oxford dictionary meaning of essay

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Meaning of essay in English

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• I want to finish off this essay before I go to bed .
• His essay was full of spelling errors .
• Have you given that essay in yet ?
• Have you handed in your history essay yet ?
• I'd like to discuss the first point in your essay.
• boilerplate
• composition
• dissertation
• essay question
• peer review
• go after someone
• go all out idiom
• go down swinging/fighting idiom
• go for it idiom
• go for someone
• shoot the works idiom
• smarten (someone/something) up
• smarten up your act idiom
• square the circle idiom
• step on the gas idiom

essay | Intermediate English

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Punch and Judy show

a traditional children's entertainment in which a man, Mr Punch, argues with his wife, Judy. It was especially popular in the past as entertainment in British towns by the sea in summer.

Paying attention and listening intently: talking about concentration

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Definition of essay

 (Entry 1 of 2)

Definition of essay  (Entry 2 of 2)

transitive verb

• composition

attempt , try , endeavor , essay , strive mean to make an effort to accomplish an end.

attempt stresses the initiation or beginning of an effort.

try is often close to attempt but may stress effort or experiment made in the hope of testing or proving something.

endeavor heightens the implications of exertion and difficulty.

essay implies difficulty but also suggests tentative trying or experimenting.

strive implies great exertion against great difficulty and specifically suggests persistent effort.

Examples of essay in a Sentence

These examples are programmatically compiled from various online sources to illustrate current usage of the word 'essay.' Any opinions expressed in the examples do not represent those of Merriam-Webster or its editors. Send us feedback about these examples.

Word History

Middle French essai , ultimately from Late Latin exagium act of weighing, from Latin ex- + agere to drive — more at agent

14th century, in the meaning defined at sense 4

14th century, in the meaning defined at sense 2

Phrases Containing essay

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“Essay.” Merriam-Webster.com Dictionary , Merriam-Webster, https://www.merriam-webster.com/dictionary/essay. Accessed 24 Mar. 2024.

Kids Definition

Kids definition of essay.

Kids Definition of essay  (Entry 2 of 2)

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Essay: The Oxford English Dictionary

by Renee Brown

When Beowulf, the greatest and oldest single work of Old English, was composed, there was no dictionary; when Chaucer wrote the legendary Canterbury Tales, there was no dictionary, when the Bard of Avon, William Shakespeare, produced his graceful poems and plays, there was no dictionary. The first, what would today be called, “dictionary” was compiled in 1604 by a man named Robert Cawdray; A Table Alphabeticall was only 120 pages. One hundred and fifty years later, Dr. Samuel Johnson published his Dictionary . This respectable publication documented 40,000 words and provided 114,000 quotations. The project took him nine years to complete single handedly (McCrum 117-9). It was not until one hundred years later that a project was begun which would far outperform the work of Johnson. The idea for a new dictionary was proposed by the Philological Society of London; at the time it was titled New English Dictionary , but it would become known to the world as the Oxford English Dictionary .

The OED is the “accepted authority on the evolution of English language over the last millennium” ( Oxford ). The purpose of a dictionary is to encompass a language “in its entirety,” the easy words as well as the hard ones, the common words as well as the obscure ones (Winchester 86). English is a world language, spreading all over the globe, which means that the language is constantly expanding, so all words, written, spoken, and read, should be documented (Winchester 87). The unique aspect of this reference is that it not only gives definitions for terms, like a dictionary is commonly understood to do, but the OED gives the meanings, history, pronunciation, and spelling of every word in the English language, both past and present. It is an etymological analysis of words ( Oxford ). The objective is to record “every word, every nuance, every shading of meaning and spelling and pronunciation, every twist of etymology, every possible illustrative citation from every English author” (Winchester 103). In essence, the OED is a “biography” for every English word (Winchester 105). The noble, yet immense ambition of Dr. James Murray.

When the idea of the dictionary was proposed in 1879, it was predicted to be 6,400 pages which would take ten years to complete; however, five years after the project began, the dictionary had reached only the word “ant” ( Oxford ). Murray was the first editor of the OED . He was born in Scotland and was self-educated. He devoted twenty-eight years of his life to the dictionary before his death in 1915. It was Murray's believe that quotations needed to be in the dictionary in order to “demonstrate the full range of characteristics of each and every word with a very great degree of precision. Quotations could show exactly how a word had been employed over the centuries” (Winchester 25-6). There are several ways to find words to put in a dictionary: listen to words spoken, copy words from other dictionaries, or read (Winchester 94). This final method was to be employed by the Oxford lexicographers. But it was physically impossible for Murray and his associates to read everything ever written, so they asked for contributors to send in words with definitions, quotations, and illustrations to add to the project. Thousands of people answered the call for help, but one individual in particular contributed to the OED like a madman.

Dr. William Chester Minor was born in Connecticut, became a surgeon, and served in the US army during the Civil War (Winchester 13). He suffered from delusions, thinking that the Irish were trying to kill him (Winchester 16). He came to London, and in February of 1872, Minor shot and killed George Merrett, a man who neither knew Minor nor had any contact with him prior to the attack (Winchester 3). Broadmoor Criminal Lunatic Asylum became Minor's home and prison (Winchester xiii). After eight years of confinement, Minor heard of Murray's request for contributors to the dictionary, and seeing this as an opportunity for “intellectual stimulus,” he decided to become a contributor (Winchester 113-4). Minor would read the books in his cell and document every word which he found fascinating; in this manner, he stayed a few letters ahead of the men working in Oxford (Winchester 139). Oxford often received hundreds of words from Minor in a single week (Winchester 155). Murray declared that Minor was “the most prolific of thousands of volunteer contributors” (Winchester xi). Neither Dr. Minor nor Dr. Murray lived to see the completed dictionary.

Although his story is far less dramatic than that of Dr. Minor, there was another major contributor to the OED which should be noted. Dr. Fitzedward Hall wrote to Oxford every single day for twenty-two years, making him another memorable contributor to the renowned Oxford English Dictionary (Winchester 167).

Because of the immense size of the project, the OED was published in fascicles. Volume one, A-B was released in 1884 while the final volume took until 1928 to be completed. Many other editors worked diligently on the project. Henry Bradley, born in Manchester, began his work on the OED in 1888 and continued until his death in 1923. William A. Craigie was the third editor. He became editor in 1901, working mainly from the letter N to the end of the alphabet. C.T. Onions claims that he had the last word on the OED because he was responsible for cross-referencing the word “zyxt,” which is literally the final word in the dictionary. Onions also worked on the longest entry in the dictionary, the word “set” ( Oxford ).

