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You know the feeling when you're at a presentation, but you can't pay attention to what's being said because the music is so distracting? Choosing the right music is key to making a presentation better.

What is presentation music?

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Making the right impression is a powerful marketing tool; presenters sometimes use music to connect with the audience immediately. Presentation music comes in many different genres, but any type will be more effective if it is related to the topic of the presentation.

The music you choose for your presentation can do many things for your audience - it can lighten the mood, drive excitement, or even set a pace. The key is to choose the appropriate music for your presentation and have it play at an acceptable volume.

• Confidence: Fresh Startup , Calm Tech
• Focusing: Successful Company , Good Energy
• Uplifting: Your Time Has Come , Positive And Uplifting
• Relaxed: Keep Going Forward , Soothing Medicine

PowerPoint is one of the most widely used presentation tools. The music playing in the background helps make a presentation more fun than it would be without the music, but there's often confusion over how to set up the audio track properly.

There are two basic file types you'll need to know - MP3s and WAVs. An MP3 is a compressed copy of an audio track that can be downloaded quickly. A WAV, or Waveform Audio File, is a digital format that supports higher quality, uncompressed audio, meaning it takes longer to download.

Both formats work in PowerPoint, but your choice depends on the type of presentation and how much music you want to include. To download music you need to add liked tracks to the Shopping cart, proceed to checkout and complete your payment. Download music instantly from the My Music > Tracks page.

• Select the slide you want to add music.
• On the Insert tab, click the Audio button.
• Select the option 'Audio on My PC..'
• Find and select your music files and click the Insert button.
• Now you can set up a volume level for music.
• Click on a sound icon to enable the Audio Tools panel.
• Set on the checkbox 'Play Across Slides' so the music will play continuously throughout your presentation.

You can download free presentation music from the Free music page. Use free music in your presentations, slideshows, and videos without copyright concerns.

You can't just take a popular hit and put it into your presentation. You need to right to use music in your production. Purchase and download royalty-free presentation music by Melody Loops to use in your PowerPoint or Keynote presentation.

How to choose the right background music for your business presentation

You’ve worked hard on your pitch deck. You’ve carefully chosen the right images, colors, and text that will hopefully get your investors interested. Whether you are sending your pitch deck or presenting in front of an audience, choosing the right background track will really make your presentation shine!

We have outlined three tips below to help you choose the track that will drive your pitch home and strike an emotional chord with investors.

1. Keep a Steady Pace

Choose a track that glides along without a lot of fanfare. A steady pace will draw your audience in and help them focus on the content of each slide. Choose music that is gentle, positive and bright, with some moments that pause, then continue the dynamic.

2. Tone is Important

Setting the right tone that relates to your idea will convey clarity and credibility to your audience. Whether the tone of your pitch is powerful and engaging or gentle and reassuring, the background music should match.

3. Make an Emotional Connection

When pitching your product to investors, let your passion shine through. Your pitch deck should have all of the elements of a great story. If your presentation has a kick-in-the-pants spirit, the right background music will accentuate that.

Choosing the Best Music for Corporate Event Presentations

Making a presentation in front of a corporate event audience can be daunting. How can you get your audience’s attention over the conversation and buzz? How do you really make an impact? One way is to add a background track to your slide presentation. If you are presenting a slide show at a business dinner, conference, or trade show, read on to find out how to choose the best background music.

1. Taking the Subtle Approach

Set the tone for the occasion by adding minimalist, even-toned music— more of a backdrop that your audience can focus their ears on. Subtle music exudes a calm atmosphere. The right track can be barely noticeable but will still affect the audience in subtle ways.

2. High Energy Approach

If your slide show has a high-energy, celebratory feel, choose tracks that engage your audience to feel that. Steady driving drums, danceable synth lines, and that dreamy backdrop give an air of brightness and positivity to your corporate presentation.

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Music Festival Powerpoint Presentation

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Rock Music PowerPoint Templates And Google Slides Themes

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Rock Music Pitch Deck Google Slides Themes and PowerPoint Template

Music themed pitch deck presentation denotes energetic rock bands performing on stage. Pitch deck presentations generally gives a brief description of the concept and logics, use musical pitch deck Google slides to create best themes.

Get Amazing Themes for creating an exceptionally well presentation-ready in a few minutes with easy-to-edit background slides. You can use them for multipurpose uses for creating professional, corporal, and minimal templates. This Presentation is Elegant and simple with the addition of little elements. I am sure you will love it! You may also use this presentation to make educational and descriptive Videos! Just Replace the text and add some Music!

Main Features of this Rock Music Pitch Deck PowerPoint Template and Google Slides Themes:

• Title Slide: you can put a catchy and attractive title here with a attractive background picture of the topic
• About Your Topic: this will help you explain the theme, suggestion or argument regarding a topic, make sure to add short points to it.
• Explain Your Topic: explain and interact with your viewers about a part of the discussion with the images as an additive element.
• Picture Slides: describe the topic by adding only images, visuals or process info-graphs.
• Differences Slides: give differential slides about your product (pros and cons)
• Images Differences: explain differences by adding up visuals.
• Table Comparison: Slides For Comparison by Table Styles (Differences slides)
• About Section: here you can add a thank you slide with your bio.
• Review Concept Slide: address the main points of your presentation.

