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The 50 Greatest Rock Memoirs of All Time

By Rob Sheffield

Rob Sheffield

Funny thing about rock & roll memoirs: They tend to have the same plot. Our heroes begin with big dreams about making it as rock stars. There’s the sleazy bars, the cheap motels, the shady managers. Then they get a taste of the big time: hit records, limos, drug orgies, groupies, diseases, the works. What could go wrong? Craaaash! But, hey, Elizabethan revenge tragedies all have the same plot too, and nobody complains when the royal family gets butchered in the final scene. Great rock memoirs don’t always come from great artists: Sometimes it takes one-hit wonders, losers, hacks, junkies, crooks. Every rock & roll character has a story to tell. Here are 50 of our favorites.

Steven Tyler: ‘Does the Noise in My Head Bother You?’ (2011)

If you can find a single coherent sentence in this book, write and tell the publisher, so they can correct this error in future editions. But happy hunting, because Steven Tyler’s brain is located, as he puts it, “in the way-out-a-sphere.” From Aerosmith to American Idol , Tyler has been “61 Highwayed and I did it my wayed; Little-Willie-Johned and been-here-and-goned; million-dollar riffed and Jimmy Cliffed; cotton-picked and Stevie Nick’d.”

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Nikki Sixx: ‘The Heroin Diaries’ (2007)

This one gets the “truth in packaging” award — Nikki Sixx does so many drugs in this book it should come in an aluminum-foil dust jacket. It’s more personal than The Dirt , but just as juicy. It might be cheating to mention  The Heroin Diaries on a list like this, since there’s barely any mention of his music, but anyone even vaguely interested in Mötley Crüe is going to be fine with that.

Alice Bag: ‘Violence Girl’ (2011)

A Chicana punk coming-of-age story from East L.A., where a barrio kid named Alicia Armendariz starts a hardcore band called the Bags, battles her way to the stage, then finds she has to keep on battling. Raised on the Mexican ranchera records of her immigrant parents, baptized in 1970s glam rock, Alice Bag thrives on her confrontational dust-ups with the slam-dancing mosh pit crew, in her pink dress and high heels. For her, it’s all about “the giddy adrenaline rush of the fight.”

Billy Idol: ‘Dancing With Myself’ (2017)

Billy Idol seems to show up at least once in every Eighties-Nineties memoir, usually when some sort of pharmaceutical dessert is consumed. So it’s only fitting he wrote his own. Hell, Billy’s index has more drama than most books: “Idol, Billy, cocaine use of,” “GHB overdose of,” “hair of,” “police anti-crack sting,” “violin lessons of.” From “White Wedding” to “Cradle of Love,” his purple prose is a thing of beauty, as when an early punk romance breaks up because the drugs “dashed my hopes on the rocks of desire as the sea poured into our kingdom.” No matter where he is, Billy never idles.

Debbie Harry: ‘Face It’ (2019)

The Blondie grande dame has told her story before — most notably in Making Tracks , her great 1982 photo-history with Chris Stein and Victor Bockris. But Face It has the complete saga: how Debbie Harry came out of nowhere to seduce the world, from CBGB to The Muppet Show , then lost it all, yet refused to give up and quit. Her whole book has the glorious sneer of a tough old punk queen who knows how cool she is and does not care if you agree. “My Blondie character was an inflatable doll, but with a dark, provocative, aggressive side. I was playing it up, yet I was very serious.”

Rick James: ‘Glow’ (2014)

Fame — it’s a hell of a drug. Rick James begins his chronicle in Folsom Prison after flaming out on crack, in the hard times between his “Super Freak” peak and his Chappelle’s Show comeback, which explains why it’s not titled I’m Rick James, Bitch . In the Sixties, he plays in a hippie band with a not-yet-famous Neil Young, stays up all night with Joni Mitchell grooving to Sketches of Spain , cruises the Whiskey a Go Go with David Crosby, gets turned on to acid by Jim Morrison. Then he sees KISS and gets a lesson in showmanship. Rick becomes the King of Punk Funk, hitting Studio 54 (“Tanya Tucker was my best friend”?) and beefing with Prince. And along the way, he meets some very, very kinky girls.

Elton John: ‘Me’ (2019)

When Elton published his long-threatened memoir in late 2019, the world learned why the biopic Rocketman was such a humorless drag — it turned out Captain Fantastic was saving all the juiciest dish for his own superb book. Me has the right mix of salty gossip and even saltier self-mockery. A shy English schoolboy named Reginald Dwight decides to become a glitter-rock starlet, dubs himself Elton, peacocks through the Seventies, only to end up a respectable elder statesman. Hello, yellow brick road.

Gucci Mane: ‘The Autobiography of Gucci Mane’ (2017)

Dean Wareham: ‘Black Postcards’ (2008)

Dean Wareham led the great New York guitar band Luna through the 1990s, after the breakup of the Boston indie pioneers Galaxie 500. He shares the dirty details of how tedious it can be to plug away in a semi-famous, halfway-to-the-big-time rock band: the airports, the motels, the bickering band politics, the broken relationships, the constant asking around to see who’s got the drugs. Nobody in this story gets rich, or even seems to break even — all anyone gets out of the experience is a few dozen excellent songs. And that ends up being enough.

Bobbie Brown: ‘Dirty Rocker Boys’ (2013)

Peter Hook: ‘Substance: Inside New Order’ (2016)

Neil Peart: ‘Ghost Rider’ (2002)

In the summer of 1997, Neil Peart’s teenage daughter Selena dies in a car crash. Less than a year later, his wife Jackie dies of cancer. So he gets on his motorcycle and hits the road, from Quebec to the Yukon, then down south to Mexico and Belize. He rides thousands of solitary miles, brooding over his grief, with no home to go back to, while his brothers in Rush give him the time he needs to fire up the willing engine. Ghost Rider is different from anything Peart wrote for Rush — an unusually personal statement from such a shy and private writer. But the Professor brings all his analytical rigor to these road journals — and leans on the healing power of mechanical music.

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Tegan and Sara: ‘High School’ (2019)

Donald Fagen: ‘Eminent Hipsters’ (2013)

Joe Boyd: ‘White Bicycles’ (2006)

John Lydon: ‘Rotten: No Irish, No Blacks, No Dogs’ (1993)

The former Johnny Rotten has all the dirt about how the Sex Pistols pissed off the world. But he’s also got poignant details about his hardscrabble youth in London’s Irish-immigrant squalor, raised by a mother even more badass than he was. He also shares his deep hatred for religion, the Queen, the other Sex Pistols, hippies, rich people, racists, sexists, the English political system, Malcolm McLaren, and, of course, Pink Floyd . “A lot of people feel the Sex Pistols were just negative,” he says. “I agree, and what the fuck is wrong with that? Sometimes the absolute most positive thing you can be in a boring society is completely negative.”

Gregg Allman: ‘My Cross to Bear’ (2012)

A Southern Gothic rock epic. The Allman Brother sings “Whipping Post,” he snorts himself senseless, he rats on his drug roadie. And, of course, he marries Cher . On their first date, he even manages to stay off heroin until right after dinner. “I went to her house in a limousine, and when she came out, she said, ‘Fuck that funeral car,’ and handed me the keys to her blue Ferrari.… She didn’t have shit to say to me, and I didn’t have shit to say to her. What’s the topic of conversation? It certainly ain’t singing.” The second date goes a little better: “We made some serious love.”

Boy George: ‘Take It Like a Man’ (1995)

The confessions of a natural-born poseur. Boy George grows up as the “pink sheep” of his working-class Irish Catholic family, getting his start on the London club scene as a coat-check boy with a face full of cosmetics and a reputation for picking the customers’ pockets. He becomes an international pop sensation with Culture Club, while having a torrid affair with the drummer. The Boy doesn’t worry about making himself seem likable — quite the opposite. He bitches himself out along with everybody else, which is why his catty recollections make this book addictive.

Marilyn Manson: ‘The Long Hard Road Out of Hell’ (1998)

Luke Haines: ‘Bad Vibes: Britpop and My Role in Its Downfall’ (2009)

Brian Wilson: ‘I Am Brian Wilson’ (2016)

Robbie Robertson: ‘Testimony’ (2016)

Lemmy: ‘White Line Fever’ (2002)

Neil Young: ‘Special Deluxe’ (2014)

Henry Rollins: ‘Get in the Van: On the Road With Black Flag’ (1994)

Did Jack Kerouac ever write a book this great? In a word, no. This is the real on-the-road American adventure: a band of antisocial maniacs who hate each other crammed in a van, bumming from town to town, sleeping on floors when they’re lucky, getting clubbed by the cops when they’re not, doing it all for those few minutes of glorious noise. Black Flag were hardcore pioneers who paved the road other bands have traveled ever since, and Rollins’ tour diaries are the essence of that pain-is-my-girlfriend punk spirit.

Kim Gordon: ‘Girl in a Band’ (2015)

Jay-Z: ‘Decoded’ (2010)

If you’re curious about what it’s really like to be Shawn Carter , you’ll learn more about his hard-knock life from his albums, which have always gone heavy on the In My Lifetime narrative. But what he’s really trying to do here in Decoded is write the whole story of hip-hop, merely using himself as a prime example, as he rises from criminal-minded fan to industry kingpin. Like he says, “Rap is built to handle contradictions.” Most surprising moment: Hov defends the Coldplay duet “Beach Chair” as “one of the hidden jewels of my catalog.”

Tommy James: ‘Me, the Mob and the Music’ (2010)

The Goodfellas of rock & roll literature. Everybody knows the Tommy James oldies — “Mony Mony,” “Hanky Panky,” “Crimson and Clover,” etc. But according to Tommy, these songs got on the radio because he had some influential mobbed-up friends pulling the strings. (And, of course, pocketing the loot.) The whole topic of criminal connections in the music business is still taboo — see Fredric Dannen’s 1990 classic Hit Men for the full picture. But Tommy James is the first star to tell the story from the inside: How the Mafia gave the world “I Think We’re Alone Now.”

David Lee Roth: ‘Crazy From the Heat’ (1998)

You know what’s crazy? How underrated this book is. Diamond Dave’s book of pensees really deserves to be read wherever generally insane ramblings by generally insane dudes are read. Crazy From the Heat barely got noticed because it came out in the late Nineties, when public interest in Van Halen was at an all-time low. But every page abounds with his stark-raving lunatic eat-‘em-and-smile rock & roll Zen wisdom. Preach, Dave: “I’m not real good with baby steps. My specialty is ass-kicking. Does that sound unreasonable? It may well be, but I guarantee you, you will find no reasonable man on top of big mountains.”

Kristin Hersh: ‘Rat Girl’ (2010)

Even if you don’t know Kristin Hersh’s band Throwing Muses, Rat Girl is a crucial first-hand account of the Eighties indie-rock uprising. Her narrative voice is warm, friendly, and surprisingly funny. When Hersh gets pregnant and decides to have the kid, without giving up her band, she shrugs, “I’ll cross the living-in-a-van-is-probably-child-abuse bridge when I come to it.” Deep down it’s a story about messed-up kids finding one other, starting a band, and accidentally scrounging up an audience of similarly messed-up kids. It belongs on the shelf next to Michael Azerrad’s classic Our Band Could Be Your Life .

Morrissey: ‘Autobiography’ (2013)

Richard Hell: ‘I Dreamed I Was a Very Clean Tramp’ (2013)

Chuck Berry: ‘The Autobiography’ (1987)

The “Johnny B. Goode” man who invented rock & roll tells a few stories about what he saw along the way. As a Fifties black pop star, scoring hit records in a land full of violent racism, his story seems to touch on all the contradictions and injustices of American culture. In the early Sixties, while bands like the Beatles , the Stones , and the Beach Boys were hero-worshipping him, Berry himself was rotting in jail, railroaded in a blatantly racist trial. That’s where he wrote the deeply ironic “Promised Land” — a classic celebration of American dreams, written in a prison cell.

David Bowie: ‘Moonage Daydream: The Life and Times of Ziggy Stardust’ (2002)

It’s a massive coffee-table art book, with lavish images of Bowie in the Seventies from photographer Mick Rock . But the main attraction of Moonage Daydream is the text by the man himself. He’s in top form, whether he’s shopping for shoes with Cyrinda Foxe (who teaches him to wear “palm-tree’d fuck-me pumps”) or sipping tea with Elton John (“We didn’t exactly become pals, not really having that much in common, especially musically”), or partying it up with Mick Jagger (“I have absolutely no recollections of this party at all”). The closest this world will ever get to a straight-up Bowie autobiography — but who’d ever want anything straight-up from Bowie?

Rod Stewart: ‘Rod’ (2012)

Anthony Kiedis: ‘Scar Tissue’ (2004)

The Red Hot Chili Pepper tells a quintessential made-in-L.A., rise-and-fall-and-rise story, complete with all the californicatory details. Kiedis muses about his childhood, his band, his face time with the Dalai Lama, and his many, many, many ex-girlfriends, most of whom inspire him to share a kind word, a nude photo, or both. (Ione Skye was “an au naturel, soft, soulful forest nymph.”) Scar Tissue has the best final sentence of any book on this list, starring Keidis’ lovable pooch Buster: “And when I do think, ‘Man, a fucking motel room with a couple of thousand dollars’ worth of narcotics would do me right,’ I just look over at my dog and remember that Buster’s never seen me high.” Let’s hope Kiedis writes a whole book about Buster some day.

Ronnie Spector: ‘Be My Baby: How I Survived Mascara, Miniskirts, and Madness’ (1989)

The New York doll of the Ronettes had one of rock & roll’s biggest voices. She also had one of rock & roll’s most famously nightmarish marriages, as she was practically kept captive by Phil Spector for years. But if you’re looking for self-pity, you’ll be disappointed, because her book, like her voice, is full of cocky, smart, self-aware humor. And, yes, in case you were wondering, it totally sucked to be married to Phil Spector.

John Taylor: ‘In the Pleasure Groove’ (2012)

Paul McCartney: ‘Many Years From Now’ (1997)

Officially this is an “authorized biography,” by longtime Macca friend Barry Miles. But that’s just a front, because the book really exists as a vehicle for Paul to tell his story in his own words. Every page has killer lines, like when he reveals “Can’t Buy Me Love” was recorded after a nine-day orgy with Miami Beach’s finest hookers: “It should been ‘Can Buy Me Love,’ actually.” Some fans were put off by the way he squabbles over credits, even breaking down songwriting by percentages. (To pick one controversial example, he calculates that “Norwegian Wood” as 40 percent his and 60 percent John’s.) But on the page, as well as in song, his voice overflows with wit and affection. And he did less to fuck up his good luck than any rock star who has ever existed, which might be why his memories make such marvelous company.

Nile Rodgers: ‘Le Freak’ (2011)

The “sex, drugs, and disco” revolution of the Seventies, as seen by the Chic guitarist who permanently changed the way music sounds and feels and moves. This is a cerebral and unabashed celebration of disco; as Nile Rodgers puts it, “We shared Afrobromantic dreams of what it would be like to have real artistic freedom.” He also reveals that when he and Bernard Edwards wrote the classic “Upside Down” for Diana Ross , everybody at Motown hated it. The song would have been axed forever, if not for the one listener who recognized its brilliance. “We played it for Gene Simmons of KISS , who was recording next door, and he told us it was great. We respected Gene, but he was dating Diana Ross at the time, so what else would he say?”

Carrie Brownstein: ‘Hunger Makes Me a Modern Girl’ (2015)

The RZA: ‘The Tao of Wu’ (2009)

How do you choose between the RZA’s two excellent memoirs? ( Choose the sword and you join me. Choose the ball and you join your mother. You don’t understand my words, but you must choose! ) The first installment, The Wu-Tang Manual , is more of a beginners-guide handbook to the Shaolin mythology. But The Tao of Wu digs deeper, as the RZA broods on hip-hop and spirituality. He combines esoteric Buddhism, true mathematics, kung-fu flicks, chess tactics, and comic books into his own unique theosophical ruckus.

Slash: ‘Slash’ (2007)

There’s no shortage of Sunset Strip metal-sleaze gossip books out there, including other excellent GN’R memoirs — see Steven Adler’s My Appetite for Destruction or Duff McKagan’s It’s So Easy (And Other Lies) . But Slash’s book is surprisingly reflective, yet hilariously blasé about all his decadence. Low point: Slash collapses during a hotel drug binge and gets rushed to the hospital, where the doctors restart his heart. He complains, “I had no remorse whatsoever about my overdose — but I was pissed off at myself for having died. The whole hospital excursion really ate into my day off.”

Michael Diamond and Adam Horovitz: ‘Beastie Boys Book’ (2018)

Viv Albertine: ‘Clothes Clothes Clothes Music Music Music Boys Boys Boys’ (2014)

Keith Richards: ‘Life’ (2010)

Like a lot of books on this list — only more so — Life makes you marvel that the guy who lived through all this chaos could end up remembering any of it. In fact, it’s hard to imagine how a guy who lived the rock & roll myth as hard as Keith Richards could still talk his way through a transaction at the drive-through window, let alone a book this great. Despite all the cranky bitching about Mick , this book exceeded any reasonable expectation for literary Keefness.

Questlove: ‘Mo Meta Blues’ (2013)

Bruce Springsteen: ‘Born to Run’ (2016)

Patti Smith: ‘Just Kids’ (2010)

An incredibly romantic portrait of two young hustlers in the big city: Patti Smith and her best friend, artist Robert Mapplethorpe, have to keep telling each other how great they are, because nobody else will believe it. The most amazing thing about this book is the warmth, the lack of bitterness — what Smith seems to remember most about New York bohemia in the 1960s is all the moments of awkward kindness. Best scene: Allen Ginsberg buys Patti a cheese-and-lettuce sandwich at the Automat, because he thinks she’s a pretty boy. When she breaks the news that she’s a girl, she asks, “Well, does this mean I return the sandwich?” Ginsberg just keeps talking to her about Jack Kerouac while she eats — a gentleman as well as a poet.

Bob Dylan: ‘Chronicles, Volume One’ (2004)

Everybody knew this guy had a way with words. But it’s safe to say that nobody expected his autobiography to be this intense. He rambles from one fragment of his life to another, with crazed characters and weird scenes in every chapter. It all hangs together, from his Minnesota boyhood (who knew Dylan started out as such a big wrestling fan?) to the “deserted orchards and dead grass” of his Eighties bottoming-out phase. He evokes his early folk-rogue days in New York, even though he hated being perceived as the voice of a generation: “I was more a cowpuncher than a Pied Piper.” So where’s that Nobel Prize already?

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100 Must-Read Musician Memoirs and Biographies

Ashley Holstrom

Ashley Holstrom helps make books at Sourcebooks. She lives near Chicago with her cat named after Hemingway and her bookshelves organized by color. Newsletter: Crooked Reads . Twitter: @alholstrom .

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We’re giving away a brand-new, top-of-the-line Kindle Voyage . Go here to enter for a chance to win , or just click on the image below.

One of the best ways to get into a new (old) band or musician is to find their memoirs and biographies. Immerse yourself in the creation of these gifted humans, stare googly-eyed at the photos printed on glossy pages in the middle of the book, and then jam out to their music. It’s all a win.

At least, that’s how I ended up obsessed with Guns N’ Roses. And The Doors. And Motley Crue. And Aerosmith. And, in the future, many more that I’m holding on to for just the right moment.

Here are 100 musician memoirs and biographies, sorted by the music’s genre (loosely defined), to get you rockin’ and rollin’ and movin’ and groovin’.

Country/Folk

My Cross to Bear by Gregg Allman

Bound for Glory by Woody Guthrie

Rat Girl by Kristin Hersh

Love, Janis by Laura Joplin

Loretta Lynn: Coal Miner’s Daughter by Loretta Lynn, George Vecsey

Shakey: Neil Young’s Biography by Jimmy McDonough

Reba: My Story by Reba McEntire, Tom Carter

It’s a Long Story: My Life by Willie Nelson

Lynyrd Skynyrd: Remembering the Free Birds of Southern Rock by Gene Odom, Frank Dorman

Simple Dreams: A Musical Memoir by Linda Ronstadt

The 50th Law by 50 Cent, Robert Greene

Sentences: The Life of MF Grimm by Percy Carey, Ronald Wimberly

Fight the Power: Rap, Race, and Reality by Chuck D, Yusuf Jah

The Way I Am by Eminem

Ice: A Memoir of Gangster Life and Redemption-from South Central to Hollywood by Ice-T, Douglas Century

Unashamed by Lecrae Moore

The Tao of Wu by The RZA

The Rose That Grew From Concrete by Tupac Shakur

How to Ruin Everything: Essays by George Watsky

Gone ‘Til November by Lil Wayne

The Good Life by Tony Bennett

The Godfather of Soul: An Autobiography by James Brown

Kansas City Lightning: The Rise and Times of Charlie Parker by Stanley Crouch

Miles: The Autobiography by Miles Davis

Can’t Be Satisfied: The Life and Times of Muddy Waters by Robert Gordon

Blues All Around Me: The Autobiography of B.B. King by B.B. King, David Ritz

John Coltrane: His Life and Music by Lewis Porter

Jazz Cleopatra: Josephine Baker in Her Time by Phyllis Rose

Now and Then… by Gil Scott-Heron

Pops: A Life of Louis Armstrong by Terry Teachout

Pop/Punk/Reggae/Ska

Catch a Fire: The Autobiography by Melanie B.