The First Edition of the Oxford English Dictionary is ten volumes, totaling 15, 490 pages. It took the editors seventy years to complete the 252,200 entries. The 2,000 contributors sent in five million quotations, 1,861,200 of which appear in the dictionary (Oxford).

Only five years after the publication of the final volume, Oxford University Press, which had assumed the role of publishing the monstrosity, released the Supplement which updated the OED by adding new words. Four more supplementary volumes were completed between 1972 and 1986. In 1989 the Second Edition was published. There have been three other editors who have worked on updates to the OED. Robert Burchfield was born in New Zealand, and he is responsible for broadening the scope of the dictionary to include words used in North America, Australia, New Zealand, South Africa, India, and Pakistan. Many words he assimilated into the dictionary were slang terms. The two current editors are Edmund Weiner and John Simpson ( Oxford ).

The Second Edition of the Oxford English Dictionary is twenty volumes, consisting of 21,730 pages. This massive reference weights 137.72 pounds and took 6,243 pounds of ink to print a single copy of the completed work. There are 291,500 entries with fifty-nine million words and 350 million characters. The longest entry is the word “set” which has 430 senses, 60,000 words, and 326,000 characters. In the Second Edition are 2,436,600 quotations. The most often quoted work is the Bible with 25,000 references; the most often quoted author is Shakespeare with 33,300 references. Hamlet alone is quoted almost 1600 times in the dictionary ( Oxfor d).

In 1992 the text was printed on CD-ROM. This project included 120 typists and fifty proofreaders. The endeavor prices at 13.5 million US dollars and took five years to complete ( Oxford ). Recently the OE D has gone online. It took eighteen months and 150 typists to input the dictionary into the correct format (Elliott). Five hundred and forty megabytes of memory are used to hold the complete dictionary ( Oxford ). In order to get the software development needed to input the information, Oxford University Press spent over one million US dollars (Elliott). Never has the dictionary been profitable to Oxford University Press which spent approximately fifty-five million US dollars to fund the revision program (Oxford). Today there is a website for the Oxford English Dictionary . There is also a “word of the day” site produced by the OED on the website.

The Third Edition of the dictionary is due in 2020, but until then, the OED is continually updated with the release of Supplements (Sharpiro “Dictionary” par. 25). Some interesting words and phrases which have found a home in the dictionary, although they may seem as though they do not belong are chat room, chick flick, duh, munchies, wedgie, and wussy (Sharpiro “Short List” par. 2-11). Others include Grinch, beltway, lap dance, road rage, and get real (Sharpiro “Dictionary” par. 7). The longest word in the dictionary is forty-five letters long: Pneumonoultramicroscopicsilicovolcanoconiosis, a lung disease “caused by inhaling very fine ash and sand dust” (Sharpio “Short List” par. 13).

The drive to document the history of every English word fueled Dr. Murray and future editors and staff members to work tirelessly on what we now have as the Oxford English Dictionary . It is unarguably the most complete dictionary in the English language, which is being revised daily. The OED is one of the greatest contributions to language yet, and it remains a paradigm of perfection.

Works Cited

Elliott, Laura. “How the Oxford English Dictionary Went Online.” Ariadne. 26 June 2000. <http://www.ariadne.ac.uk/issue24/oed-tech>.

McCrum, Robert, William Cran, and Robert MacNeil. The Story of English . 2nd ed. New York: Penguin Books, 1992.

Oxford English Dictionary . 2003. <http://www.oed.com>.

Sharpiro, Howard. “Dictionary Grows as English Language Evolves.” Philadelphia Inquirer . 4 February 2003.

Sharpiro, Howard. “A Short List of New Words.” Philadelphia Inquirer . 4 February 2003.

Winchester, Simon. The Professor and the Madman . New York: Harper Perennial, 1998.

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Using Word Definitions in Formal Essays: Incorporation and Citation

by Robbie Glen

A side note on titles and abbreviations: This abbreviated title rule does not always apply for the body of your paper. The OED may be called the OED in the body because, although it is an abbreviated form, people actually call it this (at least this is my explanation). Generally, abbreviated titles are only acceptable within citations, e.g. a paper on Love's Labour's Lost, while referring to the entire title in the prose, may, after the play has been identified, thereafter cite simply by using LLL followed by the act, scene and line number(s). However, the author would not say, "When the acting company first performed LLL ?"-this is too informal, and while I have seen it done, it is rare and best avoided for our purposes. When we get into writing papers that compare and contrast multiple texts from this course, you'll be able to abbreviate Fight Club as FC and The Talented Mr. Ripley as TTMR in your citations, after the first time you've identified the text by its full name. In general, one word titles are not truncated to a single letter, so we won't be representing Vertigo as V .

I've attached the OED 's entry for sympathy as a noun; as you'll see, there are four main definitions, and #1 and #3 have sub-definitions. The citation I use above shows my reader that I am referring first to the entry for sympathy as a noun, secondly that it is definition number 3, and thirdly that it is sub-definition d. Citing so specifically is crucial, especially since differences between various definitions can often be maddeningly subtle on first examination. If you are using a definition to shape or support your argument, you want to eliminate any possibility of misunderstanding on the part of your reader.

Here is the link to the definition of Sympathy as a noun.

Information about what plagiarism is, and how you can avoid it.

The University defines plagiarism as follows:

“Presenting work or ideas from another source as your own, with or without consent of the original author, by incorporating it into your work without full acknowledgement. All published and unpublished material, whether in manuscript, printed or electronic form, is covered under this definition, as is the use of material generated wholly or in part through use of artificial intelligence (save when use of AI for assessment has received prior authorisation e.g. as a reasonable adjustment for a student’s disability). Plagiarism can also include re-using your own work without citation. Under the regulations for examinations, intentional or reckless plagiarism is a disciplinary offence.”

The necessity to acknowledge others’ work or ideas applies not only to text, but also to other media, such as computer code, illustrations, graphs etc. It applies equally to published text and data drawn from books and journals, and to unpublished text and data, whether from lectures, theses or other students’ essays. You must also attribute text, data, or other resources downloaded from websites.

Please note that artificial intelligence (AI) can only be used within assessments where specific prior authorisation has been given, or when technology that uses AI has been agreed as reasonable adjustment for a student’s disability (such as voice recognition software for transcriptions, or spelling and grammar checkers).

The best way of avoiding plagiarism is to learn and employ the principles of good academic practice from the beginning of your university career. Avoiding plagiarism is not simply a matter of making sure your references are all correct, or changing enough words so the examiner will not notice your paraphrase; it is about deploying your academic skills to make your work as good as it can be.

