11 plus creative writing tutor

11+ creative writing guide with 50 example topics and prompts

by Hayley | Nov 17, 2022 | Exams , Writing | 0 comments

The 11+ exam is a school entrance exam taken in the academic year that a child in the UK turns eleven.

These exams are highly competitive, with multiple students battling for each school place awarded.

The 11 plus exam isn’t ‘one thing’, it varies in its structure and composition across the country. A creative writing task is included in nearly all of the 11 plus exams, and parents are often confused about what’s being tested.

Don’t be fooled into thinking that the plot of your child’s writing task is important. It is not.

The real aim of the 11+ creative writing task is to showcase your child’s writing skills and techniques.

And that’s why preparation is so important.

This guide begins by answering all the FAQs that parents have about the 11+ creative writing task.

At the end of the article I give my best tips & strategies for preparing your child for the 11+ creative writing task , along with 50 fiction and non-fiction creative writing prompts from past papers you can use to help your child prepare. You’ll also want to check out my 11+ reading list , because great readers turn into great writers.

Do all 11+ exams include a writing task?

Not every 11+ exam includes a short story component, but many do. Usually 3 to 5 different prompts are given for the child to choose between and they are not always ‘creative’ (fiction) pieces. One or more non-fiction options might be given for children who prefer writing non-fiction to fiction.

Timings and marking vary from test to test. For example, the Kent 11+ Test gives students 10 minutes for planning followed by 30 minutes for writing. The Medway 11+ Test gives 60 minutes for writing with ‘space allowed’ on the answer booklet for planning.

Tasks vary too. In the Kent Test a handful of stimuli are given, whereas 11+ students in Essex are asked to produce two individually set paragraphs. The Consortium of Selective Schools in Essex (CCSE) includes 2 creative writing paragraphs inside a 60-minute English exam.

Throughout the UK each 11+ exam has a different set of timings and papers based around the same themes. Before launching into any exam preparation it is essential to know the content and timing of your child’s particular writing task.

However varied and different these writing tasks might seem, there is one key element that binds them.

The mark scheme.

Although we can lean on previous examples to assess how likely a short story or a non-fiction tasks will be set, it would be naïve to rely completely on the content of past papers. Contemporary 11+ exams are designed to be ‘tutor-proof’ – meaning that the exam boards like to be unpredictable.

In my online writing club for kids , we teach a different task each week (following a spiral learning structure based on 10 set tasks). One task per week is perfected as the student moves through the programme of content, and one-to-one expert feedback ensures progression. This equips our writing club members to ‘write effectively for a range of purposes’ as stated in the English schools’ teacher assessment framework.

This approach ensures that students approaching a highly competitive entrance exam will be confident of the mark scheme (and able to meet its demands) for any task set.

Will my child have a choice of prompts to write from or do they have to respond to a single prompt, without a choice?

This varies. In the Kent Test there are usually 5 options given. The purpose is to gather a writing sample from each child in case of a headteacher appeal. A range of options should allow every child to showcase what they can do.

In Essex, two prescriptive paragraphs are set as part of an hour-long English paper that includes comprehension and vocabulary work. In Essex, there is no option to choose the subject matter.

The Medway Test just offers a single prompt for a whole hour of writing. Sometimes it is a creative piece. Recently it was a marketing leaflet.

The framework for teaching writing in English schools demands that in order to ‘exceed expectations’ or better, achieve ‘greater depth’, students need to be confident writing for a multitude of different purposes.

In what circumstances is a child’s creative writing task assessed?

In Essex (east of the UK) the two prescriptive writing tasks are found inside the English exam paper. They are integral to the exam and are assessed as part of this.

In Medway (east Kent in the South East) the writing task is marked and given a raw score. This is then adjusted for age and double counted. Thus, the paper is crucial to a pass.

In the west of the county of Kent there is a different system. The Kent Test has a writing task that is only marked in appeal cases. If a child dips below the passmark their school is allowed to put together a ‘headteacher’s appeal’. At this point – before the score is communicated to the parent (and probably under cover of darkness) the writing sample is pulled out of a drawer and assessed.

I’ve been running 11+ tutor clubs for years. Usually about 1% of my students passed at headteacher’s appeal.

Since starting the writing club, however, the number of students passing at appeal has gone up considerably. In recent years it’s been more like 5% of students passing on the strength of their writing sample.

What are the examiners looking for when they’re marking a student’s creative writing?

In England, the government has set out a framework for marking creative writing. There are specific ‘pupil can’ statements to assess whether a student is ‘working towards the expected standard,’ ‘working at the expected standard’ or ‘working at greater depth’.

Members of the headteacher panel assessing the writing task are given a considerable number of samples to assess at one time. These expert teachers have a clear understanding of the framework for marking, but will not be considering or discussing every detail of the writing sample as you might expect.

Schools are provided with a report after the samples have been assessed. This is very brief indeed. Often it will simply say ‘lack of precise vocabulary’ or ‘confused paragraphing.’

So there is no mark scheme as such. They won’t be totting up your child’s score to see if they have reached a given target. They are on the panel because of their experience, and they have a short time to make an instant judgement.

Does handwriting matter?

Handwriting is assessed in primary schools. Thus it is an element of the assessment framework the panel uses as a basis for their decision.

If the exam is very soon, then don’t worry if your child is not producing immaculate, cursive handwriting. The focus should simply be on making it well-formed and legible. Every element of the assessment framework does not need to be met and legible writing will allow the panel to read the content with ease.

Improve presentation quickly by offering a smooth rollerball pen instead of a pencil. Focus on fixing individual letters and praising your child for any hint of effort. The two samples below are from the same boy a few months apart. Small changes have transformed the look and feel:

Sample 1: First piece of work when joining the writing club

Sample 2: This is the same boy’s improved presentation and content

How long should the short story be.

First, it is not a short story as such—it is a writing sample. Your child needs to showcase their skills but there are no extra marks for finishing (or marks deducted for a half-finished piece).

For a half hour task, you should prepare your child to produce up to 4 paragraphs of beautifully crafted work. Correct spelling and proper English grammar is just the beginning. Each paragraph should have a different purpose to showcase the breadth and depth of their ability. A longer – 60 minute – task might have 5 paragraphs but rushing is to be discouraged. Considered and interesting paragraphs are so valuable, a shorter piece would be scored more highly than a rushed and dull longer piece.

I speak from experience. A while ago now I was a marker for Key Stage 2 English SATs Papers (taken in Year 6 at 11 years old). Hundreds of scripts were deposited on my doorstep each morning by DHL. There was so much work for me to get through that I came to dread long, rambling creative pieces. Some children can write pages and pages of repetitive nothingness. Ever since then, I have looked for crafted quality and am wary of children judging their own success by the number of lines competed.

Take a look at the piece of writing below. It’s an excellent example of a well-crafted piece.

Each paragraph is short, but the writer is skilful.

He used rich and precisely chosen vocabulary, he’s broken the text into natural paragraphs, and in the second paragraph he is beginning to vary his sentence openings. There is a sense of control to the sentences – the sentence structure varies with shorter and longer examples to manage tension. It is exciting to read, with a clear awareness of his audience. Punctuation is accurate and appropriate.

11+ creative writing example story

How important is it to revise for a creative writing task.

It is important.

Every student should go into their 11+ writing task with a clear paragraph plan secured. As each paragraph has a separate purpose – to showcase a specific skill – the plan should reflect this. Built into the plan is a means of flexing it, to alter the order of the paragraphs if the task demands it. There’s no point having a Beginning – Middle – End approach, as there’s nothing useful there to guide the student to the mark scheme.

Beyond this, my own students have created 3 – 5 stories that fit the same tight plan. However, the setting, mood and action are all completely different. This way a bank of rich vocabulary has already been explored and a technique or two of their own that fits the piece beautifully. These can be drawn upon on the day to boost confidence and give a greater sense of depth and consideration to their timed sample.

Preparation, rather than revision in its classic form, is the best approach. Over time, even weeks or months before the exam itself, contrasting stories are written, improved upon, typed up and then tweaked further as better ideas come to mind. Each of these meets the demands of the mark scheme (paragraphing, varied sentence openings, rich vocabulary choices, considered imagery, punctuation to enhance meaning, development of mood etc).

To ensure your child can write confidently at and above the level expected of them, drop them into my weekly weekly online writing club for the 11+ age group . The club marking will transform their writing, and quickly.

What is the relationship between the English paper and the creative writing task?

Writing is usually marked separately from any comprehension or grammar exercises in your child’s particular 11+ exam. Each exam board (by area/school) adapts the arrangement to suit their needs. Some have a separate writing test, others build it in as an element of their English paper (usually alongside a comprehension, punctuation and spelling exercise).

Although there is no creative writing task in the ISEB Common Pre-test, those who are not offered an immediate place at their chosen English public school are often invited back to complete a writing task at a later date. Our ISEB Common Pre-test students join the writing club in the months before the exam, first to tidy up the detail and second to extend the content.

What if my child has a specific learning difficulty (dyslexia, ADD/ADHD, ASD)?

Most exam boards pride themselves on their inclusivity. They will expect you to have a formal report from a qualified professional at the point of registration for the test. This needs to be in place and the recommendations will be considered by a panel. If your child needs extra arrangements on the day they may be offered (it isn’t always the case). More importantly, if they drop below a pass on one or more papers you will have a strong case for appeal.

Children with a specific learning difficulty often struggle with low confidence in their work and low self-esteem. The preparations set out above, and a kids writing club membership will allow them to go into the exam feeling positive and empowered. If they don’t achieve a pass at first, the writing sample will add weight to their appeal.

Tips and strategies for writing a high-scoring creative writing paper

• Read widely for pleasure. Read aloud to your child if they are reluctant.
• Create a strong paragraph plan where each paragraph has a distinct purpose.
• Using the list of example questions below, discuss how each could be written in the form of your paragraph plan.
• Write 3-5 stories with contrasting settings and action – each one must follow your paragraph plan. Try to include examples of literary devices and figurative language (metaphor, simile) but avoid clichés.
• Tidy up your presentation. Write with a good rollerball pen on A4 lined paper with a printed margin. Cross out with a single horizontal line and banish doodling or scribbles.
• Join the writing club for a 20-minute Zoom task per week with no finishing off or homework. An expert English teacher will mark the work personally on video every Friday and your child’s writing will be quickly transformed.

Pressed for time? Here’s a paragraph plan to follow.

At Griffin Teaching we have an online writing club for students preparing for the 11 plus creative writing task . We’ve seen first-hand what a difference just one or two months of weekly practice can make.

That said, we know that a lot of people reading this page are up against a hard deadline with an 11+ exam date fast approaching.

If that’s you (or your child), what you need is a paragraph plan.

Here’s one tried-and-true paragraph plan that we teach in our clubs. Use this as you work your way through some of the example prompts below.

11+ creative writing paragraph plan

Paragraph 1—description.

Imagine standing in the location and describe what is above the main character, what is below their feet, what is to their left and right, and what is in the distance. Try to integrate frontend adverbials into this paragraph (frontend adverbials are words or phrases used at the beginning of a sentence to describe what follows—e.g. When the fog lifted, he saw… )

Paragraph 2—Conversation

Create two characters who have different roles (e.g. site manager and student, dog walker and lost man) and write a short dialogue between them. Use what we call the “sandwich layout,” where the first person says something and you describe what they are doing while they are saying it. Add in further descriptions (perhaps of the person’s clothing or expression) before starting a new line where the second character gives a simple answer and you provide details about what the second character is doing as they speak.

Paragraph 3—Change the mood

Write three to four sentences that change the mood of the writing sample from light to gloomy or foreboding. You could write about a change in the weather or a change in the lighting of the scene. Another approach is to mention how a character reacts to the change in mood, for example by pulling their coat collar up to their ears.

Paragraph 4—Shock your reader

A classic approach is to have your character die unexpectedly in the final sentence. Or maybe the ceiling falls?

11+ creative writing questions from real papers—fictional prompts

• The day the storm came
• The day the weather changed
• The snowstorm
• The rainy day
• A sunny day out
• A foggy (or misty) day
• A day trip to remember
• The first day
• The day everything changed
• The mountain
• The hillside
• The old house
• The balloon
• The old man
• The accident
• The unfamiliar sound
• A weekend away
• Moving house
• A family celebration
• An event you remember from when you were young
• An animal attack
• The school playground at night
• The lift pinged and the door opened. I could not believe what was inside…
• “Run!” he shouted as he thundered across the sand…
• It was getting late as I dug in my pocket for the key to the door. “Hurry up!” she shouted from inside.
• I know our back garden very well, but I was surprised how different it looked at midnight…
• The red button on the wall has a sign on it saying, ‘DO NOT TOUCH.’ My little sister leant forward and hit it hard with her hand. What happened next?
• Digging down into the soft earth, the spade hit something metal…
• Write a story which features the stopping of time.
• Write a story which features an unusual method of transport.
• The cry in the woods
• Write a story which features an escape

11+ creative writing questions from real papers—non-fiction prompts

• Write a thank you letter for a present you didn’t want.
• You are about to interview someone for a job. Write a list of questions you would like to ask the applicant.
• Write a letter to complain about the uniform at your school.
• Write a leaflet to advertise your home town.
• Write a thank you letter for a holiday you didn’t enjoy.
• Write a letter of complaint to the vet after an unfortunate incident in the waiting room.
• Write a set of instructions explaining how to make toast.
• Describe the room you are in.
• Describe a person who is important to you.
• Describe your pet or an animal you know well.

11 Plus creative writing tips and examples

Preparing for your  11 Plus creative writing  exam doesn’t have to be a worry. We help you here with 11 Plus creative writing tips and examples to prepare you for the exam. We're here to help you practice and improve your writing techniques and creative writing skills so you’re ready for your 11 Plus exams . 