Black By Design: A 2-Tone Memoir by Pauline Black

Passion Is a Fashion: The Real Story of the Clash by Pat Gilbert

Tranny: Confessions of Punk Rock’s Most Infamous Anarchist Sellout by Laura Jane Grace

If Only by Geri Halliwell

Herbie Hancock: Possibilities by Herbie Hancock, Lisa Dickey

Reckless: My Life as a Pretender by Chrissie Hynde

Rotten: No Irish, No Blacks, No Dogs by John Lydon

I’ll Never Write My Memoirs by Grace Jones, Paul Morley

A Natural Woman: A Memoir by Carole King

Army of She: Icelandic, Iconoclastic, Irrepressible Björk by Evelyn McDonnell

Get in the Van: On the Road With Black Flag by Henry Rollins

Be My Baby: How I Survived Mascara, Miniskirts, and Madness, or My

Life As a Fabulous Ronette by Ronnie Spector, Vince Waldron

Rod: The Autobiography by Rod Stewart

Diana Ross: A Biography by J. Randy Taraborrelli

In the Pleasure Groove: Love, Death, and Duran Duran by Nigel John Taylor

I, Tina by Tina Turner, Kurt Loder

Catch a Fire: The Life of Bob Marley by Timothy White

Pharrell: Places and Spaces I’ve Been by Pharrell Williams

Rock ‘n’ Roll

Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys. by Viv Albertine

Between a Heart and a Rock Place: A Memoir by Pat Benatar

Chuck Berry: The Autobiography by Chuck Berry

Moonage Daydream: The Life & Times of Ziggy Stardust by David Bowie

Hunger Makes Me a Modern Girl by Carrie Brownstein

Lips Unsealed: A Memoir by Belinda Carlisle

Cash by Johnny Cash

Clapton: The Autobiography by Eric Clapton

Journals by Kurt Cobain

Not Dead Yet by Phil Collins

Unfaithful Music & Disappearing Ink by Elvis Costello

Neon Angel by Cherie Currie

Touching from a Distance: Ian Curtis and Joy Division by Deborah Curtis

Hammer of the Gods by Stephen Davis

Things The Grandchildren Should Know by Mark Oliver Everett

Fleetwood: My Life and Adventures in Fleetwood Mac by Mick Fleetwood, Stephen Davis

Girl in a Band by Kim Gordon

Last Train to Memphis: The Rise of Elvis Presley by Peter Guralnick

Diary of a Rock ‘n’ Roll Star by Ian Hunter

Dancing with Myself by Billy Idol

Mercury: An Intimate Biography of Freddie Mercury by Lesley-Ann Jones

Scar Tissue by Anthony Kiedis

White Line Fever by Lemmy Kilmister

Searching for the Sound: My Life with the Grateful Dead by Phil Lesh

Dirty Blonde: The Diaries of Courtney Love by Courtney Love

The Long Hard Road Out of Hell by Marilyn Manson

Inside Out: A Personal History of Pink Floyd by Nick Mason, Philip Dodd

It’s So Easy: And Other Lies by Duff McKagan

Autobiography by Morrissey

Joan Jett by Todd Oldham, Joan Jett

I Am Ozzy by Ozzy Osbourne

Rocks: My Life in and out of Aerosmith by Joe Perry

Elvis and Me by Priscilla Presley

Crazy from the Heat by David Lee Roth

Bird Lives!: The High Life & Hard Times of Charlie (Yardbird) Parker by Ross Russell

Slash by Slash, Anthony Bozza

Somebody to Love?: A Rock-and-Roll Memoir by Grace Slick, Andrea Cagan

Just Kids by Patti Smith

Face the Music: A Life Exposed by Paul Stanley

Seven Deadly Sins: Settling the Argument Between Born Bad and Damaged Good by Corey Taylor

Who I Am by Pete Townshend

The Real Frank Zappa Book by Frank Zappa, Peter Occhiogrosso

Dream Boogie: The Triumph of Sam Cooke by Peter Guralnick

Lady Sings the Blues by Billie Holiday, William Dufty

Divided Soul: The Life of Marvin Gaye by David Ritz

Escaping the Delta: Robert Johnson and the Invention of the Blues by Elijah Wald

Hit Me, Fred: Recollections of a Sideman by Fred Wesley

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30 Great Rock Memoirs

Many legendary musicians have taken literary guitar solos off-stage by penning great rock memoirs. Music fans adore delving into their favorite artists’ juicy, tell-all autobiographies. Rock memoirs allow average Joes to experience the scandalous debauchery of the rock and roll lifestyle. From hit records and red carpets to drug addiction and sleazy groupies, these memoirs take readers on the rollercoaster ride of stardom. Whether written in 1960 or today, rock memoirs capture the drama of music heroes journeying towards their big dreams.

However, rock memoirs aren’t always the fascinating, soul-baring reads you’d expect. The genre has plenty of autobiographies filled with fluff already well-known on the Internet. Rock memoirs can also become garbled, indecipherable accounts by musicians who are more accustomed to writing notes than paragraphs. The best memoirs avoid the usual road-worn clichés and plots to eloquently share unhindered truths about rock stars.

Below we’ll recognize 30 great rock memoirs that deserve a sacred space on your bookshelf or Kindle library.

#1 – I Am Brian Wilson: A Memoir

Brian wilson.

Releasing in October 2016, this much-anticipated memoir tells the story of Brian Wilson, the co-founder of the Beach Boys. Starting with his turbulent childhood with an abusive father, Wilson relays the mental illness, drugs, and sorrow that plagued his early life. He also offers glimpses into the songwriting process for hits like “Good Vibrations.” Readers witness his never-ending climb to survive the industry and remain one of music’s most revered figures.

#2 – Walk This Way

Divided in two,  Walk This Way  chronicles the history of the legendary hard rock band Aerosmith. Members Steven Tyler, Joe Perry, Tom Hamilton, Joey Kramer, and Brad Whitford take turns sharing recollections never publicly released. Book One focuses on the early years after their album  Toys in the Attic  debuted. Book Two takes place after their 1980s downfall and resurgence. Candid stories of concerts, drugs, partying, and women abound.

#3 – The Dirt

Motley crue.

Perhaps the world’s most notorious rock band, Motley Crue collaborated to publish  The Dirt  in 2001. Tommy Lee, Mick Mars, Vince Neil, and Nikki Sixx detail their 30-year career without holding back. Fans journey beyond their immortal music to learn about backstage scandals, love affairs, and addictions after their rise to fame. Over 100 photographs are included to depict the pleasures and perils of decadent rock star lifestyles.

#4 – Hunger Makes Me a Modern Girl: A Memoir

Carrie brownstein.

Named a  New York Times  Notable Book of 2015, Carrie Brownstein’s novel allows a deeply personal look into how she redefined gender limitations in rock. From her childhood in the Pacific Northwest, Brownstein depicts the search for her true calling. The exuberant guitarist details her rise to prominence with Sleater-Kinney in the growing feminist punk rock movement. She also shares the experiences that spawned the TV hit  Portlandia.

#5 – Born to Run

Bruce springsteen.

After his Super Bowl halftime show, “The Boss” himself began writing an extraordinary autobiography detailing his life from a childhood in Freehold, New Jersey. Set for release in September 2016,  Born to Run  vividly recounts Springsteen’s relentless drive for music. Readers watch as his career progresses from playing bar bands to headlining the E Street Band. Bruce Springsteen details the light and darkness of his experiences with raw honesty.

#6 – Be My Baby: How I Survived Mascara, Miniskirts and Madness

Ronnie spector.

Ronnie Spector published this 384-page tell-all novel about her time as lead singer for the Ronettes, the hit 1960s “girl band.” Although there are glimpses into the glamour of rock stardom, much of the memoir centers on her rocky relationship with Phil Spector. She details how her powerful producer husband turned cruel and reclusive. Follow her inspiring battle to break free, overcome alcoholism, and recreate a life worth living.

#7 – Crazy From The Heat

David lee roth.

Van Halen lead vocalist David Lee Roth produced the ultimate rock memoir with  Crazy From The Heat  in 1998. The archetypal rock star shares his life’s narrative in guerrilla style with plenty of expletives. With candor, Roth depicts the backstage life for the Guinness Book’s highest paid American rock group of the ’80s. David Lee Roth also shares his recording experiences as a solo artist and several unpublished poems.

#8 – Rotten: No Irish, No Blacks, No Dogs

Sex Pistols frontman John Lydon, aka Johnny Rotten, wrote this unique rock memoir about his time with the ’70s punk band. The “God Save the Queen” singer depicts how the Pistols were working-class rockers with families, friends, and financial woes. Lydon is unabashedly spiteful in shedding light on the British class system and the music industry. John Lydon also adds perspectives on his band mates, including the notorious Sid Vicious.

#9 – Long Hard Road Out of Hell

Marilyn manson.

America’s most controversial rock idol Marilyn Manson published a shocking memoir titled  Long Hard Road Out of Hell.  Born as Brian Hugh Warner, Manson discusses his unstable childhood, including his grandfather’s sexual fetishes. Its pages go in-depth on how the Marilyn Manson & the Spooky Kids formed and recorded the infamous “Antichrist Superstar.” Like other rock memoirs, the book references bitter breakups and dysfunctional relationships.

#10 – Many Years From Now

Paul mccartney.

With author Barry Miles, Paul McCartney wrote  Many Years From Now  to disprove that the late John Lennon was the Beatles’ only creative leader. The 650-plus memoir centers on the duo’s 50-50 songwriting partnership through hits like “I Feel Fine” and “A Hard Day’s Night.” From Beatlemania on, McCartney reminiscences on the genesis for every song penned with Lennon while taking credit for the band’s immersion into the avant-garde.

#11 – Moonage Daydream: The Life and Times of Ziggy Stardust

David bowie.

David Bowie’s debut novel gives unprecedented insight into his intriguing, sexually ambivalent stage persona Ziggy Stardust. Photographer Mick Rock assists in chronicling imagery from Ziggy’s stratospheric two-year stardom. Vast albums of images compile to detail the onstage performances and backstage scandals through his blockbuster retirement. It’s among the finest rock memoirs that beautifully immortalizes the late icon in high-definition.

#12 – Chronicles: Volume One

Through his own eyes,  Chronicles: Volume One  details the critical crossroads in Bob Dylan’s early life to begin the planned three-volume memoir. The National Book Critics Circle Award finalist shows Dylan’s first arrival in magical Manhattan. The story poignantly shares details about his 1960s breakthrough album. From nightlong parties to fleeting loves, readers witness Bob Dylan’s rise into fame as the “spokesman of a generation.”

Johnny Cash

Having sold over 90 million records globally, Johnny Cash is deemed one of the most influential musicians for songs like “Ring of Fire” and “Man in Black.” Cash’s deep baritone voice crossed lines from country and blues to rock and roll. From his boyhood in Arkansas to super-stardom in Nashville,  Cash  reminiscences on the legend’s lifetime. The autobiography highlights his 40-year career, including his marriage to June Carter, with wry humor.

#14 – Scar Tissue

Anthony kiedis.

Released five years after  Californication,  this rock memoir follows the Red Hot Chili Peppers’ lead vocalist through his drug addiction battle. Son of Blackie Dammett, Anthony Kiedis first experienced drugs with his father at 11. When the band formed in the ’80s, Kiedis had a hardcore addiction. He details the effect of Slovak’s overdose death on his downward spiral. Audiences witness his fight against relapses to restart a productive, happy life.

#15 – Just Kids

Patti smith.

Chosen for  Publishers Weekly’s  top 10 best books, Patti Smith’s memoir provides the same lyrical quality as her influential album  Horses.  Beginning in 1967, the book portrays Smith’s early career homeless and hungry in Brooklyn. That’s when she encounters Robert Mapplethorpe, a young photographer, and her life forever changes. Patti Smith tells their inseparable friendship’s moving story during the halcyon days of the Hotel Chelsea.

#16 – My Damage: The Story of a Punk Rock Survivor

Keith morris.

Hardcore punk icon Keith Morris chronicles his revolutionary 40-year career as one of music’s hardest working men. Beginning with his childhood in Los Angeles’ South Bay, the book provides a lens into Morris’ development to legend status. From leading the Circle Jerks to appearing in cult films like  Repo Man,  Keith Morris shares interesting perspectives on the entertainment industry and his battle with diabetes.

#17 – The Beatles Anthology

The beatles.

Released with the documentary series in 2000,  The Beatles Anthology  is a large-format hardcover book infused with photographic artwork. Archived interviews with John Lennon, Paul McCartney, George Harrison, and Ringo Starr as well as producer George Martin are combined into one epic rock memoir. Every page is brimming with recollections from their early days in Liverpool to their ultimate breakup, including Lennon’s marriage to Yoko Ono.

#18 – I, Tina

Tina turner.

Adapted to the film  What’s Love Got to Do with It  with Angela Bassett in 1993, Tina Turner’s rock memoir retells her life from growing up as Anna Mae Bullock. The best-seller transports readers from her meager beginnings in Tennessee to her volatile relationship with blues musician Ike Turner. Her superstar account shares the pain and abuse that sparked one of rock music’s greatest comebacks.

#19 – Slash

Legendary Guns N’ Roses guitarist Slash opens up to share his own experiences with the sex, drugs, and rock and roll lifestyle. The notoriously private musician pens a jaw-dropping memoir detailing the factors leading to the band’s demise. Beyond wild parties, groupies, drugs, and never-ending tours, Slash depicts the dictatorship rule of Axl Rose. He explains how Axl’s determination to change the band’s sound with synthesizers ripped them apart.

#20 – I Am Ozzy

Ozzy osbourne.

Prized for its laugh-out-loud humor,  I Am Ozzy  provides a rambling memoir of the Black Sabbath frontman’s life. Born John Osbourne, he grew up within an impoverished British family in Aston and seemed destined for manual labor. On a trip to prison, Ozzy became enamored with the darker side of rock and roll. Life spirals out of control with recording, drinking, drugs, and women. But the unpolished autobiography then shares the satanic rocker’s rebirth.

#21 – Clapton

Eric clapton.

Clapton  portrays the rock star’s life in an unseen light starting with his debut in Cream and their untimely breakup two years later. Eric Clapton shares his experiences working with Jimi Hendrix, the Rolling Stones, and long-time friend George Harrison. Here readers discover his love for George’s wife, Pattie Boyd. His heartbreak leads to heroin, despair, and hit songs like “Wonderful Tonight.” Life seemingly improves as he wins Pattie’s affection, until the devastating death of their four-year-old son.

#22 – Amy, My Daughter

Mitch winehouse.

Grammy Award-winning singer-songwriter Amy Winehouse’s memoir was written in 2013 by her closest advisor and friend, her father Mitch. The intimate account separates fact from fiction by detailing the true events that shaped her music career. Mitch doesn’t shy away from discussing her drug addiction that inspired the hit song “Rehab.” Audiences witness what happened behind-the-scenes in the months leading to the talented musician’s tragic death.

#23 – I Dreamed I Was a Very Clean Tramp

Richard hell.

Since retiring from the music industry in 1984, Richard Hell has published countless books, including his own rock memoirs. This novel renders his shift from a bucolic childhood in Kentucky to New York City’s punk rock movement. Known for co-founding bands like The Heartbreakers and working with artists like Patti Smith, Hell forever cemented CBGB as the epicenter for punk. The memoir celebrates his passion while warning of its implicit risks.

#24 – Journals

Kurt cobain.

Originally contained in over 20 notebooks,  Journals  presents a collection of Kurt Cobain’s handwritten notes and drawings. From a kid in Aberdeen, Washington, to a morbid punk rocker, the entries depict Corbain’s unlikely rise to fame. Readers glimpse his innermost thoughts as Cobain signs with Sub Pop, forms Nirvana, and writes “Smells Like Teen Spirit.” But entries turn darker as coping with the fame ultimately leads to heroin addiction and suicide.

#25 – Tranny: Confessions of Punk Rock’s Most Infamous Anarchist Sellout

Laura jane grace.

Laura Jane Grace, the lead singer for Against Me!, will offer this vivid memoir of her tumultuous search for self-identity in November 2016. Born Thomas James Gabel, Laura shares how she grappled with feeling detached from her body.  Tranny  shares her struggles with gender transition, sex, failed relationships, and drug addiction while becoming a punk rock icon.

Keith Richards

As winner of the 2011 Norman Mailer Prize, Keith Richards’ memoir  Life  was written with journalist James Fox to chronicle the Rolling Stones guitarist’s rousing stardom. Richards delivers an unfettered story of his career from small gigs to sold-out stadiums. Rock fans are entranced with firsthand accounts on his love for Patti Hansen, rocky relationship with Mick Jagger, tax exile in France, and more. His journey becomes immortalized like the riffs of “Satisfaction.”

#27 – The Autobiography

Chuck berry.

Pioneering rock and roll guitarist Chuck Berry’s memoir not only shares his own past, but also uncovers dark truths about race in America. Growing up in a poor, segregated St. Louis neighborhood, Berry discusses his family roots and his feeling “black.” From performing with Johnnie Johnson’s trio to signing with Chess Records, he recounts his galloping success redefining rhythm and blues to the distinctive rock sound.  The Autobiography  also includes a discography of his musical masterpieces.

#28 – Don’t Try This at Home: A Year in the Life of Dave Navarro

Dave navarro.

After messy breakups with the Red Hot Chili Peppers and Jane’s Addiction, guitarist Dave Navarro partnered with writer Neil Strauss to chronicle 12 months of his life. He purchased a photo booth to record every celebrity, dealer, and hooker who stopped by his house. The resulting 57 chapters speak to the quasi-glamorous rock and roll lifestyle. However, readers eventually witness Navarro’s sobriety as his career and marriage restarts.

#29 – Girl in a Band

Published in 2015,  Girl in a Band  shares the autobiographical story of Sonic Youth’s bass guitarist and fashion icon Kim Gordon. The memoir’s vivid pages open several chapters of her life for inspection from California to New York City. She visually details her music and passion for taking women into the unchartered territory in the Alternative revolution. Gordon also describes her personal life, marriage, and relationship with her daughter, Coco.

#30 – Take It Like a Man

Boy George strutted into rock stardom in the early ’80s with “Do You Really Want to Hurt Me?” His platinum Culture Club hits, avant-garde style, and captivating melodies fueled media’s obsession with the English singer. That’s until his life took a downward spiral. Boy George’s relationship with Jon Moss disintegrated, Culture Club collapsed, and drug addiction wreaked havoc.  Take It Like a Man  retells his highest highs and most desperate lows in mesmerizing detail.

Search for these 30 great rock memoirs to read profound, inspiring recollections from one-of-a-kind music icons who’ve experienced successes and downturns in the public eye.

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Best rock star biographies and memoirs: it's pure debauchery

We're talking sex, drugs and bloody good stories

Rock stars of yesteryear had all the fun. The best rock star biographies shed light on those glory days, answering questions you didn’t know you wanted answering.

From tales of debauchery to gritty insights into life on the road, the best biographies share the low points as well as the highs. Teasing details about their lives, many of these access-all-areas biographies allow you to be a fly on the wall for some of the most dramatic moments in musical history.

UPDATE: We've added a couple more key picks from the world of rock autobiographies. Elton John's Me makes the cut for the sheer style of its retelling of one of the iconic careers in rock music. And for those after a less classic biopic-style approach should check out Viv Albertine's 2014 memoir Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys. It's a top read.

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Here we’ve picked out a selection of the very best rockstar memoirs. They feature some of rock’s most prominent figures… as well as some who we’re glad we’ve been able to find out even more about.

Upvote your favourite read, and suggest any we've missed at the bottom.

Best rock star biographies

1 . Keith Richards – Life

No list of rockstar memoirs would be complete without a mention of the Rolling Stones guitarist and rock stalwart Keith Richards. Life spans several decades of music, drugs and life on the road – from the more glamorous elements to the hard reality of some of what he went through. As with all the best memoirs, Life shows a new side of its subject while retaining the kind of honesty and vulnerability which was often hidden from those who only saw his public persona.

2 . Mötley Crüe - The Dirt: Confessions of the World's Most Notorious Rock Band

Known for their extreme antics and tales of debauchery, Mötley Crüe has become synonymous with a life of excess that accompanies rock music. A culmination of 30 years worth of jaw-dropping material involving Tommy Lee, Nikki Sixx, Vince Neil, and Mick Mars , the book features scandalous celebrity love affairs and dark stories involving extreme drug addiction. The book has also since been made into a Netflix Original Movie starring Machine Gun Kelly and Douglas Booth.

3 . Anthony Kiedis – Scar Tissue

The Red Hot Chili Peppers frontman is a 21st-century rocker you’d expect to have plenty of revealing stories, and Scar Tissue is certainly a revealing read.

Kiedis’s drug use has hardly been a secret throughout his career, but this is an at-times-sensitive look at his early exposure to substances and how it shaped his life and experiences as his band enjoyed a rapid rise and ultimately grew into one of the world’s biggest.

4 . Slash — Slash: The Autobiography

Few rock stars of the 80s and 90s are as instantly identifiable as Slash, and the Guns N’ Roses guitarist lived a proper rock ‘n’ roll lifestyle during his time with the band. This is documented in detail in his 2007 autobiography, with covers ups, downs, excess and near-death in the kind of detail you can only get from someone who lived through it all… and almost died in the process.

5 . Lemmy – White Line Fever

The title of Lemmy’s autobiography gives a bit of a clue to what to expect, but there’s more to it than just drugs and excess. It’s not just about Motörhead, either, although the band does have a big role to play. White Line Fever is often conversational in tone, and that gives you an idea of Lemmy’s real, authentic voice – it’s the sort of thing which not every memoir needs, but the feeling of him being right there with you certainly helps in this case.

6 . Patti Smith – Just Kids

Smith’s memoir isn’t just about music or even just about her relationship with photographer Robert Mapplethorpe, but rather a poignant look back at a very specific version of New York which we will surely never see again. Published in 2010, Just Kids captures a time, a place and the people united by both to make for a fascinating memoir, and we’re grateful to Smith for bringing it all back to life with such honesty.

7 . Nikki Sixx – The Heroin Diaries: A Year in the Life of a Shattered Rock Star

Some of the most eye-catching rock memoirs aren’t even really about the music, and this work from the Mötley Crüe man is a case in point. The bassist presents a no holds barred depiction of life on tour, in the studio and on heroin, all presented in diary form, during a period where addiction to the drug almost killed him. Throw in retrospectives from Sixx and his bandmates and it makes for compelling reading.

8 . Bruce Springsteen - Born to Run

'Writing about yourself is a funny business…But in a project like this, the writer has made one promise, to show the reader his mind. In these pages, I’ve tried to do this.' — notes Bruce Springsteen, from the pages of his autobiography, Born to Run . The concept for the book spawned from his 2009 Superbowl half time show, which Springsteen noted as being so exhilarating, the experience simply had to be documented. From his Catholic upbringing in Freehold, New Jersey , to the traumatizing events which shaped some of his greatest lyrical work, this is a delightfully gritty tale depicting a rock 'n' roll great

9 . Kim Gordon – Girl in a Band: A Memoir

Girl in a Band takes us back to the 1980s heyday of Sonic Youth through the words of founding member Kim Gordon. The memoir looks back at Gordon’s childhood before exploring her career in music, her marriage to bandmate Thurston Moore, and the eventual unravelling of that relationship. The portrait of Gordon’s life in Rochester and LA is honest and exploratory without ever being performative, while painting a picture of plenty of her contemporaries from Sonic Youth’s rise to prominence.