Students will benefit from taking an  online course  which has been developed to provide a useful overview of the issues surrounding plagiarism and practical ways to avoid it.

Forms of plagiarism

Verbatim (word for word) quotation without clear acknowledgement Quotations must always be identified as such by the use of either quotation marks or indentation, and with full referencing of the sources cited. It must always be apparent to the reader which parts are your own independent work and where you have drawn on ideas and language from another source.

Cutting and pasting from the Internet without clear acknowledgement Information derived from the Internet must be adequately referenced and included in the bibliography. It is important to evaluate carefully all material found on the Internet, as it is less likely to have been through the same process of scholarly peer review as published sources.

Paraphrasing Paraphrasing the work of others by altering a few words and changing their order, or by closely following the structure of their argument, is plagiarism if you do not give due acknowledgement to the author whose work you are using.

A passing reference to the original author in your own text may not be enough; you must ensure that you do not create the misleading impression that the paraphrased wording or the sequence of ideas are entirely your own. It is better to write a brief summary of the author’s overall argument in your own words, indicating that you are doing so, than to paraphrase particular sections of his or her writing. This will ensure you have a genuine grasp of the argument and will avoid the difficulty of paraphrasing without plagiarising. You must also properly attribute all material you derive from lectures.

Collusion This can involve unauthorised collaboration between students, failure to attribute assistance received, or failure to follow precisely regulations on group work projects. It is your responsibility to ensure that you are entirely clear about the extent of collaboration permitted, and which parts of the work must be your own.

Inaccurate citation It is important to cite correctly, according to the conventions of your discipline. As well as listing your sources (i.e. in a bibliography), you must indicate, using a footnote or an in-text reference, where a quoted passage comes from. Additionally, you should not include anything in your references or bibliography that you have not actually consulted. If you cannot gain access to a primary source you must make it clear in your citation that your knowledge of the work has been derived from a secondary text (for example, Bradshaw, D. Title of Book, discussed in Wilson, E., Title of Book (London, 2004), p. 189).

Failure to acknowledge assistance You must clearly acknowledge all assistance which has contributed to the production of your work, such as advice from fellow students, laboratory technicians, and other external sources. This need not apply to the assistance provided by your tutor or supervisor, or to ordinary proofreading, but it is necessary to acknowledge other guidance which leads to substantive changes of content or approach.

Use of material written by professional agencies or other persons You should neither make use of professional agencies in the production of your work nor submit material which has been written for you even with the consent of the person who has written it. It is vital to your intellectual training and development that you should undertake the research process unaided. Under Statute XI on University Discipline, all members of the University are prohibited from providing material that could be submitted in an examination by students at this University or elsewhere.

Auto-plagiarism You must not submit work for assessment that you have already submitted (partially or in full), either for your current course or for another qualification of this, or any other, university, unless this is specifically provided for in the special regulations for your course. Where earlier work by you is citable, ie. it has already been published, you must reference it clearly. Identical pieces of work submitted concurrently will also be considered to be auto-plagiarism.

Why does plagiarism matter?

Plagiarism is a breach of academic integrity. It is a principle of intellectual honesty that all members of the academic community should acknowledge their debt to the originators of the ideas, words, and data which form the basis for their own work. Passing off another’s work as your own is not only poor scholarship, but also means that you have failed to complete the learning process. Plagiarism is unethical and can have serious consequences for your future career; it also undermines the standards of your institution and of the degrees it issues.

Why should you avoid plagiarism?

There are many reasons to avoid plagiarism. You have come to university to learn to know and speak your own mind, not merely to reproduce the opinions of others - at least not without attribution. At first it may seem very difficult to develop your own views, and you will probably find yourself paraphrasing the writings of others as you attempt to understand and assimilate their arguments. However it is important that you learn to develop your own voice. You are not necessarily expected to become an original thinker, but you are expected to be an independent one - by learning to assess critically the work of others, weigh up differing arguments and draw your own conclusions. Students who plagiarise undermine the ethos of academic scholarship while avoiding an essential part of the learning process.

You should avoid plagiarism because you aspire to produce work of the highest quality. Once you have grasped the principles of source use and citation, you should find it relatively straightforward to steer clear of plagiarism. Moreover, you will reap the additional benefits of improvements to both the lucidity and quality of your writing. It is important to appreciate that mastery of the techniques of academic writing is not merely a practical skill, but one that lends both credibility and authority to your work, and demonstrates your commitment to the principle of intellectual honesty in scholarship.

What happens if you are thought to have plagiarised?

The University regards plagiarism in examinations as a serious matter. Cases will be investigated and penalties may range from deduction of marks to expulsion from the University, depending on the seriousness of the occurrence. Even if plagiarism is inadvertent, it can result in a penalty. The forms of plagiarism listed above are all potentially disciplinary offences in the context of formal assessment requirements.

The regulations regarding conduct in examinations apply equally to the ‘submission and assessment of a thesis, dissertation, essay, or other coursework not undertaken in formal examination conditions but which counts towards or constitutes the work for a degree or other academic award’. Additionally, this includes the transfer and confirmation of status exercises undertaken by graduate students. Cases of suspected plagiarism in assessed work are investigated under the disciplinary regulations concerning conduct in examinations. Intentional plagiarism in this context means that you understood that you were breaching the regulations and did so intending to gain advantage in the examination. Reckless, in this context, means that you understood or could be expected to have understood (even if you did not specifically consider it) that your work might breach the regulations, but you took no action to avoid doing so. Intentional or reckless plagiarism may incur severe penalties, including failure of your degree or expulsion from the university.

If plagiarism is suspected in a piece of work submitted for assessment in an examination, the matter will be referred to the Proctors. They will thoroughly investigate the claim and call the student concerned for interview. If at this point there is no evidence of a breach of the regulations, no further disciplinary action will be taken although there may still be an academic penalty. However, if it is concluded that a breach of the regulations may have occurred, the Proctors will refer the case to the Student Disciplinary Panel.

If you are suspected of plagiarism your College Secretary/Academic Administrator and subject tutor will support you through the process and arrange for a member of Congregation to accompany you to all hearings. They will be able to advise you what to expect during the investigation and how best to make your case. The OUSU Student Advice Service can also provide useful information and support. 

Does this mean that I shouldn’t use the work of other authors?