Creative writing can be really fun – you can explore something you really want to and write about something that means a lot to you. Although, we know it can be a little bit worrying for some students that don’t enjoy writing as much or don’t feel confident in their writing skills. 

So, ahead of your  11 Plus exams  we want to help you prepare with these 11 Plus creative writing tips and strategies.

What Is 11 Plus Creative Writing?

The 11 Plus creative writing exam assesses a child’s ability to compose structured and engaging pieces of written work. It’s designed to evaluate a student’s fluency, imaginative capabilities, grammar, punctuation and overall ability to write creatively.

What does the 11 Plus creative writing exam include?

The 11 Plus creative writing exam is usually 25-30 minutes and could involve the continuation of a storyline that you’ll be provided with. Alternatively you might be asked to write a short piece of your own in response to a visual stimulus – this could be describing a character or writing something from their perspective, like a diary entry. 

Here are some the potential writing tasks you could be given for your 11 Plus creative writing exam: 

Descriptive task – continuing on a short story that you’ll be provided with, or describing a place or situation that your character finds themselves in. 

Persuasive task – you could be asked to write a letter or an article with the goal to persuade the reader to feel or act in a certain way after reading it by using emotive language. 

Narrative task – this would usually involve writing your own short story. 

Expository task – this could involve writing an article or set of instructions designed to inform the reader how to go about doing something properly. 

What are the 11 Plus creative writing topics?

Prior to starting your creative writing piece, you’ll need to have a topic. It’s important that the topic remains at the centre of everything you’re writing, as it will shape the direction of the story and the characters

You can think of a topic as a theme for your story. This can be really simple, as a simple theme will really help write a story in your own way. 

For your 11 plus creative writing exam, you’ll likely be presented with a topic that you then have to write about. Often these topics will have you writing about: 

Being lost or scared, capturing the feeling of being alone and writing a story about overcoming it.

Doing something exciting or achieving something impressive, the best day of your life so far. 

A holiday or an adventure

Travelling to the city or countryside and what you might experience there.

Writing a short story on each of the topics above can be a great way to familiarise yourself with creative writing.

What do examiners look for in creative writing?

Successfully passing your creative writing 11 Plus creative writing exam is a lot less daunting if you know what the examiners are looking for in your creative writing. 

Unlike other exams, it can be difficult to prepare the exact answers. It’s not like a sum in maths, where there’s only one correct answer after your working out. That doesn’t mean there aren’t specific things that examiners are looking for. Let’s take a look at those:

A well planned piece of writing

Strong creativity and good imagination

A fluent writing style

Good and correct use of punctuation 

Good use of English grammar

Complex sentences that are broken in an easy-to-read way with commas

Good spelling

Good and exciting vocabulary

Neat, easy-to-read handwriting

You can use those things as a checklist for your creative writing. When you write practice pieces, read them back and see if you can check off everything on the list of things that examiners are looking for. This will not only highlight areas needing improvement but will also act as a confidence-building tool.

11 Plus creative writing marking scheme

Your creative writing task will be worth 50% of your  English 11 plus exam  paper. So, you’ll want to make sure you’re well prepared!

Part of preparing for the creative writing task is ensuring you know how the exam will be marked. Here’s what your examiner will look at when they mark your work: 

The plot – you need to write a piece that’s got an engaging plot, but more importantly it needs to follow a strong beginning, middle and end structure. We’ll be getting more detail about that further on. Make sure you plan your story to ensure you have a well-structured and easy-to-follow plot. 

Vocabulary – Make sure you’re using a wide range of adjectives, nouns and adverbs. Rather than describing everything the same way, come up with some other engaging ways to write something. Use a good amount of complex words that you normally wouldn’t use (and make sure you understand what they mean so you use them correctly). 

Writing devices – no, your examiner isn’t looking at what pen you used to write the exam. Writing devices refer to things like metaphors, similes, tension building short sentences, alliteration and irony. Try sentences like “he was as fast as a runaway train,” for a simile example. See if you can write a few sentences that each use a different writing device to practice.

Grammar – now is a good time to start practising your grammar skills. Make sure you’re using commas correctly when you write long sentences, and that you format your character dialogue properly. There are a few common grammar mistakes that may catch you out, so keep practising. 

Spelling – While avoiding spelling mistakes is good, to get great marks on your exams you’ll want to use complicated words and spell them correctly. It might be tempting to avoid complicated words if you’re not sure how to spell them but it’s actually not a bad idea to use one or two complicated words and spell them so they’re recognisable than to use no complicated words at all.

11 Plus creative writing tips and techniques

Every great writer has one thing in common – writing techniques! Everyone can develop their creative writing skills by practising these creative writing tasks.

Getting creative 

If you want to write a story this should be your starting point! Have a good think about the topic for your story and the character you’ll be writing about. Take a minute to sit back, close your eyes and think about the world of your story. Can you see it? 

If you can visualise the world of your story, then you’ve got a good idea to work with! Get creative about the story and think about directions that it can go, and the characters you can work with. 

Planning and structure

Once you’ve got your theme in place you need to have a think about the direction of your story. Think about how your story starts, how you want it to end and then think about how you want your main character to get there. 

Remember the classic story structure of beginning, middle and end:

Use the beginning of your story to introduce your character, where they are and maybe one of two of their friends. Maybe even try to set them a goal at this point, what’s something they really, really want? 

Introduce the middle of your story with a problem or an obstacle for your main character to overcome. This is going to be the longest section of your story, so make sure you don’t spend too long with the opening! Think about how your character would overcome the problem you’ve introduced for them. 

In the end your main character overcomes the problem that you introduced for them. Think about what they would feel, the relief they’d experience and how you can sum that up in a paragraph or two. 

There are lots of different ways to write a story, but following the beginning, middle and end structure like this will really help you plan. Try to just write a few short sentences from the beginning, middle and end, then expand it out from there. 

If you need more inspiration to improve your writing skills, why not see David Walliam’s top ten writing tips ?

Creative writing examples: using the senses

Remember – writing descriptively helps your ideas to really come across in what you’re writing. The person reading your creative writing piece can’t read your mind!

A great way to really set a scene in your creative writing is to use the senses:

Sight – what can your character see? Describe how the scene around them looks, and be sure to use some good adjectives.

Sound – can your character hear anything? Even if your character can’t hear anything, that can sometimes be a great way to set a scene. Or maybe your character can hear lots of noise? Either way, make sure the reader knows that.

Smell – what does the place your character’s in smell like? You can make a disgusting, murky bog seem even filthier by describing how smelly it is to the reader. We all react strongly to smells, good or bad, so make sure you’re describing them to your reader.

Touch – what can your character feel? Are they sitting on a really soft sofa? Is the cat they’re stroking extra fluffy? Describe everything your character feels!

Taste – is your character tasting anything? Of course, if your character’s eating you need to describe it. How sweet are the sweets they’re eating? How bitter is the medicine they had to take? You could even get creative and describe a smell so bad that your character can almost taste it!

Get creative when you write about senses. You don’t have to cover every sense in order, you can mix things up in a paragraph or two, and sometimes you only need to cover two or three senses in a particular scene. Make sure you’re always telling your audience what your character is experiencing so the reader can put themselves in your character’s shoes. Utilising this technique ensures the reader engages with your creative writing piece.

Fluent writing

Practice makes perfect when it comes to fluent writing. To practice fluent writing, set yourself a creative writing task as if you were taking your 11 Plus creative writing test.

Try keeping the stories short. Just a few paragraphs so you can do a few attempts. When you’re finished, read them back to yourself out loud. See if the sentences are easy to read out loud. If they’re not, it might be good to rewrite them in a way that makes them easier to say. Try doing this out loud too, rephrase the sentence so it means the same thing but is easier to say. 

Reading out loud is not something you will be doing at the exam, so practicing your fluency at home is the key. Never be scared to do a few practice stories before your 11 Plus creative writing exam.

Proofreading Your Creative Writing

Finally, once you’ve finished writing and you’re happy with how fluent your piece sounds you’ve got to proofread it! That means checking your grammar, your punctuation and spelling. 

Make sure you’ve only used capital letters where they need to be used – the start of sentences and the names of people and places. 

Make sure you’ve used quotation marks correctly – start a new paragraph for when a character starts speaking, open with a quotation mark and then write what they said before closing with a quotation mark. Make sure you carry on writing after they’ve finished speaking with a new paragraph!

Have you checked the tenses? Make sure you’re not mixing up  past, present and future tenses !

Have you used enough punctuation? Make sure all your sentences end with full stops, but also that questions end with a question mark. Space out long sentences with a well-placed comma and make sure if a character says something loudly or is surprised that you’re using exclamation marks. 

Check your spelling! Are there any words you struggle with? Go back and check them to make sure they look right. If you’re really struggling to spell a word, maybe use a different one for your creative writing piece – lots of writers do this! If you do this a lot, then it might be worth doing some spelling practice. 

How do I prepare for creative writing? 

When it comes to 11 Plus creative writing exams it’s difficult to find something specific to revise – unlike exams in maths or English spelling, creative writing exams don’t have a right or wrong answer. So, don’t get overwhelmed by reading countless creative writing books.

The best way to prepare for a creative writing test is to practice all the key points we mentioned above. Set yourself some small creative writing tasks, practice your spelling and get some help fromyour teachers. You could also ask your parents or guardians about tuition to help you prepare for your creative writing .

We also have some creative writing book suggestions and worksheets that could help you prepare. 

11 Plus creative writing examples books

If you’re looking for some books to help you prepare for your 11 Plus creative writing exam or want to find some creative writing examples, here are some of our favourites:

11+ Essentials Creative Writing Examples Book 1 (First Past the Post)

11+ Essentials Creative Writing Examples Book 2 (First Past the Post)

Bond 11+: English Focus on Writing: 9-11 years

RSL Creative Writing, Book 1: KS2, KS3, 11 Plus & 13 Plus – Workbook For Ages 9 Upwards

11+ Creative Writing

Remember to always ask a parent or guardian before buying anything online.

11 Plus creative writing tasks and worksheets

Here are some of our own worksheets that’ll help you prepare and improve your creative writing skills: 

Creating characters

Creating dilemmas

Creating settings

My favourite author

Try an 11 plus creative writing tutor

If you’re worried about your 11 plus creative writing exam, that’s okay. There are numerous ways you can prepare without getting yourself overwhelmed. We’ve already covered how practice makes perfect when it comes to writing, so creative writing courses could be a great way for you to improve your confidence.

11 Plus tuition  will also help with your creative writing. Explore Learning’s expert tutors can help you work on your story planning and structure, grammar, writing fluency and vocabulary. 

Don’t let yourself get overwhelmed about your 11 Plus creative writing task, we’re here to help you do your best.  

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11 Plus creative writing FAQs

How to prepare for 11 plus creative writing.

Prepare by understanding the 11 Plus creative writing requirements. Engage in regular practice on various topics like adventures, challenges and feelings. Focus on grammar, punctuation, fluency, spelling and vocabulary. Always proofread and consider getting feedback.

Is there creative writing in the 11 Plus exam?

The 11 Plus exam may include a creative writing component, often lasting 25-30 minutes, where a student demonstrates their narrative and language skills.

What are the different types of creative writing 11+?

The 11 Plus creative writing includes descriptive, persuasive and narrative tasks. Studentsmay be asked to craft or add to stories, describe scenarios, write persuasive letters or informative pieces.

How do I study for a creative writing exam?

Study by practising various creative writing tasks regularly. Focus on language proficiency, structure your narratives and proofread. For tailoredsupport, consider 11 Plus tuition .

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11 Plus Creative Writing Success Comprehensive Guide

• Advice for the Creative Writing element of 11 plus exams

The 11 plus exams, upon which students’ entry into UK Grammar Schools and Private Schools depends, test children’s understanding of core subjects: English , Maths , Verbal Reasoning , and Non-Verbal Reasoning . This article will focus on the creative writing test, which forms section B of the age 11 English paper. Read on to find out about the following topics:

• the basics of what the 11+ creative writing test is;
• what may come up in the creative writing for 11 plus exams;
• how to revise for the 11 plus creative writing, including how PiAcademy can help;
• tips and tricks to help your child ace the exam in the moment;
• and guidance as to how you may tutor your child in creative writing yourself.

First things first… what exactly is the 11 plus creative writing test?

11+ creative writing topics – what could come up, how to revise for the wealth of possible 11+ creative writing topics…, introducing… in january 2020, our new 11 plus creative writing guide.

*** Please note: creative writing is not required in all iterations of the 11+ exams. Double-check whether your child will be tested on this subject! ***

Check this Out: Top 5 Creative Writing Tips to Score Full Marks

The best way to get to know and understand the format of an exam is always to look at examples of past papers – if you haven’t done this yet, do so! Check which exam is relevant to you and familiarise yourself and your child with how it looks and what it asks for. There are some differences between the 11 plus creative writing test for Private Schools and those for Grammar Schools. Review below a brief summary of each:

11+ English Creative Writings With Answers can be found here >>

Private Schools’ 11 plus Creative Writing Summary:

Most private schools do test the creative writing of their prospective students; part B of the English paper is dedicated to creative writing. Children will have 25-30 minutes to complete the section, choosing one of two questions choices to answer in this time. The questions are often based around the continuation of a provided storyline. Some schools, however, (e.g., Haberdasher Askes – a.k.a. ‘HABS’) also give the option of responding to a visual stimulus included in the question. Other schools could provide a random topic and have children write on this, such as describing a character or crafting a fictional diary entry around a given event.

Grammar Schools’ 11 plus Creative Writing Summary:

Unlike private schools, where most do test creative writing , many grammar schools will opt not to test children on this subject (again, be sure to check exactly which tests your child will face). Some schools do not test creative writing at all (e.g., Queen Elizabeth School – ‘QE Boys’ in Barnet), whereas others will only test this if the student passes the initial round of exams. The style of creative writing testing at grammar schools is very similar to that detailed about private schools (above). *** For a full list of schools, their information, and details of their testing habits check ‘Schools in the UK’ under the advice tab on our website! *** For both grammar school and independent school tests, we suggest a planning time of 3-5 minutes before starting to write an answer. Planning ensures that the student remembers to include everything that they should, and will lead to a better and surer structure to their writing.

