any character with unrealistic abilities.

HEA – Happily Ever After – Romance writers use this to describe a genre as well as a moment. “A great HEA read.” Or, “you do get your HEA.” Most often seen with Harlequin and the “cozy” genre. (I went a long time thinking this was a genre all its own!)

COZY, also known as COZIES – a mystery novel that is usually a bloodless crime, with very little violence, sex or coarse language (but not always a pure “clean-read.”) Usually the person solving the crime is an amateur and has the support/friendship of a police officer/detective/medical examiner. Readers usually identify with the main character because they are positive and socially acceptable (even their small faults).

FRONT MATTER

The material preceding the main body/text of a work: including the title pages, printing/publishing data and/or a table of contents, foreword, preface, author’s note, dedication, etc.

There can be multiple antagonists in a story, but ultimately it’s the greatest character standing in direct opposition to and blocking the protagonist achieving his story goal.

This is awesome, you guys! Keep it up. We’ll have this thing filled out in no time.

ACTIVE VOICE: The opposite of passive voice. Example: Beautiful giraffes roam the savannah. (active) As opposed to The savannah is roamed by beautiful giraffes. (passive)

BLACK MOMENT/LOW MOMENT: The part in the story at which everything looks hopeless and the situation is at its lowest point. Usually directly precedes the climax.

DENOUEMENT: The wrap up after the story is done. The wind down from the action of the climax. Sometimes not included in the full arc of the story, but tells afterward details.

DEUTERAGONIST: A secondary protagonist and the driver of a subplot. Can be a sidekick.

Great idea! I wish I’d had one of these when I started writing. 😛

You might want to include what active and passive voice actually are, rather than just opposites. With active voice, the person or thing performing the action serves as the subject of the sentence, whereas with passive voice, the subject is the person or thing being acted upon. I really like your examples, though.

Perfect! I combined both of your comments for a solid definition. Thanks!

Great! One typo, though: you wrote “(passive)” twice under Passive Voice. I’m pretty sure the second one should be “(active).” With the massive surge of input you’ve been sorting through, though, it’s an understandable mistake.

Excellent! Thanks for catching that.

In linguistics, the actor in a sentence is called the “agent,” and the passive receiver of action is called the “patient.” These are independent of “subject” and “object,” but which is which determines the voice of the verb.

Wow, 100 comments already! It’s really a testament to the effectiveness of your content and teaching style, Katie, that you can recruit so many enthusiastic contributors so quickly. And that includes those of us who normally don’t say anything but who really appreciate all that you do here. You’re probably my favorite blogger on writing, and I’ve read a lot. Thank you so much for making resources like this!

Aw, that’s very kind of you. Makes my day to hear you’re finding the site useful! And a super-huge thanks to you and everyone else whose enthusiasm for this project has been so infectious!

I know awesome isn’t it? Ah, splendid indeed. 🙂

This is really taking off. Great job guys!

Okay, I’ve been thinking about it all day and feel like my first definition for this was kind of rambly, so I’ll try again. But feel free to take it or not as it works! 😉

One standing in opposition to/thwarting the protagonist.

I like it. Simplicity is bliss!

Upmarket Fiction: A type of fiction that is an amalgamation between Commercial Fiction, something with a wide audience that fits into a typical genre, and Literary Fiction, something that doesn’t fit exactly into a standard genre classification. Upmarket Fiction can appeal to both audiences; exceptional writing that doesn’t fit into a mold yet has the potential for mass appeal.

SPECULATIVE FICTION:

1. speculative fiction. noun. 1. a broad literary genre encompassing any fiction with supernatural, fantastical, or futuristic elements.

Speculative fiction – Dictionary.com dictionary.reference.com/browse/speculative-fiction

2. Speculative fiction: is a term often attributed to Robert A. Heinlein (July 07 1907-May 08, 1988) an American novelist and science fiction writer.

Speculative fiction is a fiction genre speculating about worlds that are unlike the real world in various important ways. In these contexts, it generally overlaps one or more of the following: science fiction, fantasy fiction, horror fiction, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history. It is often used as an umbrella term for science fiction and fantasy considered as a single genre. The term is used this way in academic and ideological criticism of these genres, as well as by some readers, writers, and editors of these genres.

Further reading: a. http://www.goodreads.com/genres/speculative-fiction b. http://www.greententacles.com/articles/5/26/

URBAN FANTASY:

A subcategory of contemporary fantasy, urban fantasy is set in a contemporary city. Often co-existing with the familiar city life is a hidden, magical aspect of the city frequently including magical creatures. Charles de Lint is one of the primary authors of urban fantasy. To some extent, Mark Helprin’s A Winter’s Tale is an urban fantasy as well as Neil Gaiman’s Neverwhere.

Cyberpunk explores the fusion between man and machine. A key element is the perfection of the Internet and virtual reality technology. In a cyberpunk novel, characters can experience and interact with computers in a 3D graphic environment so real that it feels like a physical landscape. The society in which cyberpunk is set tends to be heavily urban, and usually somewhat anarchic or feudal. The “father of cyberpunk” is William Gibson, author of the seminal cyberpunk novel Neuromancer. Eos authors defining this ever-evolving virtual reality include Neal Stephenson and Rudy Rucker.

