wrote the essay reading the image

17.5 Writing Process: Thinking Critically and Writing Persuasively About Images

Learning outcomes.

By the end of this section, you will be able to:

Develop a writing project through multiple drafts.
Employ a variety of drafting strategies to complete an analysis of images.
Apply aspects of visual rhetoric to a writing project.
Participate in the collaborative and social aspects of writing processes.
Give and act effectively on productive feedback.

In this section, you will combine what you learned earlier about reflecting on and analyzing images with another way of writing about images: writing persuasively, or persuading. Like reflecting and analyzing, writing persuasively requires clear, vivid descriptions of the technical aspects of an artwork, such as point of view, arrangement, color, and symbolism, as explained in Glance at Genre: Relationship Between Image and Rhetoric . Remember that reflecting on an image helps you make sense of both the image and your experience from different perspectives. Reading other people’s reflections expands your universe of experience. Analyzing images improves your critical thinking skills by synthesizing description, reflection, and logical thinking to determine what an image’s design elements mean. You write persuasively about images when you determine that an image’s meaning has or does not have a value (that you define) for its viewers. For example, Leo Davis, in his analysis of Dancing Sailors in Annotated Student Sample , determines the homoerotic message in the image and the painter’s tone or attitude toward his subject. You can also extend the scope of persuasion to make a recommendation about the status or merit of the work, as you will do in this assignment.

Writing Persuasively about Images

Like reflection, persuasion starts with context and description and can include personal reflections. The difference is primarily in the purpose and often the tone, or attitude toward the subject and audience. The purpose generally falls into one of three categories:

What is the image’s value? In the art world, these discussions are commonplace. Major publications such as the New Yorker or Harper’s Magazine publish reviews of artists, galleries, and exhibitions. Critics and scholars argue that such discussions serve to establish a society’s values and to benchmark the limits of what a society will and will not tolerate. Certainly, 2020 witnessed an explosion of such conversations. Protestors created images meant for display on public property, many of which were identified as graffiti or acts of vandalism; streets and other locations were renamed to reflect a growing awareness of the role that Black excellence has played in America’s history; and monuments and memorials relating to injustice were reevaluated, vandalized, and removed.
What happened? Forensic arguments often relate to legal situations, in which lawyers, judges, and juries try to determine what happened and how to respond. In the case of images, these techniques are applied to assess the circumstances of an image’s creation as well as its critical and modern reception.
What should happen? In the public sector, officials decide whether to fund artistic works. In the private sector, companies decide on images that faithfully represent their brands and values.

In persuasive writing, the purpose is usually revealed in a thesis statement , a single sentence, sometimes two, that defines the author’s position and gives one or more reasons for it. The thesis usually appears at the end of the introduction, although it can occur at the start of either the introduction or the conclusion.

Look again at Figure 17.3 , in which a woman wears a mask that reads, “I can’t breathe.” Table 17.1 below outlines a thesis statement based on that image that might apply to each of the three persuasive writing purposes.

The tone of a persuasive piece can range from educational to impassioned and is largely based on the audience to which it is directed. Most writing about images is done in the neutral tone typically adopted in academic writing, although you may find reviews or essays that are informal and others that are scholarly.

Taking a Side

In ‘Reading’ Images , you read a description of and some reflections on Figure 17.3 , an image of woman wearing a mask reading, “I Can’t Breathe.” You also read a brief analysis of the figure, combining description, historical context, and the visual design element of juxtaposition. Now, in Table 17.2 , look at what two sides of a persuasive discussion of Figure 17.3 might look like.

Summary of Assignment: Writing Persuasively about an Image

Public works projects such as stadiums or convention centers, private developments such as condominiums and shopping centers, and online spaces such as websites and social media platforms all commission artists to create exclusive works for display. These works are intended to reflect the vision of the artist as well as to promote the brand or mission of the space. Imagine that you have been asked to analyze an artist’s work to determine whether the artist should contribute to the development of a local space that you select. Select the work of an artist, either Sara Ludy or another artist whose work is familiar to you or whose work you would like to learn more about. See Further Resources at the end of this chapter for suggested museums to visit in person or online. You can choose from historical figures or living artists. You can even choose an artist who illustrated a graphic novel you have read. Once you have chosen an artist and an image created by that artist, identify the aspects of the work you wish to assess, and support your analysis with technical descriptions of the image. Then, explain why you reached your decision about the artist’s contribution to the selected space.

The parts in this section will take you through the development of a sample essay, using the example of American sculptor James Earle Fraser ’s (1876–1953) Equestrian Statue of Theodore Roosevelt . As you follow along in this process, consider how it applies to your topic. Think of the process as divided into these six steps:

Identify the rhetorical situation.
Outline the elements you intend to analyze.
Write an introduction in which you frame the image and the context in which you intend to discuss it.
As you draft, or before you draft the body of the essay, write topic sentences to identify the focus of each paragraph on a specific technical or contextual aspect of the image.
Build your paragraphs by describing the relevant elements.
Conclude by suggesting directions to consider in the future.

Another Lens 1. Visit Sara Ludy’s website and select an image, a rendering, or an animation that speaks to you in some way, and identify the technical aspects you wish to assess. Support your analysis with descriptions of the image, using the vocabulary introduced in “Reading” Images and Glance at Genre: Relationship Between Image and Rhetoric . Then, as an option, consider whether or not you would advise an individual to purchase the work or how you would advise an organization to use it (or not use it) as a representative image—for example, as part of a logo or cover for a publication.

Another Lens 2. Another option for assessing an artist’s work is to compare and contrast this work with another piece, either by Sara Ludy or by a different artist. In doing so, you may consider ways in which the artist and their work have changed over time, or you may consider the influence one artist has on another. Finally, you may consider the images in different contexts through the lens of the artists’ experiences, places in history, personal identities, and artistic practices.

Another Lens 3. Consider a work from a multimodal perspective. If you are interested in the connections of art and culture, consider choosing a piece of historic or contemporary Native American art. You can find information and view images at the websites for the National Museum of the American Indian and the Hearts of Our People: Native Women Artists exhibition at the Smithsonian American Art Museum. Create an infographic or a short video assessing the chosen artwork. An infographic incorporates multiple images and texts into a single image that can be read and understood quickly. A short video could work in a similar way, but the images would be presented sequentially with narration, either spoken or written. Your multimodal work should consider the elements of visual rhetoric discussed throughout this chapter and combine reflection with analysis and persuasion. See Multimodal and Online Writing: Creative Interaction between Text and Image for more information on creating a multimodal work.

Quick Launch: Identify Rhetorical Context

In this writing example, the statue of former U.S. president Theodore Roosevelt (1858–1919) ( Figure 17.16 ) is analyzed as part of the museum’s decision to keep it or remove it. To begin, the author of this paper (a college student, U.S. citizen, and nursing major) defines the rhetorical situation: purpose, audience, genre, stance, context, and culture. Complete the first step in the assignment as this author has done by consulting the writer’s triangle to sketch out these elements. The writer’s triangle ( Figure 17.17 ) includes audience, genre, and stance and is surrounded by the circle of context/culture. The image allows you to “shorthand” your ideas about these elements during the brainstorming phase, as the author has done beneath the figure.

Purpose: To analyze the Equestrian Statue of Theodore Roosevelt
Audience: Instructor, fellow students, and U.S. residents
Genre: Print or digital newsletter or magazine article
Stance: To support the American Museum of Natural History’s decision to remove the statue of Theodore Roosevelt
Context: Roosevelt’s presidency and what he accomplished, the relationship between him and the American Museum of Natural History, and the elements of the statue warranting its inclusion or exclusion
Culture: Critics have said that the statue depicts Black people and Native Americans as conquered and culturally substandard.

Note: Do not confuse context with your rhetorical situation, which, in this case, is a writing assignment for a college course, part of a portfolio and a learning technique in which you practice a type of civil discourse. Meanwhile, context in this case refers to the image—the circumstances of its creation, its technical elements, and how its meaning may change over time.

Sometimes the elements of your rhetorical situation are not made explicit. Signs that you need clarification include the following:

Trouble getting started
Difficulty understanding how much background information to provide
Not knowing which terms are too technical or which need to be defined

For clarity about purpose, audience, genre, or culture, talk to your peers and instructor using the questions in Table 17.3 as a guide.

Regarding context, you may need to do some research on the image:

Who is the image’s author?
When was it created?
For what purpose was it created?
Has the image been featured in reviews or the news?
Does the image include important symbols or references?

After you have defined your rhetorical situation, write a working thesis for your paper. Consider using one or a combination of these frames. You may change the phrasing as needed to make your point.

The artist’s choice of ________ shapes the viewer’s understanding of ________.
The artist incorporates ________ to symbolize ________.
The image’s point of view reveals that ________.
The artist’s style, including ________, suggests that ________.
The image evokes feelings of ________.

Drafting: The Visual to the Textual

After you have a working thesis, move on to the next major step: outlining the visual elements you intend to analyze. Review the material in “Reading” Images and Glance at Genre: Relationship Between Image and Rhetoric . In the case of the Roosevelt statue, the author has thought about which technical elements of the statue to analyze. The author also has considered the important aspects of the historical context shaping Theodore Roosevelt’s life, presidency, and legacy; the museum and the cultural events in the year the statue was erected; and the cultural events in the year the decision is being made about whether to remove the statue. Remember that you may need to do some additional research to supplement your understanding of the context.

Analyze the Image

With a larger understanding of your subject’s social, political, and cultural context, you can now begin to analyze the image. Limit your descriptions to what you can see and what your observations imply. Consider the following examples:

Pattern. Identify the repetition of the figures, but note the differences in the ways each is depicted. Identify any lines or other elements that are repeated with variation.
Point of view. The statue is tall and on a pedestal, requiring viewers to look up or see it from a distance.
Arrangement. Three figures are arranged in a triangle, suggesting an apex with two supporting angles. Among the figures, the president is tallest, always visible, whereas the two accompanying figures can be seen fully only from either the front or the back. From the side, one or the other is always obscured.
Symbolism. Each man is dressed in the clothing representative of his homeland. The two to the side are clearly allegorical, whereas the one on top is given individuality and freedom of expression.
Conclusion. Outline criteria that could be used in the future to determine how symbols of or memorials to historical figures should be assessed.

Write an Introduction

In your introduction, name the artist, the image, and the context in which you intend to discuss it. See the suggestions above for research you may need to do regarding context. If you do research, remember to cite the sources you use because this information did not originate with you. The context may consist of one or two paragraphs, depending on how much information your audience needs to understand your analysis. (This is one reason to have a good understanding of your audience.) This type of introduction appears frequently in visual analyses and persuasive papers.

The two keys to writing a strong context are (1) being selective about what you include and (2) framing your own analysis. For example, Theodore Roosevelt is an important historical figure, and many books have been written about him. Even two paragraphs are insufficient to summarize every relevant detail about him. Likewise, the American Museum of Natural History plays a significant role in documenting mammalian life and has a vital, if at times controversial, role in American scientific history. In the two paragraphs below, the author selects details about the president, the museum, and the statue that both highlight the reasons they are admired and touch on their potential failings. These details are not all-inclusive; they are carefully culled from all of the available information to lead up to the subsequent analysis, which focuses on the reasons to remove the statue. The last sentence in the second paragraph is the thesis, in which the author states her agreement with the museum’s decision.

Contextual Introduction

student sample text Theodore Roosevelt cultivated a hearty outdoor lifestyle, exploring the Dakota Territory in the 1890s, serving as a Rough Rider during the Spanish-American War (1898), and advocating for the conservation of America’s natural resources. Despite criticism for the way in which he acquired the land and rights to construct the Panama Canal, he was widely respected both at home and abroad, being awarded the Nobel Peace Prize (1906) for helping negotiate a peace treaty between Japan and Russia. After his presidency, he traveled extensively throughout Africa and South America, where he killed many animals and returned them to serve as specimens in America’s natural history museums. He was himself shot while campaigning, but as the bullet did not penetrate his lung, he gave his speech regardless, earning him the reputation of a bull moose. end student sample text student sample text A statue commemorating Roosevelt was presented to the public in 1940, two decades after his death, and placed in front of the American Museum of Natural History in New York City, where Roosevelt served as governor from 1899 to 1900. On one side of Roosevelt, depicted on horseback at the center of the sculpture, walks an African person, and on the other an Indigenous person. All three figures have a straight, proud posture and look directly ahead of them, toward the future. Given its placement, the statue is likely intended as an allegory, depicting the men of two continents—Africa and North America, including its Indigenous people—on a voyage of discovery and learning. Over time, however, and given the hierarchical framing of the image, with the White man clothed in a suit and atop a horse, central to the image, the statue’s meaning has changed, leading to the praiseworthy and long-awaited decision to remove it in 2020. end student sample text

Create Topic Sentences

Use the models below to create your own topic sentences to focus each paragraph on a specific technical or contextual aspect of the image.

Pattern. The sculpture unites the three figures—four, including the horse—primarily through the repetition of musculature, armor, weapons, and costumes.
Point of view. Because the sculpture is large, tall, and set on a pedestal, it requires viewers either to look up at it or to regard it from a distance—both postures requiring a certain degree of reverence.
Arrangement. The sculpture’s three human figures are arranged in a triangle, suggesting an apex with two supporting angles.
Symbolism. Each man is dressed in the clothing of his homeland, giving each allegorical significance as racial, rather than individual, representations.

Build Body Paragraphs

Support each topic sentence by describing in detail the elements you have chosen to assess. When describing the image, avoid overuse of adjectives and adverbs. Use concrete rather than abstract nouns. Abstract nouns name ideas, such as perspective or theme ; concrete nouns refer to specific, tangible elements, such as triangle , line , or granite . Incorporate strong verbs as well as the necessary forms of to be ( is , are , was , were ). Think about what the features in the image are doing— the ways they interact with one another, the space around them, and the viewer’s relationship to them. Finally, avoid speculation while going beyond description. Keep the discussion rooted in the evidence, and show readers what the evidence points to, what it means.

Sample Body Paragraph: Arrangement

student sample text The sculpture’s three human figures are arranged in a triangle, suggesting an apex with two supporting angles. President Roosevelt is by far the tallest of the three and always visible from whichever angle the viewer faces the sculpture. Meanwhile, the two flanking figures can be seen fully only from the front or the back, suggesting that they lack nuance or subtlety because they can be seen and understood only directly. When seen from an angle, they are either overshadowed by the White man on horseback or disappear from view. Similarly, level with the Native American and the African is the horse, all three depicted with sharply defined muscles, highlighting their strength. Roosevelt is similarly well defined but fully clothed and towering over both the animal and the two men. Overall, the sculpture suggests, at the very least, a hierarchy among the three men and, at worst, a dominance of the White man over those of color. end student sample text

Formulate a Conclusion

After you have developed the body paragraphs in which you analyze and reflect on the image, conclude by expanding on your thesis and suggesting directions to consider in the future. One important role of the conclusion is to further the discourse by showing how this rhetorical moment is merely one example of other such discourses and how they can be used productively in other contexts. In this case, an effective strategy would be to outline criteria for memorials of historical figures, even those with complicated legacies and flaws.

Sample Conclusion

student sample text The people concerned with public spaces—city planners, museum curators, and government and other leaders—must determine who is worthy of remembrance and how. In doing so, they need to consider historical, contextual, cultural, and artistic concerns, and they must seek and respond to public input. Now is the time to draft guidelines for these decisions. end student sample text

Peer Review: Separate the Personal from the Technical

After you have drafted your paper, you are ready to review the work of your peers while they review your work. Keep in mind that you and your peers are almost certainly going to respond to images differently. This is the value of critical discourse about visual rhetoric: pooling shared responses and experiences helps develop a greater understanding of the human condition. As you review your peers’ writing, part of your task is to separate your personal responses from the writer’s analysis of the image’s technical elements.

Here are some topics and questions to get you started on a peer analysis of someone else’s work:

In what ways has the author included enough information to prepare you for the analysis?
What else would you like to know?
Is any information superfluous or irrelevant?
In what ways has the author addressed cultural issues—their own and those of the intended audience?
What else should be considered?
Does a clear outline emerge?
What, if any, changes can you suggest to improve the flow?
In what ways does the paragraph reflect a clear, vivid, and technical description of the image?
In what ways does the paragraph move beyond description into analysis to explain the effect of the technical elements?
Read the conclusion. If the author has not outlined strategies for the future or contributed to ongoing discourse, provide your suggestions, or brainstorm some ideas with them.

Revising: Hone Your Practice

Writing the first draft is hard work, and you are right to feel pride and a sense of accomplishment after completing it. Thus, any critique can feel unjust and even personally wounding. Remember, though, that writing is a process and that everyone is an apprentice, working toward expertise and, eventually, mastery. So take every opportunity you can to learn from others and hone your skills.

First, reward yourself for completing the first draft. You may choose to take a long walk, prepare a favorite meal, or enjoy some leisure time with friends. Savor the moment. Time away from the writing process is time for your writing and thinking muscles to recover. Consider some light reading. Think about it this way—you’ll never build muscle if you go to the gym all day while you starve yourself. In the same way, you’ve expended a lot of vocabulary and sentence- structure energy. Feed it to rebuild it.

Finally, return to your work with a goal in mind and a plan to put it into place. Look at the feedback you received. Does your work require major revision or minor tweaks? If the latter, then your task is simple: make a to-do list and get started! If the former, go back to the drawing board and diagnose your own process, considering the following questions:

Is your current understanding of context, culture, audience, or purpose different from what it was at the outset? If so, what changes do you need to make?
Are your descriptions insufficient, unclear, or vague? Revisit “Reading” Images and Glance at Genre: Relationship Between Image and Rhetoric and consider the terminology and techniques introduced there in light of your image.
Is your analysis insufficient or missing? Review Glance at Genre: Relationship Between Image and Rhetoric and the example in Writing Process: Thinking Critically and Writing Persuasively about Images . Reflect on your image and consider your assumptions.
Do you have a clear introduction, conclusion, and body paragraphs with topic sentences? Is each paragraph fleshed out with meaningful descriptions and analysis?

