creative writing describing a door

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alittlehumbugcalledShe Active Member

Is there a way of describing a door opening that isn't mind-numbingly boring.

Discussion in ' Word Mechanics ' started by alittlehumbugcalledShe , Feb 3, 2021 .

googletag.cmd.push(function() { googletag.display('funpub_bbd4fe2ab8de48677ba2b1944da2b853'); }); As above. It's important in the scene that the door does open, but all I can think of is stuff that makes my eyes roll out of my head. You know what I mean: "The door to the library swung/fell open...", etc. It's not exactly groundbreaking stuff, I admit. It's also not the worst out there, either, but the thing is that I've read this kind of sentence so many times that my eyes just skip over it if I come across it. I'm just trying to find if there's a new way of doing such things. Has anyone found an example by an author where they've used a more interesting, NOT mind-numbingly boring way of describing such mundane things (even like 'she boiled the kettle', she closed the door', etc.)? I've been trying to find examples in the books I've got, but they all seem to do it the same way. Perhaps the mundanity of it IS the right choice to make, after all, but I'd love a second or third opinion from you guys!  

Homer Potvin A tombstone hand and a graveyard mind Staff Supporter Contributor

googletag.cmd.push(function() { googletag.display('funpub_bbd4fe2ab8de48677ba2b1944da2b853'); }); What's wrong with just saying the door opened? It's not a spectacular event that demands creative description.  

Bruce Johnson Contributor Contributor Contest Winner 2023

googletag.cmd.push(function() { googletag.display('funpub_bbd4fe2ab8de48677ba2b1944da2b853'); }); New here, so take it with a grain of salt. I'd say the act of opening or closing a door is fairly mundane and just describing it (the sound, vibrations, etc.) should be enough IF it is just part of natural action. But, if opening it immediately (or even early in the ensuing scene) reveals something shocking or leads to something significant, perhaps describing it metaphorically to fit the scene MAY be something to consider.  

peachalulu Member Reviewer Contributor

googletag.cmd.push(function() { googletag.display('funpub_bbd4fe2ab8de48677ba2b1944da2b853'); }); Unless it's opening to another dimension or revealing a shadowy maniac or a long lost love I wouldn't put too much oomph into it. Some sentences are meant to be bricks and mortar.  

googletag.cmd.push(function() { googletag.display('funpub_bbd4fe2ab8de48677ba2b1944da2b853'); }); Thanks everyone! Yeah, I think you might be right - sometimes it is better to just keep it simple, after all. If I'm still not happy with it, I can maybe mark it in red and come back to it. Thanks again!  

Xoic Prognosticator of Arcana Ridiculosum Contributor Blogerator

googletag.cmd.push(function() { googletag.display('funpub_bbd4fe2ab8de48677ba2b1944da2b853'); }); Yep, this goes back to the conversation we had a while ago about Hemingway and his (apparent) disdain for fancy ways of describing things (though he was guilty of that sin himself in some early works). We sort of landed on the idea that, if it's important enough, go all out (within limits) otherwise just write it. No guarantees, but I'll see if I can dig it up.  

Friedrich Kugelschreiber marshmallow Contributor

googletag.cmd.push(function() { googletag.display('funpub_bbd4fe2ab8de48677ba2b1944da2b853'); }); I tend to prefer that descriptions of doors opening be mind-numbingly boring.  

googletag.cmd.push(function() { googletag.display('funpub_bbd4fe2ab8de48677ba2b1944da2b853'); }); Xoic said: ↑ the conversation we had a while ago about Hemingway Click to expand...

• Smoothest Flow Possible
• How do I make my writing less wordy?
• What are some examples of the "simple but vivid" description that Chekhov talks about below?

googletag.cmd.push(function() { googletag.display('funpub_bbd4fe2ab8de48677ba2b1944da2b853'); }); To use an example from that last thread (my 1st post on it): "The wind blew." Personally that feels really flat and lifeless to me. I prefer something like "The wind swept across the field of head-high grass, stirring it gently." But it all depends on why your door opens, and what it means, especially to the POV character (the one the story is being told through). What kind of mood are they in? What does the opening of the door mean to them in this moment? Are they expecting a jealous boyfriend to step in with a butcher knife? Or maybe Ed McMahon with a giant check? Or maybe he thought he was the last person left alive on Earth? The situation you've set up creates the meaning of the opening of the door. Should it creak ominously (hopefully in less stereotypical terms)? Should it open silently and smoothly? Is there light behind it, and darkness in the room? Or the other way around? Is it symbolic of something emotional, something powerful? If it's just another inhabitant of the house or apartment stepping in for no special reason, you probably don't even need to say the door opened. There's a thing in movies called coverage, where the director (usually an underpaid and overworked second unit director) shoots a lot of people walking down corridors, doors opening and closing, people getting in and out of cars, etc, just in case it's needed for the edit, though much of it lies unused. In a good movie anyway. In a bad movie it might all get used.  

googletag.cmd.push(function() { googletag.display('funpub_bbd4fe2ab8de48677ba2b1944da2b853'); }); Xoic said: ↑ Haven't found it yet, but here are 2 threads that came up in the search exploring very similar ideas: Smoothest Flow Possible How do I make my writing less wordy? Bingo! Here's the one I was thinking of: What are some examples of the "simple but vivid" description that Chekhov talks about below? Click to expand...

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Writing Tips Oasis - A website dedicated to helping writers to write and publish books.

10 Words to Describe a Magical Door

By A.W. Naves

Is there a door in your novel that leads to another world? Do you need some help in describing it? Below are 10 words to describe a magical door.

1. Enchanted

Bewitched, magical ; Having magic powers or qualities.

“The  enchanted  door glimmered with an ethereal glow as it opened.”

“The fae beckoned him to step through the  enchanted  door and enter her realm.”

How It Adds Description

The word “enchanted” suggests that the door is not just a physical object, but a source of mystical energy that holds the power to captivate those who approach it. An enchanted door can serve as a gateway to another world, unlocking hidden realms and unlocking mysteries that the protagonist must uncover as the plot progresses.

2. Majestic

Stately, elegant ; Grand and impressive.

“The  majestic  door towered above the other buildings, reflecting the beauty of the kingdom.”

“The young prince approached the  majestic  door with a sense of awe and reverence.”

The word “majestic” implies that the door is grand, powerful, and awe-inspiring. It suggests that the door is not just any ordinary door, but one that holds great importance and significance, leading the reader to become more excited to discover what lies beyond the door.

3. Mysterious

Cryptic, inscrutable ; Not easily understood or explained.

“The  mysterious  door was the only passage to the hidden chamber where the treasure was kept.”

“The young adventurer could not help but feel drawn to the  mysterious  door, even though he feared what lay beyond.”

The  word  “mysterious” suggests that there is something unknown and perhaps even dangerous about the door. It raises questions about what lies beyond the door, which the protagonist must uncover in order to progress in the story. This can lead to adventure, danger, or discovery, all of which drive the plot forward and keep the reader engaged.

4. Intricate

Involved, elaborate ; Complex and detailed.

“The  intricate  design of the door was a work of art, every carving telling a story.”

“The sorceress examined the  intricate  runes inscribed on the door, searching for the spell to unlock it.”

The word “intricate” indicates that the door has many complex and delicate details, making it stand out from other doors. The intricate details may be clues or puzzles that the characters must solve in order to unlock the door’s secrets and advance through it, adding a sense of adventure and excitement to the story.

5. Grandiose

Glorious, magnific ; Impressive and grand.

“The  grandiose  door was made of solid gold, reflecting the wealth and power of the kingdom.”