In terms of 11+ essentials, creative writing examples are, of course, paramount. What should you expect from age 11 essay titles? What should you expect as topics for creative writing for 11 plus ? The easiest way to get your head around what your child needs to be prepared for is to consider the infinite unseen possibilities of questions within the following four categories:

• Descriptive tasks - A descriptive task may ask the student to describe a place or situation or continue a given storyline
• Persuasive tasks - A persuasive piece is more likely to take the form of a letter of complaint, or a student may be asked to script a convincing speech
• Narrative tasks - A narrative task would entail the composition of a short story
• Expository tasks - An expository task is more likely to require the writing of an explanatory article or set of instructions

As anything could come up in the test, it is helpful to think of ways to revise for each different type of question which may occur in the creative writing task.

With an unlimited number of possible topics to prepare for, flicking through a couple of creative writing books for 11 plus , or reading never-ending lists of 11 plus creative writing tips online, is sure to result in bewilderment… But the good news is – there is no reason to overwhelm yourself! We are here to help. As always, we must advocate one very important element of exam preparation… Practice , practice , practice! Key things to think about when practicing include writing skills such as grammar, punctuation, and sentence structure. Throughout practice papers and in every piece of writing, these should be accurate and varied. Sit down with your child and a list of creative writing topics for 11 plus and work through writing some practice answers - this is inarguably a strong start to their revision. However, no matter how many creative writing 11 plus topics you cover, these can only help a limited amount without the aid of an 11+ creative writing mark scheme ; getting to know the mark scheme is the best way to understand what boxes your child’s writing must tick in order to succeed. This all sounds like a lot of information for you to gather, doesn’t it? Well, this is where we come in! Currently, on the PiAcademy website, you can find 11 plus creative writing examples. That is, 11 plus essay titles for creative writing , along with an example plan and answer (remember the importance of planning!). As well as this, among the 11 plus tutoring courses , you can find an 11 plus creative writing course incorporated into the English courses . And just when you thought we couldn’t be any more helpful – to add to the above, we have exciting news…

PiAcademy’s new 11 plus creative writing resources will include 50 tasks to practice creative writing. Each of the four types of question mentioned earlier will be covered (15 descriptive writing tasks, 15 persuasive, 10 narrative, and 10 expository), and a mark scheme for parents’ use will be also included. The mark scheme will explain what constitutes a ‘poor response,’ as well as an example of ‘good response,’ and commentaries explaining why each is categorised so. An 11 plus creative writing PDF document will be downloadable, consisting of an invaluable checklist – this way you can ensure that your child includes everything they must! (Getting to know the checklist, and visualising it in the exam, is the perfect way for your child to successfully carry out their creative writing under time pressure.) This will essentially be an online 11 plus creative writing workbook, with tips and tricks to maximise its usefulness! Perfect for parents who are opting out of hiring an 11 plus creative writing tutor .

Good luck with your revision, and eventually, exams… Remember:

• Always follow our checklists!
• PLAN your answer first!
• Practice each of the four question types!

Practice makes perfect, and our resources allow for lots and lots of practice! Don’t forget to check in in the new year to make the most of our new and improved 11 plus Creative Writing Guide .

Wait! Don’t go yet! Whilst you’re here… Scroll to the bottom of the website to subscribe to our weekly newsletter – we will deliver weekly worksheets, videos, news, tips, and much more, straight to your inbox! (Sounds helpful, right?)

Practicing 11+ Creative Writing would improve pupil’s writing skills and would help in boosting exam performance

11+ Creative Writing subscription has 23 exercises from different categories like Descriptive, Persuasive, Narrative, and Expository. Each exercise is provided with hints, plan, model answer, checklist, and highlights to help students become better at writing.

In our 11 plus Creative Writing Subscription we cover all the basic tips and techniques to help your child get better at creative writing. We also offer 11 plus Creative Writing Mastery course for students who are further interested in learning more.

We recommend that your child should practice 2-3 creative writing exercises from different categories weekly.

Practicing topics like Vocabulary, Spelling, Punctuation, and Grammar are beneficial in gaining mastery over creative writings.

11 plus English past papers are a good resource for practicing creative writing. Also, our 11 plus creative writing subscription has a variety of questions to practice from different categories with hints, plan, model answers, and checklist.

• "Amazing creative writings, there are 23 creative writings which include all types of creative writings. Value for money. Thank you for recommending this to me." Tina Singh , 11+ Parent "Very Helpful resource, especially the hints and plan for each creative writings helped my son a lot. He loves it, thank you." Wazid , 11+ Parent
• "Great resource for kids who are appearing for grammar exams. It helped my daughter and I would recommend these resources to my friends/family." Oliver , 11+ Parent "I have visited many websites for sample creative writings but the resource we found here is exceptional. I didn't find similar resources for the affordable price anywhere else. I sincerely recommend the pi academy website for the best resources at affordable prices." Anne , 11+ Parent
• "Checklist for all the creative writings provided is the unique format. You are a genius. Thank you Pi academy."  Mike , 11+ Parent "Amazing creative writings, there are 23 creative writings which include all types of creative writings. Value for money. Thank you for recommending this to me." Tina Singh , 11+ Parent
• "Amazing creative writings, there are 23 creative writings which include all types of creative writings. Value for money. Thank you for recommending this to me." Tina Singh , 11+ Parent
• "Very Helpful resource, especially the hints and plan for each creative writings helped my son a lot. He loves it, thank you." Wazid , 11+ Parent
• "Great resource for kids who are appearing for grammar exams. It helped my daughter and I would recommend these resources to my friends/family."  Oliver , 11+ Parent
• "I have visited many websites for sample creative writings but the resource we found here is exceptional. I didn't find similar resources for the affordable price anywhere else. I sincerely recommend the pi academy website for the best resources at affordable prices." Anne , 11+ Parent
• "Checklist for all the creative writings provided is the unique format. You are a genius. Thank you Pi academy." Mike , 11+ Parent 

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11 Plus Creative Writing Tutors

Uk's leading 11+ creative writing tutors in london & online.

Keystone Tutors has over a decade of experience providing tuition to families who wish to send their children to some of the leading UK independent schools. With offices in London, Hong Kong and Singapore, we work with some of the UK's most experienced 11+ Creative Writing tutors. 

Here is a sample of the 11+ Creative Writing tutors we represent:

Lara is an English graduate with a love of teaching and academia. She teaches both face to face and online and has taught over 5,100 hours with Keystone since 2016.

Freya is a qualified Primary Teacher who has worked with over 60 Keystone families, teaching more than 900 hours. She is warm and encouraging and aims to help her students become independent learners.

James is an experienced tutor with a PhD in English and a Classics degree from Cambridge. James understands the importance of building strong relationships in order for his students to get the most out of his lessons. He has taught over 3,600 hours helping around 120 students.

Cat is a qualified Teacher who studied Physics and Philosophy at Durham University. She is currently working towards a PhD in the Philosophy of Astrobiology alongside her tutoring. Cat is very encouraging and supportive and recognises the importance of moving at the right pace for each individual and has worked with 40 Keystone clients.

Amy is an experienced tutor having worked across primary year groups in London. She has helped 40 Keystone families and taught 1,700 hours to date. With a passion for theatre, she utilises both her academic background and creative skills to develop a stimulating and enriching learning environment for students.

Kathleen has been teaching for over 15 years in both primary and secondary schools and has taught over 5,000 hours through Keystone. She aims to instill self-confidence in her students and also help them develop creative independence.

Florence is an experienced tutor who has worked across the age range, helping 120 Keystone clients. While first completing a DPhil and then working as a research fellow at Oxford, Florence held several teaching and lecturing roles. However, she also helps primary level students build solid foundations. Florence encourages her tutees to become self-motivated learners with a love for their subjects.

Emily is an experienced tutor who joined the team in 2017 and has delivered over 3,300 hours of lessons. Emily has taught in England as well as abroad. She not only helps students with 11+ and 13+ entrance exams but also with English and Spanish up to A Level.

A graduate from King's College London, Jessica is an experienced entrance test tutor who joined the team in 2015 but has been teaching since 2011. She has taught over 5,300 hours with Keystone and worked for over 180 families.

Joseph is a Durham graduate and a highly personable tutor who has taught 1,500 hours through Keystone. He helps with a wide range of subjects from English to Science. Joseph has a structured but adaptive approach to lessons, which aims to build up students’ confidence in their subject area and develop their independent learning skills.

Oli is an experienced tutor and a Cambridge graduate with a first class degree. He joined Keystone in 2010 and has tutored over 8,100 hours, helping over 250 students across the age range.

Tom is a committed and experienced professional tutor whose practice is based on rigorous subject and educational knowledge, which has flourished through his work with over 160 Keystone families, since 2015. He offers stimulating, sympathetic and agile tutorials, with a particular emphasis on mentoring, motivation and confidence building.

Ted spent eight years in the classroom before joining Keystone as a Professional Tutor. He is fascinated by pedagogy and finding the best teaching approach for each student, having completed a PGCE and MSc in Learning and Teaching from Oxford University.

Max is an Oxford educated English graduate who has also completed an MPhil in American Literature at Cambridge. Max has tutored since 2012 and works with students of all levels and with diverse educational needs. He has taught over 1,700 hours and helped 70 families through Keystone.

Prior to joining Keystone Steph was a primary school teacher. She has a wealth of experience in working with students in Years 1 to 8. She has tutored over 4,600 hours with us and also assists with our 7+ and 8+ assessments.

A graduate from King's College London, Alex specialises in online tutoring. He joined Keystone in 2011 and has taught over 7,900 hours.

Robbie is a Professional English Tutor with a love for writing and for the theatre. He teaches from the Primary Level up to A Level. Robbie joined Keystone in 2018 and has since helped over 130 families.

Before joining Keystone in 2019 Claudia taught Science at Westminster Cathedral Choir School for four years. She has tutored over 1,400 hours and assisted 80 Keystone clients. She urges her students to look at Science beyond the syllabus as it makes it easier for students to understand concepts and improve their skills.

Alice is an Oxford-educated tutor who has taught over 10,000 hours through Keystone with more than 390 families. Her independent sector teaching experience enables her to provide a high level of support to her tutees.

Guy is an experienced English and History tutor with a PhD in English Literature. He has over 10 years experience tutoring from 11+ up to university level. Guy has a friendly and calming approach to tutoring.

Grace studied Natural Sciences at Durham before embarking upon a MSc in Neuroscience at King’s College London. Grace has taught over 1,800 hours and helped 70 Keystone families. She has a passion for Maths and Science and strives to create a teaching environment where pupils feel able to ask questions and be themselves.

Jenny is a qualified teacher who has over twenty years experience in primary education. She enjoys making learning as engaging and fun as possible for her students.

Jean-Michel is an experienced tutor with degrees in Physics, Philosophy and Literature. He enjoys finding new ways of teaching his subjects and aims to foster a love of learning in his students. During his time at Keystone, Jean-Michel has taught over 2,300 hours.

Jonny is an Oxford graduate and is currently studying for a PhD in Italian Studies at Cambridge. He teaches languages as well as English and Maths. Jonny has supported 70 Keystone students and delivered 1,900 hours worth of lessons. He is a passionate actor and writer who loves to work on theatrical projects outside of tutoring.

Harry is a patient and personable Oxford graduate with a flawless academic background. He uses a calm and supportive approach to build a strong rapport with each of his students. Harry is an experienced tutor in Religious Studies, Maths and English, with over 3,500 hours taught whilst at Keystone.

Jack studied English Literature at the University of Edinburgh and graduated with first class honours. He then went on to complete an MA in Creative Writing at Royal Holloway. He tutors both Maths and English across the age range and aims to create an open and reflexive learning environment.

Charles has recently completed a Masters at St Andrews and has been tutoring since he was a student himself. He focuses on humanities, as well as teaching English and Maths at 11+. Charles believes communication is key within his lessons, allowing his students to ask questions and develop their ideas.

Sean studied Politics, Philosophy, and Economics at Durham University where he subsequently completed a Masters of Science in Global Politics. Sean has tutored since 2019 and has a real passion for education, learning and teaching.

Olly is an Oxford graduate and experienced tutor. He has a real passion for teaching as well as for writing, theatre and sport. Olly has taught over 5,100 hours with Keystone.

Isobel holds a PGCE and comes to Keystone from one of London's top prep schools. She has taught children across the ability spectrum, and brings this wealth of experience from the classroom to tutoring. She is lively and sparky in her approach.

James is an experienced tutor and an Oxford graduate with a passion for English and History. He tutors online alongside completing a PhD in Northern Irish poetry. James has delivered over 2,000 hours of 1:1 lessons with Keystone clients.

Ben is a first class Zoology graduate who teaches a variety of subjects across a range of year groups. During his time at Keystone, he has worked with 80 families and delivered over 2,500 hours of lessons. He is passionate and caring and aims to make his lessons engaging and interactive.

Alice is an Oxford graduate with a passion for academia and learning. She enjoys working with children across the age range and can also help with Oxbridge preparation. Alice is completing a PhD in archaeology alongside her tutoring work and has delivered 2,200 hours of lessons with Keystone families.

Paige is an English graduate from Durham University who teaches from the 7+/8+ level through to A Level. She joined Keystone in 2017 and has taught over 5,300 hours, helping more than 380 families.

Keren is an Oxford University graduate and qualified teacher with a wealth of tutoring experience. She joined Keystone in 2009 and has taught over 3,600 hours. Keren specialises in teaching Classics and English to all ages as well as 11+/13+ English and Maths.

Alex joined Keystone in 2016 having graduated with a First Class Degree. Since starting at Keystone he has taught over 6,400 hours with more than 170 families and teaches all the way up from 11+ - A Level.