After you think about these topics and take notes based on your thoughts, you can make a plan and revise your work with confidence.

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Knowledge Base
How to structure an essay: Templates and tips

How to Structure an Essay | Tips & Templates

Published on September 18, 2020 by Jack Caulfield . Revised on July 23, 2023.

The basic structure of an essay always consists of an introduction , a body , and a conclusion . But for many students, the most difficult part of structuring an essay is deciding how to organize information within the body.

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The basics of essay structure, chronological structure, compare-and-contrast structure, problems-methods-solutions structure, signposting to clarify your structure, other interesting articles, frequently asked questions about essay structure.

There are two main things to keep in mind when working on your essay structure: making sure to include the right information in each part, and deciding how you’ll organize the information within the body.

Parts of an essay

The three parts that make up all essays are described in the table below.

Order of information

You’ll also have to consider how to present information within the body. There are a few general principles that can guide you here.

The first is that your argument should move from the simplest claim to the most complex . The body of a good argumentative essay often begins with simple and widely accepted claims, and then moves towards more complex and contentious ones.

For example, you might begin by describing a generally accepted philosophical concept, and then apply it to a new topic. The grounding in the general concept will allow the reader to understand your unique application of it.

The second principle is that background information should appear towards the beginning of your essay . General background is presented in the introduction. If you have additional background to present, this information will usually come at the start of the body.

The third principle is that everything in your essay should be relevant to the thesis . Ask yourself whether each piece of information advances your argument or provides necessary background. And make sure that the text clearly expresses each piece of information’s relevance.

The sections below present several organizational templates for essays: the chronological approach, the compare-and-contrast approach, and the problems-methods-solutions approach.

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The chronological approach (sometimes called the cause-and-effect approach) is probably the simplest way to structure an essay. It just means discussing events in the order in which they occurred, discussing how they are related (i.e. the cause and effect involved) as you go.

A chronological approach can be useful when your essay is about a series of events. Don’t rule out other approaches, though—even when the chronological approach is the obvious one, you might be able to bring out more with a different structure.

Explore the tabs below to see a general template and a specific example outline from an essay on the invention of the printing press.

Thesis statement
Discussion of event/period
Consequences
Importance of topic
Strong closing statement
Claim that the printing press marks the end of the Middle Ages
Background on the low levels of literacy before the printing press
Thesis statement: The invention of the printing press increased circulation of information in Europe, paving the way for the Reformation
High levels of illiteracy in medieval Europe
Literacy and thus knowledge and education were mainly the domain of religious and political elites
Consequence: this discouraged political and religious change
Invention of the printing press in 1440 by Johannes Gutenberg
Implications of the new technology for book production
Consequence: Rapid spread of the technology and the printing of the Gutenberg Bible
Trend for translating the Bible into vernacular languages during the years following the printing press’s invention
Luther’s own translation of the Bible during the Reformation
Consequence: The large-scale effects the Reformation would have on religion and politics
Summarize the history described
Stress the significance of the printing press to the events of this period

Essays with two or more main subjects are often structured around comparing and contrasting . For example, a literary analysis essay might compare two different texts, and an argumentative essay might compare the strengths of different arguments.

There are two main ways of structuring a compare-and-contrast essay: the alternating method, and the block method.

Alternating

In the alternating method, each paragraph compares your subjects in terms of a specific point of comparison. These points of comparison are therefore what defines each paragraph.

The tabs below show a general template for this structure, and a specific example for an essay comparing and contrasting distance learning with traditional classroom learning.

Synthesis of arguments
Topical relevance of distance learning in lockdown
Increasing prevalence of distance learning over the last decade
Thesis statement: While distance learning has certain advantages, it introduces multiple new accessibility issues that must be addressed for it to be as effective as classroom learning
Classroom learning: Ease of identifying difficulties and privately discussing them
Distance learning: Difficulty of noticing and unobtrusively helping
Classroom learning: Difficulties accessing the classroom (disability, distance travelled from home)
Distance learning: Difficulties with online work (lack of tech literacy, unreliable connection, distractions)
Classroom learning: Tends to encourage personal engagement among students and with teacher, more relaxed social environment
Distance learning: Greater ability to reach out to teacher privately
Sum up, emphasize that distance learning introduces more difficulties than it solves
Stress the importance of addressing issues with distance learning as it becomes increasingly common
Distance learning may prove to be the future, but it still has a long way to go

In the block method, each subject is covered all in one go, potentially across multiple paragraphs. For example, you might write two paragraphs about your first subject and then two about your second subject, making comparisons back to the first.

The tabs again show a general template, followed by another essay on distance learning, this time with the body structured in blocks.

Point 1 (compare)
Point 2 (compare)
Point 3 (compare)
Point 4 (compare)
Advantages: Flexibility, accessibility
Disadvantages: Discomfort, challenges for those with poor internet or tech literacy
Advantages: Potential for teacher to discuss issues with a student in a separate private call
Disadvantages: Difficulty of identifying struggling students and aiding them unobtrusively, lack of personal interaction among students
Advantages: More accessible to those with low tech literacy, equality of all sharing one learning environment
Disadvantages: Students must live close enough to attend, commutes may vary, classrooms not always accessible for disabled students
Advantages: Ease of picking up on signs a student is struggling, more personal interaction among students
Disadvantages: May be harder for students to approach teacher privately in person to raise issues

An essay that concerns a specific problem (practical or theoretical) may be structured according to the problems-methods-solutions approach.

This is just what it sounds like: You define the problem, characterize a method or theory that may solve it, and finally analyze the problem, using this method or theory to arrive at a solution. If the problem is theoretical, the solution might be the analysis you present in the essay itself; otherwise, you might just present a proposed solution.

The tabs below show a template for this structure and an example outline for an essay about the problem of fake news.

Introduce the problem
Provide background
Describe your approach to solving it
Define the problem precisely
Describe why it’s important
Indicate previous approaches to the problem
Present your new approach, and why it’s better
Apply the new method or theory to the problem
Indicate the solution you arrive at by doing so
Assess (potential or actual) effectiveness of solution
Describe the implications
Problem: The growth of “fake news” online
Prevalence of polarized/conspiracy-focused news sources online
Thesis statement: Rather than attempting to stamp out online fake news through social media moderation, an effective approach to combating it must work with educational institutions to improve media literacy
Definition: Deliberate disinformation designed to spread virally online
Popularization of the term, growth of the phenomenon
Previous approaches: Labeling and moderation on social media platforms
Critique: This approach feeds conspiracies; the real solution is to improve media literacy so users can better identify fake news
Greater emphasis should be placed on media literacy education in schools
This allows people to assess news sources independently, rather than just being told which ones to trust
This is a long-term solution but could be highly effective
It would require significant organization and investment, but would equip people to judge news sources more effectively
Rather than trying to contain the spread of fake news, we must teach the next generation not to fall for it

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Signposting means guiding the reader through your essay with language that describes or hints at the structure of what follows. It can help you clarify your structure for yourself as well as helping your reader follow your ideas.

The essay overview

In longer essays whose body is split into multiple named sections, the introduction often ends with an overview of the rest of the essay. This gives a brief description of the main idea or argument of each section.

The overview allows the reader to immediately understand what will be covered in the essay and in what order. Though it describes what comes later in the text, it is generally written in the present tense . The following example is from a literary analysis essay on Mary Shelley’s Frankenstein .

Transitions

Transition words and phrases are used throughout all good essays to link together different ideas. They help guide the reader through your text, and an essay that uses them effectively will be much easier to follow.

Various different relationships can be expressed by transition words, as shown in this example.

Because Hitler failed to respond to the British ultimatum, France and the UK declared war on Germany. Although it was an outcome the Allies had hoped to avoid, they were prepared to back up their ultimatum in order to combat the existential threat posed by the Third Reich.

Transition sentences may be included to transition between different paragraphs or sections of an essay. A good transition sentence moves the reader on to the next topic while indicating how it relates to the previous one.

… Distance learning, then, seems to improve accessibility in some ways while representing a step backwards in others.

However , considering the issue of personal interaction among students presents a different picture.

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

Ad hominem fallacy
Post hoc fallacy
Appeal to authority fallacy
False cause fallacy
Sunk cost fallacy

College essays

Choosing Essay Topic
Write a College Essay
Write a Diversity Essay
College Essay Format & Structure
Comparing and Contrasting in an Essay

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The structure of an essay is divided into an introduction that presents your topic and thesis statement , a body containing your in-depth analysis and arguments, and a conclusion wrapping up your ideas.

The structure of the body is flexible, but you should always spend some time thinking about how you can organize your essay to best serve your ideas.

An essay isn’t just a loose collection of facts and ideas. Instead, it should be centered on an overarching argument (summarized in your thesis statement ) that every part of the essay relates to.

The way you structure your essay is crucial to presenting your argument coherently. A well-structured essay helps your reader follow the logic of your ideas and understand your overall point.

Comparisons in essays are generally structured in one of two ways:

The alternating method, where you compare your subjects side by side according to one specific aspect at a time.
The block method, where you cover each subject separately in its entirety.

It’s also possible to combine both methods, for example by writing a full paragraph on each of your topics and then a final paragraph contrasting the two according to a specific metric.

You should try to follow your outline as you write your essay . However, if your ideas change or it becomes clear that your structure could be better, it’s okay to depart from your essay outline . Just make sure you know why you’re doing so.

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What does Emerson say about self-reliance?

In Emerson's essay “ Self-Reliance ,” he boldly states society (especially today’s politically correct environment) hurts a person’s growth.

Emerson wrote that self-sufficiency gives a person in society the freedom they need to discover their true self and attain their true independence.

Believing that individualism, personal responsibility , and nonconformity were essential to a thriving society. But to get there, Emerson knew that each individual had to work on themselves to achieve this level of individualism.

Today, we see society's breakdowns daily and wonder how we arrived at this state of society. One can see how the basic concepts of self-trust, self-awareness, and self-acceptance have significantly been ignored.

Who published self-reliance?

Ralph Waldo Emerson wrote the essay, published in 1841 as part of his first volume of collected essays titled "Essays: First Series."

It would go on to be known as Ralph Waldo Emerson's Self Reliance and one of the most well-known pieces of American literature.

The collection was published by James Munroe and Company.

What are the examples of self-reliance?

Examples of self-reliance can be as simple as tying your shoes and as complicated as following your inner voice and not conforming to paths set by society or religion.

Self-reliance can also be seen as getting things done without relying on others, being able to “pull your weight” by paying your bills, and caring for yourself and your family correctly.

Self-reliance involves relying on one's abilities, judgment, and resources to navigate life. Here are more examples of self-reliance seen today:

Entrepreneurship: Starting and running your own business, relying on your skills and determination to succeed.

Financial Independence: Managing your finances responsibly, saving money, and making sound investment decisions to secure your financial future.

Learning and Education: Taking the initiative to educate oneself, whether through formal education, self-directed learning, or acquiring new skills.

Problem-Solving: Tackling challenges independently, finding solutions to problems, and adapting to changing circumstances.

Personal Development: Taking responsibility for personal growth, setting goals, and working towards self-improvement.

Homesteading: Growing your food, raising livestock, or becoming self-sufficient in various aspects of daily life.

DIY Projects: Undertaking do-it-yourself projects, from home repairs to crafting, without relying on external help.

Living Off the Grid: Living independently from public utilities, generating your energy, and sourcing your water.

Decision-Making: Trusting your instincts and making decisions based on your values and beliefs rather than relying solely on external advice.

Crisis Management: Handling emergencies and crises with resilience and resourcefulness without depending on external assistance.

These examples illustrate different facets of self-reliance, emphasizing independence, resourcefulness, and the ability to navigate life autonomously.

What is the purpose of self reliance by Emerson?

In his essay, " Self Reliance, " Emerson's sole purpose is the want for people to avoid conformity. Emerson believed that in order for a man to truly be a man, he was to follow his own conscience and "do his own thing."

Essentially, do what you believe is right instead of blindly following society.

Why is it important to be self reliant?

While getting help from others, including friends and family, can be an essential part of your life and fulfilling. However, help may not always be available, or the assistance you receive may not be what you had hoped for.

It is for this reason that Emerson pushed for self-reliance. If a person were independent, could solve their problems, and fulfill their needs and desires, they would be a more vital member of society.

This can lead to growth in the following areas:

Empowerment: Self-reliance empowers individuals to take control of their lives. It fosters a sense of autonomy and the ability to make decisions independently.

Resilience: Developing self-reliance builds resilience, enabling individuals to bounce back from setbacks and face challenges with greater adaptability.

Personal Growth: Relying on oneself encourages continuous learning and personal growth. It motivates individuals to acquire new skills and knowledge.

Freedom: Self-reliance provides a sense of freedom from external dependencies. It reduces reliance on others for basic needs, decisions, or validation.

Confidence: Achieving goals through one's own efforts boosts confidence and self-esteem. It instills a belief in one's capabilities and strengthens a positive self-image.

Resourcefulness: Being self-reliant encourages resourcefulness. Individuals learn to solve problems creatively, adapt to changing circumstances, and make the most of available resources.

Adaptability: Self-reliant individuals are often more adaptable to change. They can navigate uncertainties with a proactive and positive mindset.

Reduced Stress: Dependence on others can lead to stress and anxiety, especially when waiting for external support. Self-reliance reduces reliance on external factors for emotional well-being.

Personal Responsibility: It promotes a sense of responsibility for one's own life and decisions. Self-reliant individuals are more likely to take ownership of their actions and outcomes.

Goal Achievement: Being self-reliant facilitates the pursuit and achievement of personal and professional goals. It allows individuals to overcome obstacles and stay focused on their objectives.

Overall, self-reliance contributes to personal empowerment, mental resilience, and the ability to lead a fulfilling and purposeful life. While collaboration and support from others are valuable, cultivating a strong sense of self-reliance enhances one's capacity to navigate life's challenges independently.

What did Emerson mean, "Envy is ignorance, imitation is suicide"?

According to Emerson, no kernel of nourishing corn can come to you independently, but every person is given a plot of ground to till.

In other words, Emerson believed that a person's main focus in life is to work on oneself, increasing their maturity and intellect, and overcoming insecurities, which will allow a person to be self-reliant to the point where they no longer envy others but measure themselves against how they were the day before.

When we do become self-reliant, we focus on creating rather than imitating. Being someone we are not is just as damaging to the soul as suicide.

Envy is ignorance: Emerson suggests that feeling envious of others is a form of ignorance. Envy often arises from a lack of understanding or appreciation of one's unique qualities and potential. Instead of being envious, individuals should focus on discovering and developing their talents and strengths.

Imitation is suicide: Emerson extends the idea by stating that imitation, or blindly copying others, is a form of self-destruction. He argues that true individuality and personal growth come from expressing one's unique voice and ideas. In this context, imitation is seen as surrendering one's identity and creativity, leading to a kind of "spiritual death."

What are the transcendental elements in Emerson’s self-reliance?

The five predominant elements of Transcendentalism are nonconformity, self-reliance, free thought, confidence, and the importance of nature.

The Transcendentalism movement emerged in New England between 1820 and 1836. It is essential to differentiate this movement from Transcendental Meditation, a distinct practice.

According to the Stanford Encyclopedia of Philosophy, Transcendentalism is characterized as "an American literary, political, and philosophical movement of the early nineteenth century, centered around Ralph Waldo Emerson." A central tenet of this movement is the belief that individual purity can be 'corrupted' by society.

Are Emerson's writings referenced in pop culture?

Emerson has made it into popular culture. One such example is in the film Next Stop Wonderland released in 1998. The reference is a quote from Emerson's essay on Self Reliance, "A foolish consistency is the hobgoblin of little minds."

This becomes a running theme in the film as a single woman (Hope Davis ), who is quite familiar with Emerson's writings and showcases several men taking her on dates, attempting to impress her by quoting the famous line, only to botch the line and also giving attribution to the wrong person. One gentleman says confidently it was W.C. Fields, while another matches the quote with Cicero. One goes as far as stating it was Karl Marx!

Why does Emerson say about self confidence?

Content is coming very soon.

Self-Reliance: The Complete Essay

Ne te quaesiveris extra."

Man is his own star; and the soul that can Render an honest and a perfect man, Commands all light, all influence, all fate ; Nothing to him falls early or too late. Our acts our angels are, or good or ill, Our fatal shadows that walk by us still." Epilogue to Beaumont and Fletcher's Honest Man's Fortune Cast the bantling on the rocks, Suckle him with the she-wolf's teat; Wintered with the hawk and fox, Power and speed be hands and feet.

Ralph Waldo Emerson left the ministry to pursue a career in writing and public speaking. Emerson became one of America's best known and best-loved 19th-century figures. More About Emerson

Ralph Waldo Emerson Self Reliance Summary

The essay “Self-Reliance,” written by Ralph Waldo Emerson, is, by far, his most famous piece of work. Emerson, a Transcendentalist, believed focusing on the purity and goodness of individualism and community with nature was vital for a strong society. Transcendentalists despise the corruption and conformity of human society and institutions. Published in 1841, the Self Reliance essay is a deep-dive into self-sufficiency as a virtue.

In the essay "Self-Reliance," Ralph Waldo Emerson advocates for individuals to trust in their own instincts and ideas rather than blindly following the opinions of society and its institutions. He argues that society encourages conformity, stifles individuality, and encourages readers to live authentically and self-sufficient lives.

