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APA Style (7th Edition) Citation Guide: Films/Videos/TV Shows

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Table of Contents

Film or Video

Streaming Video From a Website (YouTube, Vimeo, etc.)

Streaming video from a subscription media website (netflix, amazon prime, hulu, etc.), streaming video from a library database, television series episode.

Note: All citations should be double spaced and have a hanging indent in a Reference List.

A "hanging indent" means that each subsequent line after the first line of your citation should be indented by 0.5 inches.

This Microsoft support page contains instructions about how to format a hanging indent in a paper.

Who to Credit - Film or Video

The director should be credited as the author of a film. If the director is unknown, someone in a similar role, such as a producer and/or writer, can be credited. To clarify what role the person has in the production, their job title such as Director is put after their name in round brackets if the job title is known.

Who to Credit - Streaming Video from a Website

For videos from websites such as YouTube or Vimeo, credit the person who posted the content. If a real name is provided, use that followed by the person's user name in square brackets. If the real name of the person who posted the content is not known, just use their user name without brackets.

Note : It is not necessary to specify how you watched a film or video (e.g. motion picture, DVD, streaming online). 

In the Body of a Paper

Books, Journals, Reports, Webpages, etc.: When you refer to titles of a “stand-alone work,” as the APA calls them on their APA Style website, such as books, journals, reports, and webpages, you should italicize them. Capitalize words as you would for an article title in a reference, e.g., In the book Crying in H Mart: A memoir , author Michelle Zauner (2021) describes her biracial origin and its impact on her identity.

Article or Chapter: When you refer to the title of a part of a work, such as an article or a chapter, put quotation marks around the title and capitalize it as you would for a journal title in a reference, e.g., In the chapter “Where’s the Wine,” Zauner (2021) describes how she decided to become a musician.

The APA Sample Paper below has more information about formatting your paper.

  • APA 7th ed. Sample Paper

Film or Video

When the Director, Producer and/or Writer is known:

Director/Producer/Writer's Last Name, First Initial. Second Initial if given. (Job Title). (Year film was produced).  Title of film: Subtitle if any  [Film]. Production Company.

Note: If not produced in the United States, list the city name and the country.

Hallam, J. (Producer, Writer), & Lam, K. (Producer, Director). (2010).  Staff relations in healthcare: Working as a team  [Film]. Insight Media.

  • When you have more than one producer, writer and/or writer to credit, separate the names with a comma and put an ampersand (&) before the last person's last name.
  • Serling, R. (Executive Producer). (1959–1964). The twilight zone [TV series]. Cayuga Productions; CBS Productions.

In-Text Paraphrase:

(Producer/Director/Writer's Last Name, Year)

Example: (Hallam & Lam, 2010)

Note: This example has two people to credit, so both last names are given)

In-Text Quote:

(Producer/Director/Writer's Last Name, Year, Timestamp)

Example: (Hallam & Lam, 2010, 2:30)

Note: Because the timestamp serves the same purpose in a video as page numbers, paragraph numbers or section headings, you include it in the in-text citation. Include only the beginning timestamp.

When the Director, Producer and/or Writer is not known:  Start the citation with the film title.

Title of film: Subtitle if any  [Film]. (Year film was produced). Production Company if Known.

Era of viruses  [Film]. (2006). Films for the Humanities and Sciences.

( Title of Film , Year)

Example: ( Era of Viruses , 2006)

Note: Italicize the title of the film and capitalize the words for the in-text citation.

( Title of Film , Year, Timestamp)

Example: ( Era of Viruses , 2006, 40:00)

When the Poster's Name is known: 

Last Name, First Initial. Second Initial. of person who posted the video if known. [User name that posted the video]. (Year video was posted, Month Day).  Title of video  [Video]. Website Name. URL

Note: According to APA, for citing purposes the person who posted the video is credited as the author.

Nye, B. [TheRealBillNye]. (2009, April 8).  Bill Nye the science guy on energy  [Video]. YouTube. http://youtu.be/0ASLLiuejAo

(Creator's Last Name, Year)

Example: (Nye, 2009)

(Creator's Last Name, Year, timestamp)

Example: (Nye, 2009, 0:55)

When the Poster's Name is not known: 

User name that posted the video. (Year video was posted, Month Day).  Title of video  [Video]. Website Name. URL

All Aces Media. (2012, January 19).  Often awesome the series  [Video]. Vimeo. http://vimeo.com/35311255

(User name, Year)

Example: (All Aces Media, 2012)

Example: (All Aces Media, 2012, timestamp)

Producer's Last Name, First Initial. Second Initial if Given. (Producer). (Year of Publication).  Title of Video  [Video]. Website Name. URL

Note:  When you have one producer (Producer) is used after the producer's name. If you have more than one producer use (Producers) instead.

Allen, T., et. al. (Producers). (2017). The story of Diana  [Video]. Netflix. http://www.netflix.com

(Producer Last name, Year)

Example: (Allen, et. al., 2017)

(Producer Last name, Year, Timestamp)

Example: (Allen, et. al., 2017, 6:45)

Name of Company/Organization that Provided Content or Creator's Last Name, First Initial. Second Initial. if known. (Year video was created, Month Day if known).  Title of video  [Video]. Database Name.

National Film Board of Canada. (2014).  Making movie history: The women  [Video]. NFB Campus. 

(Name of Company/Organization, Year)

Example: (National Film Board of Canada, 2014)

(Name of Company/Organization, Year, Timestamp)

Writer, Producer and/or Director's Last Name, First Initial. Second Initial if given. (Job Title) if known. (Year the episode was originally aired). Title of episode (Season No., Episode No.) [TV series episode]. In Executive Producer's First Initial. Last Name (Executive producer) if known,  Television series name . Production Company.

Note: For other countries, list the city name and the country.

Young, R. (Writer, Producer, Director). (2010). Flying cheap (Season 2010, Episode 2) [TV series episode]. In  Frontline . American University School of Communication's Investigative Reporting Workshop.

(Writer, Producer and/or Director's Last Name, Year)

Example: (Young, 2010)

(Writer, Producer and/or Director's Last Name, Year, Timestamp)

Example: (Young, 2010, 15:38)

Television Series Episode Viewed on a Subscription Media Website 

Writer, Producer and/or Director's Last Name, First Initial. Second Initial if given. (Job Title) if known. (Year the episode was originally aired). Title of episode (Season No., Episode No.) [TV series episode]. In Executive Producer's First Initial. Last Name (Executive producer) if known,  Television series name . Streaming Video Site. URL

Attenborough, D. (Writer). (2001). Ocean world (Season 1, Episode 1) [TV series episode]. In A. Fothergill (Executive producer),  Blue planet: A natural history of the oceans . Netflix. http://www.netflix.com

Example: (Attenborough, 2001)

 (Writer, Producer and/or Director's Last Name, Year, Timestamp)

Example: (Attenborough, 2001, 10:12)

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  • Last Updated: Apr 30, 2024 1:29 PM
  • URL: https://libguides.up.edu/apa
  • Bibliography Answers

How to cite a movie in APA, MLA, or Harvard style

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It’s not often that you need to cite a movie, but it’s actually straightforward to do so. Our guide below details how to cite a movie in APA, MLA, or Harvard format.

 How to cite a movie automatically

If you want to skip the tedium of writing a movie citation out by hand then we’ve made a citation generator to do it for you. Simply select Film/Movie from the More dropdown below, complete the form, and we’ll put everything in the right order.

 How to cite a movie manually

To cite a movie yourself just follow the instructions below. For the 3 most popular styles–APA, MLA 8, and Harvard–this is as follows:

 In APA style

You need to locate these details for the movie: director, movie title (duh!), release date, distributor, distributor location, and medium (or format) .

  • The director can usually be found in the credits for the movie, or on the IMDb or Wikipedia page for the movie.
  • The movie title should be pretty straightforward – it’s the name of the movie you’re citing.
  • The release date is the date that the movie was first released or published. This can also be found on the IMdb or Wikipedia page.
  • The distributor is the company that handled publishing of the movie. For example, the movie Avengers 2: Age of Ultron was distributed by Walt Disney Studios Motion Pictures.
  • The distributor location is the city or state that the distributor is located in. You can find this by looking up the distributor on Wikipedia.
  • The medium is the format that you watched the movie in. This could be something like DVD, internet stream, or cinema.

Then use this template, replacing the colored placeholders with the information you found on the page:

Author last name , Author first name initial . ( release date year , release date month and day ). Page title [ medium ]. Distributor location : Distributor .

The final formatted citation should look like this:

Whedon, J. (2015). Avengers 2: Age of Ultron [DVD]. California: Walt Disney Studios Motion Pictures.

 In MLA 8 style

You need to locate these details for the movie: director, movie title, release date, and distributor .

Then use this template:

Director last name , Director first name . Movie title . Distributor , Year published .

Whedon, Joss. Avengers 2: Age of Ultron . Walt Disney Studios Motion Pictures, 2015.

 In Harvard style

Harvard format is very similar to APA. First, locate these details for the movie: director, movie title, release date, distributor, distributor location, and medium (or format) .

Author last name , Author first name initial . ( release date year ) Movie title . Distributor location : Distributor .

Whedon, J. (2015) Avengers 2: Age of Ultron . California: Walt Disney Studios Motion Pictures.

Daniel is a qualified librarian, former teacher, and citation expert. He has been contributing to MyBib since 2018.

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How to Cite a Movie/Film in APA

If you were wondering how to cite a movie in APA format, you’re in luck! Use the following guide to cite a film/movie using the APA citation format. We also provide style guides for the MLA and Chicago styles. To have your bibliography or works cited list automatically made for you, check out our free APA citation maker .

Once you’re finished with your citations, we can also help you with creating an APA title page .

Citing a film or movie in APA

   Producer, A. (Producer), & Director, A. (Director). (Release Year). Title of motion picture [Motion Picture]. Country of Origin: Studio.

   Bender, L. (Producer), & Tarantino, Q. (Director). (1994). Pulp fiction [Motion Picture]. United States: Miramax.