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Rock concert music powerpoint templates and powerpoint backgrounds 0211

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Microsoft PowerPoint Template and Background with a rock concert at a large arena

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Presentation Background Music Free Download . 79 tracks

Royalty free Presentation Music Free Download mp3. Presentation background music works great in slide-shows, PowerPoint (ppt), education, class and school presentations or training tutorial videos. It has nice flow, so it is ideal for getting more attention, inspirational and uplifting feeling in your projects.

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Nov 12, 2014

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Rock Music. Genre Research Lorraine Banares. History of Rock Music. Rock music is a genre of Pop music (popular music) which has its roots in 1940’s and 1950’s, being heavily influenced by Rhythm and Blues (R&B ).

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Presentation Transcript

Rock Music Genre Research Lorraine Banares

History of Rock Music Rock music is a genre of Pop music (popular music) which has its roots in 1940’s and 1950’s, being heavily influenced by Rhythm and Blues (R&B). Rock ‘n’ roll was the earliest form of rock music which originated in the USA; though some elements of rock n roll can be heard in records from 1930s, rock ‘n’ roll was not then popular and did not acquire its name until the 50s. In rock n roll music, either the piano or saxophone was often the lead instrument, but these were generally replaced or supplemented by guitar and is almost always provided by a snare drum. Rock music developed in 1960’s, particularly because the UK also produced bands, like the Beatles, which contribution to the rock industry. It has been  redefined and reinvented itself which caused a number of distinct rock music sub-genres to emerge.

Key Artists

Elvis Presley Elvis Presley was one of the first rock idols and the face of rock n roll. There were rock performers before Presley, but he was a performer that the rock fans wanted see (in concerts and shows) as well as hear. Presley introduced R&B (rhythm and blues)to the White-Americans since earliest musical influence came from gospel.  According to Rolling Stone Magazine, "it was Elvis who made rock 'n' roll the international language of pop."

Sub-genres Rock music has numerous sub-genres but the major ones are metal, punk and alternative rock. Since the development of rock in the 60s, every decade almost had a popular sub-genre that represents rock music in that particular era. • 1950-1060s • Rock ‘n’ Roll • Pop Rock • Garage Rock • 1960-1970s • Art Rock-Electronic • Jazz Rock • Soft Rock, Hard Rock • 1970-1980s • Punk rock • Heavy Metal • 1990s • Indie Rock • Rap Rock • Grunge • 2000s • Garage Rock • Contemporary Heavy Metal • Digital Electronic Rock

Punk Rock Punk rock is a rock music genre which emerged in the 70s and the first concrete punk rock scene appeared in New York. It developed in the USA, the UK and also in Australia

Record Labels • Silver Dragon Records

Demographic

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Audience and fans

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Rock music. Research. Overview of the genre. Rock music is a genre of popular music. This type of music often has sounds of the electric guitar, and drum. Rock music often is related to the idea of rebellion and freedom. . Timeline for Rock. 1953. 1994. “Elvis Presley” The birth of rock

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Rock Music in Popular Culture. By: Jared Tibbetts. History of Rock Music in Popular Culture. Many People may not realize the roots of rock and roll come from an assortment of musical genres such as Blues, Gospel and Rhythm music.

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Rock Music. By Michaela Kouri Period 7. rock music. Rock music revolves mostly around the electric or acoustic guitar. Has a strong backbeat Saxophone, bass, keyboard, and drums Its had a huge impact on fashion and film styles throughout the years. You May know. Stevie Nicks Kiss

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By me!!!. Rock Music through the years…. 50’s-60’s-70’s.

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Popular Rock Music. Steve Rodriguez Giovany Miranda Jocelyn Rodriguez Erick Zermeno Karla Orozco. System of a Down. System of a Down was formed in 1994. With singer Serj Tankian, Drummer John Dolmayan, Guitarist Daron Malakian, and In bass Shavo Odadjian.

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Chapter 36: Rock Rock: Music of Rebellion

Chapter 36: Rock Rock: Music of Rebellion. Antecedents of Rock. Rhythm and Blues Descended from a laid-back, riff-based bluesy swing Small rhythm section (piano, guitar, bass, and drums) accompany a few saxophones and other “ horns ” Unambiguous duple meter

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rock music chart see to vote songs that is based on songs.

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Scratch or add special sound effects to enrich your mix and create new sounds @ http://bit.ly/DJRocksMusicApp

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Veio'su00a0alternative rocku00a0music brings a sophisticated, energetic music, with meaningful time signature variations in addition to modulated anthems that come to a head throughout choruses, yet do not fizz out. Their tone serves to consolidate both prog rock enthusiasts and at the same time metal followers, equally, with their carefully crafted refrain design, tonality and also genius outcome of musicianship.

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LET THE BRITISH MUSIC ROCK !!!.

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Letter of Recommendation

The Retro Music Genre That Will Change Your Life

Classic rock rules. When the right song comes on the radio, I pretty much see God.

By Nate Rogers

Distilled to its purest essence, rock music, my genre of choice, is somewhat embarrassing. I usually enjoy a Kiss song when I hear it, for instance — I wish you luck trying to resist the power-pop perfection of “Strutter” — but I would still prefer that no one walk in on me while it’s playing. (Doesn’t anyone knock anymore?) There are plenty of artful examples of rock music, definitely, but its power-stancing DNA will always be grown adults in silly outfits screaming about their broken hearts.