Michael studied Classics at Oxford and subsequently completed his MA in Comparative Literature at UCL. He has led numerous Keystone courses as well as supporting over 120 Keystone families. Outside of tutoring, Michael is a keen writer and a thespian at heart.

Madeleine is an Oxford graduate and a writer. She tutors across the age range and has experience supporting a wide range of learning styles. Madeleine has taught over 2,800 hours through Keystone.

Lucy is a highly engaging tutor with a degree in English and a Masters in Acting. She believes in unlocking the joy of learning and helping her students grow in confidence. Lucy has taught over 2,100 hours through Keystone.

Lottie has a stellar academic background which culminates in a PhD from Oxford University. She is an excellent communicator and aims to instil a love of learning in all of her students - across subjects and levels.

Philippa is a dedicated tutor who specialises in 11+/13+ English and Maths, as well as French. She joined the team in 2015 and has taught well over 6,600 hours with Keystone.

Anthony graduated with a Physics degree from Imperial College, London. He tutors across the board from 11+ through to A Level and has taught over 5,400 hours with Keystone as well as having considerable tutoring experience prior to joining our team of full-time tutors in 2017.

Cameron is a playwright and tutors alongside his writing schedule. He is highly personable and as a result his teaching style is very engaging. He has been with Keystone since 2014 teaching over 8,000 hours.

Le-My is an Oxford graduate with a great passion for languages and literature. She has considerable tutoring experience and teaches French as well as English, Maths and Mandarin. Le-My has supported 80 Keystone clients and taught over 2,200 hours.

Naomi graduated with a first-class degree in 2017. She has a wealth of experience working with young people, teaching over 2,800 hours to Keystone students alone. Her tutees, comprising all ages, describe her as 'very encouraging' and 'motivating'.

Oliver has over 5 years tutoring experience and believes in developing a student's passion for the subject in order to help them learn. Oliver has recently completed a PhD in the History of Religious Studies and Psychology at UCL. He is currently training as a Psychotherapist alongside his teaching. He has supported 100 Keystone families teaching over 1,800 hours to date.

Natasha is a first-class English and History graduate with several years tutoring experience - having taught 1,300 hours with Keystone alone. She loves nothing more than sharing her passion for learning with her students. Natasha is an avid reader and writer and is currently working on her first novel.

Dominic is an experienced Science tutor with a PhD in Chemistry. He has tutored for many years, teaching over 4,000 hours through Keystone. He aims to make his lessons interesting and fun and he also recognises the importance of exam technique.

Michael is a graduate of King's College, London and also has a PhD in English. He joined Keystone in 2017 as a full-time tutor and he has helped over 140 families since then and taught over 4,400 hours of lessons.

Anna is a Cambridge graduate who has tutored since 2017. She has experience in the classroom, at university level, and has helped students with SEN. Anna aims to create a learning environment that enables each pupil to flourish.

Rory started tutoring whilst at Oxford and has worked with students of all ages. He teaches Maths, Science and English across the board. He is enthusiastic and encouraging and gets great feedback from his students. He has worked over 5,900 hours with Keystone.

Camilla, a qualified primary school teacher, taught in top London schools for almost a decade before joining Keystone as a Professional Tutor. She has helped students with varying abilities and goals. Camilla is truly positive and encouraging in her approach and forms strong relationships with her tutees.

Sam is a highly personable individual who teaches across the age range. He specialises in English, EFL and 11+. Sam is also a writer and has a love of language that he aims to pass onto his students.

Jon is a former Head of Science with over 10 years' experience in teaching GCSE Science and A-level Physics. He joined Keystone in 2012 and has helped 270 Keystone families over this period, teaching more than 10,400 hours.

Kate is a first class law graduate who joined our team of full time tutors in 2017 and taught in a school before joining Keystone. She has tutored over 4,600 hours through Keystone and helped over 210 families.

Charles is a qualified primary teacher who gained a PGCE from the University of Buckingham. He has over a decade of experience in the classroom. Charles is patient, approachable and forms great working relationships with students and parents alike.

Anne-Marie is a qualified Teacher and experienced tutor. She has an MA in Educational Leadership and is passionate about helping her students develop and learn.

Anna is an experienced tutor and is passionate about making language and literature studies accessible and enjoyable for children aged 8 to 18. Alongside her tutoring, Anna has worked with several educational organisations. Anna's teaching style is adaptive and she uses a variety of resources in her teaching.

Lydia is a highly experienced and qualified teacher. She tutors alongside her a part-time teaching role at local primary school. At interview we were impressed by her supportive and engaging approach.

Kane graduated with First Class degree in Modern Languages & Cultures from Durham University and has been tutoring since he was a student himself. As well as teaching French and Spanish, Kane helps prepare students for entrance tests across the Primary age range.

Dominique is a qualified teacher who tutors alongside working in a prep school. She believes in placing the tutee at the centre of learning and in tailoring the style and delivery to foster enjoyment and promote a desire to learn.

Nektaria is patient, structured and clear. She is a fully qualified and experienced English teacher and GCSE examiner. She impressed us at interview with her diagnostic approach to identifying strengths and weaknesses.

Sam is a motivated and enthusiastic individual who is well versed in a number of humanities subjects. He is an extremely supportive tutor who finds techniques to fit his student's style of learning.

Sofia teaches across the age range, specialising in entrance exam preparation at 7+, 8+ and 11+ level and English, Drama and Geography beyond this. She balances her tutoring with theatre directing and brings her creativity and enthusiasm with her into all her lessons.

Yasmin is currently completing a PhD in London and is a graduate from the University of Oxford. She is an experienced tutor in Maths and English. She has a passion for helping students enjoy what they are learning, as, without enjoying what you are learning, it is much harder to achieve success and feel fulfilled.

Peter is a personable and engaging Primary level tutor. He has a supportive and targeted approach, whether this is for entrance exam preparation or general confidence boosting.

David is a qualified teacher who tutors English across the age range, as well as Maths up to 11+. He studied English at Oxford and enjoys sharing his love for the subject with his students, helping them to develop their interest and enhance their creativity.

Bryony's engaging and supportive teaching style helps to give students confidence. She began tutoring whilst at school and is committed to tutoring for the long term.

Noelle is an experienced tutor who has taught across the age range. Noelle hopes to instil a love of learning in her students and adapts lessons to each tutee's individual needs.

Dickson is a dynamic and personable tutor who has a BSc in Economics from LSE. He tutors Economics, Maths and Mandarin up to A Level as well as supporting students with 11+ and 13+ preparation. He aims to help build confidence in all his students, in order to prepare them effectively for their exams.

Laura is a qualified primary school teacher who is passionate about building a child's confidence and bringing enjoyment to their learning. Laura has worked with children with a range of backgrounds and learning needs.

Mia is a graduate from the London School of Economics and has tutored extensively both in the UK and abroad. She has particular expertise with the 11+ and 13+ English curriculum and has tutored over 1,000 hours through Keystone alone.

Antonia is a qualified Teacher who has also worked as a private tutor since 2016. She has an encouraging approach and helps pupils to understand their own abilities and strengths. She also aims to make her lessons fun as well as productive.

Jennifer is a qualified Primary Teacher with years of experience. She has a passion for teaching creatively and is enthusiastic, fun and fair.

Sebastian is an Oxford graduate who teaches a variety of subjects across the age range. He has many years of teaching and tutoring experience and believes in inspiring his students and helping them to become independent learners.

Alex is Cambridge University graduate and qualified teacher who has billed over 2,000 hours through Keystone alone. She also has a masters degree in Child Psychology and has considerable tutoring experience beyond her work with Keystone.

Julia is a highly experienced teacher, who was Head of Classics at a top London prep school for over 10 years before joining Keystone. She teaches English, French, Latin and Greek. Julia has a patient and nurturing approach, which allows her students to gain confidence in their studies.

Hugo is an experienced and enthusiastic English and Maths tutor. He specialises in 11+ and 13+ preparation as well as working with I/GCSE Maths students.

Leo is a retired Headmaster and a highly experienced teacher who now tutors full time. He tutors at Primary level and also teaches English up to A Level.

Tristan is a highly enthusiastic and diligent tutor. He possesses strong communicative abilities which enable him to explain even the most difficult things with clarity.

Kiera is a Cambridge graduate and writer. She has QTS and has worked as both a primary teaching assistant and secondary languages teacher in schools. She teaches across the age range. Her approach to tutoring is gentle and fun. She also has experience working with students with SEN.

Helen has taught English and Maths up to 11+ since 2011 and also has experience preparing students for 13+. She has a patient and positive approach to teaching which helps her students to engage and find enjoyment in their learning.

Seyi studied Geography at the University of Oxford and is a qualified Teacher. She tutors English, Maths and Geography to a wide range of students and also assists with Oxbridge applications. She has an engaging and encouraging tutoring style.

Osman has a Masters in Intellectual History from St Andrews and has been tutoring since he was a student himself. He teaches humanities across the age range, as well as Maths up to GCSE. Osman's approach is thorough and methodical.

Rob is a primary level tutor with a range of teaching experience. He is also a linguist and a qualified lawyer. He has recently returned to tutoring as his passion lies in education.

Nicky completed the level 5 Diploma in teaching learners with specific learning difficulties in 2014. Over the years she has worked at Emerson House, Laidlaw Education, Highfield and Brookham Prep School.

Alexander has a History degree from York as well as a Masters in Fine Art. He currently works as an artist alongside his tutoring. He has years of experience under his belt and teaches a wide range of ages and subjects.

Rana is an extremely adept Primary Level Teacher/tutor with 13 years of teaching experience under her belt.

Vina is a qualified teacher who tutors English, Maths and Mandarin across the primary age range. She is encouraging and patient in her approach and is experienced in helping students of varying abilities, whether they are looking for a confidence boost or to pass an entrance test.

Matthew is a motivated Maths tutor. He has a committed approach to tutoring and we were impressed by the way in which he uses resources to support the learning of his students.

Samara is an experienced tutor who has a logical, concise and sympathetic approach to tutoring.

Tom’s approach to tutoring is both enthusiastic and supportive. He is particularly adept at breaking down information into more approachable and manageable chunks.

Thomas is a committed full-time tutor. He specialises in Maths at all ages up to GCSE as well as English. At interview we were impressed by his measured and supportive approach.

Tariq is a dedicated and personable tutor with a degree in Sport and Exercise Science from the University of Nottingham. He is a qualified teacher and has been tutoring alongside his studies since 2017.

Charlie is an experienced English, History and Classical Civilisation teacher who has taught in a number of top prep schools. He teaches from 11+ up to A Level and believes in helping students be the driver of their own learning.

Coleen has a wealth of educational experience in both the UK and abroad. She has an engaging, resourceful and measured tutoring style.

Julia is a patient and engaging tutor who helps prepare students in Maths, English and Reasoning for 7+, 8+ and 11+ exams. She also teaches English, Drama and History of Art up to A Level. She is an experienced ISEE and US university entrance tutor. Julia aims to shape an environment that allows students to own their abilities and encounter challenges with curiosity.

Emma is an extremely experienced English tutor. She has worked at a number of top London independent schools and recently retired as Head of English at Queen's College. Her knowledgeable approach ensures she provides the very best support to her students.

Matt is a tutor and theatre director with a passion for education. He has a fantastic academic record and a kind, enthusiastic disposition.

Lou is an experienced and professional tutor in Latin and French up to A level, including IB. We were particularly impressed by her up-beat and methodical approach to tutoring.

Amy is a qualified primary teacher who has taught at schools in the UK and internationally. She incorporates creativity and fun into her lessons in order to help her students learn and progress.

Roxaneh is a hugely experienced English tutor. As an actress she infuses her tutoring with a passion for literature and performance.

Donal is a charismatic and affable tutor. We were particularly impressed at interview by his attention to detail when preparing students for exams.

Ben is a passionate and engaging English tutor who has a MA in Shakespeare Studies from KCL. He enjoys helping his students develop an interest in English and he adapts his teaching style to the needs of each student.

Cyara is a highly intelligent and inspiring tutor who works across the age range. Her engaging style and goal orientated practice encourages students to invest more energy into their studies and gain more enjoyment from lessons.

Eleanor's approach to tutoring is measured, supportive and fun. She tutors alongside her freelance work at the Melanie Klein Trust.

Emma is an experienced tutor with a stellar academic record. She teaches Maths and English from 7+ to 13+, as well as Economics, Politics and Business at A Level. Emma's approach is clear and focussed, always keeping the student's needs in mind.

Jess is a qualified specialist teacher who works with both main stream and SEN students. She works with a range of ages and has over twelve years of experience with teaching both in school and privately. Jess is an engaging and enthusiastic teacher, who likes to help students to develop confidence and curiosity with their learning.

Sam is a patient and engaging tutor who believes in creating a bespoke learning experience for each of his students. He is a qualified teacher who helps with Maths up to 11+ and Drama and English all the way up to A Level.

Katarina is an experienced tutor who has been helping students since 2017. Alongside teaching Katarina is completing a PhD in Art.

Dhananjay is a Cambridge graduate and a gifted linguist. He teaches from the 11+ - university level. He is currently a full-time tutor.

Rebecca is an Oxford University educated tutor who teaches English, Modern Languages and Maths. She has taught over 3,100 hours since joining Keystone as a full-time tutor in 2017.

Kate is a qualified Teacher and an experienced tutor. She teaches across the age range and her tutoring has taken her across the globe. She has now settled back in London where she tutors full-time.

Joe is a UCL graduate and a Geography, English and Science tutor. He can also help with 11+ and 13+ prep.

Matilda is an experienced tutor with an impressive track record, having taught over 2,800 hours through Keystone. She is enthusiastic and encouraging and her students grow in confidence and self assurance under her guidance, really preparing them for their exams.