Citing a YouTube video in APA

   Author, A. [screename]. (Year, Month Date of Publication). Title of video [Video file]. Retrieved from URL

   Smith, Rick. (2013, September 20). Favre to Moss! . [Video file]. Retrieved from https://www.youtube.com/watch?v=gOP_L6hBjn8

Notes: When citing a video from YouTube, keep in mind:

  • Screen names are more prominent that actual names on YouTube. If you come across a user whose real name isn’t available, use only their screen name without brackets.

Citing a YouTube channel in APA

   Author, A. OR Screen name. (n.d.). Home [YouTube Channel]. URL of YouTube channel

   The Art of Photography. (n.d.). Home . [YouTube Channel]. https://www.youtube.com/user/theartofphotography

Notes: When citing a channel from YouTube, keep in mind:

  • YouTube channels are undated. You will always use “n.d.” for “no date”.

Citing a YouTube comment in APA

   Commenter’s Last Name, First Initial OR Commenter’s Username. (Year, Month Day). Title of comment OR up to first 20 words. [Comment on the video “Title of video”]. YouTube . URL of YouTube video

    Kanoot. (2020). One of the most informative things I’ve watched on Youtube – thanks!. [Comment on the video “Sharpness”]. YouTube . https://www.youtube.com/watch?v=rV4uXfWy-eU

For more information on how to cite in APA, check out Cornell .

←Back to APA Citation Guide

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An in-text citation in APA, in general, includes only the surname(s) of the author(s) and the publication year. The author, or contributor, of an audiovisual work depends on the type of medium. For a film, the name of the director should be used in the author’s place. Therefore, to cite a film in the text, you need to include the director’s surname and the publication year. It is not necessary to include the film name in in-text citations.

Below you will find templates and examples of how to format an in-text citation for a film in APA style.

Narrative: Director’s Surname (Year)

Parenthetical: (Director’s Surname, Year)

Narrative: Cameron (1997)

Parenthetical: (Cameron, 1997)

For an in-text citation for a comment on YouTube, use the commenter’s name (their username or ideally, their real last name) and the year in which the comment was made.

(Last Name, Year)

(Username, Year)

(Dikshit, 2003)

(Angel CityGirl, 2022)

To provide a reference list entry for a film in APA style, use the director’s name, the year the film was released, the title of the film, and the production company. Use the following format to cite a film in a reference list in APA style:

Director’s Last Name, First Initial. (Director). (Year). Name of the film [Film]. Production Company Name.

Wheldon, J. (Director). (2012). The Avengers [Film]. Marvel Studios.

Per APA guidelines, when citing an entire YouTube channel, include the channel’s name and/or the name of the person who runs the channel, the channel’s URL, and a retrieval date for when the channel was accessed. Since the information on the channel may change, “n.d.” should be used in the date field. You should also include “YouTube channel” in square brackets following the name of the channel page you are citing.

The templates and examples below show how to cite a YouTube channel in a reference list in APA style.

Channel Name [Username (if different from channel name)]. (n.d.). Name of page/tab  [YouTube channel]. YouTube. Retrieved Month Date, Year, from URL

Uploader’s Last Name, First Initial. [Username]. (n.d.). Name of page/tab [YouTube channel]. YouTube. Retrieved Month Date, Year, from URL

Chegg. (n.d.). Home [YouTube channel]. YouTube. Retrieved February 14, 2022, from https://www.youtube.com/user/CheggChannel

Fogarty, M. [Grammar Girl]. (n.d.). Playlists [YouTube channel]. YouTube. Retrieved February 14, 2022, from https://www.youtube.com/c/grammargirl/playlists

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  • Writing Tips

How to Cite a Film or Documentary in MLA Referencing

3-minute read

  • 4th December 2020

If you’re writing an essay, you may need to cite a film or documentary. But how does this work in MLA style ? In this post, we’ll show you how to format both in-text citations and the Works Cited list entry for a film.

How to Cite a Film in MLA Referencing

When citing a film or documentary as a whole in MLA style , simply cite its title. This can be either in the text or in parentheses. For instance:

Another crime film, Goodfellas , depicts the making of a mafia boss.

The film depicts the making of a mafia boss ( Goodfellas ).

However, if you’re focusing on a particular contributor to the film, such as the director or an actor, you should cite the surname of that contributor:

Scorsese’s direction is notably dynamic.

The film is directed with great dynamism (Scorsese).

In addition, if you are referring to a particular scene, you may want to include a time stamp with the timing or range of times for the scene cited:

The scene in this version of the film shows us the brutality of mafia life, but arguably risks glamorizing it ( Goodfellas 00:58:06-01:08:21).

Here, for instance, the time stamp shows us that the citation is for a scene that lasts from 58 minutes and 6 seconds to 1 hour, 8 minutes and 21 seconds into the film. The reader will then know exactly where to look for it.

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Films in an MLA Works Cited List

The entry for a film in an MLA Works Cited list should include all the information required for readers to find the version cited. When citing the film as a whole, this will usually include the following core elements :

Title . Contribution by Main Contributor’s Name (usually the director or creator), other contributors (if relevant to your discussion), version (if more than one version is available), publisher, year.

You won’t always need to include all this information (e.g., if there is only one version of a film available, you can ignore the ‘version’ section), but make sure to include as much detail as needed to identify the exact source.

In practice, for instance, we could reference Goodfellas as follows:

Goodfellas. Directed by Martin Scorsese, performance by Paul Sorvino, Warner Bros., 1990.

If you have cited the name of a contributor – rather than the film title – in your essay, start the entry with the surname of that contributor:

Scorsese, Martin, director. Goodfellas . Performance by Paul Sorvino, Warner Bros., 1990.

This ensures that readers can match the citations to the full reference.

Expert MLA Proofreading

We hope this explains how to cite a film or documentary in MLA style! If you’d like an expert to make sure your MLA referencing is clear, consistent and error free, though, why not upload a document for proofreading today ?

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How do I create an in-text citation for a film?

Note: This post relates to content in the eighth edition of the MLA Handbook . For up-to-date guidance, see the ninth edition of the MLA Handbook .

The in-text citation for a film should key to a works-cited-list entry. If you list a film under its title, you must refer to the title in your writing or cite it parenthetically:

Point of No Return , a remake of Nikita , deviates from the original French movie in several ways. Luc Besson ( Nikita ) and John Badham ( Point ) approach the figure of the femme fatale differently in their films. Works Cited Nikita. Directed by Luc Besson, Gaumont / Les Films du Loup, 1990. Point of No Return . Directed by John Badham, Warner Bros., 1993.

If you list a film under the director’s name, you must discuss or cite the director:

Luc Besson and John Badham approach the figure of the femme fatale differently in their films. Point of No Return (Badham), a remake of  Nikita (Besson), deviates from the original French movie in several ways. Works Cited Badham, John, director. Point of No Return.  Warner Bros., 1993. Besson, Luc, director. Nikita . Gaumont / Les Films du Loup, 1990.
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  • MLA Style Manual

How to Cite a Movie Using MLA Style

Last Updated: February 17, 2020

This article was co-authored by Christopher Taylor, PhD . Christopher Taylor is an Adjunct Assistant Professor of English at Austin Community College in Texas. He received his PhD in English Literature and Medieval Studies from the University of Texas at Austin in 2014. This article has been viewed 390,442 times.

You might need to use Modern Language Association (MLA) style guidelines if you're writing a paper for your middle, high school, or college-level class. You may also be a graduate student or researcher who uses MLA citations all the time! If you're writing a paper about movies, or you want to include a movie in a research paper on some other topic, you'll need to cite it properly. Making a correctly formatted Works Cited and adding in-text citations to your essays shows your audience that you're not plagiarizing.

Citation Templates

citing movie in essay

Making the Works Cited

Step 1 Start with the title of the film in italics.

  • For now, your citation should just look like: “ Notting Hill .”
  • If the title is a translation, include the original title in brackets. For example, “ The Chorus [Les Choristes] .”

Step 2 Record the director next.

  • Your citation should now look something like this: “ Notting Hill . Dir. Roger Michell.”

Step 3 Start with directors' names if you're focused on them.

  • These citations look like this: “Michell, Roger, dir. Notting Hill .”

Step 4 Include performers' names if they're important to your paper.

  • The citation should now look like: “ Notting Hill . Dir. Roger Michell. Perf. Julia Roberts, Hugh Grant, and Richard McCabe.”
  • If your paper is about a particular actor, you can begin the citation with their name. This formatting looks like this: “Roberts, Julia, perf. Notting Hill . Dir. Roger Michell.”

Step 5 Add the distributor of the film.

  • Almost there! Your citation should now look something like this: “ Notting Hill . Dir. Roger Michell. Perf. Julia Roberts, Hugh Grant, and Richard McCabe. Universal Pictures, 1999.”

Step 6 Specify which format you used to watch the movie.

  • If you watched the film online, you can skip to step 8.
  • For VHS, type out “videocassette” in your citation. It'll look like this: “ Notting Hill . Dir. Roger Michell. Perf. Julia Roberts, Hugh Grant, and Richard McCabe. Universal Pictures, 1999. Videocassette.”
  • If you watched the movie at the theater, you can just type out “Film” for a complete citation! It'll look like this: “ Notting Hill . Dir. Roger Michell. Perf. Julia Roberts, Hugh Grant, and Richard McCabe. Universal Pictures, 1999. Film.”

Step 7 Include both the original and format release dates.

  • If you watched Notting Hill on Blu-Ray, for example, your citation will look like this: “ Notting Hill . Dir. Roger Michell. Perf. Julia Roberts, Hugh Grant, and Richard McCabe. 1999. Universal Pictures, 2013. Blu-Ray.”

Step 8 Add the website and date you watched for online movies.

  • This citation will look something like this: “ Notting Hill . Dir. Roger Michell. Perf. Julia Roberts, Hugh Grant, and Richard McCabe. Universal Pictures, 1999. Netflix . Web. 18 July 2017.”

Step 9 Organize the list in alphabetical order.

  • Your Works Cited should be on a separate page at the end of the paper, and it should be titled Works Cited. You don't need to put quotation marks around the words Works Cited, or italicize them.
  • Make the whole document double-spaced, but don't add extra spaces between citations.

Doing In Text Citations

Step 1 Put the title of the film in parentheses if you're focused on the film.