“The prince was awestruck by the  grandiose  door, which seemed oddly out of place on the otherwise unexceptional dwelling.”

The word “grandiose” creates an image of a door that is not only visually stunning but also symbolizes power, wealth, and prestige. This can add an element of intrigue and wonder to the story, as the reader is drawn to the door, perhaps in hopes of wealth or prestige.

6. Whimsical

Capricious, quirky ; Fanciful and imaginative.

“The  whimsical  door was painted in bright colors, with fanciful creatures and landscapes.”

“The young artist approached the  whimsical  door with a sense of wonder, for she knew that it held the key to unlocking her imagination.”

The word “whimsical” adds a sense of lightheartedness and playfulness to the description of the magical door. It suggests that the door is not just a portal to another world or a source of power, but also a source of joy and delight. A whimsical door can set the tone for the world beyond, establishing that it is a place of enchantment and wonder, in contrast with a dangerous journey.

7. Spellbinding

Having the power to  captivate and charm .

“The  spellbinding  door held a power over her that she couldn’t explain, beckoning her to open it and step through to the other side.”

“The words carved into the door among the poppies rendered it positively  spellbinding .”

The word “spellbinding” emphasizes a magical door’s captivating and alluring qualities. It suggests that the door holds a mysterious power that draws characters towards it, compelling them to step through toward what awaits them on the other side where they may find a new world, unlock a hidden power, or reveal the key to solving a mystery.

8. Hypnotic

Mesmeric, captivating ; Inducing deep fascination.

“The  hypnotic  door seemed to shimmer and glow, drawing the young traveler closer with its irresistible allure.”

“The door was like a portal to another world,  hypnotic  with its enchanting energy and mysterious aura.”

The word “hypnotic” suggests that a door may serve as a metaphor for the protagonist’s journey, as they become increasingly drawn in by the mysteries of a magical world. This can add tension and suspense to the story, as the protagonist navigates a world full of danger and uncertainty in pursuit of the door’s secrets.

9. Beguiling

Cunning, devious ; Charming and enchanting.

“The  beguiling  door held her gaze, as she contemplated whether she should allow herself to be drawn into opening it.”

“The door was  beguiling , but she knew she must resist as it could only lead to the darkest of the realms, according to her spirit guide.”

The word “beguiling” introduces the concept of the magical door as a key element in the story, drawing the attention of the reader and creating a sense of excitement about what lies beyond. It can act as a motivator for the characters, driving them to take action and explore the unknown where they may find discoveries, encounters, or events that further the plot.

10. Intriguing

Riveting, engrossing ; Mysterious and tempting.

“The  intriguing  door was full of secrets, but did it hold the answers the young witch sought?”

“The door was  intriguing  as it appeared out of thin air in the middle of the forest.”

The word “intriguing” adds a sense that the characters who encounter the door find themselves unable to resist the secrets it may hold. Once drawn in, they will likely wish to reveal the mysteries it holds, furthering the plot by providing answers to unsolved riddles encountered on their quest, or adding more queries that will need to be resolved as their journey continues.

• Feb 5, 2021

Description Practice: Coffee Shop

With it being February and still too cold to do any exploring outside, for this bit of description practice, I decided to visit a new, interesting indoor place. One where I could still find a lot to describe without having to freeze my butt off in the process.

I discovered a coffee shop that isn’t like your run of the mill Starbucks. No, this one is much more unique and memorable. I won’t go into too much detail here, since that is what the rest of this post is for, so let’s get into my observations of the place on a chilly January afternoon.

My Process for These

If you are new here, how these description practices work is that I go someplace and just sit and write about what I see, hear, and smell. I pick different aspects of the environment and try to write a paragraph on them. I don’t look up words in a thesaurus and I don’t do any editing. I then share what I wrote in the next section.

Once I’ve let the descriptions sit for a day or two, I rewrite them to try and improve them while making the paragraphs more coherent. In the second version, the idea is to make something that could feasibly be used in a story, while the first version is all about collecting as many details as I can.

Lastly, even though this is actually the first thing you see in the article, I share a picture of the place I described. There are two reasons for this. One, it lets you see what I saw, and two, it allows you to attempt the description yourself.

Without further ado, let’s get into it!

My Observations

The smell of coffee permeates the air, making the room feel warm and cozy in the way that coffee shops always seem to. Even those that don’t have their own cups can enjoy the atmosphere of the shop. The outside world ceases to exist and time slows inside the shop. It feels as though one has entered another world.

The groupings of tables and chairs are all unique. None of the multitudes of chairs match the few tables. Most of the chairs don’t even match each other. The mismatched chaos adds to the room.

Random bits of furniture, knick-knacks, and oddities filled the room, all for sale. An old cello, a little rough around the edges, but still clean, leans in the corner. In another, a nook has been assembled around a coffee table missing paint in several spots. A sofa from another era now sits next to a well-worn loveseat from no more than ten years ago. A few pillows, each in different colors, shapes, and sizes adorn the seats. Stood against another wall is a dressmaker’s mannequin wearing a frilly pink nightgown from a decade best forgotten. Next to it is a wooden display case showing off a collection of jewelry. The accessories are mostly silver with polished bits of turquoise and plenty of beads.

A brickwork archway leads away from the coffee shop portion of the shop and grants people access to rooms overflowing with antiques and homemade décor. The aged red bricks have faded over the years. The red has lost some of its intensity and creeps closer and closer to the white splotches on the clay.

Over the counter, a collection of dollar bills hang from strings from the corrugated ceiling. The bills dance in the breeze caused by a nearby fan. The ceiling itself is the color of rust and adds to the earth tones of the room.

Country music plays softly in the background. At least, as softly as country music can play. The music matches the small town, country feel of the shop.

Guests either sit in groups and enjoy good conversations with one another, or they sit by themselves and enjoy the momentary escape from the outside world.

My Thoughts So Far

This is just a small sample of some of the things I could have described in this shop. As I mentioned, the place is full of all kinds of antiques and what not for visitors to purchase.

And that’s just the front/main room!

I could have kept the descriptions going for pages and pages. I could do one for each room! As it was, my chicken-scratch handwriting had already filled three pages in my notebook so I figured it was time to wrap things up.

On a side note, don’t you just hate when you think you’ve gotten a lot of writing done and then you type it up and it turns out it wasn’t much at all?

Some of the paragraphs are decently sized. The one about the various items around the room is too large for my liking. I think I’d be better off breaking it up into paragraphs each focused on the different aspects in the room. This does mean I’ll have to add a little more to some of the descriptions.

I wish I could have done more with the brick archway. I do enjoy the look of aged bricks, but my description there just feels lackluster to me. I’m not sure what more I could say though to add to it.

Anyway, that’s step one. Now let’s see what I can turn this into.

Attempt Number 2

Country music played in the background as the scent of coffee wafted through the air. The music was quiet, well as quiet as the genre allowed, yet didn’t detract from the atmosphere of the room. In fact, it added to it. The whole establishment gave off a rustic, small-town feel.

Above the front counter, dollar bills hung from thin, white twine taped to the rusty corrugated metal of the ceiling. The bills fluttered in the breeze of a nearby fan and caught the eye of all who entered. A few of the bills had been written on in markers, but the writing was impossible to make out from the distance.

The groupings of tables and chairs were all unique. None of the many chairs matched their tables or even each other. This extra bit of mismatched chaos added even more to the feel of the room. The guests either sat in small groups to enjoy one another’s company, or they sat by themselves and simply enjoy the momentary escape from the outside world. It’s one of the best parts of coffee shops, that escape. A person doesn’t even have to have a coffee to enjoy the small little world where time slows and troubles can be forgotten.