On the contrary, it is vital that you situate your writing within the intellectual debates of your discipline. Academic essays almost always involve the use and discussion of material written by others, and, with due acknowledgement and proper referencing, this is clearly distinguishable from plagiarism. The knowledge in your discipline has developed cumulatively as a result of years of research, innovation and debate. You need to give credit to the authors of the ideas and observations you cite. Not only does this accord recognition to their work, it also helps you to strengthen your argument by making clear the basis on which you make it. Moreover, good citation practice gives your reader the opportunity to follow up your references, or check the validity of your interpretation.

Does every statement in my essay have to be backed up with references?

You may feel that including the citation for every point you make will interrupt the flow of your essay and make it look very unoriginal. At least initially, this may sometimes be inevitable. However, by employing good citation practice from the start, you will learn to avoid errors such as close paraphrasing or inadequately referenced quotation. It is important to understand the reasons behind the need for transparency of source use.

All academic texts, even student essays, are multi-voiced, which means they are filled with references to other texts. Rather than attempting to synthesise these voices into one narrative account, you should make it clear whose interpretation or argument you are employing at any one time - whose ‘voice’ is speaking.

If you are substantially indebted to a particular argument in the formulation of your own, you should make this clear both in footnotes and in the body of your text according to the agreed conventions of the discipline, before going on to describe how your own views develop or diverge from this influence.

On the other hand, it is not necessary to give references for facts that are common knowledge in your discipline. If you are unsure as to whether something is considered to be common knowledge or not, it is safer to cite it anyway and seek clarification. You do need to document facts that are not generally known and ideas that are interpretations of facts. 

Does this only matter in exams?

Although plagiarism in weekly essays does not constitute a University disciplinary offence, it may well lead to College disciplinary measures. Persistent academic under-performance can even result in your being sent down from the University. Although tutorial essays traditionally do not require the full scholarly apparatus of footnotes and referencing, it is still necessary to acknowledge your sources and demonstrate the development of your argument, usually by an in-text reference. Many tutors will ask that you do employ a formal citation style early on, and you will find that this is good preparation for later project and dissertation work. In any case, your work will benefit considerably if you adopt good scholarly habits from the start, together with the techniques of critical thinking and writing described above.

As junior members of the academic community, students need to learn how to read academic literature and how to write in a style appropriate to their discipline. This does not mean that you must become masters of jargon and obfuscation; however the process is akin to learning a new language. It is necessary not only to learn new terminology, but the practical study skills and other techniques which will help you to learn effectively.

Developing these skills throughout your time at university will not only help you to produce better coursework, dissertations, projects and exam papers, but will lay the intellectual foundations for your future career. Even if you have no intention of becoming an academic, being able to analyse evidence, exercise critical judgement, and write clearly and persuasively are skills that will serve you for life, and which any employer will value.

Borrowing essays from other students to adapt and submit as your own is plagiarism, and will develop none of these necessary skills, holding back your academic development. Students who lend essays for this purpose are doing their peers no favours.

Unintentional plagiarism

Not all cases of plagiarism arise from a deliberate intention to cheat. Sometimes students may omit to take down citation details when taking notes, or they may be genuinely ignorant of referencing conventions. However, these excuses offer no sure protection against a charge of plagiarism. Even in cases where the plagiarism is found to have been neither intentional nor reckless, there may still be an academic penalty for poor practice.

It is your responsibility to find out the prevailing referencing conventions in your discipline, to take adequate notes, and to avoid close paraphrasing. If you are offered induction sessions on plagiarism and study skills, you should attend. Together with the advice contained in your subject handbook, these will help you learn how to avoid common errors. If you are undertaking a project or dissertation you should ensure that you have information on plagiarism and collusion. If ever in doubt about referencing, paraphrasing or plagiarism, you have only to ask your tutor.

Examples of plagiarism

There are some helpful examples of plagiarism-by-paraphrase and you will also find extensive advice on the referencing and library skills pages.

The following examples demonstrate some of the common pitfalls to avoid. These examples use the referencing system prescribed by the History Faculty but should be of use to students of all disciplines.

Source text

From a class perspective this put them [highwaymen] in an ambivalent position. In aspiring to that proud, if temporary, status of ‘Gentleman of the Road’, they did not question the inegalitarian hierarchy of their society. Yet their boldness of act and deed, in putting them outside the law as rebellious fugitives, revivified the ‘animal spirits’ of capitalism and became an essential part of the oppositional culture of working-class London, a serious obstacle to the formation of a tractable, obedient labour force. Therefore, it was not enough to hang them – the values they espoused or represented had to be challenged.

(Linebaugh, P., The London Hanged: Crime and Civil Society in the Eighteenth Century (London, 1991), p. 213. [You should give the reference in full the first time you use it in a footnote; thereafter it is acceptable to use an abbreviated version, e.g. Linebaugh, The London Hanged, p. 213.]

Plagiarised

• Although they did not question the inegalitarian hierarchy of their society, highwaymen became an essential part of the oppositional culture of working-class London, posing a serious threat to the formation of a biddable labour force. (This is a patchwork of phrases copied verbatim from the source, with just a few words changed here and there. There is no reference to the original author and no indication that these words are not the writer’s own.)
• Although they did not question the inegalitarian hierarchy of their society, highwaymen exercised a powerful attraction for the working classes. Some historians believe that this hindered the development of a submissive workforce. (This is a mixture of verbatim copying and acceptable paraphrase. Although only one phrase has been copied from the source, this would still count as plagiarism. The idea expressed in the first sentence has not been attributed at all, and the reference to ‘some historians’ in the second is insufficient. The writer should use clear referencing to acknowledge all ideas taken from other people’s work.)
• Although they did not question the inegalitarian hierarchy of their society, highwaymen ‘became an essential part of the oppositional culture of working-class London [and] a serious obstacle to the formation of a tractable, obedient labour force’.1 (This contains a mixture of attributed and unattributed quotation, which suggests to the reader that the first line is original to this writer. All quoted material must be enclosed in quotation marks and adequately referenced.)
• Highwaymen’s bold deeds ‘revivified the “animal spirits” of capitalism’ and made them an essential part of the oppositional culture of working-class London.1 Peter Linebaugh argues that they posed a major obstacle to the formation of an obedient labour force. (Although the most striking phrase has been placed within quotation marks and correctly referenced, and the original author is referred to in the text, there has been a great deal of unacknowledged borrowing. This should have been put into the writer’s own words instead.)
• By aspiring to the title of ‘Gentleman of the Road’, highwaymen did not challenge the unfair taxonomy of their society. Yet their daring exploits made them into outlaws and inspired the antagonistic culture of labouring London, forming a grave impediment to the development of a submissive workforce. Ultimately, hanging them was insufficient – the ideals they personified had to be discredited.1 (This may seem acceptable on a superficial level, but by imitating exactly the structure of the original passage and using synonyms for almost every word, the writer has paraphrased too closely. The reference to the original author does not make it clear how extensive the borrowing has been. Instead, the writer should try to express the argument in his or her own words, rather than relying on a ‘translation’ of the original.)