EPIC FANTASY:

Sweeping in scope, epic fantasy usually concerns a battle for rulership of a country, empire or entire world. Drawing heavily upon archetypal myths and the quintessential struggle between a few good people against overwhelming forces of evil, epic fantasy is best represented by author J. R. R. Tolkien’s classic The Lord Of The Rings trilogy. Eos authors of epic fantasy include New York Times bestselling Raymond E. Feist (The Serpentwar Saga) and Adam Lee (The Dominions Of Irth). Some other popular epic fantasy authors are Robert Jordan, David Eddings, Terry Brooks.

COURT INTRIGUE:

A subcategory of epic fantasy that’s currently popular and is the fantasy equivalent of Dumas’s The Three Musketeers. Good examples of this are Robin Hobbs’s Assassin trilogy, George R. R. Martin’s A Song Of Ice And Fire trilogy, Martha Wells’s The Element Of Fire, and Avon author Dave Duncan’s upcoming The King’s Blades trilogy.

Further reading: https://www.sfsite.com/columns/amy26.htm

Line editing and proofreading:

This form of editing means going over a manuscript line by line and editing it for grammar errors as you go. It doesn’t entail any extensive rewriting, but there may be some use of color editing to liven up flat prose, and there may be some reduction of redundancies (such as repeated information). Basically, line editing and proofreading checks for the most basic of grammatical and syntax errors. This style of editing may include the use of a style guide, such as the Chicago Manual of Style.

Forgot to add further reading : LINE EDITING https://www.helpingwritersbecomeauthors.com/the-importance-of-professional-editing/

Two quick questions. One stupid and the other… well, probably it is as well.

Stupid 1st: Court Intrigue is a sub-category of Epic Fantasy, how so? It gives examples through titles, which, unless you’ve read at least one… it is simply epic fantasy on a micro-cosmic level, instead of vast expanses, contained within the halls of power of a single kingdom/province/village?

2nd: I’ve been checking back pretty frequently reading through the list, familiarizing myself with the terms; and scrolling down it’s easy to confuse the glossary terms with the links from the previous term (especially between antagonist and antagonistic force . Is there anyway to make the terms standout a bit more from the previous entry? It may be just a matter of making the term font size a tad bigger to distinguish it from ‘further study’/link size… or me paying a bit more attention as I scroll… probably best option.

comment awaiting moderation… back on probation…

typo, ‘it is simply epic fantasy” should read ‘ is it…’ it’s supposed to be a question, not a statement. Thanks.

Yeah, sorry, I’m not sure why this got flagged for moderation. Anyway…

This is actually the first I’ve heard of the court intrigue sub-category for fantasy as well. I like the sound of it though!

I’ll have to take a look at the design overall and see if I can improve it. Thanks for the suggestions!

“exceeded stupid question filter settings” would be my guess

I have to apologize to you. If I’d sit on the question for an hour or two, did some thinking/looking on my own, might figure it out without troubling you in the process.

It was the first time I’d heard of it as well (court intrigue) and it was great to cross-reference with epic fantasy. If it is a microcosm of (which would make sense being cited as a sub-category) Wolf Hall would also fit that as an example. Made for some incredibly intense drama.

You know what, the formatting works. You’ve put in a ton of work already to make this available and I should sit here and comment on font size!

Again, my sincere apologies.

No, not stupid at all! Good questions both, although I think I will leave the format of the glossary as is for now.

Thank you, very gracious.

Glad about the format! … although , when you do get around to it, may I request a projected holographic rolodex interface with voice activated search… if that wouldn’t be not too much trouble.

Your wish is my command. 😉

woo-hoo, looking forward to it! ;-D

I’ll try to do some more research and find a better definition for court intrigue then I’ll be back. What I’ve found so far sounds pretty intriguing! Pun unintended.

So what I’ve discovered is that Court Intrigue is a subgenre of Epic or high fantasy and is a relatively new thing. Wow. I never realized how many sub-genre’s of fantasy there are! The genre’s are almost as diverse as the writers themselves.

The term high fantasy (also epic fantasy) generally refers to fantasy that depicts an epic struggle between good and evil in a fantasy world, whether independent of or parallel to ours. The moral concepts in such tales take on objective status, and are not relative to the one making the judgement. ( https://www.worldswithoutend.com/resources_sub-genres.asp )

What is Court Intrigue Fantasy? Lawyers dueling in court rooms! Jury tampering! Okay, so not that kind of court. More like a royal court— think castles, thrones, and royal successions. Is Scar’s solo from The Lion King coming to mind? Absolutely! These stories have lots of layers and conflict, though not necessarily physical conflict, more behind the scenes conniving and pulling strings. These are complicated stories full of intrigue. Moreover, the characters are clever—usually on both sides of the aisle. There is a significant level of world-building in Court Intrigue stories in order to create a believable government with intricate hierarchies as well as several nations with complex relationships.