The ultimate addition to the coffee shop is the array of assorted furniture, knick-knacks, and oddities that fill the room. Not only does the store sell warm drinks and pastries, it sells these collectibles.

Everything is for sale here.

Along one wall, leaning against a post, stands an old black cello, a little rough around the edges, but still presentable. It doesn’t look like an item that most people would jump for, but it could still surprise its musician.

Close by, along a protruding wall, a nook has been assembled with a pair of loveseats, a couch, and a coffee table. The knee-high table is missing paint in several places. The couch is from another era entirely. The loveseats are newer, no older than ten years, and look far more worn than the sofa. A collection of pillows in various sizes, shapes, and colors adorn the seats.

Stood against another wall, looking out the front window is a dressmaker's mannequin. A frilly pink nightgown from a decade best left forgotten covers its body. Next to the mannequin is a wood and glass display case that contains all sorts of locally made jewelry. The items are mostly silver with polished turquoise and lots of colorful beads.

If that weren’t enough for shoppers, an aged brick archway leads to more rooms filled with even more items. Like the storefront, these back rooms are overflowing with antiques and even have some homemade items for sale. This way, when the coffee has been finished, customers can rummage through the back rooms and find something unique to take home with them.

My Final Thoughts

This time around I broke up the descriptions of the different items in the store into their own paragraphs, which meant I had to expand on the details a little more. I also condensed the description of the brick archway, because it really isn’t as important as I think it is.

As is usually the case with the second draft, I like how the paragraphs flow together better. I tried to create the flow of entering the shop, ordering a drink, and then sitting at a table and examining the chaotic room.

As with all of the other description practices, it was nice to get out of the house for a little while and just take in the sights. I do wish I could have gone someplace outside, but it is just too cold for that right now. Boy, do I miss summer and all of its warmth and sense of adventure.

• Writing Exercise
• First Draft

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WRITERS HELPING WRITERS®

Helping writers become bestselling authors

Setting Description Entry: Bedrooms

October 4, 2008 by BECCA PUGLISI

bed, night stand, dresser, armoire, make-up table, desk and chair, picture frame, window, closet, mirror, bookshelf, clothes hamper, wastebasket, wall shelves, phone, lamp, computer, notepads, books, rug, curtains, shade/blinds…

female: frilly, flowery, lacy, soft, pink/purple/yellow, hearts, stuffed animals, make-up/hair products, perfume, decorative pillows, canopy bed, diary, fuzzy-topped pencils, nail polish, bracelets, bangles, earrings…

male: sports memorabilia, geometric, spartan, darker colors, rumpled bedsheets, clothes on the floor, messy, dusty, CD collection, posters of girls (beach babes, film stars, Army, Action movies), toy guns, airsoft guns, action figures…

Music blaring, murmur of TV or talking on the phone, laughter, tick of a clock, radio alarm, click of computer keys while IMing, cat or dog scratching to get in, trill of a cell phone, squeaky bed spring, whispering, outdoor sounds leaking in through…

Perfume, hairspray, nail polish, model glue, body spray, deodorant, clean linen, sweat, rotting food, bubblegum, fabric softener, dust, wet towels, a whiff of dinner cooking in the kitchen, a spicy cheese smell from an open bag…

Bubblegum, the bitter taste of hairspray, breath mints, peanut butter and jam sandwich on a plate, a banana, granola bar, sugary pop, water…

silky, clean sheets, the unwelcoming hardness of pressing the alarm button, cool, smooth desktop, fuzzy sweaters, itchy sweaters, slippery t shirts, rough Cotton jeans, cool walls, soft, sinkable bead, balling up paper, tossing it into a garbage bin…

Helpful hints:

–The words you choose can convey atmosphere and mood.

Example 1:  When I could put it off no more, I tiptoed into Great Aunt BeeBee’s room. The floor was cold and gritty, dust and crumbs and who knows what else clinging to my bare feet. My only light came from a slit between the sagging curtains at the window, the feeble brightness barely enough for me to make out anything. I crept closer, trying to not gag on the smell of sweat and sickness. On the floor beside the bed I could just make out a twisted lump of blankets, but I couldn’t get up the courage to touch it. Please don’t be dead, I thought. I strained my ears for the sound of her rusty breath, and again remembered the sickening thump that had woken me…

–Similes and metaphors create strong imagery when used sparingly.

Example 1: (Simile)  I followed on Anna’s heels, catching the bedroom door seconds before it could slam in my face. Enraged, I sucked in a deep breath and pushed the door wide. My words curdled into nothing at the mess greeting me–clothes, text books and muddy shoes lay across the floor in knotted clumps, pages from a teen magazine peppered the walls and CDs marched across the unmade bed like a ticker tape parade…

Think beyond what a character sees, and provide a sensory feast for readers

Setting is much more than just a backdrop, which is why choosing the right one and describing it well is so important. To help with this, we have expanded and integrated this thesaurus into our online library at One Stop For Writers . Each entry has been enhanced to include possible sources of conflict , people commonly found in these locales , and setting-specific notes and tips , and the collection itself has been augmented to include a whopping 230 entries—all of which have been cross-referenced with our other thesauruses for easy searchability. So if you’re interested in seeing a free sample of this powerful Setting Thesaurus, head on over and register at One Stop.

On the other hand, if you prefer your references in book form, we’ve got you covered, too. The Urban Setting Thesaurus and The Rural Setting Thesaurus are available for purchase in digital and print copies. In addition to the entries, each book contains instructional front matter to help you maximize your settings. With advice on topics like making your setting do double duty and using figurative language to bring them to life, these books offer ample information to help you maximize your settings and write them effectively.

Becca Puglisi is an international speaker, writing coach, and bestselling author of The Emotion Thesaurus and its sequels. Her books are available in five languages, are sourced by US universities, and are used by novelists, screenwriters, editors, and psychologists around the world. She is passionate about learning and sharing her knowledge with others through her Writers Helping Writers blog and via One Stop For Writers —a powerhouse online library created to help writers elevate their storytelling.

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Reader Interactions

April 16, 2015 at 8:35 pm

I’m not sure if I missed it or if its somewhere else on the website, but I’m looking for descriptive ideas for explaining the noises of a house at night. Specifically those, sort of, tinkling sounds of the materials expanding and contracting with the temperature. Any thoughts or directions on this would be hugely appreciated!!! 🙂

April 17, 2015 at 11:11 am

Hi, Elizabeth. We don’t have a thesaurus for noises, but you should be able to find many house sounds by looking at the different house-related entries in The Setting Thesaurus: attic, basement, bathroom, bedroom, etc. Each entry has a SOUNDS field; by looking through those entries, you might find the sounds that you’re looking for. Best of luck!

December 3, 2018 at 7:04 pm

i know its a little late but descriptives for what your looking for would be EX: hrough a window I could hear the risings and fallings of a conversation being held on a porch near the corner, chatting and yapping and playing and shrieking; a car passed on the street the creaking, the sea noises, and the night birds outside. or I was surrounded by the musty, oily, salty smell of the ship and the ocean, and realized how sharp one’s senses become in the dark. Every place has its own scent, a peculiar mixture of organic growth and human industry, of must, paint, wood and vermin.