  • For example, “ Notting Hill is a perfect illustration of a typical late 1990s rom-com ( Notting Hill ).”

Step 2 Put the director's last name in parentheses if you're focused on them.

  • “Michell went for a personal touch in his directing for this film (Michell, Notting Hill ).”

Step 3 Use a performer's last name if you're focused on them.

  • So, for example, “Roberts's classic wide smile made appearances throughout the movie (Roberts, Notting Hill ).”

Step 4 Add a timestamp if you're citing a specific time in the movie.

  • Add the timestamp like this: “Roberts lays her heart out on the floor in front of Grant at the end of the film (Roberts, Notting Hill , 02:01:33-02:03:10).”

Step 5 Put the citation after the reference and before a period.

Expert Q&A

Christopher Taylor, PhD

  • MLA citation requirements for movies and television are a little more flexible than those for other sources, which is why you're allowed to sometimes start with director or performers' names. Thanks Helpful 0 Not Helpful 0

citing movie in essay

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Cite Sources in MLA Format

  • ↑ https://www.american.edu/library/documents/upload/Film-Video-Citation-Guide.pdf
  • ↑ https://owl.english.purdue.edu/owl/resource/747/05/
  • ↑ http://libguides.bates.edu/mla

About This Article

Christopher Taylor, PhD

Citing a movie using Modern Language Association style is relatively simple once you know how. If you’re discussing the movie in general, write the title in italics and parenthesis at the end of the sentence when you mention it. If you’re discussing a director or actor in the movie, include their surname in the parenthesis before the title. If you’re referencing a specific shot, you should also include a timestamp at the end. In your works cited section, start with the title in italics, then write “Dir.” followed by the director’s full name. Then, include any relevant actors by writing “perf.” followed by their names. After that, write the movie’s distributor, like Universal Pictures, and the release date. Finally, write the format you watched the movie in, like VHS, DVD, or Netflix. If you saw it in the cinema, write “film” instead. For more tips from our Educational co-author, including how to organize your works cited list, read on! Did this summary help you? Yes No

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Home / Guides / Citation Guides / Harvard Referencing / Harvard Referencing Style Examples / How to Reference a Movie in Harvard Referencing Style

How to Reference a Movie in Harvard Referencing Style

This article will help you learn the correct way of citing a film based on the Harvard style of referencing. Specifically, you’ll need to cite your source in two places:

  • In your paper via an in-text citation
  • In your reference list via a full reference

An in-text citation is when you refer to the source material within the body of your work or text. The reference list is usually placed at the end of your work. It has a full reference for every source that has an in-text citation. The reference list goes beyond the in-text citation and gives a complete list of information about the works you have cited, so that the reader can find and read the original source.

If you are trying to cite a source that was posted on YouTube, you’ll instead need to know how to cite a YouTube video in Harvard style .

Here are some examples of how to reference films in Harvard style:

Film seen at the cinema

To reference a film seen at a cinema, you’ll need the following information:

  • Title (in italics)
  • Release year (in round brackets)
  • Director name
  • [Feature film]
  • Place of distribution: Distributor

The Help (2011) Directed by Tate Taylor. [Feature film]. Burbank, CA: Walt Disney Studios Motion Pictures.

For the in-text citation, the title of the film is used, followed by the release year separated by a comma, if the film title is not mentioned already. If the title is mentioned in the text, then only the year should be given, in round brackets.

The characters in The Help (2011) reveal…

The film showcases race relations during the Civil Rights Movement in the 1960s in Jackson, Mississippi ( The Help , 2011).

Film from a streaming service

If you are referencing a film you viewed via a streaming service, here’s the information you’ll need for your reference:

  • Name of the streaming service or DOI
  • (Accessed: date)

Changeling (2008) Directed by Clint Eastwood. Available at: Netflix (Accessed: 22 September 2020).

For the in-text citation, the title of the film and date are used, separated by a comma, if the film title is not already mentioned. If it is, then only the date is necessary.

In Changeling (2008), Angelina Jolie plays the character…

Angelina Jolie ( Changeling , 2008) plays the character of a mother whose…

Film from a physical copy (DVD/Blu-ray)

If you want to reference a film you viewed on DVD or Blu-ray, you’ll need the following information:

  • [DVD, catalogue number] or [Blu-ray, catalogue number] (in square brackets)

The BFG: Big Friendly Giant (2016) Directed by Steven Spielberg. [Blu-ray, 8042180]. Burbank, CA: Buena Vista Home Entertainment.

The in-text citation method is the same as in the previous two examples.

Key takeaways

  • The methods for referencing films and videos differ according to the mode of viewing.
  • The name of the film and year suffice for in-text citations of films viewed at the cinema, on DVD or through a streaming platform.

Published October 29, 2020.

Harvard Formatting Guide

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  • Page Numbers
  • Writing an Outline
  • View Harvard Guide

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How to Cite a Movie in an Essay: MLA, APA, Harvard, Chicago

November 16, 2023

It is crucial to cite a movie in an essay to give credit to the original creators and sources of information. Just like any other form of media, movies are considered intellectual property, and their use in academic writing requires proper acknowledgment. Citing a movie not only demonstrates academic integrity but also allows readers to access the referenced material for further research. Additionally, citing movies helps to avoid plagiarism and provides a solid foundation for the arguments and claims presented in the essay. By acknowledging the source, it shows that the writer has conducted thorough research and is presenting information from reliable sources. Citing movies also adds credibility and allows readers to verify the information presented. Therefore, it is crucial to understand the correct methods of citing movies to enhance the overall quality and academic value of the essay.

MLA format for citing a movie in an essay

In MLA format, citing a movie in an essay follows a specific set of guidelines. Here’s how to do it:

  • Title of the Movie: Start the citation with the title of the movie, in italics or underlined.
  • Director’s Name: Include the full name of the director, followed by a comma.
  • Performers’ Names: If relevant, you can include the names of performers in the movie, preceded by the abbreviation “perf.” and followed by a comma.
  • Distributor: Add the name of the movie’s distributor, followed by a comma.
  • Release Year: Include the release year of the movie, followed by a period.

Example citation in MLA format:

Title of the Movie. Directed by Director’s Name, performances by Performers’ Names, Distributor, Release Year.

For instance:

“The Shawshank Redemption.” Directed by Frank Darabont, performances by Tim Robbins and Morgan Freeman, Warner Bros., 1994.

It is important to note that if you are referring to the movie within the body of your essay, you should include the title of the movie in italics or underlined, and the in-text citation should be placed in parentheses after the movie title with just the last name of the director and the page number, if applicable, like this: (Darabont 46). Remember to also include a corresponding entry in your bibliography or works cited page at the end of your essay.

By following these guidelines, you can accurately and properly cite a movie in your essay using MLA format.

APA format for citing a movie

In APA format, citing a movie in an essay involves a specific format that ensures clarity and consistency. Here’s how to cite a movie in APA style:

  • Producer(s) and Director(s): Start with the last name and initials of the producer(s) and director(s), separated by a comma and an ampersand (&).
  • Year of Release: Include the year in parentheses immediately following the names of the director(s) and producer(s).
  • Title of the Movie: Capitalize the first letter of each significant word in the title, as well as any subtitles. Italicize the title.
  • Country of Origin: Provide the country where the movie was produced.
  • Production Company: Include the name of the production company that released the movie.

Example citation in APA format:

Director Last Name, Initial(s) (Director), & Producer Last Name, Initial(s). (Year). Title of the Movie [Motion picture]. Country of Origin: Production Company.

Darabont, F. (Director), & Niki, M. (Producer). (1994). The Shawshank Redemption [Motion picture]. United States: Warner Bros.

Remember to include an in-text citation after mentioning the movie title within the body of your essay. This entails placing the last name of the director and the year of release in parentheses, like this: (Darabont, 1994). In the reference list or bibliography at the end of your essay, ensure you provide a full citation for the movie.

By following these guidelines, you can accurately and properly cite a movie in your essay using APA format.

How to Reference a Movie in Harvard Style

In Harvard referencing style, citing a movie in an essay follows a specific format to ensure consistency and proper attribution. Here’s a step-by-step guide on how to cite a movie using Harvard style:

  • Director(s) and Producer(s): Start with the last name(s) and initials of the director(s) and producer(s), separated by a comma.
  • Year of Release: Include the year of release in parentheses immediately after the names.
  • [Motion picture]: Include this phrase in square brackets.

Example citation in Harvard format:

Director Last Name, Initial(s), & Producer Last Name, Initial(s). (Year of Release). Title of the Movie [Motion picture]. Country of Origin: Production Company.

Darabont, F., & Niki, M. (1994). The Shawshank Redemption [Motion picture]. United States: Warner Bros.

When citing a movie within your essay, include the director’s last name and the year of release in parentheses, like this: (Darabont, 1994). Additionally, make sure to list the full citation in your reference list or bibliography at the end of your essay.

By following these guidelines, you can accurately cite a movie in your essay using Harvard format. Don’t forget to consult the official Harvard referencing style guide for any additional specific requirements.

How to Cite a Movie in Chicago/Turabian Format

In Chicago/Turabian format, citing a movie in an essay requires adherence to specific guidelines to ensure accurate referencing. Here’s a step-by-step guide on how to cite a movie using Chicago/Turabian style:

  • Director(s) and Producer(s): Start with the director(s)’s full name, followed by a “dir.” For the producer(s), use “prod.” Include their names in the order they appear in the movie’s credits.
  • Title of the Movie: Capitalize the first letter of each significant word in the title, as well as any subtitles. Italicize the title or use quotation marks, depending on the format used in the original source.
  • Directed by, Produced by, or Director(s) and Producer(s): Indicate the directors and producers’ roles using appropriate abbreviations.

Example citation in Chicago/Turabian format:

Director(s) Last Name, First Name(s), dir. Producer(s) Last Name, First Name(s), prod. Year of Release. Title of the Movie. Directed by, Produced by, or Director(s) and Producer(s). Country of Origin: Production Company.

For example:

Darabont, Frank, dir. Niki, Mark, prod. 1994. The Shawshank Redemption. Directed by Frank Darabont, Produced by Mark Niki. United States: Warner Bros.