I don’t get the impression that Spotify, which I use often, values the questionable excesses of rock ’n’ roll quite the way I do. That’s not necessarily a terrible thing — nobody should just be sitting around listening to arena rock from the 1970s. But I have a theory about why the streaming giant favors certain softer styles of music: Perhaps the most ideal streaming customer is one who uses a service while working, racking up hours of passive plays. But you cannot have Kiss on while you work. You’ll quickly get irritated with the repetition or the obnoxious lyrics or the tinny production and want to switch to something more pacifying. And Spotify will be more than happy to offer an alternative, having become quite adept at recommending music that hits the spot, song after song, through its Autoplay algorithm. My experience with letting Spotify take the wheel is that it finds music that sits pleasantly in the background, and while listening with Autoplay on, my environs are like a coffee shop, no matter where I am. In other words, the platform doesn’t really get, nor effectively push, the core of the subgenre I crave most of all: classic rock.

You’re probably familiar with the peculiar distinctions of classic rock, even as they continue to morph in real time. Based on what classic rock D.J.s tend to play, we’re talking about music made from the mid-60s to the early ’00s at this point (sorry, I don’t like that any more than you do). But the songs are not determined by age so much as feel: Hoobastank’s schmaltzy hit “The Reason” is more than 20 years old now, though you would not classify it as classic rock. Red Hot Chili Peppers’ war-torn ballad “Scar Tissue,” however, released just a few years earlier, fits the bill. Classic rock is music you could see a suburban father listening to on a speaker while washing his car in the driveway. Painfully masculine, beautifully simple.

Take that car out of the driveway, and an alternative to streaming-induced banality awaits. I’ve found myself tuning in to 95.5 KLOS, my local classic-rock station, as I drive around the concrete sprawl of Los Angeles, which is an easy place to get sentimental about rock history. Turn a corner, and there’s Whisky a Go Go, there’s Laurel Canyon, there’s Sunset Sound. Leather-pants-wearing ghosts everywhere you look. L.A. was not built on subtlety, and it’s often best to commune with it at a high volume. A little bit of added radio crackle is fine; everything is grimy here.

I like listening to rock ’n’ roll not to accent my world but rather to draw my active attention.

Of course, the sugar blast of the most carnal rock songs cannot alone constitute a healthful diet, but a little can be rejuvenating. On my own, I would never fire up Mötley Crüe’s “Kickstart My Heart,” and I doubt Spotify would serve it to me through Autoplay. I’m thankful for that — it makes me feel as if I need a shower afterward — but total abstention from a song that catchy is like never indulging in a milkshake.

And certain peaks of rock history are well established for a reason. After hearing Jimi Hendrix’s “Voodoo Child” approximately 10 times in one month, I’m convinced there’s no moment more musically exhilarating than when the full band kicks in. And every time I hear Tom Petty sing about having the radio on in “Runnin’ Down a Dream,” while I, too, have the radio on, I pretty much see God. At one point recently, when a KLOS D.J. seamlessly transitioned Bob Seger’s “Hollywood Nights” into the Cars’ “Just What I Needed,” I almost burst out of my Prius.

But the classic rock I enjoy is not the only reason I tune into KLOS. What I’m also looking for is the music I despise . How else would I know that Grand Funk Railroad did a six-minute cover of “Gimme Shelter”? I’m drawn to the genre’s goofy idiosyncrasies. I cannot help laughing at James Hetfield every time I hear him end a line in a Metallica song with “-ah!” I’ve learned that whenever there’s a hair-metal song too vague and clichéd to place initially, the chorus comes on and it’s always Scorpions. For every legitimately classic classic-rock song KLOS plays, there’s another that makes the argument for rewriting the genre.

Maybe it’s a masochistic impulse to seek out this kind of inconsistency. But I can sense that, after my first decade of streaming, I’ve become more prone to complacency. I like listening to rock ’n’ roll not to accent my world but rather to draw my active attention. So, to keep my ears sharp, that means occasionally resetting my brain with the loudest, brashest music in the canon, for better or worse. (Sometimes that’s a spectrum captured within one simultaneously terrible, amazing song, like Kiss’s undeniably catchy “Lick It Up.”) And then, after an hour or so of this process, classic rock gives me back something crucial that streaming has been slowly taking away: the desire to turn the music off.

Nate Rogers is a writer in Los Angeles. His writing has appeared in The Los Angeles Times, The Ringer, Stereogum and elsewhere.

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Who’s bad? From Michael Jackson to David Bowie, why are some stars uncancellable?

A Michael Jackson jukebox musical has just opened – with no mention of sexual allegations – and a biopic is coming. What makes some celebrities immune to cancel culture? We examine who gets ostracised and who doesn’t

W as a Michael Jackson jukebox musical really such a good idea? When MJ the Musical opened in London last week, it was praised for its gravity-defying dancing and raft of floor-filling megahits. But one glaring oversight was unfailingly remarked upon. “In MJ,” ran the New York Times headline, “no one’s looking at The Man in the Mirror.” The show, it added, told the story of Jackson, “except for the big story”. As Anya Ryan put it in the Guardian’s two-star review : “It is hard to ignore the repeated allegations of child sexual abuse. Yet Lynn Nottage’s script does just that.”