July 19, 2014 at 10:50 pm

I hadn’t seen these entries yet! Now I REALLY want a setting set of books…. 😀

July 21, 2014 at 1:32 pm

You’re in luck, Kimbra! We’re working on the first draft of the Settings Thesaurus right now. No firm publication date yet, but we’ll place periodic updates here at the blog. You could also sign up for our free newsletter (link below), which will bring notifications about our upcoming books and other info right to your inbox :).

https://writershelpingwriters.net/newsletter-archive/

June 22, 2011 at 5:17 pm

It is possible we would, but if so it would be when (and if) we put the Setting Thesaurus into a book version. 🙂 So glad this is helpful to you! 🙂

June 22, 2011 at 11:33 am

I love your blog, thank you for pointing out the little things that go unobserved but are a great importance to each and everyone of our stories! By any chance would you be writing any of these for different time periods? Either way, thank you for the inspiration!

October 6, 2008 at 9:06 pm

Brilliant! This could actually double, somewhat, for a hotel room (with a few minor tweeks and add ons….smell…blech). Anyways, great stuff! Thanks for the inspiration!!

October 6, 2008 at 8:40 am

Boy do I know about bedrooms! My room was ALWAYS such a total and complete mess that my dad put a sign on my door that read, “Danger Disaster Area Three Feet Deep.” It remained on my door for many years.

October 5, 2008 at 11:10 am

*Gives some warm milk to PJ*

Thanks for coming over Rachel–we’re glad you found us!

October 5, 2008 at 12:02 am

Hey, wandered over from AW and poked around! These thesaurus posts are incredible. What a fantastic resource.

October 4, 2008 at 10:28 pm

I’m sleepy just reading it! Love this! Thanks!

October 4, 2008 at 11:46 am

I like the interior design mags too. I think it’s because I have a hard time imagining the potential of a room without some visual aids. I’m currently looking into remodling my kitchen, and my head reels at all the options and choices there are! Becca must be much better at this than I (and I wish she lived closer!) because she recently did a big reno in her new home.

Gutsywriter, one of the best things about this blog (and all online writing groups) is the ability to learn together. Becca and I have had such a great experience by pairing up and working through our writing woes, it was something we wanted to share on a bigger basis.

Each time we do an entry, we learn as we go, flexing the imaginative muscle to come up with descriptions and emotional actions that feel real.

October 4, 2008 at 10:49 am

Thanks for helping us again and again in our writing. It must take you a long time to put together your postings. A lesson plan in itself. I still have your emotional thesaurus on my laptop every time I rewrite a chapter and need more show and less tell.

October 4, 2008 at 9:35 am

This detail leaped out at me :

“the unwelcoming hardness of pressing the alarm button”

Sounds like a bedroom of the rich and famous. 🙂 I love looking at pictures of bedrooms in books on decorating and interior design and imagining how I’ll decorate my bedroom some day. Maybe I’ll have one of those low tables with padded tops as well.

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Writing Nestling

How To Describe A House In Writing (11 Best Ways)

Describing a house in writing is more than just a portrayal of bricks and mortar; it’s an intricate art form, a literary journey through the architecture of imagination.

In this craft, writers have the power to create vibrant, evocative spaces that transcend mere physical descriptions and serve as living canvases for the stories they wish to tell.

Whether it’s a cozy cottage nestled in the heart of a forest, a grand mansion steeped in history, or a modern city apartment with all the trappings of contemporary life, the process of painting the house with words is an opportunity to evoke emotions, kindle memories, and transport readers into the very essence of a narrative.

This exploration, much like a tour through a house’s rooms, is a journey through the senses, an unraveling of histories, and a passage into the heart of storytelling itself.

In this guide, we will embark on a journey of understanding and mastering the art of describing a house in writing , encompassing all its intricate facets to bring vivid life to our stories.

Table of Contents

How To Describe A House In Writing

Describing a house in writing involves capturing its key features, atmosphere, and characteristics. Here’s a step-by-step process for doing so:

Select Your Perspective

Decide whether you are describing the house as an objective observer, a potential buyer, or someone with emotional ties to it. Your perspective will influence the tone and focus of your description.

Observe and Take Notes

Spend some time in and around the house, noting down its details. Pay attention to both the exterior and interior. Take notes on architectural elements, landscaping, and the overall condition.

Start with an Introduction

Begin your description with a captivating introduction. Mention the location, any unique historical or architectural aspects, and the overall vibe of the house.

Exterior Description

Describe the architectural style, such as Victorian, modern, colonial, etc. Mention the size and layout of the house, including the number of stories. Highlight any distinctive exterior features like a front porch, dormer windows, or a landscaped garden. Comment on the condition of the exterior – is it well-maintained or in need of repairs?

Interior Description:

Walk through each room, starting with the main living spaces. Describe the layout, size, and purpose of each room (kitchen, living room, bedrooms, etc.).Note any unique or standout features, like a fireplace, hardwood floors, or high ceilings.

Discuss the decor, paint colors, and overall interior design. Emphasize the lighting, natural and artificial, and how it contributes to the ambiance.

Atmosphere and Feel:

Discuss the overall atmosphere of the house. Is it cozy, spacious, elegant, or modern? Describe how it makes you feel or the emotions it evokes.

Mention any scents or sounds that are particularly notable, such as the scent of freshly baked cookies or the sound of a crackling fireplace.

Outdoor Features:

Include details about the yard, garden, or outdoor spaces. Discuss any amenities like a pool, patio, or outdoor kitchen. Note the views from different areas of the property.

History and Background:

If applicable, provide some historical or personal context. Has the house been in the family for generations, or is it a new construction with an interesting backstory?

Maintenance and Upkeep:

Mention the condition of the house, whether it’s well-maintained, in need of renovation, or recently updated.

Conclusion:

Summarize the key points of your description. Mention any standout features or elements that make this house unique. Convey your overall impression and whether you would recommend it to someone with specific preferences.

Proofread and Edit

After writing your description, proofread it for clarity, coherence, and grammar. Make any necessary revisions to ensure the text flows well.

By following these steps , you can create a comprehensive and engaging description of a house in writing, whether for a real estate listing, a personal project, or any other purpose.

Pre-writing Preparation

Pre-writing preparation is the enchanted gateway where your imagination takes its first exhilarating steps into the realm of creativity.

It’s your backstage pass to the show of words, where you gather sparks of inspiration, setting them alight like stars in the night sky of your mind.

With a mood board as your treasure map and the world as your canvas, you define the very purpose of your words, crafting a compass that will guide your reader through the uncharted terrain of your imagination.

In this ephemeral moment before pen meets paper or fingers touch keys, you are the architect of dreams, the weaver of tales, and the creator of worlds.

Observation and Note-Taking

Observation and note-taking are your secret agents in the espionage of reality, your magnifying glass in the quest for hidden treasures.

They’re like the watchful sentinels who stand guard at the gateway between your senses and your soul. As you venture into the world, they capture the minuscule whispers of the wind, the symphony of colors dancing in a sunset, and the delicate aroma of memories tucked in the corners of a room.

In their meticulous scribbles and sketches, you unearth the fossils of emotions and the jewels of detail, piecing together the puzzle of existence.

These notes are the breadcrumbs that lead you back to the forgotten realms of your experiences, and when the time comes to craft your tales, they transform into the keys unlocking the doors of enchantment for your readers.

Visit a real house or imagine one in detail

Whether you choose to visit a tangible, real house or conjure one from the ethereal fabric of your imagination, the journey is equally captivating.

Stepping into a real house is like embarking on an archaeological expedition, unearthing layers of history and stories embedded in its walls.

Each creaking floorboard and fading wallpaper tells a unique narrative, and your senses become detectives seeking clues to its past.

Conversely, when you create a house within your mind, you become an architect, fashioning every brick and beam with meticulous intention.