When citing the movie within your essay, include the director’s(s)’s last name and the year of release in parentheses, like this: (Darabont 1994). Additionally, make sure to list the full citation in your bibliography or reference list at the end of your essay.

By following these guidelines, you can accurately cite a movie in your essay using Chicago/Turabian format. However, it’s important to consult the official Chicago/Turabian style guide for any additional specific requirements.

Using in-text citations for movie references

When citing a movie in an essay, it is crucial to use in-text citations to provide proper attribution and support your statements or arguments. Here’s how to incorporate in-text citations for movie references in your essay:

  • Direct Quotes: When directly quoting a line or dialogue from a movie, enclose the quote in quotation marks and include the last name of the director and the year of release in parentheses. For example: “I’m going to make him an offer he can’t refuse” (Coppola, 1972).
  • Paraphrasing: If you’re paraphrasing a scene or summarizing the movie, mention the director’s last name and the year of release in parentheses at the end of the sentence. For example: The gripping prison escape in “The Shawshank Redemption” (Darabont, 1994) captivated audiences worldwide.
  • Referring to a Movie: If you’re referring to a specific movie without including a direct quote or paraphrase, mention the movie’s title in italics and the director’s last name and the year of release in parentheses. For example: The visual effects in “Inception” (Nolan, 2010) were groundbreaking.

Remember to keep your in-text citations concise and clear, providing enough information for readers to locate the full citation in your reference list. Properly citing a movie within your essay not only acknowledges the original source but also adds credibility to your work.

Creating a Reference List for Movies in the Bibliography

When citing a movie in an essay, it is essential to include a comprehensive reference list or bibliography to provide complete details for your sources. Here’s a guide on how to create a reference list for movies in the bibliography using the appropriate format:

  • Start the reference list on a new page titled “References” or “Bibliography.”
  • Arrange the entries in alphabetical order based on the last name of the movie’s director.
  • Include the following information for each movie entry:
  • Director(s) and Producer(s): Start with the last name(s) and initial(s) of the director(s) and producer(s). Use a comma to separate multiple directors or producers. End with a period.
  • Year of Release: Enclose the year of release in parentheses. End with a period.
  • Title of the Movie: Capitalize the first letter of each significant word in the title and any subtitles. Italicize the title.
  • Format: Specify the format of the movie, such as “Motion picture” or “Film.”
  • Country of Origin: Mention the country where the movie was produced. End with a colon.
  • Production Company: Include the name of the production company that released the movie. End with a period.

Example reference list entry for a movie:

Darabont, F. & Niki, M. (1994). The Shawshank Redemption. [Motion picture]. United States: Warner Bros.

Ensure that each entry is formatted consistently throughout the bibliography. If there are multiple movies by the same director, list them in chronological order, starting with the earliest release.

By following these guidelines, you can create an accurate and well-organized reference list for movies in the bibliography section of your essay. Remember to consult the appropriate style guide for any specific requirements or variations.

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How to Cite a Film in Harvard Referencing

2-minute read

  • 5th June 2020

While books and journals are the most common sources in academic writing , you may need to cite a film or documentary in your work at some point. But how does this work? In this post, we look at citing a film using Harvard referencing , including the in-text citations and reference list entry.

Citing a Film in Harvard Referencing

To cite a film in Harvard referencing, you need to give its name in italics and the year it was released:

Nineteenth-century New York is portrayed as a Darwinian battleground plagued by tribal warfare ( Gangs of New York , 2002).

If you name the source in the text, though, simply give the date in brackets:

In Gangs of New York (2002), nineteenth-century New York is portrayed as a Darwinian battleground plagued by tribal warfare.

Finally, to cite a specific part of a film (e.g. to quote an important line or discuss a particular scene), you may need to give a pinpoint citation. And in the absence of page numbers, this means giving a timestamp :

At this point, Bill the Butcher says, ‘He was the only man I ever killed worth remembering’ ( Gangs of New York , 2002, 2:21:34).

Here, we’re citing something from 2 hours, 21 minutes and 34 seconds into the film. And the timestamp will allow readers to find the relevant quote.

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Adding a Film to a Harvard Reference List

The reference list format for a film in Harvard referencing is:

Film title (Year) Directed by Name of Director [Film]. Place of distribution if known, Distribution company.

We would therefore list Gangs of New York like this:

Gangs of New York (2002) Directed by Martin Scorsese [Film]. Buena Vista Distribution.

Harvard Variations and Proofreading

Harvard referencing is a style, not a unified system. As a result, different universities may use different versions of this style. The guidelines set out above are based on the Open University version of Harvard referencing , but make sure to check your own style guide for advice if you have one.

Whichever version you use, though, your references should be clear and consistent. And to make sure of this, why not ask the referencing experts at Proofed to check that your writing is always error free?

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MLA Works Cited: Other Common Sources

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Copyright ©1995-2018 by The Writing Lab & The OWL at Purdue and Purdue University. All rights reserved. This material may not be published, reproduced, broadcast, rewritten, or redistributed without permission. Use of this site constitutes acceptance of our terms and conditions of fair use.

Several sources have multiple means for citation, especially those that appear in varied formats: films, DVDs, television shows, music, published and unpublished interviews, interviews over e-mail, published and unpublished conference proceedings. The following section discusses these sorts of citations as well as others not covered in the print, periodical, and electronic sources sections.

Use the following format for all sources:

Author. Title. Title of container (self contained if book), Other contributors (translators or editors), Version (edition), Number (vol. and/or no.), Publisher, Publication Date, Location (pages, paragraphs URL or DOI). 2 nd container’s title, Other contributors, Version, Number, Publisher, Publication date, Location, Date of Access (if applicable).

An Interview

Interviews typically fall into two categories: print or broadcast published and unpublished (personal) interviews, although interviews may also appear in other, similar formats such as in e-mail format or as a Web document.

Personal Interviews

Personal interviews refer to those interviews that you conduct yourself. List the interview by the name of the interviewee. Include the descriptor Personal interview and the date of the interview.

Smith, Jane. Personal interview. 19 May 2014.

Published Interviews (Print or Broadcast)

List the interview by the full name of the interviewee. If the name of the interview is part of a larger work like a book, a television program, or a film series, place the title of the interview in quotation marks and place the title of the larger work in italics. If the interview appears as an independent title, italicize it. For books, include the author or editor name after the book title.

Note: If the interview from which you quote does not feature a title, add the descriptor, Interview by (unformatted) after the interviewee’s name and before the interviewer’s name.

Gaitskill, Mary. Interview with Charles Bock. Mississippi Review , vol. 27, no. 3, 1999, pp. 129-50.

Amis, Kingsley. “Mimic and Moralist.” Interviews with Britain’s Angry Young Men , By Dale Salwak, Borgo P, 1984.

Online-only Published Interviews

List the interview by the name of the interviewee. If the interview has a title, place it in quotation marks. Cite the remainder of the entry as you would other exclusive web content. Place the name of the website in italics, give the publisher name (or sponsor), the publication date, and the URL.

Note: If the interview from which you quote does not feature a title, add the descriptor Interview by (unformatted) after the interviewee’s name and before the interviewer’s name.

Zinkievich, Craig. Interview by Gareth Von Kallenbach. Skewed & Reviewed , 27 Apr. 2009, www.arcgames.com/en/games/star-trek-online/news/detail/1056940-skewed-%2526-reviewed-interviews-craig. Accessed 15 May 2009.

Speeches, Lectures, or Other Oral Presentations (including Conference Presentations)

Start with speaker’s name. Then, give the title of the speech (if any) in quotation marks. Follow with the title of the particular conference or meeting and then the name of the organization. Name the venue and its city (if the name of the city is not listed in the venue’s name). Use the descriptor that appropriately expresses the type of presentation (e.g., Address, Lecture, Reading, Keynote Speech, Guest Lecture, Conference Presentation).

Stein, Bob. “Reading and Writing in the Digital Era.” Discovering Digital Dimensions, Computers and Writing Conference, 23 May 2003, Union Club Hotel, West Lafayette, IN. Keynote Address.

Panel Discussions and Question-and-Answer Sessions

The MLA Handbook makes a distinction between the formal, rehearsed portion of a presentation and the informal discussion that often occurs after. To format an entry for a panel discussion or question-and-answer session, treat the panel members or speakers as authors by listing them first. If these people are formally listed as panelists, indicate this by following their names with a comma and the title "panelist(s)." Follow with the title of the discussion, or, if there is no title, a simple description. In the latter case, don't capitalize the description. Follow this with the title of the conference or event. End with the date and the location.

Bavis, Jim and Stein, Tammi, panelists. Panel discussion. Dawn or Doom Conference, 4 Nov. 2018, Stewart Hall, Purdue University, West Lafayette, IN.

Treat recorded discussions as instances of the appropriate medium (e.g., if you want to cite a recording of a panel discussion hosted on YouTube, cite it the same way you would cite an ordinary online video ).

Published Conference Proceedings

Cite published conference proceedings like a book. If the date and location of the conference are not part of the published title, add this information after the published proceedings title.

Last Name, First Name, editor. Conference Title , Conference Date and Location, Publisher, Date of Publication.

To cite a presentation from published conference proceedings, begin with the presenter’s name. Place the name of the presentation in quotation marks. Follow with publication information for the conference proceedings.

Last Name, First Name. “Conference Paper Title.” Conference Title that Includes Conference Date and Location , edited by Conference Editor(s), Publisher, Date of Publication.

A Painting, Sculpture, or Photograph

Provide the artist's name, the title of the artwork in italics, and the date of composition. Finally, provide the name of the institution that houses the artwork followed by the location of the institution (if the location is not listed in the name of the institution, e.g. The Art Institute of Chicago).

Goya, Francisco. The Family of Charles IV . 1800, Museo del Prado, Madrid.

If the medium and/or materials (e.g., oil on canvas) are important to the reference, you can include this information at the end of the entry. However, it is not required.

For photographic reproductions of artwork (e.g. images of artwork in a book), treat the book or website as a container. Remember that for a second container, the title is listed first, before the contributors. Cite the bibliographic information as above followed by the information for the source in which the photograph appears, including page or reference numbers (plate, figure, etc.).