10 . Mark Lanegan - Sing Backwards and Weep

Coming from Seattle in the 80s, Mark Lanegan saw everything grunge had to offer and managed to get out the other side. This frank autobiography does not paint an idolised life of a rockstar, but one that has knocks, scrapes and near misses. It's packed with the lowest of lows and the highs are all, well, something else. You need to read this and it's even more poignant after his passing.

11 . Elton John - Me

This autobiography covers Elton John's pre-fame years, his early career and most riotously depraved years. It's hilarious, touching and, as far as we can tell, pretty honest given how often John is not depicted as a flawless hero character. This biography was written in collaboration with music critic Alexis Petridis, who captures John's voice perfectly while delivering thoroughly well-written prose.

12 . Viv Albertine - Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys.

Slits guitarist Viv Albertine's 2014 autobiography made an impact that went far beyond punk fans interested in her band. It's a feminist work that looks at the realities of being a woman in the 70s and 80s, amped up by being a pivotal part of the punk scene. The book also covers her work after the Slits, who disbanded in 1982.

13 . Laura Jane Grace - Tranny: Confessions of Punk Rock's Most Infamous Anarchist Sellout

Grace, the vocalist for punk band Against Me!, has a unique story to tell. And she tells it brilliantly in Tranny. The singer and guitarist came out as transgender in 2012, and her memoir – written with journalist Dan Ozzi and published four years later – is a brutally honest look at her experiences with gender dysphoria alongside her breakthrough into the punk scene. As well as shedding light on Grace’s past, it allows us a look at Butch Vig and Bruce Springsteen through fresh eyes.

14 . Mark Oliver Everett – Things the Grandchildren Should Know

Everett, better known as E, has enjoyed a strong following with his band Eels without ever attaining worldwide superstar status. Everett’s emotional depth has always come through in his songwriting, so it’s no surprise to see him eloquently and sensitively detail the role of others’ deaths in his own life after losing both parents and his sister before turning 35. There isn’t the excess of other memories, but it’s just as emotionally affecting, if not more so.

15 . John Lydon – Rotten: No Irish, No Blacks, No Dogs

Lydon, known as Johnny Rotten during his time with the Sex Pistols, had front-row seats to the birth of punk in the UK. As you can guess, this makes for great memoir fodder. The Londoner tears in to anyone and everyone you can imagine from the “boring” society infiltrated by his band. As the man himself says: “A lot of people feel the Sex Pistols were just negative. I agree, and what the fuck is wrong with that?”

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• Cover Story

13 books every rock fan needs to read

These indispensable books should take pride of place on every discerning rock fan's shelves.

Chock full of colourful characters, constantly adrift on a sea of international adventure and not shy of a plot-twist or 25, the rock world feels predestined to generate some of the most horrifying, inspiring and downright incredible stories imaginable. We’ve stopped short of naming the 'top 13' rock biographies – simply because there are literally hundreds out there more than worth your time. Instead we have listed thirteen of the best rock music books you should read right now.

The Dirt: Confessions Of The World’s Most Notorious Rock Band (Mötley Crüe with Neil Strauss, 2001)

The classic. A title that’s become synonymous with the bad-boy rock biography, The Dirt feels like the ultimate chronicle of the genre’s ’80s excess. Looking back now, the idea that Mötley Crüe classics like Wild Side and Girls, Girls, Girls only scratched the surface of their unshackled debauchery seems almost unbelievable. A kaleidoscopic odyssey of booze, drugs, groupies, dealers, cops, tour buses, strip-clubs and car-wrecks, both figurative and literal, it’s a tale that needs to be read to be believed. If you only pick up one rock bio today, probably best to make it this one. Devotees should be sure to grab Nikki Sixx’s bleaker but equally essential 2007 follow-up, The Heroin Diaries, too.

Tranny: Confessions Of Punk Rock’s Most Infamous Anarchist Sellout (Laura Jane Grace, 2016)

Known, during writing, as Killing Me Loudly, the autobiography from Against Me! ’s Laura Jane Grace draws extensively from the journals she had been compiling since third grade. Its eventual title ‘Tranny’ is a term the singer hates, but its appropriation here is symbolic of her taking ownership of a personal struggle through which she noted the supposedly accepting punk community were “more closed-minded than the church”. Illuminating. Poignant. Inspiring. It’s equally essential reading for individuals struggling to come to terms with themselves and those same closed-minds struggling to understand.

White Line Fever: The Autobiography (Lemmy Kilmister, 2002)

Possessed of a godlike air like few others, Lemmy always seemed like something of an unapproachable icon even for those of us fortunate to make his acquaintance. As such, this exceptionally grounded autobiography – charting the life of Ian Fraser Kilmister, son of an RAF chaplain from Stoke-On-Trent – brought us brilliantly closer to the man behind the myth. Of course, from his early musical exploits with Jimi Hendrix and Hawkwind to decades-long scene leadership at the helm of Motörhead , the man led a life that most of us could even imagine. “It’s a fallacy to say I taught him how to drink,” the legend writes at one point, remembering a young Lars Ulrich. “I actually taught him to throw up, and that’s what he did, all over himself. That’s what he got for trying to keep up with older people’s habits…”

Girl In A Band (Kim Gordon, 2015)

Sonic Youth were never a band to shy away from unpleasantries in their dogged pursuit of beauty and authenticity. Fittingly, bassist Kim Gordon’s chronicle of her break-up with guitarist Thurston Moore and the dissolution of their seminal indie-rock outfit isn’t just a tale of heartbreak; it’s one of the sporadic mundanity, unpredictability and seat-of-your-pants adventure of holding a prime seat on the alt.rock roundabout for the best part of three decades. Girl In A Band proves itself essential reading for anyone with even a passing interest in the New York noiseniks – or the scene they helped define.

Hammer Of The Gods (Stephen Davis, 1985)

Another of the classics. It’s probably not that difficult to write a rollicking recount of one band’s tumultuous journey when that band is Led bloody Zeppelin . From quaaludes to bathtubs full of baked beans to the extremely questionable use of one taxidermied shark, many of the anecdotes here have slipped into rock’n’roll folklore, but that takes little from the experience of finding them compiled into this singular volume. It's best not to spoil them too much further here. Let’s just say this is another must-read addition, for rockers or anyone else with a heartbeat…

This Is A Call: The Life And Times Of Dave Grohl (Paul Brannigan, 2011)

It can be difficult, at times, to get a real sense of what goes on under the surface with The Nicest Man In Rock™. K!’s own Paul Brannigan charts his fascinating story with a dextrous grip on the evolving scenes through which Dave Grohl has endured and a spectacular sense of the adventure he’s experienced along the way. From the kid from the D.C. suburbs who dropped out of school to go on tour with Scream, to the sticksman catapulted to superstardom with Nirvana , to the iconic Foo Fighters frontman called upon to play for the Obamas on the White House lawn, few lives share the rollercoaster momentum of Dave’s.

Slash (Slash, 2007)

Most rock bios are about the gritty build and the glitzy payoff. Safe to say, the Slash bio is virtually all payoff. Born Saul Hudson in England in 1965 to a white British graphic artist father and a black American costume designer mother, Slash’s story was never going to be that of your garden variety guitarist. Growing up in Los Angeles’ ’70s bohemia, his mum dated David Bowie, hung out with Joni Mitchell and taught the youngster that “being a rock star is [about finding] the intersection between who you are and who you want to be”. As the story of Guns N’ Roses’ meteoric rise and incendiary fall-out (their latter-day reconciliation is not part of this 2007 volume) unfold, they seem like simply the logical narrative developments of one of music’s most dramatic life stories.

Lords Of Chaos (Michael Moynihan, 1998)

Before you see the movie, read the book. As feels inevitable for any volume skewering the adolescent, corpse-painted pomposity of the ’90s Norwegian black metal scene – and laying bare the narcissistic inhumanity of the suicide, church burnings and murders that followed in its wake – the accuracy of Michael Moynihan’s Lords Of Chaos has been called into question by many of those involved at the time. Regardless, this is a fascinating trip into metal’s most evil sub-genre, and a chilling reminder of what can happen when the lines blur between trve cvlt theatre and stark reality. Special mention to Dayal Patterson’s Evolution Of The Cult (2013) and The Cult Never Dies (2015) for further deconstructing the scene’s horrifically compelling progression, too.

Heavier Than Heaven (Charles R. Cross, 2001)

Much (perhaps too much ) has been written about the life and death of Kurt Cobain . This first (arguably definitive) long-form retelling of his life story does spectacularly well to disperse the rumour that hangs around an individual who was, at his core, a musically prodigious slacker from the lower-middle-class of North Seattle. Even better, it charts Nirvana’s explosion of incredible cross-cultural success – one that, we should remember, lasted a fleeting three years – with a remarkable blend of cool analysis and awe. It’s in a chilling final forensic analysis of Kurt’s self-destructive streak, though, that Heavier Than Heaven comes into its own: daring the reader to put aside music and mythos to pass judgement on the individual in the harsh light of the bare facts.

Smash: Green Day, The Offspring, Bad Religion, NOFX And The ’90s Punk Explosion (Ian Winwood, 2018)

It’s strange how the story of ’90s skate-punk has been distorted through the retrospective lens of the last two-and-a-bit decades: its lineage conflated and confused with that of the pop-punk genre it helped inspire. Veteran K! contributor Ian Winwood’s book shatters those perceptions, transporting us back to the poverty, addiction and unhinged chaos of the era that spawned so many of our favourite bands. Finding The Offspring guitarist Noodles working as a janitor, Rancid frontman Tim Armstrong living in a Salvation army shelter and Green Day maestro Billie Joe Armstrong infested with body lice during a debut European tour, it’s a fascinating look at the underground grit and shit before the platinum-rated sheen that followed.

Get In The Van: On The Road With Black Flag (Henry Rollins, 1994)

Something of a gritty yin to The Dirt’s glamorous yang, Get In The Van is a superb, zero-bullshit diary of life on the road with LA hardcore legends Black Flag . Fronting the band between 1981 and 1986, punk’s storyteller supreme Henry Rollins had a drivers-seat view of the violence, squalor and sheer chaos of hardcore’s early days. From roadies forced into eating dog food to hard-nut cops to borderline psychotic fans, it’s a dirt-beneath-the-fingernails classic unafraid to show the bleak underbelly of life in a touring band – albeit one with an ultimately triumphant arc. Any fledgling rock star wannabes out for fame and fortune should really stop to read this first…

Dark Days: A Memoir (D. Randall Blythe, 2015)

On May 4, 2010, in the Abaton club in Prague, during a concert by Virginian metal legends Lamb Of God , 19-year-old fan Daniel Nosek sustained injuries to his head. Over the weeks that followed, he would slip into a coma and pass away. Although, following his initial release on bail, legal counsel advised against returning to the Czech Republic to face trial, frontman Randy Blythe insisted he "could not run away from this problem while the grieving family of a dead young man searched hopelessly for answers that he might help provide". Those events provide the tragic backdrop for the singer’s stunningly frank account of the dark days (and months) that followed his indictment on manslaughter charges and incarceration in a Czech prison. Even years since Randy’s release, it’s a story that delivers gut-churning jailhouse anecdotes, tales of galvanising camaraderie and an ultimate redemption that even the most optimistic dramatist might’ve struggled to conjure up.

Metallica: Enter Night (Mick Wall, 2010)

It’d be unreasonable to compile a list of great rock biographies without including at least one on the biggest metal band in the world . Tracking a path from the thrash kings’ spandex-clad genesis to their coronation as globe-straddling, genre-transcending megastars, this packs in all the drugs, booze and drama any self-respecting fan would expect. From early acrimony with Dave Mustaine through the devastating loss of Cliff Burton to the callous early treatment and furious departure of Jason Newstead, all the personal drama is captured. As are the band’s mid-’90s creative swerves, the (ever-more hilariously redundant) Napster fiasco and the cringing in-studio therapy that formed the basis of seminal rock-doc Some Kind Of Monster. Crucially, though, Enter Night perfectly charts the band’s place in the rock and metal scene forever evolving around them.

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Best Music Autobiographies: 20 Memoirs From Legendary Rockers

Exploring the life and times of rock’n’roll’s most iconic stars, the best music autobiographies give us an insider’s look at stardom.

Providing a unique opportunity to glimpse into the minds of rock’n’roll’s most legendary figures, the best music autobiographies serve as a reminder of just how much these icons have shaped popular culture. From blues-rock journeyman Eric Clapton to genre-shaping visionary David Bowie , these memoirs delve deep into their authors’ psyches, going beyond their stage-based antics to explore their upbringing and give us a behind-the-scenes insight into their experiences of fame and stardom. Here, then, are the best music autobiographies – books that provide an intimate look at the lives and careers of some of the industry’s most legendary figures.

Listen to our Rock Classics playlist here , and check out the best music autobiographies, below.

20: chrissie hynde: ‘reckless: my life as a pretender’ (2015).

Reckless: My Life As A Pretender , by Chrissie Hynde, is a humorous and frank account of the new wave era songwriter’s life story. Known for her incomparable voice, style and attitude, Hynde weaves a witty and colourful narrative that follows her career journey from Akron, Ohio, to London in the 70s, where she formed Pretenders . Hynde candidly describes her harrowing experiences with grief following the deaths of bandmates James Honeyman-Scott and Pete Farndon, and reveals intimate details about her exploration of music, love and identity. Full of vivid storytelling, Reckless is a sharp-witted and eye-opening read among the best music autobiographies.

19: John Densmore: ‘Riders On The Storm: My Life With Jim Morrison And The Doors’ (1990)

Taking readers on a journey through his experiences as a founding member of The Doors , drummer John Densmore’s memoir, Riders On The Storm: My Life With Jim Morrison And The Doors , preceded the release of Oliver Stone’s 1991 Doors biopic, starring Val Kilmer. Given that Densmore acted as a consultant for that film, it’s hardly a surprise to discover that his memoir is just as compelling, recalling the time he spent making music with one of the best rock frontmen of all time , Jim Morrison , along with bandmates Ray Manzarek (keyboards) and Robby Krieger (guitar). The drummer guides readers through the wild ride of The Doors’ Los Angeles origins and on to their ascent as classic rock’s warrior kings. Readers will be fascinated by Densmore’s candid revelations about living in the eye of the storm that was the 60s counterculture, replete with details about all aspects of his life during that era, as well as reflecting upon how it shaped who he is today.

18: Debbie Harry: ‘Face It: A Memoir’ (2019)

Covering everything from her CBGB-era punk beginnings in the 70s, as the frontwoman for Blondie, to her various side projects as an actress and solo artist, Debbie Harry’s memoir, Face It , is a typically provocative account of her rise to frame. Unafraid to share secrets and embarrassing moments from her life – from details about her wild romantic relationships to discussing her struggles with heroin addiction, Harry’s frankness makes Face It a truly eye-opening read. Offering a window into her deep insights into how she fought bouts of depression, the book is a truly self-reflective primer on how to maintain a sense of confidence while navigating the darker aspects of fame.

17: Neil Young: ‘Waging Heavy Peace: A Hippie Dream’ (2012)

A gold rush of memories, Neil Young ’s memoir Waging Heavy Peace is an idiosyncratic and non-linear retelling of the singer-songwriter’s life. One of the best music autobiographies of recent years, it details the ups and downs of Young’s career, from his days as a folk-rock pioneer to becoming one of the best songwriters of all time . Through this book, readers get to see how the Canadian rocker has infused his music with personal stories and emotions that transcend generations. Speaking candidly about his passion for recording music and writing songs that have become evergreen classics, Young reflects on both his successes and failures, offering valuable lessons on how to be creative without compromising your values or goals. His words will inspire any budding creative.

16: Rod Stewart: ‘Rod: The Autobiography’ (2012)

Rod Stewart’s memoir, Rod: The Autobiography , is an entertaining and amusing story that goes beyond handbags and gladrags to follow Stewart’s career path from London mod to world-renowned rock star. The former Faces frontman and Da Ya Think I’m Sexy? hitmaker recounts his rollicking journey with impish humour, his natural charisma shining through every page as he reflects on the struggles and successes he has experienced during his long career. Throughout it all, while recounting stories about early influences such as Elvis Presley and Chuck Berry, Stewart remains self-deprecating and witty while never forgetting to mention those who have helped him along the way.

15: Eric Clapton: ‘Clapton: The Autobiography’ (2007)

The music industry is filled with legends, but few have had as big an impact as Eric Clapton. With a career spanning almost six decades, Clapton’s influence on popular music has been profound and enduring, so it’s hardly a surprise that his autobiography is also remarkable. Already known for his virtuoso guitar talents, Clapton’s writing style is accessible and heart-rending, containing stories such as the tragic death of his four-year-old son and his personal triumph of overcoming alcoholism. By candidly detailing his difficult upbringing, his childhood struggles with abandonment and identity, and the romantic relationships that defined different stages of his life, this is a must-read among the best music autobiographies.

14: Bob Dylan: ‘Chronicles: Volume One’ (2004)

Bob Dylan, the era-defining songwriter, caused a cultural earthquake when he released Chronicles: Volume One . Often cryptic and mysterious in his lyrics, nobody expected Dylan to reflect upon his life and career as eruditely as he does here, running as he does through a series of honest and introspective stories and recollections. From his early days as an up-and-coming folk musician in New York City’s Greenwich Village to his rise to global stardom and the subsequent demands of living with the baggage of the “voice of his generation” tag, Dylan offers an intimate look at how his journey has shaped him both as an artist and a human being. An enlightening entry among the best music autobiographies, Chronicles: Volume One has a raw honesty that captures the essence of Dylan’s unique voice, providing readers with an insight into the mind of one of a truly world-changing artist.

13: Keith Richards: ‘Life’ (2010)

It goes without saying that Keith Richards is the ultimate rock’n’roll survivor. Giving us a first-hand look at the wild world of The Rolling Stones, the legendary guitarist’s biography, Life , chronicles his life from childhood to adulthood and everything in between, including his humble beginnings growing up in Dartford, England, and international fame as the spiritual figurehead of one of the British Invasion’s most notorious rock bands. An intimate portrait of Richards’ personal journey through celebrity, Life features stories about Richards’ escapades with Mick Jagger, as well as his headline-grabbing experiences with drugs. In addition to humorous anecdotes about life on the road, the guitarist talks candidly about how he was able to emerge from addiction intact and how music has been a source of solace throughout his life.

12: Phil Collins: ‘Not Dead Yet: The Autobiography’ (2016)

Phil Collins ’ autobiography, Not Dead Yet , is an honest recount of his life and career. From the start, Collins speaks openly about his upbringing – he was drawn to music from an early age, taking up the drums at five years old and eventually becoming the drummer for prog-rock band Genesis. Written with great humility, the book moves between periods in Collins’ life, discussing his experiences with divorce as well as his professional successes, such as recording with Genesis and launching a successful solo career. Whether speaking about recording sessions or touring experiences, it becomes clear that Collins has lived an extraordinary life full of unique moments that have helped shape him into the star we know today.

11: Peter Hook: ‘Unknown Pleasures: Inside Joy Division’ (2012)

As the bassist for Joy Division – one of the most influential post-punk bands of the late 70s – Peter Hook provides an intimate look at the band’s rise to prominence in Unknown Pleasures: Inside Joy Division . Through a series of personal reflections, he takes readers behind the scenes to explore how Joy Division created its foreboding sound. Revealing unknown details about life on tour and what it was like working alongside frontman Ian Curtis , who committed suicide at age 23, the book offers captivating accounts of the band’s turbulent history. Through Hook’s words, we come to understand why Joy Division was so special – they were able to take dark themes such as death and despair and turn them into something beautiful through their music. Having penned one of the best music biographies of all time, Hook then went and did it all over again with a follow-up. Substance: Inside New Order , which continues the story of his game-changing career.

10: David Bowie with Mick Rock: ‘Moonage Daydream: The Life And Times Of Ziggy Stardust’ (2002)

Moonage Daydream: The Life And Times Of Ziggy Stardust is a captivating visual biography documenting the incredible rise to fame of one of music’s most influential figures. Alongside extraordinary photographs by Mick Rock, the ever mysterious David Bowie himself recounts his creative journey from glam-rock provocateur to art-rock Renaissance man, providing an insightful look into his genius and offering a rare glimpse into the work he created in the 70s. Capturing the energy and spirit of Ziggy Stardust’s artistic inception, Moonage Daydream truly highlights how Bowie’s contributions to popular culture profoundly affected music for generations to come.

9: Johnny Marr: ‘Set The Boy Free: The Autobiography’ (2016)

Set The Boy Free , the autobiography of The Smiths ’ guitarist Johnny Marr , serves as an incredible and honest look at the indie sensation’s life. Following Marr from his childhood in Manchester, England, to becoming one of the best guitarists of all time , the book vividly recounts his experience teaming up with Morrissey to form The Smiths, and how the pair revolutionised the 80s indie-rock scene. Weaving together tales from throughout his life – growing up as a working-class kid on a council estate; falling in love with the guitar – Marr’s autobiography offers a definitive take on how he did the unthinkable and made guitar music cool again.

8: Nile Rodgers: ‘Le Freak: An Upside Down Story Of Family, Disco And Destiny’ (2011)

Le Freak: An Upside Down Story Of Family, Disco And Destiny invites readers to learn more about the life of one of the world’s most influential musicians – the guitarist and producer Nile Rodgers . From his early days as a session musician to becoming a gatekeeper of funk and disco as the guitarist for Chic , Rodgers tells a rich and captivating story, drawing from his unconventional upbringing as well as his personal accounts of mental-health issues, and substance abuse. An intimate look at how the genre-defying artist found success despite life’s many roadblocks (he would go on to produce records for David Bowie, Duran Duran and Madonna , and collaborate with Daft Punk on the globe-straddling hit Get Lucky), Rodgers strings together anecdotes that are both funny and heartbreaking, and his free-spirited energy sees him faithfully recapture moments of joy and sorrow through vivid accounts of his career highs and lows.