Emerson also stresses the importance of being self-reliant, relying on one's own abilities and judgment rather than external validation or approval from others. He argues that people must be honest with themselves and seek to understand their own thoughts and feelings rather than blindly following the expectations of others. Through this essay, Emerson emphasizes the value of independence, self-discovery, and personal growth.

What is the Meaning of Self-Reliance?

I read the other day some verses written by an eminent painter which were original and not conventional. The soul always hears an admonition in such lines, let the subject be what it may. The sentiment they instill is of more value than any thought they may contain. To believe your own thought, to think that what is true for you in your private heart is true for all men, — that is genius.

Speak your latent conviction, and it shall be the universal sense; for the inmost in due time becomes the outmost,—— and our first thought is rendered back to us by the trumpets of the Last Judgment. Familiar as the voice of the mind is to each, the highest merit we ascribe to Moses, Plato, and Milton is, that they set at naught books and traditions, and spoke not what men but what they thought. A man should learn to detect and watch that gleam of light that flashes across his mind from within, more than the luster of the firmament of bards and sages. Yet he dismisses without notice his thought because it is his. In every work of genius, we recognize our own rejected thoughts: they come back to us with a certain alienated majesty.

Great works of art have no more affecting lessons for us than this. They teach us to abide by our spontaneous impression with good-humored inflexibility than most when the whole cry of voices is on the other side. Else, tomorrow a stranger will say with masterly good sense precisely what we have thought and felt all the time, and we shall be forced to take with shame our own opinion from another.

There is a time in every man's education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better, for worse, as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given to him to till. The power which resides in him is new in nature, and none but he knows what that is which he can do, nor does he know until he has tried. Not for nothing one face, one character, one fact, makes much impression on him, and another none. This sculpture in the memory is not without preestablished harmony. The eye was placed where one ray should fall, that it might testify of that particular ray. We but half express ourselves and are ashamed of that divine idea which each of us represents. It may be safely trusted as proportionate and of good issues, so it be faithfully imparted, but God will not have his work made manifest by cowards. A man is relieved and gay when he has put his heart into his work and done his best; but what he has said or done otherwise, shall give him no peace. It is a deliverance that does not deliver. In the attempt his genius deserts him; no muse befriends; no invention, no hope.

Trust Thyself: Every Heart Vibrates To That Iron String.

Accept the place the divine providence has found for you, the society of your contemporaries, and the connection of events. Great men have always done so, and confided themselves childlike to the genius of their age, betraying their perception that the absolutely trustworthy was seated at their heart, working through their hands, predominating in all their being. And we are now men, and must accept in the highest mind the same transcendent destiny; and not minors and invalids in a protected corner, not cowards fleeing before a revolution, but guides, redeemers, and benefactors, obeying the Almighty effort, and advancing on Chaos and the Dark.

What pretty oracles nature yields to us in this text, in the face and behaviour of children, babes, and even brutes! That divided and rebel mind, that distrust of a sentiment because our arithmetic has computed the strength and means opposed to our purpose, these have not. Their mind being whole, their eye is as yet unconquered, and when we look in their faces, we are disconcerted. Infancy conforms to nobody: all conform to it, so that one babe commonly makes four or five out of the adults who prattle and play to it. So God has armed youth and puberty and manhood no less with its own piquancy and charm, and made it enviable and gracious and its claims not to be put by, if it will stand by itself. Do not think the youth has no force, because he cannot speak to you and me. Hark! in the next room his voice is sufficiently clear and emphatic. It seems he knows how to speak to his contemporaries. Bashful or bold, then, he will know how to make us seniors very unnecessary.

The nonchalance of boys who are sure of a dinner, and would disdain as much as a lord to do or say aught to conciliate one, is the healthy attitude of human nature. A boy is in the parlour what the pit is in the playhouse; independent, irresponsible, looking out from his corner on such people and facts as pass by, he tries and sentences them on their merits, in the swift, summary way of boys, as good, bad, interesting, silly, eloquent, troublesome. He cumbers himself never about consequences, about interests: he gives an independent, genuine verdict. You must court him: he does not court you. But the man is, as it were, clapped into jail by his consciousness. As soon as he has once acted or spoken with eclat, he is a committed person, watched by the sympathy or the hatred of hundreds, whose affections must now enter into his account. There is no Lethe for this. Ah, that he could pass again into his neutrality! Who can thus avoid all pledges, and having observed, observe again from the same unaffected, unbiased, unbribable, unaffrighted innocence, must always be formidable. He would utter opinions on all passing affairs, which being seen to be not private, but necessary, would sink like darts into the ear of men, and put them in fear.

Society everywhere is in conspiracy - Ralph Waldo Emerson

These are the voices which we hear in solitude, but they grow faint and inaudible as we enter into the world. Society everywhere is in conspiracy against the manhood of every one of its members. Society is a joint-stock company, in which the members agree, for the better securing of his bread to each shareholder, to surrender the liberty and culture of the eater. The virtue in most request is conformity. Self-reliance is its aversion. It loves not realities and creators, but names and customs.

Whoso would be a man must be a nonconformist. He who would gather immortal palms must not be hindered by the name of goodness, but must explore if it be goodness. Nothing is at last sacred but the integrity of your own mind. Absolve you to yourself, and you shall have the suffrage of the world. I remember an answer which when quite young I was prompted to make to a valued adviser, who was wont to importune me with the dear old doctrines of the church. On my saying, What have I to do with the sacredness of traditions, if I live wholly from within? my friend suggested, — "But these impulses may be from below, not from above." I replied, "They do not seem to me to be such; but if I am the Devil's child, I will live then from the Devil." No law can be sacred to me but that of my nature. Good and bad are but names very readily transferable to that or this; the only right is what is after my constitution, the only wrong what is against it. A man is to carry himself in the presence of all opposition, as if every thing were titular and ephemeral but he. I am ashamed to think how easily we capitulate to badges and names, to large societies and dead institutions. Every decent and well-spoken individual affects and sways me more than is right. I ought to go upright and vital, and speak the rude truth in all ways. If malice and vanity wear the coat of philanthropy, shall that pass? If an angry bigot assumes this bountiful cause of Abolition, and comes to me with his last news from Barbadoes, why should I not say to him, 'Go love thy infant; love thy wood-chopper: be good-natured and modest: have that grace; and never varnish your hard, uncharitable ambition with this incredible tenderness for black folk a thousand miles off. Thy love afar is spite at home.' Rough and graceless would be such greeting, but truth is handsomer than the affectation of love. Your goodness must have some edge to it, — else it is none. The doctrine of hatred must be preached as the counteraction of the doctrine of love when that pules and whines. I shun father and mother and wife and brother, when my genius calls me. The lintels of the door-post I would write on, Whim . It is somewhat better than whim at last I hope, but we cannot spend the day in explanation. Expect me not to show cause why I seek or why I exclude company. Then, again, do not tell me, as a good man did to-day, of my obligation to put all poor men in good situations. Are they my poor? I tell thee, thou foolish philanthropist, that I grudge the dollar, the dime, the cent, I give to such men as do not belong to me and to whom I do not belong. There is a class of persons to whom by all spiritual affinity I am bought and sold; for them I will go to prison, if need be; but your miscellaneous popular charities; the education at college of fools; the building of meeting-houses to the vain end to which many now stand; alms to sots; and the thousandfold Relief Societies; — though I confess with shame I sometimes succumb and give the dollar, it is a wicked dollar which by and by I shall have the manhood to withhold.

Virtues are, in the popular estimate, rather the exception than the rule. There is the man and his virtues. Men do what is called a good action, as some piece of courage or charity, much as they would pay a fine in expiation of daily non-appearance on parade. Their works are done as an apology or extenuation of their living in the world, — as invalids and the insane pay a high board. Their virtues are penances. I do not wish to expiate, but to live. My life is for itself and not for a spectacle. I much prefer that it should be of a lower strain, so it be genuine and equal, than that it should be glittering and unsteady. Wish it to be sound and sweet, and not to need diet and bleeding. The primary evidence I ask that you are a man, and refuse this appeal from the man to his actions. For myself it makes no difference that I know, whether I do or forbear those actions which are reckoned excellent. I cannot consent to pay for a privilege where I have intrinsic right. Few and mean as my gifts may be, I actually am, and do not need for my own assurance or the assurance of my fellows any secondary testimony.

What I must do is all that concerns me, not what the people think.

This rule, equally arduous in actual and in intellectual life, may serve for the whole distinction between greatness and meanness. It is the harder, because you will always find those who think they know what is your duty better than you know it. The easy thing in the world is to live after the world's opinion; it is easy in solitude to live after our own; but the great man is he who in the midst of the crowd keeps with perfect sweetness the independence of solitude.

The objection to conforming to usages that have become dead to you is, that it scatters your force. It loses your time and blurs the impression of your character. If you maintain a dead church, contribute to a dead Bible-society, vote with a great party either for the government or against it, spread your table like base housekeepers, — under all these screens I have difficulty to detect the precise man you are. And, of course, so much force is withdrawn from your proper life. But do your work, and I shall know you. Do your work, and you shall reinforce yourself. A man must consider what a blindman's-buff is this game of conformity. If I know your sect, I anticipate your argument. I hear a preacher announce for his text and topic the expediency of one of the institutions of his church. Do I not know beforehand that not possibly can he say a new and spontaneous word? With all this ostentation of examining the grounds of the institution, do I not know that he will do no such thing? Do not I know that he is pledged to himself not to look but at one side, — the permitted side, not as a man, but as a parish minister? He is a retained attorney, and these airs of the bench are the emptiest affectation. Well, most men have bound their eyes with one or another handkerchief, and attached themselves to some one of these communities of opinion. This conformity makes them not false in a few particulars, authors of a few lies, but false in all particulars. Their every truth is not quite true. Their two is not the real two, their four not the real four; so that every word they say chagrins us, and we know not where to begin to set them right. Meantime nature is not slow to equip us in the prison-uniform of the party to which we adhere. We come to wear one cut of face and figure, and acquire by degrees the gentlest asinine expression. There is a mortifying experience in particular, which does not fail to wreak itself also in the general history; I mean "the foolish face of praise," the forced smile which we put on in company where we do not feel at ease in answer to conversation which does not interest us. The muscles, not spontaneously moved, but moved by a low usurping wilfulness, grow tight about the outline of the face with the most disagreeable sensation.

For nonconformity the world whips you with its displeasure. And therefore a man must know how to estimate a sour face. The by-standers look askance on him in the public street or in the friend's parlour. If this aversation had its origin in contempt and resistance like his own, he might well go home with a sad countenance; but the sour faces of the multitude, like their sweet faces, have no deep cause, but are put on and off as the wind blows and a newspaper directs. Yet is the discontent of the multitude more formidable than that of the senate and the college. It is easy enough for a firm man who knows the world to brook the rage of the cultivated classes. Their rage is decorous and prudent, for they are timid as being very vulnerable themselves. But when to their feminine rage the indignation of the people is added, when the ignorant and the poor are aroused, when the unintelligent brute force that lies at the bottom of society is made to growl and mow, it needs the habit of magnanimity and religion to treat it godlike as a trifle of no concernment.

The other terror that scares us from self-trust is our consistency; a reverence for our past act or word, because the eyes of others have no other data for computing our orbit than our past acts, and we are loath to disappoint them.

But why should you keep your head over your shoulder? Why drag about this corpse of your memory, lest you contradict somewhat you have stated in this or that public place? Suppose you should contradict yourself; what then? It seems to be a rule of wisdom never to rely on your memory alone, scarcely even in acts of pure memory, but to bring the past for judgment into the thousand-eyed present, and live ever in a new day. In your metaphysics you have denied personality to the Deity: yet when the devout motions of the soul come, yield to them heart and life, though they should clothe God with shape and color. Leave your theory, as Joseph his coat in the hand of the harlot, and flee.

A foolish consistency is the hobgoblin of little minds, adored by little statesmen and philosophers and divines. With consistency a great soul has simply nothing to do. He may as well concern himself with his shadow on the wall. Speak what you think now in hard words, and to-morrow speak what to-morrow thinks in hard words again, though it contradict every thing you said to-day. — 'Ah, so you shall be sure to be misunderstood.' — Is it so bad, then, to be misunderstood? Pythagoras was misunderstood, and Socrates, and Jesus, and Luther, and Copernicus, and Galileo, and Newton, and every pure and wise spirit that ever took flesh. To be great is to be misunderstood.

Do not follow where the path may lead - Ralph Waldo Emerson

I suppose no man can violate his nature.

All the sallies of his will are rounded in by the law of his being, as the inequalities of Andes and Himmaleh are insignificant in the curve of the sphere. Nor does it matter how you gauge and try him. A character is like an acrostic or Alexandrian stanza; — read it forward, backward, or across, it still spells the same thing. In this pleasing, contrite wood-life which God allows me, let me record day by day my honest thought without prospect or retrospect, and, I cannot doubt, it will be found symmetrical, though I mean it not, and see it not. My book should smell of pines and resound with the hum of insects. The swallow over my window should interweave that thread or straw he carries in his bill into my web also. We pass for what we are. Character teaches above our wills. Men imagine that they communicate their virtue or vice only by overt actions, and do not see that virtue or vice emit a breath every moment.

There will be an agreement in whatever variety of actions, so they be each honest and natural in their hour. For of one will, the actions will be harmonious, however unlike they seem. These varieties are lost sight of at a little distance, at a little height of thought. One tendency unites them all. The voyage of the best ship is a zigzag line of a hundred tacks. See the line from a sufficient distance, and it straightens itself to the average tendency. Your genuine action will explain itself, and will explain your other genuine actions. Your conformity explains nothing. Act singly, and what you have already done singly will justify you now. Greatness appeals to the future. If I can be firm enough to-day to do right, and scorn eyes, I must have done so much right before as to defend me now. Be it how it will, do right now. Always scorn appearances, and you always may. The force of character is cumulative. All the foregone days of virtue work their health into this. What makes the majesty of the heroes of the senate and the field, which so fills the imagination? The consciousness of a train of great days and victories behind. They shed an united light on the advancing actor. He is attended as by a visible escort of angels. That is it which throws thunder into Chatham's voice, and dignity into Washington's port, and America into Adams's eye. Honor is venerable to us because it is no ephemeris. It is always ancient virtue. We worship it today because it is not of today. We love it and pay it homage, because it is not a trap for our love and homage, but is self-dependent, self-derived, and therefore of an old immaculate pedigree, even if shown in a young person.

I hope in these days we have heard the last of conformity and consistency. Let the words be gazetted and ridiculous henceforward. Instead of the gong for dinner, let us hear a whistle from the Spartan fife. Let us never bow and apologize more. A great man is coming to eat at my house. I do not wish to please him; He should wish to please me, that I wish. I will stand here for humanity, and though I would make it kind, I would make it true. Let us affront and reprimand the smooth mediocrity and squalid contentment of the times, and hurl in the face of custom, and trade, and office, the fact which is the upshot of all history, that there is a great responsible Thinker and Actor working wherever a man works; that a true man belongs to no other time or place, but is the centre of things. Where he is, there is nature. He measures you, and all men, and all events. Ordinarily, every body in society reminds us of somewhat else, or of some other person. Character, reality, reminds you of nothing else; it takes place of the whole creation. The man must be so much, that he must make all circumstances indifferent. Every true man is a cause, a country, and an age; requires infinite spaces and numbers and time fully to accomplish his design; — and posterity seem to follow his steps as a train of clients. A man Caesar is born, and for ages after we have a Roman Empire. Christ is born, and millions of minds so grow and cleave to his genius, that he is confounded with virtue and the possible of man. An institution is the lengthened shadow of one man; as, Monachism, of the Hermit Antony; the Reformation, of Luther; Quakerism, of Fox; Methodism, of Wesley; Abolition, of Clarkson. Scipio, Milton called "the height of Rome"; and all history resolves itself very easily into the biography of a few stout and earnest persons.

Let a man then know his worth, and keep things under his feet. Let him not peep or steal, or skulk up and down with the air of a charity-boy, a bastard, or an interloper, in the world which exists for him. But the man in the street, finding no worth in himself which corresponds to the force which built a tower or sculptured a marble god, feels poor when he looks on these. To him a palace, a statue, or a costly book have an alien and forbidding air, much like a gay equipage, and seem to say like that, 'Who are you, Sir?' Yet they all are his, suitors for his notice, petitioners to his faculties that they will come out and take possession. The picture waits for my verdict: it is not to command me, but I am to settle its claims to praise. That popular fable of the sot who was picked up dead drunk in the street, carried to the duke's house, washed and dressed and laid in the duke's bed, and, on his waking, treated with all obsequious ceremony like the duke, and assured that he had been insane, owes its popularity to the fact, that it symbolizes so well the state of man, who is in the world a sort of sot, but now and then wakes up, exercises his reason, and finds himself a true prince.

Our reading is mendicant and sycophantic. In history, our imagination plays us false. Kingdom and lordship, power and estate, are a gaudier vocabulary than private John and Edward in a small house and common day's work; but the things of life are the same to both; the sum total of both is the same. Why all this deference to Alfred, and Scanderbeg, and Gustavus? Suppose they were virtuous; did they wear out virtue? As great a stake depends on your private act to-day, as followed their public and renowned steps. When private men shall act with original views, the lustre will be transferred from the actions of kings to those of gentlemen.

The world has been instructed by its kings, who have so magnetized the eyes of nations. It has been taught by this colossal symbol the mutual reverence that is due from man to man. The joyful loyalty with which men have everywhere suffered the king, the noble, or the great proprietor to walk among them by a law of his own, make his own scale of men and things, and reverse theirs, pay for benefits not with money but with honor, and represent the law in his person, was the hieroglyphic by which they obscurely signified their consciousness of their own right and comeliness, the right of every man.

The magnetism which all original action exerts is explained when we inquire the reason of self-trust.