Goya, Francisco. The Family of Charles IV . 1800, Museo del Prado, Madrid. Gardener's Art Through the Ages , 10 th ed., by Richard G. Tansey and Fred S. Kleiner, Harcourt Brace, p. 939.

If you viewed the artwork on the museum's website, treat the name of the website as the container and include the website's publisher and the URL at the end of the citation. Omit publisher information if it is the same as the name of the website. Note the period after the date below, rather than the comma: this is because the date refers to the painting's original creation, rather than to its publication on the website. Thus, MLA format considers it an "optional element."

Goya, Francisco.  The Family of Charles IV . 1800 . Museo del Prado,  museodelprado.es/en/the-collection/art-work/the-family-of-carlos-iv/f47898fc-aa1c-48f6-a779-71759e417e74.

A Song or Album

Music can be cited multiple ways. Mainly, this depends on the container that you accessed the music from. Generally, citations begin with the artist name. They might also be listed by composers or performers. Otherwise, list composer and performer information after the album title. Put individual song titles in quotation marks. Album names are italicized. Provide the name of the recording manufacturer followed by the publication date.

If information such as record label or name of album is unavailable from your source, do not list that information.

Morris, Rae. “Skin.” Cold, Atlantic Records, 2014. Spotify , open.spotify.com/track/0OPES3Tw5r86O6fudK8gxi.

Online Album

Beyoncé. “Pray You Catch Me.” Lemonade, Parkwood Entertainment, 2016, www.beyonce.com/album/lemonade-visual-album/.

Nirvana. "Smells Like Teen Spirit." Nevermind , Geffen, 1991.

Films or Movies

List films by their title. Include the name of the director, the film studio or distributor, and the release year. If relevant, list performer names after the director's name.

Speed Racer . Directed by Lana Wachowski and Lilly Wachowski, performances by Emile Hirsch, Nicholas Elia, Susan Sarandon, Ariel Winter, and John Goodman, Warner Brothers, 2008.

To emphasize specific performers or directors, begin the citation with the name of the desired performer or director, followed by the appropriate title for that person.

Lucas, George, director. Star Wars Episode IV: A New Hope . Twentieth Century Fox, 1977.

Television Shows

Recorded Television Episodes

Cite recorded television episodes like films (see above). Begin with the episode name in quotation marks. Follow with the series name in italics. When the title of the collection of recordings is different than the original series (e.g., the show Friends is in DVD release under the title Friends: The Complete Sixth Season), list the title that would help researchers to locate the recording. Give the distributor name followed by the date of distribution.

"The One Where Chandler Can't Cry." Friends: The Complete Sixth Season , written by Andrew Reich and Ted Cohen, directed by Kevin Bright, Warner Brothers, 2004.

Broadcast TV or Radio Program

Begin with the title of the episode in quotation marks. Provide the name of the series or program in italics. Also include the network name, call letters of the station followed by the date of broadcast and city.

"The Blessing Way." The X-Files . Fox, WXIA, Atlanta, 19 Jul. 1998.

Netflix, Hulu, Google Play

Generally, when citing a specific episode, follow the format below.

“94 Meetings.” Parks and Recreation, season 2, episode 21, NBC, 29 Apr. 2010. Netflix, www.netflix.com/watch/70152031.

An Entire TV Series

When citing the entire series of a TV show, use the following format.

Daniels, Greg and Michael Schur, creators. Parks and Recreation . Deedle-Dee Productions and Universal Media Studios, 2015.

A Specific Performance or Aspect of a TV Show

If you want to emphasize a particular aspect of the show, include that particular information. For instance, if you are writing about a specific character during a certain episode, include the performer’s name as well as the creator’s.

“94 Meetings.” Parks and Recreation, created by Greg Daniels and Michael Schur, performance by Amy Poehler, season 2, episode 21, Deedle-Dee Productions and Universal Media Studios, 2010.

If you wish to emphasize a particular character throughout the show’s run time, follow this format.

Poehler, Amy, performer. Parks and Recreation. Deedle-Dee Productions and Universal Media Studios, 2009-2015.

Begin with the title of the episode in quotation marks. Provide the name of the series in italics. Then follow with MLA format per usual.

“Best of Not My Job Musicians.” Wait Wait…Don’t Tell Me! from NPR, 4 June 2016, www.npr.org/podcasts/344098539/wait-wait-don-t-tell-me.

Spoken-Word Albums such as Comedy Albums

Treat spoken-word albums the same as musical albums.

Hedberg, Mitch. Strategic Grill Locations . Comedy Central, 2003.

Digital Files (PDFs, MP3s, JPEGs)

Determine the type of work to cite (e.g., article, image, sound recording) and cite appropriately. End the entry with the name of the digital format (e.g., PDF, JPEG file, Microsoft Word file, MP3). If the work does not follow traditional parameters for citation, give the author’s name, the name of the work, the date of creation, and the location.

Beethoven, Ludwig van. Moonlight Sonata . Crownstar, 2006.

Smith, George. “Pax Americana: Strife in a Time of Peace.” 2005. Microsoft Word file.

Council of Writing Program Administrators, National Council of Teachers of English, and National Writing Project. Framework for Success in Postsecondary Writing . CWPA, NCTE, and NWP, 2011, wpacouncil.org/files/framework-for-success-postsecondary-writing.pdf.

Bentley, Phyllis. “Yorkshire and the Novelist.” The Kenyon Review , vol. 30, no. 4, 1968, pp. 509-22. JSTOR , www.jstor.org.iii/stable/4334841.

Chinese zoo under fire after dyeing dogs to resemble pandas

HONG KONG — A zoo in China has been accused of trying to deceive visitors with a pair of dogs dyed black and white to look like panda bears .

Videos circulating on Chinese social media show the two “panda dogs” in an exhibit at Taizhou Zoo in the eastern province of Jiangsu that opened on May 1. Though the animals are patterned to look like pandas, which are endemic to China and an international symbol of the country, their wagging tails give them away.

Zoo officials told Chinese state media that they were Chow Chows — a fluffy dog breed originally from northern China — painted black and white to resemble giant pandas, adding that they had clearly advertised them as “panda dogs” and did not make any false claims.

The dogs are still at the zoo, officials told NBC News by phone on Friday, where the number of people coming to see them remained “at a normal level.”

The zoo, which does not have real pandas, was nonetheless criticized by state media and others for misleading visitors and mistreating the dogs.

“It is not funny at all to dye Chow Chow dogs to attract tourists,” one commenter wrote on the social media platform Weibo. “Their fragile skin and naturally thick coats make them susceptible to skin diseases.”

Zoo officials defended the exhibit, saying the dogs had not been harmed.

“Normal people dye their hair,” a spokesperson told Qilu Evening News. “Dogs can dye their hair, too. It’s the same as hair.”

This is not the first time that “panda dogs” have set off social media discussion in China.

In 2019, a dog cafe in the southwestern province of Sichuan raised animal rights concerns with its six Chow Chows that were also dyed to look like the bears.

In 2020, in the same province, a “panda” being walked by a woman in a video that went viral was revealed to be a dyed Chow Chow.

Other zoos in China have also been accused of having fake animals, often dogs they tried to present as wolves or African cats.

Last July, a zoo in the eastern province of Zhejiang denied that its Malayan sun bears were human beings in disguise after a video of one standing like a person went viral. Experts debunked the claim and the zoo said there was no way a person in a fur suit would be able to withstand such high summer temperatures.

Larissa Gao is a fellow on NBC’s Asia Desk, based in Hong Kong.

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The Thirty-Eighth Annual Conference on Neural Information Processing Systems (NeurIPS 2024) is an interdisciplinary conference that brings together researchers in machine learning, neuroscience, statistics, optimization, computer vision, natural language processing, life sciences, natural sciences, social sciences, and other adjacent fields. We invite submissions presenting new and original research on topics including but not limited to the following:

  • Applications (e.g., vision, language, speech and audio, Creative AI)
  • Deep learning (e.g., architectures, generative models, optimization for deep networks, foundation models, LLMs)
  • Evaluation (e.g., methodology, meta studies, replicability and validity, human-in-the-loop)
  • General machine learning (supervised, unsupervised, online, active, etc.)
  • Infrastructure (e.g., libraries, improved implementation and scalability, distributed solutions)
  • Machine learning for sciences (e.g. climate, health, life sciences, physics, social sciences)
  • Neuroscience and cognitive science (e.g., neural coding, brain-computer interfaces)
  • Optimization (e.g., convex and non-convex, stochastic, robust)
  • Probabilistic methods (e.g., variational inference, causal inference, Gaussian processes)
  • Reinforcement learning (e.g., decision and control, planning, hierarchical RL, robotics)
  • Social and economic aspects of machine learning (e.g., fairness, interpretability, human-AI interaction, privacy, safety, strategic behavior)
  • Theory (e.g., control theory, learning theory, algorithmic game theory)

Machine learning is a rapidly evolving field, and so we welcome interdisciplinary submissions that do not fit neatly into existing categories.

Authors are asked to confirm that their submissions accord with the NeurIPS code of conduct .

Formatting instructions:   All submissions must be in PDF format, and in a single PDF file include, in this order:

  • The submitted paper
  • Technical appendices that support the paper with additional proofs, derivations, or results 
  • The NeurIPS paper checklist  

Other supplementary materials such as data and code can be uploaded as a ZIP file

The main text of a submitted paper is limited to nine content pages , including all figures and tables. Additional pages containing references don’t count as content pages. If your submission is accepted, you will be allowed an additional content page for the camera-ready version.

The main text and references may be followed by technical appendices, for which there is no page limit.

The maximum file size for a full submission, which includes technical appendices, is 50MB.

Authors are encouraged to submit a separate ZIP file that contains further supplementary material like data or source code, when applicable.

You must format your submission using the NeurIPS 2024 LaTeX style file which includes a “preprint” option for non-anonymous preprints posted online. Submissions that violate the NeurIPS style (e.g., by decreasing margins or font sizes) or page limits may be rejected without further review. Papers may be rejected without consideration of their merits if they fail to meet the submission requirements, as described in this document. 