Kristine has been teaching for many years, with a focus on teaching English as a second language. She has worked with students of different age ranges from all over the world meaning that she works to tailor each lesson to the individuals needs and learning styles.

Jason is experienced Teacher who has spent over two decades in the classroom. He aims to motivate his tutees and give them the confidence and growth mindset they need to help them realise their academic potential.

Tom is a very able and engaging mathematician with a First class degree from Bristol. He joined Keystone in 2012 and has taught over 6,700 hours since working with over 150 families.

Katie is a first class graduate who is also a qualified teacher, obtaining her PGCE from King's College London. She is personable, diligent and well versed in the school curricula and has taught 2,500 hours through Keystone.

Andrew is one of Keystone’s most experienced Maths tutors. He is passionate about supporting his students and his practical approach to tutoring helps to build confidence.

Davina has been tutoring for over 15 years. Her teaching is marked by its sympathy and diligence. She plans her lessons exhaustively and structures rigorous long-term programmes. She is particularly talented at helping her pupils get to grips with the perils of the English language, and making Science more accessible to those who have struggled to understand it in class.

Throughout Kate's career in teaching she has worked with students from the 7+ level up to degree level. She has a passion for English and has huge amounts of experience working with students both face-to-face and online.

Shanice is a dynamic tutor who teaches across the primary age range. She has experience working with a range of abilities, including those with SEN. Shanice is patient and adaptable, always ensuring her lessons are tailored to the learning style of the student.

Kathryn is a qualified Teacher with years of experience. She aims to stretch her tutees' academic ability and to equip them with the tools required to tackle exams with clarity and confidence.

Benjamin is a qualified languages teacher who tutors French, German and Spanish up to A Level and humanities up to 13+. Before qualifying, he gained a degree in Modern Foreign Languages (German and Russian) from Durham University. Ben now tutors alongside working in a top independent school.

Kate trained as a teacher through the Teach First scheme. She now focuses on tutoring and strives to engage and motivate her tutees. Her lessons are always planned in great detail and Kate's aim is for her students to develop enquiring, critical, and confident minds.

Carlos has a first class Music degree from the University of Oxford. He specialises in 7+ to 13+ preparation as well as working with GCSE Music, History and English students.

Holly is a Cambridge educated tutor who covers a wide range of subjects. She aims to instill confidence within her students and encourages them to be intellectually independent.

Passionate about English as well as Maths, Robyn is an experienced and intellectually sharp tutor. She is particularly strong at extending learners outside of their comfort zone.

Ollie is a very experienced English and Maths tutor. He is enthusiastic and methodical: he enjoys lifting students' confidence with a mixture of positive praise and a simple approach to exam technique.

Leo is an Oxford History graduate and has a wealth of experience of teaching the subject, as well as English, Maths, Science, Geography and RS up to the 13+ level. He has worked with Keystone since 2011 and has taught over 1,000 hours since he started.

Sarah is a Primary School teacher with almost 18 years of experience. She currently teaches in a central London independent school and has taught in mainstream and specialist SEN schools. Sarah is a supportive and committed tutor.

Kayleigh is an English Teacher with seven years of classroom experience. She is now tutoring whilst completing a PhD in English Literature.

Imogen gained a first class degree in Theology from Oxford and has 10 years tutoring and teaching experience. She tutors across the age range and specialises in English and Religious Studies up to A Level and school entrance exams.

Martin is an English tutor of titanic stature and experience. He loves to enthuse students about English.

Tommaso teaches English, History, Italian, Psychology, Philosophy and RS across the age range. He also helps with Maths at 11+ and 13+. He has been tutoring alongside his studies for the past 5 years.

Andy is a qualified English teacher having trained through the Teach First programme in 2015. He enjoys sharing his passion for English with his students and has experience working with students of varying ages and abilities.

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I specialise in assisting your child to develop a love for writing through a variety of engaging and outside-the-box activities.

I'm Fara, an Educational Consultant, a Teacher Trainer and Schools Advisor. I started teaching over 27 years ago and have worked within the state and private sector. At heart, I simply enjoy working alongside students and watching them excel. I hold a fully enhanced DBS certificate.

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"Thank you for making my usually desolate and dull Mondays into extravagant , fun days to write creatively. They transport me and the rest of the class to: frozen seas, rat-infested waters, sentient houses and more spectacular wonders. Your intriguing lessons have given me the courage to use ambitious words in the correct context."

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11 Plus Creative Writing: Exam Preparation Guide

What is the creative writing element of the 11 Plus and what does it include?

Both 11 plus exam boards (GL and CEM) don’t have a creative writing element, however some schools may decide to add this element in to assist with the selection process. For instance, it may be used in cases where two students have very similar scores and so the creative writing piece will be the deciding factor.

Each school will have a different format for the writing element; some schools may ask for a creative piece of writing from scratch and others may ask students to complete a story from a passage they‘re provided with. Independent schools, on the other hand, usually require an essay or creative writing piece as part of the exam. 

In private schools, this section is crucial and is always marked, however in grammar schools this section may not always be marked. Nonetheless, it shouldn’t be overlooked as it could be a deciding factor of whether or not your child gets an offer at their target grammar school.

This element of the eleven plus will require students to manage their time well and be able to complete their story in just under an hour. Generally, students are given a scenario or prompt that they are free to interpret in their own way. Students will then be required to put their ideas together in a creative style.

Some examples of past prompts that have come up in grammar and private school 11 Plus exams include:

• Describe a situation which you have experienced which might also be called A Magical Moment, showing what your thoughts and feelings are
• The Prince of Darkness is a Gentleman
• The Broken Window

As you can see from these titles, there’s no specific category that they fall into and they are very unpredictable. The trick here is to ensure your child has lots of practice with these past paper questions, so they can better understand how they’re going to draft their ideas together coherently.

The structure of the writing piece should include:

• A beginning that sets the scene
• Characters who have a motivation behind their actions and drive the plot forward
• An ending that wraps up the original idea that was set out at the beginning 

How to prepare for the creative writing part of the exam?

Practice is of course a crucial element of the revision process. It may also be useful to jot down ideas and descriptions of: emotions, actions, characters and the environment. Having these sets of descriptions ready will save lots of time in the actual exam. Even though the emotions and characters your child has practised writing don’t match the question in the exam, they will have a better idea of how to formulate the structure and plot in a timely manner by developing the descriptions they practised. 

Themes to practice writing about:

• Nature : this could be rivers, rain, mountains, lightning
• Emotions : this is an essential part of the story as it helps to set the tone. Some emotions can be: joy, anger, sadness. It may be beneficial to visualise the ‘inside out’ movie and write out the emotions according to how each character behaves
• Activities you enjoy : this will help with writing the plot in the eleven plus exam since you can adapt and build on these descriptions based on the title question
• Animals : this may be your favourite animal or your pet
• Your surroundings : this could be houses, parks, churches, villages, roads. Understanding how to write about basic structures in a captivating way is a very important of this writing element

Techniques to practise using in your writing:

• Personification : This technique involves associating something that isn’t human with human qualities. For example: the trees danced in the wind . This technique allows the objects throughout the story to have meaning and gives energy to something that is usually expressionless. 
• Metaphors : This is a figure of speech, where a word or phrase is defined as another object or action to which it is not literally applicable. A famous example is from one of Shakespeare’s plays, As You Like It, is: ‘all the world’s a stage. ’ This metaphor compares the world to a theatrical stage. While this is not literally true, the metaphor demonstrates that the world is like a show and the people are like actors. Metaphors allow the reader to think more deeply about a subject, and they can also add emotion and dramatic effect.
• Similes : This is like a metaphor, except similes use the connective words ‘like’ or ‘as’ to draw comparisons. For example: her eyes were like diamonds . The purpose of similes is to make comparisons to better illustrate your ideas, which makes the story more vivid and entertaining for the reader. 
• Hyperbole : This is an exaggeration to emphasise a point to the reader. For instance: I have waited forever for this to happen . This makes the sentence more dramatic and grabs the reader’s attention, which makes the emotions more memorable.
• Alliteration : This is having two or more words with the same letters consecutively in a sentence. An example of this could be: the big bug bit the little bee . This will have a different effect depending on whether the letters sound soft or harsh, but generally alliteration adds a rhythmic sound to the sentence and accentuates your descriptions.

Some revision techniques

Although the topics for the creative writing section are unpredictable, they are usually very broad so your child can use their imagination to think of a plot or build on the descriptions they have already practised. They can start off by writing short stories on the themes mentioned above in this article, and attempt to implement the literary techniques throughout their writing.

It’s crucial to keep your reader hooked throughout your story, so having an interesting plot and characters will help, but it’s also important to focus on developing the techniques listed. Use past paper questions and practice writing short stories under timed conditions, then read over it and see how many techniques your child managed to implement. 

If your child is struggling to come up with ideas, it may be useful to encourage them to pick up one of their favourite books and allow them to get inspiration from there. This will encourage their creative thinking skills to grow; the first few pages of a book are especially important as they sometimes outline the main characters and setting of the entire story. 

Reading and analysing the first few pages can allow them to imagine how they’re going to start their own. Even better, try to encourage them to annotate the pages they read with how the characters are displayed, the emotions, actions and the techniques used. After this, they can try to use their structure and techniques in their own writing. Adding these techniques can improve their score tremendously in the eleven plus creative writing section.

General tips and informative articles on 11 Plus:

• 11 Plus for Parents
• 11 Plus Creative Writing
• 11 Plus English
• 11 Plus Non Verbal Reasoning
• 11 Plus Maths
• 11 Plus Verbal Reasoning
• 11 Plus Comprehension Tips
• 11 Plus Reading List
• What Is 11 Plus Exam
• 11 Plus Maths Questions

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Ten 11+ & 13+ Creative Writing Tips For Excellent Exam Stories

When my students get the hang of these techniques, it makes an enormous difference to their creative writing – but it takes practice.

M y advice for 11 plus stories in this article applies just as well to 8 plus, 13 plus or GCSE … in fact, although I have written with 11 plus creative writing in mind, my suggestions should be relevant at any level.

I’ve been teaching these things to young people for many years, and I hope you also find them useful. Please write a comment if you do!

The creative writing materials offered by 11 Plus Lifeline teach students to use all the techniques explained on this page.

Every writing paper has full example answers, as well as detailed step-by-step discussions, marking guidelines and story-planning advice. Papers are structured to help students develop high-level skills – and just as importantly, to enjoy themselves!

Click on the infographic to view a zoomable version in a new tab:

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1 – before you write, daydream.

If you can see your story’s world in your head, you will be able to describe it powerfully.

If you can’t, your descriptions risk being superficial and your writing uninteresting.

After a little daydream, your next step is to turn it into a simple plan:

THE STORY PLANNING PROCESS

1) the main event.

The first thing to write in your plan is the main event in your story (see point 2 , below). Keep this simple for now.

2) Your Main Character

Next, jot down a few notes about your main character (see point 3 ). What is interesting about them? Try to imagine them sitting in the place next to you. See them clearly in your mind. Who are they, really?

3) Getting There

Now note down some ideas for how you will get to the main event. Make this simple too: don’t write more than a couple of lines.

4) … And Getting Out Of There!

Finally, write a few thoughts about what will happen after the event: why does it matter, and – above all else – how does it affect your characters?

The reason I suggest this order of planning is that when you only have a short time to write, there are two important things which will hold your story together: the main event (what it is about ) and your central character (who gives us a reason to care ).

Everything else should be very simple, allowing you to focus on describing beautifully.

In fact, you can probably guess what the next of my 11 plus tips is …

2 – Keep things simple! In an 11 plus exam story, choose  one main plot event & bring it to life.

If there are too many things happening, your descriptive skills may get lost.

What’s more, once there are lots of dramatic events in a story, many students struggle to write about all of them properly.

Look at this example:

As they walked through the forest a tree fell and nearly crushed them. That was close , thought Claudia. Then they sat down to scrutinise the map.

It’s good to describe the small details of life – and especially with an interesting verb like “scrutinise”.

But if you forget to fully describe big events, such as a tree almost killing your characters, the effect is very peculiar. It implies that a near-death experience is no more interesting than reading a map!

Either give dramatic events their due importance, by describing them powerfully and giving a clear sense of your characters’ reactions, or steer clear of them altogether.

This is often a problem in exam stories with too much action, or with too many plot events in general.

It’s best to structure your story around one main event, which isn’t too extreme. Spend the rest of your time building up to it and showing its after-effects.

3 – Focus on one character

Just as it’s best to focus your writing around one main event, it makes sense to have one core character.

You probably won’t have time to make more than one person interesting and believable in a thirty minute writing exam. If you try, you’re at risk of coming unstuck.

(If you feel really confident, you might manage to develop two characters: a brother and sister, for example. But in the exam itself, ask yourself: Is it worth the risk? )

Make your main character really interesting, and only refer to others in passing.

4 – Put a little dialogue in … but don’t write a play script!

“Because writing dialogue is easier than thinking,” he said.

“That makes sense,” I said, “because otherwise I can’t explain why we’ve been chatting pointlessly for two full pages.”

Dialogue is excellent in an exam piece, and you should aim to include some in every story. However, there are risks, demonstrated by the example above!

Don’t let your story turn into a play script.

Use a little dialogue in 11+ creative writing, but focus on your descriptions of the setting, characters and events.

When you do write conversations, don’t stop describing. Avoid repeating “I said”, “she said”, “Mum answered”, and so on.

Instead, add little details which help the reader to imagine the scene as the characters talk.

Describe how people move around between saying things, the expressions on their faces, and so on:

“Because writing dialogue is easier than thinking,” he replied, a hint of a smile twitching like a worm at the edge of his mouth.

A quick note about paragraphing:

Examiners are likely to expect that a new speaker begins on a new line, if somebody else has already spoken in the paragraph.

This doesn’t happen in every book you’ll read, but it’s a convention – a normal way of doing things – which you are supposed to know about.