You have the power to construct a world from the ground up, shaping the very essence of your characters’ lives. Whether real or imagined, these houses are portals to parallel worlds, inviting you to explore the infinite possibilities of human experience and imagination.

Use all senses for a comprehensive description

To paint a truly immersive picture, one must employ all the senses, as they are the palette of life’s canvas. It’s not just about what the eye beholds; it’s the symphony of sensations that makes a description come alive.

The sight captures the grandeur of a house’s architecture, the play of colors, and the interplay of light and shadow. Sound brings us the rustle of leaves in the breeze or the creaking of a wooden floorboard. The subtle fragrances, both inviting and peculiar, breathe life into the atmosphere.

Touch reveals the texture of walls, the warmth of sunlight, and the coolness of marble floors. Even taste, though less common, can be evoked by describing the air’s flavor, or perhaps the lingering essence of a meal in the air.

When all these senses converge, a description transcends words and becomes an experience, transporting the reader into the very heart of the scene.

Organizing Your Description

Organizing your description is like composing a symphony of words, where you’re the conductor orchestrating the reader’s journey through the labyrinth of your imagination.

It’s the blueprint, the road map, the compass that ensures your storytelling ship sails smoothly through the unpredictable seas of prose.

Every carefully chosen word, each sensory detail, and every pause is a note in the grand opus of your description.

Your canvas is the reader’s mind, and you’re the master artist, crafting their visual and emotional experience. It’s not just about what you say, but how you say it, creating a literary choreography that dances through the reader’s senses, leaving an indelible footprint in their imagination.

Describing the Exterior

Describing the exterior of a house is like capturing the essence of a soul in architectural form. It’s the first impression, the handshake of the building with the world.

The exterior tells a story, whispering secrets of the past through the choice of materials, the lines and curves of its design, and the weathered patina of time.

Each brick, window, and shingle is a character in the drama of its existence, and the surrounding landscape is the stage upon which this architectural performance unfolds.

From the ornate grandeur of a Victorian mansion to the sleek, modern lines of a minimalist marvel, the exterior is a canvas where the artist of words paints an evocative masterpiece, inviting readers to wander through its living history.

Architectural style and historical context

Describing the architectural style and historical context of a house is like opening a time capsule of human ingenuity. It’s a journey through the annals of history, a glimpse into the tapestry of culture, and an exploration of the evolving language of design.

Architectural style speaks volumes about the era in which a house was born, whether it’s the Gothic spires of the medieval period or the sleek lines of mid-century modernism.

Each style is a chapter in the grand narrative of human civilization, embodying the values, aspirations, and artistic trends of its time.

As a writer, delving into historical context is like becoming an archaeologist, unearthing the buried treasures of a bygone age.

It’s a form of storytelling that breathes life into inanimate structures, giving them a voice that whispers the secrets of their creation and the echoes of those who once dwelled within their walls.

Setting and surroundings

The setting and surroundings of a house are the ever-shifting stage upon which the story of its existence unfolds.

They are the embrace of nature, the neighborhood’s heartbeat, and the silent witnesses to the ebb and flow of life.

Whether nestled in the tranquil solitude of a forest, standing proud in the heart of a bustling city, or perched on the edge of a windswept cliff, the setting and surroundings shape the house’s character and breathe life into its narrative.

The landscape, the neighboring structures, and the natural elements provide context, framing the house’s personality like a portrait.

It’s here that writers wield the power of description to transport readers to a specific time and place, immersing them in the atmosphere, and allowing them to feel the unique pulse of the world in which the house resides.

The setting is not just a backdrop; it’s a character in its own right, influencing the house’s story and enriching the reader’s journey through its vividly painted world.

Describing the Interior

Describing the interior of a house is like embarking on a journey through the corridors of the soul. It’s a magical odyssey where each room becomes a chapter, and every piece of furniture is a character with its own story to tell.

As a writer, you are an architect of emotions, a curator of ambiance, and a storyteller of human lives etched into the walls.

From the cozy, sunlit nooks where laughter and secrets are shared, to the dark, mysterious chambers hiding their enigmas, the interior is a symphony of textures, colors, and emotions.

With your words, you guide the reader through the labyrinth of emotions and memories, making them not just observers but participants in the unfolding drama of a house’s interior, where the past and present mingle in a beautifully chaotic dance of existence.

Entry and first impressions

The entry of a house is the portal to its soul, a threshold where the story of a home begins.

It’s the first chapter in the narrative of the interior, and much like the opening lines of a novel, it sets the tone for what lies beyond.

As the author of this description, you hold the power to guide the reader’s senses as they cross the threshold. The door, whether weathered and welcoming or imposing and ornate, is the guardian of secrets.

The lighting, whether dappled with warm sunshine or bathed in the cool glow of moonlight, casts a particular mood.

The decor, the scent, the arrangement of objects – all these elements come together to offer the reader their initial impression, like the first chords of a symphony.

The entry is where anticipation and curiosity blend, inviting readers to step deeper into the unfolding narrative of the house, each footfall echoing with the promise of discovery.

Character and personality of the interior

The character and personality of the interior are like the beating heart of a house, the very essence of its soul unveiled.

Every room is a chapter in the house’s unique story, and it carries its own distinct character. Whether it’s the cozy charm of a well-loved family room with threadbare sofas and walls adorned with cherished photographs, or the elegance of a meticulously designed library filled with leather-bound books and antique furniture, each space holds its own secrets and emotions.

The personality of the interior is a reflection of the people who have dwelled within its walls, their passions, and their idiosyncrasies.

As a writer, your words have the power to breathe life into these spaces, evoking the atmosphere, the history, and the emotions that have unfolded within them.

The interior of a house is a multi-dimensional character in itself, and it’s through your descriptive prose that it takes on a role, engaging readers and beckoning them to explore its depths, its quirks, and its undeniable allure.

Using Metaphor and Symbolism

Using metaphor and symbolism in writing is akin to infusing a tapestry of enigma and depth into the very fabric of your narrative.

It’s the literary equivalent of an artist applying layers of paint, revealing more than meets the eye. Metaphors are the breadcrumbs leading readers down a poetic path, allowing them to dance between the lines of reality and abstraction.

Symbolism, on the other hand, breathes life into the mundane, turning everyday objects and settings into gateways to deeper meanings.

These tools are the magic keys to the castle of imagination, granting access to hidden chambers of thought, emotion, and understanding.

Writers who wield metaphors and symbolism create a symbiotic relationship with their readers, inviting them to decode, interpret, and become an integral part of the storytelling experience.

The words become a world within themselves, teeming with secrets, revelations, and a symphony of resonating truths.

Dialogue and Character Interaction

Dialogue and character interaction in writing are like the intricate choreography of a dance, where the words become the elegant waltz of storytelling. It’s not just a means of communication; it’s the vibrant heartbeat of your narrative.

When characters engage in conversation, they reveal their true essence, their desires, and their vulnerabilities. Dialogue becomes the window to their souls, allowing readers to eavesdrop on the symphony of emotions and conflicts that course through the story.

The art of crafting dialogue isn’t just about the words spoken; it’s the unspoken sentiments, the silences pregnant with meaning, and the electricity that crackles in the air when characters collide.

As a writer, you are the conductor of this grand opera, orchestrating the verbal ballet that unravels the plot, deepens connections, and thrusts the reader into the tumultuous world of your characters.

In the dance of dialogue, you hold the power to make your characters breathe, laugh, cry, and love, drawing readers ever deeper into the rich tapestry of your narrative.

Highlighting how characters interact with the house

Characters and their interaction with the house are like a silent dialogue, a dance of emotions played out against the backdrop of architecture.