Paper checklist: In order to improve the rigor and transparency of research submitted to and published at NeurIPS, authors are required to complete a paper checklist . The paper checklist is intended to help authors reflect on a wide variety of issues relating to responsible machine learning research, including reproducibility, transparency, research ethics, and societal impact. The checklist forms part of the paper submission, but does not count towards the page limit.

Please join the NeurIPS 2024 Checklist Assistant Study that will provide you with free verification of your checklist performed by an LLM here . Please see details in our  blog

Supplementary material: While all technical appendices should be included as part of the main paper submission PDF, authors may submit up to 100MB of supplementary material, such as data, or source code in a ZIP format. Supplementary material should be material created by the authors that directly supports the submission content. Like submissions, supplementary material must be anonymized. Looking at supplementary material is at the discretion of the reviewers.

We encourage authors to upload their code and data as part of their supplementary material in order to help reviewers assess the quality of the work. Check the policy as well as code submission guidelines and templates for further details.

Use of Large Language Models (LLMs): We welcome authors to use any tool that is suitable for preparing high-quality papers and research. However, we ask authors to keep in mind two important criteria. First, we expect papers to fully describe their methodology, and any tool that is important to that methodology, including the use of LLMs, should be described also. For example, authors should mention tools (including LLMs) that were used for data processing or filtering, visualization, facilitating or running experiments, and proving theorems. It may also be advisable to describe the use of LLMs in implementing the method (if this corresponds to an important, original, or non-standard component of the approach). Second, authors are responsible for the entire content of the paper, including all text and figures, so while authors are welcome to use any tool they wish for writing the paper, they must ensure that all text is correct and original.

Double-blind reviewing:   All submissions must be anonymized and may not contain any identifying information that may violate the double-blind reviewing policy.  This policy applies to any supplementary or linked material as well, including code.  If you are including links to any external material, it is your responsibility to guarantee anonymous browsing.  Please do not include acknowledgements at submission time. If you need to cite one of your own papers, you should do so with adequate anonymization to preserve double-blind reviewing.  For instance, write “In the previous work of Smith et al. [1]…” rather than “In our previous work [1]...”). If you need to cite one of your own papers that is in submission to NeurIPS and not available as a non-anonymous preprint, then include a copy of the cited anonymized submission in the supplementary material and write “Anonymous et al. [1] concurrently show...”). Any papers found to be violating this policy will be rejected.

OpenReview: We are using OpenReview to manage submissions. The reviews and author responses will not be public initially (but may be made public later, see below). As in previous years, submissions under review will be visible only to their assigned program committee. We will not be soliciting comments from the general public during the reviewing process. Anyone who plans to submit a paper as an author or a co-author will need to create (or update) their OpenReview profile by the full paper submission deadline. Your OpenReview profile can be edited by logging in and clicking on your name in https://openreview.net/ . This takes you to a URL "https://openreview.net/profile?id=~[Firstname]_[Lastname][n]" where the last part is your profile name, e.g., ~Wei_Zhang1. The OpenReview profiles must be up to date, with all publications by the authors, and their current affiliations. The easiest way to import publications is through DBLP but it is not required, see FAQ . Submissions without updated OpenReview profiles will be desk rejected. The information entered in the profile is critical for ensuring that conflicts of interest and reviewer matching are handled properly. Because of the rapid growth of NeurIPS, we request that all authors help with reviewing papers, if asked to do so. We need everyone’s help in maintaining the high scientific quality of NeurIPS.  

Please be aware that OpenReview has a moderation policy for newly created profiles: New profiles created without an institutional email will go through a moderation process that can take up to two weeks. New profiles created with an institutional email will be activated automatically.

Venue home page: https://openreview.net/group?id=NeurIPS.cc/2024/Conference

If you have any questions, please refer to the FAQ: https://openreview.net/faq

Abstract Submission: There is a mandatory abstract submission deadline on May 15, 2024, six days before full paper submissions are due. While it will be possible to edit the title and abstract until the full paper submission deadline, submissions with “placeholder” abstracts that are rewritten for the full submission risk being removed without consideration. This includes titles and abstracts that either provide little or no semantic information (e.g., "We provide a new semi-supervised learning method.") or describe a substantively different claimed contribution.  The author list cannot be changed after the abstract deadline. After that, authors may be reordered, but any additions or removals must be justified in writing and approved on a case-by-case basis by the program chairs only in exceptional circumstances. 

Ethics review: Reviewers and ACs may flag submissions for ethics review . Flagged submissions will be sent to an ethics review committee for comments. Comments from ethics reviewers will be considered by the primary reviewers and AC as part of their deliberation. They will also be visible to authors, who will have an opportunity to respond.  Ethics reviewers do not have the authority to reject papers, but in extreme cases papers may be rejected by the program chairs on ethical grounds, regardless of scientific quality or contribution.  

Preprints: The existence of non-anonymous preprints (on arXiv or other online repositories, personal websites, social media) will not result in rejection. If you choose to use the NeurIPS style for the preprint version, you must use the “preprint” option rather than the “final” option. Reviewers will be instructed not to actively look for such preprints, but encountering them will not constitute a conflict of interest. Authors may submit anonymized work to NeurIPS that is already available as a preprint (e.g., on arXiv) without citing it. Note that public versions of the submission should not say "Under review at NeurIPS" or similar.

Dual submissions: Submissions that are substantially similar to papers that the authors have previously published or submitted in parallel to other peer-reviewed venues with proceedings or journals may not be submitted to NeurIPS. Papers previously presented at workshops are permitted, so long as they did not appear in a conference proceedings (e.g., CVPRW proceedings), a journal or a book.  NeurIPS coordinates with other conferences to identify dual submissions.  The NeurIPS policy on dual submissions applies for the entire duration of the reviewing process.  Slicing contributions too thinly is discouraged.  The reviewing process will treat any other submission by an overlapping set of authors as prior work. If publishing one would render the other too incremental, both may be rejected.

Anti-collusion: NeurIPS does not tolerate any collusion whereby authors secretly cooperate with reviewers, ACs or SACs to obtain favorable reviews. 

Author responses:   Authors will have one week to view and respond to initial reviews. Author responses may not contain any identifying information that may violate the double-blind reviewing policy. Authors may not submit revisions of their paper or supplemental material, but may post their responses as a discussion in OpenReview. This is to reduce the burden on authors to have to revise their paper in a rush during the short rebuttal period.

After the initial response period, authors will be able to respond to any further reviewer/AC questions and comments by posting on the submission’s forum page. The program chairs reserve the right to solicit additional reviews after the initial author response period.  These reviews will become visible to the authors as they are added to OpenReview, and authors will have a chance to respond to them.

After the notification deadline, accepted and opted-in rejected papers will be made public and open for non-anonymous public commenting. Their anonymous reviews, meta-reviews, author responses and reviewer responses will also be made public. Authors of rejected papers will have two weeks after the notification deadline to opt in to make their deanonymized rejected papers public in OpenReview.  These papers are not counted as NeurIPS publications and will be shown as rejected in OpenReview.

Publication of accepted submissions:   Reviews, meta-reviews, and any discussion with the authors will be made public for accepted papers (but reviewer, area chair, and senior area chair identities will remain anonymous). Camera-ready papers will be due in advance of the conference. All camera-ready papers must include a funding disclosure . We strongly encourage accompanying code and data to be submitted with accepted papers when appropriate, as per the code submission policy . Authors will be allowed to make minor changes for a short period of time after the conference.

Contemporaneous Work: For the purpose of the reviewing process, papers that appeared online within two months of a submission will generally be considered "contemporaneous" in the sense that the submission will not be rejected on the basis of the comparison to contemporaneous work. Authors are still expected to cite and discuss contemporaneous work and perform empirical comparisons to the degree feasible. Any paper that influenced the submission is considered prior work and must be cited and discussed as such. Submissions that are very similar to contemporaneous work will undergo additional scrutiny to prevent cases of plagiarism and missing credit to prior work.

Plagiarism is prohibited by the NeurIPS Code of Conduct .

Other Tracks: Similarly to earlier years, we will host multiple tracks, such as datasets, competitions, tutorials as well as workshops, in addition to the main track for which this call for papers is intended. See the conference homepage for updates and calls for participation in these tracks. 

Experiments: As in past years, the program chairs will be measuring the quality and effectiveness of the review process via randomized controlled experiments. All experiments are independently reviewed and approved by an Institutional Review Board (IRB).

Financial Aid: Each paper may designate up to one (1) NeurIPS.cc account email address of a corresponding student author who confirms that they would need the support to attend the conference, and agrees to volunteer if they get selected. To be considered for Financial the student will also need to fill out the Financial Aid application when it becomes available.

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Hollywood & media deaths in 2024: photo gallery & obituaries, media matters for america undergoes round of layoffs.

By Ted Johnson

Ted Johnson

Political Editor

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Media Matters for America, the progressive watchdog journalism organization, underwent a round of layoffs today, as its president cited the shifting media landscape as well as its defense against legal action.

A spokesperson said that more than a dozen staffers were impacted. Staffers turned to X/Twitter to post news of their layoffs.

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Elon Musk , the owner of X/Twitter, sued Media Matters last year, alleging that the organization “manipulated the algorithms” of the social media platform so that racist images and incendiary content appeared next to blue chip advertisements. The lawsuit came amid an exodus of major brands from Musk’s platform, but there also had been attention paid to Musk’s own amplification of antisemitic material.

At the time, Carusone said, “This is a frivolous lawsuit meant to bully X’s critics into silence. Media Matters stands behind its reporting and looks forward to winning in court.”

Texas Attorney General Ken Paxton also opened an investigation of Media Matters, but a federal judge last month granted the organization a preliminary injunction to essentially halt the investigation, citing the First Amendment.

One of those laid off was Katherine Abughazaleh, a senior video producer known as Kat Abu on X/Twitter, who wrote, “Bad News: I’ve been laid off from @mmfa, along with a dozen colleagues. There’s a reason far-right billionaires attack Media Matters with armies of lawyers: They know how effective our work is, and it terrifies them (him).”

Media Matters was founded in 2004 by activist David Brock.

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‘General Hospital’ Alum’s Killing Shocks Castmates & Hollywood

‘anora’ scoops top cannes prize; baker on plight of theatrical; neon high 5, loan out corporations could end, iatse tells members as amptp talks continue.