Look at this way of writing the example at the top, and think about where a sentence should begin a new line :

“Why are we still talking?” I said. “Because writing dialogue is easier than thinking,” he said. “That makes sense,” I said, “because otherwise I can’t explain why we’ve already been talking for two full pages.”

Now check the original again, to see whether you were right!

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It’s perfect for Key Stages 2 and 3 and for 11+ exam preparation, at home or in the classroom. It’s also ideal for anybody aged 9 or above who enjoys writing and wants to do it better.

Click on the covers to learn more and view sample pages from the books:

RSL Creative Writing: Book 1

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Robert was 33. He lived in a small flat with his cat and his wife. One day, he decided to go for a walk to the shops. The shops weren’t very far away: it took about ten minutes to get there. It was a cloudy day. It was the middle of February and it was a bit cold but not cold enough for a scarf. The road was in need of some repairs. He was wearing a blue jumper and black shoes and some fairly old jeans.

You don’t need to introduce your story as though it is a 300 page novel!

The reader doesn’t have to know everything about the main character, and especially not at the start. This way you waste a paragraph, when you might only have time for four or five in your whole story.

Anything that really matters about your characters can be mentioned along the way. In creative writing for 11 plus exams, everything else can be left out.

Get into the main business of your story from the very first line.

6 – Show, don’t tell … Whether you’re writing an 11 plus story, or whether you’re a famous novelist!

In real life, we can’t see what is in other people’s minds.

We have to work it out from what they do – and sometimes from what they say, although this can be very misleading!

For this reason, other people’s creative writing is often most interesting when we have to work out what characters are thinking and feeling.

This makes the characters seem like real people whose thoughts we can’t immediately know.

It also helps to get us – the readers – involved in the story by making us do some thinking for ourselves!

You might initially want to write this:

Simon looked up. He was angry.

But this is much more interesting to read:

As Simon looked up I could see his jaw muscles flexing.

Have a go at re-writing the following paragraph to make it more interesting . You can change things around as much as you like.

I admit: this is the sort of thing which you will sometimes read in a book. It isn’t necessarily  always bad writing, in itself.

However, it is a missed opportunity to bring a character to life. In a time-limited 11-plus exam story, you need to take advantage of such moments.

The rule is:

Where possible,  show me  what a character is feeling … don’t  tell me .

Have a look at my way of re-writing the paragraph above:

All Anna’s thoughts have gone.

Instead, there are some strong clues which steer you towards a particular idea about what she thinks and how she feels: but you still have to decide for yourself.

This forces you to imagine Anna clearly in your own mind.

How does my answer compare to your approach?

7 – Use a range of senses throughout your story

This is good writing. The trees may be “green” (which is a bit dull), but they are “swaying”, which is an effective detail and more than makes up for it.

The simile in the second sentence (“like wisps of cigar smoke”) is vivid and well planned.

The sandwich bag is “crumpled”, and “bag of bacon” is a nice moment of alliteration to emphasise this robust, commonplace item of food.

But imagine a story which continues in the same way, all the way through.

Everything is visual: a sight image.

For the reader, it is like being in a world without the ability to hear, smell, touch or taste.

Furthermore, the narrator seems to be looking around constantly, noticing everything. Is this normal behaviour?

It’s an unrealistic way of seeing the world, and after a while it becomes exhausting to read.

For a student, there are two simple but very useful lessons:

1) Always think about the five senses (sight, hearing, touch, taste, smell).

2) Sometimes avoid the most obvious sense when describing a thing (see point 8 below).

These tips are easy to apply in your creative writing for 11+, but they make a huge difference.

What’s more, unlike a clumsy simile (see point 9 ), a sensory description rarely ends up  harming  your writing. It can be effective or ineffective, but that’s another matter!

Take the example above:

“The trees were green and swaying”  could become:  “The trunks were groaning, and overhead I heard the dull rustle of a thousand fresh leaves slapping against one another.”

There’s nothing startlingly original here, but because it is a slightly less obvious way of describing trees, it creates a much more powerful atmosphere.

If you want a metaphor as well, try turning  “dull rustle”  into  “distant applause” , which makes the leaves seem like a mass of enthusiastic people.

Similarly,  “I looked at the bag of bacon sandwiches crumpled on the seat next to me”  takes on more life like this:

I smelt something like old sick; then I remembered the bag of bacon sandwiches crumpled on the seat next to me.

Notice how easily similes (“like old sick”) and metaphors happen, almost by themselves, when you focus on describing with a range of senses .

This is one of my most important 11 plus writing tips.

8 – Sometimes describe things using a less obvious sense

Using a range of senses, as I discussed in point 7 , is really, really important.

But how can you come up with surprising, powerful descriptions – descriptions to make the marker stop ticking your work for a second, raise their eyebrows and smile?

Imagine that you are just about to write the following sentence:

It was a cold morning.

But you stop yourself, think for a second, and write this:

I could hear the crackle of thawing ice on car windscreens.

This is much more interesting. Rather than using the sense of touch (a “cold” feeling), you are using a sound: “the crackle of thawing ice”.

There’s a good chance that the reader will think:  “Yes! I never considered it before, but you really do hear a sound when ice thaws quickly.”

This version also tells you much more about the weather:

The reader can work out that the night has been exceptionally cold, but also that the temperature is now rising quickly.

The thought process to produce descriptions like this is much simpler than it seems:

1) Think of the sense which is most obvious to describe the thing you are writing about.

3) Think of the second most obvious sense.

4) Ban that too!

5) From the three remaining senses, pick the one which is most useful.

6) Ask yourself how the thing would sound, feel, smell or taste – whichever three of these you have left (you’ve almost certainly banned sight!).

7) Write about it.

9 – Use similes and metaphors carefully in your creative writing

Similes and metaphors are useful (and can be impressive), but they have to make things clearer for the reader, not create confusion.

“She won the sprint like a racing car” asks more questions than it answers.

Was she noisy? Was she travelling at 150 miles per hour?

On the other hand, “She ducked her head and slipped across the line as cleanly as a racing car” helps me to picture the event exactly as intended.

Here’s another simile for speed, which I’ve seen a great many times (you’d hardly believe how many) in 11-plus stories:

Donald wrote like a cheetah.

Does this mean that Donald wrote savagely and meaninglessly, like a wild animal with a pencil jammed between its claws ?

Or perhaps that he wrote largely about the themes of hunting and sleeping ?

My guess is that Donald wrote quickly , but I’m not sure … because if that’s all you meant, WHY DIDN’T YOU JUST SAY IT?

This sort of thing is not really the fault of a young writer, who after all is (hopefully!) doing their best.

It is the fault of those dastardly teachers who advise children to include, for example, “at least one metaphor and two similes” in each story.

The result of this, for most children, is a succession of poorly chosen descriptive tricks, which add nothing.

Indeed, we’ve seen how these things can end up making a story comical for all the wrong reasons!

The right approach to creative writing doesn’t start with the need to include a simile: it starts with the need to describe effectively .

To me, this means allowing the reader to imagine the situation fully, and helping them care what happens.

Let’s play around with the image of Donald writing “like a cheetah”.

What happens if we just get rid of the simile?

Donald wrote quickly.

OK, but it doesn’t tell us much: did he write quickly because he wanted to finish his story before  Newsnight , or because he was really excited by his work?

Let’s say that it was the first reason: he wanted to get his work out of the way. Perhaps he was feeling annoyed, given that it might interrupt his favourite TV show.

When somebody is writing rapidly while annoyed, what might this look like?

I imagine Donald’s arm wiggling as the pen moves — especially the elbow. The movement is fast and constant because he is worried about getting the work finished, and because in his irritation he doesn’t much care about its quality.

So I ask myself: What moves to and fro constantly, performing a task in an unimaginative way?

And the first thing I think of is a machine in a factory:

Donald hunched over the page, his arm jerking to and fro with the quick, regular movements of a factory robot.

This sentence by itself would go some way to making your story the best in the exam room.

I hope I’ve persuaded you that with a well-organised thought process, a good simile isn’t too difficult to write!

Because children have been taught to work in this way, a story will often contain the required two similes, a metaphor, a personification, even an interesting alliteration …

… but everything in between is lifeless.

What students need is a different sort of checklist, to help them make the rest of their writing interesting .

I hope this article will give you some ideas!

10 – Stephanie was writing a beautiful story in the 11-plus exam hall. Or was she …?

Suspense is good if it’s appropriate to the story, but don’t jack-knife it in clumsily!

“It was a calm, sunny day. Or was it?” doesn’t really make me curious.

It makes me think that you’re trying to pester me into being excited, rather than persuading me to feel that way through your excellent writing.

If you write in a way that builds suspense by making me interested in the characters and events in the story – while keeping some important information hidden from me, just out of sight – this will speak for itself.

However, not every piece of creative writing needs it!

If you found these story writing tips useful or if you have a question, please leave a comment below! I’d love to have your feedback. (Tick the “Receive email updates” box to receive an email when I reply.)

For the most comprehensive range of resources to help with preparation for the 11+ exam,  you might like to try 11 Plus Lifeline (with a money-back guarantee in the first month). Every practice paper has full example solutions, with a detailed discussion and explanation for every question – like being taught by an excellent private tutor. There’s lots of material to help develop creative, high-scoring exam stories!

According to Tutorful, it’s “ the gold standard for independent and grammar school 11-plus preparation ”.

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89 Comments

If you have any questions, feel free to ask me here. I’ll do my best to help you out!

Hi, I’m preparing my son for 11+. His story ideas are good but he needs to add more details/depth. How can I encourage that? Thanks

That’s a very difficult question to answer, because there is so much that I could say! Many of my suggestions are in the article above. The sample at http://digioh.com/em/27284/164929/84za5s4g4u may offer more ideas. If this is useful, then 11 Plus Lifeline offers many further resources.

What’s the syllabus of creative writing for 11plus. I understand there is no definitive one, it varies with target school as well, but still I’d like to know the min types of writing children should be knowing end of year 6 e.g. story writing, descriptive writing, poetry writing, persuasive writing, diary, reconnect, fiction, non fiction writing, script writing, book/film review, blog writing etc. Really confused with the list of categories and subcategories under each. I just need a good structure with every details. Please help with a detailed table of contents.

Hi Jay. I’m afraid I don’t have such a list – because there isn’t one. Schools can set anything that they like! However, I think getting children used to responding to a range of formats is more important than covering everything. The most common formats are probably: 1) A story based on a title or topic 2) A continuation of a passage (usually the passage already used as a comprehension text) 3) A story based on a picture

You provide excellent tips that we can use to guide our children. Done in a very simple but effective way. Even more – as times are hard and money is tight your generosity shows you truly do wish to help children and not just make money out of them. Thank you

Thank you Alison. I’m glad you found the article useful. Robert

Thank you ever so much for your very useful tips. Would you have some advice (or a sample essay) on writing a descriptive essay based on a given image?

Hi Aparna, There is some relevant content in 11 Plus Lifeline. For more along these lines, keep an eye on the website in the autumn …

Hi Robert, I found the article above very helpful. My daughter is in year 5 and we have just started our 11 plus journey. She seems to be struggling air with creative writing. She has such great ideas and an amazing imaginative mind, however she struggles to express this on paper as compared to her peers also studying for the 11 plus. How can I help her become a better writer?

Speaking as she writes might help: perhaps she will write more fluently if she just thinks of it as a way to record her verbal ideas.

My RSL Creative Writing books might help her to develop her ideas.

What is a good range for the word count for a “continue the story” creative writing task at 10+? I see suggestions of 4-5 paragraphs, but paragraphs vary hugely in length. My son is only writing around 150 words, and I fear this is taking “quality not quantity” to the extreme!

It really depends! Sometimes you’ll be given an 8-10 line answer space, in which case that would be appropriate. On the other hand, if you have 30-40 minutes, you should be pitching for 1 to 1.5 pages. Robert

Thank you so much! Very informative

I’m glad to help!

how much your fees for creative writing, and how many lesson? please let me know [email protected]

Hello Hemang. I’m afraid I don’t work as a tutor these days. However, you might be interested in my creative writing books at https://www.rsleducational.co.uk/rsl-creative-writing . These will take your child through their skills step by step, much as I would if I was teaching them. Good luck! Robert

Hi Sir! Sir, you suggestions are greatly useful. Sir, can you assist me on how to incorporate Strong Verbs in my writings as I do not know many and I struggle on account of it ?

There’s no easy answer, but the best starting point is to look for specific ways of describing things. For instance, instead of “he talked”, you might say “he muttered”, for example. You’ll learn more verbs if you look out for them as you read things, and perhaps note interesting ones down in a book. Good luck!

Dear Robert Hope you are doing well , my son is in year 5 and he is going to set for 11 plus exam for very highly competitive grammar schools , he need help for is creative writing . I advice that you are the best , I’m seeking help from you ,please . Yours sincerely Saha Mcewan

Hello. Have a look at 11 Plus Lifeline , perhaps, and my RSL Creative Writing books. I do intend to release some new things for creative writing in the future: watch this space!

Hi Robert. These are great tips. My question is how to come with effective descriptions that vary. When I do descriptive writing, I describe with only the five senses and often run out of ideas. Also, how can we write in a way that will make a clear image in the readers mind. Thanks for the time

Hi Yatharth! My video at https://youtu.be/LKnvrad6jpw is all about this, so why not have a look at that? If that’s useful, look at https://www.rsleducational.co.uk/product/rsl-creative-writing-1

I completely agree with your article, and as a teacher who prepares children for GCSE and the 11 tests, I employ a lot of the ‘strategies’ you mention. What children need ultimately is time to read, digest and above all enjoy stories and poems and then to talk about what they’ve read and in some ( or maybe a lot of cases) relate the themes and ideas etc in what they have read to their own lives. This I feel, can give a greater sense of ‘reality’ to what they can eventually write; and then we as teachers (and parents) can model how to write ‘good’ creative stories (and include all the SPAG) which can go a long way to ensuring children actually begin to feel that they themselves can be imaginative and write great stories.