The way they navigate the hallways, touch the walls, or choose a particular spot to sit reveals their relationships, their histories, and their innermost thoughts. Each creaking floorboard, every beam of sunlight that catches their eye, becomes a reflection of their mood.

In a way, the house itself is a character, responding to their presence, bearing witness to their joys and sorrows. As a writer, you have the privilege of crafting these interactions, using them to illustrate the profound connection between the characters and their environment.

Whether it’s a comforting embrace or a source of tension, the house becomes more than bricks and mortar; it’s an essential part of the story, amplifying the drama and resonating with the emotions of those who inhabit it.

Emphasizing the house’s role in the narrative

The house in a narrative isn’t just a setting; it’s a living, breathing entity with a pivotal role to play. It’s more than bricks and beams; it’s a silent character, a reflection of the story’s soul.

The house often holds secrets, serves as a repository of memories, and even becomes a mirror to the characters’ inner worlds. It can be a sanctuary, a prison, or a puzzle to be unraveled.

The house’s architecture, history, and atmosphere can shape the plot, infusing it with mystery, nostalgia, or a sense of foreboding.

As a writer, emphasizing the house’s role is about crafting its presence in a way that makes it integral to the narrative’s progression.

It can be a catalyst for change, a witness to dramatic events, or a source of conflict. The house is more than walls; it’s a silent companion in the characters’ journey, a bearer of secrets, and an anchor in the storm of storytelling.

Frequently Asked Questions (FAQ) about How To Describe A House In Writing

Why is it important to effectively describe a house in writing.

Describing a house in writing is crucial for creating immersive, emotionally resonant narratives. It provides readers with vivid imagery, sets the tone, and breathes life into the settings and characters.

How can I make my house descriptions more engaging and unique?

To make your descriptions stand out, consider the house’s historical context, architectural style, and the way it interacts with your characters. Utilize metaphors, symbolism, and sensory details to add depth and intrigue.

How do I balance descriptive prose with storytelling in house descriptions?

Striking a balance involves integrating descriptions into the narrative flow. Instead of overwhelming readers with details, make the descriptions relevant to the story, characters, or themes.

What should I keep in mind when describing the exterior of a house?

When describing the exterior, consider the house’s architectural features, historical context, surrounding environment, and how these elements contribute to the atmosphere of your story.

How can I effectively convey the character and personality of the interior in my writing?

Focus on the details that reflect the residents’ lives, emotions, and history. Describe the layout, furnishings, and ambiance, allowing readers to connect with the characters through the space.

Is it necessary to use metaphors and symbolism in house descriptions?

While not mandatory, metaphors and symbolism can add depth and layers to your descriptions. They can evoke emotions, connect to the story’s themes, and make the descriptions more engaging.

What role does the house play in a narrative, and how can I emphasize it effectively?

The house can be a character in itself, influencing the plot, and reflecting the characters’ journeys. To emphasize its role, ensure that it interacts with the story, the characters, and the themes in a meaningful way.

How can I ensure my house descriptions are not overly detailed or boring for readers?

To prevent excessive detail, consider your audience and purpose, and select relevant details that contribute to the atmosphere, plot, or character development. Engage beta readers for feedback to find the right balance.

Are there any resources or books to help me improve my skills in describing houses in writing?

Yes, numerous resources, books, and articles provide insights into descriptive writing. Some recommended reads include “The Elements of Style” by Strunk and White, and “The Descriptive Writer’s Guide” by James J. Cramer. Online writing communities and workshops can also offer valuable guidance.

Can you provide any tips for aspiring writers looking to master the art of describing houses in their stories?

Certainly! Start by practicing descriptive writing regularly. Be observant, research, and create mood boards for inspiration. Read books known for their descriptive prowess and seek feedback from peers to continually refine your skills. Writing is a journey, and mastering the art of description takes time and dedication.

Describing a house in writing is more than mere description; it’s an alchemical process that turns words into living spaces, and readers into explorers of the imagination.

Throughout this journey, we’ve uncovered the architectural wonders and emotional landscapes that a well-described house can unveil. We’ve seen how each room, each brick, and every scent carries significance, weaving into the narrative’s tapestry.

The house, be it a humble abode or a sprawling estate, becomes a silent character, a guardian of stories, and a vessel for the human experience.

As writers, we hold the keys to this mansion of creativity, and through the art of description, we open doors to entire worlds. So, as you embark on your own literary quests, remember the power of a well-described house to anchor, enchant, and resonate with your readers.

With every detail, you invite them to walk through the door and join you in the enchanting realm of your storytelling.

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entering a house - quotes and descriptions to inspire creative writing

• abandoned house
• building site
• exterior of a modern house
• Moving House
• open sesame
• Sunlight through a window
• witch's home
• Wizard's home

Entering the house Alex was bathed in a golden night-light.

The doorway opened to the house and entering it for the first time felt the same as coming home after a long absence.

Entering the house had the same feeling as the calling of a loving mother, as if those rocks could hug in true softness.

Entering the house by starlight the black walls stood in perfect strength, the light from within shining upon the wide and golden pathway.

Entering the house was an easy auditory bath of sweet music from a radio, the eyes greeted by family photographs and the well-loved furniture of years.

Entering my house was to return to my cocoon for the starlight hours. It was my chance to become stronger amid the black, my heart singing all the clearer by daylight.

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Describing the Door

As you probably know, we at Inkwell Ideas love random charts.  (Some prior examples: Spicing Up the Empty/Mundane Room , Random Charts for “Spell Accents” , Coin Description Generator (Random Table) , Random Unusual Weather Table , Random Magic Fountain/Pool Effects Chart , Hexmap Alphabetical Random Charts: Ruins , Random Omens Charts , Fun With Potions: Random Charts for Expired Potions , Random Potion Description Charts , Random (or not) City Name Charts ) Not that we use them randomly, but they are useful for inspiration either by looking at the options or by rolling a few and finding a result that triggers an idea.

Most of the doors in a castle or dungeon are going to be similar to each other and fit the architecture of the building. However, some are going to have something unusual about them either “just because” or due to the plot. On the chart below you can roll randomly if you want an unusual door “just because” or look the ideas over to fit one that fits a plot point. If you want ideas for some unusual doors, roll first in the “Columns” column of the chart below, then roll for each other column as directed.

Using the chart above, we can come up with a few examples:

• Roll 4 & 8 (col A): The door has a small 1’x1′ pet trapdoor near the bottom… I wonder what uses it…?  Or can the PCs use this to peak in the room?
• Roll 8 & 6 (col A) & 11 (col B: roll 2x) & 7 & 2: The door has a broken lock.  It is frosted over and cold but it looks like it was kicked in and hastily repaired.  Why did that happen?  What is the back-story?  Does that lead to a new encounter idea?
• Roll 12 & 6 (col A) & 4 (col B) & 11 (col C: roll 2x) & 12 (roll 2x more, so 3) & 5 & 6 & 1: The door has a broken lock and a name/keyword is scrawled into the door. It also  is transparent from one side, opens in an unusual way, and has a magic eye that lets someone see from one side of the door.  It seems like there is some magic or sci-fantasy going on!

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Creative writing: A knock at the door

An unexpected knock at the door snapped Katie out of her  bubble immediately. She wasn’t expecting any guests and Ben had keys. She wondered if maybe he had lost them . Little did she know that her past was coming back to haunt her , a past she had tried so hard to put behind her. But it didn’t matter how many roasts she cooked, or dinner parties she hosted or perfect  holiday photos they hung on the wall – What they did doesn’t just go away.   