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Morgan Spurlock, Documentarian Known for ‘Super Size Me,’ Dies at 53

His 2004 film followed Mr. Spurlock as he ate nothing but McDonald’s for a month. It was nominated for an Oscar, but it later came in for criticism.

Morgan Spurlock, a young man with brown hair, sideburns and a long mustache, poses with French fries in his left hand and a hamburger in his right. He wears a red T-shirt with a picture of a burger on it.

By Clay Risen and Remy Tumin

Morgan Spurlock, a documentary filmmaker who gained fame with his Oscar-nominated 2004 film “ Super Size Me ,” which followed him as he ate nothing but McDonald’s for 30 days — but later stepped back from the public eye after admitting to sexual misconduct — died on Thursday in New York City. He was 53.

His brother Craig Spurlock said the cause was complications of cancer.

A self-described attention hound with a keen eye for the absurd, Mr. Spurlock was a playwright and television producer when he rocketed to global attention with “Super Size Me,” an early entry into the genre of gonzo participatory filmmaking that borrowed heavily from the confrontational style of Michael Moore and the up-close-and-personal influences of reality TV, which was then just emerging as a genre.

The film’s approach was straightforward: Mr. Spurlock would eat nothing but McDonald’s food for a month, and if a server at the restaurant offered to “supersize” the meal — that is, to give him the largest portion available for each item — he would accept.

The movie then follows Mr. Spurlock and his ever-patient girlfriend through his 30-day odyssey, splicing in interviews with health experts and visits to his increasingly disturbed physician. At the end of the month, he was 25 pounds heavier, depressed, puffy-faced and experiencing liver dysfunction.

The film, which debuted at the Sundance Film Festival, grossed over $22 million, made Mr. Spurlock a household name, earned him an Academy Award nomination for best documentary and helped spur a sweeping backlash against the fast-food industry — though only temporarily ; today, McDonald’s has 42,000 locations worldwide, its stock is near an all-time high, and 36 percent of Americans eat fast food on any given day.

“His movie,” the critic A.O. Scott wrote in The New York Times , “goes down easy and takes a while to digest, but its message is certainly worth the loss of your appetite.”

The film became a touchstone in American culture. By making himself a part of the story, Mr. Spurlock could be considered a forerunner of TikTok influencers and citizen-journalist YouTubers.

And even after the backlash against fast food subsided, “Super Size Me” remained a staple in high school health classes and a reference point for taking personal responsibility for one’s own diet.

But the film also came in for subsequent criticism. Some people pointed out that Mr. Spurlock refused to release the daily logs tracking his food intake. Health researchers were unable to replicate his results in controlled studies.

And in 2017, he admitted that he had not been sober for more than a week at a time in 30 years — meaning that, in addition to his “McDonald’s only” diet, he was drinking, a fact that he concealed from his doctors and the audience, and that most likely skewed his results.

The admission came in a statement in which he also revealed multiple incidents of sexual misconduct, including an encounter in college that he described as rape, as well as repeated infidelity and the sexual harassment of an assistant at his production company, Warrior Poets.

The statement, which Mr. Spurlock posted on Twitter in 2017, came as he was gearing up for the release of a sequel to the film, “ Super Size Me 2: Holy Chicken! ” on YouTube Red.

He stepped down from his production company, and YouTube dropped the film; it was instead released in 2019 by Samuel Goldwyn Films.

Morgan Valentine Spurlock was born on Nov. 7, 1970, in Parkersburg, W.Va., and grew up in Beckley, W.Va. His father, Ben, owned and operated an auto-repair shop, and his mother, Phyllis (Valentine) Spurlock, was a junior high school and high school guidance counselor.

He later said he grew up as a fan of 1970s and ’80s British comedies like “Monty Python’s Flying Circus” and “Blackadder.”

“I was doing funny walks round the house at 6 or 7,” he told The Independent in 2012 .

He studied film at New York University and received a bachelor’s degree in fine arts in 1993, then began his career as a production assistant on film projects around New York City, beginning with Luc Besson’s “Léon: The Professional” (1994).

He also began writing plays, including “The Phoenix,” which won an award at the 1999 New York International Fringe Festival.

Mr. Spurlock’s first foray onto the screen was a proto-reality show called “I Bet You Will,” which was also one of the first web-only programs. In five-minute segments, he would dare people to do something gross, or humiliating, or both — eating a “worm burrito,” for example — in exchange for a wad of cash.

The show drew millions of viewers, as well as the interest of MTV, which bought the program a few months after it debuted.

During a Thanksgiving visit to his parents in 2002, Mr. Spurlock saw a TV news story about two women who had sued McDonald’s, claiming that the chain had misled them about the nutritional value of its hamburgers, fries and sodas and caused them to gain significant weight.

“A spokesman for McDonald’s came on and said, you can’t link their obesity to our food — our food is healthy, it’s nutritious,” he told The New York Times in 2004 . “I thought, ‘If it’s so good for me, I should be able to eat it every day, right?’”

And thus, “Super Size Me” was born.

Mr. Spurlock took to fame eagerly, and, with his wide smile and handlebar mustache, was hard to miss. He became an unofficial spokesman for the wellness movement, hobnobbed with celebrity chefs — and scrambled to find a new project.

He did not want to lose the momentum generated by “Super Size Me,” nor did he want to go down in history only as the guy who ate a lot of Big Macs.

“I’ll be that guy till I die,” he told The Independent.

A follow-up film, “Where in the World Is Osama Bin Laden?” (2008), was not nearly as well received. Critics assailed him for making light of an international terrorist and for oversimplifying complicated global politics. More bricks were thrown when it emerged that he had put himself at significant personal risk while in Pakistan while his wife was at home with their newborn son.

Eventually, he did get somewhat past the shadow of “Super Size Me”: He teamed up with the actors Jason Bateman and Will Arnett to explore the male grooming industry in “Mansome” (2012) and followed the band One Direction around, resulting in the film “One Direction: This Is Us” (2013).

He produced films by other documentarians, including “The Other F Word” (2011), directed by Andrea Blaugrund Nevins, about punk rockers who became fathers, and “A Brony Tale” (2014), directed by Brent Hodge, about the subculture known as Bronies — adults, mostly men, who love the animated series “My Little Pony: Friendship Is Magic.”

And he continued to make projects that leaned on the participatory style of “Super Size Me.” He created and starred in a series called “30 Days” for FX, in which a person, often Mr. Spurlock himself, would spend about a month embedded in a community much different from his own. One episode saw him spend 25 days in a Virginia jail.

Mr. Spurlock was married three times, to Priscilla Sommer, Alexandra Jamieson and Sara Bernstein; all three marriages ended in divorce. Along with his brother Craig, he is survived by another brother, Barry; his parents; and his sons, Laken and Kallen.

His decision to discuss his sexual past, which came at the height of the #Metoo movement, was met with a mix of praise and criticism. Though many people lauded him for coming forward, critics suggested that he was trying to get ahead of a story that was going to emerge anyway.

All agreed, though, that the decision came with consequences: “Career death,” The Washington Post declared it in 2022 , noting that the once-ubiquitous Mr. Spurlock had largely disappeared.

Clay Risen is a Times reporter on the Obituaries desk. More about Clay Risen

Remy Tumin is a reporter for The Times covering breaking news and other topics. More about Remy Tumin

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Donna Langley Quotes Viola Davis While Discussing Her Status as One of Hollywood’s Most Powerful Execs: ‘I Hope My Ceiling Is Somebody Else’s Floor’

'Tiger Stripes' filmmaker Amanda Nell Eu accepted the young talent prize at the Kering Women in Motion dinner

By Angelique Jackson

Angelique Jackson

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Amanda Nell Eu Donna Langley

The first time Donna Langley came to the Cannes Film Festival she was a junior executive working on 1999’s “Austin Powers: The Spy Who Shagged Me.”

“I had just been promoted and I was fortunate enough to get picked to come on this trip to be part of the support team, and it was great! It was very different to this experience, I will say,” Langley said, eliciting a laugh from the well-heeled crowd at the Kering Women in Motion dinner, held at the Place de la Castre high above the Croisette. “[But] we had the time of our lives. We were just in so much awe to be in the cinema capital of the world.”

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“Somebody said, ‘Yeah, you can take that trip. You worked hard on this film. You deserve it,'” she said. “One of the things that struck me is that, in roles like mine and many of you in the room, we have power and opportunity to say ‘Yes.’ That is a great privilege to say yes to things. It’s much easier to say ‘No.’ And the yeses, don’t come very often, but when they do come they are so powerful.”

That’s why she’s made it her mission to “widen the aperture” of the film business with the projects and people she chooses to say “yes” to, and she encouraged other decision-makers to consider the ways that inclusion and representation can be good for the bottom line. Langley closed her remarks by quoting from Viola Davis’ rousing speech at the 2022 ceremony.

“She said, ‘I hope my ceiling is somebody else’s floor,’ and I really want to reiterate that,” Langley said. “Let’s just keep doing the work. It’s never-ending.”

“It was very humbling,” Yeoh told Variety on the black carpet. “So, this year, when they named Donna, it was like, ‘Finally!’ because she does make a lot of important changes. She walks the talk. She’s not just a figurehead. She’s so goddamn gorgeous and smart, and we want to celebrate more women like that.”

The “Wicked” star doubled down on the sentiment during the ceremony, appearing in a clip reel with a handful of other A-listers (Emily Blunt, Ariana Grande, Tom Cruise, Cynthia Erivo and Diane von Furstenberg) who saluted Langley’s efforts. “That was really bonkers. I paid them all to say those things,” Langley quipped in response.

The guest list for the black-tie dinner included Julianne Moore, Uma Thurman, Catherine Deneuve, Isabelle Huppert and Justine Triet, who returned to Cannes after winning last year’s Palme d’Or for “Anatomy of a Fall.” This year’s jury president “Barbie” director Greta Gerwig and jurors Lily Gladstone, Eva Green, Omar Sy, Nadine Labaki and Juan Antonio Bayona were in attendance too, as was Jacques Audiard and his “Emilia Pérez” stars Zoe Saldaña, Karla Sofía Gascón and Édgar Ramírez; “The Apprentice” leads Sebastian Stan and Maria Bakalova; “The Shroud” star Diane Kruger and filmmaker David Cronenberg; Philippine Leroy-Beaulieu, Julie Gayet, Anaïs Demoustier, Rossy De Palma, Pierre Niney and Romain Gavras.