7: Stephen Morris: ‘Record Play Pause: Confessions Of A Post-Punk Percussionist’ (2019)

Much like his bandmate Peter Hook, drummer Stephen Morris’ memoir Record Play Pause is an account of Joy Division’s early punk and post-punk days in 70s Britain. Through his personal recollections, readers gain an inside view into what it was like for Morris to be part of the musical revolution Joy Division engendered, as the drummer offers a glimpse into his childhood in Macclesfield, as well as his teenage years spent largely discovering music and exploring the sounds that would define him for years to come. From getting his first drum set at 14, through to recording with Joy Division, this memoir provides a candid look at how post-punk began. Record Play Pause also has a sequel, Fast Forward , which takes the story into the New Order era and also deserves a mention among the best music autobiographies.

6: Rob Halford: ‘Confess: The Autobiography’ (2020)

Rob Halford, the lead singer of the heavy metal band Judas Priest, gave fans a raw and honest look at his life in his autobiography, Confess . As he reflects on his career, personal struggles and relationships, it’s easy to see why Halford has become an icon for heavy metal music over the years, so diehard fans of Judas Priest will definitely want to pick up this book and read more about the man behind some of their favourite songs. Confess offers an in-depth look into Halford’s surprisingly multi-faceted life, with plenty of stories about his time in Judas Priest, touring the world, coming out as a pioneering LGBTQ+ icon and dealing with addiction issues. Halford also talks candidly about how it felt to be a rock star in a genre that wasn’t always accepted by mainstream society. Even if you’re not the biggest fan of heavy metal, this book is an insightful entry among the best music biographies.

5: Ozzy Osbourne: ‘I Am Ozzy’ (2009)

As the “Godfather Of Heavy Metal”, Ozzy Osbourne uses I Am Ozzy as a chance to run through his thrilling and tumultuous career, allowing fans to get a deeper look at his life as he recounts all his ups and downs in an honest and often humorous way. Written in a conversational style that feels as though you’re sitting with a long-lost friend, I Am Ozzy gives readers insight into what it was like growing up in post-war England, becoming the frontman for hard-rock giants Black Sabbath, dealing with drug addiction and depression, and finding success again with solo hits such as Crazy Train. Osbourne also dives into his latter years, discussing his family and how his wife, Sharon, is responsible for putting him on the path to sobriety.

4: Nick Mason: ‘Inside Out: A Personal History Of Pink Floyd’ (2004)

Inside Out: A Personal History Of Pink Floyd , by drummer Nick Mason, is a must-read for any fan of the iconic band. In this first-hand account of the group’s history, Mason recounts Pink Floyd’s incredible journey, from their early psychedelic-rock days to their massive prog-rock successes in the 70s and 80s. With vivid detail, Mason takes readers through every major moment in the group’s history, including the stories behind their first hit single, Arnold Layne, and their ambitious concept album The Wall. Throughout, Mason paints an evocative picture of life inside one of Britain’s most renowned bands, not only addressing the creative process but also shedding light on moments of joy and camaraderie, when his bandmates supported each other during some of the toughest times. It’s an engaging and fascinating read.

3: Bruce Springsteen: ‘Born To Run’ (2016)

Born To Run is a testament to Bruce Springsteen’s personal resilience and his unwavering commitment to the spirit of rock’n’roll. Chronicling The Boss’ early days growing up in New Jersey, as well as his rise to fame as the lead songwriter in The E Street Band, it’s an emotional journey from the man’s own viewpoint, filled with both joy and sorrow. As well as Springsteen’s recollections of life on tour, we also get honest accounts of his long-standing relationships with family members. From tales of personal struggles and career triumphs to reflections on the power of music in our lives, Born To Run is one of the best music autobiographies out there, regardless of whether you’re a Springsteen fan or not.

2: Elton John: ‘Me’ (2019)

Elton John’s Me is a witty and self-effacing autobiography that traces the life of one of Britain’s greatest songwriters. Covering decades of John’s emotional ups and downs, the book offers revealing accounts of his drug addiction, his troubled love life and his struggle to come to terms with his sexuality, as well as his career as a celebrated singer-songwriter. With behind-the-scenes stories about how some of his best-loved songs were written, John speaks most profoundly about the impact fame has had on him, and Me explores themes such as loneliness and depression to great effect. A companion piece to the 2019 biopic Rocketman , starring Taron Egerton, Me does wonders in capturing the essence of Elton John.

1: Anthony Kiedis: ‘Scar Tissue’ (2004)

Anthony Kiedis’ memoir, Scar Tissue , is a revealing and no-holds-barred account of the Red Hot Chili Peppers frontman’s life. Following Kiedis through both tremendous career success and deep personal pain, readers will discover the highs and lows of a life lived on the edge – expect rampant substance abuse, wild sexual escapades, broken relationships and many other extreme experiences. Kiedis writes candidly about his struggles with addiction as well as his spiritual journey to sobriety while balancing his personal life with the demands of being in one of the best 90s bands . Kiedis also shares stories from his unconventional childhood growing up in Los Angeles, where fame was always nearby – he even recounts once being babysat by Sonny And Cher. In the end, Scar Tissue is a heartbreaking yet ultimately uplifting read, as Kiedis eventually finds peace through self-acceptance and redemption. And that’s why it tops our list of the best rock autobiographies.

Now check out the best music biographies .

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Music & Drama » Music » Rock

The best books on rock music, recommended by peter lawlor.

Successful musicians don't necessarily need formal training or 10,000 hours of practice under their belt; what they must have is a feel for music, an innate gift. But many of rock's brightest burning stars were lost to drugs. Here, Peter Lawlor —who combined a career as a senior economic advisor with that of an award-winning songwriter, producer and record label executive—selects five of the best books on rock music, focusing on revelatory biographies that peer behind the veil.

Interview by Nigel Warburton

Nico: The End by James Young

To Hell and Back: My Life in Johnny Thunders' Heartbreakers by Walter Lure

The Life & Times of Malcolm McLaren: The Biography by Paul Gorman

Life: Keith Richards by Keith Richards

Girl in a Band: A Memoir by Kim Gordon

1 Nico: The End by James Young

2 to hell and back: my life in johnny thunders' heartbreakers by walter lure, 3 the life & times of malcolm mclaren: the biography by paul gorman, 4 life: keith richards by keith richards, 5 girl in a band: a memoir by kim gordon.

C ould you say something about your relationship with music? You’re now an economic advisor. It might not be obvious to people who know you in that role why you are selecting books on rock and roll.

Well, I’ve been a musician since childhood but I did PPE at Oxford. When I was at Oxford, I started a little recording studio business— just an eight-track. Through that, I got to meet Trevor Horn and Jill Sinclair, and through them, Frankie Goes to Hollywood, Yes, The Pet Shop Boys, and so on. Trevor was my absolute hero, he’s one of the greatest producers of all time. I already wanted to get into production, and seeing him at work only sharpened that desire. But the sensible world called; I got a job offer on Wall Street, which was un-turn-downable. So off I went to work for Salomon Brothers as a trader in New York.

However, when I was over there, my dad died, and I had to come back to look after my mother. I carried on working for Salomon in London for a while, but it was impossible to concentrate. So I thought, I know: I’ll start a production company based around a high-end recording studio.

“I see a very strong analogy between the philosophy of science and certain aspects of music”

I was a kid. I was 24 and I didn’t know what I was doing. The first few years were very bleak. It was, at best, a hand-to-mouth existence. Fortunately for me, it started to go well, and then really took off. I ended up owning a record label which in 1994 had the third highest turnover of any UK label. I then sold various IP assets to Virgin and Warners but carried on working in the business. I wrote or produced for Adam and the Ants, Hamish Stuart and Blair Cunningham from Paul McCartney’s band, Viv Stanshall, Squeeze… loads of others. I worked with Sir George Martin, and in a live capacity, I also got to work with Robert Plant, Tom Jones, Paul Weller and many others.

My production company also did a lot of film and TV music, and we gradually built up an amazing roster of composers including Barrington Pheloung (who wrote the Inspector Morse theme); Robert Lockhart ( Distant Voices, Still Lives ), Mark Russell ( Cold Feet ), Mark’s brother Simon ( The 911 Faker ), and Alex Heffes ( Last King of Scotland  and Mandela: Long Road to Freedom ). I co-wrote with the guys or just produced and engineered their stuff. I personally wrote things like the main BBC 1 idents; the worldwide Premier League theme, the World Service; and the BBC Olympic Games theme. We also did a ton of high-end commercials, up to eleven a week, including five Levis commercials over the years. The song I wrote from one of these, ‘Inside’ , got to number one in the British charts. I’d put a fake band around that and the subsequent album—which I had to write and record very quickly—turned out to be the highest-selling British album in the world that year.

And this is not just as a producer; you were fully involved as a composer and a musician as well.

On ‘Inside’? Yes, I wrote and played everything on the track. I didn’t do the lead vocals, that was a guy that came to us through an ad in Melody Maker , and of course, I hired a choir, the Ambrosian Choir, to sing the opening section.

It’s almost as if you’ve had two careers.

I guess so. I never stopped reading and thinking about economics and I’d kept in touch with friends in the City. I gave informal economic advice to people I knew; pretty informal meetings with friends at places such as Goldman or UBS. These began to solidify and gradually become more formal. There were a few job offers, and finally, I was offered the position of chief economist at the German Stock Exchange, Deutsche Börse, which was too much of a big deal to say no to. So off I went.

I had to let the music slide for a few years because Deutsche Börse was so full-on. I was in Frankfurt a lot. But then I left the German stock exchange and am currently in the process of resurrecting the label.

Are these two activities completely distinct? Or is there some kind of symmetry in what you are doing?

A superb philosopher’s question! I think there are many parallels and a great deal of symbiosis. For one thing, being in the deep end of the music business provides a magnifying glass on human behaviour—you see all sorts of strange behaviour—and that can be very translatable to economics. Secondly, I’ve always been very interested in the philosophy of science . I’d go so far as to say an economist without a solid grounding in the philosophy of science is at sea; liable to fall into all sorts of traps.

Anyway, I see a very strong analogy between the philosophy of science and certain aspects of music. For example: take a simple, say, four-note melody. Is it any good? Well, that depends on the chord sequence behind it. I see that as a precise analogue for the relationship between data and theory; theory without data is empty, and data without theory is meaningless.

And there are also similarities in such things as ‘underdetermination’, or in the process of seeing things through paradigms… that’s second nature to people in music. The paradigm thing—if you’re working with, say, a musician who’s only worked in classical music, they’re probably going to get rock very wrong, and vice-versa. That’s because the genre you work in actually comes to determine the way you hear music; it determines the rules for what sounds good. This is precisely equivalent to the way a prior theory determines what data count as evidence. This kind of thing is second nature to a lot of people in music. Whereas if you’re not in music, it can be counter-intuitive. It takes a lot of intellectual heavy lifting to free yourself from misconceptions such as the idea that ‘evidence’ is an objective category, theory-free category, which of course it isn’t.

At a simpler level, there’s an obsession with form, an obsession with patterns.

Let’s get to your five rock book choices. Your first is a book about Nico by James Young, Nico: the End.  Could you start by saying briefly who Nico was?

Nico was a very successful German model. She was a feature in the Andy Warhol Factory scene, and then Warhol put her in the Velvet Underground. Which was a strange move, and perhaps not altogether successful. However, John Cale, who I think it’s safe to say was the musical brains of the Underground, made some absolutely magnificent albums with her. If you don’t know The Marble Index , I recommend it, it’s an absolute masterpiece. Nico was without musical training but I think she had an extraordinary musical gift; I reject that ‘all you have to do to be good is to practice for 10,000 hours’ idea, it couldn’t be more wrong.

You think that some people have it and some people don’t?

Just like, say, athletics. I mean, you have to work at it too. But if the musical gift isn’t there, it makes no difference how hard you work.

We used to be inundated with tapes from hopefuls. Sadly the overwhelming majority weren’t any good at all. I eventually came to the conclusion that the kindest thing to say was: ‘don’t sacrifice your life to this.’ It’s a harsh thing to say, but it can save people. I know people well into their fifties who are still chasing the musical dream, it’s tragic.

However, you have to be very careful, because you’re playing with people’s identities and as the all too familiar story of Dick Rowe warns us, we may be convinced that a band or a piece of music has no potential and be absolutely wrong . Dick Rowe, for anyone who doesn’t know, was the guy at Decca who in 1962 turned down The Beatles with the phrase that haunted him for the rest of his life: “Guitar groups are on their way out, Mr Epstein.”

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Yet it’s bizarrely common to come across people who think they’ve done something incredible, when they’ve just come up with a straightforward three-chord sequence. They genuinely think they’ve revolutionised music. A tragi-comic case was a guy who signed to our label. He went on to do quite high-profile stuff, so I’m not going to say who it was, but he came to me with his new song. This song had the melody from Duran Duran’s song ‘Ordinary Day’. He’d even chosen an almost identical title for ‘his’ song. The extraordinary thing was that he genuinely wasn’t aware. He’d somehow managed to fool himself. Very strange.

Let’s get back to Nico.

One of the guiding principles I set myself for these recommendations was that you don’t have to be a fan of the artist in order to find the book interesting. I say that now because Nico’s music isn’t to everyone’s taste. Anyway, the book was written by a guy called James Young; a member of Nico’s band. I was introduced to James at a party in the 1990s by my much-missed friend Robert Sandall. At the time I’d only vaguely heard of Nico really. But Robert told me it was an incredible book, so I got it and he was correct, it’s quite brilliant. It is, it has to be said, very dark. James manages to place the reader in the middle of the visceral squalor that surrounds heroin addiction. It’s not an easy read, but it’s brilliantly written and fascinating.

It covers the extreme trials of touring with Nico. There are lots of colourful characters, and then he covers the making of the album. Unfortunately, in my view, the album, Camera Obscura, isn’t all that great. It suffers from being made in 1985! Whereas the earlier albums were made with real instruments, this one relies on the then fashionable DX7 synth. At the time everyone thought… and I include myself in this… that it was the most amazing thing. But its sounds dated very quickly. Sound dates faster than humour.

But this book isn’t about Nico at her height. It’s about the decline, her final year.

Yes, it’s the period leading up to her death.

It was written after her death?

Is it a book she would have been pleased to see?

I don’t think anything pleased her very much. A junkie’s personality is gradually subsumed by their habit; eventually, they pretty much become a zombie; caring about nothing except for their next hit.

Nico had a pretty tough early life. Born just before the second world war, her father was in the German army but somehow fell from grace and, according to some accounts, was sent to a concentration camp where he was shot. Post-war Germany was a very difficult place to be. She was abused, and in her teens, raped by an American soldier. There’s a story that Nico had to give evidence at the soldier’s court martial, a court martial which led to his execution. However, as is so often the case in Nico’s life, it’s extremely difficult to separate fact from fiction.

Regardless, when you hear the early albums she did with Cale you realise she had real talent. As you say, the book is about decline, it’s about decadence, it’s about the tedium of being on tour. Being on tour, by the way, is extraordinarily tedious. If you want to know what being on tour is like, go and sit in an airport for three hours every day for three months: that’s what it’s like. I think that’s why it so often leads to drugs; people are very, very bored.

Your next book choice is Walter Lure’s To Hell and Back .

I’m a big fan of this one. Walter was one of Johnny Thunders’ Heartbreakers. Do you know anything about that band? They emerged from the ashes of the legendary New York Dolls. For a brief period, Malcolm McLaren was the Dolls’ manager. It was the first band he’d ever managed, so he was very much learning on the job and, naturally enough, made some terrible mistakes. Anyway, the Dolls had a troubled history, during their first UK tour in 1972, their 21-year-old drummer, Billy Murcia, died at a party in Hammersmith. He is ‘Billy Dolls’ in Bowie’s song ‘Time’ by the way. Billy was replaced by Jerry Nolan, and it was Jerry that introduced the band to Heroin. Nolan and the band’s guitarist Johnny Thunders became inseparable friends and when the Dolls imploded in 1975, Nolan and Thunders teamed up with Richard Hell from the band Television, and our hero Walter to form an underground supergroup: The Heartbreakers. By the way, Tom Petty and the Heartbreakers has nothing to do with this Heartbreakers.

“If you want to know what being on tour is like, go and sit in an airport for three hours every day for three months”

Walter played the guitar and sang. In the autumn of 1976, The Heartbreakers came over to the UK to take part in the infamous Anarchy tour—together with the Sex Pistols, The Damned, and The Clash.

In the book, Walter gives us a great account of arriving at Heathrow and being met by a desperate Malcolm McLaren a matter of hours after the Bill Grundy Today show, the notorious television interview with The Sex Pistols.

That was the show that generated all the publicity wasn’t it?

Precisely so. Grundy was an old-school broadcaster, and he really didn’t want this bunch of urchins on his show. The truth of it is that it really wasn’t the right show for the band to be on from any perspective. Getting the band on the show shouldn’t have worked at all…it was an example of McLaren’s naive cluelessness. Anyway, Grundy seemed to be very drunk and continually goaded the band. At one point, and very much under his breath, John Lydon (AKA Johnny Rotten) said in response to a question: ‘That’s their tough shit’. This would have gone completely unnoticed had not Grundy drawn attention to it—remember, this was live television— Looking at Rotten, Grundy asked “What did you say?” Rotten was clearly embarrassed and said ‘Nothing, a rude word.’ and tried to move on, but Grundy was having none of it and said: “What was the rude word?” to which Johnny, looking like a naughty schoolboy, was forced to say ‘shit’ directly into camera. Then Siouxsie Sioux started to flirt with Grundy, who flirted back. Now, the impossible to intimidate Steve Jones looked at Grundy and said “You dirty fucker.”

All this made the headlines, not just the next day but for about two weeks. Overnight the Sex Pistols were transformed from an up and coming underground band into the most famous band in the country.

Now, here’s where Walter Lure’s account is interesting. Malcolm McLaren, who we’re going to get onto later, always made out that he’d set the whole thing up; that it had all gone to plan; the brilliant work of a great PR mastermind, i.e. him.

He was the kind of guy who wanted to take credit where it wasn’t due?

As we shall see. Walter tells us that when the Heartbreakers arrived at Heathrow, McLaren was a babbling wreck. He kept saying, ‘They’ve ruined everything, they’ve ruined their chances.’ It was only some time during the following day that Malcolm saw the negative publicity as an opportunity. What he was in fact was a great post-rationaliser!

Returning to the Heartbreakers, Johnny Thunders is worth knowing about. In the Punk pantheon, Thunders has a Lennon-like stature. He was the star of the scene. He must have had an incredible personal magnetism, but I don’t think that really comes across on film. People used to say he was a great guitar player… he really wasn’t, not by any stretch of the imagination. The Heartbreaker’s music was pretty shambolic and their one and only studio album, L.A.M.F. was poorly recorded but very influential nevertheless.

By the way, a couple of years later, the chaos which always surrounded Thunders turned the sessions for his solo album, So Alone , into such a drug-fuelled mess that Peter Perrett, at the time a man famously deep in the throes of heroin addiction, was considered to be the most together person present. However, on that album is a classic track, ‘You Can’t Put Your Arms Around a Memory.’ That’s an amazing song.

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Walter and The Heartbreakers stayed in the UK for about two years. They kind of got stuck here. Johnny Thunders and Jerry Nolan both had terrible, long-standing smack habits. Shockingly, when Walter first joined the band his induction ritual was to be shot up by Jerry. He’d never taken heroin before, but now, he too became a junkie and the band moved into a squalid basement flat in Pimlico getting off their faces all day and playing gigs at night. They were in the position of being extraordinarily famous in the underground but making very little money.

For most of the band, the endgame was always inevitable: Johnny Thunders limped on through a heroin haze until April 1991, when he died in slightly mysterious circumstances in New Orleans. A few months later, Jerry too was dead. Walter, on the other hand, managed to get off the smack. So it’s a redemption story, the complete opposite of Nico. What happened next is quite extraordinary: Walter got a job on Wall Street and ended up running a corporate brokerage. A very articulate guy, very self-effacing. Unfortunately, he died last year. I never met Walter, I wish I had.

This book is really something because of that redemption story. It’s fantastic. It’s very well written and the way he managed to turn his life around makes it very uplifting.

It’s quite surprising. There isn’t usually redemption in these rock stories, sadly.

No. Heroin is a dangerous thing to touch. Sid Vicious was 21 when he died. Nancy was only 20. I think people forget they were just kids.

In that case, they did seem to be heading that way. It doesn’t look like they were looking to live to 70.

Let’s move onto the third rock music book you’ve chosen to highlight. Paul Gorman’s biography The Life and Times of Malcolm McLaren.

Malcolm was someone I knew. What I would say about Malcolm is that he was absolutely mesmerising company. Mesmerising. He was an extraordinary storyteller, who would draw you in. It was like being around the campfire with an elder telling stories: first-hand accounts of an extraordinary life.

His upbringing was disturbed and disturbing. He was an art student and somehow seems to have played a major role in the LSE riots in the late 1960s. He then moved into the fashion trade. He had a shop on the King’s Road, the name and identity of which changed multiple times: Let it Rock; Too Fast to Live, Too Young to Die; Sex (which is where the name Sex Pistols came from); Seditionaries; and then World’s End.

Malcolm’s founding idea for the Pistols was straightforward and simple: he wanted to do a sort of Bay City Rollers, but with cooler clothes. You remember the Bay City Rollers? Shang-a-Lang, Bye Bye Baby? The band wore a sort of uniform; shortened trousers, caps, lots of tartan … and their legions of fans dressed in the same gear, tartan clothing became very big business. That’s what impressed Malcolm most. The Rollers had great pop songs. I wonder if you’re aware that Dee Dee Ramone was a big fan of the Rollers? He based the “Hey-Ho, Let’s Go” thing in Blitzkrieg Bop on the Roller’s song Saturday Night… but Malcolm had no real interest in the music. For him, image was paramount, image led to sales. He wanted to create a cool version of The Rollers. The idea being that he and his partner, Vivienne Westwood would style the band in order to drive sales of the clothes they designed.

Malcolm’s shop was a social hub…it’s where he first met the New York Dolls. Lots of people were hanging out there. Steve Jones, Paul Cook were always going there. Steve, of course, was trying to steal things, a self-confessed kleptomaniac. Glen Matlock was given a job as a Saturday boy at the shop. The three Johns: Lydon, Beverley (Sid Vicious), and Wardle (Jah Wobble) were a fixture. Chrissie Hynde was always there too. My buddy Marco Pirroni was a regular. It became an extraordinary meeting point for people and of course, it was from this crowd that Malcolm put the band together.