* Level of Magic

Variable. The level of magic in Court Intrigue Fantasy varies by world and is not a defining feature of the sub-genre. In some stories magic is barely present and not a factor in the storyline; in other stories magic is key to plot development and the possession of power.

High. These stories do not usually have grand ideas, but there are plenty of social implications involved in the goings-on of a palace court. The idea of power and ideas of black and white are themes commonly explored in Court Intrigue.

* Level of Grand Ideas and Social Implications

* Level of Characterization

Moderate-High. Character development can sometimes be overshadowed by world building and plot development. However, characters are significant players in Court Intrigue stories and therefore tend to pop off the page. A common characteristic in this sub-genre is the morally gray areas of people’s lives, which gives readers more realistic characters.

* Level of Plot Complexity

High. Unraveling a plot full of twists and turns is the hallmark of the Court Intrigue sub-genre.

* Level of Violence

Moderate. Conflict is a significant part of all Court Intrigue stories, but it is not always violent. There are, however, often wars or the threat of war looming on the edges of the story. Sometimes, even, conflicts are resolved through violence, but in secret.

FURTHER READING

1. Best Fantasy Books: http://bestfantasybooks.com/court-intrigue-fantasy.html

2. School Library Journal: Court Intrigue http://blogs.slj.com/adult4teen/2014/09/10/court-intrigue/

3. Popular Court Intrigue books by Good reads: https://www.goodreads.com/shelf/show/court-intrigue

Fascinating! Thanks for digging this up for us.

Benjamin, I agree with Katie, thank you… like hitting a vein of ore.

No problem. It was fun and I learned something in the process.

Extremely short fiction. Some flash fiction markets have a limit of 53 words, while others allow up to 1000 words. Like longer fiction, flash fiction includes conflict and resolution, but some elements may be implied for the sake of brevity and left to readers’ imaginations. Due to its extreme brevity, flash fiction tends to focus on one turning point or revealing moment.

Awesome thanks!

Bread, Eggs, Milk, Squick –

– She watched though the window as the stupid man ate his precious eggs, bacon and toast. She had to muffle her mouth when he gulped down half of his juice and then vomited it out. Ha, hurt my sister do you? Tomorrow was going to be fun. She smiled, and it grew wider as she walked off to school.

1. wash the dishes. 2.Wash the laundry. 3. Bury the mailman in the backyard.

“I love D.B.Z, books and wearing peoples skin.”

I think I got it right correct me if I’m wrong.

(Forgive me my books are a little twisted.)

I’m probably being dense, but this doesn’t make sense to me. :p What are you defining?

A character is speaking a list, and the last item in the list is darker or more disturbing than the rest.

Squick means:

“Possibly a contraction of “squeamish” and “Ick!” A negative emotional response, more specifically a disturbed or disgusted one.”

http://tvtropes.org/pmwiki/pmwiki.php/Main/Squick

http://tvtropes.org/pmwiki/pmwiki.php/PlayingWith/BreadEggsMilkSquick

Thanks! I’ll have to look into that. First I’ve heard of it!

You’re welcome. 😀 I love Tv troupes. Beware, the site is addicting and you can get lost reading in there for hours.

Steampunk: A subgenre of fantasy fiction which is largely determined by its setting, which is typically an alternative-Victorian reality, laden with steam-powered technology. Corsets are optional.

Dieselpunk: A subgenre related to Steampunk, although it is driven more by the culture of the 1920s through the early 1950s. Technology is strongly influenced by diesels.

Beats: A term closely related to outlining. Basically, a description of the important action to take place in a story. May or may not be incredibly thorough, but is likely to hit the highlights of the important action of the story.

Corsets are optional? That’s so wrong. 😉

I don’t know if this matches with the ‘official’ definition.. you can ignore it if you like.

A content editor looks at big picture stuff: character arcs, plot arcs, whether the story has a consistent tone. Also may comment on POV issues and/or narrative voice. A content edit is the first edit a story should go through after the rough edges have been knocked off the first draft as your editor may suggest major changes which will waste effort polishing too much.

As an aside not necessarily for publication I’ve been know to move chapters about, suggest cutting them completely, or change the POV character in a scene. I think the hardest thing I ever suggested was changing a first person, multiPOV to third person limited.

I send a fair number of clients to your blog, this glossary is one of the reasons why.

That’s great! Thanks, Alex!

Editing concerned primarily with the structure and content of a book that starts near the beginning of the manuscript’s life. A developmental editor works to give the book focus and direction (mostly towards what is “marketable”) by helping to develop author’s ideas, and so will point out inconsistencies in aspects such as logic, voice, and audience.

Definition influenced by The Longman Guide to Technical Editing by Carolyn D. Rude (2006)

“What is a Development Editor and What Can You Expect?” by Jane Friedman (2014, Sept 8) https://janefriedman.com/developmental-editor/

Resonance: The power to evoke enduring images, memories, and emotions.