Non-plagiarised

• Peter Linebaugh argues that although highwaymen posed no overt challenge to social orthodoxy – they aspired to be known as ‘Gentlemen of the Road’ – they were often seen as anti-hero role models by the unruly working classes. He concludes that they were executed not only for their criminal acts, but in order to stamp out the threat of insubordinacy.1 (This paraphrase of the passage is acceptable as the wording and structure demonstrate the reader’s interpretation of the passage and do not follow the original too closely. The source of the ideas under discussion has been properly attributed in both textual and footnote references.)
• Peter Linebaugh argues that highwaymen represented a powerful challenge to the mores of capitalist society and inspired the rebelliousness of London’s working class.1 (This is a brief summary of the argument with appropriate attribution.) 1 Linebaugh, P., The London Hanged: Crime and Civil Society in the Eighteenth Century (London, 1991), p. 213.

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Home › Study Tips › How To Cite The Oxford English Dictionary: Using MLA And APA

How To Cite The Oxford English Dictionary: Using MLA And APA

• Published June 2, 2022

Table of Contents

Writing academic essays and research papers can be more complex than it already is when you don’t know how to cite the Oxford English Dictionary (OED).

It becomes even more confusing depending on what type of OED you’re using, online or print. Why? Because you cite them in different ways. You can now rest easy since you’ve come to the right place. Read more if you want to learn how to cite the Oxford English Dictionary. 

And, if you’re looking to get ahead of your competition in education, then browse our summer programs in Oxford for high school students .

MLA or APA? 

The first step to citing any reference is to figure out what style you need to follow: MLA or APA? What’s the difference, you ask?

Good question!

The most significant is that MLA (Modern Language Association) is used for arts and humanities while APA (American Psychology Association) is for social science. Once you determine which style you need to use, you’re on your way to writing an academic essay ! 

How To Cite The Oxford English Dictionary Using MLA 9th Edition

Library database, known author.

If you’re accessing the Oxford English Dictionary via a library database and you know who the author is, this is how you cite it. 

Author’s Last Name, First Name. “Title of Entry.” Title of Encyclopedia or Dictionary , edited by Editor’s First Name Last Name, Edition if given and not first edition, vol. Volume Number if more than one volume, Publisher Name, Date of Publication, pp. First Page-Last Page. Name of Database . https://doi.org/DOI if there is one.

If the word you’re referencing is only found on one page, list it as such—no need to write it as a first page-last page. But if there’s no page number, you can choose to omit it. What if you don’t know who the editors are or what volume it is? You can also leave them out of your citation.  

In-Text Citation: 

(Author’s Last Name, page number)

If the page number is unavailable:

(Author’s Last Name)

Unknown Author

What if you don’t know who the author is? Here’s how to cite your entry.

“Title of Entry.” Title of Encyclopedia or Dictionary , edited by Editor’s First Name Last Name, Edition if given and not first edition, vol. Volume Number, Publisher Name, Date of Publication, pp. First Page-Last Page. Name of Database . https://doi.org/DOI if there is one.

What if you don’t have specific information such as pages volume numbers and editors? You don’t have to include them. 

Since you don’t know the author, you need to input the first one to three words from the entry title. Please remember to enclose the title within quotation marks. Also, don’t forget to capitalise the first letter of each word. Just like this:

(“Diversity”)

Perhaps the easiest way to access the Oxford English Dictionary is through their various websites. If you know the author, here’s how to cite it:

Author’s Last Name, First Name. “Title of Entry.” Title of Encyclopedia or Dictionary , Publication or Update Date, URL. Accessed Day Month Year site was visited.

Did you notice that “Accessed Day Month Year site was visited” is unique to website citations? If you’re wondering, it simply refers to the day you visited the website. Also, don’t forget to abbreviate the month for the publication/update date and the accessed date; it’s necessary to abbreviate the month. 

If you don’t know who the author is, you can cite your entry this way:

“Title of Entry.” Title of Encyclopedia or Dictionary , Publisher if known, Copyright Date or Date Updated, URL. Accessed Day Month Year site was visited.

With the lack of author information, all you have to do is place the first one to three words of the entry title within quotation marks. Remember to capitalise the first letter of each term. Here’s how:

(“Victorian”)

Of course, we can’t forget physical Oxford English Dictionaries! If you intend to use one, here’s how you can cite the material:

Author’s Last Name, First Name. “Title of Entry.” Title of Encyclopedia or Dictionary, edited by Editor’s First Name Last Name, Edition if given and not first edition, vol. Volume Number, Publisher Name, Year of Publication, pp. First Page-Last Page.

In case the author’s name is not provided, just the editors’, cite it this way: 

 “Title of Entry.” Title of Encyclopedia or Dictionary , edited by Editor’s First Name Last Name, Edition if given and not first edition, vol. Volume Number, Publisher Name, Year of Publication, pp. First Page-Last Page.

Since there’s no author information available, you can use the first one to three words of the entry title and enclose it with quotation marks. Capitalise the first letter of each word. Then place the page number after. Take a look at this:

(“Middle Age” 545)

How To Cite Two Authors

How should you cite the material if there are two authors? By listing them how they appear on the page. Not alphabetically! 

First Author’s Last Name, First Author’s First Name, and First Name Last Name of Second Author

Here’s what it will look like:

Will, Thomas, and Melissa Jones

How To Cite More Than Two Authors

If there are more than two authors, what you need to do is to focus on the first author in the list. 

Last Name, First Name, et al. 

In actual practice, it will look like this:

Will, Thomas, et al.

How To Cite The Oxford English Dictionary Using APA 7th Edition

The APA style is more straightforward than the MLA. When citing authors, remember it’s only the last name that’s spelt out. The first name is abbreviated. If the author’s name is Melissa Jones, the citation will look like this:

Jones, M. 

If the author’s middle name is given, for instance, Melissa Smith Jones, here’s how to cite it. 

Jones, M.S. 

When referencing the Oxford English Dictionary you find online, determine if it’s an archived version or not. If not, it means that the dictionary is continuously being updated. 

Online Archived Version: 

Author A. A. (Date). Title of entry. In E. E. Editor (Ed.), Name of dictionary/encyclopedia . URL.