As Women in Motion approaches its 10th anniversary, Hayek-Pinault reflected on the progress the initiative has made thus far.

“The conversation has gotten so much louder,” she said, noting that pay inequality is the challenge that’s most important to tackle right now. “This is [an issue] across the board — like many other issues for women in any kind of job — but because we [as actresses] have microphones, we should absolutely shout our discontent at any point that we can. it’s getting better. Not quite there yet, but it’s getting better.”

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Journal of Materials Chemistry A

Prospects of polymer coatings for all solid-state and emerging li-ion batteries †.

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* Corresponding authors

a Electrification and Energy Infrastructures Division, Oak Ridge National Laboratory, Oak Ridge, TN 37831, USA E-mail: [email protected] , [email protected]

b Centre for Solar Energy and Hydrogen Research Baden-Württemberg (ZSW), Helmholtzstraße 8, 89081 Ulm, Germany

Polymers possess processing flexibility as they can be coated on cathode particles before/after electrode fabrication and on the solid-state electrolyte surface in all-solid-state batteries (ASSBs). Their narrow electrochemical stability window limits the use of polymers directly as an electrolyte against high voltage cathodes. However, when a polymer is coated directly on battery cathodes and cycled with conventional liquid electrolytes, they exhibit superior battery performance in comparison to uncoated ones. A deeper insight was not sought in the literature. There might be a great possibility of in situ formation of an ultra-thin protective layer in-between the polymer and cathode interface at the coating development stage or in the formation cycle of the electrochemical cell. The current ASSBs demand flexible, easily scalable coating materials, which can accommodate the volume expansion–contraction during cycling and can minimize the lattice stress. However, a much better fundamental understanding is needed on polymer/ceramic interfaces. This focused review is concentrated on flexible polymers with high ionic and electronic conductivities that can be used for coating cathode particles and Li anodes. Overall, this article has analyzed and validated the application of various types of polymers in lithium-ion batteries and ASSBs comprehensively with an emphasis on the effect of coating morphologies and thickness on performance. Finally, this review gives a brief discussion on the prospects and suitability of polymers as coating layers.

Graphical abstract: Prospects of polymer coatings for all solid-state and emerging Li-ion batteries

  • This article is part of the themed collections: Journal of Materials Chemistry A Recent Review Articles and Journal of Materials Chemistry A HOT Papers

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Prospects of polymer coatings for all solid-state and emerging Li-ion batteries

R. Amin, U. Nisar, M. M. Rahman, M. Dixit, A. Abouimrane and I. Belharouak, J. Mater. Chem. A , 2024, Advance Article , DOI: 10.1039/D4TA01061B

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COMMENTS

  1. How to Cite a Movie in MLA Style

    To cite a movie from Netflix (and similar online streaming services), add the name of the website or app (e.g. "Netflix app"). If you watched the movie on an unofficial website or video-sharing platform like YouTube, add the website name, the uploader, the date of upload, and the URL. Night of the Living Dead.

  2. How to Cite a Movie in APA Style

    Revised on December 27, 2023. To cite a movie in APA Style, list its director (s) in the author position and the production company as publisher. The title is written in sentence case and italicized, followed by the label "Film" in square brackets. The in-text citation includes the last name of the director, and the year.

  3. How to Cite a Movie in APA

    Solution #1: Specifying editions of a movie. While you do not need to specify how you watched a movie, it is sometimes necessary to include the version or edition of the film in brackets next to the word "Film.". Structure & Example: Director Last Name, F. M. (Director). (Release Year). Title of motion picture [Film; Edition description ...

  4. APA Style (7th Edition) Citation Guide: Films/Videos/TV Shows

    When the Director, Producer and/or Writer is not known: Start the citation with the film title. Title of film: Subtitle if any [Film]. (Year film was produced). Production Company if Known. Note: If not produced in the United States, list the city name and the country. Example: Era of viruses [Film]. (2006). Films for the Humanities and Sciences.

  5. How to Cite a Film

    If the film is dubbed in English, begin by including the English title, followed by the translated title in square brackets. BibMe: The Movie [BibMe: La Película ]. Directed by John Smith, Columbia Pictures, 2009. Cite the director's name after the movie title by writing "Directed by" with the director's first and last name in normal ...

  6. How to cite a movie in APA, MLA, or Harvard style

    Author last name, Author first name initial. ( release date year) Movie title. Distributor location: Distributor. The final formatted citation should look like this: Whedon, J. (2015) Avengers 2: Age of Ultron. California: Walt Disney Studios Motion Pictures. Example of a movie reference in Harvard style. About the author.

  7. How to Cite a Movie, Video, or Television Show

    How to Cite a Movie, Video, or Television Show. To create a basic works-cited-list entry for a movie, list the title of the movie. Then in the Contributor element, list the name of the director. Next, in the Publisher element, provide the name of the company that produced the movie, followed by the release date.

  8. APA Movie Citation

    Use the following guide to cite a film/movie using the APA citation format. We also provide style guides for the MLA and Chicago styles. To have your bibliography or works cited list automatically made for you, check out our free APA citation maker. Once you're finished with your citations, we can also help you with creating an APA title page.

  9. Film and Television References

    This page contains reference examples for film and television, including the following: 1. Film or movie. Verrette, T. (Director). (2021). Zero gravity [Film]. Skylight Cinema; 20th Digital Studio. Provide the director in the author element of the reference, followed by the notation " (Director).". Provide the production company or ...

  10. How to Cite a Film or Documentary in MLA Referencing

    When citing a film or documentary as a whole in MLA style, simply cite its title. This can be either in the text or in parentheses. For instance: Another crime film, Goodfellas, depicts the making of a mafia boss. The film depicts the making of a mafia boss ( Goodfellas ). However, if you're focusing on a particular contributor to the film ...

  11. How do I create an in-text citation for a film?

    The in-text citation for a film should key to a works-cited-list entry. If you list a film under its title, you must refer to the title in your writing or cite it parenthetically: Point of No Return , a remake of Nikita, deviates from the original French movie in several ways. Luc Besson ( Nikita) and John Badham ( Point) approach the figure of ...

  12. 3 Ways to Cite a Movie Using MLA Style

    After you've cited the title, type "Dir." to abbreviate "director.". Then add the name of the director, listing their first name first and last name second. Put periods after "Dir" and the director's full name. [2] Your citation should now look something like this: " Notting Hill. Dir. Roger Michell.". 3.

  13. How to Reference a Movie in Harvard Referencing Style

    If you are referencing a film you viewed via a streaming service, here's the information you'll need for your reference: Title (in italics) Release year (in round brackets) Director name. Name of the streaming service or DOI. (Accessed: date) Example: Changeling (2008) Directed by Clint Eastwood.

  14. Citing a Movie in APA Style (6th Edition)

    The APA 6 in-text citation includes the last names of the producer (s) and the year. If you are referring to a specific quote or scene from the movie, add a timestamp to direct the reader to the relevant part. Producer Last Name, Initials. (Producer), & Director Last Name, Initials. (Director). ( Year ). Film title [Motion picture].

  15. How To Cite A Movie ~ Formats & Foreign

    Definition: How to Cite a Movie. A movie citation refers to the process of formally acknowledging a movie within a written document, such as an academic essay or article. There are different types of formats when it comes to how to cite a movie, the most common ones are APA, MLA, and Chicago Style movie citation.. When citing a movie, you need to know its title, director(s), film studio(s ...

  16. MLA In-Text Citations: The Basics

    MLA (Modern Language Association) style is most commonly used to write papers and cite sources within the liberal arts and humanities. This resource, updated to reflect the MLA Handbook (9th ed.), offers examples for the general format of MLA research papers, in-text citations, endnotes/footnotes, and the Works Cited page.

  17. How to Cite a Movie in an Essay

    In MLA format, citing a movie in an essay follows a specific set of guidelines. Here's how to do it: Title of the Movie: Start the citation with the title of the movie, in italics or underlined. Director's Name: Include the full name of the director, followed by a comma. Performers' Names: If relevant, you can include the names of ...

  18. How to Cite a Film in Harvard Referencing

    To cite a film in Harvard referencing, you need to give its name in italics and the year it was released: Nineteenth-century New York is portrayed as a Darwinian battleground plagued by tribal warfare ( Gangs of New York, 2002). If you name the source in the text, though, simply give the date in brackets: In Gangs of New York (2002), nineteenth ...

  19. MLA Works Cited: Other Common Sources

    Cite your source automatically in MLA. Use the following format for all sources: Author. Title. Title of container (self contained if book), Other contributors (translators or editors), Version (edition), Number (vol. and/or no.), Publisher, Publication Date, Location (pages, paragraphs URL or DOI). 2 nd container's title, Other contributors ...

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    HONG KONG — A zoo in China has been accused of trying to deceive visitors with a pair of dogs dyed black and white to look like panda bears. Videos circulating on Chinese social media show the ...

  21. How to Cite a Movie in Chicago Style

    State the length of the movie in hours and minutes, and include a URL at the end. In a note, start with the movie title, followed by the director's name. You can point the reader to a specific scene or moment in the film using timestamps. Chicago bibliography. Director last name, First name, director.

  22. NeurIPS 2024 Call for Papers

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    Organic Thin Film Transistors (OTFTs) mark a breakthrough in flexible electronics, offering advantages over traditional inorganic semiconductors through their adaptability, cost efficiency, and low-temperature production. This study highlights OTFTs' evolution, showcasing achievements like mobility rates up Journal of Materials Chemistry C Recent Review Articles

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    Polymers possess processing flexibility as they can be coated on cathode particles before/after electrode fabrication and on the solid-state electrolyte surface in all-solid-state batteries (ASSBs). Their narrow electrochemical stability window limits the use of polymers directly as an electrolyte against high volt Journal of Materials Chemistry A HOT Papers Journal of Materials Chemistry A ...