Who is the Trustee? What is the aboriginal Self, on which a universal reliance may be grounded? What is the nature and power of that science-baffling star, without parallax, without calculable elements, which shoots a ray of beauty even into trivial and impure actions, if the least mark of independence appear? The inquiry leads us to that source, at once the essence of genius, of virtue, and of life, which we call Spontaneity or Instinct. We denote this primary wisdom as Intuition, whilst all later teachings are tuitions. In that deep force, the last fact behind which analysis cannot go, all things find their common origin. For, the sense of being which in calm hours rises, we know not how, in the soul, is not diverse from things, from space, from light, from time, from man, but one with them, and proceeds obviously from the same source whence their life and being also proceed. We first share the life by which things exist, and afterwards see them as appearances in nature, and forget that we have shared their cause. Here is the fountain of action and of thought. Here are the lungs of that inspiration which giveth man wisdom, and which cannot be denied without impiety and atheism. We lie in the lap of immense intelligence, which makes us receivers of its truth and organs of its activity. When we discern justice, when we discern truth, we do nothing of ourselves, but allow a passage to its beams. If we ask whence this comes, if we seek to pry into the soul that causes, all philosophy is at fault. Its presence or its absence is all we can affirm. Every man discriminates between the voluntary acts of his mind, and his involuntary perceptions, and knows that to his involuntary perceptions a perfect faith is due. He may err in the expression of them, but he knows that these things are so, like day and night, not to be disputed. My wilful actions and acquisitions are but roving; — the idlest reverie, the faintest native emotion, command my curiosity and respect. Thoughtless people contradict as readily the statement of perceptions as of opinions, or rather much more readily; for, they do not distinguish between perception and notion. They fancy that I choose to see this or that thing. But perception is not whimsical, but fatal. If I see a trait, my children will see it after me, and in course of time, all mankind, — although it may chance that no one has seen it before me. For my perception of it is as much a fact as the sun.

The relations of the soul to the divine spirit are so pure, that it is profane to seek to interpose helps. It must be that when God speaketh he should communicate, not one thing, but all things; should fill the world with his voice; should scatter forth light, nature, time, souls, from the centre of the present thought; and new date and new create the whole. Whenever a mind is simple, and receives a divine wisdom, old things pass away, — means, teachers, texts, temples fall; it lives now, and absorbs past and future into the present hour. All things are made sacred by relation to it, — one as much as another. All things are dissolved to their centre by their cause, and, in the universal miracle, petty and particular miracles disappear. If, therefore, a man claims to know and speak of God, and carries you backward to the phraseology of some old mouldered nation in another country, in another world, believe him not. Is the acorn better than the oak which is its fulness and completion? Is the parent better than the child into whom he has cast his ripened being? Whence, then, this worship of the past? The centuries are conspirators against the sanity and authority of the soul. Time and space are but physiological colors which the eye makes, but the soul is light; where it is, is day; where it was, is night; and history is an impertinence and an injury, if it be anything more than a cheerful apologue or parable of my being and becoming.

Man is timid and apologetic; he is no longer upright; 'I think,' 'I am,' that he dares not say, but quotes some saint or sage. He is ashamed before the blade of grass or the blowing rose. These roses under my window make no reference to former roses or to better ones; they are for what they are; they exist with God today. There is no time to them. There is simply the rose; it is perfect in every moment of its existence. Before a leaf bud has burst, its whole life acts; in the full-blown flower there is no more; in the leafless root there is no less. Its nature is satisfied, and it satisfies nature, in all moments alike. But man postpones or remembers; he does not live in the present, but with reverted eye laments the past, or, heedless of the riches that surround him, stands on tiptoe to foresee the future. He cannot be happy and strong until he too lives with nature in the present, above time.

This should be plain enough. Yet see what strong intellects dare not yet hear God himself, unless he speak the phraseology of I know not what David, or Jeremiah, or Paul. We shall not always set so great a price on a few texts, on a few lives. We are like children who repeat by rote the sentences of grandames and tutors, and, as they grow older, of the men of talents and character they chance to see, — painfully recollecting the exact words they spoke; afterwards, when they come into the point of view which those had who uttered these sayings, they understand them, and are willing to let the words go; for, at any time, they can use words as good when occasion comes. If we live truly, we shall see truly. It is as easy for the strong man to be strong, as it is for the weak to be weak. When we have new perception, we shall gladly disburden the memory of its hoarded treasures as old rubbish. When a man lives with God, his voice shall be as sweet as the murmur of the brook and the rustle of the corn.

And now at last the highest truth on this subject remains unsaid; probably cannot be said; for all that we say is the far-off remembering of the intuition. That thought, by what I can now nearest approach to say it, is this. When good is near you, when you have life in yourself, it is not by any known or accustomed way; you shall not discern the foot-prints of any other; not see the face of man; and you shall not hear any name;—— the way, the thought, the good, shall be wholly strange and new. It shall exclude example and experience. You take the way from man, not to man. All persons that ever existed are its forgotten ministers. Fear and hope are alike beneath it. There is somewhat low even in hope. In the hour of vision, there is nothing that can be called gratitude, nor properly joy. The soul raised over passion beholds identity and eternal causation, perceives the self-existence of Truth and Right, and calms itself with knowing that all things go well. Vast spaces of nature, the Atlantic Ocean, the South Sea, — long intervals of time, years, centuries, — are of no account. This which I think and feel underlay every former state of life and circumstances, as it does underlie my present, and what is called life, and what is called death.

It is easy in the world to live after the world’s opinion - Ralph Waldo Emerson

Life only avails, not the having lived.

Power ceases in the instant of repose; it resides in the moment of transition from a past to a new state, in the shooting of the gulf, in the darting to an aim. This one fact the world hates is that the soul becomes ; for that forever degrades the past, turns all riches to poverty, all reputation to a shame, confounds the saint with the rogue, shoves Jesus and Judas equally aside. Why, then, do we prate of self-reliance? Inasmuch as the soul is present, there will be power, not confidence but an agent. To talk of reliance is a poor external way of speaking. Speak rather of that which relies, because it works and is. Who has more obedience than I masters me, though he should not raise his finger. Round him I must revolve by the gravitation of spirits. We fancy it rhetoric, when we speak of eminent virtue. We do not yet see that virtue is Height, and that a man or a company of men, plastic and permeable to principles, by the law of nature must overpower and ride all cities, nations, kings, rich men, poets, who are not.

This is the ultimate fact which we so quickly reach on this, as on every topic, the resolution of all into the ever-blessed ONE. Self-existence is the attribute of the Supreme Cause, and it constitutes the measure of good by the degree in which it enters into all lower forms. All things real are so by so much virtue as they contain. Commerce, husbandry, hunting, whaling, war, eloquence , personal weight, are somewhat, and engage my respect as examples of its presence and impure action. I see the same law working in nature for conservation and growth. Power is in nature the essential measure of right. Nature suffers nothing to remain in her kingdoms which cannot help itself. The genesis and maturation of a planet, its poise and orbit, the bended tree recovering itself from the strong wind, the vital resources of every animal and vegetable, are demonstrations of the self-sufficing, and therefore self-relying soul.

Thus all concentrates: let us not rove; let us sit at home with the cause. Let us stun and astonish the intruding rabble of men and books and institutions, by a simple declaration of the divine fact. Bid the invaders take the shoes from off their feet, for God is here within. Let our simplicity judge them, and our docility to our own law demonstrate the poverty of nature and fortune beside our native riches.

But now we are a mob. Man does not stand in awe of man, nor is his genius admonished to stay at home, to put itself in communication with the internal ocean, but it goes abroad to beg a cup of water of the urns of other men. We must go alone. I like the silent church before the service begins, better than any preaching. How far off, how cool, how chaste the persons look, begirt each one with a precinct or sanctuary! So let us always sit. Why should we assume the faults of our friend, or wife, or father, or child, because they sit around our hearth, or are said to have the same blood? All men have my blood, and I have all men's. Not for that will I adopt their petulance or folly, even to the extent of being ashamed of it. But your isolation must not be mechanical, but spiritual, that is, must be elevation. At times the whole world seems to be in conspiracy to importune you with emphatic trifles. Friend, client, child, sickness, fear, want, charity, all knock at once at thy closet door, and say, — 'Come out unto us.' But keep thy state; come not into their confusion. The power men possess to annoy me, I give them by a weak curiosity. No man can come near me but through my act. "What we love that we have, but by desire we bereave ourselves of the love."

If we cannot at once rise to the sanctities of obedience and faith, let us at least resist our temptations; let us enter into the state of war, and wake Thor and Woden, courage and constancy, in our Saxon breasts. This is to be done in our smooth times by speaking the truth. Check this lying hospitality and lying affection. Live no longer to the expectation of these deceived and deceiving people with whom we converse. Say to them, O father, O mother, O wife, O brother, O friend, I have lived with you after appearances hitherto. Henceforward I am the truth's. Be it known unto you that henceforward I obey no law less than the eternal law. I will have no covenants but proximities. To nourish my parents, to support my family I shall endeavour, to be the chaste husband of one wife, — but these relations I must fill after a new and unprecedented way. I appeal from your customs that I must be myself. I cannot break myself any longer for you, or you. If you can love me for what I am, we shall be the happier. If you cannot, I will still seek to deserve that you should. I will not hide my tastes or aversions. I will so trust that what is deep is holy, that I will do strongly before the sun and moon whatever inly rejoices me, and the heart appoints. If you are noble, I will love you; I will not hurt you and myself by hypocritical attentions if you are not. If you are true, but not in the same truth with me, cleave to your companions; I will seek my own. I do this not selfishly, but humbly and truly. It is alike your interest, and mine, and all men's, however long we have dwelt in lies, to live in truth. Does this sound harsh today? You will soon love what is dictated by your nature as well as mine, and, if we follow the truth, it will bring us out safe at last. — But so you may give these friends pain. Yes, but I cannot sell my liberty and my power, to save their sensibility. Besides, all persons have their moments of reason, when they look out into the region of absolute truth; then will they justify me, and do the same thing.

The populace think that your rejection of popular standards is a rejection of all standard, and mere antinomianism; and the bold sensualist will use the name of philosophy to gild his crimes. But the law of consciousness abides. There are two confessionals, in one or the other of which we must be shriven. You may fulfil your round of duties by clearing yourself in the direct , or in the reflex way. Consider whether you have satisfied your relations to father, mother, cousin, neighbour, town, cat, and dog; whether any of these can upbraid you. But I may also neglect this reflex standard, and absolve me to myself. I have my own stern claims and perfect circle. It denies the name of duty to many offices that are called duties. But if I can discharge its debts, it enables me to dispense with the popular code. If anyone imagines that this law is lax, let him keep its commandment one day.

And truly it demands something godlike in him who has cast off the common motives of humanity, and has ventured to trust himself for a taskmaster. High be his heart, faithful his will, clear his sight, that he may in good earnest be doctrine, society, law, to himself, that a simple purpose may be to him as strong as iron necessity is to others!

If any man consider the present aspects of what is called by distinction society , he will see the need of these ethics. The sinew and heart of man seem to be drawn out, and we are become timorous, desponding whimperers. We are afraid of truth, afraid of fortune, afraid of death, and afraid of each other. Our age yields no great and perfect persons. We want men and women who shall renovate life and our social state, but we see that most natures are insolvent, cannot satisfy their own wants, have an ambition out of all proportion to their practical force, and do lean and beg day and night continually. Our housekeeping is mendicant, our arts, our occupations, our marriages, our religion, we have not chosen, but society has chosen for us. We are parlour soldiers. We shun the rugged battle of fate , where strength is born.

If our young men miscarry in their first enterprises, they lose all heart.

Men say he is ruined if the young merchant fails . If the finest genius studies at one of our colleges, and is not installed in an office within one year afterwards in the cities or suburbs of Boston or New York, it seems to his friends and to himself that he is right in being disheartened, and in complaining the rest of his life. A sturdy lad from New Hampshire or Vermont, who in turn tries all the professions, who teams it , farms it , peddles , keeps a school, preaches, edits a newspaper, goes to Congress, buys a township, and so forth, in successive years, and always, like a cat, falls on his feet, is worth a hundred of these city dolls. He walks abreast with his days, and feels no shame in not 'studying a profession,' for he does not postpone his life, but lives already. He has not one chance, but a hundred chances. Let a Stoic open the resources of man, and tell men they are not leaning willows, but can and must detach themselves; that with the exercise of self-trust, new powers shall appear; that a man is the word made flesh, born to shed healing to the nations, that he should be ashamed of our compassion, and that the moment he acts from himself, tossing the laws, the books, idolatries, and customs out of the window, we pity him no more, but thank and revere him, — and that teacher shall restore the life of man to splendor, and make his name dear to all history.

It is easy to see that a greater self-reliance must work a revolution in all the offices and relations of men; in their religion; education; and in their pursuits; their modes of living; their association; in their property; in their speculative views.

1. In what prayers do men allow themselves! That which they call a holy office is not so much as brave and manly. Prayer looks abroad and asks for some foreign addition to come through some foreign virtue, and loses itself in endless mazes of natural and supernatural, and mediatorial and miraculous. It is prayer that craves a particular commodity, — anything less than all good, — is vicious. Prayer is the contemplation of the facts of life from the highest point of view. It is the soliloquy of a beholding and jubilant soul. It is the spirit of God pronouncing his works good. But prayer as a means to effect a private end is meanness and theft. It supposes dualism and not unity in nature and consciousness. As soon as the man is at one with God, he will not beg. He will then see prayer in all action. The prayer of the farmer kneeling in his field to weed it, the prayer of the rower kneeling with the stroke of his oar, are true prayers heard throughout nature, though for cheap ends. Caratach, in Fletcher's Bonduca, when admonished to inquire the mind of the god Audate, replies, —

"His hidden meaning lies in our endeavours; Our valors are our best gods."

Another sort of false prayers are our regrets. Discontent is the want of self-reliance: it is infirmity of will. Regret calamities, if you can thereby help the sufferer; if not, attend your own work, and already the evil begins to be repaired. Our sympathy is just as base. We come to them who weep foolishly, and sit down and cry for company, instead of imparting to them truth and health in rough electric shocks, putting them once more in communication with their own reason. The secret of fortune is joy in our hands. Welcome evermore to gods and men is the self-helping man. For him all doors are flung wide: him all tongues greet, all honors crown, all eyes follow with desire. Our love goes out to him and embraces him, because he did not need it. We solicitously and apologetically caress and celebrate him, because he held on his way and scorned our disapprobation. The gods love him because men hated him. "To the persevering mortal," said Zoroaster, "the blessed Immortals are swift."

As men's prayers are a disease of the will, so are their creeds a disease of the intellect . They say with those foolish Israelites, 'Let not God speak to us, lest we die. Speak thou, speak any man with us, and we will obey.' Everywhere I am hindered of meeting God in my brother, because he has shut his own temple doors, and recites fables merely of his brother's, or his brother's brother's God. Every new mind is a new classification. If it prove a mind of uncommon activity and power, a Locke, a Lavoisier, a Hutton, a Bentham, a Fourier, it imposes its classification on other men, and lo! a new system. In proportion to the depth of the thought, and so to the number of the objects it touches and brings within reach of the pupil, is his complacency. But chiefly is this apparent in creeds and churches, which are also classifications of some powerful mind acting on the elemental thought of duty, and man's relation to the Highest. Such as Calvinism, Quakerism, Swedenborgism. The pupil takes the same delight in subordinating everything to the new terminology, as a girl who has just learned botany in seeing a new earth and new seasons thereby. It will happen for a time, that the pupil will find his intellectual power has grown by the study of his master's mind. But in all unbalanced minds, the classification is idolized, passes for the end, and not for a speedily exhaustible means, so that the walls of the system blend to their eye in the remote horizon with the walls of the universe; the luminaries of heaven seem to them hung on the arch their master built. They cannot imagine how you aliens have any right to see, — how you can see; 'It must be somehow that you stole the light from us.' They do not yet perceive, that light, unsystematic, indomitable, will break into any cabin, even into theirs. Let them chirp awhile and call it their own. If they are honest and do well, presently their neat new pinfold will be too strait and low, will crack, will lean, will rot and vanish, and the immortal light, all young and joyful, million-orbed, million-colored, will beam over the universe as on the first morning.

2. It is for want of self-culture that the superstition of Travelling, whose idols are Italy, England, Egypt, retains its fascination for all educated Americans. They who made England, Italy, or Greece venerable in the imagination did so by sticking fast where they were, like an axis of the earth. In manly hours, we feel that duty is our place. The soul is no traveller; the wise man stays at home, and when his necessities, his duties, on any occasion call him from his house, or into foreign lands, he is at home still, and shall make men sensible by the expression of his countenance, that he goes the missionary of wisdom and virtue, and visits cities and men like a sovereign, and not like an interloper or a valet.

I have no churlish objection to the circumnavigation of the globe, for the purposes of art, of study, and benevolence, so that the man is first domesticated, or does not go abroad with the hope of finding somewhat greater than he knows. He who travels to be amused, or to get somewhat which he does not carry, travels away from himself, and grows old even in youth among old things. In Thebes, in Palmyra, his will and mind have become old and dilapidated as they. He carries ruins to ruins.

Travelling is a fool's paradise. Our first journeys discover to us the indifference of places. At home I dream that at Naples, at Rome, I can be intoxicated with beauty, and lose my sadness. I pack my trunk, embrace my friends, embark on the sea, and at last wake up in Naples, and there beside me is the stern fact, the sad self, unrelenting, identical, that I fled from. The Vatican, and the palaces I seek. But I am not intoxicated though I affect to be intoxicated with sights and suggestions. My giant goes with me wherever I go.