Logline: Single sentence story summary. See Premise Sentence.

For further study: 6 Reasons a Premise Sentence Strengthens Your Story

( thank you for the crucial clarification! lol… and alliteration tie-in!)

You’re welcome, I find the site helps me when I’m stuck or write my self into a corner. Most of the stuff on there is so oddball that it can get things moving again.

The standard way that editors, agents, and publishers want your manuscript formatted before you send it to them.

The cover page should be on a seperate page from the rest of the manuscript. It should include:

– name of the manuscript and author (or pen name) – approximate word count (rounded to the nearest hundred) – Your: name, address, phone number, e-mail, and website – Your agent’s details (if you have an agent)

font: Twelve point, Times New Roman, or Courier New black

margins: One-inch margins on all four sides

indent: Half-inch paragraph indentations for the first line of each and every paragraph

space: Double space; no extra line between paragraphs

align: Align left

page numbering: Number pages beginning with the actual story (don’t count or put page numbers on the title page)

scene breaks: Indicate scene breaks by inserting a blank line and centering the number sign # in the center of the line

page header: Include your last name, the manuscript’s title, and the page number in the page header of every page except for the title page. Align the header to the right

end: Center a number sign # on an otherwise blank line one double-spaced line down from the final line of text of the final chapter or epilogue at the end of the manuscript. Or write The End. (The end should be labeled so an agent or editor isn’t looking for extra pages that aren’t there.)

italics: Use italics for italicized words.

The standard document format is MS Word (.doc) If you have a newer version of MS Word, Open Office, Pages, or something else, save the document in .doc (This is usually found somewhere like, File>>Save As, “MS Word 97-2003 (.doc)” Almost everyone can read .doc files)

Finally, check the publisher or agent’s website. Some of them will have specific fonts, spacing, or other ways they want things done that might vary slightly from the general guidelines.

To see screen shots of what this looks like: http://www.marlyspearson.com/formatting_101.htm

My humble opinion (and excuse me for my clumsy English, please)

Archetype is more than a type of character. It’s, according to its etymology, an ideal of that figure or character.

Same as a Stereotype is more typical, almost a cliché.

Great idea!

Red Herring – a false clue meant to mislead the reader. It creates a false trail for the reader to follow. A red herring can be an object, a character, part of the setting or any other way the author can think of to mislead.

Foreshadowing – Building subtle information for later, hinting at what is possible or what is to come. A successful job at foreshadowing will result in the reader thinking “I should have guessed that!” when the moment comes.

Backstory – Inserting information about events or thoughts that shaped the characters or story world.

Thank you, Andrea!

RE: Dumb Mechanic

See also, “As you know, Bob” (Where a character tells another character something he already knows.) The Dumb Mechanic is slightly better writing than “As you know, Bob”, as the author has at least tried to fix the problem, but the core problem is the same.

Thanks, Aaron!

I’d like to add the term “zero draft” to list. I’ve found the concept helpful. Zero Draft The “vomit” draft, part of pre-writing. The writer “vomits” up whatever story ideas they have without concern as to structure, consistency, or sense. Used to a) explore world/worldbuild, b) explore/develop characters/character interactions c) develop and/or test plot elements d) anything the author wants. Further reading: http://terribleminds.com/ramble/2015/10/06/how-to-outline-during-national-plot-your-novel-month/ http://terribleminds.com/ramble/2011/09/14/25-ways-to-plot-plan-and-prep-your-story/ I’ve found the zero draft a useful concept as a pantser. It can be the most terrible piece of writing in history and it doesn’t matter because it’s not a “real” draft, it’s just exploratory. It helps me find my plot and get to know my characters without having to commit to anything.

Sounds like my outlining phase!

MPS Missing Parent Syndrome

The rather common occurrence, usually found in works of fiction where the protagonist is underaged, where the parents and/or guardians are somehow left out for the majority of the plot. This can be due to death (Frodo in Lord of the Rings,) or boarding school (Harry Potter,) or visitation to another world (Narnia,) or just about any other reason.

Drabble: Something you write for fun. Or practice. Or both. Both is good.

Perhaps this was previously mentioned, but I think you should add Pitch to your list and how it is similar or different from a synopsis. I am actually trying to figure this out at the moment, and so I don’t have a definition to go with it.

This is absolutely brilliant! Thank you. You are missing a definition for Plot. I suggest:

PLOT: 1. The series of escalating conflicts that tell the story of the characters progression toward the climax. 2. The writer’s evil plan (thus “plot”) to ruin someone’s life for the edification and/or amusement of others.

Those are the one’s I use. It was a nightmare to find or construct good simple definitions for Plot.

Don’t know how I missed this post before now. Off the top of my head…

McGuffin Designing Principle Story Logic Story Arc Under Conflict – Internal Conflict; External Conflict

If I think of any more, I’ll pop back over. Hope these help.

Wow! Excellent and comprehensive list! I learned from it that some concepts I knew were “a thing” (like AYKB 😀 ). I don’t know if this is within your scope; however, I do recall that as a fledgling writer, “onomatopoeia” was a word I saw often. I had no clue what it meant until I broke down and opened a dictionary.