Thank you for taking the time to comment, Molly. I very much agree with you.

What children need ultimately is time to read, digest and above all enjoy stories and poems and then to talk about what they’ve read and in some ( or maybe a lot of cases) relate the themes and ideas etc in what they have read to their own lives.

The only thing I’d add to this is that it works both ways: reading informs writing, but the very best way to develop critical reading skills is to become more sophisticated as a writer!

Hi Robert,l am a Creative Writing teacher for 8+ Do you think 6+ can be taught Creative Writing that will yield excellent result? I asked this question from my experience of teaching Creative Writing,I observe that more 6+ struggle with understanding and implementing Creative Writing stages than 8+ Also,I teach Creative Writing easily because I believe I have the skills to teach it but how can I come up with a special syllabus to teach my colleagues how to teach Creative Writing in the class that will be result oriented.

Hello Soremi.

I would not think too much about results, if by that you mean percentage scores, when children are 6 or so and developing their writing. I would focus on their enjoyment and on encouraging them to explore their imagination, creating interestingly described characters and environments. It’s a different situation in 11+ exams, where children must demonstrate certain skills and perform well in comparison with their peers.

However, it is very important to encourage the development of accurate and clear English from an early stage. Creative writing is a good opportunity to uncover and address problems.

I found this very useful and straightforward, and also very funny… The tips will take me flying in my writing!

Thanks Lily-Grace. The work you sent for me to look at this week was very impressive: you’re already flying!

Thanks Robert this description is very helpful

I’m very glad it’s useful. Thanks for commenting!

Hola me gustaria hacer unas infografias mas dinamicas

Thank you for the topic

It’s a pleasure. I hope the advice helps.

I thought that this was a brilliant summary. Thank you very much. Engaging and thoughtful. Very much appreciated.

I’m delighted to hear it. Thank you!

I found your creative writing tips very insightful, a real shame for us it was right at the end of our 11+/13+ preparation.

Thank you Sara. I hope they made some difference, even at a late stage.

Very useful tips! I like the way you have broken down the advice into bite-sized chunks! Thanks Robert

I’m glad you found them helpful! Thanks for commenting.

Great tips, thanks Robert. Do you have tips on non fictional writing as well? E.g. how a child can do a stellar job when asked to write a suggestion letter to the council. My child struggles with writing on everyday things that she deems uninteresting like describing everday things but is flying when writing on imaginary topics. Thanks in advance.

Hi Tolu. I have some resources for less creative subject matter in 11 Plus Lifeline .

I think the best way to add interest to potentially unexciting things, like letters, is with examples. “I think you should do more to reduce bullying, because it discourages children from studying” is not interesting. “Last week, a boy trudged towards me across the playground, clenching and unclenching his fists, with the dead-eyed look of meaningless aggression that I’ve come to know so well. This is happening too often in our school!” is much more impressive.

Thanks for these tips . Would you suggest any topics for DS to practice .

There are a great many writing topics with fully explained example answers in 11 Plus Lifeline . I might add a blog post with some suggested topics in the coming months. Robert

These SPECTACULAR tips helped me a lot when I was planning and writing a story. I think that these AMAZING tips will help me a lot when I am doing the exam. THANKS Robert!!!!

Thanks Raon! I hope you’ll share the link. Good luck in your exam. Robert

Thanks for the tips to improve the writing skill for the content writers and the students.

Thank you Nihal – I’m glad my advice is useful.

What can I Say?

My son is about to take the 11 + and part of the material is creative writing,

Can you recommend any good material please?

The key is reading and I don’t think he reads as much as he should do

Please advise

Hi Fazal. I would of course recommend my own creative writing material in 11 Plus Lifeline . There’s a free sample here .

Reading is certainly important, but it won’t do any magic without good writing practice alongside it.

If your son isn’t keen on reading, trying to push him to read more may not work. However, you can help to improve the quality of the reading he does do, by discussing it whenever possible in a way that encourages him to think about it in more depth. You can also introduce new vocabulary into your conversations, and so on.

Also, the reading list here may help him to find books that he does want to read!

Hi, my son 11, is really struggling with creative writing, the main problem being he can’t think of anything to write about. he’s a clever boy but more into science and computers. He thinks he can’t do it and I’m worried he’s going to freeze in the exam. how can i get him to access his imagination and not panic. Thanks

Practice is certainly the main thing. If he can start to “access his imagination” (a nice phrase) without exam pressure, he is more likely to be able to do so in the test.

When you say that he can’t think of anything to write about, you’re describing a problem that I can relate to. However, it should not be a big concern at 11+, for the simple reason that the best stories tend to be about very little! If he can construct a simple plot, focused on one event – even something very ordinary and apparently dull – then he has what he needs. From that point, all his effort should be focused on describing well, so that the story creates atmosphere and has a believable main character.

The real problem at 11+ is when children have too many creative ideas. They construct complex, overwhelming plots, about which it is impossible to write well – or even plausibly – in the time available.

Hi Robert Have you got any tips for the CSSE style quick 10 mins Continuous Writing tasks please. These have included instructions, descriptions and this year the exam paper included a picture to write about- what’s happening- story /description?

Many thanks for your help.

This is very difficult to answer in a brief comment. I do have some specially designed resources for these CSSE writing tasks in 11 Plus Lifeline , if that is of interest.

If writing creatively, keep the plot to an absolute minimum. Imagine that you are describing a ten second scene from a movie – not writing the plot for a whole film. Focus on effective use of the senses, in particular – very much as I outline in this article. Don’t waste any space introducing your writing.

If describing a picture, the same applies. Focus on details from it, and try to find a logical structure. For example, a character might move around the image, finding things; or you might imagine the scene changing over a period of time.

For instructions, try to visualise the activity as precisely as you can, then use words to convey your thoughts exactly. This will lead to good vocabulary. Rather than saying “Screw the lightbulb into the socket”, say something like this: “Steadying the socket with your spare hand, twist the bulb gently in a clockwise direction until you encounter resistance.” This doesn’t come from trying to be fancy: it comes from very clearly imagining the action before I write.

There is a great deal more to be said, but I hope these pointers are useful.

Great tips and advice here. I have 4 boys, all at different levels of education. This has helped me to help them. Thanks!

That makes me very happy. Good luck to your sons!

Anybody who found this useful might like to read more of my creative advice at https://www.rsleducational.co.uk/creative-writing-less-is-more .

This article is very helpful. Thank you.

Thanks for taking the time to say so!

I found this very helpful, thank you

Hello Good Afternoon and thank you very much for my help. I am a young child preparing the eleven plus. I don’t necessarily have any questions i just don’t have any questions. Good luck on your educative journey.

Good luck to you, Lukas! Well done for taking the initiative and researching your exams.

I am a 8 years old child and I am doing your 11+ RSL comprehension, do you have any tips that might help me improve my writing? Thank you for your help!

Hi Kate! I’d like to help, but I’m not sure how to. You’ve written this under an article about improving your writing, and you’re working on a book that also helps with this. I don’t know what tips to add here. If you could be more specific, perhaps I’ll be able to say something. Good luck with your work! Robert

Hi Robert! I really like your tips and they did improve my daughter’s writing! Thank you so much!

I’m so glad! Well done to her.

Hi Richard, Does cursive or printed handwriting affect the writing score a 11+ level? Thanks in advance.

No, it shouldn’t make any difference. All that matters is that the writing should be easy to read, and that the student can write reasonably quickly.

Hi there, I am doing 13+, My tutor says that I should not use metaphors or similes, but I think I should. Do you have any advice for me on descriptive writing? And can you explain what a metaphor is?

I think you are probably misinterpreting your tutor. A good simile or metaphor, in the right place, is a good thing, but I would guess that your tutor is concerned that you are over-using these things and that this is distracting you from simply writing well. An alternative is that you haven’t quite understood how to use them effectively. A misjudged simile can look odd: using no simile (or metaphor) is better than using a bad one!

For a good explanation of what a metaphor is, see https://www.grammarly.com/blog/metaphor/ .

Hi, I’m currently helping a student prepare for entrance exams, and I just wondered if you could help me with a question. He was struggling with the timed element of creative writing and wanted to know if he DID run out of time, what would a marker prefer? To just leave the piece unfinished, or to quickly make an ending for the story, even if it meant it was quite an abrupt ending that didn’t necessarily do the story justice?

I think it depends on the marker. I’d prefer an unfinished piece to one with something actively bad in it, like a bad ending. However, can they leave an unfinished ending that nonetheless has something final about it: for instance, zoom out and describe the trees swaying in the distance, or the waves, so that there’s a sense of the world rolling on, despite the events in the story? If this is done well, it might even appear that they intended to finish this way.

great work, keep it up.

Amazing website! The content is wonderful. Highly informative indeed.

That’s brilliant to hear. Thank you!

Do you have to pay to get your work marked?

Yes, that’s right. Most people do it via an 11 Plus Lifeline Platinum subscription .

My daughter is not good at creative writing and I am apprehensive as she writes her pre-tests on 11th November . How do I help her with the following formats?

1) A story based on a title or topic 2) A continuation of a passage (usually the passage already used as a comprehension text) 3) A story based on a picture

Hello! I cover all these things in my RSL Creative Writing books – see https://www.rsleducational.co.uk/rsl-creative-writing You will also find creative writing videos covering these things at https://go.easy11plus.org/VIDEOLIST Good luck! Robert

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11 Plus Creative Writing Help: How to Ace the Exam

• May 23, 2021
• Posted by: Tutor Rise
• Category: 11 English 11 plus Creative Writing 11 Plus Preparation How to pass 11 Plus exam

The 11 Plus exams are meant to test children’s understanding of subjects, such as; Maths, English, Verbal Reasoning and Non-Verbal Reasoning. In some 11 Plus English exam papers, children will be asked to complete a creative writing test – an important component that, unfortunately, many students fear.

At Tutor Rise , we are dedicated to helping your child succeed. In this article, we have prepared a comprehensive guide for your child to help them with their 11 Plus Creative Writing component.

11 Plus Creative Writing: Complete Guide

Creative writing for the 11 Plus Exam can last anywhere between 20 and 50 minutes. It may require you to either complete a continuous prose exercise (where you have to continue the start of a story) or write an original story from scratch. With either task, the goal is to examine your ability to plan and write in a structured and engaging way.

Below, you can find some tips that will help you to unleash your creativity and convey your writing abilities.

Free Your Imagination

Before you start to write (or even plan), take a little time to daydream and let your imagination do the work. If you can clearly see your story in your head, you will be able to describe it in a powerful way, with deep descriptions and engaging writing.

Create a Plan

Your next step is to create a simple plan. When you have a short time to write, there are two crucial things that will hold your story together: the main event and your central character. As such, your plan should include:

• The main event
• Your main character
• Where and when the story is set
• Getting there or how you will get to the main event
• The ending or what will happen after the event

Choose One Main Event

For an 11 Plus Exam creative writing story, we recommend choosing a single main plot event – if there is too much happening, your descriptive skills may simply get lost. If there is a dramatic event, make sure to describe it powerfully and give a clear sense of the reactions of your characters.

Focus on a Single Main Character

Similarly, it is best to focus on only one core character. You likely won’t have enough time to make more than one person believable and interesting in a short thirty-minute exam. Therefore, make your main character stand out and only refer to others in passing.

Don’t Be Afraid to Skip the Intro

If you are writing a short story, it does not need the same introduction as a 300-page novel would. You do not have to give a full background on your character, and especially not in the beginning of the story.

Writing a full introduction will waste a paragraph, when you might only have enough time to write three or four five paragraphs in your entire story. Instead, you can mention any important information about your characters somewhere along the way.

Include a Little Dialogue

Including a dialogue in your exam story is an excellent way to showcase your punctuation knowledge and make your piece a little different. However, be careful not to turn your story into a script. Include a little dialogue for your 11 Plus creative writing test, but keep the main focus on your description of the characters, settings, and events.

Be Descriptive

Many creative stories have core themes or emotions embedded within them. To give you a better idea of what to expect, below are some common topics and tasks that have come up in 11 Plus writing exams:

• You may be asked to write a story about your favourite animal, an animal you are afraid of, or your pet.
• Activities you like. This is an opportunity to describe the activity itself, as well as how it makes you feel.
• Emotions and feelings. Many times, stories include a requirement to describe a specific emotion like joy or fear that you have experienced in a certain situation.
• The built environment. You may need to describe a build environment, such as office blocks or houses, castles or cottages, roads, churches, and more.
• The natural world. Finally, another popular topic includes the description of the natural world. Think mountains and hills, streams and rivers, rain and sunshine.

To help you prepare, think about how you would describe any of these themes well before your exam. Show, not tell! Use a range of senses throughout your story and do not forget to include similes and metaphors where appropriate.

How is 11 Plus Creative Writing Evaluated?

Creative writing skills evaluated in the 11 Plus Creative Writing exercise include the following components:

• Creativity and imagination. Some people are naturally creative, but do not be desperate if you are not. You can improve your imagination over time by reading a variety of books.
• Effective planning. Never jump to writing right away. Creating a plan will help you organize your thoughts and give a structure to your story.
• Correct use of English grammar . You will be expected to correctly apply the rules of grammar throughout your writing. All sentences should be complete and make sense, all word groups should be used correctly, and correct forms of verbs should be applied.
• Correct use of punctuation. It is important to use all the correct punctuation marks in your writing piece. Review the standard simple forms of punctuation, along with less common punctuation marks like ellipses, brackets, hyphens, apostrophes, colons, and semicolons.
• Correct spellings. Needless to say, correct spelling is essential in any type of writing. Review and practice spelling rules, as well as the spelling of irregular words.
• An interesting and “fluent” writing style. Each person has an absolutely unique writing style. Aim to demonstrate your ability to write in an entertaining way that will keep your reader engaged.
• A good structure of your text. Make sure to demonstrate that your text has structure with clear paragraphs that are organized by topic, characters, and time.
• An interesting and extensive vocabulary. It may take years to develop an extensive vocabulary, but a proven method is to read numerous books and search for new words that you can use in your own writing.