3. But the rage of travelling is a symptom of a deeper unsoundness affecting the whole intellectual action. The intellect is vagabond, and our system of education fosters restlessness. Our minds travel when our bodies are forced to stay at home. We imitate, and what is imitation but the travelling of the mind? Our houses are built with foreign taste; Shelves are garnished with foreign ornaments, but our opinions, our tastes, our faculties, lean, and follow the Past and the Distant. The soul created the arts wherever they have flourished. It was in his own mind that the artist sought his model. It was an application of his own thought to the thing to be done and the conditions to be observed. And why need we copy the Doric or the Gothic model? Beauty, convenience, grandeur of thought, and quaint expression are as near to us as to any, and if the American artist will study with hope and love the precise thing to be done by him, considering the climate, the soil, the length of the day, the wants of the people, the habit and form of the government, he will create a house in which all these will find themselves fitted, and taste and sentiment will be satisfied also.

Insist on yourself; never imitate. Your own gift you can present every moment with the cumulative force of a whole life's cultivation, but of the adopted talent of another, you have only an extemporaneous, half possession. That which each can do best, none but his Maker can teach him. No man yet knows what it is, nor can, till that person has exhibited it. Where is the master who could have taught Shakespeare? Where is the master who could have instructed Franklin, or Washington, or Bacon, or Newton? Every great man is a unique. The Scipionism of Scipio is precisely that part he could not borrow. Shakespeare will never be made by the study of Shakespeare. Do that which is assigned you, and you cannot hope too much or dare too much. There is at this moment for you an utterance brave and grand as that of the colossal chisel of Phidias, or trowel of the Egyptians, or the pen of Moses, or Dante, but different from all these. Not possibly will the soul all rich, all eloquent, with thousand-cloven tongue, deign to repeat itself; but if you can hear what these patriarchs say, surely you can reply to them in the same pitch of voice; for the ear and the tongue are two organs of one nature. Abide in the simple and noble regions of thy life, obey thy heart, and thou shalt reproduce the Foreworld again.

To be yourself in a world - Ralph Waldo Emerson

4. As our Religion, our Education, our Art look abroad, so does our spirit of society. All men plume themselves on the improvement of society, and no man improves.

Society never advances. It recedes as fast on one side as it gains on the other and undergoes continual changes; it is barbarous, civilized, christianized, rich and it is scientific, but this change is not amelioration. For everything that is given, something is taken. Society acquires new arts, and loses old instincts. What a contrast between the well-clad, reading, writing, thinking American, with a watch, a pencil, and a bill of exchange in his pocket, and the naked New Zealander, whose property is a club, a spear, a mat, and an undivided twentieth of a shed to sleep under! But compare the health of the two men, and you shall see that the white man has lost his aboriginal strength. If the traveller tell us truly, strike the savage with a broad axe, and in a day or two, the flesh shall unite and heal as if you struck the blow into soft pitch, and the same blow shall send the white to his grave.

The civilized man has built a coach, but has lost the use of his feet. He is supported on crutches, but lacks so much support of muscle. He has a fine Geneva watch, but he fails of the skill to tell the hour by the sun. A Greenwich nautical almanac he has, and so being sure of the information when he wants it, the man in the street does not know a star in the sky. The solstice he does not observe, the equinox he knows as little, and the whole bright calendar of the year are without a dial in his mind. His note-books impair his memory; his libraries overload his wit; the insurance office increases the number of accidents; and it may be a question whether machinery does not encumber; whether we have not lost by refinement some energy, by a Christianity entrenched in establishments and forms, some vigor of wild virtue. For every Stoic was a Stoic, but in Christendom, where is the Christian?

There is no more deviation in the moral standard than in the standard of height or bulk. No greater men are now than ever were. A singular equality may be observed between the great men of the first and of the last ages; nor can all the science, art, religion, and philosophy of the nineteenth century avail to educate greater men than Plutarch's heroes, three or four and twenty centuries ago. Not in time is the race progressive. Phocion, Socrates, Anaxagoras, Diogenes, are great men, but they leave no class. He who is really of their class will not be called by their name, but will be his own man, and, in his turn, the founder of a sect. The arts and inventions of each period are only its costume, and do not invigorate men. The harm of the improved machinery may compensate its good. Hudson and Behring accomplished so much in their fishing boats, as to astonish Parry and Franklin, whose equipment exhausted the resources of science and art. Galileo, with an opera-glass, discovered a more splendid series of celestial phenomena than anyone since. Columbus found the New World in an undecked boat. It is curious to see the periodical disuse and perishing of means and machinery, which were introduced with loud laudation a few years or centuries before. The great genius returns to essential man. We reckoned the improvements of the art of war among the triumphs of science, and yet Napoleon conquered Europe by the bivouac, which consisted of falling back on naked valor and disencumbering it of all aids. The Emperor held it impossible to make a perfect army, says Las Casas, "without abolishing our arms, magazines, commissaries, and carriages, until, in imitation of the Roman custom, the soldier should receive his supply of corn, grind it in his hand-mill, and bake his bread himself."

Society is a wave. The wave moves onward, but the water of which it is composed does not. The same particle does not rise from the valley to the ridge. Its unity is only phenomenal. The persons who make up a nation today, next year die, and their experience with them.

And so the reliance on Property, including the reliance on governments which protect it, is the want of self-reliance. Men have looked away from themselves and at things so long, that they have come to esteem the religious, learned, and civil institutions as guards of property, and they deprecate assaults on these, because they feel them to be assaults on property. They measure their esteem of each other by what each has, and not by what each is. But a cultivated man becomes ashamed of his property, out of new respect for his nature. Especially he hates what he has, if he see that it is accidental, — came to him by inheritance, or gift, or crime; then he feels that it is not having; it does not belong to him, has no root in him, and merely lies there, because no revolution or no robber takes it away. But that which a man is does always by necessity acquire, and what the man acquires is living property, which does not wait the beck of rulers, or mobs, or revolutions, or fire, or storm, or bankruptcies, but perpetually renews itself wherever the man breathes. "Thy lot or portion of life," said the Caliph Ali, "is seeking after thee; therefore, be at rest from seeking after it." Our dependence on these foreign goods leads us to our slavish respect for numbers. The political parties meet in numerous conventions; the greater the concourse, and with each new uproar of announcement, The delegation from Essex! The Democrats from New Hampshire! The Whigs of Maine! the young patriot feels himself stronger than before by a new thousand of eyes and arms. In like manner the reformers summon conventions, and vote and resolve in multitude. Not so, O friends! will the God deign to enter and inhabit you, but by a method precisely the reverse. It is only as a man puts off all foreign support, and stands alone, that I see him to be strong and to prevail. He is weaker by every recruit to his banner. Is not a man better than a town? Ask nothing of men, and in the endless mutation, thou only firm column must presently appear the upholder of all that surrounds thee. He who knows that power is inborn, that he is weak because he has looked for good out of him and elsewhere, and so perceiving, throws himself unhesitatingly on his thought, instantly rights himself, stands in the erect position, commands his limbs, works miracles; just as a man who stands on his feet is stronger than a man who stands on his head.

So use all that is called Fortune. Most men gamble with her, and gain all, and lose all, as her wheel rolls. But do thou leave as unlawful these winnings, and deal with Cause and Effect, the chancellors of God. In the Will work and acquire, and thou hast chained the wheel of Chance, and shalt sit hereafter out of fear from her rotations. A political victory, a rise of rents, the recovery of your sick, or the return of your absent friend, or some other favorable event, raises your spirits, and you think good days are preparing for you. Do not believe it. Nothing can bring you peace but yourself. Nothing can bring you peace but the triumph of principles.

Which quotation from "Self-reliance" best summarizes Emerson’s view on belief in oneself?

One of the most famous quotes from Ralph Waldo Emerson's "Self-Reliance" that summarizes his view on belief in oneself is:

"Trust thyself: every heart vibrates to that iron string."

What does Emerson argue should be the basis of human actions in the second paragraph of “self-reliance”?

In the second paragraph of "Self-Reliance," Emerson argues that individual conscience, or a person's inner voice, should be the basis of human actions. He writes, "Whoso would be a man must be a nonconformist." He believes that society tends to impose conformity and discourage people from following their own inner truth and intuition. Emerson encourages individuals to trust themselves and to act according to their own beliefs, instead of being influenced by the opinions of others. He argues that this is the way to live a truly authentic and fulfilling life.

Which statement best describes Emerson’s opinion of communities, according to the first paragraph of society and solitude?

According to the first paragraph of Ralph Waldo Emerson's " Society and Solitude, " Emerson has a mixed opinion of communities. He recognizes the importance of social interaction and the benefits of being part of a community but also recognizes the limitations that come with it.

He writes, "Society everywhere is in a conspiracy against the manhood of every one of its members." He argues that society can be limiting and restrictive, and can cause individuals to conform to norms and values that may not align with their own beliefs and desires. He believes that it is important for individuals to strike a balance between the benefits of social interaction and the need for solitude and self-discovery.

Which best describes Emerson’s central message to his contemporaries in "self-reliance"?

Ralph Waldo Emerson's central message to his contemporaries in "Self-Reliance" is to encourage individuals to trust in their own beliefs and instincts, and to break free from societal norms and expectations. He argues that individuals should have the courage to think for themselves and to live according to their own individual truth, rather than being influenced by the opinions of others. Through this message, he aims to empower people to live authentic and fulfilling lives, rather than living in conformity and compromise.

Yet, it is critical that we first possess the ability to conceive our own thoughts. Prior to venturing into the world, we must be intimately acquainted with our own selves and our individual minds. This sentiment echoes the concise maxim inscribed at the ancient Greek site of the Delphic Oracle: 'Know Thyself.'

In essence, Emerson's central message in "Self-Reliance" is to promote self-reliance and individualism as the key to a meaningful and purposeful life.

Understanding Emerson: "The American scholar" and his struggle for self-reliance.

Princeton University Press. ISBN 0-691-09982-0

Standford Encyclopedia of Philosophy

Other works from ralph waldo emerson for book clubs, the over-soul.

There is a difference between one and another hour of life, in their authority and subsequent effect. Our faith comes in moments; our vice is habitual.

The American Scholar

An Oration delivered before the Phi Beta Kappa Society, at Cambridge, August 31, 1837

Essays First Series

Essays: First Series First published in 1841 as Essays. After Essays: Second Series was published in 1844, Emerson corrected this volume and republished it in 1847 as Essays: First Series.

Emerson's Essays

Research the collective works of Ralph Waldo Emerson. Read More Essay

Self-Reliance

Emerson's most famous work that can truly change your life. Check it out

Early Emerson Poems

America's best known and best-loved poems. More Poems

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Writing Tips

How to Format Images in an Essay

5-minute read
27th April 2022

Writing an essay ? It may enhance your argument to include some images, as long as they’re directly relevant to the essay’s narrative. But how do you format images in an essay? Read on for tips on inserting and organizing images, creating captions, and referencing.

Inserting Images

To insert an image into the text using Microsoft Word:

● Place the cursor where you want to add a picture.

● Go to Insert > Pictures .

● Click on This Device to add pictures from your own computer or select Online Pictures to search for a picture from the internet.

● Select the image you wish to use and click Insert .

See our companion blog post for further detail on inserting images into documents using Word.

Organizing Images

There are two common methods of organizing images in your essay: you can either place them next to the paragraph where they are being discussed (in-text), or group them all together at the end of the essay (list of figures). It can be clearer to display images in-text, but remember to refer to your university style guide for its specifications on formatting images.

Whichever method you decide upon, always remember to refer directly to your images in the text of your essay. For example:

● An example of Cubism can be seen in Figure 1.

● Cubist paintings have been criticized for being overly abstract (see Figure 1).

● Many paintings of this style, including those by Picasso (Figure 1), are very abstract.

Every image that you include in your essay needs to have a caption. This is so that the reader can identify the image and where it came from. Each caption should include the following:

● A label (e.g., Figure 1 ).

● A description of the image, such as “Picasso’s Guernica ,” or “ Guernica : One of Picasso’s most famous works.”

● The source of the image. Even if you have created the image yourself, you should attribute it correctly (for example, “photo by author”).

Have a look at this example:

Figure 1: Picasso’s Guernica

Photo: Flickr

Here, the image is given both a label and a title, and its source is clearly identified.

Creating Captions Using Microsoft Word

If you are using Word, it’s very simple to add a caption to an image. Simply follow the steps below:

● Click on the image.

● Open the References toolbar and click Insert Caption .

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● Fill in or select the required details and click OK .

You can also add a caption manually.

Referencing Captions

At this point, you’ll need to refer to your style guide again to check which referencing system you’re using. As mentioned above, all sources should be clearly identified within the caption for the image. However, the format for captions will vary depending on your style guide. Here, we give two examples of common style guides:

APA 7th Edition

The format for a caption in APA style is as follows:

Note. By Creator’s Initials, Last Name (Year), format. Site Name (or Museum, Location). URL

The image format refers to whether it’s a photograph, painting, or map you are citing. If you have accessed the image online, then you should give the site name, whereas if you have viewed the image in person, you should state the name and location of the museum. The figure number and title should be above the image, as shown:

Figure 1

Note . By P. Picasso (1937), painting. Flickr. https://www.flickr.com/photos/huffstutterrobertl/5257246455

If you were to refer to the image in the text of your essay, simply state the creator’s last name and year in parentheses:

(Picasso, 1937).

Remember that you should also include the details of the image in your reference list .

MLA style dictates that an image caption should be centered, and each figure labeled as “Fig.” and numbered. You then have two options for completing the caption:

1. Follow the Works Cited format for citing an image, which is as follows:

Creator’s Last Name, First Name. “Image Title.” Website Name , Day Month Year, URL.

2. Provide key information about the source, such as the creator, title, and year.

In this case, we have followed option 1:

Fig. 1. Picasso, Pablo. “Guernica.” Flickr , 1937, https://www.flickr.com/photos/huffstutterrobertl/5257246455

When referring to the image in the text of the essay, you need only cite the creator’s last name in parentheses:

And, again, remember to include the image within the Works Cited list at the end of your essay.

Expert Proofreading and Formatting

We hope this guide has left you a little clearer on the details of formatting images in your essays . If you need any further help, try accessing our expert proofreading and formatting service . It’s available 24 hours a day!a

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Writing Tips

How and When to Use Images in an Essay

3-minute read

15th December 2018

Pages of text alone can look quite boring. And while you might think that ‘boring’ is normal for an essay, it doesn’t have to be. Using images and charts in an essay can make your document more visually interesting. It can even help you earn better grades if done right!

Here, then, is our guide on how to use images in an academic essay .

How to Use Images in an Essay

Usually, you will only need to add an image in academic writing if it serves a specific purpose (e.g. illustrating your argument). Even then, you need to make sure images are presently correctly. As such, try asking yourself the following questions whenever you add an image in an essay:

Does it add anything useful? Any image or chart you include in your work should help you make your argument or explain a point more clearly. For instance, if you are analysing a film, you may need to include a still from a scene to illustrate a point you are making.
Is the image clearly labelled? All images in your essay should come with clear captions (e.g. ‘Figure 1’ plus a title or description). Without these, your reader may not know how images relate to the surrounding text.
Have you mentioned the image in the text? Make sure to directly reference the image in the text of your essay. If you have included an image to illustrate a point, for instance, you would include something along the lines of ‘An example of this can be seen in Figure 1’.

The key, then, is that images in an essay are not just decoration. Rather, they should fit with and add to the arguments you make in the text.

Citing Images and Illustrations

If you have created all the images and charts you want to use in your essay, then all you need to do is label them clearly (as described above). But if you want to use an image found somewhere else in your work, you will need to cite your source as well, just as you would when quoting someone.

The exact format for this will depend on the referencing system you’re using. However, with author–date referencing, it usually involves giving the source author’s name and a year of publication:

In the caption above, for example, we have cited the paper containing the image and the page it is on. We would then need to add the paper to the reference list at the end of the document:

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Gramblička, S., Kohar, R., & Stopka, M. (2017). Dynamic analysis of mechanical conveyor drive system. Procedia Engineering , 192, 259–264. DOI: 10.1016/j.proeng.2017.06.045

You can also cite an image directly if it not part of a larger publication or document. If we wanted to cite an image found online in APA referencing , for example, we would use the following format:

Surname, Initial(s). (Role). (Year). Title or description of image [Image format]. Retrieved from URL.

In practice, then, we could cite a photograph as follows:

Booth, S. (Photographer). (2014). Passengers [Digital image]. Retrieved from https://www.flickr.com/photos/stevebooth/35470947736/in/pool-best100only/

Make sure to check your style guide for which referencing system to use.

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Supreme Betrayal

A requiem for Section 3 of the Fourteenth Amendment

Collage showing pictures of Trump, Norma Anderson, and the Supreme Court building

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Produced by ElevenLabs and News Over Audio (NOA) using AI narration.

The Supreme Court of the United States did a grave disservice to both the Constitution and the nation in Trump v. Anderson .

In a stunning disfigurement of the Fourteenth Amendment, the Court impressed upon it an ahistorical misinterpretation that defies both its plain text and its original meaning. Despite disagreement within the Court that led to a 5–4 split among the justices over momentous but tangential issues that it had no need to reach in order to resolve the controversy before it, the Court was disappointingly unanimous in permitting oath-breaking insurrectionists, including former President Donald Trump, to return to power. In doing so, all nine justices denied “We the People” the very power that those who wrote and ratified the Fourteenth Amendment presciently secured to us to save the republic from future insurrectionists—reflecting a lesson hard-learned from the devastation wrought by the Civil War.

Quinta Jurecic: The Supreme Court is not up to the challenge

For a century and a half before the Court’s decision, Section 3 of the Fourteenth Amendment was the Constitution’s safety net for America’s democracy, promising to automatically disqualify from public office all oath-breaking insurrectionists against the Constitution, deeming them too dangerous to entrust with power unless supermajorities of both houses of Congress formally remove their disability. This provision has been mistakenly described by some as “undemocratic” because it limits who may be elected to particular positions of power. But disqualification is not what is antidemocratic; rather, it is the insurrection that is antidemocratic, as the Constitution emphatically tells us.