One of my favorite words! 😀

Mine too, along with kerfuffle, flibbertigibbet and persnickety. Defenestration is right up there, too. 😀

Drabble… fiction of almost or exactly one hundred words, but not over. Flash fiction… short pieces of fiction written within a 24-48 hour period.

Drabble’s a new one to me. Thanks!

Wow, this info is really useful! some of these writing terms were actually new to me so thank you for this list! I remember when I didn’t even know what MC meant! haha

[…] https://www.helpingwritersbecomeauthors.com/help-me-build-the-ultimate-index-of-writing-terms/ […]

[…] a phrase?) Anyway, KM Weiland, who wrote several of the books I learned to write novels from put THIS together and I love it so much. It’s a glossary of writing terms and jargon. What’s […]

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55 Common Writing Terms, Meanings & Examples To Learn Right Now

Knowledge of common writing terms will help you produce more polished pieces that make the most of your talent.

If you’re new to writing, or if you simply want to brush up on your skills, it’s important to know the basics.. In this blog post, I’ll define some common writing terms and provide examples. By understanding these terms, you will be able to produce better written work. So let’s get started!

1. Academic writing

Academic writing is a type of writing that is done for academic purposes, such as essays, research papers, or dissertations.

2. Active voice

Active voice is when the subject of a sentence is doing the verb. Using passive voice can make your writing sound weak or unclear. As such, try to use active voice whenever possible.

Example of Active Voice

“John threw the ball.”

3. Alliteration

Alliteration is a literary device that refers to the repetition of initial sounds or letters in a group of words.

Example of Alliteration

“She sells seashells by the seashore.”

Analogy is a figure of speech that uses one thing to explain or illustrate another.

Example of Analogy

“Love is like a rose. It has thorns, but it’s still beautiful.”

5. Anecdotes

Anecdotes are brief, often funny or amusing stories about an incident that have a point. They can be useful in speeches to make a point more memorable.

Example of Anecdote

“I was out for my morning walk when I saw the most interesting thing. There was a dog walking on its hind legs!”

6. Assonance

Assonance is a literary device that refers to the repetition of vowel sounds in a group of words or the same line(s) of a verse.

Example of Assonance

“The wh i te l i ght on the b i ke was too br i ght.”

7. Blog writing

Blog writing is a type of web copy that refers specifically to content published on a blog.

8. Citation

Citation is the act of providing a reference for a piece of information that you have used in your writing. Citations are important in order to avoid plagiarism.

Example of a citation

According to a study published in the journal Nature, “the world’s oceans are expected to rise by an average of 0.7 meters by the end of the century” (Smith, et al.).

A cliché is an overused or tired phrase that has lost its impact. Using too many clichés can make your writing sound trite and unoriginal.

Examples of cliché

“Time heals all wounds.” or ” That’ll be the day!”

10. Colloquialisms

Colloquialisms are words or phrases that are commonly used in spoken language but not in formal writing. While they can add personality to your writing, they should be used sparingly. Overusing colloquialisms can make your essay sound uneducated or sloppy.

Examples of colloquialisms

“like,” “gonna,” “kinda”

11. Contractions

Contractions are shortened versions of words or phrases. They’re commonly used in spoken language, but should be avoided in formal writing. Using too many contractions can make your essay sound informal or unprofessional.

Examples of contractions

“can’t,” “won’t”

12. Copywriting

This is the act of creating written content for the purpose of marketing or advertising. Copywriters may work in-house for a company, or they may be freelance writers who produce content for multiple clients.

13. Complex sentence

A complex sentence is a sentence that contains one independent clause and at least one dependent clause.

Example of complex sentence

I adopted a dog for the purpose of keeping me company.

In this example, the independent clause is “I adopted a dog” and the dependent clause is “for the purpose of keeping me company.”

14. Compound sentence

A compound sentence is a sentence that contains two or more independent clauses.

Example of compound sentence:

I adopted a dog and he has been keeping me company ever since.

In this example, the two independent clauses are “I adopted a dog” and “he has been keeping me company ever since.”

15. Creative writing

This is a broad term that refers to any type of writing that is not intended to convey factual information or data. Creative writing can include everything from poetry to fiction to screenplays.

A detail is a small piece of information that helps to support a larger point.

17. Editing

Editing is the process of reviewing and revising a piece of writing in order to improve its clarity, grammar, style, and/or structure.

18. Euphemism

This is a figure of speech that is used to replace a word or phrase with a more polite or positive one.

Example of Euphemism

“passed away” is a euphemism for “died”.

19. Figurative language

Figurative language is when you use words or phrases in a non-literal way to add impact to your writing. While figurative language can be effective, it should be used sparingly in academic writing.

Example of Figurative Language

“He’s as sharp as a tack.”

A genre is a specific type or category of writing.

Examples of Genres

Some common genres include fiction, nonfiction, poetry, and drama.