She pe e ked through the curtains that covered the glass panels on the  door, expecting to see her husband standing there patiently.  Instead,  two strange men stood  with their shoulders slumped and tired looks on their faces, like the world was hanging over their heads.  Katie took a step back, straighten out her dress and  whacked her ever so fake welcoming smile onto her face. It was the smile she had managed to perfect over years of pretending to be someone and something she wasn’t. The smile she had  learnt  at such a young age .   

As she opened the door, the two men gave her a  pitiful  look ...  One no one had given her for quite  some time .   

“ Hello gentleman, how may I help? ”   She said, with her perfect smile still spread across her face.   

“Good evening  ma’am . Are you Katie Dawson?”    

“Yes, that is me” her mind was racing, desperately trying to guess who these two strange men that stood in front of her were – She didn’t like surprises. 

“Ma’am we are here regarding your husband” They both held up their badges at the same time, a routine that was very in sync from years on the job . A routine that never got any easier. Katie's heart was racing, the panic was setting in. Did they know? She wondered. She was already planning her escape.   

Her smile faded and  the look of horror spread across her face, but not out of worry for her husband… but worry for herself.  Millions of excuses and stories rushed through her mind as she tried to come up with a cover story, just like she had done before.  For now ,  she knew she needed to keep calm.   

“Is everything ok?”  She played the dutiful wife so perfectly, she had almost managed to fool herself for a while.   

“Ma’am I’m afraid we have recovered a body from the  Taradon  Lake that we believe is your husband”  he paused, giving her a moment to take it in.  This wasn’t the news Katie was expecting. A part of her was relieved , but another part of her was filled with fear. Had he found them?   

“What? How? Why?”  She placed her hand on her  stomach  and looked down at the floor, trying to disguise her fear with sadness.   

“ We believe someone may have shot your husband and then placed the body in the lake”  years on the job and this never got any easier for them.  Katie grabbed on to the door as her legs weakened under her. The once warm and welcoming house now felt cold and  isolating. The silence she had filled with singing now  echoed  painfully in her mind . And the smell of the stew she had spent so long preparing for her husband, now made feel sick.   

“Ma’am we are so sorry for your loss, this must be very difficult to hear”  It was, but not because she had just lost her husband. She worried for her own  safety; she knew she was next. Her past had come back to haunt  her,  and she knew it.  The voices of the detectives faded  as the silence in her home grew. She stepped back again and closed the door slowly, leaving them outside.  They had done so much to get here, to change who they were and to leave the past behind them, yet it wasn’t enough.  She didn’t know if she could do it again, especially not alone.   

“Ben I can’t do this, I can’t keep running” she gasped, breaking down into tears.  She wasn’t the strong woman she once  was;  she was worn out.   

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The Door Creative Writing

Subject: English

Age range: 11-14

Resource type: Lesson (complete)

Last updated

17 June 2020

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A lesson which takes pupils step-by-step through forming ideas for a picture based creative writing task and how to structure their response. Mainly for use with younger year groups or those of lower ability.

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Creative Writing - The door creaked open as the young boy stepped out but was quickly slammed shut by the viscous wind the noise echoed through the hills disturbing some pigeons roosting in the near by trees.

 Robin Lawson        Page         

Creative Writing

The door creaked open as the young boy stepped out but was quickly slammed shut by the viscous wind the noise echoed through the hills disturbing some pigeons roosting in the near by trees. The moon was out illuminating the night sky with a milky glow which illuminated all land creating large disturbing shadows. The trees bent in submission to the howling wind which forced their branches to brush along the ground sweeping the dust away from the track. The solitary building which could barely be described as a house stood alone and solitary on the hillside. The walls were crumbling from the water logged plaster and only one window still contained a pain of glass. The door had almost come off its hinges and with one more slam it would break. Off in the distant hill tops stood a wolf howling at the moon its silhouette easily visible from miles around.

         The child standing at the door way looked older than he was with jet black hair and dark bushy eyebrows that almost seemed to crawl across his face like giant caterpillars. His eyes were large and round with black pupils white when he looked into the pale glow of the moon. His lips were thin and pale with deep cracks. They looked like they belonged to a fifty year old. His face was white and worn with long wrinkle stretching across his cheeks. He was wearing a long grey trench coat which danced in the wind behind him. He grabbed it and wrapped it tightly round himself like a cocoon. Then he started off along the dirt road keeping his head low in a desperate battle against the wind. Slowly, with each foot crunching it to the leaves which were strewn along the path he fought a constant battle against the wind.

The moon was rising higher in the sky throwing streaks of light like icicles across the darkened land. Then from nowhere a rogue cloud streaked across the sky to shield the moon from view. Suddenly the land turned black like some giant hand had just turned off the huge light floating in the sky. The moon fought hard to pierce the shield formed by the cloud but to no avail. The cloud appeared to slow down as it passed by the moon but gradually it began to pass and then suddenly two large streaks of light shot out from the side of the moon the whole land gradually began to reappear under the moonlight. Within a matter of minutes the moon had reappeared from its shade and was shining with extra brightness to make up for the time which it was blocked. Once again the shadows of the trees began to dance in the moonlight. Swaying like mystical dancers in the wind.

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The child continued on his journey along the moonlit path leading up over a hill and off in to the distance. The road began to climb the boy slowed his pace wrapping his long trench coat even tighter round his small frail body. Suddenly the wind grabbed hold of his jacket pulling him back he fell and stumbled for a few seconds he sat there with his hands and knees resting on the ground. He composed himself stood up and once again cocooned himself within his jacket. The gradient of the road climbed even higher slowly he began to crawl higher up the hill. Eventually he reached the top of the hill and stood there looking over the landscape. Over to his left and his right outstretched two long lines of trees which appeared to be moving from one side to the other with the wind. However by now the wind was beginning to die down, the clumps of trees were not swaying so ferociously in the wind. The trees encircled one huge clearing of small hills with odd areas of flat land which had small hermit pine trees strewn over the ground. Every now and then a pair of sparkling diamond eyes would dart across the area quickly disappearing into the tress. Streaks of moonlight stretched out over the hills and off into the distance.

He stood there for about ten minutes with his trench coat blowing in the wind. Gradually the wind began to die until the trees were still and lifeless. The boy continued on his journey at a much quicker pace down the hill no longer fighting the wind. Gradually the gradient of the land began to lessen and eventually the land became flat once again. Finally the boy sighted his goal on old barn off in the distance. The barn was situated at the bottom of the tallest hill in the area it was nearly a mountain, it stretched up towards the heavens and could not be seen in the gloom of the night. The roof was thatched but the thatch desperately needed replacing. There were many holes on the roof and most of it had turned green with mould. There were two small windows located on the top half of the house on either side they glared out like a pair of dead black eyes. The door was ajar it stood there like a huge gaping mouth waiting to engulf the next visitor to enter the darkness. The barn with its green hair dark lifeless eyes and gaping mouth was terrifying. But still the boy carried on walking along the path towards the monstrous house.

Off in the distance the headlights of cars sped past and the pounding sound of great tankers and lorries could be heard carrying their many unknown substances across the countryside. As he drew nearer the number of headlights and noises seem to grow louder spoiling the peace and tranquillity of the whole area. Suddenly a flock of birds driven from their roost by the noise shot off into the night sky, he jumped back startled and tripped over a discarded plastic bottle. He fell to the ground landing on his back quickly he scurried to get up again. Now startled by the fall he began to run along the path then darting off to take a short cut through the trees their long fingers hindering his passage and scratching his face. Tired and with his face scratched he emerged from the blanket of trees. He stopped and rested with his hands on his knees panting hard, steam bellowed from his mouth with every breath. Eventually he stood up straight and looked up at the decrepit old barn; he stared up at the barn with its dark eyes constantly looking ahead. Slowly, cautiously he entered into the gaping mouth and the darkness of the building.