“Malcolm McLaren had no real interest in the music. For him, image was paramount, image led to sales”

So, Malcolm’s idea was to get a band together that would act as a vehicle to sell his clothes. But by one of those strange quirks of fate, the band turned out to be fantastic. You know, I don’t think Malcolm was ever able to understand that. I think he went to his grave thinking they couldn’t really play, but Steve was, and is, a great guitar player, Johnny is a superb lyricist and one of the best frontmen in the history of rock. Glen was a really good songwriter. Glen later left to be replaced by Sid Vicious—who looked great but couldn’t play at all. I think it’s fair to say that the Pistols’ days as a proper band ended when Glen left and Sid joined. At that point, they became a cartoon band.

Paul Gorman’s biography is magnificent: Malcolm was many-sided; mercurial. He was an extraordinarily charismatic person, and despite his many flaws, there was something very special about him. Some people have said that Gorman takes McLaren at his own word too much. Maybe, maybe not, but it’s one of the best biographies I’ve ever read. It’s unputdownable.

Do you get a feeling from Malcolm from it?

I’m not sure you do. I’m not sure you could. With most people, I think we could give a reasonable description of them which would be more or less accurate. With Malcolm, I could only say this is the Malcolm that I came across. Adam Ant always said that Malcolm was a genius, a fountain that sprayed out brilliant ideas. But he had no clue about implementation. He needed someone to enact the ideas for him.

Would you say he was chameleon-like? Or that he had many different facets, regardless of who was in front?

I think he actually became a different person depending upon circumstance. I’d run into Malcolm a few times down the years, but in the late 1990s he came to see us in our studio in Primrose Hill, he wanted to sign to our production company. He and I spent about three hours together, chatting away. So far as I was concerned, he was my new best friend. However, a few days later, I was walking down Erskine Road in Primrose Hill and saw Malcolm coming the other with a friend of mine, the promoter Rob Hallett. I said, “Hello Malcolm.” Rob said, “Oh, do you two know each other?”

Without even looking at me, Malcolm said, “No.” I never knew whether he’d genuinely forgotten me or whether it was because I’d decided not to sign him to my publishing company.

You know what? I’m making myself sound cleverer than I really am. In truth, I would have signed him. I was completely mesmerised by Malcolm, but Tessa—my wife, the managing director of the publishing company and, by the way, a far more sensible person than me—said we’d be crazy to sign him, he was trouble. And she was right. He fell out with everyone he worked with, and he was forever in litigation.

Now, you asked me whether Malcolm was the kind of guy who took credit for other people’s work. I think it’s difficult to avoid that conclusion. Hugh Hudson directed a classic British Airways commercial for which McLaren created a soundtrack, or at least was credited with creating the soundtrack. Remember that big one in about 1989? Really big news. They used a version of the Flower Duet from the Delibes opera Lakmé , but with a backbeat. It was a great success. However, there’s no way in the world that Malcolm could have come up with that arrangement, he simply didn’t have the ability.

After the success of the commercial, Malcolm decided he’d invented a brilliant new musical genre: Opera House. He made or at least was in some way involved in a pretty terrible record of that name. With the awful ‘we love opera house’ chant at the beginning. I’m sure the idea for that chant genuinely was Malcolm’s. Clueless. But the fact is that sometimes cluelessness works because let’s face it, only a clueless person would come up with the idea of creating a cool Bay City Rollers.

Punk didn’t really work in the way Malcolm had hoped. The culture which emerged was very much do-it-yourself. His designs were copied and he didn’t make the grand fortune he’d hoped. And then he made that ridiculous film, The Great Rock and Roll Swindle. But all this illustrates something very important about the music business. It’s what you do with what turns up that defines success or failure, and Malcolm was sometimes very good and dealing with what turned up!

So are you saying he just got lucky, or that he had the touch of genius?

I actually think it’s a touch of genius. With the Pistols, as we were discussing earlier, the Grundy show was the sine qua non of their success. That wasn’t planned. Malcolm used to make out it was a plan, but that simply wasn’t true. According to Malcolm’s original plan, it had gone badly wrong. For some reason, the press picked up on “the Filth and the Fury” and overnight they became the epitome of bad boy rock. Malcolm was clever enough to ride the storm.

If he was trying to recreate the Bay City Rollers, where did the anarchism come from? That was an art school thing, wasn’t it?

Completely. He had some vague understanding of Situationism, but as I say, the core of the idea was nothing more than getting his clothes on a successful band and then selling them by the shedload. That didn’t really work because the punks made their own stuff. And the anarchy talk… well I don’t think anyone really thought about it very deeply. It was just a cool thing to say, and it had a nice symbol that was easy to spray on walls.

Your next rock music book recommendation is Keith Richards’ biography  Life .

Right. This was recommended to me by my old mate, the top drummer Simon Lea. Simon has played with lots of big names, people like Dionne Warwick, Nicole Scherzinger, and… Ronnie Wood. I think it might have been playing with Ronnie that led him to Keith’s book. I’m not a particular Stones fan, but this is great stuff. It’s a big book, a great book. And once again, there are a lot of drugs. Fortunately, Keith managed to get off the smack in the end. It’s an extraordinary story. As was the case with The Beatles, the Stones came from very ordinary backgrounds, and suddenly they’re the coolest people around and everyone wants to know them. They’re suddenly hanging out with the cream of Bohemian aristocratic society and taking it all in their stride. And they managed not to lose themselves; to maintain who they are. I find that extraordinary and impressive.

I say that because, in my experience with the label, it was a very common thing to see someone go on Top of the Pops for the first time and come back thinking they were really important. Did I ever tell you about the guy who sulked with me for months because I wouldn’t ok a taxi from Elstree to Edinburgh? He thought he was way too important for public transport! Apparently, Brian Jones went down that kind of road too. Two TV shows and he became insufferable. But Keith is a person you want to spend time with. He’s not like any person I’ve ever met. There’s the junkie side to him, but there’s a fearlessness—like from another century, he’s like a sort of brigand. The world doesn’t seem able to touch him, he just glides down the sides. His life is extraordinary.

And he is really into the music. He came across a five-string guitar technique—tuning a bottom A, then GDGBD—all the Stones stuff is played that way. And he was very open. He said something really interesting about reggae music—that you can explain a lot of it by the fact that you’ve only got two types of American radio in Jamaica: country music and New Orleans . He said reggae is an exact fusion of country melodies with a New Orleans groove. The guy really knows what he’s doing.

It’s a bizarre story. There are a lot of casualties, a lot of people die. But he really is a pirate. How the hell is he alive? He once stayed up for nine days. Nine days. How? In another story, which I thought was hilarious, he was working in a studio in France. Famously he hardly ever sleeps. Eventually, after a few days, he fell asleep under the mixing desk, and woke up the next day—or probably the next day, he doesn’t know—to see from his vantage point under the mixing desk, lots of legs in the control room. These legs, it turned out, belonged to the Parisian police brass band who were making a charity record.

So, Keith is asleep under the mixing desk with a syringe and heroin paraphernalia. I mean, what do you do? Well, he just wrapped it all up, crawled out and said ‘excuse me gents’ and walked through them and out of the door. There are a lot of laugh out loud incidents here. But there’s terrible tragedy too. He lost a child. It’s quite dark. It’s not redemptive in the way Walter’s story is, but he did at least get off the dope.

With all these books, there’s been an extraordinary character at the centre. Do you need to know the backstory to appreciate the music?

I think maybe you listen more sympathetically when you know what’s going on. But a good song is a good song and a crap song is a crap song, regardless of who wrote it. If John Lennon’s mother hadn’t been killed, would that change the quality of his music? It might have changed what he wrote, I suppose, but I don’t know. You might say something about the immediacy of a singer’s voice: it can communicate all kinds of things about their past.

If you think of someone like Amy Winehouse, you can hear she’s sincere, you don’t have to be told that. But if you have a few more details, it makes it easier to believe that she’s singing from the heart and not from the song sheet.

However, some people sound sincere even when they aren’t. In fact, that’s the mark of a great singer. The late philosopher Roger Scruton loved REM’s ‘Losing My Religion’. As you know, Michael Stipe has a superb voice that always sounds sincere. Everything he sings sounds important and meaningful. Roger really didn’t like pop music, but he loved ‘Losing My Religion’. He mentioned it to me when we were having lunch just over the road there at Quod. I asked: “Do you know what that song’s about Roger?”

The last book on rock music you’ve chosen to recommend is Kim Gordon’s Girl in a Band .

Kim was the bass player in Sonic Youth. Sonic Youth were a very innovative band that came out of the New York, ‘No Wave’ scene. In all honesty, Kim Gordon used to slightly annoy me, I always found her a bit humourless and pretentious. She was much older when I was on the scene, she was about 40 when touring with Nirvana. However, I think to her chagrin, she was always very elegant, and very beautiful. She’d try her best to punk herself up but in truth, she always looked like she worked for McKinsey.

Initially, I didn’t get Sonic Youth at all. That was my failing; I was too narrow-minded. Sonic Youth were very innovative, some of their stuff is fantastic. And the story behind all this, the story she tells in her book, is really interesting. The book has changed my opinion of Kim completely.

When she was growing up, she had an older brother who had incipient severe mental health problems. They weren’t understood at the time, but he was a paranoid schizophrenic. He gave her a hard time, a really hard time. She was always trying to prove herself to him. This is the root of why I thought she wanted to be cool at any cost, which I didn’t like. Genuinely cool people don’t care if they’re cool or not, or at least learn to give the impression that they don’t care. But with Kim, it was clear that image was very important. I suspect her art background was probably a factor…

Together with her boyfriend Thurston Moore, she formed Sonic Youth. I think even more than is usually the case, this band and her relationship with Thurston constituted her whole identity. Kim and Thurston had a child and then moved from New York out to the country, where they were treated a bit like they’d arrived from Mars. Kim, of course, knew everyone in the New York scene. Her take on The Heartbreakers was that they were just washed up junkies, that they were useless. Which is probably a lot more accurate than the ‘second coming’ stuff you get on the band.

“The late philosopher Roger Scruton loved REM’s ‘Losing My Religion’”

Anyway, the tragedy came when Kim discovered Thurston had been having an affair, an affair he wasn’t really prepared to end. They separated personally and split the band, and it broke her to pieces. Her entire identity was destroyed. It’s a searingly honest book. She can really write.

The book ends on a reasonably up note: Kim seems to have found herself again, and gone back to the art scene, and there is some happiness there. But the whole setup—from the relationship with the brother, through wanting to be cool, wanting to be less middle class, getting with this ultra-cool band—Kurt was a huge fan of Sonic Youth—and then the whole thing turned out to be unsupported; a house of cards.

It’s a tragic and brutally honest book, but brilliantly, brilliantly written.

April 6, 2022

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Peter Lawlor

Peter Lawlor was the principal economic advisor to the German Stock Exchange (Deutsche Börse), and founded the successful UK record label White Water Records. His company Water Music Productions has won many awards including a Bafta, six Cannes Golds and numerous gold and silver discs; its clients have included the English Premier League, the Sydney Olympic Games, the BBC, Levi's Jeans, Vodafone, Coca-Cola and British Airways.

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Iconic bassist and co-founder of the immortal Red Hot Chili Peppers finally tells his fascinating life story, complete with all the dizzying highs and the gutter lows you'd expect from an LA street rat turned world-famous rock star....

Flea gets it right...

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60 Best Books About Musicians – Guitarist Biographies

Let’s talk books! I’ve been busy devouring famous musician biographies over the past few months – guitarists in particular. In fact, it has almost become an addiction – my Amazon wishlist of books about musicians has grown way out of control!

Some are hilarious, others are shocking, most are inspirational and/or motivational. Almost always you’ll gain valuable knowledge and insights that will lead to you becoming a better guitarist/musician yourself.

Books About Musicians Every Guitarist Should Read

In light of my recent addiction, I decided to raid my wishlist and put together this list of some of the best famous musician biographies, autobiographies, diaries and memoirs. I’m not going to pretend that I’ve read all sixty of these, but I certainly plan to! How many have you bagged?

This list of musician biographies is arranged alphabetically by first name. Links to each books about musicians have been provided so that you can easily grab your own copy.

I purposely didn’t include any band biographies as I wanted this list to be for individual musician memoirs only. Maybe we’ll do bands next!

1. B.B King – Blues All Around Me

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In B.B. King’s Blues All Around Me , we dive into the soul-stirring world of a blues legend, where every chord tells a story and every riff bears an emotion. B.B. King, with his trusty Lucille by his side, unfolds a journey that’s as deep and rich as the blues itself, taking us from his humble beginnings to towering heights of musical mastery.

It’s a raw, unfiltered glimpse into the man behind the music, showcasing his triumphs, heartaches, and the relentless pursuit of his craft.

2. Bob Dylan – Chronicles

“Bob Dylan – Chronicles ” takes us on a wild ride through the kaleidoscopic journey of a music icon who’s always danced to the beat of his own drum. With Dylan at the wheel, we zigzag through the defining moments of his career, from the gritty streets of New York to the spotlight’s blinding glare, all while keeping it real with anecdotes that feel like you’re kicking back with Bob himself.

It’s part memoir, part stream of consciousness, and all Dylan, packed with insights and reflections that only he could deliver.

3. Brad Paisley – Diary of a Player

“Brad Paisley – Diary of a Player ” strums its way into your heart, charting the journey of a guitar-slinging kid who dreamed big and ended up living those dreams. It’s like sitting down with Brad himself on a cozy porch, guitars in hand, as he shares the licks, laughs, and life lessons that shaped him into the country music titan he is today.

This book is a backstage pass to the highs, lows, and twangy tunes of Paisley’s life, peppered with wisdom from the guitar gods who guided him. It’s an ode to the six-string and a heartfelt thank-you note to the art that gave his life melody and meaning.

4. Brian ‘Head’ Welch – Save Me From Myself

“Brian ‘Head’ Welch – Save Me From Myself ” dives headfirst into the mosh pit of life, recounting the turbulent journey of a rock star who hit the brakes before the cliff edge. Welch takes us on a backstage tour of his rise with Korn, only to reveal the shadows that lurk behind the spotlight—addiction, despair, and a soul-searching quest for peace.

It’s like chilling with Welch in a dimly lit room, as he shares the raw, unvarnished truth of his fight to find redemption and a higher calling beyond the screams and guitar riffs. This book isn’t just a memoir; it’s a lifeline thrown into the stormy seas of fame, proving that even the wildest hearts can find their way home.

5. Bruce Springsteen – Born to Run

In “Bruce Springsteen – Born to Run ,” the Boss himself takes us for a spin down the backstreets of his life, revving through the early days in Jersey bars to the dizzying heights of global stardom. It’s like Springsteen’s strumming the soundtrack of his own story, with each chapter a new track that gets you tapping your feet or nodding in reflection.

This book isn’t just a memoir; it’s a heart-to-heart with one of rock’s most enduring icons, offering a glimpse into the dreams, battles, and behind-the-scenes moments that shaped him.

6. Buddy Guy – When I Left Home

“Buddy Guy – When I Left Home ” strings you along on a blues-infused journey from the cotton fields of Louisiana to the electric buzz of Chicago’s legendary blues scene. It’s like sitting down in a smoky club, listening to Guy himself recount tales of his ascent in the world of blues, rubbing shoulders with the likes of Muddy Waters and Eric Clapton.

This book isn’t just a memoir; it’s a deep dive into the soul of the blues, seen through the eyes of a man who lived it, loved it, and helped shape it. Every page thrums with the passion, pain, and raw talent of a true guitar hero, inviting you to feel every note of his storied career.

7. Carlos Santana – The Universal Tone

“Carlos Santana – The Universal Tone ” takes you on a kaleidoscopic journey through the life of a guitar legend whose strings resonated with the soul of the world. It’s like Santana is riffing right next to you, sharing the symphony of his life—from the vibrant streets of Tijuana to the psychedelic stages of Woodstock.

This book is a soulful melody of spirituality, music, and the universal search for harmony, all seen through the eyes of a man whose guitar could speak the language of the heart. Each chapter pulsates with the rhythms of jazz, rock, and Latin beats, painting a portrait of an artist whose music transcended boundaries and touched the universal soul.

8. Chuck Berry – Brown Eyed Handsome Man

“Chuck Berry – Brown Eyed Handsome Man ” struts through the life of the rock ‘n’ roll pioneer with the same swagger and rhythm that Berry brought to the stage. It’s like hopping in a Cadillac with Chuck himself, cruising down the highways of his storied career, from the dingy bars of St. Louis to the bright lights of fame.

This book lays down the soundtrack of a musical revolution, with Berry’s guitar licks and lyrical wit front and center, showcasing the man who could make a guitar talk and audiences around the world listen. It’s an intimate jam session, revealing the triumphs and challenges of the man whose tunes shaped the beat of a generation.

9. Danny Gatton – Unfinished Business

“Danny Gatton – Unfinished Business ” strings you along on a journey with the guitar world’s unsung hero, whose fingers flew faster than the eye could follow. It’s like chilling in a dive bar, listening to tales of Gatton’s legendary licks and the notes he left hanging in the air, a testament to a talent that burned too bright and too fast.

This book isn’t just a biography; it’s a tribute to the man known as “The Telemaster,” whose eclectic blend of jazz, blues, rockabilly, and country left an indelible mark on the music world. Every page resonates with the melody of missed opportunities and the haunting beauty of what could have been, painting a portrait of a musician whose business with the guitar was truly unfinished.

10. Dave Grohl – Times Like His

“Dave Grohl – Times Like His ” drums up the beat of a life lived at full volume, charting the journey from a punk kid banging on pots and pans to the rock titan fronting the Foo Fighters. Grohl invites you to a backstage pass into his world, where every chord has a story, and every riff is a memory.

It’s a raw, uncut track of a memoir, full of heart, humor, and the kind of rock ‘n’ roll wisdom that can only come from a life well-lived on and off the stage.

11. Dave Mustaine – A Heavy Metal Memoir

“Dave Mustaine – A Heavy Metal Memoir ” cranks the volume to eleven, taking you on a headbanging journey through the life of Megadeth’s frontman, from his tumultuous departure from Metallica to the pinnacle of thrash metal glory. Mustaine doesn’t just share stories; he rips through the fabric of the heavy metal scene with the same ferocity as his guitar solos.

Reading this book is like being on tour with Mustaine himself, experiencing the chaos, creativity, and catharsis that fueled his rise to stardom. It’s an unapologetically raw and real look at the highs and lows of a rock legend, filled with enough sex, drugs, and rock ‘n’ roll to satisfy even the most hardcore fans.

12. Dimebag Darrell Abbott – Black Tooth Grin

“Dimebag Darrell Abbott – Black Tooth Grin ” rips through the strings of the late, great Pantera guitarist’s life, capturing the raw energy and unbridled passion that defined him. It’s like being in the pit at a Pantera show, feeling the power of Dimebag’s riffs and the warmth of his larger-than-life personality.

This book doesn’t just recount tales from the road; it dives deep into the heart and soul of a man whose life was a symphony of loud, fast, and heavy moments. It’s a tribute that’s as intense and unforgettable as Dimebag’s legacy, inviting fans and newcomers alike to headbang through the pages of his extraordinary life.

13. Don Felder – Heaven and Hell

“Don Felder – Heaven and Hell ” tunes you into the highs and lows of rock ‘n’ roll, straight from the strings of The Eagles’ former lead guitarist. Felder takes you on a rollercoaster ride through the glittering peaks and shadowy valleys of fame, with every chord striking a balance between the euphoria of creating timeless hits and the tumult of band conflicts.

It’s like grabbing a backstage pass to the inner workings of one of rock’s most legendary bands, all told with the candor and insight only Felder could provide. This memoir is a backstage jam session, filled with tales of music, mayhem, and the long road to finding harmony both on stage and off.

14. Duane Allman – Skydog

“Duane Allman – Skydog ” strings together the meteoric journey of the guitar virtuoso whose life was a lightning bolt in the world of rock and blues. With each page, you’re riding shotgun with Allman, cruising through the creation of the Allman Brothers Band, and diving headfirst into the soul-stirring solos that defined a generation.

This book is like a jam session with Duane himself, intimate and electrifying, revealing the man behind the legend—the triumphs, the tragedies, and the tracks that made him immortal. It’s a heartfelt tribute to a musician whose strings sang with the kind of passion and precision that comes once in a blue moon, inviting readers to feel the resonance of his legacy.

Related Post – The Best Slide Guitarists Of All Time !

15. Duff McKagan – It’s So Easy. And Other Lies

“Duff McKagan – It’s So Easy. And Other Lies ” is a rollercoaster ride through the life of one of rock’s most recognizable bassists, giving us the lowdown on the highs and lows of rock stardom. Duff spills the beans on the wild days with Guns N’ Roses, hitting rock bottom, and clawing his way back up.

It’s packed with jaw-dropping stories, yet it’s the journey of self-discovery and redemption that really grabs you. Peppered with wit, it’s like hanging out with Duff himself, except you’re diving into the pages of his life, no backstage pass needed.

16. Elvis – Last Train to Memphis

“Elvis – Last Train to Memphis ” takes you on a nostalgic ride back to the era of The King, Elvis Presley, before the glitz and the glam took over. It’s like cracking open a time capsule, uncovering the raw energy and ambition of a young Elvis, chasing dreams with a guitar and a truckload of charisma.

The book peels back the layers of fame to reveal the struggles and triumphs of rock ‘n’ roll’s most iconic figure. With a storytelling vibe that feels like swapping tales on a lazy, sun-soaked afternoon, it brings you face to face with the man behind the legend.

17. Eric Clapton – The Autobiography

“ Eric Clapton – The Autobiography ” dives headfirst into the turbulent waters of Slowhand’s life, pulling no punches. It’s a raw, honest look at Clapton’s journey through the highs of rock god status and the lows of personal demons and loss.

The book feels like a heart-to-heart with Clapton himself, as he lays bare his soul, sharing tales of love, music, and redemption. It’s as if you’re sitting across from him, a guitar leaning against the couch, while he recounts the wild ride of his life with a mix of regret, pride, and a dash of wisdom.

18. Fieldy – Got the Life

“Fieldy – Got the Life ” slams you into the pulsating heart of Korn’s bassist, Fieldy, as he recounts the dizzying ascent to fame and the dark descent that followed. It’s like a backstage pass to his soul, where the party never stops until it almost does, permanently .