Almost five years after Leaving Neverland, in which two men accused Jackson of sexually abusing them when they were children, it seems not everyone has got the message that the star is “cancelled”. In fact, to all intents and purposes, Jackson is not cancelled at all. That’s certainly what the money suggests, with Sony recently buying half of his back catalogue for a figure believed to be around £500m. Then there’s a forthcoming biopic starring Jackson’s nephew Jaafar in the lead role. According to Billboard, the Jackson estate earns around £60m a year from his music, royalties, theatrical shows and merchandise.

So how has this happened? How come some artists seem impervious to the supposed huge shifts in public opinion in the wake of #MeToo and Black Lives Matter? David Bowie is a striking example. Claims after his death by Lori Mattix and Dana Gillespie that he had had sex with them when they were under the age of consent (15 and 14, respectively) have largely been ignored, dismissed or at least treated completely differently to other male stars similarly accused. Is it because the women in question bore no ill will towards Bowie, with Mattix saying their encounter was “so beautiful … Who wouldn’t want to lose their virginity to David Bowie?” If, as we are led to believe, cancel culture is so pervasive, why does Bowie remain a hero? Are there some artists whose reputations will survive anything simply because they’re so adored? Or is there more to it than that?

I initially thought there might be some clear-cut factors that helped determine why some artists are ostracised and others are not. For instance, you might think still being alive makes you more cancellable – your misdemeanours will not only be more current but you’re also still around to profit from your art. But the very much dead Ike Turner (accused of multiple violent incidents by his former wife Tina Turner) could easily be described as cancelled, whereas non-dead Chris Brown (who pleaded guilty to felony assault of his then-girlfriend Rihanna) is still getting Grammy nominations.

How do you grapple with cases in which there are conflicting views and grey areas? Does Morrissey’s embrace of far-right political groups such as For Britain have to be weighed on some kind of moral scale against Johnny Marr’s progressive values, to work out if the Smiths are cancelled? Should Benjamin Zephaniah be shunned for being violent towards a former girlfriend, or is he excused because he was the one who wrote about it, expressing regret and the need to be better? Before long, my list of factors had spiralled into a tangle of nuances and contradictions.

With all these questions rolling around my head, I turned to other writers for advice. In her book Monsters: A Fan’s Dilemma , Claire Dederer writes about the specific pull Bowie had on young minds: “David Bowie was the patron saint of weird kids … For kids like me, there was a sense of ownership; Bowie was ours. His very existence was an assertion that aliens walked among us – so that when we ourselves felt alien, we might take comfort in the idea that we lived among a secret race, our true family.” This intense connection meant that many overlooked the accusations. But for Dederer, it made them cut deeper. Other famous bands might have slept with teenage girls, she writes, “but not our guy”. So does it just come down to an emotional attachment?

Not everyone is on board with Dederer’s thinking. Jessa Crispin, critic and editor of Substack publication The Culture We Deserve , criticised Monsters for an overreliance on emotions over intellect and logic. She believes Bowie has avoided cancellation because “anyone who built up a loyal following before the advent of social media is ultimately immune from it. That doesn’t mean they won’t come in for rounds of backlash, but the affection people have for their work will survive.”

She says that Mattix’s recollections of Bowie lead us to a more positive judgment of his behaviour. “Like, what are we doing here? Is it right for us to intervene and speak for [Mattix] and override her own account to insert our own? Something like cancel culture only works if there is consensus. When that accusation came up, there was not consensus, there was a lot of discomfort.”

This is not the first time Bowie has faced a backlash. In the 1970s, he was called out for expressing sympathy with the far right and calling Hitler the “first rock star”. But Jérôme Soligny, who wrote last year’s Bowie biography Rainbowman, doesn’t believe the accusations amount to much. “Bowie did say a couple of things he would regret later. Who didn’t? A lot was written at the time but we know now it was misconception from the press. Any fans who’ve read my work would know that Bowie was certainly not a right-wing racist.”

And the accusations that he slept with young teenagers? “I’ve talked with Dana many times. Obviously, with rock stars, everything could have happened. And everything did. Regarding Bowie and a few other famous musicians, what they brought to the world is so huge that, yes, people tend to forget.”

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The more people I speak to, the clearer it becomes that nobody has fixed views on what cancellation involves, or even what it is. In truth, “cancelled” is a fairly woolly term that can get confused with public criticism. Artists have long been attacked when their behaviour has upset certain groups of society, from the Beatles (whose records were actually burned after John Lennon claimed they were “bigger” than Jesus) to the Chicks (who were blacklisted by some country music radio stations for criticising President George W Bush in the lead-up to the Iraq war). Rarely does it mean that an artist is completely finished. People still watch Harvey Weinstein’s films even though he’s rotting in jail. Even R Kelly, perhaps the most open-and-shut case of cancellation imaginable, racks up 5m listeners on Spotify each month. So does cancel culture really exist at all?

Crispin says it does, but perhaps not in the way we had originally intended. “There is something at the root of cancel culture,” she says, “that comes out of a frustration that certain people are given the opportunity and means to abuse other people with impunity, and that the abuse has been disproportionately suffered by marginalised people, whether it is women, trans people, non-white people, and so on.”

But in reality, proper cancellation probably only happens for “people who don’t have the monolithic presence in their field – the debut artists, the non-tenured professor, the writer with only a couple of books out”, she says. “That process of reconsideration is only going to destabilise someone who can’t depend on strong bonds to fans, promoters, people in the industry outside social media. Personally, these cycles of outrage and so on have always bothered me … there are no clear parameters for what is acceptable and what is unacceptable.”