Get Ready for 11 Plus Creative Writing Exam with Tutor Rise

Without a doubt, passing the 11 Plus Creative Writing aspect of the exam is no easy task. From use of advanced punctuation and grammar rules, to correct spelling and interesting vocabulary, there is a lot to keep in mind.

Fortunately, you and your child are not alone in this. At Tutor Rise , our 11 Plus Writing Course was created by 11 Plus exam specialists who have years of teaching experience. We are truly dedicated to using innovative strategies and tools to help your child progress quickly and truly excel in their exams and beyond.

Contact us today to learn more.

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In Transit: Notes from the Underground

Jun 06 2018.

Spend some time in one of Moscow’s finest museums.

Subterranean commuting might not be anyone’s idea of a good time, but even in a city packing the war-games treasures and priceless bejeweled eggs of the Kremlin Armoury and the colossal Soviet pavilions of the VDNKh , the Metro holds up as one of Moscow’s finest museums. Just avoid rush hour.

The Metro is stunning and provides an unrivaled insight into the city’s psyche, past and present, but it also happens to be the best way to get around. Moscow has Uber, and the Russian version called Yandex Taxi , but also some nasty traffic. Metro trains come around every 90 seconds or so, at a more than 99 percent on-time rate. It’s also reasonably priced, with a single ride at 55 cents (and cheaper in bulk). From history to tickets to rules — official and not — here’s what you need to know to get started.

A Brief Introduction Buying Tickets Know Before You Go (Down) Rules An Easy Tour

A Brief Introduction

Moscow’s Metro was a long time coming. Plans for rapid transit to relieve the city’s beleaguered tram system date back to the Imperial era, but a couple of wars and a revolution held up its development. Stalin revived it as part of his grand plan to modernize the Soviet Union in the 1920s and 30s. The first lines and tunnels were constructed with help from engineers from the London Underground, although Stalin’s secret police decided that they had learned too much about Moscow’s layout and had them arrested on espionage charges and deported.

The beauty of its stations (if not its trains) is well-documented, and certainly no accident. In its illustrious first phases and particularly after the Second World War, the greatest architects of Soviet era were recruited to create gleaming temples celebrating the Revolution, the USSR, and the war triumph. No two stations are exactly alike, and each of the classic showpieces has a theme. There are world-famous shrines to Futurist architecture, a celebration of electricity, tributes to individuals and regions of the former Soviet Union. Each marble slab, mosaic tile, or light fixture was placed with intent, all in service to a station’s aesthetic; each element, f rom the smallest brass ear of corn to a large blood-spattered sword on a World War II mural, is an essential part of the whole.

The Metro is a monument to the Soviet propaganda project it was intended to be when it opened in 1935 with the slogan “Building a Palace for the People”. It brought the grand interiors of Imperial Russia to ordinary Muscovites, celebrated the Soviet Union’s past achievements while promising its citizens a bright Soviet future, and of course, it was a show-piece for the world to witness the might and sophistication of life in the Soviet Union.

It may be a museum, but it’s no relic. U p to nine million people use it daily, more than the London Underground and New York Subway combined. (Along with, at one time, about 20 stray dogs that learned to commute on the Metro.)

In its 80+ year history, the Metro has expanded in phases and fits and starts, in step with the fortunes of Moscow and Russia. Now, partly in preparation for the World Cup 2018, it’s also modernizing. New trains allow passengers to walk the entire length of the train without having to change carriages. The system is becoming more visitor-friendly. (There are helpful stickers on the floor marking out the best selfie spots .) But there’s a price to modernity: it’s phasing out one of its beloved institutions, the escalator attendants. Often they are middle-aged or elderly women—“ escalator grandmas ” in news accounts—who have held the post for decades, sitting in their tiny kiosks, scolding commuters for bad escalator etiquette or even bad posture, or telling jokes . They are slated to be replaced, when at all, by members of the escalator maintenance staff.

For all its achievements, the Metro lags behind Moscow’s above-ground growth, as Russia’s capital sprawls ever outwards, generating some of the world’s worst traffic jams . But since 2011, the Metro has been in the middle of an ambitious and long-overdue enlargement; 60 new stations are opening by 2020. If all goes to plan, the 2011-2020 period will have brought 125 miles of new tracks and over 100 new stations — a 40 percent increase — the fastest and largest expansion phase in any period in the Metro’s history.

Facts: 14 lines Opening hours: 5 a.m-1 a.m. Rush hour(s): 8-10 a.m, 4-8 p.m. Single ride: 55₽ (about 85 cents) Wi-Fi network-wide

Buying Tickets

• Ticket machines have a button to switch to English.
• You can buy specific numbers of rides: 1, 2, 5, 11, 20, or 60. Hold up fingers to show how many rides you want to buy.
• There is also a 90-minute ticket , which gets you 1 trip on the metro plus an unlimited number of transfers on other transport (bus, tram, etc) within 90 minutes.
• Or, you can buy day tickets with unlimited rides: one day (218₽/ US$4), three days (415₽/US$7) or seven days (830₽/US$15). Check the rates here to stay up-to-date.
• If you’re going to be using the Metro regularly over a few days, it’s worth getting a Troika card , a contactless, refillable card you can use on all public transport. Using the Metro is cheaper with one of these: a single ride is 36₽, not 55₽. Buy them and refill them in the Metro stations, and they’re valid for 5 years, so you can keep it for next time. Or, if you have a lot of cash left on it when you leave, you can get it refunded at the Metro Service Centers at Ulitsa 1905 Goda, 25 or at Staraya Basmannaya 20, Building 1.
• You can also buy silicone bracelets and keychains with built-in transport chips that you can use as a Troika card. (A Moscow Metro Fitbit!) So far, you can only get these at the Pushkinskaya metro station Live Helpdesk and souvenir shops in the Mayakovskaya and Trubnaya metro stations. The fare is the same as for the Troika card.
• You can also use Apple Pay and Samsung Pay.

Rules, spoken and unspoken

No smoking, no drinking, no filming, no littering. Photography is allowed, although it used to be banned.

Stand to the right on the escalator. Break this rule and you risk the wrath of the legendary escalator attendants. (No shenanigans on the escalators in general.)

Get out of the way. Find an empty corner to hide in when you get off a train and need to stare at your phone. Watch out getting out of the train in general; when your train doors open, people tend to appear from nowhere or from behind ornate marble columns, walking full-speed.

Always offer your seat to elderly ladies (what are you, a monster?).

An Easy Tour

This is no Metro Marathon ( 199 stations in 20 hours ). It’s an easy tour, taking in most—though not all—of the notable stations, the bulk of it going clockwise along the Circle line, with a couple of short detours. These stations are within minutes of one another, and the whole tour should take about 1-2 hours.

Start at Mayakovskaya Metro station , at the corner of Tverskaya and Garden Ring,  Triumfalnaya Square, Moskva, Russia, 125047.

1. Mayakovskaya.  Named for Russian Futurist Movement poet Vladimir Mayakovsky and an attempt to bring to life the future he imagined in his poems. (The Futurist Movement, natch, was all about a rejecting the past and celebrating all things speed, industry, modern machines, youth, modernity.) The result: an Art Deco masterpiece that won the National Grand Prix for architecture at the New York World’s Fair in 1939. It’s all smooth, rounded shine and light, and gentle arches supported by columns of dark pink marble and stainless aircraft steel. Each of its 34 ceiling niches has a mosaic. During World War II, the station was used as an air-raid shelter and, at one point, a bunker for Stalin. He gave a subdued but rousing speech here in Nov. 6, 1941 as the Nazis bombed the city above.

Take the 3/Green line one station to:

2. Belorusskaya. Opened in 1952, named after the connected Belarussky Rail Terminal, which runs trains between Moscow and Belarus. This is a light marble affair with a white, cake-like ceiling, lined with Belorussian patterns and 12 Florentine ceiling mosaics depicting life in Belarussia when it was built.

Transfer onto the 1/Brown line. Then, one stop (clockwise) t o:

3. Novoslobodskaya.  This station was designed around the stained-glass panels, which were made in Latvia, because Alexey Dushkin, the Soviet starchitect who dreamed it up (and also designed Mayakovskaya station) couldn’t find the glass and craft locally. The stained glass is the same used for Riga’s Cathedral, and the panels feature plants, flowers, members of the Soviet intelligentsia (musician, artist, architect) and geometric shapes.

Go two stops east on the 1/Circle line to:

4. Komsomolskaya. Named after the Komsomol, or the Young Communist League, this might just be peak Stalin Metro style. Underneath the hub for three regional railways, it was intended to be a grand gateway to Moscow and is today its busiest station. It has chandeliers; a yellow ceiling with Baroque embellishments; and in the main hall, a colossal red star overlaid on golden, shimmering tiles. Designer Alexey Shchusev designed it as an homage to the speech Stalin gave at Red Square on Nov. 7, 1941, in which he invoked Russia’s illustrious military leaders as a pep talk to Soviet soldiers through the first catastrophic year of the war.   The station’s eight large mosaics are of the leaders referenced in the speech, such as Alexander Nevsky, a 13th-century prince and military commander who bested German and Swedish invading armies.

One more stop clockwise to Kurskaya station,  and change onto the 3/Blue  line, and go one stop to:

5. Baumanskaya.   Opened in 1944. Named for the Bolshevik Revolutionary Nikolai Bauman , whose monument and namesake district are aboveground here. Though he seemed like a nasty piece of work (he apparently once publicly mocked a woman he had impregnated, who later hung herself), he became a Revolutionary martyr when he was killed in 1905 in a skirmish with a monarchist, who hit him on the head with part of a steel pipe. The station is in Art Deco style with atmospherically dim lighting, and a series of bronze sculptures of soldiers and homefront heroes during the War. At one end, there is a large mosaic portrait of Lenin.

Stay on that train direction one more east to:

6. Elektrozavodskaya. As you may have guessed from the name, this station is the Metro’s tribute to all thing electrical, built in 1944 and named after a nearby lightbulb factory. It has marble bas-relief sculptures of important figures in electrical engineering, and others illustrating the Soviet Union’s war-time struggles at home. The ceiling’s recurring rows of circular lamps give the station’s main tunnel a comforting glow, and a pleasing visual effect.

Double back two stops to Kurskaya station , and change back to the 1/Circle line. Sit tight for six stations to:

7. Kiyevskaya. This was the last station on the Circle line to be built, in 1954, completed under Nikita Khrushchev’ s guidance, as a tribute to his homeland, Ukraine. Its three large station halls feature images celebrating Ukraine’s contributions to the Soviet Union and Russo-Ukrainian unity, depicting musicians, textile-working, soldiers, farmers. (One hall has frescoes, one mosaics, and the third murals.) Shortly after it was completed, Khrushchev condemned the architectural excesses and unnecessary luxury of the Stalin era, which ushered in an epoch of more austere Metro stations. According to the legend at least, he timed the policy in part to ensure no Metro station built after could outshine Kiyevskaya.

Change to the 3/Blue line and go one stop west.

8. Park Pobedy. This is the deepest station on the Metro, with one of the world’s longest escalators, at 413 feet. If you stand still, the escalator ride to the surface takes about three minutes .) Opened in 2003 at Victory Park, the station celebrates two of Russia’s great military victories. Each end has a mural by Georgian artist Zurab Tsereteli, who also designed the “ Good Defeats Evil ” statue at the UN headquarters in New York. One mural depicts the Russian generals’ victory over the French in 1812 and the other, the German surrender of 1945. The latter is particularly striking; equal parts dramatic, triumphant, and gruesome. To the side, Red Army soldiers trample Nazi flags, and if you look closely there’s some blood spatter among the detail. Still, the biggest impressions here are the marble shine of the chessboard floor pattern and the pleasingly geometric effect if you view from one end to the other.

Keep going one more stop west to:

9. Slavyansky Bulvar.  One of the Metro’s youngest stations, it opened in 2008. With far higher ceilings than many other stations—which tend to have covered central tunnels on the platforms—it has an “open-air” feel (or as close to it as you can get, one hundred feet under). It’s an homage to French architect Hector Guimard, he of the Art Nouveau entrances for the Paris M é tro, and that’s precisely what this looks like: A Moscow homage to the Paris M é tro, with an additional forest theme. A Cyrillic twist on Guimard’s Metro-style lettering over the benches, furnished with t rees and branch motifs, including creeping vines as towering lamp-posts.

Stay on the 3/Blue line and double back four stations to:

10. Arbatskaya. Its first iteration, Arbatskaya-Smolenskaya station, was damaged by German bombs in 1941. It was rebuilt in 1953, and designed to double as a bomb shelter in the event of nuclear war, although unusually for stations built in the post-war phase, this one doesn’t have a war theme. It may also be one of the system’s most elegant: Baroque, but toned down a little, with red marble floors and white ceilings with gilded bronze c handeliers.

Jump back on the 3/Blue line  in the same direction and take it one more stop:

11. Ploshchad Revolyutsii (Revolution Square). Opened in 1938, and serving Red Square and the Kremlin . Its renowned central hall has marble columns flanked by 76 bronze statues of Soviet heroes: soldiers, students, farmers, athletes, writers, parents. Some of these statues’ appendages have a yellow sheen from decades of Moscow’s commuters rubbing them for good luck. Among the most popular for a superstitious walk-by rub: the snout of a frontier guard’s dog, a soldier’s gun (where the touch of millions of human hands have tapered the gun barrel into a fine, pointy blade), a baby’s foot, and a woman’s knee. (A brass rooster also sports the telltale gold sheen, though I am told that rubbing the rooster is thought to bring bad luck. )

Now take the escalator up, and get some fresh air.

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