With brutal honesty, Fieldy dishes on the chaos of addiction, the wake-up call that changed everything, and the path to redemption through faith. Reading it feels like catching up with an old friend who’s seen the edge, danced on it, and lived to tell the tale, all while keeping a rhythm that’s hard to forget.

19. Frank Zappa – The Real Frank Zappa Book

“Frank Zappa – The Real Frank Zappa Book ” is an off-the-rails journey into the mind of one of music’s most eccentric geniuses. It’s like sitting down for a coffee with Zappa himself, except the coffee’s spiked with a dose of pure, unadulterated Zappa philosophy.

The book zigzags through the surreal landscapes of Frank’s life, music, and unfiltered thoughts on everything under the sun (and some things possibly from another galaxy). It’s a wild, no-holds-barred tour of a truly unique spirit, served up with a side of sharp wit and an undercurrent of serious genius that makes you rethink the ordinary.

20. George Benson – The Autobiography

“ George Benson – The Autobiography ” strings you along on a melodious journey through the life of the guitar virtuoso himself, George Benson. It’s like sitting in on a private jam session where Benson narrates his rise from the gritty streets of Pittsburgh to the glittering stages of jazz and pop superstardom.

With each page, Benson plucks at the heartstrings, sharing the ups and downs, the hits and misses, and the soulful tunes of his life. It’s an intimate, groove-filled ride that lets you feel the passion and dedication of a man who truly lived to play, making it feel less like reading a book and more like listening to a long, soulful solo that you never want to end.

21. George Harrison – I Me Mine

“George Harrison – I Me Mine ” takes you on a groovy trip into the quiet Beatle’s mind, offering a rare glimpse behind the curtain of George Harrison’s life and soul. It’s like sitting down in a dimly lit room, incense burning, as George strums his guitar and shares the stories behind the songs, the spirituality, and the personal journeys that defined him.

Through his own words, you’re invited to explore the depths of Harrison’s thoughts on fame, faith, and the music that flowed through him like a mystical river. This book isn’t just a read; it’s an intimate conversation with a legend, making you feel like you’re part of a very exclusive, very laid-back hangout session.

22. Gregg Allman – My Cross to Bear

“Gregg Allman – My Cross to Bear ” throws you headfirst into the whirlwind life of one of rock’s true survivors. It’s like sitting at a dive bar with Allman himself, nursing a whiskey while he recounts the wild ride of founding The Allman Brothers Band, the music that set the world on fire, and the personal demons that nearly did the same to him.

With raw honesty and a gritty sense of humor, Gregg shares tales of love, loss, and redemption, all set against the backdrop of a changing America. Reading it feels like listening to a bluesy riff that echoes long after the last page is turned, leaving you feeling like you’ve just been part of something real, something raw, and undeniably authentic.

23. Jaco Pastorius – The Extraordinary and Tragic Life

“Jaco Pastorius – The Extraordinary and Tragic Life ” dives deep into the turbulent waters of the legendary bassist’s life, capturing the electric buzz of Jaco’s genius and the dark undercurrents that pulled him under. It’s like jamming backstage with Jaco himself, feeling every high of his groundbreaking musical highs and the crushing lows of his personal battles.

The book lays bare the soul of a man who redefined the possibilities of the bass guitar, yet couldn’t escape his own demons. Reading it, you’re on a rollercoaster ride of emotion, from awe at his talent to heartbreak at his downfall, all wrapped in a narrative that’s as compelling as one of Jaco’s own solos.

24. James Hetfield – So Let It Be Written

“James Hetfield – So Let It Be Written ” cranks up the volume on the life of Metallica’s frontman, giving you a front-row seat to the thrash metal revolution. It’s like cracking open Hetfield’s personal diary, revealing the man behind the growling vocals and riff-heavy guitar work.

The book charts the meteoric rise of Metallica, the battles with addiction, and Hetfield’s journey to find balance amidst the chaos of rock stardom. Reading it feels like hanging out in the studio with the band, absorbing the sweat, tears, and raw energy that fueled one of music’s most iconic acts.

25. Janis Joplin – Love Janis

“Janis Joplin – Love Janis ” serves up an intimate, heart-wrenching look at the wild soul of rock’s most unforgettable voice. It’s like flipping through a scrapbook Janis herself might have kept, filled with personal letters, reflections, and the raw, unvarnished truths of her life.

This book pulls you into Janis’s world, where love, pain, and music intertwine in a psychedelic tapestry of the 60s. Reading it feels like a late-night chat with Janis, under a sky full of stars, sharing dreams and fears in equal measure.

26. Hot Wired Guitar: The Life of Jeff Beck

“ Hot Wired Guitar: The Life of Jeff Beck ” strings you along on a riff-filled journey through the life of the guitar maestro himself. It’s like being on a long, winding road trip with Beck’s solos as the soundtrack, exploring every twist and turn of his groundbreaking career.

From the Yardbirds to his solo adventures, the book dives deep into the essence of Beck’s genius, his relentless pursuit of musical perfection, and his influence on rock and blues. Reading it feels like a backstage pass to the mind of a legend, offering a glimpse into the soul of a man who let his guitar do the talking, crafting sounds that still echo through the halls of rock history.

27. Jerry Garcia – An American Life

“Jerry Garcia – An American Life ” invites you on a psychedelic journey through the life of the Grateful Dead’s iconic frontman. It’s like drifting down a river of memories, each turn revealing a new facet of Garcia’s complex, colorful world.

From his early days in the San Francisco music scene to the Dead’s rise as counterculture heroes, the book paints a portrait of a man whose guitar could speak the language of the soul. Reading it feels like a long, strange trip filled with music, mayhem, and moments of transcendence, capturing the spirit of a man who lived his life in the pursuit of the next great jam.

28. Jimi Hendrix – Room Full of Mirrors

“Jimi Hendrix – Room Full of Mirrors ” cranks up the volume on the life of the guitar god, offering a kaleidoscopic view into the world of Jimi Hendrix . It’s like stepping into a Hendrix solo—colorful, explosive, and full of unexpected twists.

From his humble beginnings to becoming the emblem of rock’s psychedelic era, the book delves deep into the mysteries that surrounded his life and the genius that defined his music. Reading it feels like a backstage pass to Jimi’s world, where every page turns with the vibe of a late-night jam session, echoing with the sounds of a guitar legend who left us too soon.

29. Jimmy Page – Jimmy Page

Next up in our list of books about music is ‘ Jimmy ‘. Diving into this book is like strapping in for a wild ride with the mastermind behind Led Zeppelin’s thunderous riffs. It’s an intimate backstage tour of Page’s life, from his session musician days to Zeppelin’s stratospheric rise, and beyond.

The book lays down a track of stories filled with rock ‘n’ roll excess, groundbreaking music, and the mystical aura that seems to surround Page. Reading it feels like flipping through a vinyl collection of classic hits, each chapter a new record that drops the needle on the life of a rock legend, with all the backstage anecdotes and forbidden riffs you’d hope to find.

30. Joe Perry – Rocks: My Life In and Out of Aerosmith

“Joe Perry – Rocks: My Life In and Out of Aerosmith ” slingshots you into the heart of the rock ‘n’ roll storm that is Aerosmith, all from the perspective of its lead guitarist. It’s like sitting down with Perry himself, guitars leaning against the wall, as he dishes on the dizzying highs and gritty lows of rock stardom.

With a mix of raw honesty and cool detachment, Perry recounts the battles with bandmates, the love affair with music, and the personal demons he faced. Flipping through the pages feels like riffling through a jukebox of Aerosmith’s greatest hits, each story a track that plays back the soundtrack of a life lived at the edge of the stage lights.

31. Joe Satriani – Strange Beautiful Music

“Joe Satriani – Strange Beautiful Music ” takes you on a sonic journey through the strings of Satriani’s guitar, revealing the shred guitarist’s process, inspiration, and the evolution of his sound. It’s like floating through a galaxy of notes and melodies, where each chapter unveils a new planet of soundscapes crafted by the guitar guru himself.

Joe shares the stories behind his iconic tracks, the experimentation with gear, and the philosophical musings on music and life. Reading it feels like jamming with Satriani in his studio, where every riff and solo transports you to a world where music transcends the ordinary, painting the air with strange, beautiful sounds.

32. John Fogerty – Fortunate Son

Next up in this list of books about music is “John Fogerty – Fortunate Son “. This book rocks you through the tumultuous journey of the Creedence Clearwater Revival frontman, from the swamps of the Bayou to the pinnacle of rock fame. It’s like sitting on a porch swing, guitar in hand, as Fogerty recounts the battles with bandmates, the industry sharks, and the personal demons that accompanied his rise.

With a voice as clear and piercing as his signature riffs, John shares the inspirations behind his timeless hits and the cost of being a voice of a generation. Reading it feels like listening to a classic CCR album; every page resonates with the spirit of a man who rode the river of rock ‘n’ roll, weathering its storms to emerge, perhaps battered, but unbowed.

33. John Lennon – The Life

“ John Lennon – The Life ” pulls you into the whirlwind world of the Beatle who dared to imagine, exploring the depths of his genius, his flaws, and the contradictions that made him a legend. It’s like wandering through a gallery of Lennon’s mind, where each chapter is a different exhibit, revealing the layers behind the icon—his music, activism, and the personal battles that fueled his art.

With intimate anecdotes and insights, the book feels less like a biography and more like a long, revealing conversation with Lennon himself, set against the backdrop of a changing world. Reading it is a trip through the life of a man whose vision and voice continue to echo, challenging us to dream and think deeper.

34. Johnny Cash – Cash

“Johnny Cash – Cash ” is a deep dive into the Man in Black’s life, told with the raw honesty and gritty charm that defined his music. It’s like sitting across from Cash himself, in a dimly lit room, as he recounts the epic tales of his journey through fame, heartbreak, redemption, and the undying love for June.

With each page, you’re taken on a ride through the highs and lows, from the wild tours to the quiet moments of reflection, all underscored by his deep, resonant voice. Reading it feels like listening to one of his classic albums—each story a track that weaves the complex tapestry of a legend’s life, leaving you feeling like you’ve truly walked the line with Johnny Cash .

35. John Oates – Change of Seasons

Let’s continue our list of books about musicians with “John Oates – Change of Seasons “. This is a rhythmic journey through the life of one half of the iconic Hall & Oates duo, blending the soulful beats of music with the personal ebbs and flows of his life. It’s like sitting down with Oates in a cozy, dimly lit music room, as he shares the stories behind the hits, the tours, and the partnership that defined an era.

With each turn of the page, you’re treated to an intimate backstage pass to his triumphs, challenges, and the moments of clarity that shaped him. Reading it feels like strumming through a heartfelt melody of life, love, and the constant evolution of an artist who’s seen it all, yet remains open to the ever-changing seasons of life.

36. Keith Richards – Life

“Keith Richards – Life ” takes you on a wild ride with the legendary Rolling Stones guitarist, through the smoke-filled rooms of rock ‘n’ roll history. It’s like being on the ultimate backstage tour, where Richards, with his trademark candor and wit, shares the stories of the Stones’ meteoric rise, the mayhem, and the music that defined a generation.

The book is a no-holds-barred account of life in one of the world’s greatest bands, complete with battles, brotherhood, and a lot of guitar strings. Reading it feels like jamming with Richards late into the night, every chord and confession revealing the heart and soul of rock’s most infamous survivor.

37. Kurt Cobain – Heavier than Heaven

“Kurt Cobain – Heavier Than Heaven ” plunges into the turbulent waters of the Nirvana frontman’s life, capturing the raw intensity and haunting beauty of Cobain’s world. It’s like a backstage pass to the soul of the 90s grunge movement, offering a glimpse into Kurt’s creative genius and the demons that danced in the shadows.

Through a mix of personal anecdotes and vivid storytelling, the book paints a portrait of a man whose music echoed the angst and hopes of a generation. Reading it feels like flipping through a deeply personal album, each chapter a song that reveals more of the complex, passionate spirit of Kurt Cobain , leaving you feeling closer to the legend who burned too bright.

38. Lemmy Kilminster – White Line Fever

“Lemmy Kilminster – White Line Fever ” is an electrifying charge down the fast lane of the Motörhead frontman’s life, packed with the raw energy and unapologetic truth that defined Lemmy. It’s like sitting at the bar with the man himself, whisky in hand, as he recounts the wild ride of rock ‘n’ roll excess, groundbreaking music, and the relentless pursuit of freedom.

With a voice that’s as gritty and relentless as his bass lines, Lemmy shares tales of life on the edge, the creation of anthems that would define a genre, and the unyielding spirit of a true rock legend. Reading this musician book feels like catching lightning in a bottle, a rare glimpse into the eye of the storm that was Lemmy’s life, leaving you with a buzz that’s hard to shake.

39. Les Paul – In His Own Words

“ Les Paul – In His Own Words ” strings you along on a melodious journey through the life of the legendary inventor and musician who changed the sound of music forever. It’s like sitting down in Les Paul’s workshop, surrounded by wires and wood, as he narrates the story of his innovations and the music that inspired them.

With each page, you’re treated to intimate tales of the birth of the electric guitar, the evolution of recording technology, and the jam sessions that sparked a revolution in sound. Reading it feels like listening to a living history of music, told by the man whose passion and genius plugged the guitar into the future, making it sing in ways it never had before. In terms of music biographies, this is a must read.

40. Lita Ford – Living Like a Runaway

“ Lita Ford – Living Like a Runaway” is a high-octane trip through the life of the queen of metal, packed with the same fiery spirit and razor-sharp riffs that catapulted her to stardom. It’s like sitting shotgun in a muscle car with Lita at the wheel, tearing down the highway of rock ‘n’ roll history.

She spills the tea on her groundbreaking journey in a male-dominated scene, the wild tours, the battles, and the music that blazed a trail for female rockers. Reading it feels like an all-access pass to the backstage dramas and triumphs, all delivered with Lita’s signature blend of toughness and heart, proving she’s not just any runaway, but rock royalty.

41. Marilyn Manson – The Long Hard Road Out of Hell

“Marilyn Manson – The Long Hard Road Out of Hell ” drags you through the twisted, dark corridors of the shock rock icon’s rise to infamy, wrapped in a cloak of controversy and rebellion. It’s like delving into a macabre circus, where each chapter unveils another layer of Manson’s meticulously crafted persona and the chaotic world that fueled his art.

Through tales of excess, transformation, and defiance, Manson bares his soul, revealing the man behind the makeup. Reading it feels like a fever dream, a provocative journey through the highs and lows of a life lived defiantly outside the lines, challenging norms and sparking fires of discussion wherever it goes.

42. Max Cavalera – My Bloody Roots

“Max Cavalera – My Bloody Roots ” thunders through the life of the metal titan, from the raw streets of Brazil to the global stages of Sepultura and Soulfly fame. It’s like a mosh pit of memories, where each chapter slams into you with the intensity of a thrash riff, sharing the struggles, the fights, and the unbreakable spirit of a man who refused to let anything silence his music.

Max opens up about the fusion of sounds that define his style, the personal losses that have shaped him, and the rebellious energy that fuels his songs. Reading it feels like hanging out backstage with Cavalera himself, sharing stories that are as brutally honest as they are inspiring, all delivered with the passion of someone who lives and breathes metal.

43. Muddy Waters – Can’t Be Satisfied

Next up in our list of books about musicians is “Muddy Waters – Can’t Be Satisfied “. This book dives deep into the muddy waters of the blues legend’s life, charting his journey from the cotton fields of Mississippi to the electric buzz of Chicago’s blues scene. It’s like sitting on a porch in the deep south, guitar in hand, as Waters’s story unfolds with the gritty realism of a life lived in the pursuit of musical truth.

Through tales of hardship, innovation, and the birth of electric blues, this book paints a portrait of a man whose guitar strings pulled the heartstrings of a generation. Reading it feels like listening to a blues riff that’s as raw and real as the life from which it sprang, echoing the soulful, unyielding spirit of Muddy Waters himself.

44. Neil Young – Waging Heavy Peace

“Neil Young – Waging Heavy Peace ” is an introspective journey through the life of the rock icon, offering a unique glimpse into the mind of a man known for his enigmatic music and relentless creativity. It’s like sitting by a crackling fire with Young as he recounts tales from his sprawling career, from the dizzying heights of fame to the quiet moments that fuel his artistry.

With a mix of reflection, humor, and sincerity, Neil shares his passions, from music to model trains to his ventures into high-fidelity audio. Reading it feels like flipping through a personal scrapbook, each page a snapshot of a life lived with intensity, integrity, and a deep love for the muse that drives him.

45. Nikki Sixx – Heroin Diaries

“Nikki Sixx – Heroin Diaries ” plunges into the dark heart of the Mötley Crüe bassist’s battle with addiction, set against the backdrop of rock ‘n’ roll excess. It’s like walking through a haunted house, where each room reveals more of the harrowing, yet strangely captivating, depths of Sixx’s year-long descent into drug-fueled madness.

With brutal honesty and startling clarity, Sixx shares diary entries that paint a vivid picture of a life on the edge, teetering between destruction and creativity. Reading it feels like listening to a confession, raw and unfiltered, that’s as much a cautionary tale as it is a testament to the power of survival and redemption.

46. Ozzy Osbourne – I Am Ozzy

What list of the best musician biographies would be complete without” I Am Ozzy “? This is the uproarious, no-holds-barred autobiography of Ozzy Osbourne, the Prince of Darkness himself, chronicling his journey from humble beginnings to the summit of heavy metal royalty. It’s like sitting down with Ozzy at a pub, as he regales you with tales of legendary excess, on-stage antics, and the tumultuous life of a rock icon.

With his unmistakable wit and candor, Osbourne recounts the dizzying highs and devastating lows of his career, all while maintaining a sense of humor about the madness that has been his life. The book feels like riding a roller coaster in the dark, thrilling and unpredictable, echoing the wild, unforgettable ride that is Ozzy’s life.

47. Paul McCartney – Many Years From Now

“ Paul McCartney – Many Years From Now ” offers a vivid, melody-filled stroll down memory lane, guided by Sir Paul McCartney himself, spotlighting his Beatles years and beyond. Throughout the book, McCartney shares personal stories behind the songs, the brotherhood, the laughter, and the tears of the Fab Four’s journey.

With intimate insights and charming anecdotes, McCartney paints a portrait of a time that reshaped music forever, all told with the warmth and wit only he could provide. Reading it feels like uncovering a treasure trove of musical history, making you a confidant in the legacy of a legend whose tunes have echoed through many years and still captivate hearts worldwide.

48. Prince – Dig If You Will the Picture

Let’s continue our list of books on musicians with “Prince – Dig You Will the Picture “. This book immerses you in the enigmatic world of Prince, exploring the depth and breadth of his musical genius and the impact he left on the world. It’s like wandering through a vibrant, sonic landscape painted with the hues of funk, rock, R&B, and soul, all blending together under the guiding hand of the Purple One.

Through a mosaic of interviews, analyses, and reflections, the book offers a glimpse into Prince’s creative process, his innovations, and the iconic moments that defined his career. Reading it feels like being invited into the exclusive, eclectic universe of Prince, where every page pulses with the rhythm of his life and the echoes of his legacy.

49. Randy Rhoads – Crazy Train

What list of the best music biographies would be complete without “Randy Rhoads – Crazy Train “? This book takes you on a high-speed journey through the life of the guitar prodigy who redefined heavy metal riffing. It’s like being plugged directly into Rhoads’s amp, feeling the energy and passion that fueled his legendary performances with Ozzy Osbourne.

Through intimate recollections and detailed accounts, the book explores Randy’s meteoric rise, his devotion to music, and the tragic crash that ended his life too soon. Reading it feels like a backstage pass to the 80s rock scene, offering a heartfelt tribute to a musician whose legacy continues to electrify guitar enthusiasts around the world.

50. Robbie Robertson – Testimony

“Robbie Robertson – Testimony ” weaves a rich tapestry of the music scene from the golden age of rock, through the eyes and guitar of The Band’s legendary guitarist. It’s like sitting down in a dimly lit room with Robertson as he recounts the journey from backing Bob Dylan to becoming rock royalty themselves.

With vivid storytelling, he shares the camaraderie, the tours, and the behind-the-scenes moments that shaped some of the most iconic music of the era. Reading it feels like flipping through a photo album of rock history, each chapter a snapshot that captures the spirit, the struggles, and the magic of a time when music was a powerful force for change.

51. Robert Johnson – Escaping the Delta

We’ll continue our list of books on musicians with the incrediblee “Robert Johnson – Escaping the Delta “. This book unveils the mystique of the blues legend whose guitar prowess sparked rumors of a deal with the devil. It’s like stepping into a crossroads at midnight, where each turn of the page sheds light on Johnson’s life, the myths that shrouded his legacy, and the profound impact he had on music history.

The book delves deep into the heart of the Delta blues, revealing how Johnson’s innovative style and haunting lyrics echoed far beyond the cotton fields, influencing generations of musicians. Reading it feels like uncovering a secret chapter of music history, offering a closer look at the man behind the myth, whose chords and cries continue to resonate through the annals of American music.

52. Sammy Hagar – Red: My Uncensored Life in Rock

“Sammy Hagar – Red: My Uncensored Life in Rock ” blasts through the life of the Red Rocker with the speed and power of a muscle car, capturing the essence of a rock ‘n’ roll journey like no other. It’s like kicking back with Hagar himself, tequila in hand, as he shares the wild stories of his rise from humble beginnings to his days with Van Halen and beyond.

With unflinching honesty and a sense of humor, Sammy recounts the highs, the lows, and everything in-between, including the epic parties and personal battles. Reading it feels like being on tour with a rock legend, offering an all-access pass to the backstage, on-stage, and off-stage antics that define the life of a man who’s lived every moment at full throttle. One of the best musician autobiographies in this list!

53. Scott Ian – I’m The Man: The Story of That Guy From Anthrax

“ I’m The Man: The Story of That Guy From Anthrax ” cranks up the volume on Scott Ian’s life, offering a no-holds-barred look at the rhythm guitarist’s journey through the thrash metal scene. It’s like grabbing a beer with Ian as he recounts the wild ride of Anthrax, from its foundation to becoming one of the “Big Four” of thrash metal, peppered with anecdotes of mayhem, music, and mosh pits.

With a candid voice and a sharp sense of humor, Ian shares the ups and downs, the backstage stories, and the passion for music that kept him thrashing on the guitar strings. Reading it feels like a whirlwind trip through the metal scene of the ’80s and ’90s, full of headbanging moments, laughter, and a deep, unabashed love for heavy metal.