21. Ghostwriting

Ghostwriting is the act of creating content on behalf of someone else. The ghostwriter may write articles, blog posts, books, or even speeches.

22. Grant writing

This is the act of creating proposals and applications for grants. Grant writers may work in the non-profit sector or they may be freelance consultants who help individual businesses or organizations secure funding.

23. Hyperbole

Hyperbole is a figure of speech that uses exaggeration for effect.

Example of Hyperbole

“I’m so hungry I could eat a horse!”

Idiom is a phrase or expression that has a meaning that cannot be inferred from the literal definition of the words that make it up.

Example of Idiom

“it’s raining cats and dogs” is an idiom that means “it’s raining hard”.

25. Imagery

This is the use of descriptive to create vivid mental images.

Example of Imagery

“The sky was a deep, dark blue.”

Jargon is specialized language that is used in a particular field or profession. If you’re writing for a general audience, try to avoid using too much jargon. Not everyone will be familiar with the terms and acronyms that are common in your field.

Example of Jargon

“The patient is experiencing tachycardia and will need to be intubated.”

“We need to increase our ROI if we want to stay competitive in this market.”

27. Metaphor

Metaphor is a figure of speech that uses one thing to represent another.

Example of Metaphor

“Time is a thief.”

28. Onomatopoeia

Onomatopoeia is the use of words that imitate the sound they describe.

Example of Onomatopoeia

“sizzle”, “buzz”, and “hiss”.

29. Oxymoron

An oxymoron is a figure of speech that combines two contradictory terms.

Example of Oxymoron

“jumbo shrimp” and “deafening silence”.

30. Personification

Personification is a figure of speech that gives human characteristics to non-human things.

Example of Personification

“The wind was howling for hours this morning.”

31. Paragraph

A paragraph is a group of related sentences that share a common idea or topic. In order to write a good paragraph, you must have a strong main idea and supporting details.

Example of Paragraph

If you are writing about your favorite pet, your paragraph might look something like this:

I have a cat named James. He is black and white and has a lot of energy. I got him when he was just a kitten, and he has been my best friend ever since. Every day, he greets me at the door when I come home from work. He loves to play fetch and chase his tail. James is a very special cat to me and I love him very much.

32. Passive voice

Passive voice is when the subject of a sentence is acted upon by the verb. Aim to limit the use of passive voice particularly in academic writing.

Example of Passive Voice

“The ball was thrown by John.”

33. Plagiarism

Plagiarism is the act of copying someone else’s work and passing it off as your own. Plagiarism is considered to be a form of cheating, and it can result in serious consequences.

34. Proofreading

Proofreading is the final stage of the editing process, during which errors in spelling, punctuation, and grammar are corrected.

A play on words that usually employs a word with multiple meanings or a word that sounds similar to another word.

Example of Pun

I’m reading a book about anti-gravity. It’s impossible to put down. (pun)

36. Purpose

The purpose of a piece of writing is the reason why it was written. The purpose may be to inform, entertain, or persuade.

37. Rhetorical questions

A rhetorical question is a question that doesn’t require an answer. They’re often used for emphasis or to make an argument more relatable. However, they can also be overused and sound trite. If you’re going to use a rhetorical question, make sure it adds something to your essay and doesn’t just take up space.

Example of rhetorical question

“Can you imagine how hungry I was after not eating all day?”

“How can we expect students to focus on their studies if they’re constantly worrying about money?”

38. Sarcasm

Sarcasm use of irony to mock or convey contempt.

Example of Sarcasm

Thanks for doing the dishes, it was really fun coming home to a sink full of dirty dishes. (The speaker is being sarcastic).

39. SEO writing

Search Engine Optimization (SEO) is a type of copywriting that focuses on creating content that is optimized for search engines. The goal is to help a website rank higher in search engine results pages (SERPs).

This is a figure of speech that uses the words “like” or “as” to compare two things.

Example of Simile

“She’s as strong as an ox.”

Slang is informal language that is used in casual conversation. Like jargon, slang can make your writing sound unprofessional. Unless you’re writing for a very informal audience, it’s best to avoid using slang terms in your essay.

Examples of Slang

“That party was lit!”

Style is the way in which a piece of writing is presented, including elements such as the author’s word choice, sentence structure, and use of figurative language.

43. Supporting details

The supporting details of a paragraph provide information that supports the main idea.

44. Synecdoche

Synecdoche is a figure of speech in which a part is used to represent the whole or the whole is used to represent a part.

Example of Synecdoche

“All hands on deck!”

45. Target audience

The target audience is the group of readers that a piece of writing is intended for. The author takes into account the age, gender, interests, and background of the target audience when crafting a piece of writing.

Examples of target audiences

-An article about a new type of baby formula would be geared towards parents of infants.

-A blog post about the best hiking trails in the area would be geared towards outdoor enthusiasts.

46. Technical writing

Technical writing is a type of writing that focuses on conveying information about a technical topic or subject. Technical writers may work in a variety of industries, such as healthcare, engineering, or IT.

The tone of a piece of writing is the overall attitude or feeling that it conveys.