Online Version With Continuous Updates:

Author A. A. (n.d.). Title of entry. In E. E. Editor (Ed.), Name of dictionary/encyclopedia (edition, if not the first). Publisher. URL.

No Authors, But There Are Editors: 

Editor, A., & Editor, B. (Eds.). (Date). Dictionary/Encyclopedia entry. In Name of dictionary/encyclopedia (edition, if not the first). Publisher.

No Authors And No Editors: Use Company As Corporate Author

Corporate Author. (Date). Dictionary/Encyclopedia entry. In Name of dictionary/encyclopedia (edition, if not the first). Publisher.

In-Text Citation

(Author’s last name, date)

Wrapping Up 

There you have it! By now you know how to cite the Oxford English Dictionary using both the MLA and APA styles. You’ll be more confident writing your papers from now on.

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Embracing the benefits of online work experience programmes.

• What Is Creative Writing? The ULTIMATE Guide!

At Oxford Royale Academy, we offer a range of summer school programmes that have become extremely popular amongst students of all ages. The subject of creative writing continues to intrigue many academics as it can help to develop a range of skills that will benefit you throughout your career and life.

Nevertheless, that initial question is one that continues to linger and be asked time and time again: what is creative writing? More specifically, what does it mean or encompass? How does creative writing differ from other styles of writing?

During our Oxford Summer School programme , we will provide you with in-depth an immersive educational experience on campus in the colleges of the best university in the world. However, in this guide, we want to provide a detailed analysis of everything to do with creative writing, helping you understand more about what it is and why it could benefit you to become a creative writer.

The best place to start is with a definition.

What is creative writing?

The dictionary definition of creative writing is that it is original writing that expresses ideas and thoughts in an imaginative way. [1] Some academics will also define it as the art of making things up, but both of these definitions are too simplistic in the grand scheme of things.

It’s challenging to settle on a concrete definition as creative writing can relate to so many different things and formats. Naturally, as the name suggests, it is all built around the idea of being creative or imaginative. It’s to do with using your brain and your own thoughts to create writing that goes outside the realms of what’s expected. This type of writing tends to be more unique as it comes from a personal place. Each individual has their own level of creativity, combined with their own thoughts and views on different things. Therefore, you can conjure up your own text and stories that could be completely different from others.

Understanding creative writing can be challenging when viewed on its own. Consequently, the best way to truly understand this medium is by exploring the other main forms of writing. From here, we can compare and contrast them with the art of creative writing, making it easier to find a definition or separate this form of writing from others.

What are the main forms of writing?

In modern society, we can identify five main types of writing styles [1] that will be used throughout daily life and a plethora of careers:

• Narrative Writing
• Descriptive Writing
• Persuasive Writing
• Expository Writing
• Creative Writing

Narrative writing refers to storytelling in its most basic form. Traditionally, this involves telling a story about a character and walking the readers through the journey they go on. It can be a long novel or a short story that’s only a few hundred words long. There are no rules on length, and it can be completely true or a work of fiction.

A fundamental aspect of narrative writing that makes it different from other forms is that it should includes the key elements of storytelling. As per UX Planet, there are seven core elements of a good story or narrative [2] : the plot, characters, theme, dialogue, melody, decor and spectacle. Narrative writing will include all of these elements to take the ready on a journey that starts at the beginning, has a middle point, but always comes to a conclusion. This style of writing is typically used when writing stories, presenting anecdotes about your life, creating presentations or speeches and for some academic essays.

Descriptive writing, on the other hand, is more focused on the details. When this type of writing is used, it’s focused on capturing the reader’s attention and making them feel like they are part of the story. You want them to live and feel every element of a scene, so they can close their eyes and be whisked away to whatever place or setting you describe.

In many ways, descriptive writing is writing as an art form. Good writers can be given a blank canvas, using their words to paint a picture for the audience. There’s a firm focus on the five senses all humans have; sight, smell, touch, sound and taste. Descriptive writing touches on all of these senses to tell the reader everything they need to know and imagine about a particular scene.

This is also a style of writing that makes good use of both similes and metaphors. A simile is used to describe something as something else, while a metaphor is used to show that something is something else. There’s a subtle difference between the two, but they both aid descriptive writing immensely. According to many writing experts, similes and metaphors allow an author to emphasise, exaggerate, and add interest to a story to create a more vivid picture for the reader [3] .

Looking at persuasive writing and we have a form of writing that’s all about making yourself heard. You have an opinion that you want to get across to the reader, convincing them of it. The key is to persuade others to think differently, often helping them broaden their mind or see things from another point of view. This is often confused with something called opinionative writing, which is all about providing your opinions. While the two seem similar, the key difference is that persuasive writing is built around the idea of submitting evidence and backing your thoughts up. It’s not as simple as stating your opinion for other to read; no, you want to persuade them that your thoughts are worth listening to and perhaps worth acting on.

This style of writing is commonly used journalistically in news articles and other pieces designed to shine a light on certain issues or opinions. It is also typically backed up with statistical evidence to give more weight to your opinions and can be a very technical form of writing that’s not overly emotional.

Expository writing is more focused on teaching readers new things. If we look at its name, we can take the word exposure from it. According to Merriam-Webster [4] , one of the many definitions of exposure is to reveal something to others or present them with something they otherwise didn’t know. In terms of writing, it can refer to the act of revealing new information to others or exposing them to new ideas.

Effectively, expository writing focuses on the goal of leaving the reader with new knowledge of a certain topic or subject. Again, it is predominately seen in journalistic formats, such as explainer articles or ‘how-to’ blogs. Furthermore, you also come across it in academic textbooks or business writing.

This brings us back to the centre of attention for this guide: what is creative writing?

Interestingly, creative writing is often seen as the style of writing that combines many of these forms together in one go. Narrative writing can be seen as creative writing as you are coming up with a story to keep readers engaged, telling a tale for them to enjoy or learn from. Descriptive writing is very much a key part of creative writing as you are using your imagination and creative skills to come up with detailed descriptions that transport the reader out of their home and into a different place.

Creative writing can even use persuasive writing styles in some formats. Many writers will combine persuasive writing with a narrative structure to come up with a creative way of telling a story to educate readers and provide new opinions for them to view or be convinced of. Expository writing can also be involved here, using creativity and your imagination to answer questions or provide advice to the reader.

Essentially, creative writing can combine other writing types to create a unique and new way of telling a story or producing content. At the same time, it can include absolutely none of the other forms at all. The whole purpose of creative writing is to think outside the box and stray from traditional structures and norms. Fundamentally, we can say there are no real rules when it comes to creative writing, which is what makes it different from the other writing styles discussed above.