In any event, all qualifications for office set by the Constitution limit who may be elected to particular positions of power. And no other of these disqualifications requires congressional legislation to become operative, as the Court now insists this one does. To be sure, the other qualifications—age, residence, natural-born citizenship—appear outside the Fourteenth Amendment, whose fifth section specifically makes congressional action to enforce its provisions available. But no such action is needed to enforce the rights secured to individuals by Section 1 of the same amendment, so deeming congressional action necessary to enforce Section 3 creates a constitutional anomaly in this case that the majority could not and did not explain. For that matter, no other provision of the other two Reconstruction amendments requires congressional enforcement either. As the concurring justices explained, the majority “simply [created] a special rule for the insurrection disability in Section 3.”

That the disqualification clause has not previously been invoked to keep traitors against the Constitution from having a second opportunity to fracture the framework of our republic reflects not its declining relevance but its success at deterring the most dangerous assaults on our government until now. Put simply, far from what some irresponsibly dismiss as an “obscure, almost discarded provision” of our legal and political system, this section of our Constitution has long been among its mightiest pillars, one that the Supreme Court itself has now all but destroyed.

What ought to have been, as a matter of the Constitution’s design and purpose, the climax of the struggle for the survival of America’s democracy and the rule of law instead turned out to be its nadir, delivered by a Court unwilling to perform its duty to interpret the Constitution as written. Desperate to assuage the growing sense that it is but a political instrument, the Court instead cemented that image into history. It did so at what could be the most perilous constitutional and political moment in our country’s history, when the nation and the Constitution needed the Court most—to adjudicate not the politics of law, but the law of the politics that is poisoning the lifeblood of America.

The issues before the Court were not difficult ones under the Constitution. As Chief Justice John Marshall once wrote of a considerably more challenging question, that of the Court’s own role in reviewing the constitutionality of government decisions, this was indeed “a question deeply interesting to the United States; but, happily, not of an intricacy proportional to its interest.” As the extraordinary array of amicus briefs filed in Trump v. Anderson made clear, the voluminous historical scholarship exploring the origins of the disqualification clause and its intended operation left no genuine doubt that the Colorado Supreme Court got it exactly right in its decision explaining why the former president was ineligible to “hold any office, civil or military, under the United States,” certainly including the presidency.

Perhaps some of the justices were untroubled by the consequences of disregarding both that scholarship and the plain language of the disqualification clause. Joining fully in the Court’s anonymous per curiam opinion that states cannot enforce the clause against federal (as opposed to state) officeholders and candidates would presumably have caused those justices no personal discomfort—apart, perhaps, from that of being seen as trying to square the ruling with their ostensible fidelity to textualism and their supposed belief in the binding force of original meaning.

Adam Serwer: The Supreme Court reveals once again the fraud of originalism

For Justices Sonia Sotomayor, Elena Kagan, and Ketanji Brown Jackson—who wrote a separate concurrence that in parts read more like a dissent—we can only surmise that any discomfort they felt was outweighed by the extra-constitutional allure of going along with the other justices on the decision’s bottom line and thus enabling the nation’s electorate to work its will, rather than the Constitution’s. Those three justices took the opportunity to distance themselves from at least part of what the Court’s majority did by criticizing its “attempts to insulate all alleged insurrectionists from future challenges to their holding federal office.” Sotomayor, Kagan, and Jackson convincingly dispatched as “inadequately supported as they are gratuitous” the majority’s unnecessary holdings that only Congress can enforce the disqualification clause and that Congress’s implementing legislation must satisfy the majority’s made-up insistence upon “congruence and proportionality.” Those three justices left in tatters much that all the other justices, with the exception of Amy Coney Barrett, wrote about the operation of the disqualification clause against federal officeholders, making plain that the majority’s “musings” simply cannot be reconciled with the Fourteenth Amendment’s language, structure, and history.

For her part, Justice Barrett lectured the country about the “message Americans should take home” from the decision, criticizing the majority for needlessly addressing “the complicated question whether federal legislation is the exclusive vehicle through which Section 3 can be enforced,” while simultaneously criticizing her three separately concurring colleagues for supposedly amplifying “disagreement with stridency,” despite the absence of a single strident word in their clarion warning.

What, then, accounted for the unanimous outcome in this case? All nine justices were persuaded by the appeal of a fatuous argument featured prominently in the briefs supporting the former president—the argument that no single state should be able to disqualify a candidate for the presidency.

But that argument, despite its prominence in many public discussions of this decision, was always utterly empty of constitutional substance. Anyone who knows anything about the United States Constitution and the way the judicial system operates—and that surely includes all nine Supreme Court justices—has to know that a single state could never have rendered a disqualification ruling that would bind the other 49 states, an admittedly untenable result. Here’s how Jason Murray, a counsel for the challengers, put the constitutional answer to that argument when he was pressed on this very question by Justice Kagan:

Ultimately, it’s this Court that’s going to decide that question of federal constitutional eligibility and settle the issue for the nation. And, certainly, it’s not unusual that questions of national importance come up through different states.

Although no justice mentioned this response, nobody should doubt that a state court’s determination of a federal constitutional question—such as Colorado’s that the former president had “engaged in an insurrection or rebellion” against the U.S. Constitution—is subject to review by the Supreme Court. If the Court upholds the state’s disqualification decision, then it will be binding nationwide, in the manner and to the extent decided by the Court. If the state’s disqualification is held to be invalid, then it will be invalid in that state, as well as nationwide. It’s as simple as that.

Nothing about letting an individual state initiate the disqualification process ever threatened to create what the unanimous Court called a “patchwork” of divergent state resolutions of the controlling federal questions of what constitutes a disqualifying “insurrection” and whether the former president had “engaged” in one. From the outset, the hand-wringing about how no state should be empowered to rule over its sister states on the national question as to who might run for president was all smoke and mirrors, manifestly predicated on a demonstrably false premise about the way our judicial system works.

So it’s little surprise that, built on that false premise, the opinion that emerged from the Court’s constitutional confusion was a muddled, nameless per curiam decree palpably contrary to the text, history, and purpose of the Fourteenth Amendment.

For no apparent reason other than to create the impression that it was leaving open the possibility that the former president might yet be disqualified pursuant to congressional legislation, the per curiam opinion went out of its way to mention that Congress, in legislation whose enactment predated Section 3, had indeed “effectively provided an additional procedure for enforcing disqualification” by making “engaging in insurrection or rebellion … a federal crime punishable by disqualification from holding office under the United States”; the opinion also noted that a “successor” to that legislation “remains on the books today.”

Many will no doubt catch the transparent implication that, if the former president or other future insurrectionists permanently escape disqualification, that result will be attributable to whoever controls the Justice Department at any given time, not to any action by the Court. But that intended implication overlooks the point that, were that statute all that mattered, a simple majority of Congress could remove the disqualification penalty from that criminal statute, leaving Section 3 unenforceable again. It also conveniently ignores the fact—not denied even by this majority—that Section 3 was specifically intended and written to make criminal conviction unnecessary for disqualifying an insurrectionist from seeking or holding office in the future.

There is, of course, no possibility whatsoever that the statute, 18 U.S. Code § 2383, will play any role in the former president’s eligibility in this election cycle. And the difficulty of enacting legislation of the sort the majority declared essential makes it exceedingly unlikely that anyone who engages in an insurrection against the U.S. Constitution after taking an oath as an officer to support it will ever be disqualified under the Fourteenth Amendment. Thus, as concurring Justices Sotomayor, Kagan, and Jackson damningly noted, the majority’s gratuitous resolution of “novel constitutional questions” about how Section 3 could be enforced in the future was plainly intended “to insulate this Court and [Trump] from future controversy” while insulating “all alleged insurrectionists from future challenges to their holding federal office.”

George T. Conway III: The Court’s Colorado decision wasn’t about the law

The five-justice majority came to its constitutionally unsupported view that states can disqualify insurrectionists from state, but not federal, office by pronouncing incongruous a conclusion that would find—nestled within a constitutional amendment that generally expanded “‘federal power at the expense of state autonomy’”—anything that would “give States new powers to determine who may hold the Presidency” or indeed any other federal office.

But, as many amicus briefs conclusively demonstrated, the Court’s description of how the Fourteenth Amendment altered the intricate relationship of state and federal powers was an absurdly oversimplified and ahistorical caricature. Among the Court’s most basic errors was that it described this state action to enforce Section 3 as a “new power” requiring an affirmative “delegation”—an explicit assignment of authority—elsewhere in the Constitution. If the Court had to identify such a delegation, which it did not, it need have looked no further than the elections and electors clauses of Articles I and II, respectively, which indisputably assign the determination of presidential qualification and disqualification to the states, at least in the first instance. Instead, the Court dismissed that constitutional assignment out of hand by asserting, with no explanation, that “there is little reason to think that these Clauses implicitly authorize the States to enforce Section 3 against federal officeholders and candidates.” Of course, no explanation could have sufficed, which is why none was offered. Under the Constitution, there is every reason to believe that these clauses in fact do authorize the states to enforce Section 3 against federal officeholders and candidates.

In the end, without even trying to address the compelling analysis of the three-justice concurrence, the majority violated the precept rightly insisted on by Chief Justice John Roberts in objecting to how far the Court had gone in Dobbs v. Jackson Women’s Health Organization two years earlier, which stated that, when “it is not necessary to decide more to dispose of a case, then it is necessary not to decide more.” The three justices—objecting that the Court had departed from that “vital principle” by “deciding not just this case, but challenges that might arise in the future”—quoted Justice Stephen Breyer’s dissent in Bush v. Gore : “What it does today, the Court should have left undone.” “In a sensitive case crying out for judicial restraint,” the concurring justices wrote , the majority simply “abandoned” all restraint.

But whatever praise the three justices deserve for distancing themselves from the majority’s extraordinary overreach, they cannot be excused for joining the majority in holding—wrongly, in light of the Supreme Court’s obvious power and responsibility to ensure uniformity—that the Court’s decision to disempower Colorado from playing its part in the ultimate determination was somehow necessary to prevent the emergence of “a chaotic state-by-state patchwork, at odds with our Nation’s federalism principles.” By insisting that states have no role to play in initiating the disqualification of insurrectionists from federal office even with the Supreme Court sitting to review what each state does so as to ensure nationwide consistency, all nine justices stood federalism on its head.

Whether born of a steeled determination not to disqualify the presumptive Republican nominee from the presidency, or of a debilitating fear of even deciding whether the Constitution disqualifies the presumptive Republican nominee precisely because he is the presumptive Republican nominee, this step that all nine justices took represents a constitutionally unforgivable departure from the fundamental truth of our republic that “no man is above the law.”

Nor can their action be explained, much less justified, by the converse truth that neither is any man beneath the law. If the process Colorado had followed to determine Trump’s disqualification could have been deemed constitutionally inadequate as a foundation for the Supreme Court to have affirmed the ruling of the state’s highest court and applied it to him nationwide, this would be a different case altogether. But nothing any of the justices said even hinted at such inadequacy. On the contrary, the week-long trial by the Colorado state court, which had indisputable jurisdiction to consider the matter, undoubtedly more than satisfied the constitutional requirements for disqualifying the former president under Section 3. At that trial, he was afforded every opportunity to defend himself against the charge that he had personally “engaged” in an “insurrection or rebellion” against the Constitution. Not a single justice suggested that the process was less than what the former president was due. That trial ended in a finding by “clear and convincing evidence” that he had not only engaged in that insurrection but had orchestrated the entire months-long effort to obstruct the joint session’s official proceeding, preventing the peaceful transfer of power for the first time in American history. Not a single justice suggested that a more stringent standard of proof was required or that the courts below applied an insufficiently rigorous definition of insurrection . No justice suggested that the First Amendment or anything else in the Constitution shielded the former president from the reach of Section 3.

Mark A. Graber: Of course presidents are officers of the United States

Nor did any justice offer any other reason to doubt the correctness of the conclusion by both courts below that the former president’s conduct was indeed the paradigm of an insurrection or a rebellion against the Constitution, disqualifying him from the presidency ever again. Nor, finally, is it easy to imagine a more thoroughgoing misinterpretation of the Fourteenth Amendment and scrambling of the division of responsibilities that the amendment carefully assigns. In supposedly following the blueprint of the amendment, which specifically provides a method for oath-breaking insurrectionists to be exempted from Section 3’s disqualification by joint action on the part of two-thirds of both houses of Congress, the Court’s majority decreed that mere inaction by Congress would suffice to lift that disqualification. Thus, by effectively flipping on its head the congressional power to remove disqualification, the Court seized for itself the role that the Fourteenth Amendment expressly and deliberately left to Congress—that of deciding whether a particular oath-breaking insurrectionist poses too little danger to the republic to be permanently barred from holding or seeking public office.

Far from preventing what it sought to depict as state usurpation of a federal responsibility, the Supreme Court itself usurped a congressional responsibility, and it did so in the name of protecting a congressional prerogative, that of enacting enforcement legislation under Section 5 of the Fourteenth Amendment.

Our highest court dramatically and dangerously betrayed its obligation to enforce what once was the Constitution’s safety net for America’s democracy. The Supreme Court has now rendered that safety net a dead letter, effectively rescinding it as if it had never been enacted.

A Latina Harvard grad advised women to marry older men. The internet had thoughts.

When she was 20 years old and a junior at Harvard College, Grazie Sophia Christie had an epiphany. She could study hard and diligently pursue her “ideal existence” though years of work and effort.

Or she “could just marry it early.”

Christie chose the latter.

In a column for New York magazine’s The Cut, the Cuban American editor and writer extolled the value of marrying an older, wealthier man as a shortcut to the life she desired. Christie’s March 27 story went viral, topping the magazine’s “most popular” list and inspiring hundreds of overwhelmingly negative comments online and on social media. As Miami New Times described it , “The essay hit the internet with a virtual thud heard round the world.”

Readers were taken aback by myriad aspects of Christie’s florid essay, which runs nearly 4,000 words. Though she was an undergraduate, Christie lugged “a heavy suitcase of books each Saturday to the Harvard Business School,” which she felt offered the best options for a suitable mate. “I had high breasts, most of my eggs, plausible deniability when it came to purity, a flush ponytail, a pep in my step that had yet to run out," she wrote. "Older men still desired those things.”

She crashed an event at the Harvard Business School and met her future husband when she was 20, and they married four years later.

Many readers were struck by the fact that Christie had the benefit of an elite education — she also completed a fellowship at Oxford University — yet chose to enter into an unequal marriage. “My husband isn’t my partner. He’s my mentor, my lover, and, only in certain contexts, my friend,” she writes. “I’ll never forget it, how he showed me around our first place like he was introducing me to myself. This is the wine you’ll drink, where you’ll keep your clothes, we vacation here; this is the other language we’ll speak, you’ll learn it and I did.”

Christie, now 27, writes that she enjoys time “to read, to walk central London and Miami and think in delicious circles.”

There is, Christie writes, a downside to her monied existence: “I live in an apartment whose rent he pays and that shapes the freedom with which I can ever be angry with him. He doesn’t have to hold it over my head, it just floats there, complicating usual shorthands to explain dissatisfaction.”

By marrying so young — although as many social media users pointed out, her husband is only 10 years older — Christie was able to leave a “lucrative but deadening spreadsheet job to write full-time, without having to live like a writer.”

A recurring theme in the viral response to Christie’s article, ostensibly about age-gap relationships, is that it should have been titled “The Case for Marrying a Rich Man.”

Christie’s transactional approach to marriage and relationships resonated — negatively — with readers. An online parody of her original piece has already been posted by the literary magazine McSweeney’s. Her words have been dissected by a columnist at Slate, who called it “bad advice for most human beings, at least if what most human beings seek are meaningful and happy lives.”

Online, people who commented on Christie’s essay called it “an insult to women of any age,” “a sad piece of writing,” and “pitiful in so many ways.” Some readers wondered if the article was a satire or a joke. One of the kinder comments on New York magazine’s website said: “This is one of the most embarrassing things I have ever read. I am truly mortified for the writer.”

Christie has so far not responded to media requests for interviews, and several attempts by NBC News to contact her were unsuccessful. Her Instagram account was recently switched from public to private.

According to her personal website , Christie is editor-in-chief of a new publication, The Miami Native, “a serious magazine about an unserious city.” Her website’s bio page, which appears to have been disabled, previously stated that she was “writing a novel between Miami, London, sometimes France.”

Christie grew up in Miami. Her parents, Miami New Times has reported , are prominent in Florida’s conservative Catholic community. Her mother was appointed to the state Board of Education in March 2022. A senior fellow for The Catholic Association, she hosts a radio show , “Conversations with Consequences,” on the Eternal Word Television Network. Her father is a physician and an anti-abortion activist who, according to his website , lectures regularly on Catholic social issues, particularly marriage, family, and the dignity of life.”

For more from NBC Latino, sign up for our weekly newsletter .

Raul A. Reyes, a lawyer, is a member of the USA Today Board of Contributors. He has written for The New York Times, the Los Angeles Times, The Christian Science Monitor, Texas Monthly and the Huffington Post.

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NIGHTMARE SUPPLY CHAIN ATTACK SCENARIO —

What we know about the xz utils backdoor that almost infected the world, malicious updates made to a ubiquitous tool were a few weeks away from going mainstream..

Dan Goodin - Apr 1, 2024 6:55 am UTC

On Friday, a lone Microsoft developer rocked the world when he revealed a backdoor had been intentionally planted in xz Utils, an open source data compression utility available on almost all installations of Linux and other Unix-like operating systems. The person or people behind this project likely spent years on it. They were likely very close to seeing the backdoor update merged into Debian and Red Hat, the two biggest distributions of Linux, when an eagle-eyed software developer spotted something fishy.