Dederer writes in her book that nobody comes to art as an impartial observer. “I’m not someone who is absent a history. I have been a teenager predated by older men; I have been molested; I’ve been assaulted on the street; I’ve been grabbed and I’ve been coerced and I’ve escaped from attempted rape … Like many women, I have a dog in this particular race.” These days she tells the students she teaches that a piece of art involves two biographies meeting: not just that of the artist, but that of the audience member, too.

Artists will often “survive” cancellation, whatever we mean by that, because there are sufficient people out there who approach their art unencumbered with conflicted feelings about doing so. There are no set rules, because we each make our own rules. Which is why for some people, R Kelly (cancelled!) is still fine to listen to, while for others Bowie (not cancelled!) is persona non grata.

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• David Bowie
• Michael Jackson
• #MeToo movement
• Black Lives Matter movement

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JoJo Siwa Serves Rock & Roll at 2024 iHeartRadio Music Awards With Kiss-Inspired Outfit

The star is just days aways from unveiling her new single "Karma."

By Rania Aniftos

Rania Aniftos

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Justin Timberlake Kicks Off 2024 iHeartRadio Music Awards With 'Selfish' & 'No Angels' Performance

The dancer and online star has also returned to the judging panel of  So You Think You Can Dance , joining previously announced judges Allison Holker and Maksim Chmerkovskiy on the 18th season. Siwa replaced Nigel Lythroe, who stepped away from the show earlier this month amid a  lawsuit  by Paula Abdul accusing him of sexual assault. 

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iHeartRadio Music Awards 2024: See the Complete List of Winners!

The iHeartRadio Music Awards are airing live from the Dolby Theater in Los Angeles on FOX

Kevin Winter/Getty; Kevin Mazur/Getty; Michael Buckner/Billboard via Getty

The 2024 iHeartRadio Music Awards are underway!

The annual awards show, hosted by Ludacris, aired live from the Dolby Theater in Los Angeles on FOX, and the winners poured in.

Taylor Swift led this year's nominations with nine total, followed by Jelly Roll ,  SZA  and  21 Savage with eight nods each and Olivia Rodrigo  at seven.

A few special honors were announced ahead of this year's iHeartRadio Music Awards, with Cher receiving the Icon Award, Beyoncé taking home the Innovator Award and both Green Day  and  TLC getting iHeartRadio Landmark Awards.

Matt Winkelmeyer/Getty; Mireya Acierto/Getty; Pascal Le Segretain/Getty

In an interview with PEOPLE ahead of the ceremony, Ludacris said he was most looking forward to the "variety" at this year's show, which will feature performances from the rapper himself as well as Justin Timberlake ,  Green Day ,  TLC ,  Jelly Roll ,  Lainey Wilson  and  Tate McRae .

"I love that you got Jelly Roll on here, you got Lainey Wilson, you got Justin Timberlake," said Ludacris, 46. "I just want to be a part of greatness. It's so much talent, so much energy and so much stuff to look forward to — and some surprises as well."

Check out all of PEOPLE's full iHeartRadio Music Awards coverage here .

See the complete list of 2024 iHeartRadio Music Awards winners below, updating live throughout the show.

Song of the Year              

“Calm Down” - Rema and Selena Gomez                                   

“Creepin'” - Metro Boomin with The Weeknd and 21 Savage                  

“Cruel Summer” - Taylor Swift                                      

“Dance The Night” - Dua Lipa                                       

“Fast Car” - Luke Combs                                               

“Flowers”- Miley Cyrus                                                 

“Kill Bill” - SZA — WINNER                                                           

“Last Night” - Morgan Wallen                            

“Paint The Town Red” - Doja Cat                                              

“vampire” - Olivia Rodrigo            

Pop Album of the Year

Olivia Rodrigo - GUTS — WINNER

Pop Song of the Year

“Flowers” - Miley Cyrus — WINNER                                                 

“Kill Bill” - SZA                                                           

“vampire” - Olivia Rodrigo              

Pop Artist of the Year

Miley Cyrus

Olivia Rodrigo

Taylor Swift — WINNER

Artist of the Year

Morgan Wallen

Duo/Group of the Year

Dan + Shay

Fall Out Boy

Foo Fighters

Jonas Brothers

OneRepublic — WINNER

Best Collaboration

“All My Life” - Lil Durk ft. J. Cole                                             

“Barbie World (with Aqua)” - Nicki Minaj and Ice Spice                        

“Boy’s a liar Pt.2” - PinkPantheress and Ice Spice                       

“Calm Down”- Rema and Selena Gomez - WINNER                                    

“Good Good” – Usher, Summer Walker and 21 Savage

“Rich Flex” - Drake and 21 Savage                                

“Thank God” - Kane Brown and Katelyn Brown                         

“Tomorrow 2” – GloRilla with Cardi B                          

“TQG” - Karol G and Shakira      

Best New Artist (Pop)

David Kushner

Jelly Roll — WINNER

Stephen Sanchez

Country Song of the Year

“Heart Like a Truck” - Lainey Wilson — WINNER                                       

“Last Night” - Morgan Wallen                                       

“Rock and A Hard Place” - Bailey Zimmerman                           

“Thank God” - Kane Brown and Katelyn Brown          

Country Artist of the Year

Jason Aldean

Lainey Wilson

Morgan Wallen — WINNER

Best New Artist (Country)