Example of Tone

Tone can be serious, humorous, sarcastic, optimistic, etc.

48. Topic sentence

The first sentence of a paragraph, the topic sentence introduces the main idea of the paragraph. 

49. Transition

A transition is a word or phrase that connects one idea to another. Transitions help to create coherence in a piece of writing by showing the reader how different ideas are related.

50. Typefaces

A typeface is a set of characters that share a common design. It’s a specific style within a type family.

Examples of Typefaces

Times New Roman and Arial are two examples of typefaces.

51. Understatement

This is a figure of speech that makes something seem less important than it really is.

Example of Understatement

“It’s just a little scratch.”

Voice in writing refers to the author’s unique style and personality that comes through in their work.

Example of Voice

Voice can be formal or informal, serious or humorous, etc.

53. Web copy

Web copy is the text that appears on a website. It can include everything from product descriptions to blog posts to articles.

54. Word choice

Word choice is the selection of specific words and phrases to convey an idea or feeling. An author’s word choice can have a significant impact on the tone of their writing.

Read also: 22 Key tips to easily improve writing skills

Final words on common writing terms, meanings and examples

That’s it for my crash course on common writing terms, definitions and examples that you must know. I hope you found this helpful and that it gives you a little more insight into how to improve your own writing skills.

By understanding these terms and their meanings, you can become a better writer yourself! Please feel free to comment below with any questions or thoughts, and be sure to check out our other blog posts for more tips and tricks.

Vocabulary.com (2022) Dictionary

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Sat / act prep online guides and tips, 200+ other words for said: synonyms to spice up your writing.

General Education

One of the words that comes up most commonly in various types of writing, from fiction to academic writing, is the word “said.” Any time a writer is referencing the words or thoughts expressed by another person, whether that be thoughts expressed verbally or in writing, an appropriate way to introduce--or attribute--that person’s thoughts is with the phrase “said.” 

But if you’re incorporating a lot of quotations in your writing, you might find yourself repeating  the word “said” a lot. Repeating the same phrase in a piece of writing can start to feel monotonous, which is why incorporating synonyms or an oft-used word or phrase can make your writing more interesting and accurate. But here’s some good news: there are tons of other words for “said” out there for you to use! 

To help you build a repertoire of words to replace “said,” we’re going to do the following in this article: 

• Explain the importance of using word variety and avoiding repetition of the same word in your writing
• Explain when to use “said” and when not to use “said” 
• Provide a comprehensive list of alternative words for “said,” organized into categories based on emotion and intention

Ready to check out some synonyms for “said”? Then let’s get going!

Other Words for Said 

To give you the most comprehensive and easy-to-navigate list, we’ve organized our list into two main categories: first, we’re including several lists of other words for “said” by emotion , and second, we’re including several lists of different words for “said” by intention or action . You can decide what meaning you’re trying to express in your writing, and use our lists accordingly!

Happy Words to Use Instead of “Said”

We’re going to kick off our list by giving you a lot of other words for “said” by emotion, starting with synonyms for “said” that convey a happy, joyful, or positive tone. 

Sad Words to Use Instead of “Said” 

Sadness is a common emotion expressed in writing--let’s look at a few synonyms for “said” that convey sadness. 

Angry Words to Replace “Said”

There are a ton of synonyms for “said” that express anger, and we’ve included several of them for you here. 

Different Words for “Said” That Express Shock or Surprise

When you want to communicate a tone of shock or surprise in your writing, try using these synonyms for “said”! 

Other Words for “Said” That Express Fear

The last emotion it might be helpful to be able to express accurately and vividly in your writing is fear. Here’s a list of synonyms for “said” that you can use to demonstrate a feeling of fear. 

Words to Replace “Said” That Are Expository

If you’re working with a quote in which the speaker is clarifying information or explaining something, you can try out these words instead of “said”!

Other Words for “Said” That Are Argumentative

When you incorporate quotes or dialogue that make an argument, use these synonyms for “said” in your attributions.

Words to Use Instead of “Said” That Are Critical 

If a speaker in a quote or piece of dialogue is forming a critique, incorporate one of these different words for “said” in your attribution.

Words to Use Instead of “Said” That Are Implicative

Try using these alternative words for “said” that imply meaning. 

Words to Replace “Said” That Seek Information

Sometimes you need to include an attribution that shows a speaker is searching for information. These synonyms for “said” can help you establish a tone of inquisitiveness!

Words to Replace “Said” That Reveal Information

Finally, if you need a word other than “said” that reveals information, try out the options in the list below. 

When to Use Different Words for “Said” in Your Writing...And When Not To

In most cases, deciding when to use words other than “said” in your writing is up to your discretion. But there are actually some situations when it’s correct to use “said” exclusively to attribute a piece of dialogue or a quote in your writing . This depends on the type of writing, so we’re going to break down the situations when you should definitely use “said” here!