Once inside he pulled a torch from his pocket and began to examine the area, once his eyes became accustomed to the gloom he replaced the torch in his pocket and looked around. Stacked in the corner of the barn was a huge pile of straw and despite the fact that it had been left there for the last few years it was surprisingly dry. The rest of the floor was empty. But the upper rafters were teeming with life, many owls sat on the beams every few minutes another one would enter and a different one would leave. Rats and mice ran back and froth across the beams of wood and many other birds sat perched somewhere on the roof.

Gradually the boy reached into his left pocket and pulled out a bottle of mentholated spirit casually he began spreading it over the pile of straw humming to himself as he worked. He then turned his attention to the rest of the barn splashing the last few drops over the walls. He then reached in to his other pocket and pulled out a tiny box of matches he held the box up to his ear and shook a small rattling sound came from the box. He opened the box to reveal five small matches, he took out one of the matches and laid it on the palm of his hand just staring at it. He clenched his fist around the match and then walked out of the barn. Returning a few minutes later with some small twigs and dry bracken he stacked them up into a pile on top of the straw and then took a second bottle of mentholated spirit and soaked the small fire in the liquid. He pulled the single match and the match box from his pocket. He stuck the match quickly on the box there was a fizzle and the match erupted in flame. He leaned over the soaked fire he had constructed and dropped the match on to the fire. The entire fire erupted in flame the small flames began to chase each other all over the huge pile of straw and along the walls. The flames began to grow larger and hotter and the familiar crackling that is associated with fires began to sound. The boy stepped back to admire his masterpiece this burning leaving breathing thing which he had created it moved around the building with the speed of a cat. The flames began lapping at the ground on the edge of the straw stack searching for substances to fuel their destructive path. The walls glowed red with the heat from the flames and loud cracking noises could be heard. The burning heat began to engulf the structure, mice and other animals began to scurry high up into the rafters where they believed they would be safe. The boy stood their mesmerised by the dancing waves of flame as his very own creation began to grow to an uncontrollable height and size. In distance the whirring sirens of the petrol fuelled fire trucks came echoing.

The Sun rose in the sky illuminating the charred remains of the barn surrounded by fire trucks and police cars. The few remaining pockets of fire were being extinguished by men dressed in large jackets. The report filed later stated that the fire had been started by flammable chemical possible petrol being lit within the barn. There were no suspects as to who started the fire all that was found was the remains of an old trench coat.

Document Details

• Word Count 1709
• Page Count 3
• Subject English

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Behind the Door Picture Prompts for Creative Descriptive Writing

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Description

Unlock your students' imagination and descriptive writing skills with these captivating "Behind the Door" picture prompts. Each of the 42 prompts features an intriguing image of a door, inviting students to imagine opening it and describing the hidden place beyond. These prompts aim to stimulate students' creativity as they imagine and describe what lies behind each door using effective vocabulary, sensory details, and varied sentence structures.

This resource is perfect for engaging students in descriptive writing activities; however, it could definitely work as a story starter for narrative writing tasks. It can be used as a standalone lesson, for writing stations, bell ringers, homework assignments, a sub lesson, or as part of a creative writing unit. The door picture prompts are presented in a polaroid-style design, adding a touch of visual appeal to the activity. Simply print, cut out, and laminate the prompts for long-lasting use in your classroom.

The download includes:

★ 42 Polaroid-style picture prompts to ignite students' imaginations.

★ A handout for each individual prompt on which students can write their descriptive passages.

Inspire your students to venture into the realms of creativity and descriptive language through these captivating "Behind the Door" picture prompts.

If you are looking for more Creative Writing resources, check out:

★ Sci-Fi Picture Prompts

★ Sci-Fi Creative Writing Prompts and Graphic Organizers

★ Horror Creative Writing Prompts and Graphic Organizers

★ Horror Creative Writing Picture Prompts

★ Abandoned Places Picture Prompts

★ Gothic Writing Picture Prompts

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Craft the perfect creative writing prompt from Microsoft Designer's AI images

march 22, 2024

by Monica Jayasinghe

Hello, fellow educators! I recently discovered an exciting way to create engaging writing prompts for my students using AI and Microsoft Designer . The results were amazing, and I can't wait to share this fun and innovative approach with you!

Describing the Vision:

To get started, head over to Microsoft Designer . We'll use the power of AI to generate an image that will serve as the foundation for our writing prompt.

We'll use Image Creator , where you can describe the image you want to create. The goal is to generate an image that will capture your students' imagination and inspire them to write.

For this example, I entered the prompt, A spacecraft landing near a house, futuristic, mysterious.

Choose the image you want to work with

Once you select Generate , Microsoft Designer will provide you with a variety of AI-generated images. Since we're creating a writing prompt, look for an image that has space for adding instructions and is easy to read.

You'll be amazed by the number of options available! When you find an image you like, click on it and select Edit image .

Customize the image

After selecting your preferred image, it's time to customize it.

• Click on Resize in the top panel and adjust the dimensions to match a PowerPoint slide. This will ensure that the image fits perfectly when you're ready to present it to your students. You can also align the image anywhere on the page to create the perfect composition.
• In the box labeled AI tools , you'll see additional customization options. Consider playing with the filters to update the mood and color scheme of your image.

Add instructions and text

To make the writing prompt clear and easy to read, click on the existing text and customize it. To add a heading, click on Text in the left panel. The right panel will populate with even more ideas you can use.

In this example, I changed the color to white and added a story starter.

Engage your students

The possibilities for using AI-generated images as writing prompts are endless! Here are a few options:

Get inspired by the artwork

The most obvious way to use these images is as direct inspiration for student writing. Generate a bold, fantastical, emotional, or silly image and have students write a story about what's happening in the image.

Try this prompt: A whimsical classroom under the sea. The teacher is a wise old octopus. The classroom is decorated with shell desks and seaweed streamers .

Bring stories to life

Another great idea is to take an excerpt from a story you're reading in class and use the AI to generate an image that matches that specific part of the story. This will spark engaging discussions among your students and bring the story to life in a whole new way.

Bring units to life

Why stop at a story? You can also generate images that fit the theme of a unit you're working on, whether you're exploring weather patterns or reliving life on the Oregon Trail.

Consider setting aside some time each day or week for students to free write or journal. Kick off the writing session with an AI-generated image, then throw on some light classical music and let them write. Mix up the kind of images you show them, from lush landscapes to abstract pop art, and see what it inspires.

Try this prompt: An abstract painting in vivid colors

You can even include animated options. After you generate your image in Microsoft Designer, select the image and Create Design . In the right-hand panel that appears, you'll see several design options. Usually, one or more of these options will be animated. Select the animated option and add it to your PowerPoint!

Accessing your AI-generated images

One of the best features of Microsoft Designer is that all the images you create using AI are saved in the My Media section. This means you'll never lose your creations and can easily access them whenever you need them.

This feature enables educators to curate a collection of visuals for various writing themes, be it aliens, dragons, or any other imaginative scenario.

Wrapping up

Microsoft Designer is a game-changer for educators looking to inspire their students' creativity. The AI-generated images, customization options, and easy access to your creations make this a powerful tool for any classroom.

Head over to designer.microsoft.com today and start creating unforgettable writing prompts!

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