Jackson Dean

Megan Moroney

Hip-Hop Album of the Year

Metro Boomin - Heroes & Villians — WINNER

Hip-Hop Song of the Year

“All My Life” - Lil Durk ft. J. Cole — WINNER                                             

“fukumean” - Gunna                                                      

“Just Wanna Rock” - Lil Uzi Vert                                              

“Tomorrow 2” - GloRilla with Cardi B        

Hip-Hop Artist of the Year

Drake — WINNER

Best New Artist (Hip-Hop)

Ice Spice — WINNER

Lola Brooke

R&B Album of the Year

SZA - SOS — WINNER

R&B Song of the Year

“Creepin'” - Metro Boomin with The Weeknd and 21 Savage                   

“CUFF IT” - Beyoncé                                        

“Good Good” – Usher, Summer Walker and 21 Savage   

“On My Mama” - Victoria Monét                                              

“Snooze” - SZA   — WINNER

R&B Artist of the Year

Brent Faiyaz

Chris Brown

SZA — WINNER

Best African Music Artist

Burna Boy - WINNER

Best New Artist (R&B)

October London

Victoria Monét — WINNER

Alternative Album of the Year

Boygenius - The Record — Winner

Alternative Song of the Year

“Lost” - Linkin Park                                          

“Love From The Other Side” - Fall Out Boy                                           

“One More Time” - Blink-182 - WINNER                                        

“Rescued” - Foo Fighters                                                

“This Is Why” - Paramore          

Alternative Artist of the Year

Fall Out Boy — WINNER

Best New Artist (Alt and Rock)

Noah Kahan - WINNER

Rock Album of the Year

Metallica - 72 Seasons — WINNER

Rock Song of the Year

“72 Seasons” - Metallica                                                

“Dead Don’t Die” - Shinedown                                       

“Lost” - Linkin Park - WINNER                                       

“Need A Favor” - Jelly Roll                                           

“Rescued” - Foo Fighters     

Rock Artist of the Year

Foo Fighters - WINNER

Samir Hussein/WireImage

Dance Song of the Year

“10:35” - Tiësto ft. Tate McRae

“Baby Don’t Hurt Me” - David Guetta, Anne-Marie and Coi Leray                         

“Padam Padam” - Kylie Minogue                                                           

“Praising You” - Rita Ora ft. Fatboy Slim                                               

“Strangers” - Kenya Grace — WINNER

Dance Artist of the Year

Anabel Englund

David Guetta

Kylie Minogue

Tiësto — WINNER 

Latin Pop / Urban Song of the Year

“La Bachata” - Manuel Turizo                                                   

“La Bebe (remix)” - Yng Lvcas and Peso Pluma                                     

“Lala” - Myke Towers                                                    

“Shakira: Bzrp Music Sessions, Vol. 53” - Shakira and Bizarrap — WINNER                                       

“TQG” - Karol G and Shakira              

Latin Pop / Urban Artist of the Year

Karol G - WINNER

Manuel Turizo

Best New Artist (Latin Pop / Urban)

Young Miko — WINNER

Regional Mexican Album of the Year

Peso Pluma - Genesis — WINNER

Regional Mexican Song of the Year

“Bebe Dame” - Fuerza Regida and Grupo Frontera                      

“Ella Baila Sola” - Eslabon Armado and Peso Pluma — WINNER                               

“Indispensable” - Carin León                                                     

“Qué Onda Perdida” - Grupo Firme ft. Gerardo Coronel                          

“Qué Vuelvas” - Carin León and Grupo Frontera      

Regional Mexican Artist of the Year

El Fantasma

Grupo Frontera

Peso Pluma — WINNER

Best New Artist (Regional Mexican)

Gabito Ballesteros

Gerardo Coronel

K-pop Album of the Year

Stray Kids - 5-Star — WINNER

Dimitrios Kambouris/Getty 

K-pop Artist of the Year

Jung Kook — WINNER

K-pop Song of the Year

“Bouncy (K-Hot Chilli Peppers)” - ATEEZ                                                                    

“Cupid (Twin Version)” - FIFTY FIFTY — WINNER                                                             

“S-Class” - Stray Kids                                                   

“Seven” - Jung Kook ft. Latto                                          

“Super Shy” - NewJeans              

Best New Artist (K-pop)