The first situation where you can expect to see writers exclusively using “said” is in any type of writing that relies on AP Style . “AP” stands for “Associated Press,” and this set of style guidelines is the standard for journalistic writing. This includes writing for newspapers, magazines, and public relations in the United States. AP Style provides a lot of rules about grammar, spelling, punctuation, and language use, and using “said” for quote attribution is one of those rules.

Impartiality and objectivity are two values that are extremely important in journalistic writing. Unlike many synonyms for “said,” which reveal a speaker’s feelings, attitude, or intentions, “said” doesn’t try to interpret the feelings, attitude, or intentions of the speaker. “Said” just states factual information: the words in the quote were spoken by a person or group of people . Using “said” allows the journalist to remain impartial and objective about the information, and it also lets readers interpret the meaning of quoted material on their own. 

Technical Writing

While not exactly a rule, using “said” is an unspoken expectation for quote attribution in technical writing. Technical writing is a style of writing used in business environments and some scientific fields, like engineering . It’s important for this style of writing to be clear, specific, and, in most cases, concise. In fact, readers of technical writing appreciate a writer’s ability to communicate directly and plainly by using short, direct words. That’s why “said” is the best choice for introducing quotes or paraphrases in technical writing: it’s clear, specific, and concise. 

Creative Writing 

Creative writing is a third situation that might require you to think strategically about when to use “said.” In creative writing--like fiction, for instance--when and how often to use “said” is pretty much up for debate. There are a lot of synonyms for “said” that you can use to convey the emotions or intentions of a character in dialogue, but you don’t necessarily have to use some flowery synonym for “said” every time you include a piece of dialogue in creative writing. In fact, sometimes it’s okay to strategically omit attributions altogether. 

Here’s one example of a way to present dialogue in creative writing that doesn’t overuse attributions: 

“I suppose I didn’t see the point.” Paige shook her head. “It’s not like you would’ve let me go if I’d told you ahead of time.” 

“That’s really selfish, Paige.” 

Even without attributions for every piece of dialogue in the example above, you can still get an idea of how the characters feel and what their intentions are through the dialogue beats (“She crossed her arms angrily,” and, “Paige shook her head”) . Alternatively, dialogue attributions in creative writing are another place where word variety is important. Your attributions are a great way for you to add emotion and imagery to your work. That means sometimes you might simply use “said,” sometimes you might use a more expressive synonym for “said,” and other times you might forego attributions altogether.

Academic Writing

One final writing situation where you’ll find yourself needing to make decisions about when to use “said” is academic, research-based writing. In academic writing, it’s important to be clear about who you are quoting and to provide adequate context for the quote you include. For example, if the scholar you’re quoting is making an argument in the quote you include, it would be more accurate to say, “Dr. Garcia argued” or “Dr. Garcia claimed,” instead of “Dr. Garcia said .” Using a quote attribution that gives your reader a clearer sense of the speaker or writer’s purpose and tone. 

3 Reasons Why Word Variety Is Important in Writing

Word variety is important to any type of writing for three main reasons: using a variety of words can make your writing more engaging, more accurate, and more expressive .

First, using a variety of words can make your writing more engaging and interesting for the people who are reading it. In some types of writing, like poetry , repetition is used as a strategic stylistic device. In lots of cases, though, writers repeat the same word because they don’t know its synonyms. After a while, readers might feel a bit exhausted by repetitiveness in a piece of writing. That’s one reason why knowing and using synonyms for commonly repeated words is so important!

Second, word variety can make your writing more accurate. For example, while “said” is always going to accurately describe a piece of dialogue or a quote from an outside source, there are words to use instead of “said” that can reveal the intention behind dialogue or the information conveyed in a quote . 

Let’s say you incorporate a quote where the author is disagreeing with a point made by a scholar. Sure, you could introduce that quote with, “Dr. Smith said.” But you could be more accurate by introducing the quote with a word that indicates that the quote is going to express disagreement, like, “Dr. Smith countered ” or “Dr. Smith responded .” 

Finally, your writing is expressive and vivid when you avoid repetition . When your word choice reflects the emotions or tone expressed by a quote or piece of dialogue that you include in your writing, your readers can get a better sense of your intended meaning. Using synonyms for “said” to create tone and imagery in your writing can help readers better understand your position and make them more willing to buy into your ideas. 

What’s Next? 

If you’re studying for the verbal portion of your SAT or ACT, we’ve got you covered. Here are our expert guides to the verbal portions of the SAT and ACT , and we even have tips and tricks to help you tackle the essay sections ! These are just a few of the tons (and tons!) of resources we have, so be sure to check out our blog for more information.

This cheat sheet for ways to say “said” can be really helpful if you’re starting to write your college admissions essays . Learn how to start your essay off perfectly , and make sure you know the biggest mistakes you should avoid , too.

If you’re using this guide to help you write creatively, you might be a great fit for a creative writing degree ! Here’s a guide to the best creative writing colleges and programs in the United States. 

Ashley Sufflé Robinson has a Ph.D. in 19th Century English Literature. As a content writer for PrepScholar, Ashley is passionate about giving college-bound students the in-depth information they need to get into the school of their dreams.

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