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It should be noted that the attack only works because Debian and Redhat added functionality to sshd that is not present in it as distributed by its developers. The extra functionality adds systemd interaction, which requires libsystemd which requires liblzma, a component of the (compromised) xz package. One should be wary of distributions adding functionality. Often it increases the attack surface, not only because of the modifications/additions themselves, but also by adding dependencies.

So a prime reason this became potentially exploitable is libsystemd in OpenSSH. Need I say more.

The prime reason is a very well funded and capable attacker looked for a way in. if not xz or systemd then they would have attacked via the next candidate weak point.

"This developer persona has touched dozens of other pieces of open-source software in the past few years.". Well, I guess the Opensource community have some codes to review. Maybe the xz incident is only the tips of the iceberg.

Channel Ars Technica

Updated 3m ago

How Caitlin Clark, Iowa beat LSU in Elite 8 to advance to Final 4

Caitlin Clark, Iowa avenge last year's loss to LSU, advance to Final 4

Iowa prevailed Monday in a tightly contested battle between two of the most-hyped stars and teams in women's college basketball, as the Hawkeyes took down the defending champion LSU Tigers 94-87 to return to the Final Four.

Led by star guard Caitlin Clark with a game-high 41 points, the No. 1 Hawkeyes pulled ahead in the second half — as Clark put up 12 points in the third quarter to help Iowa carry an 11-point lead into the fourth. Clark finished with 12 assists and seven rebounds and shot 13-of-29 from the field, including 9-of-20 from 3.

The No. 3 Tigers opened the game with strong rebounding (with 12 boards in the first compared to Iowa's five), while the Hawkeyes relied on their 3-point shooting, which proved too much for LSU's defense.

Tigers star Angel Reese finished with 17 points and a game-high 20 rebounds. Reese briefly exited in the first half after falling underneath the basket. She hopped directly to the bench without putting any weight on her right leg but returned shortly after exiting. She later fouled out with 1:45 remaining and LSU trailing by 10 points.

The contest marked a rematch of last year's title game, which LSU won 102-85 over Iowa to claim its first national championship. Iowa is seeking its first title and will face the winner of No. 1 USC and No. 3 UConn in the Final Four on Friday.

What's next for Reese?

Q. Angel, do you have any thoughts on your future plans in basketball?

ANGEL REESE: I'll make a decision when I'm ready

Mulkey on Van Lith

Kim Mulkey on Hailey Van Lith

It's time to celebrate

Iowa is headed to the Final Four in Cleveland.

Caitlin Clark: "Job's not finished"

This is astonishing. According to Synergy, Caitlin Clark had a hand in 77.7 percent of Iowa's points tonight.

With 1:45 remaining and LSU trailing by 10, Angel Reese has fouled out.

(Grace Raynor)

The Moda Center is showing the Albany Elite 8 matchup on the Jumbotron, and the crowd went wild when Clark drained the 3-pointer to put Iowa up 80-69. Hawkeyes fans are everywhere, even if they're not playing in the building.

After scoring 13 points in the first half, Reese has only four points in the second half and is a mere 1/10 from the field.

Flash from the past

In last year's Elite 8 matchup, Caitlin Clark had a triple-double with 41 points, 12 assists and 10 rebounds. With 4:49 left tonight, Clark has 37 points, 10 assists and seven rebounds.

If Iowa wins tonight that was a Clark 3-pointer that will get played countless times on reply. Clark was as animated as she's been after a made basket, pounding her chest multiple times with her team now up 11.

Clark passed Temeka Johnson for most assists in the NCAA Tournament (137), per ESPN broadcast.

I do love the stars. But honestly, my two favorite players to watch in this game are Kate Martin and Flau'jae Johnson. They are the hearts of their teams.

Statistically, the game is meeting pregame numbers. Iowa averages 11 3-pointers a game, while LSU averages barely four. That's the number at the end of the third quarter. Likewise, LSU holds a 12.5 rebounding average this season and is up 17 in that area.

The box score says that LSU has eight fastbreak points and Iowa has six, but the Hawkeyes' ability to push the tempo and get easy runouts after LSU misses and makes was key in the third quarter (and has been all night, frankly). LSU wasn't helped by the fact it shot only 19.2 percent from the field in the third quarter. Iowa leads 69-58 with 10 minutes to play.

Flau'jae Johnson is doing literally everything she can for LSU tonight on both ends of the floor. She's keeping the Tigers in this. Grabbing rebounds and getting putbacks, blocking shots ... she's been terrific even as LSU trails.

After that last turnover, Kim Mulkey turned toward her bench and banged her hands into her head three times. That was LSU's second turnover this quarter but any mistakes combined with its shooting woes have plagued the Tigers.

Iowa's Addison O'Grady might lowkey be the MVP of the game so far. I really thought the Hawkeyes would have a hard time without Hannah Stuelke for extended periods, and O'Grady has battled in the paint.

LSU can't buy a bucket in the second half

Tigers are 2-of-17 from the floor in this third quarter with Flau'jae Johnson hitting their only two shots. Seven minutes into the second half, Iowa has outscored LSU 20-7.

Iowa's Caitlin Clark has dropped four 3-pointers in this quarter alone and is up to 31 points and seven assists. Iowa leads 63-52 with 3:50 left in the third quarter.

The Cambridge University Boat Club women’s blue boat during a training session in freezing fog on the River Great Ouse in Cambridgeshire during February 2024.

Pulling together: how Cambridge came to dominate the Boat Race – a photo essay

The race along the River Thames between England’s two greatest universities spans 195 years of rivalry and is now one of the world’s oldest and most famous amateur sporting events. Our photographer has been spending time with the Cambridge University Boat Club over the past few months as they prepare for 2024’s races

T he idea of a Boat Race between the two universities dates back to 1829, sparked into life by a conversation between Old Harrovian schoolfriends Charles Merivale, a student at the time at St John’s College Cambridge, and Charles Wordsworth who was at Christ Church Oxford. On 12 March that year, following a meeting of the newly formed Cambridge University Boat Club, a letter was sent to Oxford.

The University of Cambridge hereby challenge the University of Oxford to row a match at or near London each in an eight-oar boat during the Easter vacation.

From then, the Cambridge University Boat Club has existed to win just one race against just one opponent, something Cambridge has got very good at recently. Last year the Light Blues won every race: the open-weight men’s and women’s races, both reserve races, plus both lightweight races – six victories, no losses, an unprecedented clean sweep. Cambridge women’s open-weight boat, or blue boat, has won the last six Boat Races while the men’s equivalent have won five out of the last seven. In such an unpredictable race, where external factors can play a large part, this dominance is startling.

Rough water as the two Cambridge women’s boats make their way along the River Thames near Putney Embankment during the Cambridge University Boat Race trials in December 2023.

Thames trials

Rough water as the two women’s boats make their way along the River Thames near Putney Embankment during the Cambridge University Boat Race trials.

It’s a mid-December day by the River Thames. The sky and water merge together in a uniform battleship grey and the bitter north wind whips the tops off the waves. Outside a Putney boathouse two groups of tense-looking women dressed in duck-egg blue tops and black leggings with festive antlers in their hair are huddling together, perhaps for warmth, maybe for solidarity. The odd nervous bout of laughter breaks out. For some of them this is about to be their first experience of rowing on the Tideway, a baptism of fire on the famous stretch of London water where the Boat Race takes place. “Perfect conditions,” remarks Paddy Ryan, the head coach for Cambridge University women, for this is trial eights day, when friends in different boats duel for coveted spots in the top boat.

A couple of hours later these women along with their male equivalents will have pushed themselves to the absolute limit, so much so that several of the men are seen trying to throw up over the side of their boats at the finish under Chiswick Bridge. This may be brutal but it’s just the start. For these students the next few months are going to be incredibly tough, balancing academic work with training like a professional athlete. Through the harshest months of the year they will be focused on preparing for the end of March and a very simple goal: beating Oxford in the Boat Race.

Agony for one of the men’s boats after the finish of the race on the River Thames near Chiswick Bridge during the Cambridge University Boat Race trials in December 2023.

Agony for one of the men’s boats after the finish of the race near Chiswick Bridge during the Cambridge University Boat Race trials.

Two of the Cambridge University Boat Club women’s boats head out in the early morning for a training session on the Great Ouse, Cambridgeshire on 28 February 2024.

Ely early mornings

Two of the women’s boats head out in the early morning for a training session on the Great Ouse.

Early winter mornings on the banks of the Great Ouse, well before the sun has risen, can be pretty bleak. In the pitch black a batch of light blue minivans drop off the men and women rowers together at the sleek Ely boathouse that was opened in 2016 at the cost of £4.9m – it’s here that all Cambridge’s on-water training takes place. Very soon a fleet of boats carrying all the teams takes to the water for a training session that may last a couple of hours. Then it’s a quick change, a lift to the train station and back to Cambridge for morning lectures.

The Cambridge University Boat Club women’s squad are dropped off at their Ely boathouse by minibus at 6am for a training session on the Great Ouse.

The women’s squad head into the Ely boathouse after a 6am drop-off.

As a rower descends the stairs to the bays where the boats are stored, there is a clear indication of why it was built and why they are there. “This is where we prepare to win Boat Races,” a sign says. Since this boathouse was built, Cambridge have won 30 of the 37 races across all categories.

The Cambridge University Boat Club men’s squad stretch in the boathouse before an early morning training session at their Ely training site in Cambridgeshire.

Top: The men’s squad stretch in the boathouse before an early morning training session and a member of the men’s blue boat descends the stairs into where the boats are kept. Below: One of the men’s teams set off for early morning training and the women’s blue boat rows past the women’s lightweight crew during a training session.

It’s a far cry from the old tin sheds with barely any heating and no showers. These current facilities are impressive, enabling the entire men’s and women’s squads to be there at the same time and get boats out.

The Cambridge University Boat Club men’s blue boat prepare to derig their boat at their Ely training site before packing it on a trailer to be transported down to London for the Boat Race.

Top: The men’s blue boat prepare to derig their boat at their Ely training site. Above: The women’s blue boat put their vessel back in the boathouse after a training session on the Great Ouse.

But it’s not just the boathouse that has contributed so much, it’s also the stretch of water they train on. In a year when floods have affected so many parts of the country it has really come into its own. Paddy Ryan, the chief women’s coach, explains: “Along this stretch the river is actually higher than the surrounding land. The water levels are carefully managed by dikes and pumps. As a result we haven’t lost a single session to flooding. That’s not the case for Oxford. I believe their boathouse has been flooded multiple times this year, unable to get to their boats. We’ve had multiple storms but we’ve been able to row through them all.”

The Cambridge University Boat Club men’s third boat practises on the Great Ouse at their Ely training site on 20 March 2024.

The men’s third boat practises on the Great Ouse.

It’s a flat, unforgiving landscape, especially in midwinter, definitely not the prettiest stretch of water, but Cambridge don’t care. Ryan says: “It might be a little dull on the viewing perspective but we could row on for 27km before needing to turn round. We have a 5km stretch that is marked out every 250m. We are lucky to have it.”

The men’s blue boat practise their starts on the long straight on the Great Ouse.

Members of the Cambridge University Boat Club men’s squad using a mirror to look at their technique during a session on ergo machines at the Goldie boathouse in Cambridge during February 2024.

The sweat box

Members of the men’s squad check on their technique with the use of a mirror at the Goldie boathouse.

The old-fashioned Goldie boathouse is right in the centre of Cambridge perched on the banks of the River Cam. Built in 1873, its delicate exterior belies what goes on inside. This is the boat club’s pain cave, where the rowers sweat buckets, pushing themselves over and over again; it’s a good job the floor is rubberised and easy to wipe clean.

A wreath to the founder of the Boat Race, Charles Merivale, in the upstairs room at the Goldie boathouse which commemorates Cambridge crews that have competed in the Boat Race from 1829.

A wreath to Charles Merivale, the founder of the Boat Race, and wood panelling in the upstairs room at the Goldie boathouse which commemorates Cambridge crews that have competed in the Boat Race from 1829.

Seb Benzecry, men’s president of the Cambridge University Boat Club, sweats profusely during a long session on an ergo machine at the Goldie boathouse, Cambridge in February 2024.

(Top) Seb Benzecry, men’s president of the Cambridge University Boat Club, and (above) Martin Amethier, a member of the reserve Goldie crew, sweat during sessions on ergo machines.

Iris Powell of the women’s blue boat of the Cambridge University Boat Club, performing pull-ups during a training session at the Goldie boathouse, Cambridge on 5 March 2024.

Iris Powell of the women’s blue boat (above) performs pull-ups during a training session.

Hannah Murphy, the cox of the women’s blue boat, urges on four of her crew – Gemma King, Megan Lee, Jenna Armstrong and Clare Hole – as they undertake a long session on the ergo machines at the Goldie boathouse, Cambridge.

Above left: Hannah Murphy, the cox of the women’s blue boat, urges on four of her crew (left to right) Gemma King, Megan Lee, Jenna Armstrong and Clare Hole, as they undertake a long session on the ergo machines. Above right: Kenny Coplan, a member of the men’s blue boat crew, looks exhausted then writes in his times after his session on an ergo machine (below).

Kenny Coplan from the USA writes in his timings after a session on an ergo machine at the Goldie boathouse, Cambridge.

Brutal sessions on the various ergo machines, where thousands of metres are clocked and recorded, are a staple of the training regime set in place. If there is any slacking off the students just need to look up at one of the walls where a map of the Boat Race course hangs. The “S” shape of the Thames has been carefully coloured in the correct shade of blue and record timings for various key points on the course have been written in for both men and women. All but one record, and that one is shared, is held by Cambridge.

Four members of the men’s squad open up the doors of the Goldie boathouse looking out on the River Cam as they undertake a long session on the ergo machines.

Paddy Ryan, the women’s chief coach, talks to the women’s blue boat during a training session on the River Great Ouse in February.

A key ingredient in any successful team is the coaching. Cambridge’s setup is stable and well established. Paddy Ryan is the chief women’s coach, a genial, tall Australian, he has been part of the women’s coaching team since 2013. The care and devotion to his squad is perfectly clear. “I have my notebook next to my bed so I can jot things down. I wake up in the middle of the night going: am I making the right decisions? I care about them as people and I need to manage them … We joke as coaches that we are teaching some of the smartest people on the planet how to pull on a stick.”

Rob Baker, the chief men’s coach, has Cambridge rowing in the blood. Born and bred in the city, his father was a university boatman for 25 years. He even married into the sport – his wife, Hayley, rowed for Cambridge as a lightweight – so it was no surprise that he became part of the coaching setup way back in 2001. He was the first full-time women’s coach in 2015 then moved to take over the men in 2018.

Rob Baker, the men’s chief coach for the Cambridge University Boat Club, talks to his blue boat at their Ely training site in Cambridgeshire on 20 March 2024.

Rob Baker, the men’s chief coach, talks to his blue boat at their Ely training site.

Apart from an obvious role in the development of rowing skills, a key part of their job is making sure there is a balance for their student athletes. They understand they have to juggle training needs. “Every week we have a general plan,” says Baker, “but then someone might have an extra class or supervision they’ve got to do so we have to move around it. They are studying at one of the most competitive universities in the world with the highest standards so you’ve got to give them space to do that properly.” He goes on: “But when they get on the start line for their race, they’ll be just as competitive as if they were professionals.”

Jenna Armstrong and Seb Benzecry, the respective women’s and men’s presidents of Cambridge University Boat Club, hold a meeting to discuss their plans in the Great Hall at Jesus College on 5 March 2024.

The presidents

Jenna Armstrong and Seb Benzecry discuss their plans in the Great Hall at Jesus College.

Every year one man and one woman are elected presidents to represent Cambridge University Boat Club. They are the captains and leaders, not only responsible for helping design the training programme in conjunction with the coaches but also making budgetary and tactical decisions along the way. This year both of them, Jenna Armstrong and Seb Benzecry, are from the same college, Jesus, which helps the communication between the two of them. They share ideas and knowledge, thoughts and worries. Their lives, for these intense few months, are a juggling act.

Armstrong is a 30-year-old from New Jersey, and doing a PhD in physiology. Once a very keen competitive junior skier she was forced to abandon her hopes of a career on the slopes after a number of serious knee injuries. She only started rowing in 2011 and only became aware of the Boat Race when she saw it on TV a couple of years later.

Jenna Armstrong, the women’s president of the Cambridge University Boat Club, cycling down the Chimney, the grand entrance to Jesus College where she is a member, to go to the other side of the city to carry out more of her PhD research at the department of physiology, development and neuroscience.

Jenna Armstrong, cycling down the Chimney, the grand entrance to Jesus College, to go to the other side of the city to carry out more of her PhD research at the department of physiology, development and neuroscience.

The research she carries out at the university labs could be turn out to be life-saving. “I study mitochondrial function in placentas from women from all over the world to learn how genetic and environmental factors during pregnancy can influence placental metabolism and impact the health of both mother and baby. I’m particularly interested in growth restriction which affects about 10% of babies worldwide. That can have lifelong implications for these babies and currently we don’t have any treatment for this.”

Benzecry, 27, is studying for a PhD in film and screen studies, and comes from a completely different rowing background. He grew up just a stone’s throw from the Boat Race course and went to a school on the banks of the Thames. This will be his 14th year of competitive rowing but his fourth and last Boat Race.

“ I remember one year my birthday fell on race day and we watched after my birthday party. Because we live fairly close to the course, I’ve always felt connected to the race.”