BOYNEXTDOOR

NewJeans - WINNER

ZEROBASEONE

Producer of the Year

Carter Lang 

Jack Antonoff — WINNER 

Kid Harpoon 

Songwriter of the Year

Ashley Gorley  — WINNER

Jack Antonoff 

Michael Ross Pollack 

Best Lyrics

“Dial Drunk” - Noah Kahan 

“Flowers” - Miley Cyrus 

“Greedy” - Tate McRae 

“Houdini” - Dua Lipa 

“Is It Over Now? (Taylor's Version)” - Taylor Swift  — WINNER 

“Last Night” - Morgan Wallen  

“Lovin On Me”- Jack Harlow 

“Nonsense” - Sabrina Carpenter 

“Paint The Town Red” - Doja Cat  

“vampire” - Olivia Rodrigo 

“Water” - Tyla 

“What Was I Made For?” - Billie Eilish 

Best Music Video

“3D” - Jung Kook ft. Jack Harlow  

“Dance The Night” - Dua Lipa 

“FLOWER” - JISOO  

“Flowers” - Miley Cyrus  

“I'm Good (Blue)” - Bebe Rexha and David Guetta 

“Kill Bill” - SZA 

“La Bebe (Remix)” - Yng Lvcas and Peso Pluma  

“Seven” - Jung Kook ft. Latto — WINNER   

“TQG” - Karol G and Shakira  

 Best Fan Army

BTS Army — WINNER

Social Star Award

Alex Warren 

David Kushner 

Flyana Boss

Gracie Abrams — WINNER

Jessie Murph 

Megan Moroney 

Natalie Jane 

Noah Kahan 

Favorite Tour Photographer

Alfredo Flores - Sabrina Carpenter

Anna Lee - Coldplay

Carianne Older - Charlie Puth

Catherine Powell - Kelsea Ballerini

Cynthia Parkhurst - Jonas Brothers

David Lehr - Morgan Wallen

Joshua Halling - Louis Tomlinson — WINNER

Mason Poole - Beyoncé

Matty Vogel - Misterwives

Ravie B - Adele

Ryan Fleming – 5 Seconds of Summer

Sanjay Parikh - Shinedown

 TikTok Bop of the Year

“Boy’s a liar Pt. 2” - PinkPantheress and Ice Spice 

“Collide (Sped Up Remix)” - Justine Skye 

“Cruel Summer” - Taylor Swift — WINNER 

“Cupid (Twin Version)” - FIFTY FIFTY 

“Daylight” - David Kushner 

“Her Way (Sped Up)” - Party Next Door 

“If We Ever Broke Up” - Mae Stephens  

“Paint The Town Red” - Doja Cat 

“Water” - Tyla  

“What It Is (Solo Version)” - Doechii  

Favorite On Screen

j-hope IN THE BOX — WINNER

Love To Love You, Donna Summer

Louis Tomlinson: All of Those Voices

Prince: The Final Secret

Renaissance: A Film by Beyoncé

Jelly Roll: Save Me

Taylor Swift: The Eras Tour

TLC Forever

Favorite Tour Style

Carrie Underwood

Harry Styles

Sabrina Carpenter

Shania Twain

Favorite Debut Album

GOLDEN  - Jung Kook

In Pieces  - Chlöe

Layover  - V — WINNER

Lucky  - Megan Moroney

Mirror  - Lauren Spencer Smith

My 21st Century Blues  - Raye

Religiously  - Bailey Zimmerman

Snow Angel  - Reneé Rapp 

Tyler Hubbard  - Tyler Hubbard

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Ohio-born The Black Keys to perform in October at Nationwide Arena

The Black Keys , the Grammy-winning blues-rock duo hailing from Akron, will return to their home state during their 2024 North American tour, which will stop at Nationwide Arena on Oct. 24.

American Express Card Members can purchase tickets before the general public starting at 10 p.m. Tuesday through 10 p.m. Thursday. Additional presales will run throughout the week ahead of the general sale beginning at 10 a.m. Friday. Visit livenation.com and theblackkeys.com for all details.

The Black Keys played the Schottenstein Center in 2012 and their upcoming “International Players Tour” comes on the heels of two successful performances at SXSW earlier this month. The tour is in support of their new album, “Ohio Players,” due out on Friday. They will be joined on the road with indie folk band The Head and the Heart.

The pair — Dan Auerbach and Patrick Carney — started as an indie act, recording in basements and producing their own records. After self-producing and recording their first four albums in makeshift studios, the duo recorded their fifth album, "Attack & Release" in 2008 in a professional studio, hiring producer Danger Mouse, who has worked with artists such as the Red Hot Chili Peppers, Gorillaz, Norah Jones, Adele, A$AP Rocky and many others.

Review: Despite illness, Fall Out Boy delivers at sold-out Columbus concert

The Black Keys' commercial breakthrough came with the 2010 album, "Brothers," which along with its chart-topping single "Tighten Up," earned them two Grammy Awards. Their follow-up album and its hit single , "Lonely Boy," won three Grammys. Other hits include "Gold on the Ceiling" and "Little Black Submarines."

Several Black Keys songs have been used in film and television, including on series such as "How I Met Your Mother," "New Girl, "The Good Doctor" and "Sons of Anarchy."

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Biden holds record-breaking New York City fundraiser with Barack Obama and Bill Clinton

By Aaron Navarro , Jordan Freiman

Updated on: March 29, 2024 / 6:54 AM EDT / CBS News

President Biden participated in a star-studded fundraiser with former Democratic Presidents Barack Obama and Bill Clinton on Thursday in New York City in an event expected to raise more than $25 million for the president's re-election campaign.

Thursday's New York City fundraiser at Radio City Music Hall was hosted by actress Mindy Kaling and featured performances by several musical guests and artists, including Queen Latifah, Lizzo, Ben Platt, Cynthia Erivo and Lea Michele. The event was capped off with a nearly hourlong discussion between Mr. Biden, Obama and Clinton moderated by "The Late Show" host Stephen Colbert. 

Obama accompanied Mr. Biden on the Air Force One flight from Washington, D.C., to New York earlier in the day.  

House Minority Leader Hakeem Jeffries, Senate Majority Leader Chuck Schumer and first lady Jill Biden also delivered remarks during the event. 