54. Slash – The Autobiography

“ Slash ” slices through the life of the iconic Guns N’ Roses guitarist, delivering raw, unfiltered stories from the man beneath the top hat. It’s like being invited to an after-hours jam session, where Slash lays down the riff of his life, from the dizzying highs of rock stardom to the shadowy lows of addiction and recovery.

With every page, Slash’s voice cuts through like a solo, sharing the tumult and triumphs of a life lived on the edge of a guitar pick. Reading it feels like a backstage pass into the heart of rock ‘n’ roll, gritty, real, and louder than life, offering a glimpse of the man who became a legend, one chord at a time.

55. Stevie Ray Vaughan – Caught in the Crossfire

Another of the best music biographies is “Stevie Ray Vaughan – Caught in the Crossfire “. This book dives into the whirlwind life of the guitar legend, Stevie Ray Vaughan, with a narrative as electrifying as one of his solos. The book paints a vivid picture of Vaughan’s rise from a kid with big dreams in Dallas to becoming a rock and blues icon, admired by millions.

It doesn’t shy away from the darker chapters of his journey, including his battles with addiction and his tragic, untimely death. Through interviews and personal anecdotes, it’s a heartfelt tribute to Vaughan’s genius, capturing the spirit of a man who lived at full throttle, both on stage and off.

56. Tom Petty – The Biography

Diving into “ Tom Petty – The Biography ,” you’re hitching a ride on the wild journey of one of rock’s most beloved figures. This book cracks open the vault on Petty’s life, from his roots in Gainesville, Florida, to the zenith of rock stardom, revealing the heartbreaks and triumphs along the way.

It’s a no-holds-barred exploration of his musical genius, personal struggles, and the unbreakable spirit that defined his career. Through intimate stories and behind-the-scenes anecdotes, it feels like you’re on the road with Petty himself, sharing in the laughter, the tears, and the unforgettable music.

57. Tony Iommi – Iron Man

“Tony Iommi – Iron Man ” rips through the life of Black Sabbath’s legendary guitarist, Tony Iommi, with the same intensity as his iconic riffs. This book takes you on a headbanging journey from Iommi’s early days in Birmingham, England, through the highs and lows of rock stardom, to becoming a metal god.

It doesn’t just stick to the music; this musician biography dives deep into Iommi’s personal battles, including his fight to play guitar after a factory accident almost ended his career. Packed with wild stories, profound insights, and a dash of humor, get the inside scoop on what made Sabbath’s sound immortal.

58. Willie Nelson – It’s a Long Story

“Willie Nelson – It’s a Long Story ” takes you on a leisurely stroll down the winding roads of Willie Nelson’s life, with the man himself as your guide. From his early days in Texas through the wild twists of country music fame, Nelson’s tale is a rich tapestry of songs, smoke, and soul-searching.

The book is peppered with tales of Nelson’s encounters with music legends, his battles against the establishment, and his unwavering commitment to his craft and causes. Reading this musician biography feels like sitting on a porch with Willie, strumming a guitar under the stars, as he shares the wisdom and wild stories collected over decades of making music and making waves.

59. Yngwie Malmsteen – Relentless

Next in our list of musician memoirs is “Yngwie Malmsteen – Relentless “. This book shreds through the life story of the shred guitar virtuoso with the same ferocity he applies to his six-string. This musician autobiography gives you front-row seats to the rollercoaster ride of Malmsteen’s journey, from a rebellious kid in Sweden dreaming of rock glory to becoming a maestro of the neoclassical metal genre.

The book is packed with tales of rockstar excess, intense dedication to his art, and the relentless pursuit of musical perfection that’s as mind-blowing as his solos. Read through his triumphs, trials, and the relentless drive that propelled him to the pantheon of guitar gods.

60. Zakk Wylde – Bringing Metal to the Children

The final entry in our list of books about musicians is “Zakk Wylde – Bringing Metal to the Children “. This is a wild ride through the rock n’ roll circus as seen through the eyes of guitar legend Zakk Wylde. This book isn’t just a memoir; it’s a backstage pass to the mayhem, madness, and sheer metal insanity that comes with life on the road in the world of heavy music.

Wylde dishes out hilarious tales, hard-earned wisdom, and a few lessons on what it really takes to bring the metal to the masses. Join Zakk as he recounts the epic journey of a life lived loud and proud in the service of heavy metal.

Musician Biographies Missing?

Hopefully you’ve managed to find several awesome musician biographies in this article that you fancy reading yourself.

However, if you feel that I’ve missed out any essential books about musicians, please drop me an email. You’ll find a link to my contact form in the footer below.

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9 New Music Memoirs and Biographies for Rock and Blues Fans

Get the inside stories on b.b. king, led zeppelin, stevie van zandt and other legends.

Some of the most exciting releases for music lovers this fall aren’t new albums but in-depth biographies and revealing memoirs from their favorite artists and bands. Whether you worship at the altar of the blues, know every guitar riff in the Led Zeppelin catalogue, or have seen The Boss countless times, these books have you covered. 

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The Storyteller: Tales of Life and Music by Dave Grohl

“Though I have never been one to collect ‘stuff,’ I do collect moments,” writes the Nirvana drummer and Foo Fighters frontman, 52, in the introduction to his entertaining new memoir that’s a must for rock fans. Here Grohl details the many moments that led a punk-loving kid in the Virginia suburbs (with a “Wonder Bread existence”) to his current status as a rock elder statesman with 16 Grammys under his belt — with all the ups and downs in between, including heading out on tour for the first time at 18 and his heartbreak over Kurt Cobain’s 1994 suicide. Grohl’s now on his way to a second Rock & Roll Hall of Fame induction, this time for his work with Foo Fighters (the first was for his role in Nirvana) later this month.

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King of the Blues: The Rise and Reign of B.B. King by Daniel de Visé

As Pulitzer Prize–winning journalist Daniel de Visé tells it, the biography of B.B. King isn’t just the story of a genre-defining musician, it’s a full-blown hero’s journey — the tale of one man’s triumphs over every obstacle (economic, racial, societal) the world threw in his way. “In those forty-five years, Riley B. King had risen from penniless sharecropper to sidewalk busker to Memphis deejay to chart-topping singer to King of the Blues,” de Visé writes, describing the music legend as “the first guitar hero.” Filled with interviews with King’s relatives, band members and managers, the resulting biography feels at once intimate and encyclopedic, offering a full picture of the man behind the myth.​

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Led Zeppelin: The Biography by Bob Spitz

How do you encapsulate the musical legacy of one of the greatest bands in rock history? If you’re Bob Spitz, the best-selling author of books on the Beatles and Julia Child, you start talking — to everyone. For this definitive biography, Spitz conducted more than 150 interviews with friends, record executives and even groupies, and he offers insight into not only their artistic genius but also the controversies brought about by what he calls their “heedless hedonism.” At nearly 700 pages, the exhaustively researched tome is clearly pitched toward superfans, but Spitz fills the book with enough debauchery and trashed hotel rooms and bad decision-making that even a casual Led Zeppelin listener won't be able to look away. Spitz, it turns out, knows a thing or two about the music business: Before turning to book writing, he managed Bruce Springsteen and Elton John. (Nov. 9)

Eruption: Conversations With Eddie Van Halen by Brad Tolinski and Chris Gill

Guitar god Eddie Van Halen died of cancer last October, but he left behind more than 50 hours of unreleased interviews with rock journalists Brad Tolinski and Chris Gill. Need proof that you’re in good hands? Tolinski and Gill are the former editors of Guitar World and Guitar Aficionado , respectively. While the book of course covers Van Halen’s rise to fame and his nearly unparalleled skill as a technical musician, the authors also dive deep into his complicated backstory. The musician has shared, for instance, that his childhood as a Dutch immigrant who couldn’t speak English led to decades of social anxiety and substance abuse. As you might expect from these writers, the book is also filled with obsessive details about Eddie’s guitars, his custom modifications, and the unusual and rare instruments he played throughout his career.

Unrequited Infatuations: A Memoir by Stevie Van Zandt

You probably know the bandana-wearing Little Steven , 70, from his decades as a charismatic member of the E Street Band or his role as Silvio Dante in The Sopranos . But his new memoir illustrates just how seminal he’s been in the past five decades of American popular music. An anti-apartheid activist who wrote the protest song “Sun City,” he’s spent years celebrating and advocating for rock ’n’ roll as an art form: He hosts a weekly syndicated radio show focused on garage rock, created two music channels on SiriusXM, founded an indie record label, and even helped develop an arts education initiative that incorporates music history — from classical to reggae — into K-12 curricula. While some rock stars hide behind a veil of detached coolness, Van Zandt is a man marked by genuine enthusiasm, and his memoir reads like a love letter to the people and places and music that made him, with a healthy dose of nostalgia and good-natured humor.

Mellencamp by Paul Rees

Veteran journalist Paul Rees covers all the greatest hits of the Indiana rocker’s life, including his youth in the heartland with a father who was “a tyrant,” in Mellencamp’s words; his rise to fame in the 1980s; his cofounding of Farm Aid; and his induction into the Rock & Roll Hall of Fame. But what really makes this biography sing is how far it takes us inside John Mellencamp (he dropped the Cougar long ago), 69: his inspirations, motivations, struggles, obsessions and fears. He comes across as a complicated artist, who says in the book — which was written with the musician’s cooperation — “I like being the underdog. I’m like Sisyphus. I like rolling the rock up the hill.”  

Also of Note

Set the Night on Fire: Living, Dying, and Playing Guitar With the Doors  by Robby Krieger.  The Doors guitarist describes the band’s wild existence with Jim Morrison at the helm. (Oct. 12) 

My Life in Dire Straits: The Inside Story of One of the Biggest Bands in Rock History  by John Illsley.  The bassist and founding member of Dire Straits tells all about the the band behind “Sultans of Swing.” (Nov. 9)

Rock Concert: An Oral History as Told by the Artists, Backstage Insiders, and Fans Who Were There  by Marc Myers.  Myers takes readers back to the heyday of live rock with stories from Alice Cooper, Joan Baez and many more. (Nov. 9)​

Nicholas DeRenzo is a contributing writer who covers entertainment and travel. Previously he was executive editor of United Airlines Hemispheres magazine , and his work has appeared in The New York Times , Condé Nast Traveler , Travel & Leisure , Sunset and New York magazin e .

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Best books about music: Essential reads for all music fans

Delve into the history of the world’s biggest artists, explore the many genres of rock and take a closer look at the pivotal moments that shaped our favourite sounds with our guide to the best books about music

One thing is for sure: the world of rock music is rarely boring – and if you're looking to explore some of the very best books about music ever written, then you've come to the right place.

From brilliant autobiographies and compendiums, through to warts'n'all exposes and stunningly detailed histories, there’s plenty of reading material out there for devoted music fans to delve into.

Below, you’ll find our pick of our favourite books ever written about music alongside a selection of the best reads of last year. So whether you're looking to buy a gift for a friend or hunting for something to keep you engaged during lockdown, we’re pretty sure you’ll find something in the list which fits the bill.

1. The Dirt: Motley Crue with Neill Strauss

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The big one. The (really filthy) Godfather of rock books. The book was immortalised in the Netflix feature film, The Dirt and is so gob-smackingly scandalous, you’ll frequently question whether the events actually happened as you read through it.

Read in shock and awe as Nikki Sixx and co . rise from smalltime LA to the Sunset Strip and the biggest stages in the world – smoking, shagging and shooting up all things, both thinkable and unthinkable. 

2. Waiting For The Sun - by Barney Hoskyns

From surfboards to singer-songwriters, from Svengalis to satanic cults, this multigenerational round-up of the LA Music scene reads like a well-written novel. 

All the legendary characters are represented – Jim Morrison , Frank Zappa , Gram Parsons – but it’s often the lesser-known names such as Van Dyke Parks and Lou Adler who offer the most interesting insights. It's a story of excess, eccentricity and enduring musical splendour.

3. Hammer Of The Gods - by Stephen Davis

Another justifiably popular big fish that’s been by turns revered, criticised and reissued since it was first published in 1985. Journalist Stephen Davis travelled through America with Led Zeppelin for two weeks in 1975, as their US tour was kicking off. 

For better or worse, his chief source for this unauthorised biography was Richard Cole, Zeppelin’s sometime tour manager/roadie. On the one hand, the band have publicly refuted its accuracy. On the other hand, its juicy, funny, shocking stories have been poured over greedily by thousands.

4. Please Kill Me by Legs McNeil & Gillian McCain

The debate over whether the UK or US can lay claim to have ‘invented’ punk rock has raged on for years. We’ll keep this simple: it was the US. 

Please Kill Me brilliantly documents the genre’s messy birth and wildly creative early years by letting all the key players – Lou Reed , Iggy Pop , the Ramones , Johnny Thunders, Rob Tyner, Patti Smith, Richard Hell, Debbie Harry, etc – tell their stories in their own words. If punk means more to you than just a slogan on an artfully ripped T-shirt, you need this book.

5. The True Adventures Of The Rolling Stones by Stanley Booth

One of the most enlightening pictures of the rock revolution of the 60s that you’re ever likely to read, The True Adventures Of The Rolling Stones is also a no-holds-barred insider view of the rise of the Rolling Stones . 

A huge part of its appeal lies in its writer. By the time Booth met Mick, Keef and co. he’d already drunk “Scotch with B.B. King for breakfast” and watched “Otis Redding teach Steve Cropper The Dock Of The Bay”. That same zeal is captured here, one hugely engaging triumph, pitfall and brush with the law after another.

6. Lonely Boy: Tales From A Sex Pistol by Steve Jones

The influence of The Sex Pistols on modern music – and punk especially – is quite simply undeniable. This first-hand account from the band’s guitarist Steve Jones manages to capture the significance of the group through his own eyes, but it also delves deep into his difficult childhood. 

There's no doubt about it: Steve Jones is a one-off. He's hilarious, eccentric, painfully honest and 100% Lahndahn, which is all the more surprising, since he's lived in Los Angeles for decades.

7. The Beatles: All These Years Vol.1 by Mark Lewisohn

Quite possibly the most gargantuan undertaking in the history of music literature, Volume One of Mark Lewisohn's history of The Beatles is merely the first part of a trilogy, and ends before Beatlemania. 

All These Years Vol. 1 is stunningly researched and is mind-bogglingly detailed, its 960 pages teach us so much about a band we think we already know everything about. And for the terminally curious, there's also an expanded version that tells the story over more than 1700 pages . Staggering.  

8. Murder in the Front Row by Brian Lew & Harald Oimoen

San Francisco natives Brian Lew and Harald Oimoen were two metal-obsessed geeks who just happened to find themselves at the epicentre of a world-changing musical revolution when a little band from Los Angeles called Metallica moved to the Bay Area on February 12, 1983. 

Largely a photo book,  Murder In The Front Row  brilliantly captures the camaraderie, raw enthusiasm and reckless, violent energy of the nascent thrash metal, from Metallica’s very first rehearsal w ith bassist Cliff Burton through to the release of Slayer ’s peerless  Reign In Blood album.

9. Our Band Could Be Your Life by Michael Azerrad

The bible for anyone interested in DIY punk rock culture,  Our Band Could Be Your Life  details the birth and development of the US underground rock scene in the 1980s, focussing upon biographies of 13 trail-blazing bands – Black Flag, Sonic Youth, Butthole Surfers, Mudhoney and Fugazi among them – who together mapped out a new terrain for rock music, pre- Nirvana . 

Without these bands, and their stubbornly independent, take-no-shit-from-anyone bullishness, Nirvana would have been just another local bar band.

10. White Line Fever by Lemmy

First published in 2002 and re-printed several times since, Lemmy 's autobiography takes some beating. From his childhood in Wales, through his discovery of sex, drugs and rock'n'roll (not quite in that order), and on to rock infamy,  White Line Fever  is never less than entertaining. 

Lemmy was a well-read and sharp-witted character and his book is a hilarious and warm reminder of the man we lost. An essential read.

11. Choosing Death by Albert Mudrian

Subtitled The Improbable History of Death Metal and Grindcor e, Decibel magazine Editor Mudrian’s text offers an incisive, in-depth analysis of the rise of the extreme metal underground, tracing a path from the back rooms of Birmingham pubs to the US arena circuit. 

Input from the likes of Napalm Death, Cannibal Corpse, Entombed, Death, At The Gates and more lends authenticity, while much unintentional humour comes from the sheer joyful naivety of those involved. Lords Of Chaos is more sensationalist, but this is the smartest book yet written on underground metal.

12. Fried And Justified by Mick Houghton

Veteran PR Mick Houghton’s disarmingly honest and ego-free memoir of his time working with some of the more challenging and off-piste acts of the 80s and 90s – Echo & The Bunnymen, Julian Cope, KLF – thrills in its insight and pragmatism. 

On the KLF’s notorious burning of £1 million, Houghton says: "I was never that shocked… in music-business terms £1m is nothing… The House Of Love blew £800,000 in less than a year."

13. I'll Sleep When I'm Dead: The Dirty Life And Times Of Warren Zevon by Crystal Zevon

In death as in life, Warren Zevon remains a cult figure. Fortunately his ex-wife Crystal ensured that his legacy hasn’t been totally forgotten. I’ll Sleep When I’m Dead is no fawning hagiography; this is a blackly comic oral history that depicts Zevon as equal parts genius and asshole. 

Family, collaborators and superstar friends (Stephen King, Bruce Springsteen) praise and crucify a man who lived life with a mix of relish and spite. That a dying Zevon gave it his blessing says much about the man.

14. 1971: Never A Dull Moment by David Hepworth

Never one for group-think, Hepworth’s persuasive defence of his proposition that 1971 was rock’s greatest year casts a broad cultural net woven with acute and original thinking. 

With monumental releases by Zeppelin, David Bowie , the Stones, Pink Floyd and more that year, it’s less the postulation that matters, rather his exhilarating analysis bolstered by impeccable research and flair. The appendix listing 100 albums from 1971 is an expert witness in itself.

15. Lexicon Devil: The Fast Times and Short Life of Darby Crash and The Germs by Brendan Mullen

The story of doomed punk rock anti-hero Darby Crash and his heroically inept band The Germs (who featured future Foo Fighter Pat Smear), Lexicon Devil is a brilliantly sketched portrait of idealism, energy, confusion and self-destruction in the LA punk scene of the late 1970s. 

By turns hilarious, terrifying and heart-breakingly sad, it’s a vivid, visceral read, pulsing with the energy and colour of a lost Los Angeles. Remarkably, it features in not one, but two, Red Hot Chili Peppers videos (By The Way and Universally Speaking) as Anthony Kiedis’ book of choice.

16. Life by Keith Richards

How Keith Richards is still alive is one of science’s more unfathomable mysteries. 

And it has to be said that even after you’ve read this thoroughly engaging autobiography (assisted by journalist James Fox) and placed it back on the bookshelf, you won’t be any the wiser. However, what you will have is an incisive view of the Rolling Stones' guitarist's world of riffs, rock, drugs, women, arrests and more, from his childhood in Kent through to life in the 21st century.

17. Espedair Street by Iain Banks

Late Scottish novelist Iain Banks’s fictional love letter to classic rock, Espedair Street is a thinly veiled retelling of the Fleetwood Mac myth, from the perspective of hulking bassist Daniel ‘Weird’ Weir, a character inspired by ex- Marillion singer Fish . 

Romantic rivalries, tragic mid-air deaths, suicide attempts, triumphant comebacks… every rock’n’roll cliché is gleefully ramped up to fever pitch, and it’s all the better for it. It’s amazing that they haven’t made it into a movie.

18. Born To Run by Bruce Springsteen

“The writer has made one promise, to show the reader his mind,” Bruce Springsteen writes in his autobiography. And in his trademark plain-spoken but poetic way, he does just that. 

Whether detailing his uneasy relationship with his father, the sexual perks of superstardom or his struggles with depression, Bruce is frank and funny. Ultimately, you sense that he’s writing not only to share his experiences but also to better understand them. 

19. Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys by Viv Albertine

As guitarist with 70s punks The Slits – an all-female band in an overwhelmingly male-dominated scene – Viv Albertine has had a compelling perspective of rock’n’roll. 

Since then, as this book thoughtfully documents, Albertine has moved into film, been through divorce, IVF, illness and also got back into making music – all which she discusses with evocative attention to detail.

20. Burning Down The Haus: Punk Rock, Revolution and the Fall of the Berlin Wall by Tim Mohr

This secret history of East German punk rock is not just about the music; it is a story of extraordinary bravery in the face of one of the most oppressive regimes in history. 

Rollicking, cinematic, deeply researched, highly readable, and thrillingly topical,  Burning Down The Haus  brings to life the young men and women who successfully fought authoritarianism three chords at a time – and is a fiery testament to the irrepressible spirit of revolution.

21. No One Here Gets Out Alive by Jerry Hopkins & Danny Sugarman

Jim Morrison was being deified before his body was even cold, but No One Here Gets Out Alive elevated him to Immortal Godhead. 

It helped that former Doors manager and Morrison confidante Danny Sugarman had a ringside seat for the iconic singer’s rise, fall and posthumous resurrection – as a portrait of a doomed talent this book is fantastic, but it’s as an exercise in myth-making where it truly excels.

22. Suzy, Led Zeppelin, and Me by Martin Millar

A novel, or maybe a memoir, about being young and in love – with a band as much as a girl –  Suzy, Led Zeppelin, and Me  follows the narrator as he makes a complete tit of himself over the eponymous girl, and obsesses over Led Zeppelin in the build-up to the band's gig at Green's Playhouse in Glasgow. 

Full of period detail and timeless romance, it's a brilliantly rendered tale of obsession from one of the UK's best comic writers.

23. Beneath The Underdog by Charles Mingus

Charles Mingus might have been a jazzer, but his life was more rock'n'roll than most, and Beneath The Underdog is a helluva story: part memoir, part erotic fantasy, part stream of consciousness tirade.

Mingus writes of growing up in Poverty in Watts, and trying to succeed as a musician in a society that didn't want him to. It's not always an easy read, and Mingus isn't an entirely sympathetic character, but it's utterly unique: very few musicians have carried off a successful parallel career as a pimp.

24. Psychotic Reactions and Carburetor Dung by Lester Bangs

You can’t really talk about the rise of rock journalism without mentioning Lester Bangs. Tragically, although perhaps unsurprisingly, he was not long for this world – he died at 33 of an accidental overdose. 