Seb Benzecry, the men’s president of the Cambridge University Boat Club, stands next to an Antony Gormley statue in the Quincentenary Library at Jesus College as he conducts research for his dissertation as part of his PhD in film and screen studies.

Seb Benzecry stands next to an Antony Gormley statue in the Quincentenary Library at Jesus College as he conducts research for his dissertation which forms part of his PhD in film and screen studies.

Talking about how hard it is to get the right balance between academic student life and rowing, Benzecry says: “I guess you have to accept there are many, many things you can’t do, you just don’t have time for during the season. You have to put the blinkers on.”

Armstrong says: “I have to be very prepared, very strategic and organised. I pack everything the night before, and then once I leave my room in the morning, I don’t go back. That allows me to go to training, go to the lab, go to training again. It’s surreal actually, to come to a place like Cambridge, have one of the best educations in the world on top of the most incredible rowing experiences in the world. We have a thing now in the boat, when we are doing something incredibly hard, I say this is my ideal Saturday, I wouldn’t want to be anywhere else. I would rather be here than in bed or on a date. And I make everyone else say it with me too. I’d rather be nowhere else.”

Benzecry states: “When it’s really bad, when training is so hard, we say Oxford aren’t doing this, they could never do this. It’s an incredibly powerful thing to be thinking we work harder than them, our culture is better than them. They don’t want to go hard as we do – they might think they do but they don’t, they just don’t have it.”

The Cambridge University Boat Club men’s and women’s blue boats during a training session on the Great Ouse, Cambridgeshire on.

Integration

The men’s and women’s blue boats during a training session on the River Great Ouse in February.

Until 1 August 2020, there were three separate university boat clubs in Cambridge: one for open-weight men, one for lightweight men, and one for open-weight and lightweight women. Since they merged to become one club, it has undoubtedly helped with everyone sharing the same resources and motivating and inspiring one another. No one is more important and everyone has a key part to play in the result. This year, Oxford have followed suit.

Baker says: “I definitely feel, for the athletes themselves, it makes a big difference. They all feel like they’re contributing to one common goal. Every cog in the wheel has to do its job but for sure it feels like one big team on a mission.”

Benzecry explains: “We’re seeing each other train, we’re all out on the water at the same time, we’re supporting each other throughout the season, building a sense of momentum for the whole club towards the races. Everyone’s just inspiring each other all the time and I think that’s been such a sort of cultural shift for Cambridge.”

The men’s blue boat pack their boat on to a trailer for the trip down to London for the Boat Race at their Ely training site, Cambridgeshire.

The men’s blue boat pack their craft on to a trailer at their Ely training site ready for the trip down to London for the Boat Race.

Siobhan Cassidy, the chair of the Boat Race, knows from first-hand how the integration has helped. She rowed for the Light Blues in 1995 and had a key role in the transition. “We could see the advantages of working together, collaborating as a bigger team, the positive impact we felt that could have on performance. But not just the output, actually the whole experience for the young people taking part.”

Siobhan Cassidy, the chair of the Boat Race, poses for a portrait in the Thames Rowing Club at Putney Embankment.

Siobhan Cassidy, the chair of the Boat Race, pictured at the Thames Rowing Club at Putney Embankment.

This Saturday, if the weather holds, an estimated 250,000 people, the vast majority of whom have no allegiance to one shade of blue or the other, will pack the banks of the Thames to see these races. It’s one of the largest free events in Britain. Broadcast live on BBC One, the race is also beamed to 200 countries across the world.

The starting stone for the University Boat Race at Putney Embankment.

The starting stone for the University Boat Race and pavement inscription: “The best leveller is the river we have in common” at Putney Embankment.

A map of the Boat Race course at the Goldie boathouse, with the Thames coloured in Cambridge blue and record timings written in for men and women showing almost total Cambridge dominance.

A sporting pinnacle being contested on a fast-flowing, unpredictable river by two teams of university students – it’s pretty bizarre. But maybe it’s that quirkiness that keeps the race, after almost two hundred years, still going strong. And even more bizarre to think that Cambridge, the current dominant force in the Boat Race, a sporting event that can’t shrug off its elitist stereotype, owes so much of that success to such egalitarian principles.

The Guardian picture essay
The Boat Race
University of Cambridge
Photography

I Work in Supply Chain Logistics. Here’s What I Advise After the Tragedy in Baltimore.

A photo illustration of the collapsed Francis Scott Key Bridge, near Baltimore.

By Ryan Petersen

Mr. Petersen is the chief executive of Flexport, a supply chain technology and logistics company.

The immediate impact of the collapse of the Francis Scott Key Bridge in Baltimore on Tuesday was viscerally clear: In minutes, the Baltimore Harbor went from a humming logistics hub to a chaotic search and rescue operation. Two construction workers who had been fixing potholes on the bridge were pulled from the water, with six more missing and presumed dead.

As a native of Maryland, I grew up driving through the Baltimore Beltway with my family to see the Orioles play at Camden Yards, which is near Baltimore’s Inner Harbor. Seeing container ships sail through the port was one of my earliest memories of global shipping.

Last year the Port of Baltimore processed 1.1 million 20-foot containers’ worth of cargo, making it the ninth-busiest port, based on trade volume in the United States, and the most important port serving our nation’s capital. It’s also the busiest U.S. port for car shipments, with more than 800,000 vehicles moving through its waters onto its docks and across its roads and railways in 2023.

Shipping terminals at the Port of Baltimore are now blocked

Locust Point

Fairfield, Atlantic

and Chesapeake

Consol terminal

Curtis Bay piers

Shipping paths

Collapsed section

of Francis Scott

Chesapeake Bay

As rescue workers and salvage crews work tirelessly to recover bodies and restore access to the harbor, our national supply chain is kicking into high gear to absorb the aftershock of the bridge collapse. Ship traffic to the Port of Baltimore is being rerouted to nearby ports, including one in Norfolk, Va., and the Port of New York and New Jersey. These changes come at a time when global supply chains are already stressed, with ships changing course to avoid Houthi attacks in the Red Sea and low-water restrictions limiting capacity through the Panama Canal. The looming contract expiration for the International Longshoremen’s Association in September also creates uncertainty for businesses that rely on cargo sent by sea.

As a result of all this precariousness, many companies that typically move goods through East Coast ports are already asking about rerouting their cargo through West Coast ports, opting to truck or rail the goods across the country to avoid delays. Ports around the country are preparing to absorb surges in volume as companies reroute around the Port of Baltimore and avoid the East Coast more generally.

Baltimore has the fourth-largest port on the Eastern Seaboard

The East Coast of the United States received over 450 million tons of cargo by ship in 2021. Baltimore’s 50-foot channel and berths allow it to handle larger ships than many other U.S. ports.

Tons of cargo

New York and New Jersey

Philadelphia

South Jersey

37.4 million tons

Cargo ships originally headed to Baltimore are being rerouted to the ports of Virginia and New York and New Jersey.

Jacksonville

If there’s one lesson we learned about the supply chain in recent years, it’s that sudden increases in container volumes arriving in U.S. ports can compound into congestion and delays. This was most evident during the peak of the pandemic-induced supply chain crisis, when over 100 ships were waiting off the coast to unload at U.S. ports.

We don’t yet know what caused the power loss that led to the crash in Baltimore or what could be done to avoid tragedies like this in the future. As we mourn the loss of life, what’s obvious to those of us in the shipping industry is that chronic underinvestment in America’s ports makes them ill suited to handle the surging volumes they are likely to experience as traffic planned for Baltimore is shifted to neighboring ports.

America’s ports are vital to American interests and are the backbone of our economy. Yet some of our largest ports can handle vessels only two-thirds the size of the world’s largest and most efficient container ships, which today primarily sail on the Asia to Europe trade lane, avoiding the United States altogether.

While recent plans by the Biden administration to invest billions in new, U.S.-manufactured container cranes appear to be a step in the right direction, it remains to be seen whether we’ll actually be getting larger, more efficient cranes capable of servicing the biggest ships or if we’re simply replacing the existing cranes with similar models while doing little to improve the throughput of our ports.

America’s supply chain infrastructure is central to our country’s prosperity. We should invest far more to dredge our ports and enable them to handle larger ships, build new rail connections, automate port operations and employ container dispatching software to increase the throughput of trucks loading and delivering containers. The failure to do so leaves us weaker and more vulnerable when catastrophe strikes.

The good news is that off-the-shelf technology already exists and has been successfully used in ports around the world. Port modernization would lead to high-paying jobs in and around American ports while making our infrastructure and economy more resilient to shocks like the one we’re experiencing in Baltimore.

Ryan Petersen is the chief executive of Flexport, a supply chain technology and logistics company.

Source images by THEPALMER/Getty Images and Nathan Howard/Reuters.

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Reading the Image Summary
Please go this improved audio and updated discussion: https://www.youtube.com/watch?v=Kibq56-_M5QKey points from the essay of Alice Guillermo are presented w...
17.1 "Reading" Images
While writers arrange, or put together, a story, essay, or poem to take place over time—that is, the time readers need to follow the text, line by line, through a number of pages—image creators arrange pictures in the two-dimensional space of their viewfinder, paper, or canvas to invite viewers to read in space rather than time. This ...
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Most writing about images is done in the neutral tone typically adopted in academic writing, although you may find reviews or essays that are informal and others that are scholarly. Taking a Side. In 'Reading' Images, you read a description of and some reflections on Figure 17.3, an image of woman wearing a mask reading, "I Can't ...
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Center to ask for help on a paper before reading the prompt. Once they do read the prompt, they often find that it answers many of their questions. When you read the assignment prompt, you should do the following: • Look for action verbs. Verbs like analyze, compare, discuss, explain, make an argument, propose a solution,
Reading THE Image (full essay)
READING THE IMAGE By Alice Guillermo. We begin with the basic premise that there are two interrelated aspects in the study of art. The first is that art has its specificity: that is, its particular language or vocabulary that has to do with the mediums, techniques, and visual elements of art that constitute it as a distinct area of human knowledge and signifying practice.
READING THE IMAGE
The image is regarded as an "iconic sign" which means, beyond its narrow associations. with religious images in the Byzantine style, that it is a unique sign with a unique, particular and. highly nuanced meaning, as different from a conventional sign such as a traffic or street sign. which has a single literal meaning.
Reading the Image by Alice Guillermo
READING. THE IMAGE. Alice G. Guillermo. I. Our visual experience covers three kinds of images produced in society today: 1) the images of the traditional arts, 2) the images of print and tv media, and 3) the images of contemporary art (the visual arts as two-‐dimensional expressions, such as drawing, painting, and photography, as three-‐ dimensional expressions, such as sculpture, and ...
When to Use an Image in an Essay
Make sure to reference any images you use in the text of your essay. If you have included an image to illustrate a point, for instance, you would include something along the lines of "An example of this can be seen in Figure 1.". The key, then, is that images in an essay are not just decoration. Rather, they should fit with and add to the ...
How to Structure an Essay
The basic structure of an essay always consists of an introduction, a body, and a conclusion. But for many students, the most difficult part of structuring an essay is deciding how to organize information within the body. This article provides useful templates and tips to help you outline your essay, make decisions about your structure, and ...
Literary Device: Imagery
Literary Device: Imagery. We've all had that experience of reading a book then being smacked with an image that blows you away; a line that is visceral, or poignant, or sums up the moment perfectly. And when you look back at a book you've read those powerful images stay with you. In a 1980 essay in The Writer, 'Imagery and the Third Eye ...
Reading The Image (Alice Guillermo)
Reading the Image (Alice Guillermo) - Free download as PDF File (.pdf), Text File (.txt) or read online for free. This document discusses different types of images found in society. It describes images found in traditional arts of indigenous communities, which often contain symbolic figures and motifs related to religious beliefs and the natural world.
Reading the Image by Alice Guillermo
READING THE IMAGE By Alice Guillermo. We begin with the basic premise that there are two interrelated aspects in the study of art. The first is that art has its specificity: that is, its particular language or vocabulary that has to do with the mediums, techniques, and visual elements of art that constitute it as a distinct area of human knowledge and signifying practice.
Y2 1ST SEM-ENGL7
Study with Quizlet and memorize flashcards containing terms like 1. Recipient of the Palanca Awards 2. a Renowned writer, researcher, art critic, and professor, This is because it serves as guidelines in analyzing or interpreting images such as ads, paintings or any texts., Art should be placed in the context of society and history and more.
Self-Reliance
The essay "Self-Reliance," written by Ralph Waldo Emerson, is, by far, his most famous piece of work. Emerson, a Transcendentalist, believed focusing on the purity and goodness of individualism and community with nature was vital for a strong society. Transcendentalists despise the corruption and conformity of human society and institutions.
Reading The Image
Reading the Image_Alice Guillermo - Free download as PDF File (.pdf) or read online for free.
Exploring the Picture Essay: Tips, Best Practices, and Examples
Exploring the Picture Essay: Tips, Best Practices, and Examples. April 18, 2023. Words by Jeff Cardello. A picture essay lets you harness the power of images to tell stories, evoke emotions, and convey a sense of place, time, and perspective. Picture essays drop viewers right into the action, letting them see things through the camera's lens ...
How to Format Images in an Essay
To insert an image into the text using Microsoft Word: Place the cursor where you want to add a picture. Go to Insert > Pictures. Click on This Device to add pictures from your own computer or select Online Pictures to search for a picture from the internet. Select the image you wish to use and click Insert.
Visual Imagery
The visual imagery strategy (also called visualizing or mind pictures) encourages readers to engage their imagination and use sensory details from the text to construct mental images of scenes, characters, events, and concepts. Using visual imagery, students imagine what the characters might see, hear, feel, taste, or smell.
PDF Using Image Analysis to Build Reading Comprehension
rhetorical and human artifact (Wineburg 2001, 65). Oftentimes, beyond general reading difficulties in decoding and fluency, struggling readers lack an epistemology of text. In this essay, we propose the use of image analysis strategies to heighten student interest in historical content and provide a basis for improved reading comprehension.
Creating Photo Essays About Community: A Guide to Our Where We Are
Step 1: Read the Where We Are series closely. Step 2: Decide what local community will be the subject of your photo essay. Step 3: Take photos that show both the big picture and the small details ...
How and When to Use Images in an Essay
Make sure to directly reference the image in the text of your essay. If you have included an image to illustrate a point, for instance, you would include something along the lines of 'An example of this can be seen in Figure 1'. The key, then, is that images in an essay are not just decoration. Rather, they should fit with and add to the ...
The 'Colorblindness' Trap: How a Civil Rights Ideal Got Hijacked
Wutoh told the dean to send him the letter and not to respond until she heard back from him. Hanging up, he sat there for a moment, still. Then he picked up the phone and called the university's ...
The Supreme Court's Supreme Betrayal
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NASA Is Recruiting a New Class of Astronauts
Chandan Khanna/Agence France-Presse — Getty Images. ... The night before one of Mr. Glover's interviews at NASA for the 2013 class, he was asked to write an essay. The title: "Girls Like ...
Reading THE Image By Alice Guillermo
READING THE IMAGE By Alice Guillermo TWO INTERRELATED ASPECTS IN THE STUDY OF ART: Art has its specificity: that is, its particular language or vocabulary that has to do with the mediums, techniques, and visual elements of art that constitute it as a distinct area of human knowledge and signifying practice. Constitutes art as a particular human ...
Latina Harvard grad Grazie Sophia Christie advised women to marry older
Writer and editor Grazie Sophia Christie, 27, wrote an essay for New York Magazine's The Cut column extolling the virtues of marrying an older man, but the internet buzz is that her essay is more ...
What we know about the xz Utils backdoor that almost infected the world
What does the backdoor do? Malicious code added to xz Utils versions 5.6.0 and 5.6.1 modified the way the software functions when performing operations related to lzma compression or decompression.
How Caitlin Clark, Iowa beat LSU in Elite 8 to advance to Final 4
Iowa prevailed Monday in a tightly contested battle between two of the most-hyped stars and teams in women's college basketball, as the Hawkeyes took down the defending champion LSU Tigers 94-87 ...
Pulling together: how Cambridge came to dominate the Boat Race
View image in fullscreen A map of the Boat Race course at the Goldie boathouse, with the Thames coloured in Cambridge blue and record timings written in for men and women showing almost total ...
Opinion
Guest Essay. I Work in Supply Chain Logistics. Here's What I Advise After the Tragedy in Baltimore. March 27, 2024. ... Source images by THEPALMER/Getty Images and Nathan Howard/Reuters.

17.5 Writing Process: Thinking Critically and Writing Persuasively About Images

Writing Persuasively about Images

Taking a Side

Summary of Assignment: Writing Persuasively about an Image

Quick Launch: Identify Rhetorical Context

Drafting: The Visual to the Textual

Analyze the Image

Write an Introduction

Contextual Introduction

Create Topic Sentences

Build Body Paragraphs

Sample Body Paragraph: Arrangement

Formulate a Conclusion

Sample Conclusion

Peer Review: Separate the Personal from the Technical

Revising: Hone Your Practice

READING THE IMAGE

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Jack Caulfield

What does Emerson say about self-reliance?

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Why is it important to be self reliant?

What did Emerson mean, "Envy is ignorance, imitation is suicide"?

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Self-Reliance: The Complete Essay

Ralph Waldo Emerson Self Reliance Summary

What is the Meaning of Self-Reliance?

Trust Thyself: Every Heart Vibrates To That Iron String.

What I must do is all that concerns me, not what the people think.

I suppose no man can violate his nature.

The magnetism which all original action exerts is explained when we inquire the reason of self-trust.

Life only avails, not the having lived.

If our young men miscarry in their first enterprises, they lose all heart.

Understanding Emerson: "The American scholar" and his struggle for self-reliance.

Standford Encyclopedia of Philosophy

The American Scholar

Essays First Series

Emerson's Essays

Self-Reliance

Early Emerson Poems

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