Schumer touted several of Mr. Biden's accomplishments and spoke of the potential for not just the president's re-election, but for Democrats to control all three branches of government with key wins in the 2024 election.

"Re-elect Joe Biden as president, put Hakeem Jeffries as Speaker, keep me as Majority Leader, and the next four years will be better than this. You ain't seen nothing yet," the Senate majority leader said.

The first lady, joined by several other members of the Biden family, recalled that after she agreed to marry Mr. Biden, "He said, 'Jill, I promise you, your life will never change.' Well that, of course, turned out to be wildly untrue."

She also spoke of the large sum raised for her husband's campaign.

"This is the biggest fundraiser the DNC has ever held – the fundraiser to end all fundraisers – and we've raised a record amount," Jill Biden said.

Mr. Biden, Obama and Clinton discussed a wide variety of topics, from the economy to the border to the Jan. 6, 2021 assault on the U.S. Capitol, which Mr. Biden bluntly referred to as an insurrection. 

"I was supposed to make a speech on the economy, and I decided I couldn't remain silent," Mr. Biden said. "So what I did was I made a speech about January the sixth, what was happening. And I said it was an insurrection underway, and it must be dealt with and I plead with the president to stop and do his job, call these people off. He sat there in the dining room off the Oval Office for several hours and watched, didn't do a damn thing. That's why I felt obliged even though I wasn't sworn in yet. I was president-elect."

The fundraiser was interrupted by demonstrators protesting against the war in Gaza multiple times, and one who appeared to be yelling something about nuclear with Russia, throughout the night. One interruption came while Obama was discussing Gaza, to which he replied "You can't just talk and not listen," leading the audience to give him a standing ovation.

"It is also possible for us to have our hearts broken watching innocent people being killed and try to manage through that in a way that ultimately leads to both people being able to live in peace side by side," Obama said. "That is not an easy thing."

"It is important for us to understand that it is possible to have moral clarity and have deeply held beliefs, but still recognize that the world is complicated and it is hard to solve these problems," the former president added.

There were also Pro-Palestinian protests outside the music hall, CBS News New York reported . The New York Police Department told CBS News one person was detained. There was no word on why.

The demonstrators were chanting and screaming their messages, directing their anger toward Mr. Biden and, at times, at police officers.

Mr. Biden reiterated his support for Israel and its right to self defense, but said there were "too many innocent victims" and that more aid needs to get into Gaza. Mr. Biden also expressed support for a two-state solution.

"It's understandable there's such a profound anger, and Hamas is still there, but we must in fact, stop the effort resulting in significant deaths of innocent civilians, particularly children," Mr. Biden said.

The campaign has billed the event as the "most successful political fundraiser in American history." 

During a swing through Texas earlier this month, the Biden campaign raised a combined $7 million from three separate fundraisers. A fundraiser for Mr. Biden in Raleigh, North Carolina, on Tuesday raised $2.3 million. 

Mr. Biden's largest single-day haul prior to Thursday came in the 24 hours after his  State of the Union address earlier in March, when he raised $10 million, according to his campaign.

But Thursday's staggering sum is a new record for the campaign, and it further illustrates the growing cash gap between Mr. Biden and his presumptive general election opponent, former President Donald Trump. 

Trump raised $20 million in the whole month of February and $8.8 million in January. He's also been dogged by legal bills and payments , with his campaign and the political action committees supporting him spending over $10 million in legal fees this year.

Mr. Biden's campaign committees have more than double the cash on hand of Trump's equivalent groups, $155 million for Mr. Biden and $74 million for Trump as of late March.

"Unlike our opponent, every dollar we're raising is going to reach the voters who will decide this election — communicating the President's historic record, his vision for the future and laying plain the stakes of this election," said Biden-Harris campaign co-chair and Hollywood mogul Jeffrey Katzenberg. 

Trump's campaign sent out two fundraising emails Wednesday mentioning Mr. Biden's Thursday fundraiser, with one calling on "one million Trump supporters to donate to beat the "Obama-Clinton cartel" and the other reading, "We can't lose to Obama!"

• Democratic Party

Aaron Navarro is a CBS News digital reporter covering Florida Governor Ron DeSantis' presidential campaign and the 2024 election. He was previously an associate producer for the CBS News political unit in the 2021 and 2022 election cycles.

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JoJo Siwa Goes Punk in New Rock Chunky Boots at iHeartRadio Music Awards 2024 Red Carpet

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JoJo Siwa arrived at this year’s iHeartRadio Music Awards in a rockstar getup. The “Dance Moms” alum kicked back in chunky New Rock metallic boots on the event’s red carpet, held in Los Angeles on Monday.

About the Shoes

The M-319-C5 boots are a testament to the fusion of fashion and rock, embodying the essence of the brand. Crafted from genuine leather, these boots exhibit the highest standards of quality and durability. The punk and rock design effortlessly captures the spirit of rebellion and individuality, drawing inspiration from the punk and rock subcultures, making them essential for rock lovers.

Since 2014, the iHeartRadio Music Awards has celebrated outstanding achievement in music. The program honors the most-played artists and songs on iHeartRadio stations and the iHeartRadio app. The 2024 honorees include Beyoncé , who will receive the Innovator Award, and Cher , who will receive the 2024 Icon Award. Performers include Justin Timberlake, Green Day, TLC, Jelly Roll , Lainey Wilson and Tate McRae.

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