What is the purpose of creative writing?

Another way to understand and explore the idea of creative writing is to look at its purpose. What is the aim of most creative works of writing? What do they hope to provide the reader with?

We can look at the words of Bryanna Licciardi, an experienced creative writing tutor, to understand the purpose of creative writing. She writes that the primary purpose is to entertain and share human experiences, like love or loss. Writers attempt to reveal the truth with regard to humanity through poetics and storytelling. [5] She also goes on to add that the first step of creative writing is to use one’s imagination.

When students sign up to our creative writing courses, we will teach them how to write with this purpose. Your goal is to create stories or writing for readers that entertain them while also providing information that can have an impact on their lives. It’s about influencing readers through creative storytelling that calls upon your imagination and uses the thoughts inside your head. The deeper you dive into the art of creative writing, the more complex it can be. This is largely because it can be expressed in so many different formats. When you think of creative writing, your instinct takes you to stories and novels. Indeed, these are both key forms of creative writing that we see all the time. However, there are many other forms of creative writing that are expressed throughout the world.

What are the different forms of creative writing?

Looking back at the original and simple definition of creative writing, it relates to original writing in a creative and imaginative way. Consequently, this can span across so many genres and types of writing that differ greatly from one another. This section will explore and analyse the different types of creative writing, displaying just how diverse this writing style can be – while also showcasing just what you’re capable of when you learn how to be a creative writer.

The majority of students will first come across creative writing in the form of essays . The point of an essay is to present a coherent argument in response to a stimulus or question. [6] In essence, you are persuading the reader that your answer to the question is correct. Thus, creative writing is required to get your point across as coherently as possible, while also using great descriptive writing skills to paint the right message for the reader.

Moreover, essays can include personal essays – such as writing a cover letter for work or a university application. Here, great creativity is needed to almost write a story about yourself that captivates the reader and takes them on a journey with you. Excellent imagination and persuasive writing skills can help you tell your story and persuade those reading that you are the right person for the job or university place.

Arguably, this is the most common way in which creative writing is expressed. Fictional work includes novels, novellas, short stories – and anything else that is made up. The very definition of fiction by the Cambridge Dictionary states that it is the type of book or story that is written about imaginary characters and events not based on real people and facts. [7] As such, it means that your imagination is called upon to create something out of nothing. It is a quintessential test of your creative writing skills, meaning you need to come up with characters, settings, plots, descriptions and so much more.

Fictional creative writing in itself takes on many different forms and can be completely different depending on the writer. That is the real beauty of creative writing; you can have entirely different stories and characters from two different writers. Just look at the vast collection of fictional work around you today; it’s the perfect way to see just how versatile creative writing can be depending on the writer.

Similarly, scripts can be a type of creative writing that appeals to many. Technically, a script can be considered a work of fiction. Nevertheless, it depends on the script in question. Scripts for fictional television shows, plays or movies are obviously works of fiction. You, the writer, has come up with the characters and story of the show/play/movie, bringing it all to life through the script. But, scripts can also be non-fictional. Creating a play or movie that adapts real-life events will mean you need to write a script based on something that genuinely happened.

Here, it’s a perfect test of creative writing skills as you take a real event and use your creative talents to make it more interesting. The plot and narrative may already be there for you, so it’s a case of using your descriptive writing skills to really sell it to others and keep readers – or viewers – on the edge of their seats.

A speech is definitely a work of creative writing. The aim of a speech can vary depending on what type of speech it is. A politician delivering a speech in the House of Commons will want to get a point across to persuade others in the room. They’ll need to use creative writing to captivate their audience and have them hanging on their every word. A recent example of a great speech was the one by Sir David Attenborough at the recent COP26 global climate summit. [8] Listening to the speech is a brilliant way of understanding how creative writing can help get points across. His speech went viral around the world because of how electrifying and enthralling it is. The use of many descriptive and persuasive words had people hanging onto everything he said. He really created a picture and an image for people to see, convincing them that the time is now to work on stopping and reversing climate change.

From this speech to a completely different one, you can see creative writing at play for speeches at weddings and other jovial events. Here, the purpose is more to entertain guests and make them laugh. At the same time, someone giving a wedding speech will hope to create a lovely story for the guests to enjoy, displaying the true love that the married couple share for one another. Regardless of what type of speech an individual is giving, creative writing skills are required for it to be good and captivating.

Poetry & Songs

The final example of creative writing is twofold; poetry and songs. Both of these formats are similar to one another, relying on creativity to deliver a combination of things. Poetry can take so many forms and styles, but it aims to inspire readers and get them thinking. Poems often have hidden meanings behind them, and it takes a great deal of imagination and creativity to come up with these meanings while also creating a powerful poem. Some argue that poetry is the most creative of all creative writing forms.

Songwriting is similar in that you use creativity to come up with lyrics that can have powerful meanings while also conjuring up a story for people. The best songwriters will use lyrics that stay in people’s minds and get them thinking about the meaning behind the song. If you lack imagination and creativity, you will never be a good songwriter.

In truth, there are so many other types and examples of creative writing that you can explore. The ones listed above are the most common and powerful, and they all do a great job of demonstrating how diverse creative writing can be. If you can hone your skills in creative writing, it opens up many opportunities for you in life. Primarily, creative writing focuses on fictional pieces of work, but as you can see, non-fiction also requires a good deal of creativity.

What’s needed to make a piece of creative writing?

Our in-depth analysis of creative writing has led to a point where you’re aware of this style of writing and its purpose, along with some examples of it in the real world. The next question to delve into is what do you need to do to make a piece of creative writing. To phrase this another way; how do you write something that comes under the creative heading rather than another form of writing?

There is an element of difficulty in answering this question as creative writing has so many different types and genres. Consequently, there isn’t a set recipe for the perfect piece of creative writing, and that’s what makes this format so enjoyable and unique. Nevertheless, we can discover some crucial elements or principles that will help make a piece of writing as creative and imaginative as possible:

A target audience

All creative works will begin by defining a target audience. There are many ways to define a target audience, with some writers suggesting that you think about who is most likely to read your work. However, this can still be challenging as you’re unsure of the correct demographic to target. Writer’s Digest makes a good point of defining your target audience by considering your main motivation for writing in the first place. [9] It’s a case of considering what made you want to start writing – whether it’s a blog post, novel, song, poem, speech, etc. Figuring out your motivation behind it will help you zero in on your target audience.