Philip Seymour Hoffman played him in the film Almost Famous , and this posthumous collection by Greil Marcus (Bangs’s first editor at Rolling Stone, in 1969) reminds us of his enduring position as one of the most distinctive, thrillingly unpredictable voices in American writing.

25. Chronicles: Vol. 1 by Bob Dylan

Something of a revelation on its publication, with few expecting the enigmatic Bob Dylan to sidestep his usual obfuscation and ellipsis and cut straight to the quick. 

While not wholly innocent of the former, Chronicles examines three points in Dylan's career (1961, 1970, and 1989) with piercing clarity and an insightful artistic remove. Full of taut one-liners, folksy idioms and no little humour, at its best the book is on a par with his greatest songs.

26. Revolution In the Head by Ian MacDonald

Just when it seemed like there was nothing left to say about The Beatles , ex-NME writer Ian MacDonald drilled down into the one aspect of their career that hadn’t been strip-mined: the songs. 

Revolution In The Head set out to analyse every track the band recorded. It sidesteps dull trainspottery, thanks to MacDonald’s insight and cantankerous outbursts: he loved The Beatles but, by God, he wasn’t afraid to put the boot in when needed. Often imitated but never bettered – just like its subject.

27. Girl In A Band by Kim Gordon

When Sonic Youth went on hiatus/broke up in 2011, it soon became clear that Thurston Moore and Kim Gordon’s marriage had also fallen apart. 

Gordon revealed her side of the story in this tell-all memoir that also contains a comprehensive history of the seminal New York band, but this is so much more than break-up literature. It's heartbreaking, smart, dignified and completely inspiring.

28. Confess by Rob Halford

Judas Priest legend Rob Halford released his no-holds-barred autobiography Confess in 2020 and if you’re looking to discover the real Metal God, then this really should be top of your shopping list. 

Delivered with refreshing down to earth frankness, Halford takes us through his journey from a council-estate to some of the world’s biggest stages. And as Classic Rock ’s review reported, “with chapter titles such as The Shirley Bassey Leather Years and Mine Eyes Have Seen The Glory Hole, this is not a book for anyone squeamish about heavy rock’s screamingly camp subtext.”

Simply put, it's a must read – not only for fans of Halford and Judas Priest, but for all music fans.

29. Fargo Rock City by Chuck Klosterman

A hilarious trawl through the byways of the 80s hair metal milieu, through the dispossessed rural hick-filter of Chuck Klosterman’s North Dakota childhood.

By turns sociologically astute, self-deprecatingly knowing and piercingly on-point musically, Klosterman argues that the bouffant bad boys of the day – Poison , Ratt, Warrant et al – merit equal cultural weighting as The Beatles and their peers. Nonsense, obviously, but you suspect he knows that.

30. Rhinos, Winos and Lunatics: The Legend of Man, a Rock'n'Roll Band by Deke Leonard

Aside from making progressive noises with Welsh rockers Man , Deke Leonard (who died in 2017) had a zingy, infectious way with words. 

He wrote several books, all of which are worth checking out, but if you pick one it should be this one, which mixes standard rock’n’roll excess with all the weirder tales of the Man world. A riotous read, whether you’re a Man fan or not.

31. Diary Of A Rock 'N' Roll Star by Ian Hunter

Written during Mott The Hoople ’s American tour in 1972, this book details the buzz (playing a sold-out show in Memphis) and the boredom (endless Holiday Inns) of a journeyman musician. Amid the musings and travelogue observations are walk-ons by artists including Chuck Berry and Bryan Ferry. 

Like his songwriting, Ian Hunter’s prose exhibits an eye for the truth: “The rock business is a dirty business, full stop.”

32. Thanks A Lot Mr Kibblewhite by Roger Daltrey

Conversational, witty, revelatory, Roger Daltrey ’s autobiography is possibly the most readable account yet of The Who's uniquely fracas-filled journey toward rock immortality. 

If you want forensic detail (the kind of inconsequential minutiae fans invariably pore over yet central protagonists barely register), then you'd best look elsewhere, but for an unvarnished first-person account from the eye of the storm, look no further.

33. I'm With The Band by Pamela Des Barres

A book about a legendary groupie may sound terribly un-PC in the post-MeToo age, but Pamela Des Barres’ salacious, sharp, witty account of life with the classic rock glitterati of the 60s and 70s (including affairs with Mick Jagger , Jimmy Page , Keith Moon , Jim Morrison and many more) feels warm and celebratory – and certainly not like the words of a victim.

34. Shots From The Hip by Charles Shaar Murray

A classic collection of rock writing from one of the masters of the genre. Charles Shaar Murray started out on counter-culture bible Oz, and became the enfant terrible of the NME. 

Along the way he hung out with everyone from the Stones to the Ramones and helped invent the history of rock music as we know it. This is simply unmissable.

35. Everybody Loves Our Town by Mark Yarm

This definitive history of grunge, published 20 years to the month after Nirvana released their classic Nevermind , is the story of a place as much as it is of a scene – a scrappy underdog of a city that never really wanted the attention and couldn’t really handle it when it got it. 

All the key surviving participants look back with a mixture of pride and bafflement at what they lived through, although there’s a tang of sadness for all those who didn’t make it.

36. Give The Anarchist A Cigarette by Mick Farren

Memorably described by music writer Charles Shaar Murray as coming on like a cross between Abbie Hoffman and Charles Manson, Farren’s full immersion in 60s/70s UK counterculture bridges beatniks to bollocks with a gleeful jaundice. 

Full of anecdote and wit, it reads like both social document and autobiography, told by a possibly unreliable narrator who’s no stranger to the excesses of the day himself.

37. Dark Days: A Memoir by D. Randall Blythe

This is one book that couldn’t have a more appropriate title. A memoir detailing   Lamb Of God frontman Randy Blythe's arrest, trial and acquittal for the manslaughter of the fan who died after their gig in the Czech Republic in 2010. 

As we know, the verdict exonerated him, but that doesn’t make reading his account of all that happened any less harrowing.

38. I'm Not With The Band: A Writer's Life Lost In Music by Sylvia Patterson

For more than three decades, Sylvia Patterson has been writing about music and interviewing some of the biggest names and bands in the business. This book chronicles her experiences in doing so, as well as being a woman on the front lines of the rock’n’roll dream. 

Encounters with Oasis, New Order, Page & Plant , the Happy Mondays and more are by turns hilarious and touching.

39. Louder Than Hell by Jon Weiderhorn and Katherine Turman

A beast of a book, some 700 pages in length,  Louder Than Hell  grandly bills itself as ‘The definitive oral history of metal’, and very nearly lives up to this lofty claim. Spanning five decades, with chapters focussing on ‘Proto-Metal’, the NWOBHM , Thrash , Nu-Metal , Black Metal , etc,. 

Louder Than Hell  largely dispenses with chin-stroking analysis of the culture, focussing heavily instead on gross-out tales of hedonistic excess and gloriously entertaining bitching and back-stabbing. The  Appetite For Destruction  of rock books.

40. Slash: The Autobiography

In other hands, Slash 's autobiography would probably be a laugh-riot. But there's something about the Guns N' Roses ' man's laidback delivery that makes you realise: he's not telling these stories to keep you entertained – this actually happened.

From a Wolf Of Wall Street-style meltdown that sees him shooting at demons in his house (with a shotgun! While his girlfriend sleeps!) and fleeing naked across a golf course, to celebrity encounters with David Bowie , Keith Richards, Lemmy and many more, Slash's book is never boring. 

41. Facing The Other Way: The Story of 4AD by Martin Aston

Martin Aston’s peek behind the curtain of famous indie label 4AD concentrates on their output throughout the 80s and 90s - a golden period for the UK music label. Artists including Pixies, Dead Can Dance, Cocteau Twins, This Mortal Coil, Belly and Throwing Muses all released their music through 4AD, making them the darling of the independent scene. Fans routinely bought everything the label released, such was the calibre of the artists on their roster.

It’s a hefty read, weighing in at over 600 pages, but it’s fascinating to look at the label through a different lens and examine the independent scene of the time. There are plenty of nuggets that will delight the 4AD faithful – and you’re pretty much guaranteed to stumble across several artists you’ve never been aware of and take pleasure in diving headfirst into their music.

42. Get In The Van by Henry Rollins

The polar opposite of  The Dirt ,  Get In The Van  is a blunt, no-nonsense diary of life on the road in a punk rock band, specifically Black Flag , the uncompromising LA hardcore unit Rollins fronted from 1981 to 1986. 

There is precious little glamour here, from roadies eating dog food to band members indulging in five minute knee tremblers in piss-drenched alleyways, with violent confrontations with fans, sketchy promoters and power-crazed cops only ever a few days away. 

As grim as it sounds though,  Get In The Van  is an undeniably inspirational chronicle, illustrating the power of music to blow minds and change lives. But if you ever dream of becoming a rock'n’roll star, read this first.

Rare and ridiculously expensive, but it is a collectible.

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The 10 Best Music Books of 2023

By Pitchfork

Every year there are countless books released about music—2023 alone included dishy memoirs from Britney Spears, Barbra Streisand, and Sly Stone, plus a big-deal, authorized bio on Tupac. In our estimation, the best works tend to give the reader new ears with which to listen. What follows is a list of personal favorites from this year, as picked by Pitchfork staffers and contributors. Happy reading!

Check out all of Pitchfork’s 2023 wrap-up coverage here .

60 Songs That Explain the ’90s

In 2020, as the pandemic forced everyone who didn’t live on a megayacht to upend their entire lives, retreating into the nostalgia of one’s youth became an all-but-necessary coping mechanism. Veteran music writer Rob Harvilla felt that same urge. But instead of merely staring into the middle distance while washing dishes to Gin Blossoms’ “Hey Jealousy,” he put his musical memories to work and made an essayistic podcast called 60 Songs That Explain the ’90s . And now that very funny and startlingly insightful show—which has grown to cover more than 100 songs—has its own very funny and startlingly insightful book. (Full disclosure: I once lost money to Harvilla in a basement poker game in 2010, and recently guested on the 60 Songs podcast.)

The entire endeavor succeeds because Harvilla is so good at conveying his teenage excitement (he’s unafraid to use the descriptor “rad,” repeatedly) while also offering the wisdom of a fortysomething dad who’s been writing about music for much of his adult life. For every loving one-liner (listening to Celine Dion sing is “like drinking rosé from a fire hose”) or list of the 20 Worst Red Hot Chili Peppers Song Titles (don’t worry, “Party on Your Pussy” makes the Top 10), there are sober reflections on Courtney Love reading Kurt Cobain’s suicide note, or how white rap fans (like him, like me) would be smart to understand that they’re eavesdropping when they listen to a song like Ice Cube’s “It Was a Good Day.” Earnest, empathetic, and admirably goofy, Harvilla is an ideal guide to the most random decade in pop history. –Ryan Dombal

All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.

Black Punk Now

When James Spooner first logged on in 2001, he immediately Googled “Black punk.” A blank screen stared back at him: There were zero links. Spooner knew this was inaccurate—he had countless Black punk friends and collaborators—but the experience underscored that if no one else was going to document his culture, then it was up to him. This is what motivated Spooner to create the Afropunk documentary and festival, as well as compile this new anthology of writing alongside Black Card author Chris L. Terry.

Black Punk Now uses a multi-genre approach, from fiction to graphics to screenplays, to showcase the ways Black punks move through the world. In “The Princess and the Pit,” Mariah Stovall explores the racialized beauty standards of punk shows via a feminist fairytale. The script for comedian Kash Abdulmalik’s short film, Let Me Be Understood , meditates on one musician’s desire to have an honest relationship with his father.

The collection’s greatest strength is how it captures the pure joy felt by its contributors while living on the fringes, the integrity they’ve gained from being misunderstood by the white establishment. (As contributor Bobby Hackney Jr. puts it, what is more punk than challenging what people think “Black” is supposed to be?) Taken together, these works show readers that “punk” is a commitment to liberation from the tedium of mainstream culture, and a way to demand much more. –Mary Retta

The Golden Voice: The Ballad of Cambodian Rock’s Lost Queen

One of the best graphic novels of the year is a riveting portrait of an undersung musical hero and an intense document of wartime Cambodia. Gregory Cahill tells the story of Ros Serey Sothea, the prolific ’60s and ’70s Cambodian rock singer who seemed to rocket from rice farmer to national treasure overnight. It’s an underdog story told through the lens of the Cambodian Civil War’s propaganda machine.

Scenes of Cambodian rock’n’roll club nights and studio recording sessions are depicted in a blissful sunrise palette of deep reds and oranges, with sheet music floating translucently into the ether. Music is central to the experience of enjoying the book; there’s an accompanying playlist, and each page has track cues, so the sound of Sothea’s music is never abstract. But the book is also full of darkness: A constant military presence hangs over Golden Voice , and it closes with the Khmer Rouge seizing power and burning Sothea’s records. It’s a tragedy with heart-wrenching illustrations and a solid history lesson, soundtracked by incredible vintage Cambodian records. –Evan Minsker

Goth: A History

Despite its totemic title, Goth: A History is neither a sociology textbook nor a definitive document of the subculture. Instead, Lol Tolhurst—a core member of the Cure across its gothiest period—has written a memoir and social history of his years in the scene’s cobwebbed trenches. Structured more like the florid chaos of the Cure’s Pornography than the linear minimalism of their Seventeen Seconds , the book wends its way from capsule meditations on the genre’s influences (Nico, Bowie, Camus, Sartre) into diaristic recollections from the Cure’s gloomy golden era; he wraps up with mini-profiles on fellow travelers like Cocteau Twins and Nine Inch Nails. But many of the book’s most revealing passages are its most personal, like running into Depeche Mode’s Andy Fletcher while in rehab, or discovering that his buttoned-up IRS agent was also a secret member of the sect.

Situating goth at the intersection of punk and Sylvia Plath, Tolhurst describes the movement as a necessary reaction to the bleakness of post-WWII England. Yet, as he considers its decades-long endurance and 21st-century mainstreaming, he also notes the universality of its message: “It can get lonely being the only weirdo in town. We all want a tribe to belong to.” At Portland’s Powell’s Books, I bought my own copy of Goth along with an armload of children’s books. “It looks like I’m trying to turn my daughter into a goth,” I said to the woman behind the register. Without so much as a smile, she replied, “We all get there eventually.” –Philip Sherburne

Hachette Books

Kleenex/LiLiPUT

In the raw rapture of their shredded shrieks and destabilized noise, O.G. punks Kleenex made the Sex Pistols sound like the Rolling Stones. Though the Swiss group broke up in 1983—changing their name to LiLiPUT in 1979 after a threat from the tissue company—it’s taken 40 years for English-language fans to fully access the primary document of this crucial all-woman band: the diaries of guitarist Marlene Marder, who died in 2016.

Originally published in German in 1986, the diary was also a scrapbook capturing “the detritus that comes with playing in a band,” as described by editor Grace Ambrose, who instigated this English translation for the inaugural book on her Kansas City, Missouri-based punk label, Thrilling Living, which has released music by the likes of Special Interest and Girlsperm.

Supplemented by zine clippings, photos, and visual ephemera—including relics of Kleenex’s 1979 UK tour with the Raincoats—the collage-like Kleenex/LiLiPUT book creates its own paradigm for punk storytelling by imposing no definitive Kleenex narrative, instead replicating the ever-in-process nature of the unruly music. Legendary rock critic Greil Marcus’ original introduction to Marder’s diary is included along with another of his enlightening columns on the band, in which he writes, “Punk had good taste in ancestors.” He was talking about the Kleenex-Dada connection, but the same rings true of punks today, who see themselves in this history still. –Jenn Pelly

Thrilling Living

Lou Reed: The King of New York

Several strong Lou Reed bios were already out there by the time Will Hermes published The King of New York this fall. Victor Bockris’ Transformer: The Complete Lou Reed Story is a compelling document of the New York underground of the ’60s and early ’70s, while Anthony DeCurtis’ Lou Reed: A Life has first-person intimacy while situating the singer’s work among his rock contemporaries. But Hermes tells the best story, finding the ideal mix of big-picture narrative sweep and intriguing details.

The book frames Reed’s life in a way that speaks to our current cultural moment, revealing how the fluidness of sexuality and gender in Reed’s milieu hinted at the world to come, and it deepens your appreciation of his hugely varied recorded output. Hermes’ previous book, Love Goes to Buildings on Fire , was a personal examination of New York’s influential downtown music scene in the ’70s, and the city is just as influential here, growing and changing alongside Reed while forever informing his art. This shifting contextual backdrop makes Hermes especially fun to read on the Velvet Underground frontman’s notoriously spotty solo albums. Few artists risked failure like Reed did, and this book will have you digging for records you once ignored, from his wispy debut to the shocking power of Lulu ’s “ Junior Dad .” –Mark Richardson

Farrar, Straus and Giroux

To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse

When writer Howard Fishman first heard Connie Converse’s beautifully melancholic folk music at a party in 2010, he became consumed by a quest to find out what became of the obscure mid-century singer. Thirteen years and 550 pages later, the New Yorker contributor has turned in the definitive history of Converse’s life. With To Anyone Who Ever Asks , he traces her story, from her tragedy-marred early years in small-town New England, to an escape to New York in the 1940s and ’50s and eventual retreat to Ann Arbor, Michigan. Converse eventually disappeared in 1974, speeding off in her Volkswagen and writing to loved ones asking them not to look for her.

Fishman uncovers not the shy wallflower that her songs suggest, but a binge-drinking, heavy-smoking bohemian widely ahead of her time, who performed for Walter Cronkite, composed operas, and championed civil rights. He occasionally falls into fanboy tendencies, glorifying every artistic move by Converse with uncritical praise. But for anyone who has ever wondered about the person behind these lost songs, or just what it means to make art that no one will fully appreciate until decades later, To Anyone Who Ever Asks provides as much of a proper answer as we’ll ever get. –David Glickman

Testigos del fin del mundo

In his debut book, Bolivian music critic and professor Javier A. Rodríguez-Camacho chronicles the untold history of 2010s Ibero-American indie music. The book includes artists from Latin America, the United States, and Spain—an editorial choice that illustrates how multiple genres and geographical locations of the Spanish-speaking world have always been in conversation with each other. Instead of presenting a definitive canon, Rodríguez-Camacho traces an incomplete but dynamic map of the era’s scenes and sounds through 120 albums, spanning everything from the Chilean indie pop explosion to the Mexican ruidosón movement.

It’s an archival endeavor structured through individual album reviews, each of which transcends mere formal description. The chapters are meticulously contextualized, immersing readers into the musical and sociopolitical milieu from which these albums sprouted. But they also explore how these artists speak to shared experiences across the Spanish-speaking diaspora—regardless of the “zip code of their residence, their accents, or their stylistic influences.” The book is packed with delightful easter eggs, too, like playlist recommendations from guest contributors. Its creative direction is vividly inspired by the blogs and streaming platforms that revolutionized the decade, with tracklists, sidebars, and credits surrounding each review as though you can click on them. Whether you’re reading up on culture-shifting artists like Arca, or discovering Puerto Rican trap pioneers like Füete Billëte, Testigos del fin del mundo is an illuminating compendium that documents scenes and sounds that have lived in the shadows for too long. —Isabelia Herrera

Rey Naranjo Editores

Wayward: Just Another Life to Live

Those drawn to Vashti Bunyan ’s memoir likely know her story already: a ’70s British singer-songwriter whose freak-folk debut Just Another Diamond Day developed a cult following—thanks in part to fans like Animal Collective and Devendra Banhart—that inspired her to return in the 2000s with a long-awaited follow-up. Originally released in the UK last year, Wayward delivers far more than that familiar redemption arc.

Bunyan’s life story is one of striking defiance and quiet beauty, the combination of which moves the heart in unexpected ways. She recounts wearing the fragile shellac of her father’s 78s so thin that her parents removed the needle as punishment; skipping class to play guitar and fraternize with soon-to-be Monty Python co-founders Michael Palin and Terry Jones; and recording her debut single with Jimmy Page while Mick Jagger facetiously imitated her voice. “I was quietly delighting in being a small part of the big fuck-you,” she writes.

Perpetually drawn to the outdoors, from searching for bones amid post-WW2 rubble as a kid, to voyaging to Donovan ’s Scottish commune by horse and carriage in her 20s, Bunyan long rooted her music’s roving spirit in a desire for physicality that’s muddy and crestfallen. For a figure that’s been upheld as fragile and innocent, the true story of Bunyan the musician is that of a woman-turned-nomad fueled by an awareness that the more people and places you meet, the more your perception of the world grows. –Nina Corcoran

White Rabbit

World Within a Song: Music That Changed My Life and Life That Changed My Music

Jeff Tweedy admits in the introduction to his third book, World Within a Song , that he would have started here, with brief love letters to important songs throughout his life, had he been more confident as a writer. Instead, the Wilco frontman felt the pressure to pen a more conventional memoir in 2018’s Let’s Go (So We Can Get Back) , then followed that up with How to Write One Song , his down-to-earth approach to the guru-littered gutters of the “creativity guide” genre. Both books are excellent—warm, funny, unflinchingly honest, and clearly the work of a true music fan. But World Within a Song allows Tweedy to go full nerd, not as a tangent to a story but as the story itself. The effect is something like a book-length version of Pitchfork’s own 5-10-15-20 interview series , where stray memories become reflexively intertwined with certain lyrics or melodies.

Tweedy writes like he talks—direct, enthusiastic, relatable, self-aware when he’s corny—and it’s a quick and enjoyable read even when he opines on well-worn hits like “Smoke on the Water.” The best parts are when he focuses on specific moments with family members that shifted his view of things: his mom connecting to Lene Lovich’s “Lucky Number” while watching the “New Wave” episode of The Midnight Special with him, her own “you live alone, you die alone” worldview reflected back; discovering, after many years of assuming otherwise, that his cousin did not write Bachman–Turner Overdrive’s “Takin’ Care of Business.” It’s not all classic rock and vintage alternative, though—I gotta hand it to Tweedy, I didn’t expect to be so moved by his take on Rosalía’s “Bizcochito.” He writes, upon Googling lyric translations and realizing he’d understood the emotion even though he doesn’t speak Spanish, “I could actually hear the look on her face. I could see the man she was singing to—pinpoint the heartache to a specific moment in her life.” –Jill Mapes

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