Defining your audience is vital for creative writing as it helps you know exactly what to write and how to write it. All of your work should appeal to this audience and be written in a way that they can engage with. As a simple example, authors that write children’s stories will adapt their writing to appeal to the younger audience. Their stories include lots of descriptions and words that children understand, rather than being full of long words and overly academic writing.

Establishing the audience lets the writer know which direction to take things in. As a result, this can aid with things like character choices, plot, storylines, settings, and much more.

A story of sorts

Furthermore, great works of creative writing will always include a story of sorts. This is obvious for works such as novels, short stories, scripts, etc. However, even for things like poems, songs or speeches, a story helps make it creative. It gives the audience something to follow, helping them make sense of the work. Even if you’re giving a speech, setting a story can help you create a scene in people’s minds that makes them connect to what you’re saying. It’s a very effective way of persuading others and presenting different views for people to consider.

Moreover, consider the definition of a story/narrative arc. One definition describes it as a term that describes a story’s full progression. It visually evokes the idea that every story has a relatively calm beginning, a middle where tension, character conflict and narrative momentum builds to a peak and an end where the conflict is resolved. [10]

Simplifying this, we can say that all works of creative writing need a general beginning, middle and end. It’s a way of bringing some sort of structure to your writing so you know where you are going, rather than filling it with fluff or waffle.

A good imagination

Imagination is a buzzword that we’ve used plenty of times throughout this deep dive into creative writing. Every creative writing course you go on will spend a lot of time focusing on the idea of using your imagination. The human brain is a marvellously powerful thing that holds the key to creative freedom and expressing yourself in new and unique ways. If you want to make something creative, you need to tap into your imagination.

People use their imagination in different ways; some will be able to conjure up ideas for stories or worlds that exist beyond our own. Others will use theirs to think of ways of describing things in a more creative and imaginative way. Ultimately, a good imagination is what sets your work apart from others within your genre. This doesn’t mean you need to come up with the most fantastical novel of all time to have something classified as creative writing. No, using your imagination and creativity can extend to something as simple as your writing style.

Ultimately, it’s more about using your imagination to find your own personal flair and creative style. You will then be able to write unique pieces that stand out from the others and keep audiences engaged.

How can creative writing skills benefit you?

When most individuals or students consider creative writing, they imagine a world where they are writing stories for a living. There’s a common misconception that creative writing skills are only beneficial for people pursuing careers in scriptwriting, storytelling, etc. Realistically, enhancing ones creative writing skills can open up many windows of opportunity throughout your education and career.

• Improve essay writing – Naturally, creative writing forms a core part of essays and other written assignments in school and university. Improving your skills in this department can help a student get better at writing powerful essays and achieving top marks. In turn, this can impact your career by helping you get better grades to access better jobs in the future.
• Become a journalist – Journalists depend on creative writing to make stories that capture audiences and have people hanging on their every word. You need high levels of creativity to turn a news story into something people are keen to read or watch.
• Start a blog – In modern times, blogging is a useful tool that can help people find profitable and successful careers. The whole purpose of a blog is to provide your opinions to the masses while also entertaining, informing and educating. Again, having a firm grasp of creative writing skills will aid you in building your blog audience.
• Write marketing content – From advert scripts to content on websites, marketing is fuelled by creative writing. The best marketers will have creative writing skills to draw an audience in and convince them to buy products. If you can learn to get people hanging on your every word, you can make it in this industry.

These points all demonstrate the different ways in which creative writing can impact your life and alter your career. In terms of general career skills, this is one that you simply cannot go without.

How to improve your creative writing

One final part of this analysis of creative writing is to look at how students can improve. It begins by reading as much as you can and taking in lots of different content. Read books, poems, scripts, articles, blogs – anything you can find. Listen to music and pay attention to the words people use and the structure of their writing. It can help you pick up on things like metaphors, similes, and how to use your imagination. Of course, writing is the key to improving; the more you write, the more creative you can get as you will start unlocking the powers of your brain.

Conclusion: What is creative writing

In conclusion, creative writing uses a mixture of different types of writing to create stories that stray from traditional structures and norms. It revolves around the idea of using your imagination to find a writing style that suits you and gets your points across to an audience, keeping them engaged in everything you say. From novels to speeches, there are many forms of creative writing that can help you in numerous career paths throughout your life.

[1] SkillShare: The 5 Types of Writing Styles with Examples

[2] Elements of Good Story Telling – UX Planet

[3] Simile vs Metaphor: What’s the Difference? – ProWritingAid

[4] Definition of Exposure by Merriam-Webster

[5] The Higher Purpose of Creative Writing | by Terveen Gill

[6] Essay purpose – Western Sydney University

[7] FICTION | meaning in the Cambridge English Dictionary

[8] ‘Not fear, but hope’ – Attenborough speech in full – BBC News

[9] Writer’s Digest: Who Is Your Target Reader?

[10] What is a Narrative Arc? • A Guide to Storytelling Structure

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Answered By: Gopal Dutta Last Updated: Sep 23, 2021     Views: 47648

You do not always need to cite and reference a dictionary definition. Whether you need to or not will depend on the type of dictionary and/or how you are using the definition in your work.   Language dictionaries   As you are not using the words, ideas or theory of an author, you do not usually need to cite and reference a language dictionary (for example the Oxford English dictionary). Instead, introduce the definition in your writing.  One way to present this is as follows:   According to the Oxford English Dictionary the definition of [XXXXX] is [XXXXXX]   If however you have a particular need in your work to cite a language dictionary definition, for example, if comparing varying definitions from language dictionaries by different publishers, follow the format as follows.  The example provided is for an online dictionary, therefore 'online' is used in the citation in place of the page number.

Example citation

(Oxford English Dictionary, 2016:online)

If you are going to refer to the Oxford English Dictionary again in your work, introduce the acronym OED in your citation as follows

(Oxford English Dictionary [OED], 2016:online)

Oxford English Dictionary. (2016) reference, v. 3 . Oxford: Oxford University. [Online] [Accessed on 10th February 2017] http://www.oed.com/view/Entry/160845 

Subject dictionaries and encyclopedias   As subject dictionaries and encyclopedias are usually written by a specific author/s or organisation, and contextual definitions are provided, you will need to cite and reference them in the usual way.   

Many subject dictionaries and encyclopedias, are edited books with entries written by different authors. In this instance follow the format for referencing a  Chapter in an edited book  

Example reference 

Muncie, J. (2001) 'Labelling.' In McLaughlin, E. and Muncie, J. (eds.) The SAGE dictionary of criminology . London: SAGE, pp. 159-160.

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